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A Few Quick Questions With…Amy Maren Rice

Earlier today, I had a few things to say about the very entertaining debut novel from Amy Maren Rice, Fuzzwiggs: The Switcheroo, and this summer she participated in a Q&A about writing in Idaho with me. Since I met her earlier this year at the Nampa Library’s local author event, I’ve run into her at a couple of other events in the area. Getting to know her a little bit these last few months is a highlight of the year, I hope you enjoy the the As she provides to me Qs below (as well as the previous batch).


Beverly Cleary and Toni Morrison have both said things like, “write the book you want to read.” The last time we did a Q&A, you suggested you wrote the book you wanted your kids to read. Talk about that thinking process a bit, if you could. How long did it take to get from that decision to having Fuzzwiggs: The Switcheroo in your hands? Were there some abandoned books along the way?
A long, long time! I started daydreaming about writing Fuzzwiggs: The Switcheroo almost ten years ago. I’d always wanted to write a book but never felt confident enough in myself to pursue it. The push to write came when my boys (about 9 and 11 at the time) and I had difficulty finding books for their reading levels that were also age appropriate and fun. Something sparked inside me, and I finally felt like I could do it.

Once my brain got the go-ahead I was addicted. I started by jotting down the flood of ideas floating around in my head. Often, my favorites came from exhaustion; when I was too tired to think straight but still had parenting duties that demanded my consciousness. The words began to flow, and I didn’t want to stop. There were some casualties along the way (my kids were fine I swear) but ideas were begrudgingly cut as I found my voice and style.

I had a few goals in mind as I wrote. I wanted to challenge my kids’ vocabulary a bit, but not swamp them with it, so I sprinkled a few less commonly used words in there, like eccentricities and melodious, to get their brains whirring. I purposely made the chapters short, some as brief as two pages, each one a small scene to keep their attention. And I made the two main characters relatable to them. I don’t remember where I heard it, but I’ve always liked the saying, “Because I have a brother, I’ll always have a friend.” The plan was to teach the brothers in my story to value each other’s differences and embrace their built-in friendship. I hoped my boys would see the lesson in that.

I was only ever focused on writing one book. There wasn’t room in my brain for more as I was also currently also keeping myself and three small humans alive.

Students at Hogwarts have just the right pronunciation (“It’s Leviosa, Not Leviosaaa”), Samantha Stephens twitches her nose, and your Fuzzwiggs—ahem, pass gas (I whisper, so my older relatives don’t get the vapors). Where did that choice come from? You mentioned you wrote the book with your pre-teen sons in mind, so I’m sure that played a significant role. But can you remember what led up to that?
At the time, my life was my three young boys. Little boy humor, as you may know, is very … unique. There was never a fart that wasn’t funny, so naturally I had to incorporate that. As this was to be a book for “family eyes only”, it never occurred to me to consider the consequences of having to utter the phrase, “my characters have fart powers” in public, but here we are.
That got an audible laugh from me. 🙂

Were you drawing on particular myths or stories when you came up with the tree and the guardians? (I can’t remember the proper name for either, sorry, feel free to edit/correct me) It feels a little Norse myth-with a twist to me. Or am I off-base there? )
You may find this hard to believe but I was just making it up as I went along! It’s very cool that you get that Norse myth-with a twist vibe, I do have Germanic heritage…ha!

For me, trees have always symbolized life and family. Growing up, my own family was big into genealogy, which is often represented with a tree, the branches stretching out into each family line. I often imagined the roots as nourishing and nurturing, tethering us to our ancestors who watch over us and support us. I think it was because of this sense of family and ancestry that I chose the tree as the home of my portals and the family as guardians.

I love how even the baby gets in on the action (at least to a degree). Is this a reaction on your part to the way that younger siblings/parents are frequently pushed to the side for stories with this age group—or was it more of a “it just seemed fun” kind of thing?
It does seem like parents and siblings are often forgotten about or mentioned only briefly, but I’m always looking for things to be resolved. Who’s watching the baby? Where are the parents? For my story, I wanted there to be a feeling of family. Even though the family is struggling emotionally with a loss and the boys are having difficulty getting along, I tried to show them as being together and being there for each other—even the baby, who provides a source of joy for them in a time of sorrow and transition.

Who are some of the bigger influences you have in your writing—whether or not readers can see them, you know they’re there?
One Christmas (back in my teen years) I received a hardback copy of The Belgariad (books 1-3) by David Eddings. I couldn’t put it down and, consequently, was very sleep deprived that December. I became hooked on epic fantasy and soon discovered Robert Jordan— who introduced me to Trollocs (eek) and the one power, and R.A. Salvator—whose character Drizzit Do’Urden captured my heart in his Dark Elf Trilogy. Later in life, after I became a mother, I found Brandon Mull and Tyler Whitesides who inspired me to write a fantasy book for the younger generation of readers, one I would love for my own kids to experience.

How’s the reception to Fuzzwiggs: The Switcheroo been? What kind of surprises have you encountered?
it’s been an interesting year for sure. When I started writing, I hoped that I would be brave enough to put it out into the world but was never sure it would happen. When I finally took the leap, it was both exhilarating and terrifying. I’m surprised every time someone has something nice to say about it. The little girl who stopped by my table to tell me about her favorite parts in the book, the lady who shouted across the room as she entered, “I came just to see you!”, and the young man who asked me (very politely) to “hurry up and finish book two” …those where huge surprises. I’ll always have those memories to build me up through life and I’m grateful to have met all of those people.

I’ve had my moments where my anxiety gets the better of me, but my growth has been a surprise too. Every time I’m able to attend a book event and talk to strangers about fart powers is a good day. My hope is that by sharing my anxiety struggles I will be an example of pushing through, working to overcome, and allowing myself to be vulnerable— especially to my sons.

How’s the process in working on your second book compared to the first?
Wow, what a different experience! This is my first “second book” and it’s been interesting to see how I respond to challenges as I write it. I can’t just go back and change the first book to match where my imagination wants to go, so there’s a lot of compromising going on in my brain. Lots of ideas in the save for later pile but also lots of new ideas competing for attention. I’m enjoying the creativity and challenge of it.

It’s also very surreal. I wrote a book. I’m writing a second book. How’s that for dreams coming true!

What’s next for Amy Maren Rice, author?
I find that if I imagine too far ahead, I don’t finish what I’m currently working on. I see all the sparkly things and want to explore them all and can become blind to the carnage of forgotten ideas and projects left in my path. I do know that this will be a six-book series, which I’m looking forward to writing, and currently I’m just basking in the glow of having done something way out of my comfort zone and not perished.

Thanks for your time—and thanks for Fuzzwiggs: The Switcheroo—I’m eager to see what’s next for this family.


A Few Quick Questions

Fuzzwiggs: The Switcheroo by Amy Maren Rice: A Silly (and Odorous) MG Adventure Sure to Please

I’ve got a Q&A with the author, Amy Maren Rice, coming up this afternoon, come back and give it a read, will you?


Fuzzwiggs: The SwitcherooFuzzwiggs:
The Switcheroo

by Amy Maren Rice

DETAILS:
Series: Fuzzwigs, #1
Publisher: Covenant Books
Publication Date: July 14, 2022
Format: Paperback
Length: 294 pg.
Read Date: August 31-September 2, 2023
Buy from Bookshop.org Support Indie Bookstores

A Brief Introduction/Disclaimer

When I type (and when I read), I always insert an “i” between the “z”s and the “w”. I don’t know why, it just got into the back of my head that way. I believe I caught them all in proofreading, but I may not have.

Apologies in advance. Also, next time she comes up with a race of extra-dimensional characters, I hope Rice consults with me about the vowels she should use.


…the bowl shifted.

Slowly the crimson crockery began to rise. Twig like fingers curled around the edge. A pair of furry arms followed and then came two frightened golden eyes that blinked rapidly at them. A triangular face with a soft puppylike nose was next. It twitched as a strand of pasta slid off it to the floor. Oversized tufted ears slowly unfolded as the creature spoke…

“Please, we are needing your help.” It repeated, its eyes large and pleading like a puppy begging for a treat.

Jasper rubbed his own eyes in disbelief. “W-w-w…” he stuttered. He licked his lips he tried again. “What are you?”

“We are being the Fuzzwiggs,” the creature replied.

“Whose [sic] ‘we’ and what are, uh, those?” Milo asked, brushing the lettuce from his hair.

The animal made a gesture with his long fingers and several other big-eyed furry creatures shuffled forward, filling the room. They came from behind doors and under furniture. One was even inside a kitchen cabinet. Their rabbit like feet stepped carefully around the food-splattered floor…

What’s Fuzzwiggs: The Switcheroo About?

I’ll try to keep this brief…but no promises.

When we meet them, Jasper (12) and his brother, Milo (10), are moving to a new home. Their father died in a plane crash, and their mother can’t support the family as things are. So they, their mother (Emily) and baby brother (Wyatt) are going to live in tiny little town in Idaho to live with their grandfather and aunt. The brothers really don’t know their family well, but the house their father grew up in is large enough for them and the change will be good for the family (or so Emily hopes).

When they arrive, no one is home. They didn’t expect their grandfather to be there—he travels a lot and doesn’t do a great job of keeping the family updated on his location. But their Aunt Delilah should’ve been there. In her place is a note welcoming them to the house, telling them to choose their own rooms, make themselves comfortable, and to do a few specific things—follow some rules and do some chores. Some of the chores and rules are odd, but whatever.

The house is large and wonderful—the boys really want to go exploring some of the strangeness, but their mother makes them focus on unpacking and whatnot. Perhaps the strangest thing about the house is that there is a large, old tree in the center of it—words like “mega” and “ancient” are used by the boys to describe it. Their dad used to joke about being raised in a tree house. Now they get it. Sort of.

What the family is going to learn, is that the Great Tree is a vitally important object beyond their comprehension. It’s guarded (in part) by some strange and magical creatures called the Fuzzwigs. The odd thing about these creatures (well, one of the odd things) is that their magic comes from their flatulence.

But before they learn that, as is expected in stories where people are given oddly specific instructions and warnings—Emily and the kids don’t really heed them as they should. The consequences of that are going to bring a lot of trouble—and the Fuzzwigs—into their lives.

Fuzzwiggs

This is going to be the crux of the book for (at least) most readers—what do you think of these creatures? Even the Middle-Grade readers of this book are going to be familiar with a lot of the things in the novel—the bickering brothers, the family tragedy that makes them move, the mysterious extended family members they have to rely on, the strange thing in the new house that comes with a lot of rules, etc. And sure, silly intelligent (or at least sentient and capable of communication) creatures will be familiar, too—but the Fuzzwiggs are what’s going to draw the attention and keep it or lose it.

For this reader, they kept it. It helps once you get to the point you can see beyond the obvious comedy and get to something deeper (not much deeper, it’s not that kind of book)—I don’t know how much the target audience will respond to that, probably more than I reflexively give them credit for. Also, this will be easier to talk about when we get to Book 2 in the series and I can talk about some of these deeper ideas without spoiling things.

I think the easiest comparison I can make to help one of my readers to understand the Fuzzwiggs is the lemurs from Madagascar movies and the spin-off movies/show. They have a similar kind of manic energy and attitudes. As I make that comparison, I realize that the humor that comes from them reminds me of DreamWorks Animation movies in general.

We might as well segue to:

The Humor

Yes, it’s largely juvenile. So what? The book is directed at people who are juveniles. Can adults appreciate it? Yes, but only if they are willing to find humor in bodily functions and whatnot.

I think of it similarly to that line of C.S. Lewis’ about Fairy Tales, about one day being old enough to start reading them again. Or, “When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.” Human bodies are silly things that can make gross noises—at a certain age, we pretend it’s not amusing, and at a more advanced age we can chuckle at it again. Sure, I might not find the sounds and this book as amusing as a ten-year-old will…but I’m okay with that. Actually, I’m a little jealous.

So, to get back to the DreamWorks Animation idea—if Shrek and its counterparts are too juvenile for you—skip this book. And give it to someone who will enjoy the humor.

There is one character in particular I’d love to talk about on the comedy front, but it would spoil too much. Let’s just say that there’s a Hollywood hopeful in these pages that deserves a spin-off novella.

So, what did I think about Fuzzwiggs: The Switcheroo?

I really enjoyed the way that the whole family got involved—at least in some way—with the story. It’d have been very easy for Rice to focus on Jasper and Milo—or the boys and their aunt. But Rice got their baby brother rather involved in the story to great effect—Wyatt’s antics elicit some good chuckles and also brought some sweetness into things. I also appreciated the way their Mom was handled—we get a little from Emily’s perspective, we understand how everything we see here is difficult for her and yet she knows it’s best, and so on. And then she’s largely sidelined because this is a MG book and it’s a rule. Or, to put it less cynically, otherwise, the boys couldn’t get into adventures. But it’s a comical sidelining that Rice used well.

The adventure story itself is exactly what you want in this kind of story—there’s a great trek through the wilderness, hazards from within and without, some villains that really don’t realize what they’ve gotten themselves into (they’re both rotten and comical, a great combination for this kind of book), and some great battles (or scenes that are battle-ish and I don’t know how else to characterize them) and some nice story resolutions with hidden life lessons in them. It’s a good balance between comedy and adventure that I’d imagine would appeal to a broad range of middle-grade readers.

I had a few quibbles with the book and feel like I should mention them. There’s a museum in town that was established before Lewis and Clark stumbled through the area. I assume that was an editorial slip, or there’s going to be a great explanation eventually given for that. I do wonder if some of the descriptions of the magic/abilities of some of the creatures could’ve been explained a little better. Some (all?) of the scenes that cut away to things not directly involving the main events of this book were really hard to follow, yes, they’re establishing the world for this series and setting up future books. But I think a little more finesse would’ve helped a lot here. Neither of these are fatal flaws, and I anticipate that Rice will do this kind of thing better as she writes more. But they dampen my enthusiasm a bit.

Just a bit, though. I had a ball with this book and I think my readers would enjoy it—and the kids in their lives would enjoy it even more. I’m eager to see where Rice takes this series and I really want to see the scenes that follow the Epilogue. I imagine most readers will be with me there.

Pick this up—I think you’ll be happy you did.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Saturday Miscellany—12/2/23

You would not believe how many times I’ve tried to get this posted today…I barely do, and I was there for all of them. But, life has interfered (as it so often does). But it’s still Saturday, so I can live with it (the two posts I also planned on scheduling today, on the other hand are going to wait a week or more for attention).

But you didn’t come here for my whinging. You came here for this:

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Wisconsin libraries would have to notify parents about the books their kids check out under GOP proposal—I’m not fond of this, but I’m not sure it’s horrible. The other bill talked about in this story, on the other hand…
bullet When Your Own Book Gets Caught Up in the Censorship Wars—a little BTS action
bullet This Is Your Brain on Books
bullet The big idea: should we abolish literary genres?
bullet Webtoons and Webcomics Keep Scrolling into Print
bullet Do You Believe in Magic? On The Timeless Charm of Children’s Books 
bullet It’s getting to be that time of year, isn’t it? Libro.fm’s Top 10 Audiobooks of 2023
bullet S.A. Cosby lists His favorite books of the year—have read a couple of these and have several others sitting on a stack in my office, glaring at me
bullet And looking in the other direction, FFA’s Most Anticipated Reads of 2024
bullet Scaring Myself: The Story Behind How & Why I Wrote CALICO…—Lee Goldberg talks about the background to his latest novel (that I will write about ASAP, but you should read)
bullet The Case for Never Reading the Book Jacket—I thought this was interesting and had planned on putting it here in the first place, and then:
bullet Molly Templeton responded with What Do You Want to Know About a Book Before You Read It?—what are your thoughts?
bullet #R3COMM3ND3D2023 wrapped up this week, so I only have a few more TBR add-ons for you:
bullet …with Donna of Retirement Reflections
bullet …with Rae of Rae Reads
bullet …with Ayo Onatade of Shotsmag Confidential—
bullet …with Sarah Hardy of bytheletterbookreviews
bullet …with Jo of Jo’s Book Blog
bullet Announcing Solstitia: a Fiction Fans Magazine—the brains behind Fiction Fans are launching a zine/litmag. Looking forward to some good reads.
bullet Similarly, JCM Berne is starting up Grimdwarf Magazine—and is worth looking into
bullet Managing my TBR—The Narratess talks about getting her TBR slimmed down. No offense intended, but having read her numbers, I’m feeling better about mine. But still…
bullet Is It Easier to Write Negative Reviews?—Not for me, no. But I can see where Krsyta is coming from.

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet The Joined Up Writing Podcast 204: S.A. Cosby—Cosby chats about All the Sinners Bleed and much more. I love listening to this guy.

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Robert B. Parker’s Broken Trust by Mike Lupica—Lupica takes up the Spenser torch from Atkins, and is much better than I assumed. (I’d planned on finishing this today, but, life intervened). PI Fans would be smart to pick this up.
bullet Didn’t See That Coming by Jesse Q. Sutanto—okay, a YA take on You’ve Got Mail with gamers and a private school, isn’t really my cuppa. But I really liked Sutanto’s style at first contact. So, I’m going to give this a shot (as I try to work older books into my schedule, too).

Lastly, I’d like to say hi and extend a warm welcome to Taylor @ Taylor Fenner’s Bookish World, who followed the blog this week. I hope you enjoy the content and keep coming back.
I am simply a book drunkard. - L.M. Montgomery

EXCERPT from Nameless Queen by Marie Sinadjan: Who is She?

We continue to celebrate Release Day for Marie Sinadjan’s Nameless Queen here with this excerpt.


from Nameless Queen by Marie Sinadjan

Standing on the bank of the river Gjoll, Hel listened to the names of the Dead in the wind. This was her life now, as difficult and strange as it was to accept.

The Allfather had banished her from Asgard for treason, trapping her in Niflheim and erasing her name. However, she eventually realized that the realm itself was alive and had other plans. Niflheim did not intend for her to merely wallow in her despair and slowly starve herself to death.

The realm wanted her to be its caretaker.

A line of longships stretched toward the horizon and disappeared into the mist. In the ships were bodies, and the first one had come alive at Hel’s accidental touch.

The man lurched like he had been holding his breath underwater for far too long. “Where am I?”

For a moment she stared back at him with an equal measure of fear. What just happened? Was it her appearance that scared him?

But it soon became clear that it was not the case. “Who am I?” he asked her, distraught.

His name came to her in the wind. “Egil Hringson,” she repeated.

Her eyes flew wide as the man clung to her and wept like a child. She hadn’t realized how important it was for the Dead to be remembered, not until then. And while she did not have the details of his life, revealing his name seemed to help him find peace.

She did not sleep for three whole days, traversing the bank of the river to bring the newly deceased out of their stupor. There were surely hundreds of them; she’d stopped bothering to count after she reached twenty. Some ships had elaborate carvings on the prow, while others were simple wooden vessels that appeared to have been put together at the last minute. None of that mattered to her, however. It was not her place to judge or choose who awakened in this realm, unlike Odin the Allfather and his band of Valkyries.

At first, only the old woman helped her. But after three days of tireless work by the river, the inhabitants of Niflheim came to see that she was something more than merely a deranged soul who could not embrace the fact that she was dead. One by one, they joined her, seeing those she’d awakened into settlements and communities. Most of them were patterned and named after actual Midgardian locations, which provided a small comfort to the Dead.

“Who is she?” Egil asked the old woman when he returned to the river the day after his awakening.

“Hel,” the old woman answered.

It was not Hel’s real name, but it was all she had.

The one she had been born with had been taken away from her.

 


Interested in the rest? Go grab your copy of Nameless Queen by Marie Sinadjan now at https://books2read.com/NamelessQueen!


Irresponsible Reader Pilcrow Icon

WWW Wednesday, November 29, 2023

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading According to Mark by H.B. O’Neill, and boy howdy, am I going to spend a lot of energy talking about it next year when it’s published. I’m listening to The Bittlemores by Jann Arden on audiobook—which is so much better than I’d expected.

According to MarkBlank SpaceThe Bittlemores

What did you recently finish reading?

I just finished the incredible Bea Wolf by Zach Weinersmith and Boulet (Illustrator) and the almost-as-good Nerd: Adventures in Fandom from This Universe to the Multiverse by Maya Phillips (Narrator) on audio.

Bea WolfBlank SpaceNerd

What do you think you’ll read next?

My next book should be Robert B. Parker’s Broken Trust by Mike Lupica, I hope the transition from Atkins to Lupica on the flagship Parker series is smooth. My next audiobook should be Brokedown Prophets by S. A. Cosby, narrated by a full cast—I have no idea what it’s about, really. I stopped reading at “S.A. Cosby.”

Broken TrustBlank SpaceBrokedown Prophets

What are reading as the year heads into its home stretch?

LITERARY LOCALS: A Q&A About Writing in Idaho with Taylor R. Gray

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It’s time for the next (and hopefully not last) Q&A I arranged after the Boise Library! Book Faire. I hope you enjoy it as much as I did.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
My name is Taylor Gray and I’m a software engineer turned author. I’ve always had an interest in sci-fi, fantasy, and superheroes since childhood. My urge to write stories first began in high school when my friends and I would pass around a notebook to write our own sci-fi fantasy story. Since then, I had been writing off and on, primarily focusing on my profession. Finally, in 2019, I decided to dedicate the time to sit down and finish my first novel which became the first book in the Trials of Incomplete Heroes series. Every book in that series is entirely self published. In 2022, I finally landed the attention of a publisher and, as of this year, published Mercury Snow.

Trials of Incomplete Heroes is available on Amazon at: https://www.amazon.com/dp/B08L9J28Z4

Mercury Snow is available on Amazon at: https://www.amazon.com/Mercury-Snow-Taylor-R-Gray/dp/1961093057 or Barnes & Noble: https://www.barnesandnoble.com/w/mercury-snow-taylor-r-gray/1143603816

I do have a Facebook page for my books here: https://www.facebook.com/TrialsOIH

Are you a native Idahoan? What is it about Idaho that keeps you here?
I’m a native Idahoan, born and raised in Boise. In my high school years, I used to hike around the White Cloud mountains and camp at various lakes. The varied landscape of Idaho is fascinating. We have mountains, forests, deserts, lakes, rivers, etc… We just don’t have an Ocean. Why leave when I could have any scenery I wanted in this state already? Also, at heart, I’m a homebody who doesn’t like crowds or travel.

That last sentence sums up my primary reason for sticking around, too. 🙂

Why risk going somewhere you might not like to deal with crowds if you don’t have to. Idaho is a perfectly fine place to be. 🙂

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
In terms of local author groups, no. I am, however, a part of an author group through my publisher and we still meet at least once a month online. In the past, I attempted to join a few Facebook groups which I don’t think exist anymore. I was also going to form an in person group with a few local friends, but none of us ever got around to it. As both a software engineer and an introvert, joining or creating social groups is outside my expertise.

That’s a good point—particularly post-COVID, an online group seems like a no-brainer. Is this a critique group, a mutual encouragement time, or something else?
My publisher calls it a “mastermind” group where various other authors under this publisher get together to read segments of what they’re working on. The goal is to provide feedback from the standpoint of a reader such as:

  • How did this segment make you feel?
  • What questions did it leave you with?
  • What narrative or plot loops did it open that need closing in the future?
  • Did it make sense?

It’s effectively a group to workshop your books.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
The Boise Book Fair was really the first real event of this sort I’ve attended. In terms of other events, I’m in talks with my publisher for some online events at their discretion. In terms of events that I would like to see, it seems as though the online interview/podcast is becoming increasingly more valuable. Having videos on Youtube of recorded zoom or discord interviews of various people seems to be popular these days.

So, did the Library’s Faire live up to expectations? That is, if you had any. Did you learn (from your experience or talking to others) what to do more of or not to do at your next event? In general, what was your experience like?
I didn’t really know what to expect from the Book Fair. Part of me expected more people to show up and more books to be sold. I gathered from others a the event that this was typical of these events where most of the interactions are just to spark interest. Most people will take a card or a flyer, but will rarely walk out with a book at that time. As long as information on my book gets out there, I’ll be satisfied. I vastly oversubscribed on the number of books and cards to bring. However, I now have the supplies for other events. I would also like to have too much of something rather than not enough.

The fact that I have two different pen names, one for my self published series and one for my traditionally published book, also seemed to hamper me. People would walk up to me and want to talk to me about Mercury Snow, then want to talk to my assistant about my self-published books, believing he was T.G. This was not their fault as I separated things out and his chair was directly behind the Trials of Incomplete Heroes section. In the future, I will have to do a better job of making it clear both T. G. and Taylor R. Gray are me.

The other thing I learned was how important it is to have non-cash payment methods. It was only at the last minute I decided to have a Venmo option for payment. Venmo accounted for half of my two total sales. Several other people had card readers which is something I’ll need to invest in if I continue to do these sorts of events. In general, I’d say it was a good experience.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
The vast majority of my audience at this point in time is local to Idaho. I am making sales (numbered in single digits) worldwide including a few from the United Kingdom and even India.

Have you gotten any feedback from the UK or India? Any idea how you’re received overseas (by the ones of readers you have or otherwise)?
One of those sales was from a coworker I work with in my Software Engineering job, so the feedback is biased. Amazon doesn’t give me a clear view of where ratings come from, just that I have ratings. Feedback in general is positive.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
I do think that one of the disadvantages to being a writer in the Treasure Valley has to do with finding a decent publisher. Most publishers are in New York or California these days or in large cities. In the online era this isn’t necessarily an issue until you realize you’re competing with celebrities and everyone else in those areas for the publisher’s attention. When you do find a publisher that will talk to you, they often want to insert New York or California ideas/ideals into your story. There’s also fewer people in a place like Idaho when compared to New York or California. I myself enjoy having empty spaces and fewer people and crowds around. However, more people also means more customers.

I do think there are also advantages to being a Treasure Valley writer. We experience most weather patterns and have varied landscapes we’re familiar with to pull from as settings for our own works. There’s also plenty of space to get away to think and write if we need to. Another interesting feature of the Treasure Valley is we have both a decently large city in Boise and extensive farmlands. It’s easy to gain perspective for both rural and urban lifestyles, often within a short walk from each other.

That second paragraph brings up a few things that no one else in this series has mentioned and is a great way to look at it.
Idaho has plenty of advantages for an introvert who doesn’t like crowds like me. If you were to ask me if I’d prefer to live in a city in New York or California so I could have a better publisher, I’d say no. I’ll stay here every time. Even presuming I could make millions in big cities, I’d be miserable there.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
It’s difficult to say. I don’t base my stories in Idaho and I try to write so anyone anywhere can understand and enjoy it. If I were to point to something that is directly inspired by Idaho is probably the varied landscapes within my stories. The main character in Trials of Incomplete Heroes is from a middle sized town surrounded by open fields and forests. Much of the action also takes place in a larger city near a mountain range and a sprawling woodland. It’s also possible my main characters have more of a Midwestern/Idaho attitude and moral compass. As an example, in both Trials of Incomplete Heroes and Mercury Snow, the protagonists don’t swear and they try to be polite and hospitable where possible.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
To be honest, I don’t really read or write through that lens. Most things I enjoy and write are science fiction or fantasy which could feasibly take place anywhere.

However, my uncle, Dale M. Gray, is also an author and an archaeologist who is fairly familiar with Idaho and the surrounding area. He has written two books that may be interesting to your audience.

His first book is about the history of the Cathedral Pines campground in Idaho titled, A Holy Place in Idaho: A Centennial History of Idaho’s First Church Camp. It can be purchased from Amazon here: https://www.amazon.com/dp/0578474069

His second book is about his life and various adventures as an archaeologist in the area titled, The Zen of Dale: Tales of a Free-Range Historian. It is also on Amazon and can be found here: https://www.amazon.com/dp/B0BVPLD4B7

Cathedral Pines played a big role in my early years, I’m definitely going to pick that up. You should get your uncle to give you a commission.
I’ll be sure to tell him to remember who his favorite nephew is this Christmas. 😉

Thanks for your time and participation! Hope you enjoyed it!

Be sure to check out the work of T. G. and Taylor R. Gray and see if anything sparks your interest (I’ll be at least dabbling in both ASAP).


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Saturday Miscellany—11/25/23

I’ve thrown this up on a couple of the social media platforms, but I thought I’d ask here, too. I’ve been using Evernote for drafting blog posts, to-do lists, shopping lists, mental notes, etc. for over a decade–but I need a replacement. Any recommendations?

Moving along to the point of this post, the miscellany:

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Censoring Kids’ Worlds: Laurie Hertzel on the Danger of Banning Books for Children
bullet Exclusive Cover Reveal of “Loose of Earth” by Kathleen Dorothy Blackburn: We spoke to the designer and the author about the design process for the book—Yup. I’m still a sucker for a look at cover design
bullet Your definitive guide to Goodreads ratings. (Or: why does your favorite book have 3 stars?)—probably my favorite link of the week (no disrespect to any of the others)
bullet Using Popular Culture in Crime Fiction by Lee Goldberg
bullet Audiobooks Have Taken Over My Life, and I Love It—many of us can relate, no?
bullet #R3COMM3ND3D2023 continues, so I continue linking to them (and adding to my TBR):
bullet …with Sam Johnson of My Cosy Book Nook
bullet …with Mags of @magslouisethebookworm
bullet …with Anne Coates, author of the Hannah Weybridge series
bullet …with Karen of Hair Past A Freckle
bullet …with Yvonne of The Coycaterpillar Reads
bullet …with Deb of dds_book_reviews
bullet …with Babs Wilkie of Book Escapes with BabsW67
bullet Vote Now for Fantasy-Faction’s Best SFF Books of 2023!—looking forward to these results
bullet When You Don’t Feel Like a “Real” Bookworm
bullet Let’s Discuss Bookworms vs Readers and Bookish Phobias

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Patrick Rothfuss interview: Part two (of three)—Grimdark Magazine’s overgrown interview with National Treasure, Patrick Rothfuss

Lastly, I’d like to say hi and extend a warm welcome to JK Joy, who followed the blog this week. I hope you enjoy the content and keep coming back.
Meme showing a room covered in bookshelves with the caption Adults Need More Book Forts

BOOK SPOTLIGHT: Arvia: Wings of the Wild by D.H. Willison

I’m very pleased today to welcome The Write Reads Blog Tour for fourth volume of D.H. Willison’s Arvira series, Wings of the Wild, as the Tour kicks off! Over the next week and a half, you should check in on https://twitter.com/WriteReadsTours to see a lot of bloggers write interesting things about it.

Wings of the Wild Tour Banner

Book Details:

Genre: Fantasy
Format: Paperback/Ebook
Length: 584 pages
Publication Date: November 22, 2023
Wings of the Wild Cover

About the Book:

It’s easy to stand up for your friends. What about for anonymous creatures nobody else cares about?

With their homes apparently safe from the magical storms, Darin and Rinloh venture to an isolated elven village and another ancient mystery: ruins of an imperial city whose entire population vanished centuries ago.

The duo befriend a host of eccentric new characters, from a chipper ogress and hipster troll to a deadpan griffin. Yet the Forest of Nightmares challenges them as never before. Merciless carnivorous trees, subterranean horrors, ethereal creatures no mortal weapon can slay… and most sinister of all, the greed and ambition lurking within the human heart.

Darin and Rinloh’s empathic connection grows stronger the deeper into the wilderness they go, but will it be enough to stop a dark conspiracy from ravaging the land?

Arvia: Wings of the Wild challenges the harpy-human duo with their grandest adventure yet. They must balance their deepening relationship as they sharpen their skills and work together as never before to unravel a deadly new plot.

Book Links:

Amazon UK ~ Amazon ~ Goodreads

About the Author:

D.H. WillisonD.H. Willison is a reader, writer, game enthusiast and developer, engineer, and history buff. He’s lived or worked in over a dozen countries, learning different cultures, viewpoints, and attitudes, which have influenced his writing, contributing to one of his major themes: alternate and creative conflict resolution. The same situations can be viewed by different cultures quite differently. Sometimes it leads to conflict, sometimes to hilarity. Both make for a great story.

He’s also never missed a chance to visit historic sites, from castle dungeons, to catacombs, to the holds of tall ships, to the tunnels of the Maginot Line. It might be considered research, except for the minor fact that his tales are all set on the whimsical and terrifying world of Arvia. Where giant mythic monsters are often more easily overcome with empathy than explosions.

Subscribe to his newsletter for art, stories, and humorous articles (some of which are actually intended to be humorous).

Author Links:

Website ~ Instagram ~ Facebook ~ Twitter ~ Goodreads


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

WWW Wednesday, November 22, 2023

It’s a weird week here in the States–a day off on Thursday (for most of us) followed by that “why did I bother to show up?” day on Friday. Thankfully, I have plenty of things to hide in/distract myself with. I hope you all have the same. Or that you live somewhere that the rest of the week is just Thursday, Friday, and Saturday. That seems like a good alternative.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m reading–and should be finishing soon—Calico by Lee Goldberg, a heckuva stretch for Goldberg—I’m impressed with it (still not sure how much I’m enjoying it) and am listening to the funny, geeky, and insightful Nerd: Adventures in Fandom from This Universe to the Multiverse by Maya Phillips (Narrator) on audiobook.

CalicoBlank SpaceNerd

What did you recently finish reading?

I just finished Spencer Quinn’s Up on the Woof Top, and Things My Son Needs to Know about the World by Fredrik Backman, Santino Fontana (Narrator) on audio—a quick hit of humor and heart that I really needed after DNFing a mess last week.

Up on the Woof TopBlank SpaceThings My Son Needs to Know about the World

What do you think you’ll read next?

My next book should be Evil Valley by Simon Hall, in a (surely vain) attempt to catch up on the series. My next audiobook should be The Bittlemores by Jann Arden, because it looked strange enough to deserve a look.

Evil ValleyBlank SpaceThe Bittlemores

What are you reading while preparing for/staving off the effects of tryptophan?

LITERARY LOCALS: A Q&A About Writing in Idaho with Matt Edwards

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We’re back with another Q&A with a Boise-based writer I met at the recent Book Faire. I think (like me) you’re going to appreciate these thoughtful answers.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
My name is Matt Edwards, and I’m a local high school English teacher and author. I write poetry and prose, mostly, and am now starting to figure out how to blend the two. My first two novels, Ways and Truths and Lives (Atmosphere Press, 2021) and Icarus Never Flew ‘Round Here (Atmosphere Press, 2022) are available at most places where books are sold. Please follow me on Instagram (@matt_edwards_author), Twitter/X (@satyrpants), or check out my website https://www.mattedwardsauthor.com.

The “mostly” there intrigues me. Are you trying anything out other than the blending of the two? (I’m not sure what else there might be, but I have to ask)
I think the “mostly” just refers to my inability to define what the attempted blend is. I took a prose poetry class for my master’s last summer that opened up some fun doors. I, and I assume most others, flip a little switch in my brain when deciding to write a story versus a poem. The prose poetry stuff, once I got situated with yet another definition, allowed me to ignore that switch. Just write without worrying whether it’s closer to prose or poetry. So, in my mind, not being able to name it is a good thing.

Are you a native Idahoan? What is it about Idaho that keeps you here?
I’ve lived in Boise all my life. I grew up on the south side of town, by the airport. I’ve now lived on the west side of town for most of my adult life. I find it funny how North End culture is still a bit foreign to me, despite my 41 years of living in this city.
My wife is from Florida, so I did bring in one transplant. But I think she’s been a good addition. Check out her art traffic box on the corner of Cole and Ustick. [I will be checking it out next time I’m in the area] Back to the question, though, we stay in Boise because we love running and all the opportunities we have here on the Greenbelt and in the foothills. Beyond that, we love the fact that it’s a safe place to raise our son, although the local politics sometimes scare us.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author. If you’re not, is there a reason for it?
I have met lots of local authors since publishing Ways and Truths and Lives, but I have not joined a formal workshop group or anything like that. There’s no particular reason, aside from being busy teaching, parenting, and working on my MFA in creative writing.

The whole “I have a life” reason is a pretty solid one.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I mostly do book signings at local bookstores, including Rediscovered Books, Kuna’s Book Habit, Half Price Books, and Barnes and Noble. Whenever I’m in McCall, I try to do an event at The Barn Owl Books and Gifts as well. Aside from that, I’ve participated in Storyfort that last two years, and I’ve attended events like Author Palooza in Middleton and the Boise Book Faire at the main branch of the Boise Public Library. The only author event I’ve attended outside the Treasure Valley was in Moscow. The Palouse Writers Guild puts on an event up there every June with Book People of Moscow.

I love and miss Book People.

So…Storyfort, I’ve been curious about it. What’s it like? What kind of attendance does it get? What kind of…actually. I know so little about it—just say whatever comes to mind about it.
Storyfort is an odd and ever-changing entity. The first time I got in I was psyched. I was finishing a road trip to the Oregon Coast and blazing down Highway 20 to get home in time. I literally got back into Boise an hour before my reading. It was cool. I was excited. But then maybe 15 people were at Guru Donuts, which is a cool venue, and all my anticipation and effort seemed a little wasted. I was comforted to see other events with much “bigger” authors also attended by small audiences, but it still was a little deflating.

Last year I had a reading with two other writers, Tomas Baiza, who is a Boise resident, and James Palazzolo, who is from Arizona. We were at the history museum in the big event hall they have. A cool space for sure, but a little big for our audience. I think we had more people in there than what it looked like. We also followed Ani DeFranco, so the room cleared out pretty bad after her.

As far as what type of audience it is, I’d say there aren’t any book equivalents of all the music junkies that attend the rest of the festival. No one is coming downtown for Storyfort, so you end up with a lot of fellow writers, friends and families, and a few curious strangers.

I’ve sold two books in two years at my events. Luckily, last year they had a signing on Saturday morning at Rediscovered Books that was well attended enough to sell a few more. All in all, Storyfort is a great idea, but I don’t think it’s changed the trajectory for any writer yet. But that’s not the fault of the festival or the organizers. It’s simply a reflection of our culture and their dwindling interest in authors and their silly books.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
I can’t claim to fully know or understand my audience, but for smalltime local authors, your audience always starts with your friends and family. In that way, it reminds me of selling pies during the Christmas season as a kid to help fund my soccer team’s next out-of-town tournament. You have to work for every ounce of publicity you get, and then still, most people aren’t really moved by the news of “yet another author.” So, it’s a tough racket, for sure.

Beyond people close to me, the folks I’ve sold to at events have really been quite varied. I’ve had a 13-year-old (son of someone in my running group) say it was the best thing he’d read in a long time, I’ve had plenty of great conversations and sells with retirees, and I’ve had a bit of everything in between.

Do you have ideas about expanding that audience? Or are you just going to keep plugging away doing what you’ve been doing?
I don’t know if there is a lot else to do. You have to keep putting yourself out there, going to events, signing at bookstores, etc. It’s kind of like dating in that way. People aren’t going to find out about you unless go out and make yourself available. Beyond that, you have to keep submitting to contests/publications to gain more respect and the eyes of different audiences. The masses don’t tend to react to publications, but it helps give you more street-cred and maybe some more opportunities for future publications.

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley? (possibly both)
This is a great question, particularly because I think most are truly ignorant of aspects of the literary culture in Boise. On the surface, Boise, especially as you get closer to downtown and the North End, appears to be a relatively artsy community. There are enough well-to-do people with the time and energy to commit to doing things like buying paintings and reading great books. Just check out a first Thursday sometime and you’ll feel this communal interest in beautiful things. Add to that the fact that we now call a Pulitzer Prize winner one of our own, we have solid literary establishments like The Cabin, and cherished local bookstores like Rediscovered Books, and the foundation for a strong literary community is there.

Then you start trying to sell your own books. And that’s when you realize how small the literary community is, and by that, I mean supporters, compared to the amount of truly talented writers in the area. There are simply not that many institutions and opportunities out there for emerging authors. And by that, I mean authors good enough to get published but not quite “good enough” for you to have heard of them. It’s very similar the music industry’s problem of there being way more talented bands out there than there are spaces available in the market.

On top of that, even if you are inclined to support local authors, you might not find out who they are unless you really, really assert yourself, and most simply don’t have that kind of energy for it. For example, there are lots of great writers working at Boise State, but most university writing happens within the university culture of getting published in literary journals, a place where average people rarely embark.

I could go on and on, but there are still writers in our area who are very established, compared to me, and have been living in Boise for decades, and yet I am just now finding out about them. And I consider myself someone who’s trying to be plugged in. It’s just much harder than people think.

This is a better articulation of what I’ve been going through lately than I’m capable of. I’m working on it—and trying to network outside of my circles, but it’s hard. Any tips for me/others as we look for local authors? What’s worked for you? (assuming you’re not just stumbling along blindly like most of us)
As a writer, you just have to get comfortable with pestering people. You have to realize that lots of people don’t return emails and ignore stuff like that. Most of the time, if I keep trying to contact people, I eventually get a decent response. The trick is staying patient and polite in all your follow-up emails.

If you’re looking for more people like me, keep attending all the events you see advertised like the Boise Book Faire. I’ve met a lot of the same people at those types of events, but there’s always a few new ones. Also, check out the newsletters and social media accounts for Rediscovered Books and our Barnes and Noble. They have instore signings all the time. That’s an easy place to find out who local authors, of varying abilities and tastes, are.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
One of the things I try to “sell” about my work is the fact that I am Boise born and raised. No offense to many of our great local authors, but most of them were born and raised somewhere else, particularly the Midwest, and moved here later on.

My first novel, Ways and Truths and Lives, is, I think, Boise through and through. First, it takes place in a fictionalized Boise. I changed the names of everything because the main character is not really living in reality, blinded by the lingering effects of a myopic worldview, but any longtime Boise resident will pretty much decode all the places described, or so I have been told by my readers. On top of the simple aspect of setting, the themes and dilemmas faced by James should resonate with anyone who was raised in a religious household, left said religion, but have realized that certain elements of that worldview are harder to shake than one would assume. Sometimes it takes a decade or two to see it clearly. Most adults in Boise seem to fit this profile.

My second novel, Icarus Never Flew ‘Round Here, is very regionally specific as well. It takes place in the Oregon High Desert on a stretch of Highway 20 between Burns and Bend, Oregon. It’s not really supposed to pay homage to the people who live there, exactly, of which there are few, but it is supposed to honor the hard working, rural people of the Idaho, Oregon, and the West in general, who often get overlooked in literature. When they are included in literature they are often used as a prop or something kitschy. My main character Dale may not end up being all that flattering, but his weaknesses are not born out some country bumpkin ignorance. He’s supposed to represent us all.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
I have yet to come across that book, but I will surely tell you when I find it. Although, I hope mine become answers to that question for others.

That got an audible chuckle from me—one of the better answers to this question that I’ve received (even if it doesn’t add to my TBR stack).

Thanks for your time and participation! Hope you enjoyed it!

Okay, folks, go check out his website and see if anything sparks your interest–and maybe you’ll find your literary embodiment of Idaho while you’re at it.


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