Category: Blog Series Page 79 of 230

COVER REVEAL: The Fake Wife by Sharon Bolton

I’m excited to welcome the Compulsive Reader’s Cover Reveal for Sharon Bolton’s upcoming novel, The Fake Wife this morning (and I hope I did the math right so this posts when it’s supposed to). This looks like a solid thriller with a great hook, but why read my speculation? Let’s get some details about the book.

Book Details:

Book Title: The Fake Wife by Sharon Bolton
Publisher: Orion Publishing Co.
Release date: November 9, 2023
Format: Hardcover/Ebook/Audiobook
Length: 368 pages

About the Book:

‘You’ll never guess where this book is going’ SAMANTHA DOWNING
‘Totally gripping, with characters who draw you in’ JP DELANEY
‘A thriller that had me desperate for answers. I loved it!’ HARRIET TYCE

Olive Anderson is dining alone at a hotel when a glamourous stranger joins her table, pretending to be her wife. What starts as a thrilling game quickly turns into something dangerous. But as much as the fake wife has her secrets, Olive just might have more…

The Fake Wife is an unputdownable thriller that will shock and surprise you like the best television boxsets. If you enjoyed Netflix shows like Behind Her Eyes, The Stranger, and Obsession you will love The Fake Wife.

Pre-Order the Book:

Multi-Retailer Link

and now…

The Trailer/The Cover

The Fake Wife Cover Reveal

I love that cover. Arresting design.

My thanks to Tracy Fenton and Compulsive Readers for the invitation to participate in this tour and the materials they provided. The opinions expressed by me are honest and my own.

Saturday Miscellany—9/2/23

It’s a long weekend here in the U.S. and I (like many) really need it. I’m torn between a desire to disappear into some books, catch up on blogging—or to simply ignore everything and stare at the ceiling until it’s time to go to work on Tuesday. We’ll see what happens. Hope you’re having a decent day however long the weekend is in your world.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Fahrenheit Fighting Fund—watching too many indie publishers close up lately (RIP Red Dog Press), Fahrenheit’s looking for readers to help them stay alive a little longer.
bullet The Coming Enshittification of Public Libraries—just in case you were clinging to any sense of hope for the future today.
bullet The ultimate heroes of children’s books—this BBC piece will remind you of better days and hopefully shake off some of that reality nastiness that the last link induced.
bullet How brothers Lee and Tod Goldberg turned crime fiction into a family business—I’ve read a criminally small amount of Tod’s material, but I keep meaning to. Still, a fun profile.
bullet On the Difficulty of Getting Rid of Books—what’s up with all of these pieces on getting rid of books lately? No one tell my wife that this is a thing, okay? (I will say that I do appreciate this approach as much as I will resist applying it to my own too-small shelves)
bullet The Mysterious Artist of This Classic A Wrinkle in Time Cover Has Been Identified—Back in May, I linkedto a post talking about people trying to identify the artist. They’ve been found—after a lot of work.
bullet Bookstr Picks: Weirdest Times and Places We’ve Read Books—I’ve done most of these. What about you?
bullet Should We Think Of Fantasy More Regionally And Chronologically?—I think Peat’s onto something here (I typically do, but that doesn’t change anything)
bullet On My Radar: August 2023—Over at A Literary Escape, Celeste collects the best of the blog posts you didn’t read in August (and probably some you did)
bullet August 2023 Book Blogger Round Up—Jo Linsdell has another great group of posts from the month

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Story Craft Cafe Episode 110: Writing Fantasy And Urban Fantasy With Jim Butcher—the audio quality on Butcher’s end is less-than-good, but it’s worth putting up with for this interview.
bullet The Thriller Zone Episode 146: Eli Cranor, author of Ozark Dogs—I really think I could just listen to Cranor interviews all the time.

Two New Releases from Last Week that I forgot to mention. I’m really embarrassed about that—I’ve corresponded with both authors about these books and totally blanked on their release.
bullet Ostler by Susan Grossey—the first in a mystery series about a Cambridge University constable in 1825. I’m going to learn a lot of history in this one, I know.
bullet Abnormal Ends by Bryan McBee—A cyberpunk serial killer novel. How do you say no to that?

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Malibu Burning by Lee Goldberg—A Heist novel in the midst of California wildfires. (that’s an inadequate summary, but I haven’t read it yet. Go read Mike Finn’s take on it for something better).
bullet The Calvin and Hobbes Portable Compendium Set 1 by Bill Watterson—”The first set of books collecting Bill Watterson’s timeless Calvin and Hobbes comics in a compact, portable format designed to introduce the timeless adventures of a boy and his stuffed tiger to a new generation of readers. Featuring nearly 500 comics from the strip’s debut in November 1985 through March 1987, this is the first set in a series of seven.” I didn’t really like the look of (or, from what I heard the binding of) the two-volume set, and I can’t track down all the original paperbacks. This looks like a great way to collect the classics.

Books are so powerful, for a flimsy object made of paper and ink (or simply text on an e-reader, or narrated words through a set of headphones) They can provide an escape, give perspective, give something to look forward to, provide excitement, peace, belonging + much more @BlogSpells

The Friday 56 for 9/1/23: A Sh*tload of Crazy Powers by Jackson Ford

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56% of:
A Sh*tload of Crazy Powers

A Sh*tload of Crazy Powers by Jackson Ford

I’ve never been shot before.

I’ve been shot at, more than once. There are quite a few people who want me dead for one reason or another. And yet I have never taken a bullet. Until today.

Can confirm: getting shot sucks.

There’s no pain until I actually see the wound– the horrible, gaping hole in my flesh. Then there’s a whole lot of it. As if my brain goes oh, hey, that looks nasty. Here, have some agony to enhance the experience.

It’s like someone poured kerosene on my bicep and set it on fire. It’s the kind of pain that doesn’t actually let you scream, because it locks your throat up tight. All I can do is make this weird little hissing sound, forcing its way between my clenched teeth. And holy crap, that’s a lot of blood. Are there arteries in the bicep? How long do I have before… before I…

Norah’s Ark by Victoria Williamson: I Think This is the Beginning of a Beautiful Friendship

Norah's Ark Tour Banner

Norah's ArkNorah’s Ark

by Victoria Williamson

DETAILS:
Publisher: Neem Tree Press
Publication Date: August 29, 2023 
Format: eARC
Length: 304 pg.
Read Date: August 26-28, 2023

What’s Norah’s Ark About?

This is a book about a couple of eleven-year-olds in the English city of Hull who bond over their mutual attempts to help animals. Starting with a nest of baby birds who’ve been orphaned by a hungry cat, these two overcome various barriers (largely in the form of their parents) to various stray and abandoned animals they encounter. Along the way, they end up helping each other through some of the bigger challenges they’ve faced.

Norah (and her father)

Norah’s father lost his job a few years ago, which led to them losing their home. Since then they’ve bounced from one temporary housing situation to another, barely scraping by on his benefits and whatever short-term and low-paying jobs he can get. They attend a church regularly—and gorge themselves on the post-service snacks. They also use a food bank from time to time—but it’s hard for her father to swallow his pride and deal with the judgemental looks they receive when they do (how many of these looks are only in his mind, it’s hard to tell—but some of them are real).

Norah has some learning disabilities, too—and she’s never in one school long enough to really get the help she needs. Which leaves her open to being bullied while she falls further and further behind.

Norah loves animals and would do anything for a pet. Because she can’t get one due to their housing situation—well, other than the spiders she keeps on her window sill—she does what she can for whatever strays she finds like the aforementioned birds. She takes care of them for a while until one day they’re missing. They and their whole nest—what could’ve possibly happened?

Then she sees some rich boy on the other side of the fence carrying that nest. It’s not fair—he has so much already, a great house, a big yard, a treehouse, fancy clothes (that fit!), and whatever he wants to eat (he is a little overweight).

Adam (and his parents)

Adam and his parents moved from London to Hull a few years ago to help him get the specialized treatment he needed for leukemia. It’s in remission now, but his mom has become overprotective following his diagnosis. Since she had to leave her job to care for him (and hasn’t thought about going back to work), his father has to work harder than before and really has no time for anything else—even Adam.

He can’t go anywhere without her. He can’t go back to school—even if the doctors say he’s not as immunocompromised as he once was, his mother still insists on a private tutor. He can’t go swimming—he’d dreamed of going to the Olympics before he got sick—again, because of all the exposure to germs, people, and other things that could hurt him. His treatments and lack of exercise have left him out of shape. He’s lonely. All he wants is a friend and to do something outside his home.

When he discovers that the neighbor’s mean (at least to him) cat has eaten the mother bird, he takes the nest up to his treehouse (without his mother noticing and panicking about the filthy animals). He notices a girl on the other side of the fence quickly riding off on her bike—what a great life she must have—able to go wherever she wants!

The Grass Ain’t Always Greener…

Soon, the two actually meet and decide to work together to help the birds get to safety.

They learn more about each other—both discovering the struggles the other has gone through. They have unfortunate encounters with bullies and thieves—and discover their parents want them to have nothing to do with each other.

But neither of them has really had a friend in a long time and they’re unwilling to lose their new one. So they do what they can to keep that friendship—even if that means being disobedient. Both kids soon have to deal with new problems with their parents and need someone to rely on.

So, what did I think about Norah’s Ark?

That’s a really good question, one that I’ve been chewing on for a few days now.

I do have a few concerns. For example, both Norah and Adam (Adam is a bit more prone to this) can be too mature and understanding for their ages when it comes to their parents and what motivates them. Most of the time, Williamson gets them right—unreliable narrators (not because they’re dishonest, but because they’re 11 and don’t get everything the adults are doing) who are doing their best to make it in the world and cope with the information they have, with the impulsivity and insufficient emotional control you’d expect. But occasionally, they’re too perceptive, too wise…basically, they sound like they’ve sat through a decent amount of therapy and have internalized it. Which would be fine if they’d been in therapy, or were in their twenties. But they’re a decade and change away from being fully believable on some of these fronts.

The other thing (and I’ll get into vague spoilers for the rest of this paragraph, so feel free to skip it) that has bugged me since before I finished it—the ending is a bit hard to swallow. It’s too easy. It’s too unearned for my tastes. It’s like Williamson took a page from Wayne’s World and went with the “Mega Happy Ending” and just imposed it at a certain point. Please, don’t misunderstand me—I want Adam and Norah to get happy endings. I like where the book puts them in the last chapter—I’d have been displeased if they didn’t end up where they did. But…it would’ve felt more real if it didn’t go that way. Or if it took slow, incremental work for them to get there—with a few big jumps along the way, sure. To use a bad illustration—you know how in some movies the uncoordinated guy goes through a training montage and suddenly can do all sorts of things they couldn’t before the song started? Well, it was like that—but Norah and Adam skipped the montage and went from clumsy to ready to win the dance/singing/martial arts contest.

Now this is likely just me—I’m willing to bet that most readers in the target audience aren’t going to have those issues. But I’d quite like to ask a few about their experience reading the books, particularly the ending.

Ignore all that for a moment (as I’ve said over and over again—it takes many more words to explain a problem I have with a book than to say all the good things I want to say). This novel nails the struggles for both these children and their parents—who are clearly trying their best (even if the kids don’t always see that)—no one in this book has an easy time of it. They’re all in extreme circumstances, with the cards stacked against them—and everyone is just trying to get through it as intact as they can for themselves and their family.

I loved, loved, loved that someone wrote about these situations in a Middle Grade book—you just don’t see enough things like this (or at least, I don’t, I shouldn’t suggest it doesn’t exist). I remember when I was in that audience, and Wooly Mammoths roamed the earth, that I got seriously excited when I came across a book that dealt with things like this, even if it made for hard reading. Since then, I don’t see it too often.

It’s impossible to read this without feeling empathy for Norah or Adam—or their parents—and to extrapolate that empathy and sympathy toward non-fictional people in similar circumstances. I’m not saying that this book is going to fix all sorts of prejudices that a child might have and fill playgrounds everywhere with mini-Brené Brown clones. But it should make it a little easier for them to put themselves in someone else’s shoes, to understand that peers—or strangers—could be going through something.

If you’ve read and enjoyed When We Were Vikings by Andrew David MacDonald, you’re going to want to check this one out. If you haven’t—read both books. I think readers young and old will find a lot to admire and commend in these pages. I feel strange saying you’ll enjoy a book about so much suffering—but you will, particularly when the characters find a moment of joy or peace. It’s very effective—and affective—to watch these two become heroes and get different endings than either expected for most of the book.

Disclaimer: I received this eARC from Neem Tree Press via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: Norah’s Ark by Victoria Williamson

This morning, I’m very pleased to welcome The Write Reads Ultimate Blog Tour for Victoria Williamson’s Norah’s Ark. In addition to this Spotlight, my post about the book will be coming along soon. In the meantime, go check out https://twitter.com/WriteReadsTours—starting last week and going through tomorrow, a lot of bloggers have been writing interesting things about this book and you can find them all there. But for now, let’s learn a little bit about the book, shall we?

Norah's Ark Tour Banner

Book Details:

Title: Norah’s Ark by Victoria Williamson
Genre: General Fiction
Age Category: Middle Grade
Publisher: Neem Tree Press
Release date: August 29, 2023
Format: Paperback/Audiobook
Length: 304 pages
Norah's Ark Cover

About the Book:

Two very different lives. One shared hope for a brighter future. No time to waste. The flood is coming…

Eleven-year-old Norah Day lives in temporary accommodation, relies on foodbanks for dinner, and doesn’t have a mum. But she’s happy enough, as she has a dad, a pet mouse, a pet spider, and a whole zoo of rescued local wildlife to care for. Eleven-year-old Adam Sinclair lives with his parents in a nice house with a big garden, a private tutor, and everything he could ever want. But his life isn’t perfect – far from it. He’s recovering from leukaemia and is questioning his dream of becoming a champion swimmer. When a nest of baby birds brings them together, Norah and Adam discover they’re not so different after all. Can Norah help Adam find his confidence again? Can Adam help Norah solve the mystery of her missing mother? And can their teamwork save their zoo of rescued animals from the rising flood? Offering powerful lessons in empathy, Norah’s Ark is a hopeful and uplifting middle-grade tale for our times about friendship and finding a sense of home in the face of adversity.

Book Links:

Amazon UK ~ Goodreads

About the Author:

Sally Doherty
Victoria Williamson is an award-winning author who grew up in Scotland surrounded by hills, books, and an historical farm estate which inspired many of her early adventure stories and spooky tales. After studying Physics at the University of Glasgow, she set out on her own real-life adventures, which included teaching maths and science in Cameroon, training teachers in Malawi, teaching English in China and working with children with additional support needs in the UK. Victoria currently works part time writing KS2 books for the education company Twinkl and spends the rest of her time writing novels, and visiting schools, libraries and literary festivals to give author talks and run creative writing workshops.

Victoria’s previous novels include The Fox Girl and the White Gazelle, The Boy with the Butterfly Mind, Hag Storm, and War of the Wind. She has won the Bolton Children’s Fiction Award 2020/2021, The YA-aldi Glasgow Secondary School Libraries Book Award 2023, and has been shortlisted for the Week Junior Book Awards 2023, The Leeds Book Awards 2023, the Red Book Award 2023, the James Reckitt Hull Book Awards 2021, The Trinity School Book Awards 2021, and longlisted for the ABA South Coast Book Awards 2023, the Waterstones Children’s Book Prize 2020, and the Branford Boase Award 2019.

Her latest novel, The Pawnshop of Stolen Dreams, is a middle grade fantasy inspired by classic folklore. Twenty percent of the author royalties for this book are donated to CharChar Literacy, an organisation working to improve children’s literacy levels in Malawi.

You can find out more about Victoria’s books, school visits and free resources for schools on her website: www.strangelymagical.com.

Author Links:

Website ~ Twitter

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

WWW Wednesday, August 30, 2023

I’ve got no rambling intro today, just a greeting (Hi everybody!) and the main event, WWW:

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m having a blast with A Sh*tload of Crazy Powers by Jackson Ford and am listening to Hell and Back by Craig Johnson, George Guidall (Narrator) on audiobook—Guidall’s reminding me how good he is.

A Sh*tload of Crazy PowersBlank SpaceHell and Back

What did you recently finish reading?

I just finished Victoria Williamson’s Norah’s Ark, and Be The Serpent by Seanan McGuire, Mary Robinette Kowal (Narrator) on audio (and I was as dissatisfied with the ending this time as I was last year).

Norah's ArkBlank SpaceBe The Serpent

What do you think you’ll read next?

My next book should be Fuzzwiggs: The Switcheroo by Amy Maren Rice , a book I’ve been waiting to get to for months, and my next audiobook should be The Last Ranger by Peter Heller, Mark Deakins (Narrator).

Fuzzwiggs: The SwitcherooBlank SpaceThe Last Ranger<

How are you closing out the summer?

Saturday Miscellany—8/26/23

It’s been another quieter-than-expected week here on the blog—I’m hoping to crank out a few posts today so I can jump into next week with a few things scheduled. The big problem is committing to one idea lately, I keep writing a sentence or two on one post before thinking of something I need for another…so I have many, many fragments scattered around my hard drive. My daughter keeps trying to tell me that I have undiagnosed ADD, and with weeks like the last couple, I’m tempted to agree. But I digress.

This is a slimmer miscellany than I anticipated, but some great reads—and the first new release that I talk about literally has me dancing in my seat as I think about it. Yes, I did spend time on websites that aren’t part of Lit Hub this week (as hard as it may be to believe—I actually cut links to that site for this week’s list).

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Library kids will save the world…one book, one day at a time… together—his tweet might be too optimistic of a take, but the attached video is sure to make you smile. The feel-good link of the week.
bullet The Land of Lost Things—John Connolly wrote a nice little post about the importance of booksellers
bullet On the Bad Binary of “Good” and “Bad” Literature: Josh Cook on Taking Back the Idea of “Good Taste” from Cultural Authoritarians
bullet How Much Does It Cost to Open a Bookstore?

I'm going to break in with a quick word of warning: some of the subject matter in the next few links is going to be difficult for people who are known for saying "It's not hoarding if it's books" or something like that. Trust me, these are worth a read. Or skip to the Velma link if you're wary. I'm not sure why so many people are talking about this lately...

bullet Moving books is a big pain. Here’s how to make it easier.“The most efficient ways to pack them, how to ensure they aren’t damaged — and tips for easing the pain of culling your collection”
bullet On the Difficulty of Getting Rid of Books: “I don’t get rid of them, per se; rather, I set them afloat, in search of new homes.”title
bullet Get Rid of Your Books: Couldn’t you use a little extra space?
bullet The Ritual of Rearranging Your Books
bullet The Greatest Velmas of History and Fiction—”Velma may be the modern model of a particular ideal, but it’s an ideal that’s existed since a nearsighted Australopithecus shone a torch into the back of her cave to logically prove that the Ghost Mammoth was just Ogg with a blanket over his head.” Here’s a look at some of the best from history, film/TV, and books.
bullet Bringing Comic Books to Life With Comic Book Printing—I can’t help but think that I should’ve known all this, but I didn’t—The Coffee Addicted Writer talks about the various techniques of putting comics in our hands.
bullet The Borders of Speculative Fiction—It’s been far too long since I’ve had some Peat Long thoughts on genre to share. Glad to see him musing again.
bullet There Are Too Many Books!—it’s a provocative title, to be sure. And I get where Krysta’s coming from, but…really? Too Many?
bullet Speaking of too many…Narratess Indie August Sale is a giant list of temptation. Over 300 Indie Titles for dirt cheap (or free), including several that I’ve blogged about or featured here and/or just wanted to read.

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet 42: The Wildly Improbable Ideas of Douglas Adams edited by Kevin Jon Davies—I’m not just excited because it feels like it’s been a decade since I Kickstarted this and it’s finally on its way to me. But Davies, a collaborator with Adams has gone through boxes and boxes of archival material to bring readers some of the best things from Adams we’ve never seen before.
bullet Fadeaway Joe by Hugh Lessing—almost every sentence in this book’s description checks a box for me, I’m not going to mangle it by trying to summarize it in a sentence or two. Just click the link.
bullet The Art of Libromancy: On Selling Books and Reading Books in the Twenty-First Century by Josh Cook—I was interested in this even before I read Cook’s piece on taste above. Now, I’m really intrigued. What a great title, too.
bullet What Would Velma Do?: Life Lessons from the Brains (and Heart) of Mystery, Inc. by Shaenon K. Garrity—after reading the excerpt about Velmas, I had to find the book. It looks like fun. “A clever illustrated ode to the breakout star of Scooby-Doo, exploring the life lessons this iconic nerd girl teaches us and why we should all aim to be the Velma of our friend group.”

highlyentropicmind asked: Some of your books make it seems like you believe in actual literal magic, do you? () I can write down a few words and make people thousands of miles away, whom I have never met and will never meet, laugh tears of joy and cry tears of true sorrow for people who do not exist and have never existed and never will exist. If that isn’t actual literal magic I don’t know what is.

A Few Quick Questions With…Hilarey Johnson

As I said a bit ago, Johnson participated in my Q&A series about writing in Idaho and now she’s back to talk about Stone of Asylum and writing in general. In case you’re interested, I gave my take on that novel a little bit ago. I hope you enjoy this Q&A, and I do expect to bring you more from Johnson soon, so stay tuned!


We’ve gone over your writer’s bio before, but I wanted to follow up on a couple of things. First, could you talk about your path to publication and what sparked your desire to write in the first place?
I wish I had known that writing could be a career choice, I might have finished school instead of this long journey: I was a young mama with time to read, and my grandma passed all her Christian historical romance books through the family. They always ended with a kiss at the altar…I started to feel like the only significant point of life for a girl was to fall in love and get married. Therefore, there was nothing left for me at the age of 20. I was happy in my marriage, but disgruntled that I had nothing significant left to look forward to in life. I had no idea there were other genres in Christian fiction.

One day while my 6 month fell asleep nursing, I daydreamed a complete story arc about a white missionary who rescues a baby from a village just before he was killed by his dad. They raise him up, until they are martyred, and he eventually returns to the his father’s village with the gospel of reconciliation. It was told from the two mother’s perspectives.

I jumped up and scribbled the outline down. It took me ten years to type out the first draft of that story. It was 50,000 words. I thought I was called to the mission field until I finished writing that book.

When finished, I was confident enough to consider myself a “wannabe writer,” and I got a job in publications. I got mentors, I published in local newspapers. I became the assistant editor. I spent five years writing my second book. (Neither are published.) Then, in 2005, I went to my first writer’s conference and started the path to publication. I wrote Sovereign Ground in a year and it became a finalist in contests before it was published. The editors and agents who liked it told me that the subject was too edgy for the current Christian fiction crisis and economic downturn. So I self-published.

Authors have dozens of ideas percolating at once (if not more), what was it about the idea that became Stone of Asylum that made you decide it was the one you wanted to focus on for a few months? Can you remember what nugget started that book? It’s pretty different from your first two books in terms of genre and tone (at least from what I can tell), was it a conscious choice to look for something different?
I heard once that artists are not satisfied replicating—they desire to create and they need to stretch themselves. My first book was about a dancer and lots of people thought it was my story, because you are supposed to “write what you know.” I was in a tight-knit critique group and they asked my why I didn’t write about martial arts (more about that in question 5). Also, I knew romance would never be the genre I wanted to spend all my time in. I love fantasy.

Was this always intended as part of a series or was it a stand-alone that couldn’t be restrained? How do you go about mapping out the overall arc of a series and what parts of that arc go into an individual book.
I intentionally planned the main story arc to spread over three smaller story arcs. It is intended to be one story told in three parts. I was going for a balance of unfinished but satisfying. It was fun and complicated. I think that was part of stretching myself to build a story differently than I ever had. My critique group helped in the initial brainstorming session. Many of the finer details about the magic and consequences were deliberated with my oldest son—an avid reader, nearly as irresponsible as you.

I like him already 🙂

Talk to me about the research you did for this—you’ve got two immigrant-Asian cultures in the nineteenth century. Immigration to the Western US during that period. Idaho history/mining history…and so much more. Was any of this “old hat” to you or did you have to start at the ground floor entirely?
It was all research. I do not have personal inside knowledge. I read fiction and non fiction written from Chinese Immigrant POV to start to understand motivation and perspective. I visited the Chinese historical museum in San Francisco. And another museum in Coeur d’Alene. It is one of the things I like about being a reader and a writer—trying to feel what someone else would feel while setting aside your own experience (which can make you unable to empathize).

You’ve got some pretty convincing fight scenes in the book, too. How do you compose one of those? I’ve heard of writers using action figures or something to map enact them first, for example. Also—what kind of martial arts background did you have going in—or was this even more research?
Thank you. It was mostly done in my head. But I did have the ability to act out some of the flow. I started practicing a Korean martial art called Tang Soo Do with my dad when I was 7. I met my future husband when we tested for our blackbelts at age 17. When I wrote the Dance of the Crane Series, I was working toward a Master Belt and had a school in Meridian, Idaho. It has been half a dozen years since I stopped practicing/training in martial arts.

What is it about storytelling/writing that keeps it fresh for you? Is this a compulsion to keep going, or is it more pleasure? Along those lines, are there genres you are still hoping to try, or are you sticking in the lanes you’ve picked? Are there genres you don’t see ever trying?
I think for me, it’s learning. I like new. I have a few stories in my head, but they don’t spin like they used to. I feel satisfied for now. I have been spending most of my writing energy on non-fiction. For storytelling, I’m starting to narrate other author’s books.

We should absolutely chat about that sometime.

What’s next for Hilarey Johnson, author?
I hope to continue my blog, Intimacy with God for the Over-Churched >. I’m contributing regularly to IdaHopeChristianWriters.org. And, I would like to set aside a few months to rewrite a non fiction I wrote, and then decide what to do with it.

Thanks for your time—and thanks for Stone of Asylum—I’ll be back for more of The Dance of the Crane soon, I have to know what’s next.
Thank you! That is every writer’s hope.


A Few Quick Questions

Stone of Asylum by Hilarey Johnson: A Clash of Cultures and Reshaping of Destinies

Earlier this year, Johnson participated in my Q&A series about writing in Idaho and later this afternoon, she’ll be back to talk about her own writing and this book in particular. Be sure to come back for that!


Stone of AsylumStone of Asylum

by Hilarey Johnson

DETAILS:
Series: Dance of the Crane, Part 1
Publication Date: March 17, 2017
Format: eBook
Length: 218 pg.
Read Date: August 2, 2023
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What’s the Setting for Stone of Asylum?

While we spend a little time in California, this takes place largely in the Idaho territory (in what would now be considered North Central Idaho…I think) during the Civil War.

There are characters with strong sympathies toward both sides of the War, but it doesn’t come up much, really. Mostly I mention that because it helps locate the story. We do get to see a lot of the racism faced by Chinese workers (Asians in general, although they’re all considered Chinese) in the mines (and other places), as well as other kinds of bigotry and mistreatment of others.

It’s not a kind or forgiving world that Johnson gives us in these pages, but it’s one that seems pretty realistic. At least until you get to the man who can turn into animals. But I’m getting ahead of myself.

Yi Bae

Yi Bae is a Korean warrior who has made his way to San Francisco looking for his sister—they’d been separated sometime before as they traveled through China. He needs to find her to fulfill his mission in life—he is to protect her at all costs. Together they are the last two Watchers in the world—a duty his family has to protect a particular type of garnet with magical abilities.

His search for his sister brings him into conflict with a Chinese businessman/criminal in San Francisco. He then learns some things that convince him to look for his sister in Idaho, which is in the midst of mining booms of various types. He finds that same businessman—who Yi Bae is convinced has something to do with his sister’s disappearance. He also finds himself in the employ, however temporarily, of some less-than-decent people, but is doing what he has to do to track down the other Watcher.

Not only is Yi Bae very capable when it comes to hand-to-hand combat (and those scenes are a lot of fun to read), but that thing I said before about changing into animals? Well, he can do that, too. He’s more like DC’s Garfield Logan (Beast Boy/Changeling) or Jane Yellowrock than your typical lycanthrope, because he can change into various animals.

Eldora

Our other protagonist is Eldora—a young woman whose father is an employee of a wealthy family. Eldora is old enough to begin working as a servant on their ranch. Her primary duty is to be a companion to the family’s daughter. The reader understands quickly that Eldora thinks the relationship is closer than the daughter does—and far closer than the ranch’s owners do. Despite living in a part of the territory that is already fading from prominence in favor of other locales where the mining is better, they’re trying to cling to Southern gentility’s pretensions of position and class.

She is happy (naively so) and well-loved. Which is no small thing. If you can read about Eldora and not almost immediately like her, there’s something wrong with you. Sadly, you know that this happiness and (perhaps) loving environment isn’t going to last long.

I’ll skip over some nasty classist business that reeks of Austen/Brontë-esque villains to the turning point—she has some sort of seizure and is taken from the ranch almost immediately—without her father’s involvement. She’s placed in an asylum, which is exactly as pleasant an experience as you can imagine given the time and location. It might actually be worse. Now we get to find out exactly what Eldora’s made of.

A Chance Encounter

Eldora and Yi Bae do eventually (as we all expected) cross paths with each other—on her way from the ranch. This was my favorite part of the book and I was eager to see what would happen in that eventuality. Sadly, it didn’t last that long—but it did change things for both of them (sadly, only the readers really understand that, for now).

It was kind of a let-down when they didn’t spend too much time around each other, but that’s what future books in the series are for—and what we got was enough to make me want more. A lot more. Which is odd because it wasn’t like they struck up a friendship, or even had a really good conversation. But there was something about them in the same scenes that really worked for me.

The Part that Really Bugged Me

I’m not crazy about the way that Johnson ended this book. It was a bit too abrupt—it felt like she hit a word-limit or page-count and said, “Okay, that’s enough,” and just stopped.

That’s not at all what she intended (I trust)—but that’s what it felt like to me. The last chapter was likely to have been a cliffhanger ending to bring people back for book 2. And that’s fair—I’m not the world’s biggest fan of cliffhangers, but I can appreciate a good one (and can begrudgingly accept them). This wasn’t a good one. I think if she’d left the last couple of pages off and just resolved the arcs for this novel, the ending would’ve been more satisfying. Also, the closing pages and implied threat to one protagonist would’ve been a great hook to start the second novel. I was interested in seeing what happened next to both main characters and knew things weren’t that great for both of them already—I didn’t need the threat to carry me along.

That’s just me—I might be wrong and your results will almost certainly vary.

So, what did I think about Stone of Asylum?

This is a deceptively fast read—there’s a lot more to be mined* from this book if you stop and soak it in—Johnson makes that tough and you can easily just sail along with the current. This is a perfectly fine and enjoyable way to read the book, but you’ll be happier if you catch everything she’s doing.

* Sorry. Had to.

Her fight scenes are great—particularly the way she works in Yi Bae’s supernatural abilities and martial arts skills together. Even if I didn’t care about anything else, I’d probably give the book 3 stars just for these fight scenes.

Yes, I wasn’t happy with the last couple of pages, but the rest were an intriguing mix of family drama, action, fantasy, and cultures mixing (and/or trying not to mix). This blend is a great idea and I’m really looking forward to seeing how Johnson develops this and brings our heroes (and several other characters) through it. I’m also really looking forward to seeing some characters get their just desserts (I’m pretty sure Johnson’s going to be that kind of author) and our heroes figuring out everything they missed or misunderstood here.

In short—this is a solid first entry to a trilogy that I’m eager to see played out over the next two books. I think you will be, too.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.20 Books of Summer
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WWW Wednesday, August 22, 2023

The last eight days have not gone at all as I expected on the reading front–or the writing front. Or any front really–but I’ve enjoyed most of the unexpected happenings. I’m definitely not crazy about the reading and writing plans that have gone awry. I really don’t want to turn this into a kvetch-fest, I’m really just trying to explain why this week’s WWW looks so much like last week’s. Since I really don’t believe in jinxes, I can say that next week’s WWW should look pretty different. But if I did…

blah blah blah, I’m going on too long. Let’s get on with the WWW!

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

I’m still reading Light Bringer by Pierce Brown—I’ve blown past the library due date and have endangered several other deadlines, but it’s been one of those weeks. I may finish it tonight, however. I am currently listening to The Camera Man by Peter Grainger, Gildart Jackson (Narrator) on audiobook. I’m loving it and am going to finish it before I’m ready to take another break from this world.

Light BringerBlank SpaceBlank SpaceThe Camera Man

What did you recently finish reading?

The last book I finished is still (I’m using that word a lot today) Justin Reeds’s However Long the Day and the very silly and fun, The Blonde Identity by Ally Carter, narrated by Emily Ellet, Andrew Eiden, on audio.

However Long the DayBlank SpaceBlank SpaceThe Blonde Identity

What do you think you’ll read next?

My next book should still (there it is again) be the second Max Boucher novel, Teaching Moments by Troy Lambert, but I might squeeze in Norah’s Ark by Victoria Williamson, so I can be ready for the Book Tour Spot next week and my next audiobook should be Hell and Back by Craig Johnson, George Guidall (Narrator). Maybe I’ll like it better in audio.

Teaching MomentsBlank SpaceNorah's ArkBlank SpaceHell and Back

What about you?

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