Category: Blog Series Page 88 of 220

EXCERPT from Wicked Grace by Luna Joya: After

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from Wicked Grace by Luna Joya

No way could he lose control of his powers.

Not here.

Not now.

Not ever.

He needed the others to leave before the nagging desire to annihilate these idiots overtook his common sense. “Ischenzi,” he said in a soft voice full of menace, of violent promise. Get lost.

The boys ran as though hunted by hellhounds.

The entire conversation in Russian had taken two minutes tops, but he couldn’t settle his need to chase them so they could never bother her again. “Assholes,” he muttered in English through clenched teeth. Flipping over the book they’d taken from the girl, he checked out the battered cover. Scratched letters and banged-up binding announced it to include Spells to Locate the Lost.

Heavy reading, but she’d fought for the book the same as his sister would’ve slammed pain magic into someone for touching her chemistry texts. He held out the book to the girl.

She raised her face to his, blinking sky blue eyes so big that they seemed like she’d walked out of some cartoon princess movie. A smile spread over her mouth, curving the edges into a slice of sunshine. Something twisted in Alexei’s gut, a strange need to keep her smiling.

 


Interested in the rest? Go grab your copy of Wicked Grace by Luna Joya now!


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My thanks to Psst…Promotions for the invitation to participate in this Book Tour and the materials they provided.

BOOK SPOTLIGHT (and GIVEAWAY): Wicked Grace by Luna Joya

Today I’m very pleased to welcome the Book Tour for the third novel in The Wicked series, Wicked Grace by Luna Joya. Along with this spotlight post, I have an excerpt from the novel to share in a little bit. If you scroll down to the bottom of this post (or, you know, read it), you’ll find a nifty giveaway for fans.

First, let’s take a look at Wicked Grace.
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Book Details:

Book Title: Wicked Grace by Luna Joya
Publisher: City Owl Press
Release date: February 14, 2023
Format: Ebook/Paperback
Length: 364 pages
Wicked Grace Cover

About the Book:

He’s a grumpy demon prince. She’s a sunshine magical orphan who’s his fated mate and forbidden. But can he survive rejecting her?

Demon prince Alexei is ruthless in business and deadly in battle. The mafia boss will do anything to protect his family, even consider an arranged marriage with a royal he doesn’t love.

There’s just one problem.

When the grumpy hero rescues a sunshine princess locked away in a tower, he knows she’s his fated mate. She also seems to be a freakin’ forbidden angel. Like the villain he is, Alexei rejects her without saying why.

Despite her tortuous childhood, Jolene is determined to find her real family and win her grumpy prince. Come on—the man has wings! But loving her antihero makes him a target of her human enemies who are out to destroy all supernatural.

These two opposites attract in all the wicked ways. But when supernatural children in Alexei’s hometown start disappearing, the two must work together, and Jolene will have to reveal that her sunshine-and-sparkles magic isn’t what it seems. Can they find their happily ever after or will their differences and enemies destroy them both?

Purchase Links

Amazon

About the Author:

Luna JoyLuna Joya writes sexy hexy romances in the award-winning Legacy Series.

Fluent in sarcasm and penal code, Luna prosecutes by day and writes at night. She loves history, especially Los Angeles and Hollywood lore.

A survivor of traumatic brain injury with steel body parts, she lives in SoCal with her combat veteran husband and their two-pound terror of a rescue pup.

Find more about Luna Joya on her website: https://lunajoya.com/

GIVEAWAY:

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If the Widget isn’t showing up, just click here: http://www.rafflecopter.com/rafl/display/9751c04278/

Psst Promotions
Let's Talk Promotions
My thanks to Psst…Promotions for the invitation to participate in this Book Tour and the materials they provided.

A Few Quick Questions with…Josef Matulich

This morning, I talked about Matulich’s The Silk Empress and now I’m glad to bring you this Q&A with the author—great answers!


Let’s start off by introducing yourself to the readers—talk about your background, path to publication, etc.
I am a writer/artist that specializes in horror comedy, with a few interesting side-quests like make-up special effects artist and theater tech. My first publication was a humorous think-piece in Science Digest at eighteen. I had various small successes with short plays, RPG games and such until about eight years a small press published Camp Arcanum. Since then, I’ve published four novels through different publishers. When rights reverted for the Arcanum Faire trilogy (Camp Arcanum, Power Tools in the Sacred Grove, & The Ren Fair at the End of the World) I released them myself with Seth Lyons covers. The Silk Empress is my first original indie book released through both Amazon and Ingram. Not willing to just do what I knew I was safely capable of, this project included front and back covers by Seth, plus interior illos by him for each of the chapters. I think I broke my artist.

All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to writing it? It’s not like anything else you’ve done—was that part of the attraction?
There was a recurring situation at book events where I sat behind a table full of books suitable for the 16+ crowd filled sex, magick, and power tools and have to tell a 12 year old and his parents that these books really weren’t for them. I decided to write my next book without anything inappropriate for my 12-year-old hero. Several years ago, a local library had the vintage and costume shop my wife and I own present a Steampunk fashion show. The theme was an airship hauling silk from China to Europe and each model was a member of that crew. In my three years of Cancer, Chemo, and Covid lockdown I was able to mesh those two concepts.

Stephen King’s recent comments notwithstanding, let’s talk worldbuilding. In general, and with this book specifically, what’s your approach? Do you sit down and figure it all out ahead of time (setting, technology, culture(s), etc.?) or do you just make up most/all of it on the fly as you come across the need while writing?
I started with the concept of the High Silk Road and the industrial revolution that allowed China to win the Second Opium War and shrug off the colonial powers of Europe. Then the various technologies like the stiffened silk airship hulls, phlogiston, Liu Industries explosives, and karakuri automata were added to the mix. Then I started peppering the map of the old Silk Road with locations and notes while throwing in my revisions to history like the U.S. Civil War only lasting a few months after the introduction of German manufactured airships. Researching the Turfan caravanserai and the Uyghurs I found the perfect place for intrigue and adventure. On top of that, I liberally sprinkled Ship’s Cant, a patois of Chinese, French, and Portuguese, along with a bit of Asian folklore. Some swearing in Mandarin and Scots Gaelic added for taste. Backtracking to add new bits that I discovered ten or twenty chapters in was a constant process.

How do you approach humor in your books? I recall there being a decent amount in Camp Arcanum and there’s plenty here (including jokes that will likely fly above the target audience’s head). Do you work to maintain a balance between it and the action/tension? Does it come naturally? Do you have to come back on a later draft and insert or delete jokes to get it right?
Humor is something I naturally do; it kept me from getting flattened on the school yard and kept me sane in my adult years. The Silk Empress was always intended as a misadventure, which has all the elements of a great boy hero story, but things consistently go horribly wrong. Most of the jokes are baked in from the beginning. The majority of the rewrites involved improving description, character, and narrative. My editor had me remove a few remarks by the 19th century insular boy hero that were fitting for the character, but not acceptable for modern readers.

I don’t have a specific question here, but why don’t we take a moment to talk about finding and working with Seth Lyons—how much (in your mind) did those illustrations benefit the book?
Seth Lyons came to us through our store where we have a large Steampunk costume section, and he had a great collection of his steampunk art prints we carried. When I republished The Arcanum Faire books, he and I got our heads together for the covers. The original small press covers I had given specific input to the artist and the result was disappointing. With Seth, we got together at a Chinese restaurant and went over characters and visual elements, and then I let him run amok. The results were far superior. We did the same for Silk Empress, producing a great front and back cover worthy of the novel’s penny dreadful roots. Seth also created the logo, and then a few interior illos. I would have settled for a half-dozen, but he created one for each chapter. Some people disapprove of pictures in novels, but since this was written as an adult novel with YA sensibilities, I think it adds quite a bit.

Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like Silk Empress?
I can’t really say with any confidence what books are like this one. I once pitched it as Scott Westefeld’s Leviathan X Jonny Quest. Those who enjoy the humor and wanton destruction of The Dresden Files might enjoy it. Or perhaps the free-wheeling adventure and criminality of The Stainless Steel Rat?

(A fantastic pitch, and the other comparisons are great. I’m very tempted to go back and make all these comparisons in my post…)

What’s next for Josef Matulich, author? A Silk Empress sequel, or do you have something else in the pipeline?
I’m still ruminating on where the Silk Empress will fly next on the High Silk Road, but I am returning to a supernatural Ohio with my WIP Dead People’s Houses. It’s the story of a man who makes his living from estate and tag sales, reselling some pieces and then renting out vintage props for advertising, TV, and film. Things get exciting when the hero begins to see the ghosts attached to those items. And there is still the threat of my Squirrel Apocalypse sequel: World War Squirrel.

Thanks for your time—and thanks for introducing me to Algie, Feng Po, and the rest. I had a blast hanging out with them.


WWW Wednesday, February 15, 2023

I have not been able to finish a draft of anything this week, and it’s getting on my nerves. So, before I go guzzle a couple of gallons of inspiration (read: coffee), let’s take care of this week’s WWW.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

Later today, I’m going to start reading Vampire Weekend by Mike Chen and I’m listening to Red Rising by Pierce Brown, Tim Gerard Reynolds (Narrator) on audiobook. The last book in the saga comes out this summer, and I’m getting excited about it—but I know myself well enough that I won’t take the time to re-read the books and have all these libro.fm credits laying around…

Vampire WeekendBlank SpaceRed Rising

What did you recently finish reading?

I just finished K.R.R. Lockhaven’s The Foundling, the Heist, and the Volcano. Lockhaven just keeps getting better. I also just finished Finlay Donovan Jumps the Gun by Elle Cosimano, Angela Dawe on audio, Cosimano is leaning into the comedy more and I think I like it.

The Foundling, the Heist, and the VolcanoBlank SpaceFinlay Donovan Jumps the Gun

What do you think you’ll read next?

My next book should be Miss Percy’s Pocket Guide (to the Care and Feeding of British Dragons) by Quenby Olson , which seemingly everyone I know on Twitter has told me to read. My next audiobook should be Pocket Apocalypse by Seanan McGuire, Ray Porter (Narrator)—I’m going to need the brightness of the InCryptid series after the brutality of Red Rising.

Miss Percy's Pocket Guide (to the Care and Feeding of British Dragons)Blank SpacePocket Apocalypse

What about you?

LITERARY LOCALS: A Q&A About Writing in Idaho with Bryan McBee

Literary Locals logo
This is another connection made by my friend who had a nearby booth an Arts fair (or something like that). I don’t know if either my pal or McBee sold much that day, but I appreciate them conversing at least! If you look at his material and compare it to others from this series of posts, one thing you’ll see off the top is the wide variety of genres we have here. It ain’t all potatoes and mountain scenes here, folks.
Anyway, sit back and enjoy this chat with Bryan McBee–and go check out his site and books afterward.


Before we get into things, why don’t you give the reader a brief introduction to you and your work.
My name is Bryan McBee. I am an Idaho author. I served in the US Army for five years. After which, I attended BSU and graduated in 2018. I have been a bookworm for most of my life, thanks in large part to my mom, who caved in to my constant pestering, and read to me from Stephen King’s The Night Shift in third grade. I have been in love with reading and writing pretty much all my life. I finished writing my first novel, Vector Zero, in 2013, and found a publisher for it in 2021. My second novel, Afterworld, came out in 2022, and I just signed a contract for my third novel which is titled Abnormal Ends. A few of my favorite authors are Dan Simmons, Stephen King, Robert McCommon, Megan O’Keefe, John Scalzi and Brandon Sanderson.

What kept you going from 2013-2021? Also, how many revisions did Vector Zero go through in that time? Incidentally, what I’ve heard of Abnormal Ends on social media has me really intrigued—looking forward to that.
Some of the time in between was taken up by college. I took advantage of the GI Bill and returned to school. For much of that time Vector Zero sat in a file on my computer collecting metaphorical dust. I took it out from time to time trying to find an agent to represent it. Each time I reread and revised it a little. Then came working with an actual editor with an eye towards publication and release. All told the novel went through at least five or six major revisions/rewrites before hitting the shelves.

I’m glad to hear that you’re looking forward to Abnormal Ends. I was excited to write it. It’s with the editor as we speak. I will send out updates as they come in.

Are you a native Idahoan? What brought you to Idaho in the first place? What is it about Idaho that keeps you here?
I’ve lived in Idaho most of my life. I moved here from Oregon when I was 13. My mom’s job transferred her here, and I being her only remaining dependent, was carted along with the rest of her luggage. I love it here. It’s clean, the people are nice, and the country is beautiful.

Are you tied into some sort of local author/bookish group/culture? If so, tell us about it and how it helps you as an author.
I am still pretty new to the whole published author thing, so I’m still trying to find my place in the local culture. I’ve joined the Idaho Writer’s Guild. They’ve been pretty helpful with finding events and giving support to a newby like me.

I’m hearing a lot of good things about the IWG from this series of Q&As. What kind of support/help have you found from it? Here’s a chance for a newby to do some outreach so he can become a respected vet 🙂
I’ve only been a part of the Guild for a year, and due to work haven’t had as much time as I would like to take advantage of the conferences and other events they hold. I am hoping to change that this year and become more active within the Guild.

What kind of events in the area do you attend—either to sell/promote your books or to network with authors? Are there any outside of this area that you hit regularly and wish we had something like it here?
I’ve gotten in touch with several bookstores in the Boise area to do signings. They’ve all been very accommodating. Most recently, I was at Barnes and Noble. In addition to bookstores, I will be at the Gem State Comic Con for the second year in a row, and the Idaho Halloween and Horror Con for the third year in a row. Both are great events. Very fun, and I get to meet lots of awesome nerdy people like me. I attended FanX, the Salt Lake City Comic Con in 2022. That was amazing, and almost overwhelming.

I haven’t made it to Gem State yet—what’s it like for authors? (or in general, come to think of it). I don’t think I’ve heard of the Halloween and Horror Con, either—but if you’ve gone twice and are coming back, it’s got to have something going or it, what’s it like and where is it held?
Gem State Comic con was pretty fantastic. I’m told that last year was the first year back after a hiatus. I found the crowd very welcoming and friendly. Lots of people from all sorts of different fandoms gathered to celebrate the things they love.

The Halloween and Horror Convention was my first big show since becoming a published writer. Last year and the year before they held the convention at the Red Lion hotel downtown. But they’ve outgrown that and will be holding it at Expo-Idaho, like Gem Comic Con. It’s a really great show if you like all things Halloween or Horror.

I will try to keep going back to both shows, as long as they will have me.

What’s the breakdown of your audience—do you have a strong local base, or are your readers from other parts of the world?
I am still a very new author on the scene, and in the process of building my audience. Much of my audience is local to the Boise area, because that’s where I live and can easily reach. However, several of my old army buddies have become dedicated readers, so I have some out of state reach. According to the demographics function on my Facebook page, I even have a follower in Malta. Which I think is tremendous!

Malta? Sounds very exotic. You need to arrange a signing there. (The snarky part of my brain just flashed on Cliff Poncier from the movie Singles, “we’re huge in Europe right now. I mean, we’ve got records… uh, a big record just broke in Belgium.”)

Are those buddies spreading the word as well? I’d think that could be good marketing (especially if they’re still enlisted and stuck on base somewhere with other people who need something to fill downtime).
I just rewatched Singles for the first time in years a little while ago!

My army buddies are spreading the word about my books. A few of them have been fans as well as friends for a long time! Every little bit of exposure helps when it comes to building an audience, and word of mouth is absolutely invaluable!

Do you think there are particular challenges or advantages to being a writer in the Treasure Valley?
I can’t say that I’ve seen any particular challenges to being an author here in the Treasure Valley. The internet has made it so that one doesn’t need to be in New York to be discovered. One thing I have noticed, is there is a strong feeling of local pride among people when they see that I’m a local writer. People here love to support local artists and creators. Which I think bolsters the strong sense of community that we all share here.

Do you bring Idaho (or some sort of Idaho-sensibility, assuming one exists) to your work? Whether or not anyone else sees it, can you look at some aspect of your writing and think “That’s Idaho” or “I would do ____ differently if I was a Kentuckian or from Illinois?”
I’m not really sure. My main focus as I’m scribbling away is to try and make my characters and situations as believable as possible, especially when it’s completely unbelievable. I feel like a writer has to be true to the world they have created and the people who inhabit it. On the main, I like to write what I like to read. Which is a little bit of everything. Hence, my first book is a military thriller, my second is a post-apocalyptic fantasy, and my third is going to be a cyber-punk serial killer novel. The only sensibility I try to bring to my work, is to tell the best story I can.

One final question, is there a book (or two…or 18, if you get really carried away), that embodies Idaho/the Idaho spirit to you to recommend to my readers?
Cloud Cuckoo Land by Anthony Doerr. Such a good book.

That’s my first Doerr response, which really surprises me.
In college, especially in English classes, especially in the writing classes, and most especially in the fiction writing classes, the professors name drop Anthony Doerr constantly. Not quite to the point of annoyance, but only just. It did make me curious about his work. So after I graduated (and gained free time with which to read what I wanted to read) I checked out his work. Very impressive, in my opinion. Well worth all the name dropping I heard as an English major in school.

Thanks for your time and participation! Hope you enjoyed it!
Thank you for the opportunity to chat with you!


Literary Locals logo

BOOK SPOTLIGHT: Mercury’s Shadow by P. J. Garcin

I’m very pleased today to welcome The Write Reads Blog Tour for P.J. Garcin’s Mercury’s Shadow. Be sure to watch https://twitter.com/WriteReadsTours over the next few days to see a lot of bloggers write interesting things about it. Mercury’s Shadow was a finalist for the 2022 Book Blogger’s Novel of the Year Award, so you know there’s a lot of good to be said about it–but before getting to the spotlight for it, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists and one overall winner. If you are an author and wish to learn more about the BBNYA competition, you can visit the official website http://www.bbnya.com or Twitter @bbnya_official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.

Mercury's Shadow Tour Banner

Book Details:

Genre: Science Fiction, Space Opera, Action Adventure
Age Category: Young Adult/New Adult
Publisher: Rawktron Productions
Release date: July 5, 2020
Format: Paperback/Ebook
Length: 308 pages
Mercury's Shadow

About the Book:

One man’s lust for power threatens the future of humanity—can a young girl from the outer system stop it all?

Imogen “Chim” Esper is thrust into the center of an interplanetary conflict when her family is torn apart by the cruel and indifferent Kardashev Corporation. Forced to run, along with her robotic best friend, Chim struggles to find her place in a society that is poised for revolutionary transformation.

The Kardashev Corporation dominates all commerce and politics in the solar system. Its megalomaniac CEO, Alton Neal, is hell-bent on transforming society by capturing the full energy output of the sun through the creation of a Dyson Swarm.

Citizens of Earth and the stations throughout the system must band together to protect access to the lifeblood of the system or risk becoming permanently enslaved to the Kardashev Corporation.

Mercury’s Shadow is a thrilling adventure that blends real science, big ideas, grand adventure and high stakes to introduce a new heroine and a deep universe that will leave readers asking for more.

Book Links:

Amazon.ca ~ Amazon US ~ Amazon UK ~ Goodreads

About the Author:

PJ Garcin has been writing stories, music and games for most of his life. He writes from the beautiful east coast of Canada where he has worked extensively in video games and technology for the past 20 years. Picking up a long running writing thread, he recently completed the first book in the Kardashev Cycle — Mercury’s Shadow.

The Kardashev Cycle follows the rise and expansion of the dominant Kardashev Corporation and its near universal control over the solar system. The first book in the series, Mercury’s Shadow, introduces the young Imogen Esper — a resourceful young girl from a mining station in the asteroid belt who finds herself caught up in an interplanetary conflict when her father is injured during a routine maintenance mission. The second book, Chimera’s Prism, continued the adventure in 2021.

PJ is a regular speaker at technology conferences on topics ranging from interactive narrative to machine learning. He has an undergrad degree in English, Rhetoric and Professional Writing as well as a Master’s degree in Communication.

He worked as Executive Producer in games on titles that sold more than 27 million units in total. He worked on large franchises such as FIFA, Madden, and Guitar Hero while helping to launch successful indie franchises like The Golf Club (now PGA Tour) and Infinite Air. He currently works as Director of Product Management for an open-source-focused SaaS company.

Website ~ Twitter ~ TikTok ~ Instagram ~ Facebook


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Saturday Miscellany—2/11/23

I didn’t have a lot of time on the InterWebs this week, which leads to a small miscellany. ¯_ (ツ)_/¯ C’est la vie. But I did enjoy these pieces and think you will, too.

No New Releases caught my eye this week, which is good—I am literally 2+ weeks behind this year (and it’s the second week of February!!!), I don’t need the temptation.

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Banning books in the land of the free
bullet What books hate most in readers.—I can’t read the story this is in response to (but the headline and subtitle make me think I’d have enjoyed it), but this is a fun post.
bullet Can Detective Novels Withstand the Moonlighting Curse?—Seasonally appropriate, even if I dispute the existence of said curse.
bullet The Many Levels of Mystery: ‘Whodunnit?’ to ‘Whydunnit?’ and Beyond (this is about much more than mystery or crime writing)
bullet Reading Ireland Month is Coming—If I’ve heard of this before, I’ve completely forgotten it. Sounds like a fun idea. Head on over to 746 Books to check it out.
bullet For the love of wild romance—Outside of the lack of Eames-appreciation, the only things wrong with this post is that it isn’t longer and published somewhere more eyeballs won’t land on it.
bullet Let people enjoy their books how they see fit—it’s truly ridiculous that this needs to be said. But since it does (repeatedly), at least it’s said well.
bullet 5 Misconceptions About YA

The kind of activity by a Publisher (Indie or not, but an Indie has more freedom to do) that deserves attention:
bullet We don’t want your money honey. Seriously, we don’t.—Fahrenheit Press points to some great charities to help earthquake victims in Syria & Turkey and will be donating all profits from their store this weekend, too.

What I Mean When I Say

The Friday 56 for 2/10/23: A Man Named Doll by Jonathan Ames

The Friday 56This is a weekly bloghop hosted by Freda’s Voice.

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it.

from Page 56 of:
A Man Named Doll

A Man Named Doll by Jonathan Ames

I went back inside and looked at the blood trail some more. Someone had dragged blondie from the table to the elevator and up to the sixth floor, and then for some reason had left him there and taken off.

Or, alternatively, that person was somewhere inside, hiding, and not making themselves known.

So I had a dilemma: Should I search the whole house? Or should I go home immediately and call the cops and tell them everything? Every stupid thing I had done?

I decided to search the house.

A Few Quick Questions with…Troy Lambert

A couple of hours ago, I posted about Lambert’s novel, Harvested, the first of a series I know I’m coming back to soon. Now, I have the chance to get some more information about him and the book in this Q&A. He’ll be back in a couple of weeks for a Q&A about writing in Idaho as part of the Literary Locals series—be sure you come back for that.


All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to writing it? Also, what was the starting point for this book? Was it the story about the missing dogs or the ongoing story (I’m being deliberately vague here) that required you to invent Max, or did you have Max and need to figure out some stories to put him in? Or is that kind of answer impossible—and you got the whole ball of wax at once?
So the idea of Max as a character came first, although the idea for the plot came shortly after. The idea of missing dogs appealed to me in a lot of ways, and I saw the twist in my head after only a little research, and it kinda all came together after that.

The same was true for Teaching Moments, although in that case the idea for the killer came to me first, and then I worked it into the Max series. The next book in that series is much the same, although I think the main villain in that case is even worse. That one will be out late this year or early next.

Multiple authors have talked about the unbreakable rule even in Crime Fiction is “you don’t kill the dog (or other pets).” But you not only kill some, but threaten several more. Did you think much about the danger inherent in this plot? What compelled you to go forward with it? Or was that danger what drew you into it?
So that is often a “rule” but I think it is all in how you handle it. The dogs for me are just like people in this book: they are valuable characters, and they are even heroic at times (no spoilers, of course)

And the story of dogs continues in Teaching Moments as one of them becomes Max’s partner throughout. Of course, a lot of my other work features dogs as well, and that is because I love them, and can’t help myself when it comes to casting them in books.

Supporting characters really make or break a book for me more than the protagonist does. Dr. Gamble is a great example of that—she was such a fun character. When she was introduced, I really didn’t expect much of her, she seemed like a typical “generic subject matter expert to help the PI get to the next step” that we’re all used to seeing, but you really fleshed her out and made her a big part of the story. Was that the idea all along, or did you just enjoy her so much that you changed her role?
So I liked her from the start. She was a favorite character who came to me pretty fleshed out. I think supporting characters are key to a good story: they produce conflict, tension, but also from time to time just some pleasant relief to that tension. I think she serves all those roles in this story, and she may play additional roles in the series going forward, even becoming more of a key character in Book 5, but that is down the road a bit.

Who are some of your major influences? (whether or not you think those influences can be seen in your work—you know they’re there)
There are several. I would say that Stephen King and Dean Koontz top the list, at least for writing style and in some cases subject matter. They’re also both inspiring on a personal level. But there are certainly others: Lee Child, Vincent Zandri (a good friend now) and others.

Let’s play “Online Bookstore Algorithm” (a game I made up for these Q&As). What are 3-5 books whose readers may like Harvested?
Ha! A fun game. L.T. Ryan readers, stories like Unmasked and that series, Brad Lee, A Team of One, anything in the Chase Baker series by Vincent Zandri, and the Finding Reacher series by Diane Capri.

Your Amazon Author Page lists a lot of titles—you’ve been a busy man for the last decade or so. What is it about storytelling/writing that keeps it fresh for you? Is this a compulsion to keep going, or is it more pleasure?
That’s a two part answer: it is a compulsion, yes, in some ways. But it is also pleasure. I love telling stories, and plan to do it until I just can’t any more. I hope that day is a long way in the future. I don’t ever plan to retire, and there are so many more titles coming out even just this year. I can’t wait to see what I come up with next.

In somewhat of a related question, what’s next for Troy Lambert, author? Also, are there more Max Boucher books to come, or is it a duology? (I largely ask for myself, so I’m in the right frame of mind before I start the next)
So there is another book in the Capital City Murders, and one that signals a major change in the series story, coming in April. Right now there are at least three more Max books planned along with a novella that will be out this year as well, and a new series coming sometime either later this year or the first part of next.

There will be a couple of anthologies and story collections coming, and even a book of poetry at some point. So stay tuned!

Thanks for your time—and thanks for Max Boucher, he’s the kind of PI that the Northwest needs more of (at least in fiction).
You bet. Thanks for having me.


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Book Blogger Hop: Favorite Childhood Genre

Book Blogger Hop

 

This prompt was submitted by Mark @ Carstairs Considers:

What was your favorite genre to read as a child? Do you still read that genre, or do you read something else now?

My reading tastes have been called “immature” and “popular” (as in for the hoi polloi, not as in well-known—a glance at my blog stats tells me that on a daily basis), so it will come as no surprise to many of you that my tastes as a child mirror my tastes now. I had a lot of fun, actually, over the last couple of days thinking about this question before finding time to sit down and answer this. There are actually a lot of precursors to what I read today in what I read as a child. I was tempted to sit down and look at a good number of those in this post, but that wouldn’t really be answering the question. Also, that’d end up taking me longer than I want to/can afford to spend on this post. Hopefully, I get around to writing it down—if only for my sake, I’d really like to work out some of this.

Anyway—my favorite genre as a child? Mystery/Detective novels. Leroy “Encyclopedia” Brown and Sally Kimball; Jupiter Jones, Pete Crenshaw, Bob Andrews (The Three Investigators); Henry, Jessie, Violet, and Benny Alden (the Boxcar Children); the Sugar Creek Gang (particularly when they were solving a mystery—loosely defined); Sherlock Holmes and Dr. Watson; whatever Ellen Raskin novels that I could get my hands on. Those were my almost constant companions, those stories were my bread and butter. There were others, too, but the names of the authors didn’t stick for whatever reason (I can picture some covers, but, that’s about it). Possibly because I didn’t re-read those authors with the frequency I re-read those.

Essentially, if the library book had a yellow sticker depicting a figure in a Fedora and Overcoat or a white sticker with a fingerprint and a magnifying lens on it—I read it. And likely re-read it. I know in my weekly trips to the library (4-5x a week during the summer), I’d often just wander the shelves looking for those stickers. I read a lot of dross because of that (arguably some of what I listed above fits). Oddly, I never clicked with the Hardy Boys, and bowed to social pressure to never give Nancy Drew a chance (I still regret that).

Anyway—do I still read that genre? Oh, yeah. Anyone who’s read more than 2 posts on this site probably knows that. I’ve mentioned before, that I pretty much realized I was a reader who always needed a book around while reading Encyclopedia Brown, Boy Detective (although I was pretty voracious before that, I just realize it). Maybe that’s where my brain got wired that way (although I vaguely recall a couple of other detective-ish books before that), but to this day, Mystery/Detective/Crime Fiction is my default genre. I guess I’m still that kid in the backseat of my parents’ station wagon watching Encyclopedia and Sally triumph over Bugs Meany and the rest or wandering the stacks at the Payette Public Library looking for those yellow or white stickers.

And you? Have your tastes shifted?

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