Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 1 of 138

EXCERPT from Crimson Arches by Rebecca Carey Lyles: What was going on?

Crimson Arches CoverAs we continue to celebrate the Publication Day of Crimson Arches, here’s a little sample to whet your appetite, and a quick reminder that both books (so far) in this series are available for a great price.


from Crimson Arches by Rebecca Carey Lyles

What was going on?

Far ahead on the two-lane highway that divided the flat desert like an endless gray ribbon, a light flashed. Kasenia Clarke squinted but saw nothing unusual, not even a dust devil twirling across the arid plain. Had to be sunlight reflected off a car window or a bumper. She lowered the sun visor to block the bright orb’s merciless glare, and a flicker in the rearview mirror caught her eye.

What was going on?

A siren sounded behind her. This time, she couldn’t miss the frenetic red-and-blue beams coming closer by the second. Heart in her throat, she glanced at the speedometer and steered to the side. She wasn’t speeding, and the kidnapping charges had been dropped a year ago. Even so, her stomach clenched at the reminder of her arrest and incarceration, experiences she hoped to never repeat.

A State Trooper’s SUV screamed past, buffeting her car. Kasenia cringed. The ear-piercing sound shook her to her core. The trooper wasn’t after her, thank God, but someone up ahead was injured or in trouble. After a quick check for other cars, she drove onto the blacktop, only to hear another siren. This time, she swerved off the highway mere moments before an ambulance wailed by her window.

When no more emergency vehicles followed, Kasenia checked one more time. With deep breaths to slow her racing pulse, she pulled onto the road again, grateful the sirens hadn’t triggered a panic attack.

She’d traveled several more miles when she topped a rise and saw a string of cars that appeared to be at a standstill several miles ahead. Black smoke billowed in the distance.

More sirens. More lights. Again, she reduced speed and maneuvered out of the way. A second ambulance passed, this one trailed by a firetruck, then a tow truck, and another firetruck.

“Jesus,” she whispered, “please help those who’ve been injured and give the first responders wisdom.” Almost every time she rode with her grandpa, someone would speed past on a straightaway. And every time, he’d grouse, “What does that bloomin’ blockhead think this is, a racetrack?” Sadly, sometimes those drivers caused horrible accidents.

She rolled onto the road, this time to slowly approach the last vehicle in the queue. Braking to a stop, she sat for a moment, taking in the situation. Despite the heat, people stood outside their cars, gaping at the enormous black smoke cloud.

Before she switched off the AC, Kasenia twisted her hair to fit it into the crown of her wide-brimmed straw sunhat and adjusted her sunglasses, which usually prevented recognition. But not always. The hat was an extra precaution to hide her copper-colored hair, which tended to attract attention.

Modeling required her to be in the spotlight during photo shoots—she was used to that. But since the Shadow Ranch debacle, almost every time she left home, curious people gathered around her like mice to cheese. They bombarded her with questions about the ranch, Brewster, the sister wives, running away. They took cell phone pictures without her permission and begged for autographs. Yet in a year’s time, not a single person had asked how she and Sam and the others were coping with the trauma since their perilous escape.

Her lawyer advised her to say she wasn’t allowed to answer questions or give autographs, and to keep walking, so that’s what she did.

In addition to local notoriety, her photo had been plastered on the front cover of nearly every magazine on the grocery-store racks. All because she’d stupidly fallen for Brewster’s lies and allowed him to trick her into a fake marriage. Then there was the meddling media, as Grandpa Gordon called reporters who appeared from nowhere, snapping pictures and sticking microphones in her face. All these months later, they still clamored for interviews about her Shadow Ranch experience.

Kasenia switched off the ignition and reached for the door handle. The silver SUV she’d parked behind had a Montana license plate. Good. People from up north wouldn’t know anything about her or Shadow Ranch.


Read the rest in Crimson Arches by Rebecca Carey Lyles to see what happens from here in this follow-up to Shadow Ranch.

Irresponsible Reader Pilcrow Icon

PUB DAY SPOTLIGHT: Crimson Arches by Rebecca Carey Lyles

I’m very pleased today to share this spotlight for the second book in Rebecca Carey Lyles’ Children of the Light series, Crimson Arches! Lyles has become a solid friend of the blog over the last year, and I’m glad to get the chance to share this look at her new book. A little later this morning, I’ll be posting an excerpt, too.

Book Details:

Title: Crimson Arches
Series: Children of the Light, Book Two
Genre: Christian Mystery & Suspense Romance
Format: Ebook
Length: 423 pages
Publication Date: April 30, 2024
Crimson Arches Cover

About the Book:

Kasenia Clarke escaped Shadow Ranch months ago, but when Trent Duran asks her to visit Crimson Arches, his neighboring ranch, she hesitates. She adores Trent and wants to see where he “hangs his hat,” yet she dreads going anywhere near the abusive polygamous cult. Then an unexpected connection with another “plyg” community changes everything, and she jumps in with both feet, unaware of the peril that awaits her down by the border.

Book Links:

Amazon ~ Goodreads

Buy the Series

Both books together are set at a great price!Shadow Ranch and Crimson Arches Covers

About the Author:

Rebecca Carey LylesRebecca Carey Lyles lives with her husband, Steve, in Boise, Idaho, where she serves as an editor and as a mentor for aspiring authors. In addition to the Children of the Light Series, she’s written the Kate Neilson Series and the Prisoners of Hope Series plus a short story collection and a couple nonfiction books. Her tagline for her fiction is “Contemporary Christian romance set in the West and salted with suspense,” although some might describe her stories as “suspense salted with romance.” She also hosts a podcast with Steve called “Let Me Tell You a Story.” Learn about Becky, her books and the podcast at beckylyles.com.

Author Links:

Twitter/X ~ Facebook ~ BookBub

Irresponsible Reader Pilcrow Icon

Namaste Mart Confidential by Andrew Miller: A Pair of Unlikely P.I.s Search for a Missing Woman

I’ve talked recently about how easily distracted I am—how much trouble I’ve had focusing on things—I’m pretty sure that this post reads like the product of that. Hopefully, it makes enough sense to be worth your while.


Namaste Mart ConfidentialNamaste Mart Confidential

by Andrew Miller

DETAILS:
Publisher: Runamok Books
Publication Date: May 1, 2024
Format: ARC
Length: 246 pg.
Read Date: April 4-9, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Namaste Mart Confidential About?

It seems (especially in film and novels) that Los Angeles is filled with people who’ve moved their to start their lives. That’s certainly the case for Richie Walsh, a stand-up comedian trying to build his audience and act, and Adam Minor, an aspiring novelist. While they wait for their artistic careers to take off, they need to pay their bills—and so they get jobs at the greatest grocery store in the country to be employed at (as far as I can tell, anyway—I’ve never known anyone to have such a good gig while working at one).

Some time back, however, the two of them stumbled upon a kidnapper and rescued his latest victim—getting them some attention from the local media and starting a side gig for them: Unlicensed Private Eyes. They’ve had a few successful cases, nothing as headline-worthy as their first however, and then entered a dry spell.

They’re pulled out of it when a co-worker’s mother hires them. She runs a few lingerie stores (higher-end stuff), and one of her top employees has gone missing. Shayla Ramsey has had a troubled past—escaping from the frying pan of a polygamous marriage to the fire of addiction on the streets of L.A. She’s put her life on the right track—and now she’s vanished, with both parts of her past equally likely to have pulled her back in.

Neither grocery store clerk could expect—or be prepared for—where the trial for Shayla takes them. But readers are going to have a blast going along for the ride.

A Real Kitchen Sink Novel

What doesn’t this book have, really? First off—and it’s easy to forget this, but you shouldn’t—it’s noir. Then you have a slice of L.A. life in 2013, and boy does it feel like it. There’s some comedy. There’s some satire. There’s commentary on the rise (and growing acceptance, it seems) of polygamous LDS groups*. There’s some drama. There’s some over-the-top action movie-style gunfights. There’s a splash of politics. There’s more than a little commentary on the nature of celebrity. There’s some actual sweetness through one of the smaller arcs. You’ve got Armenian mobsters. Ex-actors turned business executives. Ex-actors turned artists. Grocery store clerks and very odd customers (just that part of the novel alone could be turned into a decent sitcom). A strange Scientology-esque group.

* I read three novels that featured them last year alone. An odd trend in crime fiction.

This is not an exhaustive list—and I know that once I publish this post, I’m going to think of other things I could’ve included.

But the important thing to know going in—it all works. This jumble of seemingly incompatible ideas/topics that Miller brings to the table fit together in a way that feels natural. It’s like one of those cooking competition shows where the contestants are handed a bunch of ingredients that no one in their right mind should put together and they make something that gets that gets the approval of experienced chefs and restauranteurs. Miller ain’t getting chopped for this meal.

Anger

At one point in the show Justified, Winona tells her ex-husband, “Raylan, you do a good job of hiding it. And I s’pose most folks don’t see it, but honestly, you’re the angriest man I have ever known.” That line came to my mind a few times while reading this book—I don’t know that Adam or Richie are quite as angry as Raylan—but they’re noticeably younger than him. Unless something happens to them in the next decade or two (you know, presuming they survive this novel), I do think they might attain that high mark.

Adam says he wants to pursue this case for a different reason—and that might be true (he certainly believes it), but it seems to me that his life as a whole is driven by anger. Anger at his family for the way he was raised, the religion he was inculcated in, and the way they responded to him rejecting their faith and way of life. This spills over to an anger at any religion—or pseudo-religion/cult. It frankly gets in his way, and makes this case (and probably others, as well as other aspects of his life) much more difficult. Richie’s anger (more on that in a moment) may put them in immediate jeopardy a time or two, but I’d wager that Adam’s chip on his shoulder about religion/religious beliefs is a bigger detriment/hindrance to the duo.

I should probably add that while Adam thinks he’s angry at his family and their religion, I actually think he’s angry at God for not existing. Or at least not existing and behaving the way that Adam expects him to.

Richie’s anger is a little easier to see—there are no tears of this clown to be seen, just a violent streak that can be seen from miles away. Miller doesn’t give us as much insight into it as we get with Adam’s—but we may get more examples of it in action. Richie is definitely more honest with himself about the outward expression of this (although he might underestimate his ability to control it).

So, what did I think about Namaste Mart Confidential?

Based on his short story in Jacked, this was not the novel I expected from Miller. But I don’t know what he could’ve written that would’ve made me think he (or anyone else) would produce something like this book.

Anytime I hear “unlicensed private investigators,” my mind goes to the fantastic FX show, Terriers and while Adam and Richie aren’t Hank and Britt, I could see Adam becoming Hank-like with another decade or more experience (I think Richie’s already a better P.I. than Britt). The designation allows Miller to take advantage of all the P.I. tropes he wants to—and to keep these guys strictly amateur. So they do not have to follow all the rules a licensed P.I. would have to and make dumb mistakes and act like renegade escapees of a cozy novel. It’s definitely a best-of-both-worlds kind of situation and a great choice by Miller.

I cannot tell—and I’d hesitate to speculate—if Miller has a lot he wants to say about religion and faith, or it it just fit the plot and the character of Adam. I’d buy either explanation (or both). I would like to see Adam and Richie back in action in a story that didn’t have that much/anything to do with religion to see how Adam acts when he doesn’t have something like that to bounce off of, I think it’d be interesting to see the contrast.

This is a very L.A. novel—even if you disregard the Hollywood-adjacent portions (although it would be difficult to do). This book wouldn’t function the same way were it set in Chicago, Dallas, Boston, or Orlando. It would take someone better at analyzing these things—or at least in describing them—to tell you why. But these events need L.A. (with a quick detour to Mexico), and I relish things like that. By and large, Spenser, Elvis Cole, Madison Kelly, or Kinsey Millhone can take place just about anywhere. But Lydia Chin/Bill Smith, August Snow, Annie McIntyre, or Adam Minor/Richie Walsh need their geography*. I’ll read any of those at any chance I get, clearly, but there’s something distinctive about those tied into their cities like that.

* Obviously, they can travel outside their typical bailiwick, but then you’ve got the duck-out-of-water thing going on.

I seem to be jumping around a little bit in this section (and perhaps the entire post), because there are just so many aspects of this novel that I want to talk about and I’m not certain how to link them all together—and which ones I have time and space to cover. It may be a bit hyperbolic to say I could open this book up to any random page and find something I could talk about for at least a paragraph or two—but only a bit. It’s not often I think that in a P.I. novel—and I love it.

Miller nails the pacing of this novel. The circuitous path our duo takes to track Shayla fits both their strengths and weaknesses. The dangers they face feel genuine—and their lack of ability to really cope with some of that danger endears them to me more than when they’re being competent (not that I don’t enjoy them doing their job well, too). Familiar and unexpected all at once—Miller tackles this novel like a pro, and I can’t wait to see what he does next. (although if he wants some suggestions, I’d point him to the short story I talked about a few paragraphs back)

If you’re in the mood for a gritty P.I. novel with a lot of zip, look no further than Namaste Mart Confidential.

Disclaimer: I received a copy of this ARC from the publisher, without any expectation that I would write about it—but how could I not?


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Nero Wolfe on Taxes

I can’t tell you when this became a (largely) annual thing for me to post, but it was on a blog that pre-existed this one. As always, seems like a good day to post it.

Nero Wolfe Back CoversA man condemning the income tax because of the annoyance it gives him or the expense it puts him to is merely a dog baring its teeth, and he forfeits the privileges of civilized discourse. But it is permissible to criticize it on other and impersonal grounds. A government, like an individual, spends money for any or all of three reasons: because it needs to, because it wants to, or simply because it has it to spend. The last is much the shabbiest. It is arguable, if not manifest, that a substantial proportion of this great spring flood of billions pouring into the Treasury will in effect get spent for that last shabby reason.

–Nero Wolfe
from And Be a Villain

PUB DAY REPOST: Rhythm and Clues by Olivia Blacke: A Locked-Town Mystery

Rhythm and CluesRhythm and Clues

by Olivia Blacke

DETAILS:
Series: The Record Shop Mysteries, #3
Publisher: St. Martin's Press
Publication Date: March 26, 2024
Format: eARC
Length: 304 pgs.
Read Date: March 8-11, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Rhythm and Clues About?

An old college acquaintance of Juni Jessup has approached her and her sisters with a proposition—he and his partner will invest in Sip & Spin Records, help it succeed—and take a good portion of the profits. Juni and her old (and maybe future) boyfriend, Beau, attend a hockey game with them for a little wining and dining (or beering and snacking) along with the pitch. It’s not the beginning of a Record Shop Mystery that you’d expect, but it’s pretty fun.

The fun goes away later that night when a monster storm hits their area, knocking out power to the entire town, and threatening to flood buildings as well. Juni and her older sister dash to their store to try to mitigate the damage there. Before you know it, the event readers were waiting for happens—one of the investors is dead outside their shop and Juni is the one who discovers the body.

The police warn her off—but the surviving partner has heard of Juni’s previous adventures and asks for her help. Which is convenient—because she wanted to look into the murder anyway.

The storm has made leaving—or entering—Cedar River impossible for a few days, so the murderer is definitely still around. This could be a problem because it seems that everywhere Juni looks, she finds another suspect with plenty of reasons to want that investor gone. Will she be able to find them before they can get out of town?

The Investors

For various and sundry reasons (starting with all the roads being washed out), Juni ends up spending a lot of time with the dead man’s business partner and gets to know their business practices much better than she did during their pitch to Juni (or her sisters).

While they don’t do anything illegal, and probably not strictly unethical either, there’s something about their methods that just don’t sit right with me (or several others in the novel). As a mystery reader, we get to encounter all sorts of unsavory characters and actions that aren’t necessarily illegal, but sure aren’t good. Very often you wonder how realistic they are while hoping some fiendish writer made it all up out of whole cloth (but secretly knowing they didn’t). I suspect that Blacke is sharing something that came up in her research—or something that people she knows have run into for their own small business.

I truly hope the latter isn’t the case, because I’m sure people like this exist and people suffer because of them. It makes me glad to not own a business and have to worry about it.

Juni’s Growth

She’s been on her own for several years, and until an economic hit at her company led to her coming home, seems to have found some sort of success in life. So you’d think she’d come back to town as an adult—and she does, but she also seems to be largely treated as pretty much the same kid she’s always been. And maybe part of that is just coming back to the place where everyone knows you as that kid you were when you went to college and aren’t ready to accept that you’ve grown up.

But she’s been coming into her own, little by little, over the course of the series—and arguably arrives in this book. Maybe she’s just more comfortable in her own skin and her old hometown. Maybe it’s the way others see her. Probably a little bit of both. It certainly doesn’t hurt things at all the way she keeps finding herself in the middle of murder cases.

The important thing is that it’d be easy for Blacke to freeze all the characters so that they’re who we met in Vinyl Resting Place for the rest of the series. But she doesn’t do that—Juni’s the most notable example of this, but there are others, too. I’m so glad that Blacke has taken this path, it opens the door up for more changes, more development—and will keep readers like me engaged with the characters and the stories they find themselves in.

In my post about the last book, I said, “I do worry that at some point the residents of Cedar River are going to decide that Juni’s the Angel of Death having brought so many murders to town with her.” They still might do that—but so far, they’ve gone in another direction. Particularly the first responders in town. There’s a moment involving them and Juni that got me to laugh out loud. And I don’t know how to say more about it than that.

Juni’s Drinks

Blacke’s music pun-inspired coffee drink names are as good here as they’ve ever been, if not better. Now, I understand why she doesn’t give us too many per novel. But I think she could give her fans some supplemental material—bonus tracks, if you will—just give us some of the seasonal menus from the time between books. Just throwing that out there as an idea.

That Moment

When it comes to a lot of procedurals or other mystery shows on TV there’s a moment where the detective sees something or hears something that a friend/coworker says, they get this look in their eye and they dash out of the room, they’ve got the whole thing solved now. Gregory House was great at these—Temperance Brennan is the other prime example that jumps to mind (but I know there are many others).

It’s hard to depict those moments in novels, however. But you can still see them happening—Juni has one of those here. Well, she starts to anyway, and something comes along to take her out of the moment. For most/all readers, we won’t get taken out of the moment—if anything, we’ll keep going with it and solve the mystery (or at least get a lot closer to it). Blacke really handled that well—a trick I wish she’d teach others.

While commending her for this, her creation got on my nerves because of it. Juni took forever to circle back to that breakthrough moment and finish her thought. I was so relieved when it happened without me having to climb into the book and shake her by her shoulders until she’d focus.

So, what did I think about Rhythm and Clues?

Blacke is really onto something with these books—this is her best yet, and she shows no signs of slowing down (I hope she gets to keep going). The writing was sharp here, the characterizations—particularly of the investors, and the new people Juni encounters during the case—were on point and vivid, the mystery was her best and twistiest yet. The herrings were a bright and lively red—practically vermillion. The resolution was so, so gratifying.

This series is quickly becoming a solid favorite of mine—I’m never going to be a giant cozy mystery fan, but when I read one that works as well as this one does, I want to go find more. It’s a very clever and fast read, with some heartfelt emotional moments and it brings a lot of smiles to my face.

I honestly don’t know of a better way to put it or a better reason to commend it to your attention. Rhythm and Clues was as satisfying a read as you’re going to find. You can jump on here or you can get the first two books in the series and have a good time with them first. Either way, I encourage you to track it down.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

The Havana Run by Ace Atkins: Um, What?

The Havana RunThe Havana Run

by Ace Atkins

DETAILS:
Publisher: Amazon Original Stories
Publication Date: March 12, 2024
Format: eBook
Length: 47 pg.
Read Date: March 18, 2024

What’s The Havana Run About?

George and Jay are a couple of out-of-work newspapermen who spend more time than they ought drinking (but what else are they going to do?). They meet an elderly Cuban immigrant who wants to hire them to go to retrieve some items for him—it’s not safe for him to return, but there should be no problem with them going.

He doesn’t tell them what they’re going for, assuring them that some of his friends will guide them.

What do they have to lose? They have 10K to gain. Once they get to Havana, the very sketchy plan they have evaporates. The pair finds themselves running from criminals and the police, and unable to trust anyone. Including (especially?) their contact.

So, what did I think about The Havana Run?

Ummm…now that’s a good question. I guess I’d have to say, not much. I liked the two protagonists and enjoyed their interactions with each other and just about everyone they encountered. The action scenes were good, too, as one would expect.

But…I didn’t connect with anything else in this book. I didn’t buy their “mission” (or whatever you want to call it), and couldn’t believe that they went for it—even as desperate for money as they seemed to be. And then everything that happened once they get to Cuba? It was all…I don’t know what to say. Pointless? Disappointing? (there are other, better words, I’m sure, but I’m drawing a blank)

I fully expect there are plenty of people who will have enjoyed this and are glad they read it. I just don’t see why they would. I don’t get what Atkins was trying to do (other than something other than Spenser or Quinn Colson)


2 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Rhythm and Clues by Olivia Blacke: A Locked-Town Mystery

Rhythm and CluesRhythm and Clues

by Olivia Blacke

DETAILS:
Series: The Record Shop Mysteries, #3
Publisher: St. Martin's Press
Publication Date: March 26, 2024
Format: eARC
Length: 304 pgs.
Read Date: March 8-11, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Rhythm and Clues About?

An old college acquaintance of Juni Jessup has approached her and her sisters with a proposition—he and his partner will invest in Sip & Spin Records, help it succeed—and take a good portion of the profits. Juni and her old (and maybe future) boyfriend, Beau, attend a hockey game with them for a little wining and dining (or beering and snacking) along with the pitch. It’s not the beginning of a Record Shop Mystery that you’d expect, but it’s pretty fun.

The fun goes away later that night when a monster storm hits their area, knocking out power to the entire town, and threatening to flood buildings as well. Juni and her older sister dash to their store to try to mitigate the damage there. Before you know it, the event readers were waiting for happens—one of the investors is dead outside their shop and Juni is the one who discovers the body.

The police warn her off—but the surviving partner has heard of Juni’s previous adventures and asks for her help. Which is convenient—because she wanted to look into the murder anyway.

The storm has made leaving—or entering—Cedar River impossible for a few days, so the murderer is definitely still around. This could be a problem because it seems that everywhere Juni looks, she finds another suspect with plenty of reasons to want that investor gone. Will she be able to find them before they can get out of town?

The Investors

For various and sundry reasons (starting with all the roads being washed out), Juni ends up spending a lot of time with the dead man’s business partner and gets to know their business practices much better than she did during their pitch to Juni (or her sisters).

While they don’t do anything illegal, and probably not strictly unethical either, there’s something about their methods that just don’t sit right with me (or several others in the novel). As a mystery reader, we get to encounter all sorts of unsavory characters and actions that aren’t necessarily illegal, but sure aren’t good. Very often you wonder how realistic they are while hoping some fiendish writer made it all up out of whole cloth (but secretly knowing they didn’t). I suspect that Blacke is sharing something that came up in her research—or something that people she knows have run into for their own small business.

I truly hope the latter isn’t the case, because I’m sure people like this exist and people suffer because of them. It makes me glad to not own a business and have to worry about it.

Juni’s Growth

She’s been on her own for several years, and until an economic hit at her company led to her coming home, seems to have found some sort of success in life. So you’d think she’d come back to town as an adult—and she does, but she also seems to be largely treated as pretty much the same kid she’s always been. And maybe part of that is just coming back to the place where everyone knows you as that kid you were when you went to college and aren’t ready to accept that you’ve grown up.

But she’s been coming into her own, little by little, over the course of the series—and arguably arrives in this book. Maybe she’s just more comfortable in her own skin and her old hometown. Maybe it’s the way others see her. Probably a little bit of both. It certainly doesn’t hurt things at all the way she keeps finding herself in the middle of murder cases.

The important thing is that it’d be easy for Blacke to freeze all the characters so that they’re who we met in Vinyl Resting Place for the rest of the series. But she doesn’t do that—Juni’s the most notable example of this, but there are others, too. I’m so glad that Blacke has taken this path, it opens the door up for more changes, more development—and will keep readers like me engaged with the characters and the stories they find themselves in.

In my post about the last book, I said, “I do worry that at some point the residents of Cedar River are going to decide that Juni’s the Angel of Death having brought so many murders to town with her.” They still might do that—but so far, they’ve gone in another direction. Particularly the first responders in town. There’s a moment involving them and Juni that got me to laugh out loud. And I don’t know how to say more about it than that.

Juni’s Drinks

Blacke’s music pun-inspired coffee drink names are as good here as they’ve ever been, if not better. Now, I understand why she doesn’t give us too many per novel. But I think she could give her fans some supplemental material—bonus tracks, if you will—just give us some of the seasonal menus from the time between books. Just throwing that out there as an idea.

That Moment

When it comes to a lot of procedurals or other mystery shows on TV there’s a moment where the detective sees something or hears something that a friend/coworker says, they get this look in their eye and they dash out of the room, they’ve got the whole thing solved now. Gregory House was great at these—Temperance Brennan is the other prime example that jumps to mind (but I know there are many others).

It’s hard to depict those moments in novels, however. But you can still see them happening—Juni has one of those here. Well, she starts to anyway, and something comes along to take her out of the moment. For most/all readers, we won’t get taken out of the moment—if anything, we’ll keep going with it and solve the mystery (or at least get a lot closer to it). Blacke really handled that well—a trick I wish she’d teach others.

While commending her for this, her creation got on my nerves because of it. Juni took forever to circle back to that breakthrough moment and finish her thought. I was so relieved when it happened without me having to climb into the book and shake her by her shoulders until she’d focus.

So, what did I think about Rhythm and Clues?

Blacke is really onto something with these books—this is her best yet, and she shows no signs of slowing down (I hope she gets to keep going). The writing was sharp here, the characterizations—particularly of the investors, and the new people Juni encounters during the case—were on point and vivid, the mystery was her best and twistiest yet. The herrings were a bright and lively red—practically vermillion. The resolution was so, so gratifying.

This series is quickly becoming a solid favorite of mine—I’m never going to be a giant cozy mystery fan, but when I read one that works as well as this one does, I want to go find more. It’s a very clever and fast read, with some heartfelt emotional moments and it brings a lot of smiles to my face.

I honestly don’t know of a better way to put it or a better reason to commend it to your attention. Rhythm and Clues was as satisfying a read as you’re going to find. You can jump on here or you can get the first two books in the series and have a good time with them first. Either way, I encourage you to track it down.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Teaching Moments by Troy Lambert: A Tale of Horse Thieves and a Serial Killer

Teaching MomentsTeaching Moments

https://troylambertwrites.com/the-max-boucher-series/)

DETAILS:
Series: Max Boucher Mysteries,  #2
Publisher: Unbound Media
Publication Date: January 18, 2022
Format: Paperback
Length: 368
Read Date: August 24-26, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Teaching Moments About?

It seems that after the events of Harvested, Max Boucher has developed a specialty when it comes to his PI work—animals. Granted, most of these are pretty small cases without a lot of excitement, but work is work, right? And if he’s getting the bills paid, he can spend more time thinking about the new evidence he found at his old home at the end of Harvested.

But that’s for another time, really. Max has been hired to leave Seattle and come to Cedar Peak—a small town in Idaho*, where someone from out of town sticks out like a sore thumb. He’s been called upon to investigate a missing—presumed stolen—horse, worth a pretty penny.

* I kept changing my mind about what city it’s based on, and decided to stop trying because it really doesn’t matter.

But before he can even start this investigation, he stumbles across a murder. Now, that’s not why he’s in town, but he sort of befriends the woman dating the dead man (who turns out to be related to the horse’s owner). He’s warned off by the local police, but he ends up looking into the murder, too.

It’s not long at all before Max discovers that almost nothing is what it seems and that he might have bitten off more than he can chew this time.

The Other POV

Interwoven with Max’s story is the first-person account of a young woman becoming a serial killer. On the one hand it’s easy to see why we get this (her weapon of choice is used in the murder)—but it frequently feels like it could be a different book.

Actually, you could excise these chapters (or at least almost all of them) and publish it as a stand-alone novella. You’d probably need a different conclusion to make it satisfactory—but it’d work that w
This isn’t entirely a criticism (although it does feel a little out of place from time to time)—the way this story ends up merging with the rest of the novel really works and adds to the overall impact of the novel.

The only real complaint I have about it is that all these chapters are in italics, and it just bugs me to read that much italicized material, there’s gotta be a better way to set that kind of thing off from the rest of the text.

The Series Arc

After the way that Harvested ended (and well, the way that most of that book went), I assumed we’d get a lot more time and space devoted to the murder of Max’s daughter and the disappearance of his wife in this book. I didn’t expect that he’d solve everything so soon, but still.

And while Max (and/or Lambert) didn’t blow off the topic, the novel didn’t focus on it as much as I’d assumed. I think it’s good for the long-term health of the series, as long as Lambert doesn’t drag things out in this regard. The closing pages of this novel bring in a new twist to the series that can help out with the overall arc(s), too.

So, what did I think about Teaching Moments?

It feels pretty uncharacteristic of me not to mention Max’s dog so far. Russ is one of those rescued at the end of Harvested and he’s become an important part of Max’s life. He’s a very good boy, and a canine I’m pleased to make the acquaintance of.

I don’t think I was as surprised at a lot of the serial killer story as the novel wanted me to be. That may be because I read too many things in this genre. It was well-executed and I don’t have any noteworthy negative things to say about it beyond I thought it wasn’t that unexpected. I don’t need to be shocked, I just want a good story, and that’s what Lambert delivered.

A solid PI novel is one of my favorite things in the world. Lambert’s Max Boucher novels are good examples of the genre. Yes, the setting and the central crime might not be common for the genre, but they work well in Lambert’s hands. I’m definitely looking forward to more of these, and recommend them to you. Even if you’re not looking for a series, Teaching Moments could work as a standalone. Either way, you should give this a shot.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Literary Locals logo

REPOSTING JUST CUZ: Harvested by Troy Lambert: A Man Bites Dog P.I. Novel

I flipped a coin late last night and it came up “stop writing and get some sleep.” It was frustrating that I got to that point, it’s even more so that I had to walk away from a post that was coming along pretty nicely. Hopefully I can finish it tonight, so you can read it tomorrow. In the meantime, here’s a look back at the first Max Boucher book in lieu of something about the second.


HarvestedHarvested

by Troy Lambert

DETAILS:
Series: Max Boucher Mysteries, #1
Publisher: Unbound Media
Publication Date: March 15, 2019
Format: Paperback
Length: 247 pg.
Read Date: January 2-3, 2023
Support Independent Bookstores - Visit IndieBound.org

What’s Harvested About?

Max Boucher is a P.I. in Seattle. Like a good (fictional) P.I., he spends a lot of time drinking. He spends most of the rest of his time working just to make ends meet. He really wants to devote his time to looking for whoever murdered his daughter, killed his dog, and either kidnapped or murdered his wife. He—and his former colleagues in the Seattle PD—have followed every lead they have, but he’d spend all of his life going back over the evidence time and time again if he could.

Now, he’s taken on a case—he takes on every case that comes his way—that takes him back to his old neighborhood. The dog park that he and his family used to go to, in fact. There’s a rash of dognappings in the area, and owners have come together to hire him to find their canine friends. The police can/will only do so much, but Max can devote more time to it.

It doesn’t take long for things to get hairy—there’s a connection to a Korean mob boss. Some of the dogs start reappearing—with strange injuries. And it turns out that this has been happening all over Seattle for some time. Max isn’t sure what he’s gotten himself into, but it’s about a lot more than missing poodles.

Supporting Characters

Obviously, you’ve got to have a compelling P.I. in a book like this—and a good hook for the story. That’s what the reader comes for, and the writer had better deliver. A plausible villain, is important, too—but the others can overcome an iffy one. But what will really make a P.I. novel work is the supporting characters—the cop buddies/frenemies/rival (depending on the series), the client, the witnesses, and so on.

Lambert nails this throughout the book. I like Boucher and want to see more of him, but I enjoyed some of the side characters more than him. There’s a friendly and helpful veterinarian who could probably carry a cozy mystery series on her own—and I would buy six of those tomorrow if they existed.

There’s a guy who details Max’s car (he’s got an older car that’s his pride and joy)—which is something definitely called upon when your case involves carrying injured dogs (and injured detectives) around. If Eddie shows up for a scene or two in every book in the series, you can color me pleased. I’m not even sure why—I also don’t care much, I just liked him.

I’m not going to say I enjoyed the Korean mob boss* in the same way I did those two. But the scenes with him are some of the most intense in the novel.

* Ahem. Suspected boss, of a mob that may not even exist.

I could go on for a few more—I don’t remember exactly my point when I started this section, other than to rave about Dr. Gamble and Eddie. But I guess that I just want to stress that Lambert gives us more than a solid P.I. He knows how to give the reader characters to invest in and care about—even if only for a page or two.

Beware of (Hurt) Dogs

* (yeah, that’s a lame section title—but it’s better than “It’s a Dog Eat Dog Book” with the implied cannibalism)

I know I have readers who will be antsy about this book—we’re talking about kidnapped and injured dogs here (there’s a reason I have a recurring post about books about dogs who live). And for those who cannot take violence toward animals, this is a book to avoid.

I will say, however, almost all of the violence happens “off-screen”—you see very little of it on the page. And what you see on the page isn’t that bad (up until the climactic bit at the end, but the violence there is spread amongst characters with two and four legs (and the two-legged ones get the worst of it).

The point of this book is Boucher investigating the kidnappings, stopping them by getting to the bottom of things and rescuing as many dogs as he can. So if you’re on the fence, you can hold on to that.

So, what did I think about Harvested?

This was a good read. Lambert delivered in every way I wanted a book like this to—solid plot, unique case, great character work, and a pace that keeps you turning the pages long past the time you should put the book down for sleep or chores. I’d recommend this just for the (relative) novelty of a Seattle P.I.—mid-sized US cities need to be the setting of more P.I. novels. The book delivers on everything it promises and gives you an open (and welcome) invitation to come back for another. I know I’m accepting that invitation.

Oh—minor spoiler—by the end, one of the kidnapped dogs can’t be matched with an owner and ends up staying with Max. So you know I have to come back, just for more of him.

I’d have come back anyway—I want to see how Max moves on from this point in general. I’m quite curious about the clues he discovered regarding his wife’s case, too. I’m assuming (and really don’t want to know the truth until I’m into the next book) that book 2 will advance the investigation into his wife’s kidnapping while Max and his new partner dive into another stand-alone case—and we’ll continue that way for a while. That sounds like a great time to me. Grab this one—the second book is out now, you might as well grab it, too. You’ll have fun.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Literary Locals logo

A Few Quick Questions With…Ian Robinson

Criminal Justice by Ian Robinson CoverI was very excited this week to see that the good people over at The Good Folks have republished Ian Robinson’s dynamite debut, with a new title and with out a nom de plume. You can go read what I said about Criminal Justice‘s first incarnation back in 2018, here. I wanted to do something to celebrate this release and hopefully draw some eyes to Robinson’s work, so we hastily set up this Q&A. It’s a little different than my usual M.O. (it’s been years since I read the book for one thing, so I couldn’t ask a lot of specifics). I like the results, hopefully you do, too.

But first…what is Criminal Justice? (you should check out the publisher’s site for details on getting a copy)

The first book in a totally gripping hard-boiled crime fiction series 

Undercover detective Sam Batford is through with police budget cuts and ineffectual superiors. But has he gone rogue? 

He is sent to work with a serious crime team in London to take down a big drugs boss. Their chief, DCI Klara Winter, doesn’t appreciate Batford’s presence. The feeling is entirely reciprocal. 

Batford has his eyes on the money, except when they are drawn to Stoner, an attractive blonde who is pivotal to the organised crime syndicate’s operations. 

Now embroiled in the gang, as Batford plays one side against the other, the risk of his cover being blown increases. This comes to a head when he is faced with the option of confession or torture. 

Who will have the last laugh in this high-octane battle of wits? 

CRIMINAL JUSTICE is the first book in this riveting series of pulp crime thrillers by Ian Robinson. The second book, STATUS DRIFT, is coming soon. 


So, this is not your first time doing a Q&A here, but it’s the first time as Ian Robinson. What brought on the name change? I assume since most of your books are out now (with at least one more on the way) using this name that it’s going to stick?
A pleasure to be invited back on your blog. That’s a reasonable question, and the answer is yes, Ian Robinson is the name I’ll be writing under. I used Ian Patrick (my first and middle name) originally, as I’d just left the police due to ill health. I had a crippling fear of failure, rejection, and self-doubt. I left school at 16 with nothing and figured my books would bomb. Seven books later and, I guess, I proved myself to be wrong.

We’re supposed to be talking about Criminal Justice, so let’s focus on that for a bit. The publisher’s blurb is above–but let’s hear it from you—give the reader an elevator pitch for this book, and while we’re it, the Batford series.
I’m terrible at elevator pitches! If you enjoyed the TV series Line of Duty, then these books will appeal. If you like fast-paced thrillers, you won’t be disappointed. I inject some realities of policing within the fiction which gives the narrative a feel of authenticity you won’t get from other books in this genre.

What was behind the decision to re-brand this series now? You’ve said that the editing was updated, too—what kinds of (I’m assuming relatively minor) changes have been made to this?
I wanted to reach a new audience and I’ve been impressed with the way The Book Folks operate. They’ve helped me reach new readers with the Nash and Moretti series and getting my stories out there is what it’s about for me. I want people to be entertained. I want the reader to feel that time spent with my work has been of value. The story is the same as the original, but it’s been valuable for me to work with editors to ensure we got the maximum out of the novel in terms of structure and plot. Things have changed since it was first published, particularly with police departments and place names. The editing team were superb in picking these details up.

After all this time—and seven published books—what was it like coming back to Criminal Justice? Was it good to be reacquainted, or did you spend a lot of time second-guessing choices you made back then?
Great question. I didn’t second guess anything. I know how good these books are and will stand by them to the grave. I did realise that my mind wasn’t in a great place when I originally wrote the books, but that added to the creativity.

You won’t read another crime thriller series like this one. How can I claim that? I used my own policing experience to convey the adrenaline rush on the page. I’ve been in many confrontations, fights, and chases and I can express how this feels from reality. I didn’t read crime fiction either. The realities of the job were enough. This gave me the advantage of putting my own voice on paper. I feel this comes across in a fresh and exciting way and why the BBC optioned the originals for a six-part TV series. The producers could see this too. Sadly, it never progressed beyond the script outline as the pandemic hit the industry and decisions were taken to go in other directions as a result.

I will always be proud of these books, and I wish to acknowledge Chris McVeigh at Fahrenheit Press for supporting me with the originals. Times change, and I have too. I’m embarking on a new chapter in my writing and it feels wonderful to have Batford back with a new brand and to see where it takes him.

The last time we talked about Sam Batford, you mentioned that “writing about a corrupt man goes against all my core values.” Particularly in light of the new look that society is taking at policing in general, and police corruption in particular—is it harder to bring Batford back? Were you tempted to soften him up a bit (last time you said you tried, but it didn’t work) now?
Corruption is, and always will be, an issue for society and isn’t solely within the police. With any public body you’ll have issues of corruption. The beauty of creating a character like Batford is that you can write from a place that disturbs you and that’s where the writing takes on a life of its own. This is where the creative energy takes you to places you thought you’d never want to explore. It can be liberating in terms of story. My Nash and Moretti series is based on investigating murder so this limits how you can approach the writing in some way (to me anyway). With Batford, he is a cop with very few boundaries. He will cross the line, but he does have his own moral code he wouldn’t breach. I can explore the official side through Winter and her team and Batford’s world where anything could happen. Not being constrained in this way is liberating when it comes to the story.

According to your publisher, the second book, Status Drift, is coming soon, can you share the new title of the third book yet? More importantly (for me, anyway), does this rebranding open the door for further Batford books? Maybe a prequel?
There’s no confirmed title for book 3 and never say never for more from this character.

That’s not the definitive “yes” that I was hoping for, but it’s good enough. 🙂

What is next for Ian Robinson, author, in that case?
To remain grounded and not get hung up on the future. I’m waiting to see what the response is to Criminal Justice then I can decide on a direction to take. I’m hoping Batford will be positively received. I love this character and the scope to expand his world is exciting to me.

Thanks for your time, sir! It’s always a pleasure.


Readers—there’s no better time to introduce yourself to Ian Robinson and/or Sam Batford than right now. You won’t soon forget either of them.

A Few Quick Questions

Page 1 of 138

Powered by WordPress & Theme by Anders Norén