Category: G-L Page 4 of 16

Series G-F

Drop the Mikes by Duncan MacMaster: The Scrawny, Geeky, Jessica Fletcher-esque Kirby Baxter find Trouble in a Caribbean Paradise

Drop the Mikes

Drop the Mikes

by Duncan MacMaster
Series: Kirby Baxter, #3

Paperback, 243 pg.
Fahrenheit Press, 2016

Read: March 29-30, 2021

“Mathilda, my wife, says that archaeology runs in your family.”

“My parents are archaeologists,” said Baxter with a nod. “They teach, and every summer they go to digs in Europe or the Middle East.”

“They’re pretty respected,” said West, “what do they think about their son the cartoonist, turned detective?”

“I don’t think they ever fully understood what I do,”said Baxter. “In fact, most days, I don’t fully understand what I do.”

A Little Bit about Kirby Baxter

Before I get into this book, let me give a quick run-down of the series. Kirby Baxter is a comic book artist/writer. A few years ago, he came into a lot of money and took some time for himself in Europe. Kirby has the kind of eye for observation and powers of deduction comparable to Shawn Spencer or Adrian Monk (you could include several incarnations of Holmes, etc., too—but Shawn and Monk are closer in tone to this series). While in Europe, he found himself in situations where he could use those gifts to help solve some crimes—this got him a bodyguard, valet, assistant, or whatever, named Gustav, and both of them were made official Interpol consultants.

His talent(?) for being in the general vicinity of crimes continued once he got back to the States and he’s ended up helping the police in various cities with murders and other crimes. He’s frequently helped in this by the aforementioned Gustav; his girlfriend, Molly; her gossip-blogger cousin, Shelly; and his friend and colorist, Mitch Mandelbaum.

What’s Drop the Mikes About?

As a thanks for a bit of deduction that saved a New York Hotel a lot of money and even more bad publicity, Kirby and his friends (Molly Mitch, Gustav and Gustav’s girlfriend, Miriam) were given the opportunity to spend two weeks in some villas at a resort that’s about to open on a Caribbean island. Sounds like a fun little getaway, right?

Kirby Baxter doesn’t get those anymore. But we’ll get to that in a minute.

At the same time they arrive on the island, so do many other people—these people are largely young, with a lot of money, and/or are social media “influencers.” They’re on the island of a big luxury music festival to help promote a new product from a company called HÿpStar. Except the festival didn’t have any musicians (their checks bounced), or food (same), or decent places for the attendees to stay (you probably have guessed why by now).*

* If you’re thinking, this sounds a lot like Fyre Festival, give yourself a pat on the back.

Before the situation can totally deteriorate with the festival, the right-hand man to the organizer is found murdered. So you have thousands of disgruntled festival-goers, all with a reason to be angry with the victim, with almost every one of them trying to get off the island as fast as possible. It’s a bit much for the small island police force—thankfully, there’s a renowned detective in the neighborhood.

So Kirby and his friends have their vacation cut short.

The Hÿp Festival

I think I was largely offline for whatever reason about the time the whole Fyre Festival thing happened, and I missed most of the early hubbub, and then when I started to become aware of it, I didn’t exert a whole lot of effort into it. I’ve picked up a thing or two in the years since then, but that’s about it. So while I’d like to say something about the way that MacMaster satirizes The Fyre Festival, but I can’t. Seems outlandish and crooked enough.

But I can say that some of the more outlandish characters are hilariously drawn—like the influencer who cannot help speaking in text-speak acronyms, like “Double-you-tee-eff” or “Ess-em-aitch.” I appreciated MacMaster not using the acronyms themselves but going the extra mile and spelling out the letters, it added just enough to make her ridiculously charming. Carting around a ceramic Buddha statue and calling it her “Good luck Gandhi” was borderline-too-much, but I found it amusing every time it came up, so I’m not going to criticize it.

Too Much Going On

The two earlier Kirby Baxter books had a lot going on—several characters, each with their own arcs intertwined with the others—and that’s repeated here as expected. But this time it felt like there were too many other characters and their arcs running around—it wasn’t confusing or anything (we’ve all seen that before, this isn’t one for that list), but to do an adequate job for each of those, MacMaster had to use Kirby less.

But also, his friends—his self-labeled Scooby Gang—are running around doing their own thing while he’s looking into the murder (some are acting independently to help, others are working along with him), and that ends up taking time away from Kirby getting to shine. Sure, (to refer to that other Scooby Gang) we all know Fred, Velma, and Daphne have to look for clues on their own—either paired up or on their own—but the viewers came to see Scooby and Shaggy (possibly Scrappy-Do, too) and the more time we spend with Fred and his ascot doing things the less we see Scooby and Shaggy and the less entertaining the episode is. The same applies here. Molly’s great doing her own thing. Ditto for Miriam—and even Mitch is pretty darn amusing and got to do things we don’t normally associate with him. I’m all in favor of it, but Kirby was off-screen too much of this book.

A Small Gift for Long-Time MacMaster Fans

Readers of MacMaster’s other series, the Jake Mooney books, might recognize this particular part of the Caribbean, as it was the setting for Hack (and if you don’t recognize it, that’s okay, a couple of characters will make sure you get the connection).

It’s one of those things that won’t bother you if you don’t get the references as you read, but if you do, you’ll appreciate the ties between the two.

Now, what are the odds we can get Jake and Kirby working the same mystery from different angles?

Baxter had long thought that the adventures that afflicted his life the last few years had immunized him from ever feeling shocked, or surprised. It was one of the very rare instances where he was very, very wrong.

So, what did I think about Drop the Mikes?

Drop the Mikes is 243 pages of pure enjoyment. It’s that simple. You have Kirby being geeky and almost supernaturally-clever self. You get Molly and Gustav doing their usual thing. Mitch gets to be repulsive yet endearing—and even a little heroic, and we get to meet Miranda, the librarian who could be an action star if she really wanted to.

Throw in a handful or two of whacky characters, the disaster of the Hÿp Festival, a couple of murders, financial hijinks, another couple of crimes that really have nothing to do with the Festival outside of location—and you just can’t stop turning the pages to see what MacMaster has left up his sleeve.

These books are like ice cream or pizza—even if the one you’re eating isn’t as good as others you’ve had, they’re still ice cream or pizza, and you’d rather be eating them than just about anything else. I strongly recommend this book—and the rest in the series, too—well, anything with Duncan MacMaster’s name on it. I can’t think of another book this year that I’ve had as much fun reading as this one. And I bet there won’t be many in the 7+ months yet to come.


4 Stars

Pub Day Repost: Smoke by Joe Ide: What Happens When Isaiah Quintabe Leaves LA?

Smoke

Smoke

by Joe Ide
Series: IQ</a, #5

eARC, 336 pg.
Mulholland Books, 2021

Read: February 8-12, 2021
Grab a copy from your local indie bookstore!


Not that any of the previous IQ novels have been cookie cutters of the rest, but this really feels less like an IQ novel than I was ready for. In fact, it felt* like this was more of a Juanell Dodson novel for most of it. When Isaiah left town at the end of Hi Five, he left his friends behind. But their problems didn’t leave with him, they all have to step up and take care of things now without him. But the way they go about taking care of these problems is heavily influenced by Isaiah—he might not be playing an active role in most of the storylines in this book, but this is still his book.

* Yes, I said “felt like,” I could be wrong. This isn’t the kind of blog where you’re going to find me doing word counts to prove things like this.

The LA Stories

Grace is trying to get over Isaiah and focus on her art. She’s got a show coming up and needs to get some more paintings ready—that’s all that matters.

But while she and Isaiah know they’re over—most people don’t (and some of those who do know, believe it’s temporary). When someone that Isaiah helped put away gets back to town and is looking for a little payback, he only hears that Grace is Isaiah’s girl. Which puts her right in the cross-hairs.

Deronda’s life is going great—she’s getting some media attention for her success (which is only serving to build that success), her food trucks are doing great, and her son is fantastic (just ask Deronda, she’ll tell you). But then someone comes along to help himself to a share of that success and uses Janeel as his tool. Deronda goes nuclear and tries everything she can think of to stop this.

Grace tries to help—and gets one of Isaiah’s former clients involved, too. And even Dodson gets in on it. There’s nothing about what they try or the solutions they come up with that Isaiah would have done. In fact, I’m pretty sure he’d have seen some of the problems with her theories and stopped Deronda before she tried to act on them. But for fear of repeating myself, without Isaiah’s influence on the three of them, none of them would’ve tried anything like they did.

Cherise has had enough of Dodson’s bouncing around from opportunity to opportunity, trying to make some money, but with no stability. He needs to grow up and get a real job, and to help with that, she’s arranged for an internship at a local advertising agency. Dodson isn’t interested at all in this, but she’s not negotiating.

So he shows up for the first day, and something clicks. He thinks about the way Isaiah had approached goals in his life and applies it in his way to this situation. It wasn’t quite a “What Would Isaiah Do?” thing, more of a “How Would Isaiah Do This?”

Now there is zero percent of the Dodson storyline that is Crime Fiction. It’s about character development, character growth—it’s a transition point for Dodson. Yet this is my favorite part of this Crime Novel. Because it’s Dodson going through all this. Also, as Dodson pops up in their storylines to help Grace and Deronda, he gets plenty of Crime Fiction action.

There’s a fun part of this storyline where Dodson, who started as Isaiah’s Dr. John Watson, now becomes an Eliza Doolittle figure. Cherise’s mother, Gloria, who tries to equip him into someone who could make it in the Corporate World. On the one hand, I felt bad for poor Dodson—this wasn’t easy for him—but man, it was funny. We also got Dodson’s commentary on Pop Music and TV—which is not to be missed.

The LA stories interweave, Grace helps Dodson, Dodson helps Grace, Dodson chips in with Deronda…and so on. IQ is mentioned, he’s talked about and he even converses with some of them—but not about the challenges they’re dealing with (and vice versa) in this novel. He’s as removed from their stories as possible. Yet, without him, without his influence in their lives—none of this would’ve happened. So it absolutely was still part of an IQ novel, even if it was for all intents and purposes IQ free.

Isaiah’s Story

Isaiah’s trying to be IQ-free, too. He’s pulled up stakes to get away from the enemies he made in Hi-Five, and away from everything else, too. He’s decided he wants a new life. He wants nothing to do with the violence, the depravity, the danger that has so characterized the last few years of his life.

Which, of course, means that despite his best efforts—and really by dumb chance—he’s brought into a hunt for a serial killer by one of the least likely, least credible people we’ve encountered in this series.

While I did say this felt like Dodson’s book most of the time, at one point the Isaiah/Serial Killer story took over—and we see heroism and depravity on display (not quite in equal parts, but we get an excess of both). As much as Isaiah has said he wants away from this life—when the chips are down, he finds a way to try to stop another murder, at great risk to himself.

The final confrontation can be seen as darkly comic or as intensely human and maybe even realistic to an extent you don’t usually see. There’s a visceral desperation to it—everyone involved seems to believe on some level that they’re doomed, but they press on anyway. It’s harrowing really.

So, what did I think about Smoke?

This really feels like a transition novel—probably for the series as a whole, and definitely for all these characters. In a book or two, it’ll be easier to see (not that it’s difficult now) exactly what role this is going to play in things, but choices are made, steps are taken that insure wherever Isaiah ends up, he’s going to be a different man than he was in Hi-Five, ditto for everyone else. I’m particularly looking forward to seeing where Dodson is. Hopefully, he’s still going in the direction he started to move in here.

But that’s for 2023. What about the 2021 novel? While Ide seemed to be writing with an eye to the 2022 and 2023 novels, he also produces a fine read in Smoke. There are a lot of balls in the air, a lot of Point of View characters (those we know and those we only meet here). There are blasts from the past and new characters that we could be seeing in the future.

And while we get some very strong resolution to just about everything in the novel, there’s a cliffhanger at the end that makes it difficult for me to say most of what I want to say. It’s a complete novel, this isn’t just a book that you read so that you have to read the next. But I tell you what, when you finish you want that next IQ novel now.

I think it says a lot about the kind of world that Ide has created that his main character can only show up in 50±% of a novel/its stories and the novel to still be as strong as any of the others. The series isn’t about Isaiah (and other characters) now. It’s about Isaiah, Grace, Dodson, and Deronda—and their families, no matter what the series is called. I love that evolution, that development.

I think existing fans will find their enthusiasm for this series rewarded. I think new readers are going to want to grab the earlier novels to fill in how the characters got to where they are. Either way, people who pick up Smoke are in for a treat.

Disclaimer: I received this eARC from Mulholland Books via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Smoke by Joe Ide: What Happens When Isaiah Quintabe Leaves LA?

Smoke

Smoke

by Joe Ide
Series: IQ, #5

eARC, 336 pg.
Mulholland Books, 2021

Read: February 8-12, 2021
Grab a copy from your local indie bookstore!


Not that any of the previous IQ novels have been cookie cutters of the rest, but this really feels less like an IQ novel than I was ready for. In fact, it felt* like this was more of a Juanell Dodson novel for most of it. When Isaiah left town at the end of Hi Five, he left his friends behind. But their problems didn’t leave with him, they all have to step up and take care of things now without him. But the way they go about taking care of these problems is heavily influenced by Isaiah—he might not be playing an active role in most of the storylines in this book, but this is still his book.

* Yes, I said “felt like,” I could be wrong. This isn’t the kind of blog where you’re going to find me doing word counts to prove things like this.

The LA Stories

Grace is trying to get over Isaiah and focus on her art. She’s got a show coming up and needs to get some more paintings ready—that’s all that matters.

But while she and Isaiah know they’re over—most people don’t (and some of those who do know, believe it’s temporary). When someone that Isaiah helped put away gets back to town and is looking for a little payback, he only hears that Grace is Isaiah’s girl. Which puts her right in the cross-hairs.

Deronda’s life is going great—she’s getting some media attention for her success (which is only serving to build that success), her food trucks are doing great, and her son is fantastic (just ask Deronda, she’ll tell you). But then someone comes along to help himself to a share of that success and uses Janeel as his tool. Deronda goes nuclear and tries everything she can think of to stop this.

Grace tries to help—and gets one of Isaiah’s former clients involved, too. And even Dodson gets in on it. There’s nothing about what they try or the solutions they come up with that Isaiah would have done. In fact, I’m pretty sure he’d have seen some of the problems with her theories and stopped Deronda before she tried to act on them. But for fear of repeating myself, without Isaiah’s influence on the three of them, none of them would’ve tried anything like they did.

Cherise has had enough of Dodson’s bouncing around from opportunity to opportunity, trying to make some money, but with no stability. He needs to grow up and get a real job, and to help with that, she’s arranged for an internship at a local advertising agency. Dodson isn’t interested at all in this, but she’s not negotiating.

So he shows up for the first day, and something clicks. He thinks about the way Isaiah had approached goals in his life and applies it in his way to this situation. It wasn’t quite a “What Would Isaiah Do?” thing, more of a “How Would Isaiah Do This?”

Now there is zero percent of the Dodson storyline that is Crime Fiction. It’s about character development, character growth—it’s a transition point for Dodson. Yet this is my favorite part of this Crime Novel. Because it’s Dodson going through all this. Also, as Dodson pops up in their storylines to help Grace and Deronda, he gets plenty of Crime Fiction action.

There’s a fun part of this storyline where Dodson, who started as Isaiah’s Dr. John Watson, now becomes an Eliza Doolittle figure. Cherise’s mother, Gloria, who tries to equip him into someone who could make it in the Corporate World. On the one hand, I felt bad for poor Dodson—this wasn’t easy for him—but man, it was funny. We also got Dodson’s commentary on Pop Music and TV—which is not to be missed.

The LA stories interweave, Grace helps Dodson, Dodson helps Grace, Dodson chips in with Deronda…and so on. IQ is mentioned, he’s talked about and he even converses with some of them—but not about the challenges they’re dealing with (and vice versa) in this novel. He’s as removed from their stories as possible. Yet, without him, without his influence in their lives—none of this would’ve happened. So it absolutely was still part of an IQ novel, even if it was for all intents and purposes IQ free.

Isaiah’s Story

Isaiah’s trying to be IQ-free, too. He’s pulled up stakes to get away from the enemies he made in Hi-Five, and away from everything else, too. He’s decided he wants a new life. He wants nothing to do with the violence, the depravity, the danger that has so characterized the last few years of his life.

Which, of course, means that despite his best efforts—and really by dumb chance—he’s brought into a hunt for a serial killer by one of the least likely, least credible people we’ve encountered in this series.

While I did say this felt like Dodson’s book most of the time, at one point the Isaiah/Serial Killer story took over—and we see heroism and depravity on display (not quite in equal parts, but we get an excess of both). As much as Isaiah has said he wants away from this life—when the chips are down, he finds a way to try to stop another murder, at great risk to himself.

The final confrontation can be seen as darkly comic or as intensely human and maybe even realistic to an extent you don’t usually see. There’s a visceral desperation to it—everyone involved seems to believe on some level that they’re doomed, but they press on anyway. It’s harrowing really.

So, what did I think about Smoke?

This really feels like a transition novel—probably for the series as a whole, and definitely for all these characters. In a book or two, it’ll be easier to see (not that it’s difficult now) exactly what role this is going to play in things, but choices are made, steps are taken that insure wherever Isaiah ends up, he’s going to be a different man than he was in Hi-Five, ditto for everyone else. I’m particularly looking forward to seeing where Dodson is. Hopefully, he’s still going in the direction he started to move in here.

But that’s for 2023. What about the 2021 novel? While Ide seemed to be writing with an eye to the 2022 and 2023 novels, he also produces a fine read in Smoke. There are a lot of balls in the air, a lot of Point of View characters (those we know and those we only meet here). There are blasts from the past and new characters that we could be seeing in the future.

And while we get some very strong resolution to just about everything in the novel, there’s a cliffhanger at the end that makes it difficult for me to say most of what I want to say. It’s a complete novel, this isn’t just a book that you read so that you have to read the next. But I tell you what, when you finish you want that next IQ novel now.

I think it says a lot about the kind of world that Ide has created that his main character can only show up in 50±% of a novel/its stories and the novel to still be as strong as any of the others. The series isn’t about Isaiah (and other characters) now. It’s about Isaiah, Grace, Dodson, and Deronda—and their families, no matter what the series is called. I love that evolution, that development.

I think existing fans will find their enthusiasm for this series rewarded. I think new readers are going to want to grab the earlier novels to fill in how the characters got to where they are. Either way, people who pick up Smoke are in for a treat.

Disclaimer: I received this eARC from Mulholland Books via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Free Fire (Audiobook) by C. J. Box, David Chandler: Pickett’s on the Case in a Prosecution-Free Zone

Free Fire

Free Fire

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #7

Unabridged Audiobook, 11 hrs., 5 min.
Recorded Books, 2010

Read: December 3-7, 2020
Grab a copy from your local indie bookstore!

What’s Free Fire About?

As it appeared certain at the end of In Plain Sight, Joe was fired as a Game Warden. He’s working on his father-in-law’s ranch, trying to make it by (his family no longer lives in state property, either). Sure, Marybeth’s business is doing pretty well, but it’s not the same.

Then Governor Rulon comes calling. He liked Joe the first time they met, and he’s pretty sure that Joe is the kind of straight-arrow he can count on. Someone figured out a weird loophole in the overlapping state and federal laws that govern the area of Yellowstone National Forest, and shot and killed several people and was unable to be prosecuted for it. Rulon’s hands have been tied and he can’t do anything about it. But he’d like Joe to go down and take a look, reporting to him, so Rulon can tell voters he looked into it.

Joe’s a Game Warden again, but one at large. No one at Yellowstone is happy to have yet one more person poking around there. But Joe has a job and he’s doing to do it right, no matter what feathers he ruffles.

Family Drama

We don’t get nearly enough time with the Pickett clan. Despite his hardships, things are good with Joe and Marybeth. Things could be better for the kids—because of their ages, and Joe’s very public lack of a job.

Joe and the family are living in a house on Marybeth’s Father-in-Law’s ranch—where Joe is working. The relationship between the Father-in-Law and the Picketts is pretty strong. Maybe even stronger than the relationship between Marybeth’s mother and the Picketts (the fact that Joe likes him probably accounts for a lot of that).

But it looks like things aren’t all happy on the ranch—there’s a lot of problems and who knows how long that’ll work for everyone.

Competition for Stephanie Plum?

Not in a million years, did I think I’d compare Joe Pickett to Stephanie Plum. But this Wyoming Game Warden might be as hard on vehicles as that New Jersey bounty hunter. It’s not as laughable yet, but it’s getting there.

I actually enjoy it more than I’d think I would.

I Did Not See that Coming

Now that I get to this point in the outline, I realize that there are two things I didn’t see coming. The first is that here in book seven, we get a lot of Joe Pickett backstory. If you’ve ever wondered what Joe’s childhood was like—or why we only hear about Marybeth’s family, this book will tell you.

But what I meant to talk about when I wrote the headings was this: Nate Romanowski shocked me. I’ve talked before about Nate serving as Joe’s Hawk/Joe Pike/Bubba Rogowski/Henry Standing Bear figure. We know what to expect from these figures—they’re the heavies. They do the morally/legally questionable things. They’re more likely to be the violent type (and more effective at the violent things anyway). But what Nate does here made me audibly gasp. I’m not saying he was wrong I just didn’t expect it.

At the same time, there are things that happen to him at the beginning and end of the novel that were surprising, but they rank among the “huh, that’s interesting,” kind of thing, not a “what did I hear?” kind of thing.

A Word About the Narration

Actually, I don’t really have anything to say here, Chandler delivers another solid job. He is the voice of Joe Pickett to me at this point. The two go together now.

So, what did I think about Free Fire?

I thought Box did a great job of coming up with a way to keep Pickett as a Game Warden and at the same time not making Twelve Sleep, WY to have a murder-rate that rivals Cabot Cove, ME.

Putting him in Yellowstone was just icing on the cake, and the angle of this prosecution-free zone in the Park is brilliant. At this point in the series, readers know the regular cast of characters and this world—Box can lean into them—or start defying expectations—as he needs to. This is a comfortable place for fans to spend time, and judging by the number of times Pickett comes back? It stays that way. I get that and am already eager to get back to spending time with the Pickett clan.


3.5 Stars

2020 Library Love Challenge
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Sentinel by Lee Child and Andrew Child: A New Era for the Series Kicks Off with this Presciently Timely Thriller

The Sentinel

The Sentinel

by Lee Child and Andrew Child
Series: Jack Reacher, #25

Hardcover, 351 pg.
Delacorte Press, 2020

Read: December 10-14, 2020
Grab a copy from your local indie bookstore!

“…Someone’s got to [help him].”

“And that someone’s you?”

“I guess so.”

“Why is that?”

Reacher shrugged again. “I’m the one who’s here.”

What’s The Sentinel About?

After a quick (and only slightly violent) stop in Nashville, Reacher finds himself in a smaller city, Pleasantville. Before he can even get a cup of coffee, Reacher sees a group of people act as if they’re about to abduct a man on the street. He stops it from happening and then finds himself arrested.

After he’s released, Reacher meets the man he rescued and they start to talk. His name is Rusty and he’s the freshly dismissed IT manager for the city. He was fired because the city was hit by a ransomware attack, which is crippling the city government and causing problems throughout Pleasantville. With only one or two exceptions, the entire populace hates him because of this, convinced that he had a role in the attack. Rusty’s determined to prove he had nothing to do with it, and if the city leaders had just listened to him, it all could be avoided. He just doesn’t have it all worked out about how he’ll do that.

Reacher, on the other hand, thinks more is going on. The people who tried to abduct Rusty aren’t disgruntled citizens, they were professionals. Why would professionals care about this? Reacher determines he has to stick around and get to the bottom of it.

Explosions, gunfire, and fisticuffs ensue as Reacher gets closer and closer to discovering what really went on, and hopefully clearing Rusty’s name.

A Trend that Needs to End

Reacher’s no Luddite, he just doesn’t care about technology/computers/the Internet/etc. When he has to, he can use them a little, but relying on them is just not in his makeup.

But last year’s Blue Moon, and this year’s The Sentinel hinge on cybercrimes (at least after a fashion). Which makes sense, this is what thrillers are about right now. But Reacher doesn’t belong in this world. He can get by—especially if he has help—but readers need a break from cybercrimes. We need a book or three of Reacher not needing to depend on someone and their laptop.

The Thing Everyone’s Talking About

Unless you’ve been living under a rock (which seems like a smart move in 2020, to be honest), you know that Lee Child has started backing away from writing and is handing over the reins to his brother Andrew. As part of that, the two co-wrote this book, a first for both (I believe).

So automatically you know (or at least you should), this is going to feel different than a typical Reacher novel (although, Lee Child’s been good about changing the flavor to one degree or another in each book). And it does—Reacher’s a bit talkier than we’re used to (although he still says nothing fairly often); the prose isn’t as sharp, as punchy; and so on. It’s not bad, it’s just not Lee Child (which ought to be patently obvious).

While it’s not strictly a Lee Child book, with his style, it’s still good. The plotting is as good as Child at his prime, the fights are as well choreographed and violent, and Reacher’s essence is unchanged. At the end of the day, Lee Child picked his successor (unlike Robert B. Parker, Ian Fleming, etc.), if he’s satisfied, I can get used to this new style (while Andrew Child catches his stride)

So, what did I think about The Sentinel?

Reacher’s general approach to driving was to find someone else to do it. He was capable of operating a vehicle, in a technical sense, The army had provided thorough training. He’d never killed anyone with a car. At least not by accident. He’d never had any collisions, Not unintentional ones. His problem was mainly one of temperament, Good driving called for a balance of action and reaction, speed and restraint, measurement and control. A middle ground, stable and sustained. Reacher on the other hand was built for extremes. His default was to move extremely slow or extremely fast. One moment he could appear languid, lazy, almost comatose. The next he could erupt into a frenzy of action, furious, relentless, for as long as necessary, then relapse into serene stillness until the next threat presented itself.

The Sentinel has all the things you need in a Reacher novel—an individual in need of help, a physical challenge (actually, one of the toughest I can remember for him), a truly evil antagonist (you’ll have multiple reasons to root against this guy), and plenty of justice for Reacher to mete out.

Is it Reacher at his best? No. But he hasn’t been at his best for a couple of years anyway. Is it Reacher that provides solid adventure? Yup. Even a mediocre Reacher is entertaining (and this isn’t at that point), it’s going to take Andrew a little bit to fit into his brother’s mold (or as close to it as he wants to go), I’m willing to let him figure out how to do that, and will jump back for #26 as soon as I can.


3.5 Stars2020 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Pub Day Post: Robert B. Parker’s Fool’s Paradise by Mike Lupica: Jesse Stone takes a Murder Case Personally

Fool's Paradise

Robert B. Parker’s Fool’s Paradise

by Mike Lupica
Series: Jesse Stone, #19

eARC, 352 pg.
G.P. Putnam’s Sons, 2020

Read: September 2-3, 2020
Grab a copy from your local indie bookstore!

What’s Fool’s Paradise About?

Suitcase Simpson calls Jesse to the scene of a murder, an unidentified man has been found shot at the lakeshore. Jesse recognizes the man—they’d been at the same AA meeting the previous night. It’s not Jesse’s regular meeting, and he didn’t think this man was a regular, either. But at least they had a first name to go off of.

Suit is able to find out at least a little about what the man did after the meeting. He’d taken a taxi from the neighboring town into Paradise. He even had an address—the mansion of a rich and influential family who’d been in Paradise for ages. They’re quick to claim they didn’t know the man, or that he’d been at the house in the hours before he was shot. No member of PPD believes this, but there’s little they can do until they learn a bit more about the victim.

Jesse admits this isn’t entirely rational—but doesn’t back off from it—the fact that he and the victim came to the same meeting, both needing the help that can be found there, created a link for between the two of them. Jesse felt like he owed this man justice more than he would another victim (not that Jesse’s ever been known to not try to find justice for anyone, it’s just personal this time). I loved this little touch—it felt very true to the character and his circumstances, but something that a lot of authors wouldn’t do.

Not long after this, someone takes a shot at Jesse while he’s in his home. Soon, other members of the PPD are attacked off-duty. As always, Jesse, Molly, and Suit acknowledge that coincidences exist, but they have a hard time believing in them. So while they try to identify the murder victim and figure out what he’s going in Paradise (and that part of Paradise in particular), they also need to figure out why someone would be attacking the PPD. And are the two cases related?

A Nice Little Bonus

There’s a lot of Molly in this book. She gets whole chapters without Jesse in them, and a lot of space on her own in chapters with him. We get a little bit of an off-the-job look at Molly, as well as seeing her work part of the investigation. Yes, Jesse’s the central character and should be the focus—but any time that Lupica (or whoever) can flesh out Molly, Suitcase, or any of the others is time well spent (I like the new deputy, too—he was a nice touch). But Molly’s been a favorite since Night Passage introduced this world, and she’s rarely been used as well as the character should’ve been. It’s so nice to see that.

Lupica’s Take on Jesse Stone

I was worried about Lupica being given the reins of this series. I was such a fan of what Colman had done, saving the series from the Michael Brandman debacle—and even from some of the uneven quality that Parker had given toward the end.

But Lupica did exactly what he needed to do—and exactly what I’d hoped (and didn’t expect). He embraced the developments that Coleman introduced and built on them. He could’ve ignored them, or written around them, but he kept Jesse going to AA, he worked on the new relationship with Cole, and Paradise and the Paradise Police Department the same way Coleman had, treating that bit of the series with as much respect and influence as the first nine novels.

Stylistically, Lupica’s closer to Parker than Coleman—which makes sense, it’s the more natural way for him to write (and will likely win back some of Coleman’s detractors). It works for the series, it works for the author—all in all, it’s a good move.

I freely admit that I was skeptical and pessimistic about anyone but Coleman at the post-Parker helm of Jesse Stone and am glad to be proven wrong.

Something I was Pleasantly Surprised By

While I have thought in the past that the best use of Sunny Randall was when Parker used her in the Jesse Stone novels, I wasn’t thrilled to see her in these pages—I thought that Stone, at least, had grown past this relationship. It’s not what it was back in the 3-4 books that Parker wrote with them as a couple, but reflects where they both are now.

I’ve got to say, I liked her here. I liked her in Paradise more than I liked her in the two books that Lupica has written about Sunny. If he keeps this up, I won’t complain.

Lupica’s War on my Sanity

Sure, that’s hyperbolic. But it felt like he was doing this to just bug me.

The mansion that the taxi pulled up to that fateful night is owned by the Cain family, Whit and Lilly Cain. Whit suffered a stroke a few months back, so his wife, Lilly, is who Jesse primarily interacts with. She’s brash, confident, loud, and flirtatious.

Now, I’ve watched the Veronica Mars series more times than I should have. Season One more than the rest. Every time I read “Lilly Cain,” I couldn’t think about anything other than “Lily Kane,” Veronica’s brash, confident, loud, and flirtatious friend.

I know it’s a coincidence, that neither name is all that rare. But it didn’t feel that way.

So, what did I think about Fool’s Paradise?

I liked this so much more than I expected to. I went into this hoping I wouldn’t hate it, and it didn’t take long at all for me to realize I was enjoying it. The prose crackled and moved quickly. There was enough of Jesse’s quiet humor to keep me grinning. The relationships and banter between the characters was spot on. The cases were compelling, interestingly framed, and well-executed. Lupica tied his novel into the overall history of the series well (referencing over half of the books, I think) and established that he’s the right man for the job. I strongly recommend this—either for new readers or established fans. Robert B. Parker’s Fool’s Paradise is a satisfying read that’ll get you eager to see what comes next.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

20 Books of Summer 2020: Wrap-Up

20 Books of Summer
Well, that’s a wrap on the 2020 20 Books of Summer. You may accuse me of playing fast and loose with the challenge (and you’d be right!), but this seems like a casual enough thing that I really don’t care (and I can’t imagine anyone else does, either). As I mentioned last month, I did a lousy job of taking into account new releases, review copies, and life when I made the original list. I made a valient effort, but I just couldn’t post about all these books by September 1 (I did read all of them by the end of August, I note only semi-defensively), but in that last week, it hit me, June 1-August 31 isn’t really “Summer.” It works as a rough designation, but June solstice to the September equinox is a better definition. I’m not that pedantic though (well, about seasons). But here in the States, “Summer” also is defined as the period from Memorial Day through Labor Day, which was just the time I needed to get everything posted.

So I’m calling this a win. I liked the focus this gave me for the last couple of months, and I know I read some things I’ve been meaning to read for months because they were on this list and I couldn’t make (yet another) excuse to put it off. I think next year I’ll do a better job of taking into account New Releases when I make my list (how Peace Talks wasn’t the first book I put down I’ll never know) to make life easier for me–I also think I’ll put down more of the books I own, but keep delaying on. I really like freeing up space on my (literal) TBR shelf.

I had a lot of fun doing this and looking at others working their way through the challenge. Congrats to the winners.


✔ 1. Nothing Is Wrong and Here Is Why by Alexandra Petri (my take on the book)
✔ 2. The Last Smile in Sunder City by Luke Arnold (my take on the book)
✔ 3. Screamcatcher: Dream Chasers by Christy J. Breedlove (my take on the book)
✔ 4. The Finders by Jeffrey B. Burton (my take on the book)
✔ 5. Fair Warning by Michael Connelly (my take on the book)
✔ 6. One Man by Harry Connolly (my take on the book)
✔ 7. The Curator by M. W. Craven (my take on the book)
✔ 8. The Ninja Daughter by Tori Eldridge (my take on the book)
✔ 9. The Rome of Fall by Chad Alan Gibbs (my take on the book)
✔ 10. American Demon by Kim Harrison (my take on the book)
✔ 11. Ink & Sigil by Kevin Hearne (my take on the book)
✔ 12. Betty by Tiffany McDaniel (my take on the book)
✔ 13. Imaginary Numbers by Seanan McGuire (my take on the book)
✔ 14. Curse the Day by Judith O’Reilly (my take on the book)
✔ 15. Of Mutts and Men by Spencer Quinn (my take on the book)
✔ 16. Rather Be the Devil by Ian Rankin (my take on the book)
✔ 17. Muzzled by David Rosenfelt (my take on the book)
✔ 18. Bad Turn by Zoë Sharp (my take on the book)
✔ 19. The Silence by Luca Veste (my take on the book)
✔ 20. The Revelators by Ace Atkins (my take on the book)

20 Books of Summer Chart Aug

Rather Be the Devil by Ian Rankin: He’s Hardly the Retiring Type

Rather Be the Devil

Rather Be the Devil

Ian Rankin
Series: John Rebus, #21

Hardcover, 310 pg.
Little, Brown and Company, 2017

Read: August 28-29, 2020

Clarke nodded towards the figure striding across the foyer. She waved, and Rebus noticed her. He offered a curt nod and signaled with his hand that there’d be a phone call later. Then he was out of the automatic doors and gone.

‘What was all that about’ Fox asked.

‘I think it means trouble for someone,’ Clarke answered. ‘Been a while since I saw him with that look in his eyes…’

What’s Rather Be the Devil About?

Darryl Christie is savagely beaten in front of his own house and Clarke jumps onto the case. He didn’t see his attacker/attackers, and there were no witnesses. Cafferty’s name has to be on the suspect list, and as luck would have it—John Rebus calls at that moment for a small favor. As much as Clarke would love to go up against Cafferty, everyone knows that Rebus would get better results. So she trades favors with him.

Malcolm Fox is soon assigned to the Christie case, too—and then something else happens that requires their attention. Clarke, Fox, and Rebus find themselves in the middle of a messy tangle of crimes that are decades old, in progress, brutal and old school, or high-tech and almost hard to fully grasp.

Rebus

He’s dealing with COPD, carrying an inhaler, not smoking (and is handling that about as well as you can expect), and not drinking. Well…okay, not drinking that much. He’s trying to be the good retired man that he’s supposed to be. But sometimes walking the dog and trying to be healthy just isn’t enough…so when he starts telling Deborah Quant an interesting story about a murder that happened in the hotel above the restaurant they were dining in*, he can’t keep his curiosity in check and has to see if he can finally close the case. If only for his own amusement.

* because where can they go where he doesn’t know an interesting story about a murder committed on or near the premises? And, who but Quant would listen?

And then once this turns into an opportunity to lock horns with Cafferty again? And maybe help his friends/protégés take Christie down before he can become as strong as Cafferty was? Well, this certainly beats counting flowers on the wall.

I really love the fact that so much of this book depends on Rebus needing something to do to keep his mind occupied. As nice as it would be for him to find peace with his dog and Quant—and maybe enjoying time as a grandfather, that’s just not Rebus. This kind of thing is so much better for him.

Works out well for we readers, too.

Siobhan Clarke

I really think she got the short-end (again). She’s a better police detective than Rebus or Fox, and while it’s believable that the brass will overlook her to give Fox the promotion, it’s regrettable that Rankin does almost the same.

Rebus and Fox get up to all sorts antics, hiding a lot of it from her—at least until they’re done with them—so she won’t stop them. She doesn’t play things wholly by the book, but compared to Rebus (as always) and (increasingly) Fox, she’s a model officer.

Still, when she’s going toe-to-toe with Christie or his family, or his henchmen? She’s fantastic. I just got wish we got more of her. Maybe Rankin figures we know all we need to know about her, and we’re still trying to figure Malcolm out?

Malcolm Fox

After what happened to him in the last book, he’s given a nice promotion to the Major Crimes Division of Police Scotland. A promotion he takes, but knows he doesn’t deserve, while Clarke does. Clarke knows it, too (and is having a hard time not resenting him getting it). His superiors are hoping the situation with Christie will put them in a situation where they can take him down—and more importantly, a couple of his allies with him, so he’s sent back to Edinburgh to be their man on the ground. He does all he can to keep Clarke involved, which helps their relationship a degree.

It turns out that Christie has a tie to Fox’s sister, Jude, and is working that for all it’s worth. Between that and his willingness to involve Rebus far and above what he should be, Fox is coloring outside the lines that used to define him so clearly. Which is good for this case, but is that really going to serve him long-term?

Big Ger

If you can’t keep a good man down, how do you explain Morris Gerald Cafferty?

So, what did I think about Rather Be the Devil?

I loved the way the cold case resolved. I enjoyed just about everything about the Christie beating story (including what Fox was really there to take care of) and how that took care of itself. And generally, I just really liked being in this world again.

At this point, all I have are smallish gripes (as expressed above) and general expressions of satisfaction and enjoyment. I wish I had some deeper thoughts to offer, but I really don’t. I just like these books and am impressed with the ways that Rankin has found to keep Rebus active. Now if he can just keep him alive…


4 Stars

2020 Library Love Challenge20 Books of Summer
This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes Timeless; Point Blank; Smarter Faster Better; Heartburn; In Plain Sight; Wonder Woman: Tempest Tossed; The Bitterroots

The point of these quick takes post to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. Half of this particular group bothers me to include here, but I’m afraid I’m about to lose track of them. The other half? Well, I might have trouble coming up with enough to talk about even in this format.

Timeless

Timeless

by Gail Carriger, Emily Gray (Narrator)
Series: The Parasol Protectorate, #5
Unabridged Audiobook, 11 hrs., 25 mins.
Hachette Audio, 2012
Read: May 13-18, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
I won’t deny that there were a couple of moments that had me on the edge of my seat, but overall this concluding novel felt like a letdown. There was just a lot of treading water going on, the plot just wouldn’t move for ages, it seemed.

An audiobook narrated by Emily Gray Unabridged Audiobooks a multitude of shortcomings, however. She’s just so much fun to listen to.

I’m glad I listened to this series, but I’m also glad that I’m done. It started strong, but over the course of the series, it kept getting weaker and weaker. A fun mash-up of Urban Fantasy and Victorian Steampunk, but ultimately unsatisfying.
3 Stars

Point Blank

Point Blank

by Anthony Horowitz, Simon Prebble (Narrator)
Series: Alex Rider, #2
Unabridged Audiobook, 5 hrs., 42 min.
Recorded Books, 2013
Read: May 29, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Alex Rider is back with another dose of escapist spy fiction for the MG set. It’s fun, but disposable. It’s the audiobook equivalent of NCIS, an entertaining way to spend some time, but that’s about it. I liked what Horowitz did with his character and I appreciated the growth in Alex.

This time, Alex is sent to an exclusive private school in the guise of a child of a rich and powerful man. Two similar fathers, from different parts of the world, with sons at this school, had recently been assassinated and M16 wants to get to the bottom of it.

Prebble did a fine job with the narration, I hope he continues.

This was clever and pretty exciting, I hope the series continues in this veinI can absolutely see why my son tore through them (and re-read them, probably the only things he re-read). I’ll be back for more (just wish I’d made myself do this back when he was reading them).
3 Stars

Smarter Faster Better

Smarter Faster Better: The Secrets of Being Productive in Life and Business

by Charles Duhigg, Mike Chamberlain (Narrator)
Unabridged Audiobook, 10 hrs., 23 min.
Random House Audio, 2016
Read: July 2-6, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
My chief complaint about Duhigg’s book, The Power of Habit, was that I expected something the reader could use for themselves. This isn’t as easy to apply as you might want, but it’s clearly written with an eye for the reader not just to understand the principles of efficiency and productivity, but to show some ways to bring the lessons home.

That said, it’s not a how-to book, it’s not self-improvement, it’s largely about the science/study/understanding of productivity. I found it just as fascinating as the last book, and can see where it’d be a useful guidebook for people in some sort of position of authority in an organization.

Duhigg also shows us his process while illustrating his own application of the book’s lessonswhich I really enjoyed.

I’m absolutely on board for whatever book Duhigg puts out next, Chamberlain is a great narrator for his material, too.
3.5 Stars

Heartburn

Heartburn

by Nora Ephron, Meryl Streep (Narrator)
Unabridged Audiobook, 5 hrs., 30 min.
Random House Audio, 2013
Read: July 7, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
A very pregnant cookbook writer/TV host/new mom’s marriage crumbles around her, as she attempts to salvage it, protect her children, and make a way for herself in the world. Really, she’s trying to do it all, and do it well. (that’s a lousy summary, just click the link above, will ya?)

The narrator? This Meryl Streep person? I tell you what, I think she’s going placesthere’s something special about her performance. Seriously, she did a great job, no surprise there.

Nor is it a surprise that Ephron can write a clever little book. I’m a long-time fan, I knew I should’ve picked this up when it was released. I don’t know that it’s necessarily deep, or that you walk away with new insight into the human condition, marriage, or love. But it was funny, it felt honest and real, and you get caught up in the life of Rachel Samstat right away. Solidly entertaining.
3.5 Stars

In Plain Sight

In Plain Sight

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #6
Unabridged Audiobook, 8 hrs., 23 min.
Recorded Books, 2008
Read: July 22-24, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
So this is all about chickens coming home to roostalmost everything that happened in this novel ties into one or more of the previous novels. And never the fun stuff from those novels. There’s the marital issues we got a glimpse at since Day 1 (and getting worse all the timeespecially in the last book), the dead former Sheriff, the new Sheriff and his issues with Joe, Joe’s new bossand more that I will just gloss over and let you read.

There’s a truly disturbing secret unearthed that really sheds light on so much of what happened in the book, most authors would’ve spent a lot more time on it than Box did here, he just let it be something that happened on the way to the major showdown. I like that he did it, but also kind of wish he’d given us a little more about it.

I did like the new governor and hope we get to see him again. (I especially like the fact that he’s a fictional politician and governs a neighboring state, not my own, I don’t even think I could enjoy him as a fictional Idaho governor).

There’s a lot left hanging at the close of this novel, I know the series continues (for many, many books to come), but I really have no idea what it’ll look like when I come back for Free Fire. Joe will be different, too, no matter what the circumstances around him are like. I assume Box is going to address it and I’m very curious about it.
3 Stars

Wonder Woman: Tempest Tossed

Wonder Woman: Tempest Tossed

by Laurie Halse Anderson, Leila del Duca (Art)
Paperback, 208 pg.
DC Comics, 2020
Read: July 25, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
I really didn’t need this book, Leigh Bardugo’s YA retelling of Wonder Woman’s origin was good enough, and superior to this one. But I’d read some largely positive reviews and decided to give it a shot.

It felt less like a Wonder Woman story, and more like Anderson wanted to find a way to talk about certain issues and shoved Diana into the necessary circumstances and then shaped the character around that, rather than making it feel organic and earned. Also, there was too much left unexplained. There was so much I didn’t understand about what was going on with Diana on the Themyscira and physically that it felt more like Anderson dropped the ball and less like she was being understated.

It wasn’t bad, but it sure wasn’t good.
2 1/2 Stars

The Bitterroots

The Bitterroots

by C. J. Box, Christina Delaine (Narrator)
Series: The Highway Quartet, #5
Unabridged Audiobook, 9 hrs., 49 min.
Macmillan Audio, 2019
Read: July 30-31, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Cassie’s done with law enforcement (but like Harry Bosch, will always think like a cop), and is making a living as a PI. A blast from the past calls in a favor owed and hires her to do some work as an investigator for the defense in a criminal proceeding. Cassie hates the idea in general, and loathes it in particularthe client is clearly guilty. Clearly guilty of raping his teenage niece, no less. He’s also a highly unpleasant personshe wouldn’t want to work for him even before the rape charge. But a debt’s a debt, and she figures she’ll find enough evidence to get him to switch his plea to guilty and work out a deal.

Readers/Listeners know all too well that the clearly guilty part guarantees that Cassie will eat some crow on this point, but that’s for later.

So Cassie travels to the very small town in northern Montana where the crime took place and the client’s estranged family runs everything from their ranch to the school board and all things in betweenincluding the Sheriff’s Office and Courts. Things do not go well for her and her investigationwhich just makes her think there’s something for her to find to help the client after all.

I definitely listened to this too soon after In Plain Sight, one of the themes of it is repeated herenot something I’d have noticed (at least not as much) if a few more weeks had passed.

Box ultimately won me over, but I came close to DNFing this a time or two, and I really didn’t enjoy most of the book. It was just a little heavy-handed, and the tie-in to a prior nemesis really didn’t work for me at all (and I’m not sure the introduction of the tie-in works now that I’ve seen where Box was taking itit’s too complicated to explain, especially for this post, let’s just say I didn’t like it). But by the end, I liked what Cassie got up to and how she handled herselfand I like the way that Box dealt with the climax and denouementboth were really strong (and semi-unexpected).
3 Stars

2020 Library Love Challenge
This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

20 Books of Summer 2020: July Check-In

20 Books of Summer
So, I did a lousy job of taking into account new releases, review copies, and life when I made the original list. I only read 4 of the remaining 13 books in July, which doesn’t bode well for August. I think I can still pull this off, but I’m going to have to make a couple of more substitutions, based on how long it took me to read Winslow’s The Cartel and Hearne’s A Plague of Giants, I’m not going to be able to tackle their follow-ups in August (which annoys me greatly, I was counting on this challenge to help force my hand with these). So I’m substituting Hearne’s next book, the launch of a new series, Ink & Sigil (there’s a balance to that) and The Revelators by Ace Atkins (not as epic in scope as Winslow, but … it’s the best I can realistically do).


✔ 1. Nothing Is Wrong and Here Is Why by Alexandra Petri
2. The Last Smile in Sunder City by Luke Arnold
3. Screamcatcher: Dream Chasers by Christy J. Breedlove
✔ 4. The Finders by Jeffrey B. Burton
✔ 5. Fair Warning by Michael Connelly
✔ 6. One Man by Harry Connolly
✔ 7. The Curator by M. W. Craven
8. The Ninja Daughter by Tori Eldridge
9. The Rome of Fall by Chad Alan Gibbs
✔ 10. American Demon by Kim Harrison
11. Ink & Sigil by Kevin Hearne
12. Betty by Tiffany McDaniel
✔ 13. Imaginary Numbers by Seanan McGuire
14. Curse the Day by Judith O’Reilly
✔ 15. Of Mutts and Men by Spencer Quinn
16. Rather Be the Devil by Ian Rankin
✔ 17. Muzzled by David Rosenfelt
18. Bad Turn by Zoë Sharp
✔ 19. The Silence by Luca Veste
20. The Revelators by Ace Atkins

20 Books of Summer Chart July

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