Category: Kitty Norville

Word and Spirit: Selected Writings in Biblical and Systematic Theology by Richard B. Gaffin, Jr.:Righteous Gems

I can’t put this one off any longer—if I could, I promise you I would (I’ve delayed it a few weeks already). I’m out of my league here, but I’ve got nothing else to write about. And I really need to write something about this.


Cover of Word and Spirit by Richard B. Gaffin, Jr.Word and Spirit:
Selected Writings in Biblical and Systematic Theology

by Richard B. Gaffin, Jr.; edited by David B. Garner & Guy Prentiss Waters

DETAILS:
Publisher: Westminster Seminary Press 
Publication Date: December 1, 2023
Format: Hardcover
Length: 723 pg.
Read Date: January 7, 2024-September 22, 2024

The word atonement does not occur in Paul’s writings.’ But no concern is more central for him than the meaning of the death of Christ, the church’s perennial concern in its doctrine of the atonement. What does Christ’s death achieve? How is it effective for the salvation of sinners? This chapter considers Paul’s answers to such questions with an eye to the issue of continuity between Paul’s teaching and later church doctrine. How faithful to the apostle is subsequent Christian understanding of the atonement?

Contemporary Pauline scholarship is marked by a fairly widespread consensus that in its dominant and most influential expressions, traditional atonement theology departs from Paul in at least two substantial ways. First, it fails to recognize, or at least do justice to, the Christus Victor theme in Paul, that Christ’s death destroys actual slavery to sin and its consequences in the sinner. Second, its notion of the cross as penal substitution, particularly as it has been developed beginning with the Reformation, is foreign to Paul.? In my view, the first of these critiques contains some measure of truth; however, the second is wrong. As a fair generalization, historic Christianity, including Protestant orthodoxy, is weak in not recognizing adequately Paul’s teaching that the cross destroys sin in the sinner as a corrupting and enslaving power, but modern historical-critical scholarship is defective for not dealing adequately with his teaching that the cross removes the guilt and just punishment of sin.

What’s Word and Spirit About?

According to the Publisher,

Few Reformed theologians have exerted the influence in both the church and the academy that Richard B. Gaffin, Jr. has, shaping the theology and spiritual formation of generations of pastors and teachers. Until now, his most significant published works have been inaccessible to most theological readers, published in academic journals, denominational newsletters, and out of print festschrifts and essay collections. A decade in the making, Word & Spirit gathers Gaffin’s finest works of biblical and systematic theology and arranges them in a singular, organic whole that presents Gaffin’s thought and work as comprehensively and clearly as it ever has been. More than 40 essays, articles, and tracts have been compiled, including “The Usefulness of the Cross”, No Adam, No Gospel, “A Cessationist View,” and “The Work of Christ Applied”. This collection is a must-have for any student of theology.

There’s really not much else to say. It’s broken down into five sections, and I’d be tempted to say that each section was the most valuable/useful (well, at least 2-5, but maybe if I spent some time re-reading part 1, I’d reconsider that). Let’s take a quick look at each:

Hermeneutics, Biblical Theology, and Systematic Theology

This is ten articles spread out over 170+ pages, covering the basics of Biblical Theology, how it can and should interact with Systematic Theology (and vice versa).

There’s some repetition of ideas (this will be a common thread throughout each section), which makes sense as these were written as individual pieces, not as part of a book, and Gaffin’s position and ideas about these things have remained static/build on each other.

It’s vital to understand him and his work—and just good to have a handle on these ideas regardless.

Theology of Hebrews and Paul

Most of these seven articles encapsulate (and expand on) the ideas from In the Fullness of Time: An Introduction to the Biblical Theology of Acts and Paul, a book I raved about a couple of years ago. But there are teachings and texts he didn’t address there, that he does here.

This section was so rich, so helpful—the chapters “‘The Obedience of Faith’: Some Reflections on the Rationale for Romans,” “Atonement in the Pauline Corpus: ‘The Scandal of the Cross,'” “and “The Priesthood of Christ: A Servant in the Sanctuary”—were good enough that I almost re-read them immediately (and I probably should’ve).

The first article in this section, The Usefulness of the Cross is available as a PDF Free Chapter Download from the publisher, take advantage of this.

Scripture, Epistemology, and Anthropology

The first three of these six chapters might have been the most mind-stretching for me (they won’t be for everyone), and were very rewarding.

The final three were the easiest for me—and the most repetitive in the book. They focus on Biblical anthropology (as in teaching on the nature of man), focusing on the historicity and nature of Adam. I’ve read at least “No Adam, No Gospel” before—it was published as a booklet a few years ago, and I think I read the previous chapter, the Translator’s Foreword to Adam in the New Testament as well. And I didn’t mind one bit re-reading it/them. Still helpful.

Pneumatology

These seven chapters could be (should be, if you ask me) be reworked into one book. Gaffin shines in these studies—and going back to his By Faith, Not By Sight and Resurrection and Redemption, these teachings are where he’s historically helped me the most. And that streak continues here.

Reformed theologians often (and wrongly) get the reputation for not talking about the Spirit as much as other traditions, and—even worse—are considered to ignore Him. Gaffin makes it clear that everything about Reformed Theology is based on the work of the Spirit in believers’ lives and helps us understand just what that means—both theologically and practically.

The Law of God, Soteriology, and Eschatology

This section pretty much covers “everything that couldn’t fit above.” Again, I’ve read a few of these before in other publications/stand-alone works. But I don’t care.

The chapters on eschatology are gold.

The chapters on Justification and Calvin are even better—the way he talks about Calvin’s view of the relationship of Sanctification and Justification (and the way he presents the two in The Instittues even in the organization of them) is so important for us all to heed. Particularly as he roots them both in Union in Christ—as is every benefit that the believer enjoys in this life and in the resurrection.

So, what did I think about Word and Spirit?

The justification of God’s elect is unshakably secure because, in a sentence, Jesus Christ is “the same yesterday, today and forever” (Heb. 13:8). Despite the way it is often read, this is not, at least in the first place, a proof text for Christ’s divine immutability, that as God he is unchanging, though that attribute is surely in the background (see, for instance, 1:10—12).” Rather, it is most likely an affirmation of his unwavering fidelity, his abiding reliability as high priest—in his once-for-all sacrifice in the past on earth and in his ongoing present and future (cf. 7:25) intercession in heaven. That is as good a note as any to bring these reflections to a close. “Jesus Christ—the same yesterday, today and forever.” This, first and finally, is what Christians need to know about their justification when they consider Christ as their priest, not only in his state of humiliation but also in his state of exaltation.

Outside of the Foreword, Introduction, and Brief Biography (Appendix A), none of this is particularly easy reading. Nor quick. But all of it is accessible—for the depth he gets into at points, this is much more approachable than On Classical Trinitarianism (to mention a recent example).

This is probably the most personally beneficial read I’ve had in the last couple of years—sitting down with Gaffin for 30-50 minutes every week has been a great discipline and a great boon.

I should probably have more to say than that, but I can’t think of what else to say that’s not just a restatement of this: this is a fantastic book—with insights, teachings, and reminders of the things that are vital for every believer.

Highly recommended.


5 Stars
Irresponsible Reader Pilcrow Icon

Catch-Up Quick Takes: Dash & Lily’s Book of Dares; Undeading Bells; Paranormal Bromance; My Calamity Jane

The point of these quick takes post to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Dash & Lily's Book of Dares

Dash & Lily’s Book of Dares

by Rachel Cohn, David Levithan, Ryan Gesell (Narrator), Tara Sands (Narrator)
Series: Dash & Lily, #1
Unabridged Audiobook, 6 hrs., 40 min.
Listening Library, 2010
Read: November 14-17, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
I picked this up as the result of “I need something to listen to and the library’s app just happened to have it at the top of the list.” This was about the time that the Netflix series was about to launch, so a good part of my Twitter feed was talking about it. I’d read something by Levithan years ago and had good memories, figured I’d try it out.

It was adorable. It was sweet. Pure silly fun. The narrators did a pretty decent job convincing me that they were teenagers. I think Lily can do better than Dash, but that’s probably just me. I doubt I’ll continue on in the series, but I’m glad I gave this a shot.

3.5 Stars

Undeading Bells

Undeading Bells

by Drew Hayes, Kirby Heyborne (Narrator)
Series: Fred, The Vampire Accountant, #6
Unabridged Audiobook, 11 hrs., 34 min.
Tantor Audio, 2020
Read: November 9-13, 220
Grab a copy from your local indie bookstore!

(the official blurb)
The wedding is nigh—Fred’s just got a little to take care of first. He’s got to hire someone to help him deal with his rapidly expanding business, he has to submit to some tests from the Blood Council, Amy needs some help with her new business model, and so on. But the main event is the wedding—which brings out friends (old and new) and enemies (old) alike.

This is the same kind of book that I’ve come to expect—fairly episodic with a nice through-line, amusing stories, an overall “blue sky” feel, with some fun situations for our Vampire Accountant to get himself out of.

I appreciated the new hire on the accountancy side, her particular supernatural type was a lot of fun. I also was impressed by what we learn about the Sheriff of Boarback. That was a simply great idea. I’ll also admit to being touched by the last few pages of the book, Fred’s in uncharted territory for him, and he does it well—public Displays of Affection and a little bit of rebelling.

I’ve spent most of this year dipping into this series when I needed a fun palate cleanser, and now I’ve caught up. Apparently, he’s working on the next book now, so I know I’ll be able to come back at some point, but…man…what am I supposed to do in the meantime.

3.5 Stars

Paranormal Bromance

Paranormal Bromance

by Carrie Vaughn, Neil Hellegers (Narrator)
Series: Kitty Norville, #12.5
Unabridged Audiobook, 2 hrs., 11 min.
Tantor Audio, 2018
Read: October 26, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Three guys who never should’ve been turned, and likely wouldn’t have survived as vampires if they weren’t in Rick’s Denver, are the focus of this novella. Since they’ve been turned, they camp out in their basement apartment and live largely human-ish lives. Basically, they’re the kind of guys who need advice from Kitty Norville, but who’ve never called into her show (or even listened)

Because they’re clearly the weakest, most pathetic excuses for Vampires (one sells collectibles online, another reviews video games) they’re targeted as a way to Rick by an enterprising reporter. While dealing with that, Sam starts to fall for a mortal—exactly the kind of woman he would’ve dreamed about dating as a human, but now he’s still feeling like she’s out of his league.

Watching Sam and his roommates deal with his friendship with the woman on the one hand and then the reporter on the other brings out the kind of fun that Vaughn didn’t often get to show in the Kitty-verse. It was a pleasant way to spend a few hours while packing/cleaning—and like I’ve said, any time in the world of Kitty Norville is a pleasant time.

3 Stars

My Calamity Jane

My Calamity Jane

by Cynthia Hand, Brodi Ashton, Jodi Meadows, Sophie Amoss (Narrator)
Series: The Lady Janies, #3
Unabridged Audiobook, 13 hrs., 28 min.
HarperAudio, 2020
Read: August 31-September 3, 2020
Grab a copy from your local indie bookstore!

(the official blurb)
Man…of all of these in this post, this is the hardest to not write a lot about. I’m not sure this is my favorite of the series, but in many ways, it’s stronger—definitely an improvement over My Plain Jane (which I liked, don’t get me wrong).

Wild Bill’s Traveling Show is just a cover for him, Calamity Jane and Frank Butler to hunt garou throughout the Wild West. Annie Oakley is unaware of this, but is a crack shot and needs to make money (or get married off to someone she can’t stomach). She ends up signing on to the show, just in time for it all to fall apart. The group ends up in Deadwood, where a supposed garou-cure is being peddled.

Sure, Calamity Jane is the focus of the book, but for me, it’s all about Annie Oakley, she was a delight, and her stumbling romance was as sweet as you could ask for. I also loved that we got an Al Swearengen who never made me think of Ian McShane once.

These goofy supernatural alt-history books are just a lot of fun, and I’m eager to see what they do with Mary, Queen of Scots.

3.5 Stars

2020 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Pub Day Repost: Kitty’s Mix-Tape by Carrie Vaughn: One More Trip to Kitty’s World in this Collection

Kitty's Mix-Tape

Kitty’s Mix-Tape

by Carrie Vaughn
Series: Kitty Norville

eARC, 288 pg.
Tachyon Publications, 2020

Read: September 12-14, 2020
Grab a copy from your local indie bookstore!

What’s Kitty’s Mix-Tape?

That’s an easy question: this is the second collection of short stories (previously published) set in the world of Kitty Norville, the werewolf turned talk radio star. We get a lot of stories featuring Kitty and/or her friends and allies (and one foe), and we get some stories that just happen to take place in the same reality even if they really don’t have any cross-over with the series.

There’s an introduction by Emma Bull that by itself would make a great review of this book (and maybe the series). Really, writing anything else after reading Bull seems superfluous.

Kitty & the Gang

I’m going to have a hard time keeping myself from talking too much about the stories featuring Kitty and her friends—Kitty and Ben going to her 10-year high school reunion was the perfect way to start off this book. Quick, fun, and a great way back into this world.

“It’s Still the Same Old Story,” could’ve fit into The Immortal Conquistador that I talked about a few months back—except it didn’t fit into the story arc of that one. But for those who wonder what Rick was up to in the early part of the twentieth century, this will give you a good idea. This is possibly my favorite thing focusing on Rick to date.

On the eve of their wedding in Kitty and the Dead Man’s Hand Ben disappears off on his own for a while, Vaughn finally lets us know what he was up to at the time. I’d forgotten all about that until I read this story, but I remember wondering then (as I was supposed to) what he’d been up to—it’s nice to have that answered.

There was a dynamite story about Detective Jessi Harden of Denver PD investigating a murder with a supernatural angle that doesn’t involve any of the series regulars. This would be the basis of a great follow-up series if Vaughn was in the mood for something. Hardin tackling “woo woo” crimes (I think that’s what the New Orleans PD calls them in the Yellowrock books) would be compelling as all get out.

One more that I want to mention is called “Kitty Learns the Ropes.” In this story, Kitty meets a professional athlete who happens to be a werewolf. Does that give him an unfair advantage? Should he disclose his situation to the world? Can’t this guy who never asked to be supernatural just live is life?

I’m going on too long, so I’ll summarize a few other standouts: there’s a fun little story with Odysseus Grant, and some cute bits with Kitty and her pack dealing with the Super Blood Moon and the like, and a showdown with some Federal Agents.

Other Stories

There are some stories that aren’t about Kitty or her friends, too, but just take place in her universe. There are two that take place in Regency England, “The Island of Beasts” and “The Beaux Wilde.” I enjoyed them both, and it is interesting to see Vaughn try to put her werewolves in that world. I would eagerly read more stories or a novel about the characters in “The Beaux Wilde.”

There’s also a sequel to a story from her previous short story collection, Kitty’s Greatest Hits about a child of a selkie who grows up to be a Navy SEAL (what else could such a son be)? I liked that one, too, but it seemed to be missing a little something from the end. But I’m pretty sure it was supposed to feel that way.

The tale about Nazis attempting to use werewolves in the war didn’t do much for me—but I think that’s mostly a me thing. It was a good story, just not the sort of thing I think I’d seek out.

The Songs

Vaughn includes a list of songs that embody the various stories for her, which she did for the novels, too. I think if you consider this list as a track list for a mixtape, you’d end up with something that Rob Fleming (in any incarnation) would look upon with scorn. If you take them as pieces to go with the stories, it’s a lot of fun, and adds a nice little dimension to them.

I will admit that I didn’t listen to them as I read—I think it would work though. They’re also a good tool to use to ruminate on the stories a bit.

So, what did I think about Kitty’s Mix-Tape?

There wasn’t a dud in the bunch, which is rare for a short story compilation—sure, I liked the ones about Kitty and her friends best, because that’s what I came to the collection for. But I liked them all.

The back cover promises that this is “the final installment” of the series, but Vaugn talks about staying tuned because it’s great to have a pre-existing world to write stories in. If the blurb is right, I’m glad I got a little more time in this world, but I’m hoping that staying tuned will pay off.

This may not be a great introduction to the werewolf DJ named Kitty, but it might work as one just fine, it’s certainly a good tour of the world. But it’s definitely the kind of thing that Kitty’s readers should come for. It’s one of the best collections I’ve read this year—and maybe for a good chunk of last year, too. Give it a whirl.

Disclaimer: I received this eARC from Tachyon Publications via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Kitty’s Mix-Tape by Carrie Vaughn: One More Trip to Kitty’s World in this Collection

Kitty's Mix-Tape

Kitty’s Mix-Tape

by Carrie Vaughn
Series: Kitty Norville

eARC, 288 pg.
Tachyon Publications, 2020

Read: September 12-14, 2020
Grab a copy from your local indie bookstore!

What’s Kitty’s Mix-Tape?

That’s an easy question: this is the second collection of short stories (previously published) set in the world of Kitty Norville, the werewolf turned talk radio star. We get a lot of stories featuring Kitty and/or her friends and allies (and one foe), and we get some stories that just happen to take place in the same reality even if they really don’t have any cross-over with the series.

There’s an introduction by Emma Bull that by itself would make a great review of this book (and maybe the series). Really, writing anything else after reading Bull seems superfluous.

Kitty & the Gang

I’m going to have a hard time keeping myself from talking too much about the stories featuring Kitty and her friends—Kitty and Ben going to her 10-year high school reunion was the perfect way to start off this book. Quick, fun, and a great way back into this world.

“It’s Still the Same Old Story,” could’ve fit into The Immortal Conquistador that I talked about a few months back—except it didn’t fit into the story arc of that one. But for those who wonder what Rick was up to in the early part of the twentieth century, this will give you a good idea. This is possibly my favorite thing focusing on Rick to date.

On the eve of their wedding in Kitty and the Dead Man’s Hand Ben disappears off on his own for a while, Vaughn finally lets us know what he was up to at the time. I’d forgotten all about that until I read this story, but I remember wondering then (as I was supposed to) what he’d been up to—it’s nice to have that answered.

There was a dynamite story about Detective Jessi Harden of Denver PD investigating a murder with a supernatural angle that doesn’t involve any of the series regulars. This would be the basis of a great follow-up series if Vaughn was in the mood for something. Hardin tackling “woo woo” crimes (I think that’s what the New Orleans PD calls them in the Yellowrock books) would be compelling as all get out.

One more that I want to mention is called “Kitty Learns the Ropes.” In this story, Kitty meets a professional athlete who happens to be a werewolf. Does that give him an unfair advantage? Should he disclose his situation to the world? Can’t this guy who never asked to be supernatural just live is life?

I’m going on too long, so I’ll summarize a few other standouts: there’s a fun little story with Odysseus Grant, and some cute bits with Kitty and her pack dealing with the Super Blood Moon and the like, and a showdown with some Federal Agents.

Other Stories

There are some stories that aren’t about Kitty or her friends, too, but just take place in her universe. There are two that take place in Regency England, “The Island of Beasts” and “The Beaux Wilde.” I enjoyed them both, and it is interesting to see Vaughn try to put her werewolves in that world. I would eagerly read more stories or a novel about the characters in “The Beaux Wilde.”

There’s also a sequel to a story from her previous short story collection, Kitty’s Greatest Hits about a child of a selkie who grows up to be a Navy SEAL (what else could such a son be)? I liked that one, too, but it seemed to be missing a little something from the end. But I’m pretty sure it was supposed to feel that way.

The tale about Nazis attempting to use werewolves in the war didn’t do much for me—but I think that’s mostly a me thing. It was a good story, just not the sort of thing I think I’d seek out.

The Songs

Vaughn includes a list of songs that embody the various stories for her, which she did for the novels, too. I think if you consider this list as a track list for a mixtape, you’d end up with something that Rob Fleming (in any incarnation) would look upon with scorn. If you take them as pieces to go with the stories, it’s a lot of fun, and adds a nice little dimension to them.

I will admit that I didn’t listen to them as I read—I think it would work though. They’re also a good tool to use to ruminate on the stories a bit.

So, what did I think about Kitty’s Mix-Tape?

There wasn’t a dud in the bunch, which is rare for a short story compilation—sure, I liked the ones about Kitty and her friends best, because that’s what I came to the collection for. But I liked them all.

The back cover promises that this is “the final installment” of the series, but Vaugn talks about staying tuned because it’s great to have a pre-existing world to write stories in. If the blurb is right, I’m glad I got a little more time in this world, but I’m hoping that staying tuned will pay off.

This may not be a great introduction to the werewolf DJ named Kitty, but it might work as one just fine, it’s certainly a good tour of the world. But it’s definitely the kind of thing that Kitty’s readers should come for. It’s one of the best collections I’ve read this year—and maybe for a good chunk of last year, too. Give it a whirl.

Disclaimer: I received this eARC from Tachyon Publications via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Immortal Conquistador by Carrie Vaughn: Just who is the Vampire Rick, Anyway?

I’ve been trying to get this out for over a week now (it was published last week), but I couldn’t seem to be able to—I’m a little surprised I’ve had the energy to post anything since I started telecommuting (odd that not going anywhere tires me out more than going to work does). Finally, with apologies to the publisher for getting this post up late.

The Immortal Conquistador

The Immortal Conquistador

by Carrie Vaughn
Series: Kitty Norville

eARC, 192 pg.
Tachyon Publications, 2020

Read: March 20-23, 2020


I’ve been a fan of the Kitty Norville series since the debut in 2005, and one of the supporting characters that fans seem most enamored of—and are given the least information about—is Kitty’s vampire ally, Rick (the Master of Denver).

For those (like me) who need a little brushing up on some of what went on toward the end of the series, Rick leaves Denver for a while in order to explore a different way to take on Dux Bellorum (the series’ Big Bad).

This book gives the reader some insight into what Rick was up to during this time. The book stitches together four short stories about Rick’s origin (some previously published, some not) while Rick introduces himself to the Order of Saint Lazarus.

I’d already read the first story, “Conquistador de la Noche,” in the collection Kitty’s Greatest Hits—but it worked really well in this setting, too—this sets the stage for the rest of Rick’s history and tells about him becoming a vampire. The next two stories show what happens when he first encounters the Vampire sub-culture and is first exposed to the rules (most) Vampires live by and how Rick skirts the edges of those rules and starts to make both a name for himself and build his different kind of power base.

The fourth story is my favorite detailing what happens when Rick meets a legendary Old West character. It was just a great story with an element of fun. It’s also something the reader is told that Rick’s never told anyone about before. It’s precisely the kind of thing that Kitty would kill to hear, she’s constantly asking vampires and other supernatural types for stories like this. That Rick would go out of his way to deprive her of this story (but we get to read it) was a little extra dash of fun.

I don’t know that this gave me a much better picture of Rick—the novels had pretty much done that. We know his character, we may not understand his past and what he was—but we know who he is. But this book rounds out our understanding of the man and gives the reader a little hope for his future.

Once I cottoned on to what Vaughn was doing—stitching together short stories—I was a little skeptical of the format. But I came around pretty quickly and decided it worked really well. It’s better than a simple short story collection, essentially giving us a bonus story. The stories (including the framing device) feel different from the Kitty series, but not so much that it doesn’t feel like the same world.

A cool bonus of this—you can read it totally independent of the Kitty Norville series. It’s not dependent at all on the events or people of the series (there are references to certain antagonists, but not in any way that makes familiarity with the series necessary for understanding).

I do have to wonder about the timing of this—the series ended almost five years ago, so I’m not sure I get why we’re getting this material in this format now. But that’s just me being curious, not complaining. Did I (or the series) need The Immortal Conquistador? No. But I’m very glad I got it.

Disclaimer: I received this eARC from Tachyon Publications via NetGalley in exchange for this post —thanks to both for the opportunity.


3.5 Stars

Kitty Saves the World by Carrie Vaughn

Kitty Saves the WorldKitty Saves the World

by Carrie Vaughn
Series: Kitty Norville, #14

ARC, 325 pg.
Tor Books, 2015
Read: July 14 – 15, 2015
4 1/2 Stars
Easy title to live up to, no?

About the same time that I posted my review of the previous book, Low Midnight, where I talked about “future Kitty novels,” Carrie Vaughn announced that this one would be the end. So much for my predictive ability. Now, at the end, I see that Low Midnight was well-placed in the series, and I have a better understanding of the role it played in setting up this book. Which is not to say that I wouldn’t have preferred a few more books in this series, but if Vaughn had to end it now, I’m glad she did it like this.

This couldn’t be less obvious a last novel. Kitty name checks and/or visits everybody we’ve met along the way, it’s like the last few minutes of “The End of Time” before The Doctor regenerates into Matt Smith. But Vaughn does it so smoothly, it’s only when you stop and think about who’s shown up that you even notice what she’s done.

I don’t really have much to say about this — it’s the 14th and final novel in a series. Don’t let this be the first one you read — do let this be the last. Start with one of the first few (if not the first, Kitty and the Midnight Hour).

This is different than the rest of the series, not just because it’s the end. There’s plenty of action to be found — not a lot of time for character development, growth, relationships, new characters (well, maybe a couple) — it’s all about Regina Luporum and her allies versus Dux Bellorum, anything else is a distraction (however pleasant a distraction). Which isn’t to say that the characters are unimportant — it’s Carrie Vaughn, characters are the core. But they’re very busy here, and don’t have a lot of time to chat, reflect, or anything like that — they have a world to save.

The final showdown with Roman didn’t go as expected, but better. The scenes following that were great, and the ending was everything a fan could hope for.

One criticism — and, now that I think about it, this applies to the series as a whole — Kitty tells us time after time that her pack is what’s important, it drives her restaurant/bar New Moon, it keeps her in Denver, it’s what motivates her, blah, blah, blah. But really, outside of the occasional chat while picking up an order with Shaun and references to the group hunting on the Full Moon, we don’t see them. The pack that Kitty cares about is the other one — Ben, Cormac, Amelia, Alette, Odysseus Grant, Tina, Rick, Matt, and the others that fill her life and align themselves with her against the Long Game. I’d be fine with it if Kitty were just a little bit more honest with herself/us about it.

I’m going to miss Kitty, Ben, Cormac and the rest, and the next year is going to feel a little strange not getting any new adventures from them. But this was a great way to say goodbye.

—–

4 1/2 Stars

Dusted Off: Kitty’s Big Trouble by Carrie Vaughn

While starting the post for Kitty Saves the World, I noticed I’d reviewed only two other books in this series here. Unthinkable. It was one of the first UF series I ever tried and it’s one of my favorites to this day. Turns out, that somehow I’ve only written one other post on the series. I’m still having trouble coming to grips with that. So, I figured I’d better throw this up before I forgot.

Kitty's Big TroubleKitty’s Big Trouble

by Carrie Vaughn
Series: Kitty Norville, #9

Mass Market Paperback, 307 pg.

Tor Books, 2011

Read: July 3 – 4, 2011
It’s been far too long since we’ve had a new Kitty Norville adventure, and Carrie Vaughn didn’t disappoint with this one.

We begin with Kitty’s most recent hobby–trying to out historical figures as weres or vampires or whatever. Which is a lot of fun, and is a well Vaughn hopefully returns to.

But the main action focuses on the Long Game between various vampire factions that we’ve seen a few peaks into lately. Kitty’s ally Anastasia is racing against Roman for possession of a magical artifact that could turn the tide in this competition forever.

Honestly, I don’t think this was the strongest entry in the series plotwise–this seems more about setting the stage for bigger things down the road. But while setting the stage, we get to spend some good quality time with some great characters, learn more about Cormac’s situation, and meet a few new characters (a couple of which I hope to see again, soon).

Should add that it took me far too long to get the title, and when I finally did I wondered where my head had been for a couple hundred pages.

Can’t wait to see what trouble Kitty gets into next.

—–

4 Stars

Low Midnight by Carrie Vaughn

Low MidnightLow Midnight

by Carrie Vaughn
Carrie Vaughn
Series: Kitty Norville, #13

Mass Market Paperback, 309 pg.
Tor Books, 2015
Read: January 7 – 8, 2015
Ahh, the fans (some of them, anyway) get what they’ve been wanting — a novel featuring everyone’s favorite retired monster hunter (and the deceased Victorian witch who’s living inside his brain). The thing Vaughn did that makes this stand out is that unlike most authors, rather than give Cormac some side story, she gives his solo adventure a central place in the overall storyline — what happens here will play a big part in what happens in future Kitty novels.

This is honestly not at all what I expected from a Cormac novel. I expected more violence — not necessarily a blood bath, but more guns, more offensive magic — and less discussion of meadows. But he’s grown — moreover, he’s doing what he can to live as a law-abiding ex-con (especially one with Ben looking over his shoulder all the time). So no guns. Brains over brawn, which seems to be stranger for Cormac than it is for readers.

The plot was meager, honestly. The story was mostly just an excuse to see Cormac in his element — get to know him better, get a fuller picture of his past and to watch the way that he and Amelia work together. And as such, the novel succeeded. As a story about Cormac and Amelia investigating a century-old death by magic, it was tolerable.

The strongest part of the book was their relationship, the way they’ve learned to work — and exist — together. There’s genuine affection between the two — a little mistrust (which makes sense, given their unusual situation), but genuine affection. Given how we’re introduced to Cormac, that’s pretty serious growth.

At the end of the day, this was a nice diversion — a good way to get a different look at things, to see the people who aren’t Kitty engaged in her crusade, and to get to know these characters better. I’d probably enjoy another book focused on Cormac and Amelia, but I’m looking forward to getting back to Kitty’s POV.

—–

3.5 Stars

Kitty in the Underworld by Carrie Vaughn

Kitty in the Underworld
Kitty in the Underworld by Carrie Vaughn
Series: Kitty Norville, #12


My rating: 4 of 5 stars

I’m a little surprised at my rating for this one — not that Vaughn’s not more than capable of writing a four or five-star book — but based on my reactions while reading which were definitely not favorable. But my reactions were strong enough — based on the claustrophobic note frequently struck here, and how much I cared about what Kitty was doing/going through — that I knew Vaughn had delivered. Hadn’t necessarily written the book I wanted/expected, but she got the job done very effectively.

N.B. I get vaguely spoilery beyond here — I don’t think it’s too terrible, nothing I’d really have minded reading before picking up this book.

So the idea behind Kitty Drinks the Kool-Aid in the Underground is that while some vampires, and Kitty herself think the whole Regina Luporum thing is a joke, there are some who take it very seriously. So seriously, that they kidnap Kitty to get her assistance in making a major attack on Roman/Dux Bellorum.

Now, this may strike you as a particularly stupid way to get someone to help you out — as it should, it definitely strikes Kitty that way. But for whatever reason/delusion, her kidnappers don’t see it that way.

Now, over the last 11 books, we’ve seen impetuous Kitty, rash Kitty, leaping-before-she-looks Kitty — and while Ben and Cormac grit their teeth and fret, the reader just smiles, content in our knowledge that this is just Kitty being Kitty. However, in Kitty gets Stockholm Syndrome in the Underground we see Kitty being just stupid.

She gives a magic user (that she doesn’t know) access to her blood. She lets a strange vampire feed off of her. She passes up chances to escape. She lets her guard down with her captors. Now, Kitty’s generally quick to trust — which is part of her charm — but she generally has some sort of basis for that. Not here. Well, at least no rational basis. Here’s she’s just so desperate to take down Dux Bellorum, that she throws reason and caution to the wind.

She spends large amount of time being rational, thinking things through, reacting as she should — and then she seems to shut that down to work with these people. I talked back to the book a lot (this is a behavior I don’t typically engage in at all). My favorite werewolf had taken leave of her senses and was risking it all.

This book should’ve been twice as long (at least). Kitty needed more time in the cave before she acted the way she acted. The reader needed to get a better idea of the rich and colorful characters that were introduced here. It would’ve been nice to see Kitty’s pack at work trying to find and rescue her. So much of what was going on in this book was new, terribly interesting, and worthy of exploration, it’s a shame we didn’t get the chance.

Although, a longer book would’ve likely given me a stroke. So I shouldn’t complain.

For all my gripes, it was a tense, taught adventure that will have interesting (to say the least) ramifications going on. Now I have to start counting down for the next one. Can’t come soon enough.

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