Category: General Fiction/Literature Page 19 of 49

The History of Tom Jones, a Foundling by Henry Fielding: BOOK VI., ix.-xii.

Fridays with the Foundling
Tom Jones Original CoverWe left Sophia and Tom all but declaring their love for one another in the sweetest chapter thus far, and we rejoin the novel with a chapter called “Being of a much more tempestuous Kind than the former.” Which doesn’t bode well.

So Sophia’s aunt spills the beans to her father—it’s not just that she doesn’t care for Blifil, she’s in love with Tom—and, well:

The idea of a marriage between Jones and his daughter, had never once entered into the squire’s head, either in the warmest minutes of his affection towards that young man, or from suspicion, or on any other occasion. He did indeed consider a parity of fortune and circumstances to be physically as necessary an ingredient in marriage, as difference of sexes, or any other essential; and had no more apprehension of his daughter’s falling in love with a poor man, than with any animal of a different species.

He became, therefore, like one thunderstruck at his sister’s relation. He was, at first, incapable of making any answer, having been almost deprived of his breath by the violence of the surprize. This, however, soon returned, and, as is usual in other cases after an intermission, with redoubled force and fury.

He storms off to come give the pair a piece of his mind, but Sophia’s overcome by fear at the ruckus he makes along the way and faints. The first thing her father sees is her unconscious and he focuses on her well being, forgetting everything else. Until she’s carried away to be cared for, and then like a switch he’s back to being enraged and has to be physically restrained from Tom. It’s suggested by the Parson restraining Mr. Western that Tom get going, and he’s quick enough to agree.

The next day, Allworthy gets done listening to Blifil’s account of how well things went—because Allworthy cares about her character, not her (or her father’s) wealth, he’s pleased. When Western bursts in with a very different story. He gets Allworthy up to speed, swears up and down in a dozen ways that his “Sophy” will be cut off and left destitute if she continues to pursue Tom, threatens violence against Tom, and assures Blifil that he won’t let Sophia marry anyone else before he rushes back home to try to instill some order there.

When Allworthy and Blifil were again left together, a long silence ensued between them; all which interval the young gentleman filled up with sighs, which proceeded partly from disappointment, but more from hatred; for the success of Jones was much more grievous to him than the loss of Sophia.

Blifil takes this occasion to slander Tom, accusing him of drunken carousing while Allworthy was ill and then assaulting both Blifil and Thwackum unprovoked. Thwackum is called as a witness, who backs up that no-good, vindictive twerp (why should I pretend to be unbiased toward the creep?)

Allworthy confronts Tom and Tom agrees to the bare facts, without addressing the motivation for the fight, etc. At which point, Allworthy gives Tom a check to help him get established and kicks him out—vowing to never speak to him again. He closes the speech by saying:

there is no part of your conduct which I resent more than your ill-treatment of that good young man (meaning Blifil) who hath behaved with so much tenderness and honour towards you.”

These last words were a dose almost too bitter to be swallowed. A flood of tears now gushed from the eyes of Jones, and every faculty of speech and motion seemed to have deserted him. It was some time before he was able to obey Allworthy’s peremptory commands of departing; which he at length did, having first kissed his hands with a passion difficult to be affected, and as difficult to be described.

The reader must be very weak, if, when he considers the light in which Jones then appeared to Mr Allworthy, he should blame the rigour of his sentence. And yet all the neighbourhood, either from this weakness, or from some worse motive, condemned this justice and severity as the highest cruelty. Nay, the very persons who had before censured the good man for the kindness and tenderness shown to a bastard (his own, according to the general opinion), now cried out as loudly against turning his own child out of doors. The women especially were unanimous in taking the part of Jones, and raised more stories on the occasion than I have room, in this chapter, to set down.

One thing must not be omitted, that, in their censures on this occasion, none ever mentioned the sum contained in the paper which Allworthy gave Jones, which was no less than five hundred pounds; but all agreed that he was sent away penniless, and some said naked, from the house of his inhuman father.

Yeah, that quotation went on a bit, but I couldn’t help myself.

So, Tom (in a fit of anguish) loses his belongings (including the money), writes a farewell letter to Sophia (not wanting to drag her down with him) and gets his ol’ pal Black George to get that letter to her (via her maid). We learn that George found the money and everything else, but neglected to tell Tom that. Sophia sends a return letter warning Tom from seeing her father and vowing, “that nothing but the last violence shall ever give my hand or heart where you would be sorry to see them bestowed.”

Wow. That’s a lot of plot in a very few pages. A decent amount of fun and sets us up for the next part—which can’t be nearly as exciting, but I’m eager to see what happens.

N.B.: I went a little quote happy with this one, and wasn’t in the mood to do all the typing. So I went with a text file from Project Gutenberg–which doesn’t follow the atypical (for our eyes) capitalization that the book I use does. Makes it a little easier to read, but a little more drab.

A Few Quick Questions With…Ronald Hera

A little bit ago, I posted about the novel Bethlehem’s Brothers, and now it’s time for a few questions with the author, Ronald Hera, who was gracious enough to give me a little of his time.

Tell us about your road to publication—was your plan/dream always to become a novelist and your education/other jobs were just to get you to this point, or was this a later-in-life desire?
I wrote technical papers occasionally for the SAE and enjoyed it, but the idea of writing for publication came when I was about to retire and wondered what I would do to pass the time. Writing has been good for me.
Most authors have dozens of ideas bouncing around their craniums at once—what was it about this idea that made you say, “Yup—this is the one for me.”? What kind of research did you do to prepare for it?
I have three books started now. One is a bad idea and I’ll probably not write that one. But two are promising ideas and are going smoothly. They are more like mystery/action novels. Bethlehem’s Brothers came to my head for two reasons. I see people moving away from their Christian roots and that bothers me. I wanted to show the struggles that went into deciding to be a Christian during the first century. In Jerusalem’s Brothers, I wanted to show how difficult it was during the early persecution and finally in Brothers Forever, the fall of Jerusalem and who the Essenes were.

My research comes from The Complete Works of Josephus, Studies in the Life of Christ by R.C. Foster, The Bible, and the internet. I enjoy the research because it teaches me a lot about a subject dear to my heart.

While writing the book itself, what was the biggest surprise about the process? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”?
My imagination ran WILD! I found it hard to make the book flow and my sentences were awkward a lot of the time. Editing was lengthy for me. Even naming the characters was a challenge sometimes. I wanted them to be real and meaningful names, so I researched meanings on the internet.
As I’ll discuss in my post about the book, I really appreciated how you merged the Biblical events with your material—it seemed like you exercised great care in that. How did you decide which parts of the life of Christ to have your characters directly interact with?
Thank you for the compliment. I think a fiction writer should make the scenes and surrounding events as real and accurate as possible while making the characters and some events purely fictional. That is a delicate balance. An example is when I had Enoch with Cleopas on the road to Emmaus. The Bible mentions Cleopas and “another”, so I interjected Enoch. One must be careful not to add to the Bible. I thought this might be okay.
As soon as I saw a Cleopas hanging around, I figured this is where you were going to go, and you pulled that part off particularly well.

What’s been the response to this in the years since the original publication?

Critics like it. Bethlehem’s Brothers has recommendations from Pacific Book Review and Kirkus. It was also a finalist in the prestigious Montaigne Medal awarded by the Eric Hoffman Award Committee. Of course, I would like more people to read it. Now with e-books, cost isn’t really an issue. Maybe a different cover would help.
There’ve been two sequels to this (and I imagine there aren’t more coming based on the synopses for them), are there other books to come from you?
Certainly. I have a fourth book to add to the series called The Rock of Michael. Michael is an angel who helps the Christians displaced by the destruction of Jerusalem settle in what is now Tel Aviv-Yafo. The other possible novel is another historical fiction piece set on a college campus during protests of the Vietnam war. It has promise.
So much for my imagination 🙂

Thanks for your time and willingness to let me badger you with these questions—again, I really enjoyed Bethlehem’s Brothers and truly hope that it finds the audience it deserves.?

I am confident it will. Perhaps a TV series or a Movie might get the word out to the audience.

Bethlehem’s Brothers by Ronald Hera: First Century Historical Fiction about a Couple of Others Born in Bethlehem

Bethlehem's Brothers

Bethlehem’s Brothers

by Ronald Hera
Series: The Brothers Trilogy, #1

Kindle Edition, 308 pg.
AuthorHouse, 2011

Read: April 12-19, 2020


This historical fiction starts off with a bang—in a small home during the Massacre of the Innocents. One father (probably others, but we’re focused on one family here) tries to prevent the soldier from killing his young son and loses his life, too. Devastated, his widow does the best she can for her two remaining sons—sending one to Jerusalem with a friend of a friend as an apprentice, she takes the other to live with family near the sea of Galilee where the boy will learn to be a fisherman.

After a few chapters where we see them grow up and begin their adult lives, we begin to hear about things like John the Baptizer, and an itinerant preacher surrounded by outlandish rumors. Both boys have been raised quite differently—Simeon, in Jerusalem, was apprenticed to a former rabbi (discharged by the Sadducees for his orthodoxy); Enoch becomes involved with Zealots and was convinced the soon-to-come Messiah would lead a revolt. A few striking events lead them to realize who this Messiah is (although, they’re both pretty shaky about the details).

As the brother’s stories intersect at various points with the Gospel accounts we see John’s arrest, some healings by Christ, the Triumphal Entry, the Crucifixion, and some of those who were raised, the encounter at the Road to Emmaus and more. As they intersect, they, their friends, Simeon’s wife, and others struggle to understand what they’re hearing and seeing.

I was particularly impressed with the way that Hera treated the Biblical material. One of the best ways to evaluate Historical Fiction is based on how it treats actual history and merges the fictional with the fact. I found Hera’s use to be very sympathetic and respectful—it’s a dangerous path in general, but when you’re dealing with Sacred material, it’s even more dangerous.

It is a smooth and easy read, with a pretty engaging text. It’s not perfect, and maybe relies a bit too much on coincidence, but that doesn’t detract from it being a pleasant time. I wanted a bit more out of the dialogue but it wasn’t bad. The focus on this novel is to give an idea—with an eye to historical reality, but not bogged down in the details—what it was like for the faithful Jew to encounter the Messiah. It’s a worthwhile and ambitious goal and it delivers on it. I’d recommend this and will very likely be picking up the next two installments in the trilogy soon.

Note: I received a copy of this book from the author in exchange for this post and my honest opinion.


3 Stars

Top 5 Saturday: Retellings That Have Stuck With Me

Top 5 Saturday Retellings

The Top 5 Saturday weekly meme was created by Amanda at Devouring Books.

Rules!

  • Share your top 5 books of the current topic—these can be books that you want to read, have read and loved, have read and hated, you can do it any way you want.
  • Tag the original post (This one!)
  • Tag 5 people (I probably won’t do this bit, play along if you want)

The Upcoming Schedule Is:

5/9/20 — Books with a Number in the Title
5/16/20 — Books by Debut Authors
5/23/20 — Books about Plants/Flowers (Can be on cover, in title or plot)
5/30/20 — Books from a Male POV


The Story of Edgar Sawtelle by David Wroblewski

A Retelling of: Hamlet by some obscure playwright

The reason I didn’t call this list “My Favorite Retellings” or something like that is this novel. I didn’t really enjoy much of this one. But man, it was gorgeously written. Before I started this blogged, I wrote a little about it on Goodreads: “Meticulously crafted, wonderfully and intricately written, fantastic characters, a world you’d love to live in, imaginative, creative, a concept so great, so well executed…aaaaaand I had to force myself to read it. I took 3 breaks from this novel, and had to drag myself back to it each time. I feel like I owe this book 5 stars because it deserves them, but I really want to give it 1.75 or so. There is no reason at all that I shouldn’t like it—people should love this work, actually. But I just didn’t.” Still, nine years later, this is the first novel that lept to mind when I started this list and I have vivid memories of a lot of the book. Can’t beat that.


Fuzzy Nation by John Scalzi

A Retelling of: Little Fuzzy by H. Beam Piper

An Avatar-esque story, that’s nowhere near as self-important and a whole lot more entertaining than the Cameron movie. Jack Holloway is a prospector on the planet Zarathustra who discovers a potentially sentient and language using species (that coincendentally are about the cutest things ever). Holloway has to figure out a way to keep the species from being wiped out by an uncaring corporation. This might actually be my favorite Scalzi novel.


Cinder by Marissa Meyer

A Retelling of: Cinderella

A YA SF re-imagining of the Cinderella story featuring a young woman with a cybernetic leg who attracts the attention of a Prince trying to help his people survive a plauge. It launches an epic series (also featuing re-tellings I could have filled this list with). I don’t know that the entire Lunar Chronicles series really delivered on the promise of this book, but I had a lot of fun with it. If you’re going to do a re-imagining, this is the way to do it.

* Jim C. Hines’ Princesses series also comes to mind at this point…maybe I should have included one of them…


Re Jane by Patricia Park

A Retelling of: Jayne Eyre by Charlotte Brontë

Brontë’s novel is one of my All-Time Desert Island Top 5 novels, and I’m a sucker for a retelling of it. This one is set in NYC in the late 1990’s. Jane Re, is a half-Korean, half-American orphan who is hired to be the au pair for a Chinese adoptee. It’s Jane Eyre and more. As I said when I posted about it, it’s a clever re-imagining, and/or a satisfying read.


The Graveyard Book

A Retelling of: The Jungle Book by Rudyard Kipling

I remember reading this to my kids years ago, and being very affected by it myself. It’s haunting, playful, creepy and heartwarming. A brilliant way to retell the story of an lone man-child in a very foreign atmosphere by beings not fit to raise one—and their efforts to help him fit in his native society.

The History of Tom Jones, a Foundling by Henry Fielding: BOOK VI., v.-viii.

Fridays with the Foundling
Tom Jones Original CoverWhile the Westerns wait for Blifil to come to call on Sophia, her aunt comes in and the two talk a bit more about Sophia’s affections, each of them (still) talking about a different man. And just when I’m starting to think we’re in for 20+ pages of this misunderstanding, Sophia asks who her aunt is referring to:

…the Aunt cried, “Mr. Blifil—ay, Mr. Blifil, of whom else have we been talking?” “Good Heavens,” answered Sophia, ready to sink, “of Mr Jones, I thought; I am sure I know no other who deserves—” “I protest,” cries the Aunt, “you frighten me in your Turn. Is it Mr. Jones, and not Mr. Blifil, who is the Object of your Affection?” “Mr. Blifil!” repeated Sophia. “Sure it is impossible you can be in earnest; if you are, I am the most miserable Woman alive.”

There’s some nasty back and forth about how horrible the idea of Blifil is to Sophia and how horrible the idea of Jones is to all that is right and just with the world, and Sophia will do what she’s told, etc. In the end, they agree that Sophia will visit with Blifil that afternoon and get be nice about it, and they’ll see what happens.

They go their separate ways, Sophia unburdens her soul to her maid (who is good enough at eavesdropping not to need it, but plays along). Mrs. Honour tells her to speak her mind to her father, who’s a good man and won’t force her to do anything. In the meantime, she saw Jones down by the river not that long ago. Sophia rushes to go meet him, but misses him because she took too long choosing the right ribbons to wear. Fielding amusingly (at least to me) comments,

—a most unfortunate Accident, from which my fair Readers will not fail to draw a very wholesome Lesson. And here I strictly forbid all Male Critics to intermeddle with a Circumstance which I have recounted only for the Sake of the Ladies, and upon which they only are at Liberty to comment.

Blifil calls upon Sophia, and it does not go well. She’s nice enough, but she’s horrified at the thought of spending time with him, so she doesn’t say a lot and leaves early. Blifil is clueless enough (and enamored of himself enough) to interpret this as shyness—she’s so overcome by being alone with a guy as awesome as he is.

He leaves feeling really good about things and makes Mr. Western feel the same way about the way things are progressing. Sophia takes her maid’s advice and tells her father what she thinks of Blifil. He does not follow the script Mrs. Honourable predicts and flies into a rage, commanding Sophia to marry Blifil or he’ll cut her off.

She’s inconsolable, he’s in a fit and the two separate. Western runs into Jones and tells him about it all, and then asks Jones to go convince Sophia to go along. That’s not at all what Jones wants to do, but he agrees, because he’ll gets the green light to go off and talk to Sophia.

Neither of them come out and declare their love for each other, but the ensuing conversation allows them both to state their interest and their mutual despising of Blifil as a mate. It’s a sweet scene, interrupted by Fielding telling us that it may have gone on too long and is about to be interrupted by something of a very different flavor and so it’ll have to be taken up in another chapter.

Obviously, whatever that is (we’ll see next week) isn’t going to go in the couple’s favor—there’s almost another 700 pages to go, they’re not going to get too many sweet moments anytime soon.

I really like the pace of these last 8 chapters, and look forward to what comes next. I just wish people could have a straightforward conversation without flying off the handle so everyone could act in a reasonable manner.

Eh, where’d be the fun in that? Bring on the talking past each other!

The Stay at Home Book Tag

The Stay at Home Book Tag
I saw this tag over on this one from Witty and Sarcastic Book Club last week and figured I’d better join in the fun soon—our Stay at Home order is set to expire at the end of this month, and I may not get another chance.

Laying in Bed: A Book You Could/Have Read in a Day

This one gave me some trouble, honestly, if you’re committed, what book can’t you read in a day? But…I’m going to go with:

Not DressedNot Dressed

by Matthew Hanover
I didn’t read this in a day, but man, I could’ve. This book (like last year’s Not Famous) is effortless to read. When I started this book, it was late in the day and I thought I’d just stick a toe in the water, maybe read about 10% of it. Before I knew it, I was about a third into the book (and were it not for the time of day, I’d have probably finished it in one sitting!). It’s funny, it’s sweet, it’s infectious, it’s engaging as anything I can remember. I cared about these characters and got invested in their lives faster than I typically do. It’s as comfortable as staying in bed should be.

In case you’re curious, here’s my post about it.


Snacking: A Guilty Pleasure Book

Pop Culture!Pop Culture! …Building a Better Tomorrow by Avoiding Today

by Dave Kellett
I’m honestly troubled by the idea of “guilty pleasure.” If you dig a piece of fiction, you dig a piece of fiction—why feel bad about it?* But, I ended up going with this collection of Sheldon comics. I love this strip and read them every time that Kellett posts a new one. I don’t let myself sit down and read through a collection (or part of one) very often, I feel like I should be reading “a real book,” or something I could blog about—or, you know spending time with my family, I guess. So, this is a pleasure that makes me feel guilty when I indulge (which I guess undercuts my opening line…oops).

* Note how I don’t go for the cheap Dan Brown joke here…


Netflix: series you want to start

The Shattered SeaThe Shattered Sea

by Joe Abercrombie
Abercrombie’s Norse-influenced YA trilogy has appealed to me since it was announced. Especially as it’s complete, there’s no good reason I can’t tackle it—the entire trilogy is about as long as some epic fantasy novels, I don’t know what I’m waiting for.

Dan Willis’ Arcane Casebook is also right up there. I hopefully will get to both in 2020.


Deep Clean: a book that’s been on your “to be read” list for ages

StilettoStiletto

by Daniel O’Malley
I loved O’Malley’s The Rook, but read it long before I launched this thing, so I didn’t write anything about it—and then re-read it so I could get ready for Stiletto, and took so many notes I couldn’t get through them all to write something. Anyway, this came out in ’16 and I heard so many lukewarm things that I haven’t been able to get myself to read it. It’s right there on top of my bookshelf, right where it’s been since July 2016 and I don’t know when it’s coming down.


Animal Crossing: a book you recently bought because of hype

The Last Smile in Sunder CityThe Last Smile in Sunder City

by Luke Arnold

A former soldier turned PI tries to help the fantasy creatures whose lives he ruined in a world that’s lost its magic in a compelling debut fantasy by Black Sails actor Luke Arnold.

Welcome to Sunder City. The magic is gone but the monsters remain.

I’m Fetch Phillips, just like it says on the window. There are a few things you should know before you hire me:

1. Sobriety costs extra.
2. My services are confidential.
3. I don’t work for humans.

It’s nothing personal–I’m human myself. But after what happened, to the magic, it’s not the humans who need my help.

Walk the streets of Sunder City and meet Fetch, his magical clients, and a darkly imagined world perfect for readers of Ben Aaronovitch and Jim Butcher.

How can I say “no” to that?

Yeah, this is on the list because of the hype, but when I went to find some examples of the hype that sold me, I could only find this one from Witty and Sarcastic Book Club, which was enough on its own, honestly. Still, if you’re reading this and I’ve just snubbed you. Sorry. Correct me and I’ll throw a link up here.


Productivity: A book you learned from, or that had an impact on you

How Not to DieHow Not to Die

by Michael Greger M.D. FACLM, Gene Stone
This is a book that was recommended to me as part of a medical program I’m in (in an effort to forestall any future cardiac events)—I’m not convinced by all of what it says, but it’s helped me make significant changes to my life—and will continue to do so.

In case you’re curious, here’s my post about it (the post is about the library’s copy of the audiobook, I have the hardcover now—it’s heavy enough I could probably organize an exercise regimen using only it as a weight.


Facetime: a book you were gifted

The Name of the Wind: 10th Anniversary Deluxe EditionThe Name of the Wind: 10th Anniversary Deluxe Edition

by Patrick Rothfuss, Illustrated by Dan dos Santos
My kids got this for me for Father’s Day in ’17—still one of my favorite gifts from them. A gorgeous edition of one of my all-time favorite books.


Self-care: what is one thing you’ve done recently to look after yourself

Ehhh…not much, really. This is the kind of thing I’m not good at.


Bonus: name a book that is coming out soon

Platonic ComedyPlatonic Comedy

by Ian Shane
Ian Shane’s Postgraduate was one of my favorites from 2019. If this is almost as good, it’ll be one of my favorites of 2020.

Ex-jock Rob and socially awkward Liz weren’t likely to become best friends, but they’ve had each other’s back since college. On a night both of their romantic lives implode, they make a pledge; if they aren’t married by Rob’s fortieth birthday, they would marry each other. With a year left before their deadline, Rob and Liz make a mad dash to find “The One,” while navigating a minefield of modern dating complications. They must deal with skeptical friends, faces from the past, and hidden jealousies and feelings neither one of them will ever admit to.

From Ian Shane, author of Postgraduate and Radio Radio, comes an unconventional one-in-eight-billion romantic comedy. Platonic Comedy is a contemporary When Harry Met Sally that is perfect for fans of Nick Hornby, Jonathan Tropper, and Matthew Norman.


As usual, I’m not tagging anyone in this—but I’d like to see what you all have to come up with.

COVER REVEAL: Anna by Laura Guthrie

Welcome to The Irresponsible Reader’s part in the Cover Reveal for Laura Guthrie’s Anna! There’s a spiffy looking cover down below, but before the picture, I’ve got a few words to share about the book.

Book Blurb

Every cloud has a silver lining… doesn’t it? Anna is thirteen years old, lives in London with her father, and has Asperger’s syndrome. When her father dies, she moves to Scotland to live with her estranged, reclusive mother. With little support to help her fit in, she must use every coping strategy her father taught her—especially her ‘Happy Game’—as she tries to connect with her mother, discover her past, and deal with the challenges of being thrown into a brand new life along the way.

About Laura Guthrie

Laura GuthrieLaura Guthrie grew up in the rural Scottish Highlands (“I come from where the planes don’t fly”). Her creative influences include Nessie and the elusive ‘Caiplich Beast’, as well as some choice authors and their works.

She has an honours degree in biological sciences from the University of Edinburgh, and a PhD in creative writing from the University of Glasgow.


And now…

The Cover


That’s a cheery image, isn’t it?

This book comes out in June, so you’ll have to wait to get your hands on it, but keep an eye out for it!



My thanks to Love Books Group for the invitation to participate in this reveal and the materials they provided.

Love Books Group

The History of Tom Jones, a Foundling by Henry Fielding: BOOK VI., i.-iv.

Fridays with the Foundling
Tom Jones Original CoverDespite being a politician of some repute, Mr. Western is pretty clueless when it comes to reading people—especially his daughter. But his sister? Oh, man—she’s sharp. She’s knowledgeable, she’s spent a lot of time at court, and she’s good at picking up the subtle feminine quirks. She can tell that Sophie’s in love and fills her brother in.

He’s not exactly pleased. How dare she without asking permission? This is just not going to do at all. But what if she’s fallen for someone he approves of? Well, that’s a different question. “If she marries the man I would ha’ her, she may love whom she pleases.” Which is just a great line. She assures her brother that he’ll be happy because Sophie has fallen in love with Mr. Blifil.

So much for that whole good at picking up clues thing.

Western loves this idea, nice guy, and marrying into Allworthy’s money? Great idea. (There’s also some fun Battle of the Sexes back and forth with these two.) Western wants to suggest the match to Allworthy that day. His sister talks him into delaying until Allworthy is fully recovered.

Sophie sees that her aunt has discovered her secret (but doesn’t realize she got it wrong), so tries to play things close to her chest. She lavishes attention on Blifil, but ignores Jones, making her aunt all the more convinced that she’s right.

Honestly, the get together in Chapter 3 might as well have been hosted by Drs. Niles and Frasier Crane for all the comedy of errors action going on.

Western pulls Allworthy aside and suggests the match to him. Allworthy’s not as over te moon about it as Western wanted him to be. Still, he thinks if the young people are into it, he’s in favor. Western wants to push them into it, Allworthy won’t go for that. It makes the conversation uncomfortable, but they part on good (if strained) terms.

Allworthy suggests the match to Blifil. Blifil doesn’t find her unattractive, but he doesn’t think of her in those terms. Her money, however? That, Blifil is attracted to. He tells his uncle that while he wasn’t ready to think about marriage, if Allworthy thinks it’s a good idea, he’s for it.

Allworthy writes to Western, saying that the Blifil is open to calling on Sophie. Western immediately writes back, setting something up. What he doesn’t do is consult—or even inform—Sophie about it.

Which means that the next chapter is going to be all sorts of awkward fun.

I really enjoyed this week’s reading—some good chuckles, some social commentary, and the plot moves forward while setting up plenty of fun to come.

Top 5 Saturday: Sibling Relationships

Top 5 Saturday Sibling Relationships

The Top 5 Saturday weekly meme was created by Amanda at Devouring Books.

Rules!

  • Share your top 5 books of the current topic—these can be books that you want to read, have read and loved, have read and hated, you can do it any way you want.
  • Tag the original post (This one!)
  • Tag 5 people (I probably won’t do this bit, play along if you want)

This week’s topic is: Sibling Relationships. If the Weasley family doesn’t immediately spring to mind once you think about siblings, there might be something broken in your mind—ditto for the Pevensies. But I wouldn’t let myself use them. The more I wrote in this list, the more relationships came to mind that I don’t have space for–that’s very annoying (a lot of fun, too), I hate to leave some of these off. I don’t know why I didn’t grab sibling relationships that are more than a pair (the aforementioned groups, the Spellmans or Tropper’s Altmans would’ve worked)—I’m assuming it’s because I had one sibling myself, so I tend to think of pairs rather than 3+?

Sibling relationships are tricky to depict—they’re all a little different, but there are some typical aspects. There’s a shared history (even if individuals react pretty differently to them, and remember them differently); jealousy/rivalry—usually tempered by some sort of affection and loyalty; usually a bit of reflexive self-sacrifice (frequently malgré lui); and a kind of honesty you don’t get from anyone else.


Raistlin and Caramon Majere

from: Dragonlance Chronicles, Dragonlance Legends
by
Margaret Weis, Tracy Hickman

This is the first sibling relationship that really sticks out at me (post-juvenile fiction, anyway). They need each other (in healthy and unhealthy ways), but really don’t like each other. There’s a love and a bond that’s nigh-unbreakable, don’t get me wrong, but man…Raistlin treats his brother like trash. I remember regularly being so upset with him for that (and a little bit now just thinking about it), but Caramon keeps coming back for it. He never gives up on his twin. Even when—especially when—he absolutely should. It’s a nuanced and complex relationship and is likely one that I judge many other fictional representations by.

Side note: I really need to re-read the first couple of Dragonlance trilogies.


Jack and Jill Wolcott

from: Wayward Children
by
Seanan McGuire

(art by Rovina Cai)
While I do wonder if McGuire had come back to this well one time too many in this series, there’s clearly something about this fractured relationship (huh, another set of twins, with one more to come…didn’t mean to do that) that clearly resonates with readers and the author. If there’s anything healthy in their relationship when we first meet them, it’s gone by the most recent volume—but they’re the textbook definition of inextricably linked. To their detriment, yes, but that’s beside the point. Fascinating pair.


Scout and Jem Finch

from: To Kill a Mockingbird
by
Harper Lee

Scout worships her brother (doesn’t stop her from being frustrated with him frequently) and Jem’s clearly devoted and protective of her. I’ve loved reading about these two since I first met them in Mme. Dobbs’ English class* in high school and I’ll probably love it for the rest of my life. They’re not ideal, but they’re pretty close.

* she also taught my French class, so I reflexively think of her with that title)


Doug and Clair Parker

from: How to Talk to a Widower
by
Jonathan Tropper

Alas, I don’t have a picture of them—Tropper doesn’t inspire a lot of fan art. Yeah, Doug and Clair’s relationship echoes any number of the sibling relationships in Topper’s work. This is honestly the first pair that jumped to mind when I compiled this list. The honesty, the humor, the prodding/pushing, and care between the two is one of the best parts of this novel (probably my favorite of his). Great interplay between the two. Neither Doug or Clair remind me of my sister or myself individually, but for some reason, their relationship made me think about our relationship.


Harry Dresden and Thomas Wraith

from: Dresden Files
by
Jim Butcher

(art by Mika-Blackfield)
Sure, these two weren’t aware of each other for most of their lives, so their shared history has only to do with their mother. Still, the bond, the love, the loyalty that everyone thinks of when it comes to brothers is perfectly depicted with these two. They’re probably my favorite sibling pair that’re still being written about—I just hope they both survive ’til the end.

The History of Tom Jones, a Foundling by Henry Fielding: BOOK V., ix.-xii.

Fridays with the Foundling
Tom Jones Original CoverAfter Allworthy pronounced his will in the reading from last week, we focused on everyone else in the house—and ignored Tom. Fielding now turns to focus on him. Tom doesn’t deal well with his guardian’s impending death—not that anyone else did, but Tom’s focused on Allworthy himself, not what he’s being left.

In the aftermath both of Blifil’s tragic news and Allworthy’s recovery, Tom and Thwackum bicker a bit and then Blifil and Tom get into a scuffle as well—tempers are short (and alcohol-fueled), but peace eventually prevails. Tom heads outside to cool down and turns his thoughts to Sophie—but he sees Molly doing some fieldwork (I don’t think Fielding specified, but she has a pitch-fork). The two chat a bit, and then head off into the bushes for some privacy.

Thwackum and Blifil have a similar idea—they’re taking a walk to get over the fights. Naturally, they see those two heading for the bushes. Blifil recognizes both of them, but Thwackum only sees a couple of people up to something. He heads off to try to stop the illicit behavior, and Blifil doesn’t do anything to stop him. The two make enough of a racket that the lovers know they’re coming.

Molly has gone into hiding and Tom goes to confront the interlopers and to keep them from discovering who the young woman was (which seems their primary concern). The fists start flying—and it’s kind of an amusing fight scene at the beginning. But the still recovering Tom starts to succumb to the numbers when he’s joined in the fight. A passerby is offended by the idea that two would fight one and jumps in to even the odds without wondering who the one is, much less the two.

It turns out that it’s Squire Western who’d joined the fray and he’s more than enough to turn the tide.

At this Time, the following was the Aspect of the bloody Field. In one Place lay on the Ground, all pale, and almost breathless, the vanquished Blifil. Near him stood the Conqueror Jones, almost covered with Blood, part of which was naturally his own, and part had been lately the Property of the Reverend Mr. Thwackum. In a third Place stood the said Thwackum, like King Porus, sullenly submitting to the Conqueror. The last Figure in the Piece was Western the Great, most gloriously forbearing the vanquished Foe.

Before Western came to Tom’s rescue, he’d been out for a walk with his wife and Sophie—who come upon that scene. Seeing Tom covered in blood is too much for Sophie, who faints dead away—until Tom revives her. Tom and the Westerns go their way and Blifil and Thwackum return to Allworthy’s and Book V comes to an end.

I’m honestly not sure what I think about this section—after the reading last week it looked liked things were starting to happen, but these chapters felt like a whole lot of tire spinning. Sure, it’s nice that things are getting a bit clearer between Blifil and Tom—and Tom and Sophie—it just felt like a little bit of a let-down (it also could’ve been that I had a hard time focusing). Still, the fight scene made it worthwhile.

I cheated a bit and read the first paragraph of Book VI, and I am looking forward to it, so there’s that…

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