A little bit ago, I posted about the novel Bethlehem’s Brothers, and now it’s time for a few questions with the author, Ronald Hera, who was gracious enough to give me a little of his time.

Tell us about your road to publication—was your plan/dream always to become a novelist and your education/other jobs were just to get you to this point, or was this a later-in-life desire?
I wrote technical papers occasionally for the SAE and enjoyed it, but the idea of writing for publication came when I was about to retire and wondered what I would do to pass the time. Writing has been good for me.
Most authors have dozens of ideas bouncing around their craniums at once—what was it about this idea that made you say, “Yup—this is the one for me.”? What kind of research did you do to prepare for it?
I have three books started now. One is a bad idea and I’ll probably not write that one. But two are promising ideas and are going smoothly. They are more like mystery/action novels. Bethlehem’s Brothers came to my head for two reasons. I see people moving away from their Christian roots and that bothers me. I wanted to show the struggles that went into deciding to be a Christian during the first century. In Jerusalem’s Brothers, I wanted to show how difficult it was during the early persecution and finally in Brothers Forever, the fall of Jerusalem and who the Essenes were.

My research comes from The Complete Works of Josephus, Studies in the Life of Christ by R.C. Foster, The Bible, and the internet. I enjoy the research because it teaches me a lot about a subject dear to my heart.

While writing the book itself, what was the biggest surprise about the process? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”?
My imagination ran WILD! I found it hard to make the book flow and my sentences were awkward a lot of the time. Editing was lengthy for me. Even naming the characters was a challenge sometimes. I wanted them to be real and meaningful names, so I researched meanings on the internet.
As I’ll discuss in my post about the book, I really appreciated how you merged the Biblical events with your material—it seemed like you exercised great care in that. How did you decide which parts of the life of Christ to have your characters directly interact with?
Thank you for the compliment. I think a fiction writer should make the scenes and surrounding events as real and accurate as possible while making the characters and some events purely fictional. That is a delicate balance. An example is when I had Enoch with Cleopas on the road to Emmaus. The Bible mentions Cleopas and “another”, so I interjected Enoch. One must be careful not to add to the Bible. I thought this might be okay.
As soon as I saw a Cleopas hanging around, I figured this is where you were going to go, and you pulled that part off particularly well.

What’s been the response to this in the years since the original publication?

Critics like it. Bethlehem’s Brothers has recommendations from Pacific Book Review and Kirkus. It was also a finalist in the prestigious Montaigne Medal awarded by the Eric Hoffman Award Committee. Of course, I would like more people to read it. Now with e-books, cost isn’t really an issue. Maybe a different cover would help.
There’ve been two sequels to this (and I imagine there aren’t more coming based on the synopses for them), are there other books to come from you?
Certainly. I have a fourth book to add to the series called The Rock of Michael. Michael is an angel who helps the Christians displaced by the destruction of Jerusalem settle in what is now Tel Aviv-Yafo. The other possible novel is another historical fiction piece set on a college campus during protests of the Vietnam war. It has promise.
So much for my imagination 🙂

Thanks for your time and willingness to let me badger you with these questions—again, I really enjoyed Bethlehem’s Brothers and truly hope that it finds the audience it deserves.?

I am confident it will. Perhaps a TV series or a Movie might get the word out to the audience.