Category: General Fiction/Literature Page 2 of 49

A Quick Thought about the Audiobook No Two Persons by Erica Bauermeister, read by a full cast

Cover of No Two Persons by Erica BauermeisterNo Two Persons

by Erica Bauermeister, read by a full cast
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I don’t have the time for a full post about this audiobook at the moment. So let me just say this: Friday morning, on the way to work, I finished the audiobook. Saturday afternoon, I made my way to Shared Stories and bought the hardcover, because I had to have it on my shelves. I don’t know when I’ll get a chance to read it, but it doesn’t matter. I had to have it.

Make of that what you will.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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20 Books of Summer 2024: July Check-In

20 Books of Summer
Here’s a quick check-in for this challenge run by Cathy at 746 Books.

I am making a substitution, I had to DNF one of the books. With prejudice. That’s really all I want to say about it. (but that’s why one books is out of order on the graphic and list below).

Math is not my friend right now…I’m 50% done with the reading for this challenge with 33% of the time left. And I’ve written about 15% of the books.The book I’m substituting is one I need to be posting about on August 15, so that will help the latter stat at least.

Things aren’t looking good at this point. But I’m going to go down swinging (or reading…probably reading)

Let’s take a quick look at my progress in June:

✔ 1. This is Who We Are Now by James Bailey
2. Blood Reunion by JCM Berne
3. Ways And Truths And Lives by Matt Edwards
✔ 4. The Running Grave by Robert Galbraith
✔ 5. Grammar Sex and Other Stuff: A Collection of (mostly humorous) Essays by Robert Germaux (my post about it)
✔ 6. The Camelot Shadow by Sean Gibson
✔ 7. Last King of California by Jordan Harper
✔ 8. Steam Opera by James T. Lambert
✔ 9. The Glass Frog by J. Brandon Lowry
10. The Legendary Mo Seto by A. Y. Chan
11. Curse of the Fallen by H.C. Newell
12. Heart of Fire by Raina Nightengale
✔ 13. Detours and Do-overs by Wesley Parker (my post about it)
14. Bizarre Frontier Omnibus #1 by Brock Poulson
✔ 15. Howl by e rathke (my post about it)
16. Bard Tidings by Paul J. Regnier
17. Panacea by Alex Robins
✔ 18. Cursed Cocktails by S.L. Rowland
19. Big Trouble in Little Italy by Nicole Sharp
20. The Nameless Restaurant by Tao Wong

(subject to change, as is allowed, but I’m going to resist the impulse to tweak as much as I can).

20 Books of Summer '24 July Check In Chart

Detours and Do-Overs by Wesley Parker: Percy Chases His Happily Ever After

Cover for Detours and Do-Overs by Wesley ParkerDetours and Do-Overs

by Wesley Parker

DETAILS:
Series: Percy Martin, #2
Publication Date: September 15, 2023
Format: e-Book
Length: 279 pg.
Read Date: June 24-25, 2024

WARNING

If you haven’t read Headphones and Heartaches by Wesley Parker yet, don’t read this post. If you’re not sure if you’d want to—this is not the post to read, either. Go read my take on it and then go read Headphones and Heartaches. Or skip my post (just don’t tell me you did that, my ego is fragile) and read the book. That’s up to you. But the first sentence of the next section contains a major spoiler for it.

Something about senior year has caused a shift in my relationships with those closest to me. People have been weirder, going on soliloquies about the past and how much I’ve grown up. It feels like I’m at the beginning of a long goodbye.

What’s Detours and Do-Overs About?

When we left Percy, he was mourning his mother, being helped through her death by overdose by his adoptive mother, girlfriend, and best friend. When we pick up with him here…well, he’s still doing the same. But he’s getting better all the time. It’s the beginning of his senior year, with all the drama, tensions, and excitement that brings.

Percy’s thinking about colleges—something he’d never believed possible until now. He’s even thinking about out-of-state colleges, and the teacher who took him under his wing in the last book has helped him connect with someone from the University of Maine and thinks he can get him a great scholarship. It’s hard to say what it is exactly about that school that captures Percy’s attention—maybe just the novelty of him leaving New Jersey by choice. This isn’t going to go well with his girlfriend, who has her sights set on a local college, but he doesn’t have to tell her right away, right?

Yeah, he’s still pretty stupid when it comes to relationships.

While he’s trying to figure that out, his new mom, Grace is making plans for her future. If Percy isn’t going to be around, maybe it’s time for her new chapter, too. (Percy’s glad for her to be able to think this way, but that puts some pressure on him to leave, too)

But that’s all about the future—about next year. For now, he has to focus on completing his Senior Year. One thing he has to do is a community service project—one more involved than any I’ve seen a High Schooler have to accomplish. He volunteers at a homeless shelter/food bank. It’s a great match for him—he has a real passion for the work, he can relate to everyone there, and soon is even helping them plan the future for the shelter.

While Percy connects with everyone there in one way or another—there’s a little boy, Dante, whom he meets before his interview. The two of them have an instant rapport—Percy sees himself in Dante. He was Dante just a few years ago—living in and around places like this with a single mother trying to provide for the two of them while battling her demons. Dante sees someone a little older than him who genuinely cares about him and opens up to him in ways he doesn’t with anyone else at the shelter.

Those are the pieces—the novel follows Percy and the people above over the course of the school year—through lows (very low lows), highs, and everything in between. Until we get to the end and see where Percy and his decisions seem to indicate the direction of his life.

The Heart of this Book

That heading is probably overstating it a bit, but oh, well. The part of this book that makes you like Percy the most, the part that makes you root for him (even when he’s being a jackwagon) is Dante.

Yes, you have to wonder about the staff at the shelter letting Percy ignore any and all boundaries when it comes to this little boy. But Dante’s mother trusts Percy, Dante trusts him even more than she does, and the two become great friends. The affection both ways is real and will make you melt.

There are some shortcomings to this book—but absolutely none of them matter when Dante’s around.

Percy’s Immaturity and Insecurity

Percy had to grow up, in many ways, before he was ready to. His mother’s addiction and frequent homelessness made him deal with things that no child should. Even after moving in with Grace, some of the decisions he had to make called for a level of maturity beyond his years.

But that doesn’t mean he’s got everything figured out emotionally—he still needs to grow up. Add in adolescent hormones and the, ahem, urges that young men in deep-like/love with an attractive young woman wrestle with…and you’ve got a recipe for disaster. Maybe even worse. In a year where he has major choices to make, he needs to think clearly—which is a lot to ask of any young person, but for Percy, it’s even more.

Grace has been a great stabilizing presence in his life—and he’s picked up several others, too. But that doesn’t eliminate all the insecurities he’s built up over the years. In some way, Percy is sure that he will be left alone, that everyone he cares about will vanish, abandon him, or leave him in some other way. These insecurities added to the pressures I mentioned above threaten to overwhelm him.

Arguably they do more than once.

It’s so easy to look at Percy as a young man with it all together. He’s bright, he’s highly motivated, he’s eager, he’s committed, he throws all his heart and energy into his goals. But he’s just a kid, and that shows up in rather inopportune times. I know I lost my patience with him a couple of times as a reader—everyone who isn’t Dante in his life has to think the same things a few times.

Grace

Grace is one of the best mothers in fiction. I didn’t talk about her much when I posted about the other book, and I’m still not going to. She deserves a lot of space dedicated to her, but I think I’d just repeat that opening sentence in various ways.

She’s patient. She’s understanding. She’s supportive. She knows her boy—even if he hasn’t been with her that long, she pays attention to him (better than he does himself). She’s also good about letting him make his own mistakes so he can learn from them. But she’s quick to step in when he needs her to, too.

She’s also just a lot of fun to spend time with. I wish we readers got to see some more of the fun times that Percy and Grace share, it’s just encouraging and heart-warming. But the book has enough other things to cover that we can’t get too much of them.

So, what did I think about Detours and Do-Overs?

I don’t think that this is anywhere as good as the other book featuring Percy. That could be my mood when I read the two. But I don’t think that’s it. I really think my issues stem from the behaviors and attitudes of the teens in this book—they were pretty realistic, I have to say. But they all just really annoyed me.

Not that all the adults were perfect either—some of them displayed many flaws—but the way they all responded to seeing their flaws was encouraging to watch. Emphasizing that they’re adults who are largely well-adjusted. (Dante’s mother, sadly, doesn’t really fit this).

People familiar with Parker’s oeuvre will get a kick out of some of the new characters in Percy’s life, and will be happy to see where their lives have taken them. The resolutions to the various storylines are all satisfying and convincingly told.

One could be tempted to quibble with some of the tidiness of the lives of the characters at the end of the novel—and were this a non-fiction work, you’d be right to do that. This is a work of fiction with inspiring and heartfelt characters, so shut up and let them have nice endings.

Once again, Wesley Parker brings some laughs, a lot of joy, and some warm feelings. I hope he continues to do so. Go read this.


4 Stars

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The 2024 Self-Published Authors Appreciation Week Logo was made by Witty and Sarcastic Book Club

The Irresponsible Reader On…Self-Published “General” Fiction

(updated 7/22/24)
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From the first moment that people did the strange thing of asking me to talk about their books on my blog, I’ve been impressed by the quality of a lot of what’s been published by authors going out on their own, taking all the risks, shouldering all the responsibility and doing all the work to get their words, their dreams, their blood, sweat, and tears. This should be celebrated—it’s definitely appreciated, as we’re trying to show this week.

In addition to the Q&As and Guest Posts I have this week, I’m also continuing my habit of highlighting the self-published works that I’ve blogged about over the last few years—just a sentence or two. Hopefully, this’ll be enough to make you click on the link to the full post. Beyond that, it’d be great if I inspired you to add a few of these to your TBR. Also, be sure you check out the other posts over at the SPAAW Hub.

Today we’re going to be looking at General Fiction (for lack of a better term)—there’s some Lad Lit, a dash of historical fiction, some humor, a couple of things I don’t know how to categorize beyond “Fiction”, and a bit more. Hopefully, you can find something that tickles your fancy.

bullet Dispatches from a Tourist Trap by James Bailey—Jason (see below) and his mother move from Seattle to a small town in the middle of Washington to stay with her parents as she establishes a life away from her husband. Hilarity and conflict ensue. (my post about it)
bullet The First World Problems of Jason Van Otterloo by James Bailey—an epistolary novel (through emails) from a 13-year-old whose life is turned upside down in 2003 Seattle. A lot of heart and a few laughs. (my post about it)
bullet The Glamshack by Paul W. Cohen—A lifestyle reporter’s obsessive love for a woman and the havoc it wreaks on his life. (my post about it)
bullet The Chronicles of Iona: Exile by Paula de Fougerolles—The first novel in a series about the founding of Iona. Some historical fiction with a hint of Fantasy. (my post about it)
bullet Love Stories by Robert Germaux—based on actual events, the story of a love that might have been, and one that is. (my post about it is forthcoming)
bullet Not Awkward by Matthew Hanover—a young man attends the funeral of his ex’s father and gets roped into staying during shiva in the days leading to his wedding. Nah, not awkward at all. (my post about it)
bullet Not Dressed by Matthew Hanover—Hanover’s (seemingly) effortless charm makes this “romantic comedy of how love goes wrong—and right—when you’re a twenty-something still figuring out how to adult” a real winner. (my post about it)
bullet Not Famous by Matthew Hanover—Hanover’s first novel is about a guy who falls for a socially awkward musician. It will steal your heart. (my post about it)
bullet Not Prepared by Matthew Hanover—a bachelor takes in his eleven-year-old-goddaughter when her mother skips town, and maybe finds love, too. Great stuff. (my post about it)
bullet The Flight of the Pickerings by John Grayson Heide—a heart-warming story about an older couple dealing with dementia and the end of their life together get their world turned upside down when their rebellious teenage grandson comes to live with them. (my post about it)
bullet Didn’t Get Frazzled by David Z. Hirsch, MD—a bildungsroman following a 20-something through his 4 years of medical school: from Gross Anatomy to the verge of residency. (my post about it)
bullet Love and Other Monsters in the Dark by K. B. Jensen—I could probably put this on most of my Self-Published Fiction lists, so I’ll limit it to this one. It’s sort of the same genre as The Twilight Zone—SF, Fantasy, Horror, Crime. Sudden Fiction and Short stories that’ll knock your socks off. (my post about it)
bullet XYZ by William Knight—A mature, old-school programmer has to start his career over at a 21st Century Startup as his family life falls apart in every way imaginable. Clearly a comedy. (my post about it)
bullet Dirt Road Home by Alexander Nader—A lot of charm fills this YA(ish) Coming of Age story about a teen forced to move from Detroit to a small town in Tennessee before graduation. (my post about it)
bullet Coffee and Condolences by Wesley Parker—A widower tries to begin recovering from the deaths of his wife and children by reconnecting with his step-sister and maybe finds love. (my post about it)
bullet Detours and Do-overs by Wesley Parker—A sequel to the next on the list. This follow-up had a lot of heart. (my post about it)
bullet Headphones and Heartaches by Wesley Parker—A teen finds home, safety, and love in a Foster Home, but is torn about leaving his mother behind. One sentence doesn’t do it justice, I simply loved this one. (my post about it)
bullet The Worst Man by Jon Rance—Ollie’s desperately in love with the girlfriend/fiancée of the man who’s been his best friend since childhood. And now he has to be the best man at the wedding he wants to derail. (my post about it)
bullet The Summer Holidays Survival Guide by Jon Rance—an out-of-shape teacher tries to prepare for a half-marathon while surviving the summer with his three kids, a marriage on the rocks, and his father (with dementia) moving in. (my post about it)
bullet However Long the Day by Justin Reed—A Depression-era take on The Prince and the Pauper, an impressive debut (my post about it)
bullet The Crescent and the Cross by Kurt Scheffler— the story of The Battle of Tours (in 732) and events leading up to it, told through the lives of people close to Charles Martel and Charles on the one hand and a couple of the leaders of the Muslim forces involved in the Arab invasion of France. (my post about it)
bullet In Ten Years by Ian Shane—The reductionist description is “A 21st Century When Harry Met Sally“. We watch a couple of college friends over 18 years start to figure out that they’re in love. Hilarious and sweet. (my post about it)
bullet Postgraduate by Ian Shane—When your life falls apart, why not take your college radio show and turn it into an Internet radio show? And then, why not attend a reunion with the old college radio gang, including “The One That Got Away” (because you foolishly dumped her)? (my post about it)
bullet Radio Radio by Ian Shane—A maverick DJ is forced to get creative when a corporate radio management team takes over his station. A love letter to what radio used to be as much as anything else. (my post about it)
bullet The Jackals by Adam Shaw—A local band on the verge of making it big/big-ish falls apart after high school due to a love triangle that shouldn’t have happened. When one member of the band dies, the group has to get together for a funeral and to clean up his stuff. (that’s a bad summary, but best I can do in a sentence) (my post about it)
bullet KA-E-RO-U Time to Go Home by B. Jeanne Shibahara—I’m so glad the blurb contains a one-sentence description because I couldn’t write one: “Desert-dweller Meryl travels to Japan, returns a WWII flag, and brings home an understanding of life that opens her heart for the unexpected.” (my post about it)
bullet Lingering by Melissa Simonson—It’s sort-of SF, sort-of a Thriller, but not really either, so I put this here. This is a novel about grief, about dealing with death—while telling the story about an effort to design an AI to mimic a dead loved one in order to help a survivor cope. (my post about it)

If you're a self-published author that I've featured on this blog and I didn't mention you in this post and should have. I'm sorry (unless you're this guy). Please drop me a line, and I'll fix this. I want to keep this regularly updated so I keep talking about Self-Published Authors.

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20 Books of Summer 2024: June Check-In

20 Books of Summer
Here’s a quick check-in for this challenge run by Cathy at 746 Books.

So far, I’ve read 4—which puts me a 2/3 of a book behind last year. I should read at least 1 more this coming week, but I’m a little intimidated about my picks for the rest of the summer. A little. Really 8 books a month doesn’t sound that bad for the rest of the summer, but I know full well that other things are going to pop up to distract me. It’s a self-inflicted problem—and one I fully predicted. But still…

I’m more intimidated by the fact that I haven’t written about any of these four yet—am hoping that I can get at least one posted about by Friday. (stranger things have happened, I hear).

Let’s take a quick look at my progress in June:

1. This is Who We Are Now by James Bailey
2. Blood Reunion by JCM Berne
3. Ways And Truths And Lives by Matt Edwards
✔ 4. The Running Grave by Robert Galbraith
✔ 5. Grammar Sex and Other Stuff: A Collection of (mostly humorous) Essays by Robert Germaux
6. The Camelot Shadow by Sean Gibson
7. Last King of California by Jordan Harper
8. Steam Opera by James T. Lambert
9. The Glass Frog by J. Brandon Lowry
10. Rise of Akaisha Morningstar by Kataya Moon
11. Curse of the Fallen by H.C. Newell
12. Heart of Fire by Raina Nightengale
✔ 13. Detours and Do-overs by Wesley Parker
14. Bizarre Frontier Omnibus #1 by Brock Poulson
✔ 15. Howl by e rathke
16. Bard Tidings by Paul J. Regnier
17. Panacea by Alex Robins
18. Cursed Cocktails by S.L. Rowland
19. Big Trouble in Little Italy by Nicole Sharp
20. The Nameless Restaurant by Tao Wong

(subject to change, as is allowed, but I’m going to resist the impulse to tweak as much as I can).

20 Books of Summer '24 June Check In Chart

IN MEDIAS RES—The Book of Perilous Dishes by Doina Rusti, James Christian Brown (Translator): The Arts of Occult Cuisine

The Book of Perilous Dishes Tour Banner
As the title implies, I’m in the middle of this book (59%), so this is not a full post, just some thoughts mid-way through. There were some challenges getting me a copy that my eyes could read, so I didn’t get the chance to finish the book on time. Many thanks to Dave at The Write Reads Tours for trying so valiantly to help.


The Book of Perilous DishesThe Book of Perilous Dishes

by Doina Rusti, James Christian Brown (Translator)

DETAILS:
Publisher:  Neem Tree Press
Publication Date: May 21, 2024
Format: e-Book
Length: 272 pgs.
Buy from Bookshop.org Support Indie Bookstores

What’s The Book of Perilous Dishes About?

This novel takes place in two distinct times, the majority of which starts in 1798 when fourteen-year-old Pâtca is forced to flee the only home she really knows because the city guards are raiding it to take in her grandmother (and anyone else they find there) for crimes imagined (and possibly real). She runs to Bucharest, the city she was born in, where her family had lived for a long time, and where her parents died when she was young.

She was told to track down her “little uncle,” Cuviosu Zăval, who could bring her to her parents’ home as well as provide for her. But Zăval is dead when she arrives—murdered, actually—and things get worse from there. Her meager possessions are stolen, she’s captured by criminals (possibly to be sold as a slave), accused of crimes and imprisoned, taken under the care of someone that she—and readers—cannot be sure she should trust, and…so much more (including several things I haven’t read yet).

Pâtca, Zăval, her grandmother, and who knows how many other members of her family, follow occult practices of various types. Some time back, Pâtca, compiled several recipes that are will bespell the eater into a collection called “The Book of Perilous Dishes.”

At the same time, the city is in turmoil. The current prince is about to be deposed (it doesn’t seem likely that he’ll be able to stop the fomenting rebellion). This prince recently took a slave, Silică, from a prominent citizen (the woman who will later assume Pâtca’s guardianship)—he’s a chef of a caliber that would get an invitation from the Chairman to take on Iron Chef in another time. Soon after she arrives in the city, Pâtca becomes convinced that Silică bought “The Book of Perilous Dishes” from her uncle, and is (unwittingly?) about to unleash chaos on the city unless she stops him.

(there’s a few other things afoot, but let’s stick with the story that the book gets its title from)

The other time is 1829, a.k.a. “The Present” is the perspective the 1789 story is being told from. We get snippets of what’s going on in Pâtca’s life there throughout the book—and the Table of Contents tells me that the last chapter will take place there. I’m really unsure beyond that what to say about it. I mean, obviously, Pâtca survives the tight places and dangers she faces (although that’s generally implied in first-person narration, but with the amount of ghosts/possible ghosts and other weirdness going on here, I’m not convinced that’d be guaranteed in this book)

That Opening

I can think of at least 4 books I’ve read in the last two years that have started like this*—guards/police/authorities/angry crowds, etc. coming for the protagonist/protagonist and their family and they have to flee their home to hide/take on a new persona/find a new home. I don’t bring this up to complain about the lack of originality or anything, it’s just something that occurred to me as Pâtca was being rushed out the door by her grandmother, Maxima.

Not only is it an exciting way to open a book—far better than a description of the weather or something—it almost guarantees that the reader will be hooked for at least a chapter or two, but it also tells the reader a lot about the novel and what to expect just from the opening pages. Odds are, not all of those who flee are going to make it—or someone is going to stay behind in an act of self-sacrifice, so you’ve got some tragedy right out of the gate. You’re also going to see your protagonist with a thirst for revenge, justice, or a resolve to carry on with whatever brought whoever to their door.

It’s an efficient and effective bit of writing and storytelling strategy. And Rusti pulls it off well.

* …and who knows how many in the last 40 years.

Rusti’s Writing

A good deal of the appeal to this book is Rusti’s descriptions and depiction of life in Bucharest. The way she describes certain people and Silică’s food, for example, just about justified what I paid for the book. For example:

If I tell you he was handsome, you will understand nothing. He was a man so luminous that you’d be drawn like a magnet to him from any distance. You couldn’t see his eyes. You couldn’t describe any of the features of his face. He was quite simply a soul that soaked into your flesh and blood. He was like water. He was a spark struck from the heart of a coal. He was the very breath of that noontide, fixed over the city.

That woman had a way of looking that was impossible to forget. She didn’t smile, but her face lit up as if she had drunk up all the events that she gazed at.

Beyond that, there’s just her language and way of telling the story. Largely this has to be Rusti’s culture and heritage shining through—the result is something that feels a lot less like our world than a lot of Fantasy/SF that’s supposed to be in worlds that have no relation to Earth. Tatooine, Qo’noS, and Krynn are a lot more like the U.S./U.K. than the world of this book—which is actually in Europe. This really shines forth brightly in this novel and adds a richness to the experience.

There’s a circuitous style to the way that Rusti moves the plot forward that’s both charming and frustrating. I’m not sure if I can describe it but I’ll try. She’ll begin a section at Step 10 (although you won’t realize that right away) and then slip to Step 2 (or 1) and proceed in order to Step 6 or 7, and maybe make you guess at/assume 8 and 9 while resuming at Step 10. Occasionally, she’ll throw a flashback into the middle of that.

I do wonder about some of the language used—there’s a formality to some of the writing and vocabulary that seems out of place to the pacing and atmosphere (and possibly, characters, I’m not sure about that yet). It’s not in every sentence or paragraph (which, I guess is why I said “some”), but it pops up often enough that I can’t help but take note of it. This is at least partially attributable to James Christian Brown, particularly when it comes to word choices—and what not to translate*. I don’t know how much of Rusti’s vocabulary is as formal as Brown’s, but for my purposes, I have to assume that if Rusti wrote this in English, it’d read this way.

* There is a handy-dandy glossary in the back of the book, I discovered too late, because why read the Table of Contents?

So, what do I think about The Book of Perilous Dishes so far?

I like it. I’m confused and/or uncertain about many things going on—I’m not even sure how much I like/trust/care about Pâtca, much less anyone else. But I’m intrigued and very curious about where this all is going.

It’s definitely one of those books that I’m going to have to read the last couple of pages of before I know what I think of the whole thing—I largely think that the journey is as rewarding as the destination when it comes to books—and certainly, the trip I’m on is pretty interesting. But this is going to be one of those books that I’ll have to look back at the journey once I arrive to decide if it was all worth it, pretty scenery notwithstanding.

At this point, I can say that this is a fascinating world, filled with riveting characters, and a story that’ll keep you wondering and guessing throughout (I’m willing to bet until the last ten pages). But I feel confident in saying that it’s worth a shot.

 

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: The Book of Perilous Dishes by Doina Rusti

This morning, I’m very pleased to welcome The Write Reads Blog Tour for Donia Rusti’s novel, The Book of Perilous Dishes. In addition to this Spotlight, my first post about the book will be coming along a little later. The Tour started yesterday and will be going on for a few more days, and there are going to be plenty of interesting things said about the book. So check out https://twitter.com/WriteReadsTours (see also the snazzy image below) to catch other people’s perspective. But for now, let’s learn a little bit about the book, shall we?

The Book of Perilous Dishes Tour Banner

Book Details:

Title: The Book of Perilous Dishes by Donia Rusti, translated by: James Christian Brown
Genre: Historical Fiction, Romanian Literature
Release date: February 2017, March 3, 2022 (Neem Tree Press edition), May 21, 2024 (U.S.)
Length: 272 pages
Publisher: Neem Tree Press
Cover for The Book of Perilous Dishes by Donia Rusti

About the Book:

1798: A magical, dark adventure. Fourteen-year-old Pâtca, initiated in the occult arts, comes to Bucharest, to her uncle, Cuviosu Zăval, to retrieve the Book of Perilous Dishes. The recipes in this magical book can bring about damaging sincerity, forgetfulness, the gift of prediction, or hysterical laughter. She finds her uncle murdered and the book missing. All that Zăval has left her is a strange map she must decipher. Traveling from Romania to France and on to Germany to do so, Patca’s family’s true past and powers are revealed, as is her connection to the famous and sublime chef, Silica.

Book Trailer:

Book Links:

Amazon UK ~ Amazon US ~ Neem Tree Press ~ Goodreads

About the Author:

Donia RustiDOINA RUŞTI, important contemporary Romanian novelist, is unanimously appreciated for epic force, for originality and erudition of her novels. She received all major Romanian awards, including the Romanian Academy Prize, and was translated into many languages (even in Chinese).

She wrote ten novels, including: Fantoma din moară (The Phantom in the Mill, 2008), Lizoanca (2009), Zogru (2006).

The novels Manuscrisul fanariot (The Phanariot Manuscript, 2015), Mâța Vinerii (The Book of Perilous Dishes, 2017) and “Homeric” (2019) can be a Phanariotic Trilogy (18th century). The most recent novel: Paturi oculte (Occult beds), 2020.

Good international reviews in: La Stampa, Stato Quotidiano, Il Venerdì di Repubblica. Il Libero, Neue Zürcher Zeitung, Magyar Nemzet, La Opinion, Turia. Il Mercurio etc.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Opening Lines: One In the Chamber by Robin Peguero

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

You aren’t born a killer. You don’t gradually become one, either. One minute, you’re not, and the next, you just are. Like your first time having sex. Just as thrilling. Just as awkward. Nothing much changes but the label. you’re still you. But now, you’re a quote-unquote murderer. You played God and took a human life.

It’s entirely natural, but it still shocks people. Some people want other people dead. We visualize our goals, and we achieve them. Shouldn’t that be celebrated?

You swish someone wanted you dead. Not that you have a death wish. You’re too self-involved for that, and suicide is so gauche. you just wish you were that important to someone. It’s a compliment really: to have given another person’s endpoint more than a passing thought. To decide for them that today is enough. And not just today, but at this very minute, their contribution to history should meet its unceremonious finish. High Flattery.

You’re welcome.

from One In the Chamber by Robin Peguero
Cover to One in the Chamber
I’m not sure what happens over the next 369 pages (in a sense). I just want almost 400 pages like this.

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Poetry Comics by Grant Snider: Simply Bursting with Adequatulence

Cover for Poetry Comics by Grant SniderPoetry Comics

by Grant Snider

DETAILS:
Publisher: Chronicle Books
Publication Date: March 26, 2024
Format: Hardcover
Length: 96 pgs.
Read Date: June 1, 2024
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What’s Poetry Comics About?

Rather than try to really describe this book (and I wouldn’t do a great job of it), here’s a shody photo of the back cover (forgive the partial library barcode)
Photo of the Back Cover to Poetry Comics by Grand Snider

A Word About the Art

If you’re a fan of Snider’s characteristic simple drawings, you’ll enjoy the art here. I am one of those, so I did.

The panels pair up really nicely with the poems—sometimes augmenting the shape and construction of the poem, sometimes simply illustrating them. Either way, it’s just what you want in this kind of book. They never detract from the poems (they probably make some of the simpler ones better—they definitely disguise their brevity*).

* I don’t mean to suggest that simple/brief poems are bad, they’re simply short.

So, what did I think about Poetry Comics?

This book is a shining example of adequasivity. It was perfectly fine, but on the whole, it really didn’t do much for me.

There were a few poems about writing a poem—they were nice (not particularly practical). Most seemed to be trying really hard to be uplifting—and many of those fell flat to me, primarily because they were clearly trying really hard, but I did enjoy a couple of those. I’m going to guess that I really enjoyed about 10% of them—but there were none that I’d consider “bad,” on the whole, the book was adequate.

So adequate that I knew halfway through that I’d have to look up that Newsradio video linked above.

Do I think readers in the target age range would appreciate this more than I did? Sure, if they like poetry (and possibly those who are ambivalent to it).


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Moonbound by Robin Sloan: The White Stripes Save the World (but not really)

MoonboundMoonbound

by Robin Sloan

DETAILS:
Publisher: MCD
Publication Date: June 11, 2024
Format: eARC
Length: 432 pg.
Read Date: May 21-27, 2024
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Let’s Get This Out of the Way Right Now

This is not like the Robin Sloan books you may have read. This is not Mr. Penumbra’s 24-Hour Bookstore (even if everything I’ve seen from the publisher says it’s part of the Penumbraverse) and this isn’t Sourdough. If you’re looking for something like that, I can’t help you by talking about this book.

And yet…some of the same themes, the same kind of ideas, the same oddball ways of thinking, the same characters that will fascinate and (sometimes) frustrate you, the same quality of writing are present. So it is like the Robin Sloan books you may have read. But not really.

What’s Moonbound About?

Maaaannnn….I don’t know, I really don’t know. In case those semi-contradictory paragraphs above didn’t give you a clue. Also, to really talk about it would involve a few pages on my part and several spoilers.

Let’s start with this: the events of the book begin in the year 13777. The number of things that the human race has gone through—cultural, technological, societal, scientific, and political changes (revolutions, really) are impossible to describe. Civilizations have come and gone—the planet Earth looks little like it does now, and humanity isn’t much like it is now (except humans are going to be human—it’s like Doctor Who‘s far future episodes that way—just without the space travel). Even the Moon—the Moon, for crying out loud—isn’t the same.

In William Goldman’s The Princess Bride (and the movie does something very similar), Goldman talks about his father coming in while he’s sick to read him a book by S. Morgenstern.

“Does it have any sports in it?”

“Fencing. Fighting. Torture. Poison. True Love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest Ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.”

“Sounds okay,” I said and I kind of closed my eyes.

Similarly, let me tell you a little about what Moonbound contains:
Knights. Brothers. Talking swords. Dragons. Friendship. Robots. Bogs (which are very different than swamps). Raiders. Wizards. Bees that give direction. Gleaning coffee shops. Climate Warrior Beavers. Constructive debates (literally). Genetic engineering. Legendary warriors. Forty-three million dimensions.* Pizza rolls. Trash-pickers.

* Not really like Marvel’s Multiverse, more like the mathematical concept of three-dimensional or four-dimensional space, but much, much more expanded.

I’m not sure that’s helpful, but it’s something.

We begin when our protagonist, a boy named Ariel de la Sauvage, finds the remains of one of the greatest warriors in human history. This discovery ends up starting a chain of events that will lead to Ariel being on the run from the Wizard who rules the valley Ariel and his brother have grown up in—not just grown up in, but have never left. They have no knowledge of anything outside this valley—if anything exists beyond it, really. But to overthrow the Wizard and save his brother, Ariel will have to go into the wider world and learn about it. He needs experiences that his valley cannot give him. Equipped with this education and experience, Ariel should be able to confront the wizard and rescue his brother and the rest of the people he grew up surrounded by.

Oh, and he’s guided throughout this by an AI who has the accumulated knowledge of most of human history and is currently residing in a microorganism that has implanted itself in Ariel’s body.

Clear as mud, right?

Story

More than anything else—and there’s a lot of “anything else”—this is a novel about Story. The power of story to shape reality, to shape our expectations, the way we go about our lives, and the way we need others to go about their lives. The stories we tell ourselves about ourselves. The stories we tell others about ourselves. The stories that others tell us about themselves—and us. The stories that societies, governments, and other groups tell us and others about themselves and us.

Lastly, and maybe most importantly, Moonbound about the way we can re-write our stories, the way we can take control of them (once we realize the story being told) and change things.

So, what did I think about Moonbound?

That’s a great question, and one I’ve been chewing on for more than a week now. I want to read this at least two more times before I think I’ll be ready to answer that. Maybe the fact that I want to read this at least two more times in the next year or so gives you and me both a hint about what I think about it.

I haven’t been able to stop thinking about this book since I started reading it two weeks ago. Part of that is to think about what I read and decide what Sloan was doing and what I thought about it. Another part of that thinking is just reveling in just how strange and wonderful it was.

While reading, when I was able to stop thinking things like, “what is going on here?” or “What is Sloan trying to accomplish?” and just enjoy it and get caught up in the story—I was able to lose myself in the book. And that got easier the further into the book I got. But I also spent an awful amount of time just trying to suss things out and overthinking things.

I don’t think that’s a bug when it comes to this book—it’s a feature. Sloan has given the reader so much to take in, that if you’re not chewing on almost every idea, you’re doing the book and yourself a disservice. But it’s also the kind of book you can relax with and enjoy. At a certain point in the book, Ariel learns to lay back and float in water—which is both one of those things that takes effort and can be incredibly relaxing at the same time. Like him, the reader has to learn how to “float” in this book. And when you do, you’ll be rewarded. How greatly you’ll be rewarded, I’m not sure—but you will be.

I’m not going to give this a star rating—sorry if that’s what you’re looking for. I just don’t know (in case I haven’t used that phrase enough yet in this post)—I can both defend every rating from 3-5 Stars, and I can wage a better argument against each of those. I encourage readers who find anything I’ve rambled about above intriguing, fans of Sloan, or people who read what the Publisher’s site says to give it a shot. And then let’s get together and talk about it, because I’d love to bounce some spoilery ideas off of someone.

Disclaimer: I received a copy of this book from Farrar, Straus and Giroux via NetGalley—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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