Category: General Fiction/Literature Page 21 of 49

Now this was more like it! We start off with getting a bit more insight into Capt. Blifil, who when not having to spend time with his wife, spends his time lost in his own thoughts, which were

were entirely employed on Mr. Allworthy’s Fortune; for, first, he exercised much Thought in calculating, as well as he could, the exact Value of the whole: which Calculations he often saw Occasion to alter in his own Favour: And, secondly and chiefly, he pleased himself with intended Alterations in the House and Gardens, and in projecting many other Schemes, as well for the Improvement of the Estate as of the Grandeur of the Place. For this Purpose he applied himself to the Studies of Architecture and Gardening, and read over many Books on both these Subjects; for these Sciences, indeed, employed his whole Time, and formed his only Amusement. He at last completed a most excellent Plan: and very sorry we are, that it is not in our Power to present it to our reader, since even the Luxury of the present Age, I believe, would hardly match it.

Y’know, just in case anyone forgot what he was really in love with when he entered into this marriage. One evening, while strolling by himself, “his Heart was exulting in Meditations on the Happiness which would accrue to him by Mr. Allworthy’s Death, he himself—died of an Apoplexy.” Yup. That’s right. Forty-seven pages after his introduction—seemingly as a major impediment for Tom to overcome—he’s dead. We spent so much time on him, his relationship with his wife and brother-in-law, etc. and he just dies in a sentence. Well, that’s not true, it seems like he does, but we end up spending a few more pages on his being pronounced dead after this, but that’s beside my point. In some books, I’d be annoyed by this, but I was amused by this little bit of fakery on Fielding’s part.

The hullabaloo surrounding finding his body, trying to resuscitate him and so on does give Fielding a chance to satirize the practice of medicine, which I enjoyed.

Which brings us to Book III, which is wonderfully entitled, “Containing the most memorable Transactions which passed in the Family of Mr. Allworthy from the Time when Tommy Jones arrived at the Age of Fourteen, till he attained the Age of Nineteen. In this Book the Reader may pick up some Hints concerning the Education of Children.” That last sentence just made my day, really (as did the title to Chapter 1 “Containing little or nothing,” I like some honesty in labeling)

The Reader will be pleased to remember, that, at the Beginning of the Second Book of this History, we gave him a Hint of our Intention to pass over several large Periods of Time, in which nothing happened worthy of being recorded in a Chronicle of this Kind.

In so doing, we do not only consult our own Dignity and Ease, but the Good and Advantage of the Reader: for besides that by these Means we prevent him from throwing away his Time, in reading without either Pleasure or Emolument, we give him, at all such Seasons, an Opportunity of employing that wonderful Sagacity, of which he is Master, by filling up these vacant Spaces of Time with his own Conjectures…

Now that Tommy is a young man, we get to meet him “…shall now bring forth our Heroe, at about fourteen Years of Age, not questioning that any have been long impatient to be introduced to his Acquaintance.” Yup, I’m not alone in getting fed up with this. For the record, “Heroe” (like all the weird capitalization) is what my book has.

Tom Jones is, apparently, “universally disliked” in his community (unlike Master Blifil, who is the model citizen), in fact,

we are obliged to bring our Heroe on the stage in a much more disadvantageous Manner than we could wish; and to declare honestly, even at his first Appearance, that it was the universal Opinion of all Mr. Allworthy’s Family that he was certainly born to be hanged.

“Born to be hanged…” I’ve got to find a way to use that line.

Tommy has a propensity to many vices, but a strong tendency to robbery—and at this point has already been convicted of three of them. We get a little information about them and his refusal to name names. It’s not really commended (but you can read it between the lines), that he doesn’t give up his accessories or accomplices—even under corporal punishment. Mr. Allworthy calls it a “mistaken Point of Honour” for him to be that way, but others don’t agree.

To help get him to confess (and implicate others), his tutor is brought in to whip him,. This tutor is named, most fittingly, Mr. Thwackum. That right there is the way to name a character, ladies and gentlemen. Sure, he may go on to play an important role, he may end up showing wisdom and insight, but at the end of the day, let’s not forget—his main role is to Thwack ’em around.

In these chapters, we get Capt. Blifil killed off, we meet Tommy—and see right away that he’s going to be an atypical “Heroe” at best—and the story starts to pick up, all with some fun narration and asides (most of which I left for you to discover for yourself). Once again, I’m very tempted to keep going here. At the very least, this makes up for last week’s chapters.

The History of Tom Jones, a Foundling by Henry Fielding: BOOK II., iv.-vii.

By HCNewton

On February 8, 2020

In Fiction, Fridays with The Foundling, General Fiction/Literature

(for the pedants here wanting to point out that this is Saturday, I actually wrote this on Friday, but between distractions and being called away from my computer for a bit, didn’t get to hit “Publish.”)
Fridays with the Foundling

It was good that we got the warning a coule of chapters back about chapter length and focus on long/short time periods, because we got some pretty long chapters (longest yet) about a brief period of time here.

Mrs. Wilkins, Tom’s chief caretaker, is no fool. She sees a future wherein Capt. Blifil has taken the place of Mr. Allworthy as her employer and starts to curry favor with him and gives him more reasons than he already had to disapprove of Tom, which leads to a trial for a suspected father of “little Tommy.” It seems to me that an innocent man was the victim of a smear campaign started by his wife and was railroaded. But honestly, I had a hard time caring about this part and my eyes glazed over a bit—I’ll come back and revisit the chapter if it turns out to be important.

The Narrator gives a few humorous observations about marriage leading to the observation that as the Captain grows in his antipathy for little Tommy, he does so in a way that it ends up moving Mrs. Blifil to love him more—to the point that she loves him “almost equally with her own Child.”

I really didn’t connect with anything in these chapters, honestly. The writing was charming and it did make me smile a few times, but I just didn’t see why I should care about anything here. Which probably means that this is vital and in 400 pages I’ll be kicking myself for not understanding something that Fielding laid the groundwork for here.

Be Frank With Me by Julia Claiborne Johnson, Tavia Gilbert (Narrator): An Unusual Mother and Son are at the center of this charming family drama.

By HCNewton

On February 3, 2020

In Audiobook, Fiction, General Fiction/Literature

Be Frank With Me

by Julia Claiborne Johnson, Tavia Gilbert (Narrator)

Unabridged Audiobook, 8 hrs, 37 mins.
Harper Audio, 2016

Read: January 16-22, 2020
Grab a copy from your local indie bookstore!

A few decades ago, M. M. Banning took the literary world by storm with her first (and, so far, only) novel, married a movie star just before his career died, and then vanished from the public eye. Her novel is still imposed upon students throughout the country/taught in High School.

Banning’s recently hit some financial woes and has reluctantly contracted with her publisher to produce a second novel. To help Banning, her editor sends his personal assistant, Alice, out to L.A. to live with her, digitize her pages, do some minor cleaning, and help out with Banning’s son, Frank.

Alice quickly learns that there’ll be no discussion of (much less seeing and/or digitizing) the book’s progress, but essentially she’ll be Frank’s caretaker, freeing Banning to work on the novel.

The thing is, Frank’s . . . um, a handful. The word “Autism” is never used (I’m 97% sure), nor is any other diagnostic term. But I’d be willing to bet he’s on the spectrum somewhere—think Don Tillman (from the Rosie books). He has a lack of affect, trouble sleeping, an almost encyclopedic knowledge of classic Hollywood films (1930s-60s, let’s say)—which is where all his slang and fashion sense comes from, an amazing memory for things outside of films, and no sense of humor. Frank’s social circle consists of his mother, his school’s secretary (he eats lunch in her office and talks movies with her), his therapist, and a piano teacher/handyman who sporadically appears at the house. How Banning made it through the first nine years of his life is beyond Alice’s comprehension, and she’s not sure how she’ll survive however long it’ll take Frank’s mother to write her book.

Banning herself is pretty socially awkward (whether this is due to constant exposure to Frank, hiding from the rabid public, or just the way she’s been her whole life) and rarely treats Alice like anything but a pest. This whole endeavor is a real trial for Alice, who handles it fairly well (better than I would have, I can say with a great deal of certainty).

The novel is essentially about Alice trying to navigate the mine-field that is dealing with Banning and struggling to connect with Frank and help him develop a social skill or three.

I enjoyed Frank’s character—he’s like Bernadette Fox without the dangerous wit (in a way, so is his mother) mixed with the aforementioned Don Tillman. Banning herself grates a little bit, but I’m almost positive she’s supposed to. Alice is a strong character, as well—she’s not sure what her role is supposed to be, but she keeps trying to do what’s needed. Her response to the imposed social isolation is both realistic, understandable and relatable. I really enjoyed spending time with Alice and Frank, particularly once Frank warmed a little to her.

There’s a good deal of foreshadowing throughout the book to a calamitous event, and once it happens the novel resolves fairly quickly. I don’t think the novel concludes as much as it stops, and that bothered me (it still does, actually)—I’d prefer a better sense of what will happen to any of the characters after the book ends (whether one day, one year, or a decade after—I’m clueless all around).

Gilbert’s narration was impressive—it’d be impressive if only for her delivery of Frank’s dialogue. She perfectly grasps his lack of affect, patterns (and speed) of speech, as well as the ineffable charm that’s part of his character.

Be Frank With Me is a charming novel that faltered a little at the end, but the pleasures of the journey was still worth the time. I’ll keep my eyes out for something else by both Johnson and Gilbert and will gladly give them another try. I expect most readers will enjoy their time with Frank and Alice (and many won’t agree with me about the ending).

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The History of Tom Jones, a Foundling by Henry Fielding: BOOK I., ix.-Book II., iii.

By HCNewton

On January 31, 2020

In Fiction, Fridays with The Foundling, General Fiction/Literature

After a imposed-break last week, we’re back with a double-length post.
Fridays with the Foundling

Infants, it seems, are pretty dull. Dull enough that in a book calling itself a history of a person, we’re going to ignore that person for a while, because he’s just lying around in cribs, crying, and soiling clothes (I guess). It makes sense, because we’ve got to set up problems for him to deal with when he’s of age.

The problem in these chapters is represented by a Captain Blifil, his brother, a Doctor who had some strong feelings toward Mr. Allworthy’s sister:

The doctor found himself so agreeable to Miss Bridget, that he now began to lament an unfortunate Accident which had happened to him about ten Years before; namely, his Marriage with another Woman, who was not only still alive, but, what was worse, known to be so by Mr. Allworthy.

Therefore, in an act of logic that I don’t quite grasp, the Doctor introduces his brother to her for the purposes of marriage.

To deal plainly with the Reader, the Captain, ever since his Arrival, at least from the Moment his Brother had proposed the Match to him, long before he had discovered any flattering Symptoms in Miss Bridget, had been greatly enamoured; that is to say, of Mr. Allworthy’s House and Gardens, and of his Lands, Tenements, and Hereditaments; of all which the Captain was so passionately fond, that he would most probably have contracted Marriage with them, had he been obliged to have taken the Witch of Endor into the Bargain.

He’s clearly a real keeper, right? He does discover a flattering Symptom or two in Miss Bridget, and she’s smitten, too. They get married and soon produce a child—an heir for Mr. Allworthy. I predict this will become a problem for Tom.

By the way, we see him a little bit here—and he’s given a name! We learn that he’s named Thomas after Mr. Allworthy, who spends time with the tyke daily and defends his affection for the boy against Blifil’s antagonism toward Thomas. The child then promptly disappears, and we get some more speculation into his paternity.

The narrator takes a moment to comment on his method. He’s not going to get into every detail about Tom Jones’ life the same way:

When any extraordinary Scene presents itself (as we trust will often be the Case), we shall spare no Pains nor Paper to open it at large to our Reader; but if whole Years should pass without producing anything worthy his Notice, we shall not be afraid of a Chasm in our History; but shall hasten on to Matters of Consequence, and leave such Periods of Time totally unobserved…

My Reader then is not to be surprised, if, in the Course of this Work, he shall find some Chapters very short, and others altogether as long; some that contain only the Time of a single Day, and others that comprise Years; in a word, if my History sometimes seems to stand still, and sometimes to fly.

Once again, I love the narrator’s voice, particularly when the reader is being addressed directly. I’d like a little more to be going on in the book—but Fielding’s sentences are rambling and circuitous, I’ve got to expect his novel will, too. I’m willing to wait for something to happen, but I’ll enjoy the book more when it does.

Pub Day Repost: When We Were Vikings by Andrew David MacDonald: A Contemporary Legend in the Making

By HCNewton

On January 28, 2020

In Fiction, General Fiction/Literature

When We Were Vikings

by Andrew David MacDonald

eARC, 336 pg.
Gallery/Scout Press, 2020

Read: December 9-13, 2019
Grab a copy from your local indie bookstore!

We meet our protagonist, Zelda, as she turns 21. It’s a pretty big day for most Americans, and it certainly is for Zelda. Things are going well for her—she has a boyfriend, her meetings with her therapist are going well, the brother (Gert) she lives with is taking college classes as a way to make their lives better, and Zelda’s friend/Gert’s ex gave her an actual small sword.

Zelda, you see, is a major fan of Viking culture and wants to be a Viking hero—and this sword is another step on her way to becoming a Viking legend. She also was born on the Fetal Alcohol Spectrum—as she says her Mom accidentally poisoning her resulted in Zelda being short, with trouble sitting still and thinking.

She has a fantastic therapist, Dr. Laird, who helps both her and Gert (when Gert will let him) navigate her challenges and Gert’s own issues. He’s a few years older than his sister, and once their mother died (their father disappeared years prior to that), he took on the responsibility of taking care of her.

This is a good thing for Zelda, incidentally, they’d been placed with an Uncle after their mother’s death—and he’s about as worthless a character as you can imagine. Gert does some business with people he shouldn’t to get them out of that situation and into their own apartment. This comes back to haunt him around the time of her birthday and old debts and favors need repayment. Meanwhile, his ex had convinced him to take courses at a Community College and helped him get the funding to start.

Gert’s ex/Zelda’s sword provider is known as AK47, by the way. Which says a lot about their neighborhood, I think. She’s actually the moral center of this novel and provides most of the wisdom displayed (although Zelda is a close second on both fronts, especially with AK47’s help).

While Gert’s trying to improve their station in life, Zelda goes to classes at a community center with similarly-aged people with developmental disabilities There, in addition to spending time with friends (including her boyfriend), Zelda learns behavioral and life skills. The staff there are fantastic and really impressed me with the way they interacted with everyone.

Honestly, though the deck seems stacked against these two—they’re taking care of each other and making their way in the world. Things are going as well for them as they could realistically hope (not that Zelda’s great at realistic expectations, she’s convinced she’ll be a Viking legend, for example). Except for that thing I’d said earlier about old debts and favors. And the expenses related to Dr. Laird (even on a sliding scale) and other ways Gert has to take care of Zelda. Oh, and maybe school isn’t going too well, either.

Gert tries to insulate Zelda from all that, but it doesn’t go too well. Zelda doesn’t try to insulate Gert from the fact that she and her boyfriend want to progress their relationship to physical intimacy, but man, he wishes she would (and that she’d drop the idea in general. Spoiler: she doesn’t).

We watch Zelda navigate these changing times, while she deliberately tries to mature and take on added responsibilities to help Gert. And Gert’s life gets out of control.

There are threats of violence. Actual violence. Relationship troubles. A new job for Zelda. And pressures on the two siblings that test their bonds.

The attentive reader is always aware that Gert’s in trouble and that he’s not being all that honest with Zelda—don’t misunderstand me, he’s trying his best to take care of her, but he’s hiding things from her and taking advantage of the fact that she can’t understand everything that’s happening. AK47 is a great character and I wish we’d gotten more time with her—things would’ve gone much better if Gert had stuck with her and listened to her.

Zelda’s an unintentionally unreliable narrator (but man, she tries), and MacDonald does a wonderful job putting us in her head while she navigates these obstacles along the way to becoming a legend. Obviously, your appreciation for the novel will hinge on how much you relate to/connect with/root for/like Zelda. I didn’t really get invested in Zelda as a character until the last 15-20% of the book, despite being hooked almost instantly and enjoying the novel. I think if I’d become invested early on, I would be jumping up and down excited about it.

But, I didn’t. So all I can really say is that MacDonald did yeoman’s work here and I have nothing but respect for the voice and craft displayed here. But I’m not able to muster the excitement that I think this book just might deserve. Part of that might be because I felt that I was supposed to find a lot of this amusing (and it did have its moments), and it is marketed as humorous, but it felt too much like laughing at Zelda, not with her (not that MacDonald ever mocked her).

I can’t tell you why this really didn’t click for me, but I didn’t like it as much as I wanted to (or thought I should). I imagine that I’m going to be in the minority with this and that most readers will rave. I liked the characters, I liked the story, I admire the way MacDonald wrote this—capturing Zelda’s voice and thought-process in a way that is both sympathetic and realistic. It’s a good book, one that will earn fans by the truckload, I expect—if the story/characters sound interesting to you at all, go read it. You’ll probably like it. Do me a favor though, and come back and tell me why I’m wrong not to swoon.

3.5 Stars

Disclaimer: I received this eARC from Gallery, Pocket Books via NetGalley in exchange for this post—thanks to both for this opportunity.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The History of Tom Jones, a Foundling by Henry Fielding: BOOK I., Chapter v.-ix.

By HCNewton

On January 17, 2020

In Fiction, Fridays with The Foundling, General Fiction/Literature

Fridays with the Foundling
(yeah, I know, I typically hate using actor’s images when it comes to discussing the source material…but, w/o Finney, I’m not doing this)

Miss Bridget shocks the housekeeper by showing actual tenderness and affection toward the (as yet unnamed) foundling. She follows that up with what could (should?) be construed as a less than compassionate move–she hunts down his mother (a far easier task than you’d expect) and brings her before the magistrate, Mr. Allworthy. Allworthy doesn’t condemn her for what she does, he gives her a lecture on morality, assures her he’ll take care of the child better than she could’ve, and then tries to get the name of the father from her. She doesn’t give that up, but does so in a way that she earns the approbation of Mr. Allworthy, as well as Miss Bridget and the housekeeper (who were absolutely not eavesdropping, they just happened to hear what happened between the magistrate and mother.

Really not a lot happens here, and Tom is “off-screen” for almost all of it. Still, it’s good to get this kind of thing out of the way and the narrator continues to be entertaining.

A Few (more) Quick Questions With…Matthew Hanover

By HCNewton

On January 13, 2020

In A Few Quick Questions With..., General Fiction/Literature, Matthew Hanover

So, I gushed a bit about Hanover’s upcoming novel, Not Dressed, earlier. Now it’s time to ask him a few questions about it and a few other things. I should add, the book is available for pre-order, get on it.

With maybe two exceptions, I’ve only had good experiences doing these Q&As over the years, but this was by far the best—Hanover went well above and beyond the call with this one and was more than generous with his time and effort. Drinks are on me if we’re ever in the same city, sir.

Before we move to Not Dressed, let’s look back at Not Famous for a moment—I’ve asked a couple of your colleagues this question, and I’d love to hear your perspective: Why is it, do you think, that male readers respond so strongly to books about music? (your novels, Hornby’s, etc.)

I think—and I could be wrong—but the love of music is such a universal thing that it’s easy for male readers to relate to characters that are interested in music, or music-themed books. It’s a universal language we can all understand even if we listen to different stuff.

What lessons were you able to take from the writing, editing, marketing, launch, etc. of Not Famous to the process for Not Dressed? Were there some things that you assumed “Oh, I’ll know better next time” or “I’ve got to do this again for the next book” that in the end, you couldn’t use? Was this an easier process, more difficult, or are the experiences so tied to the different books that you can’t compare?

Not Famous did better than I expected, but I kind of set a low bar for myself as to how it would perform. I was generally happy with the launch, but when sales slowed down, I was often told that the best thing to do is to write your second book because it’s easier to sell a novel if you have more than one. So, I’m hoping that plays out, but I’ve also learned that promoting a novel—any novel—is really hard work. Both traditional and indie authors are competing with millions of other authors trying to get their novels read. While I consider my genre to be “lad lit” it’s also quite clear that most readers are women, and you have to market to women readers as much as men.

One thing that was really different was the time it took to complete each novel. Not Famous was mostly an on-and-off effort over seven years to finish the first draft. Not Dressed took seven months to complete the first draft. My writing has also become a bit more efficient. The first draft of Not Famous was over 107,000 words. The first draft of Not Dressed was 97,000. They both ended up at approximately 94,000 words, so there was a lot more cut from the first novel, which makes sense because I was still learning how to write fiction. I suspect future books will also get easier to write. Whether I’ll improve on my marketing remains to be seen. We’ll see how this new novel goes!

Let’s turn to Not Dressed now: Jake has two significant females in his life his girlfriend (a talk radio producer/co-host who moonlights doing nude modeling) and his new friend (a giant geek who doesn’t know what to do with her life), which came first—the nude modeling hook or the idea for a geeky best friend? And just where, if you can recall, did the girlfriend helping make ends meet via nude modeling come from in the first place?

I knew I wanted to do a workplace comedy for my next novel, and my original development of ideas focused entirely on that. But, I think a good novel requires multiple arcs to be really interesting, and so the first arc hat I came up with was the nude modeling one. I’d been trying to write a short story about a guy whose girlfriend models nude for a long time, even before Not Famous was finished, but I just couldn’t get it to work as a short story. It worked great for the novel because she is driven to model because they’re trying to make ends meet, and her solution to that problem causes another, bigger problem for their relationship.

The geek girl theme I came up with towards the end of writing the first draft of Not Famous when I came up with the scene where the main characters end up at a vintage gaming night. I loved the idea of exploring that type of character and quickly realized a geek girl as a love interest would be a lot of fun to write. And so I decided to use that in my next novel.

Kaylee’s more than just a geek, there’s more to her than the excellent taste in SF/F, how did you make her more than the stereotype?

Developing Kaylee as a character was even more fun than I thought it would be. She started as more of a retro gamer geek but eventually decided to make her a sci-fi geek with an affinity for Star Trek.

To really capture the realistic geek girl I reached out to people on social media, and drew upon my own interactions, and came up with a series of traits and quirks that I thought made her as realistic as possible. I liked making her a bit quirky with her geek obsessions, like her OCD with mixing and matching clothes from different SF/F properties. Which I thought was a fun trait. Most young women would say they feel sexier wearing matching bra and panties, Kaylee, however, would never wear Marvel and DC Comics together. I thought that was a perfect manifestation of her personality.

I’d forgotten you’d said that there’d be a tie between Not Famous and Not Dressed, so it was a pleasant surprise when I got to that passage. How fun was that to write? How tempting was it to bring the two sets of characters together more?

After Not Famous I heard from readers who said they’d love a sequel. I knew I didn’t want to write a sequel because I felt that I was done writing Nick and Alli’s story, and any attempt to continue it in a new novel would take me in a direction I don’t want to go down. But having the book set in the same universe was a lot of fun, and I started planning for this before finishing Not Famous. You may recall that Not Famous begins after Nick has a one-night-stand with Emma, who works at Burnham & Modine—the office where Jake, the main character of Not Dressed, works. I loved doing this as opposed to a sequel, and I really enjoyed featuring more of Emma in this novel. Her friendship with Jake is loosely modeled off a friendship I have with a female coworker.

Readers of Not Famous will be happy to know that even though they don’t appear in this novel, you will get some gossip about how things are going with them.

Typically, when I run into architecture in fiction, it’s the kind of career that Jake imagined himself having, not what he ends up with. Burnham & Modine, the architecture firm that Jake works for, strikes me as incredibly accurate—is that the result of research (if so, how did you go about that) or is this from personal experience (not necessarily as bad)?

I know a lot of architects because I work in marketing for a developer. So, over the years I’ve heard all kinds of horror stories about working in the business, and overwhelmingly I hear that the job isn’t as glamorous as it is made out to be in fiction and in Hollywood. And I loved that because it was a great angle to play up in juxtaposition to the theme of expectations versus reality. I also used some generic bad office stories I’ve experienced as well.

Sisters play a significant role in both of your books—is this coincidence? Do you owe your own sister some debt you’re repaying?

It’s not entirely a coincidence, that’s for sure. I think the dynamic between siblings makes for great stories, and while each novel delves into a sibling relationship, these relationships are completely different.

In Not Famous, Nick has a much younger half-sister going through her own coming-of-age issues. In Not Dressed, Kaylee has a younger sister, close in age, who, unlike Kaylee, was popular in high school, had a lot of boyfriends, and ultimately reaches certain life goals before Kaylee does. This wasn’t one of my original ideas, but as I developed Kaylee’s character and her backstory, I really liked the idea that while she’s comfortable being a geek she feels insecure around her popular younger sister. It really made for an interesting character and resulted in some of my favorite scenes in the novel.

That said, it wasn’t my original intention to have another sibling conflict in this story, but it really gave Kaylee the depth I felt she needed to be a three-dimensional character. She’s not defined just by her geeky interests alone, but by a rivalry with her younger sister who had a much easier time growing up because of her popularity.

It appears you put a lot of thought into the backstories of your female love interest characters. How do you approach creating these and making them realistic and unique?

I’m really proud of both characters and how they turned out. I spend a lot of time thinking about the backstories of my main characters and how that affects their actions throughout the story. I spent seven years thinking and rethinking and tweaking Alli Conwell’s backstory for Not Famous because it needed to explain so much of her behavior long before the reader finds out what her backstory really is.

Developing Kaylee and her backstory was a similar, albeit quicker, process. First and foremost, I wanted Kaylee to be different from Alli. But, I think readers will find lots of similarities and differences between them. Both are ambitious, but Alli knew what her path was, and Kaylee doesn’t. Alli is independent and works hard to maintain that independence. Kaylee, however, still lives with her parents and is trying hard to find her true calling so she can be independent. As for their differences, Alli is shy, while Kaylee is more free-spirited. Alli was proudly innocent and virtuous. Kaylee, however, feels insecure about her lack of experience and has years of pent up jealousy of her promiscuous younger sister. Despite their differences, both are strong young women with hopes, dreams, and fears.

How much Star Trek: The Next Generation did you have to watch to get this written? Favorite episodes from this time?

I actually binge-watched the entire series as research. I’d seen bits and pieces before, which is why I chose that particular Star Trek show to be her primary obsession. I wanted to have her quote some episodes and really feel like a genuine Trekkie. I also got the idea of her being fluent in Klingon after watching the show and learning about the subculture of people who have done just that. I even got help from the Klingon Language Institute (yup, there’s such a thing) to help with the translations when Kaylee speaks Klingon. I thought it would be a fun easter egg for Trekkies who know Klingon to read it.

TNG has a lot of great episodes, and I would have loved to have quoted more, but one of my favorites does get a mention by Kaylee as one of her favorites, too.

What’s next for Author Matthew Hanover? Is Novel #3 underway, or are you solely focused (for now) on getting this launched?

I’m currently focused on the forthcoming launch of Not Dressed, but I have been jotting down ideas and notes for a third novel, of which I’ve already determined the primary plot. Just like Not Dressed, it will be in the same universe as Not Famous and have some character crossovers.

Thanks so much for your time and help in getting this Q&A into better shape. Also, thanks for Not Dressed, I had a blast with it and hope that it finds its audience.

Not Dressed by Matthew Hanover: If this book doesn’t bring a smile to your face, something’s broken

By HCNewton

On January 13, 2020

In Fiction, General Fiction/Literature, Matthew Hanover

Not Dressed

by Matthew Hanover
Series: Wallflowers, #2

eARC
2020

Read: January 3-6, 2019

“Hey there, Jake. This should be fun, right?”…

“I guess,” I say.

“You don’t sound too excited,” she says as she takes a hair tie off her wrist and pulls her disheveled hair back into a ponytail.

“Yeah, well. I’m not good at dancing.”

“Obviously! That’s why you’re here. Same as me. I’m probably just as bad as you. But we’ll learn together, okay?”

“Okay.”

“Darmok and Jalad at Tanagra,” she says.

“I…have no idea what that means.”

“It’s from Star Trek…Actually, Star Trek: The Next Generation. It means we’ll work together to solve a common problem. In this case, the problem is learning how to dance.”

“I gotcha. So, you’re like…a Trekkie?”

“Was my sweatshirt not a big enough clue?”

“No, I just—”

“You’re not a Star Wars fan, are you? If you are, you’ll have to find a different partner.”

Jake Evans is our protagonist—he’s a decent enough guy, who could probably use some maturing (which means he’s like 90% of guys in their twenties). He’s got a great girlfriend (although the relationship seems a bit rocky when we meet him) and is second-guessing his chosen career (partially because he has a horrid employer, and partially because architecture isn’t the career he thought it would be). There are signs that he’d be a pretty fun guy to hang out with, but when the book opens he’s got a pretty good-sized cloud over his head between the girl and the gig.

Lindsay’s his long-time girlfriend. She works in radio and is very passionate about her job. She’s enjoying a little bit of success, and has a hard time relating to Jake’s struggles. She’s the producer and in-all-but-name on-air sidekick to a Boston-area conservative talk show host, who calls her “Lefty Lindsay.” (don’t worry, politics are absent from the book!) At least when the book opens, I really didn’t see why the two of them were a couple. There’s a good chance that neither of them rembered at that point, either, it had been so long.

Two things about their relationship provide most of the initial conflict for the plot. First, due to some financial hits they’ve taken recently, Lindsay has taken some modeling gigs to make some extra money. She did it back in college, which was recent enough that she still had connections. Why didn’t Jake do something to make extra money? He’s having a hard enough time finding a replacement full-time job that it didn’t seem like a good idea to try to add another job search to his plate. Besides, Lindsay’s moonlighting is profitable enough. What she neglects to mention to Jake is that this modeling is for art classes at a local college. And, well, none of these artists-in-training are working on fashion degrees—clothing gets in the way of what they’re learning to draw/paint/sculpt. Jake’s an open-minded kind of guy, except when it comes to this, it’s not pretty when he finds out (although it’s a pretty amusing scene for readers when he does).

Meanwhile, Jake’s sister’s wedding is coming up and Lindsay has decided the two of them need to learn to dance before it. Besides, it’s a fun activity for the two of them—they never go out mid-week anymore, and their relationship could use a boost. So she signs them up for a dance class, and then tells Jake about it after she paid for it, so he pretty much has to agree to it, but isn’t really that interested. So she basically promises him sex if he goes. Which pretty much seals the deal. But then Lindsay’s show gets moved to a new (and better) time slot. So, in addition to not being able to make the class, the couple will hardly see each other during the week. Her plan is that Jake will go, and then on the weekend, teach her the moves (he insists on getting his payment in advance for this).

Jake hates this new plan, and is convinced that he’s going to be stuck dancing with the instructor (after he and the reader meets this instructor, no one thinks this is going to be fun for him). Thankfully, just before class starts, Kaylee walks in. You read her opening dialogue up above. She’s a few years younger than Jake, taking some time out from college to figure out what she wants to do with her life, and is a major geek. She’s almost a Manic Pixie Dream Girl, but doesn’t fit the category in a few ways (I’m only using that term because I’m afraid this post is getting too long and I want to pick up the pace). She’s also my favorite character of 2020 so far (granted, that would mean more if it wasn’t January 13th).

Kaylee and Jake strike up a nice little friendship during the class, and pretty soon, he’s going so he has an excuse to hang out with her. The two of them are fun together—she’s socially awkward and embarrassed to be herself, Jake tries to shake her out of that, and even encourages her to let her Geek-Flag fly (even if he doesn’t get any of it). Meanwhile, she’s encouraging about his job hunt (as opposed to Lindsay, who mostly nags or wants him to find a way to succeed where he is), and gets him to be a little less angst-y about his life. I like Jake more when he’s in friend with Kaylee-mode over guy with Lindsay-mode. But what do I know? I have a tendency to pick people the protagonists don’t in these situations (I won’t provide examples because I’d expose myself to too much ridicule).

The one last bit of Jake’s life we need to talk about is his job. It’s horrible. He has a nice group of work-friends who band together for mutual support (and complaints), but the atmosphere at work is toxic, and their superiors would be enough to turn anyone against their chosen field. For example, in the first chapter, Jake’s two-year anniversary with the company happens and he asks his boss about scheduling his annual review (which will hopefully involve a raise, which he could really use). His boss stammers and suggests an alternate date, nine months away. Yeah, Jake’s bad attitude toward work makes a little sense, doesn’t it?

I worked as a draftsman at an architecture firm some years ago, and while the atmosphere there wasn’t at all what Jake experienced, Hanover did do a great job of capturing the kind of work and personalities that I saw—which doesn’t really match the typical depiction of architects in fiction. I liked that bit of realism. (I asked Hanover about that in an upcoming Q&A, but I haven’t read his responses yet, looking forward to seeing where that authenticity came from).

Getting back to Jake’s life—what we have here is a stagnant (at best) relationship that’s got a couple of pretty big things to work through; a job situation that needs addressing; and a new friend that is really the only positive thing in his life. Jake’s life is basically begging to be shaken up, is Kaylee going to help instigate that?

There’s something about Hanover’s style that I can’t express, but I wish I could. This book (like last year’s Not Famous) is effortless to read. When I started this book, it was late in the day and I thought I’d just stick a toe in the water, maybe read about 10% of it. Before I knew it, I was about a third into the book (and were it not for the time of day, I’d have probably finished it in one sitting!). It’s funny, it’s sweet, it’s infectious, it’s engaging as anything I can remember. I cared about these characters and got invested in their lives faster than I typically do.

Jonathan Tropper tends to have certain character types that show up in every novel—particularly the wise sister/friend-who-might-as-well-be-sister* (many authors do this kind of thing, I know, but Tropper is who I thought of when I was reading this book). Hanover shows signs of the same thing—sisters play a big role in both of his novels to date. He doesn’t use them the same way that Tropper does, don’t get me wrong, but his male protagonists are more honest and open about their emotional lives because of sisters. This is neither good or bad, it’s just a trait that he may have—it’s something I’ll be looking for next time. (again, see the Q&A for more on this topic). I like that there’s someone who can draw this out of a character without the need for alcohol, drugs or trauma—also, that he bares his soul first to someone who isn’t a love interest.

* There are other types that Tropper utilizes constantly, too, if I ever get around to my big re-read of his corpus, I’ll end up compiling a chart.

There’s a bit of conventional wisdom discussed here that I didn’t know before reading this book.

“You realize that dancing is basically foreplay, right?”

“So I’ve heard.” [Jake replies]

Four chapters later:

“Because dancing is, like, totally foreplay, you know.”

“Why does everyone keep saying that?” [Jake asks]

I counted someone telling that to Jake four times (with at least one more allusion). Is this really a thing that everyone thinks/says? I may need to cancel some of my daughter’s plans for the next 20 years…

I’d forgotten that Hanover had said there’d be a link between Not Famous and this book. It’s small, and if you haven’t read his other novel, you won’t miss anything. But if you have, you’ll enjoy the brief catch-up you get about the lives of the protagonists of that novel. It brought a big grin to my face.

There was a slight flavor of Nick Hornby wanna-be-ness to Not Famous that’s not present here. Instead, what Hanover has done is take that same voice and put it to use telling a story that’s all him (while being the kind of thing that Hornby readers will appreciate). I do think that Hanover could go a bit deeper in his characterizations (I have very little sense about Jake apart from work/Lindsay) and his plots could add a little more complexity. I’m looking for a few degrees of depth/complexity, not much. But that doesn’t stop me from loving this world and characters, and it doesn’t keep me from encouraging you all to grab this book when it releases next month.

This heart-warming tale about being who you are and finding acceptance for it is a real winner. Adorkable, irresistible, and just fun—Not Dressed is sure to please (if you are so led, book is available for pre-order). I don’t know what Not Description is next for Hanover, but I’m already eager to read it.

Disclaimer: I received a copy of this book from the author in exchange for my honest opinion and this post. I appreciate the book, but it didn’t sway what I had to say.

4 Stars

The History of Tom Jones, a Foundling by Henry Fielding: BOOK I., Chapter i.-iv.

By HCNewton

On January 10, 2020

In Fiction, Fridays with The Foundling, General Fiction/Literature

Ugh. I can’t believe I’m late in composing this. Not the best way to start this series…

Fridays with the Foundling
(yeah, I know, I typically hate using actor’s images when it comes to discussing the source material…but, w/o Finney, I’m not doing this)

…the Excellence of the mental Entertainment consists less in the Subject than in the Author’s Skill in well dressing it up. How pleased, therefore, will the Reader be to find that we have, in the following Work, adhered closely to one of the highest Principles of the best Cook which the present Age, or perhaps that of Heliogabalus, hath produced. This great Man, as is well known to all Lovers of polite eating, begins at first by setting plain Things before his hungry Guests, rising afterwards by Degrees as their Stomachs may be supposed to decrease, to the very Quintessence of Sauce and Spices. In like manner, we shall represent Human Nature at first to the keen Appetite of our Reader, in that more plain and simple Manner in which it is found in the Country, and shall hereafter hash and ragoo it with all the high French and Italian Seasoning of Affectation and Vice which Courts and Cities afford. By these Means, we doubt not but our Reader may be rendered desirous to read on for ever, as the great person just above-mentioned is supposed to have made some Persons eat.

Having premised thus much, we will now detain those who like our Bill of Fare no longer from their Diet, and shall proceed directly to serve up the first Course of our History for their Entertainment.

So in these opening pages, we kind of meet Tom Jones, but primarily, we’re introduced to the world he will live in and those who will (I’m assuming) have care of him during his formative years. An infant is left on the metaphorical front porch of Squire Allworthy, who seems to be a kind and generous soul. He puts the infant into the care of his sister, Miss Bridget, a censorious spinster type, who enlists the housekeeper, Mrs. Deborah, to give her aid.

The first thing that occurred to me was: why did I stop reading this in the past? I got into the story right away, I loved the voice, and am eager to move on.

This narrator…he’s practically chatty. He’s not the impartial third-person type, for example:

Reader, I think proper, before we proceed any farther together, to acquaint thee that I intend to digress, through this whole History, as often as I see Occasion: Of which I am myself a better Judge than any pitiful Critic whatever; and here I must desire all those Critics to mind their own Business, and not to intermeddle with Affairs or Works which no ways concern them: For till they produce the Authority by which they are constituted Judges, I shall not plead to their Jurisdiction.

Okay, yeah, he could be more concise, sure. But you have to smile at that.

The last thing, I got a quick vocabulary lesson. At one point Miss Bridget is describing the infant’s unknown mother as “an impudent slut, a wanton hussy, an audacious harlot, a wicked jade, a vile strumpet, [and] every other appellation with which the tongue of virtue never fails to lash those who bring a disgrace on the sex.” I didn’t realize that slut and hussy were so old, same for strumpet (although I figured it was more dated than the others).

Anyway, I had fun and did have to stop myself from carrying on. That’s a good sign for this project.

BOOK SPOTLIGHT: Hiding in Plain Sight by Eoghan Egan

By HCNewton

On January 9, 2020

In Book Tour, Fiction, General Fiction/Literature

I CANNOT believe that I didn’t schedule this to post this morning. It does no one any good in my drafts folder. Very sorry to Eoghan Egan and Love Books Tours for this.
—
Today we are celebrating the release of Hiding in Plain Sight by Eoghan Egan. The official launch is on the 11th of January in Ireland and you are cordially invited. As I don’t think I have any readers who could make it, we’ll just focus on the book itself with some information about the book and the author. You are (I assume) also cordially invited to purchase it anytime.

Book Details:

Book Title: Hiding in Plain Sight by Eoghan Egan
Release date: January 4, 2020
Format: Ebook/Paperback
Length: 347 pages

Book Blurb:

The stunning debut from Ireland’s hottest new crime writer

A vicious serial killer roams the Irish Midlands, with his sights set on the next victim.

A successful businessman has found the perfect recipe for getting away with murder.

No bodies, no evidence.

No evidence, no suspect.

High art and low morals collide when graduate Sharona Waters discovers a multi-million euro art scam in play. She delves in, unwittingly putting herself on a direct trajectory with danger as the killer accelerates his murder spree.

When Sharona gets drawn into the killer’s orbit, she peels away his public persona and exposes the psychopath underneath. Suddenly, the small town has no hiding place…

About Eoghan Egan:

A native of Co. Roscommon, Eoghan studied Computer Programming in college, works in Sales Management & Marketing, but his passion for reading and writing remains.

Eoghan’s work got shortlisted for the 2018 Bridport Short Story Prize, and Listowel’s 2019 Bryan McMahon Short Story Award Competition. His novel was a contender in literary agent David Headley’s opening chapter Pitch Competition, and during March 2019, Eoghan’s entry won Litopia’s Pop-Up Submission.

A graduate of Maynooth University’s Creative Writing Curriculum, and Curtis Brown’s Edit & Pitch Your Novel Course, Eoghan’s novel Hiding in Plain Sight – the first in a crime fiction trilogy based around the Irish Midlands – will be available in paperback and audio on January 11th 2020.

Eoghan Egan’s Social Media:

Twitter ~ Facebook ~ Instagram ~ Website

My thanks to Love Books Group for the invitation to participate in this tour.