Category: General Fiction/Literature Page 26 of 49

Not Everyone is Special by Josh Denslow: A Short Story Collection that’ll Gobsmack You at Least Once

Not Everyone is SpecialNot Everyone is Special

by Josh Denslow


eARC, 160 pg.
7.13 Books, 2019

Read: February 2 – 24, 2019

I’m not sure what to say about this collection of 15 short stories. They’re all really well-written — there was one or two I didn’t care for, two that I really liked — but they all showed skill, craft, and achieved what I think Denslow intended to achieve. But I’m not sure that I can muster up any excitement over the collection.

Some of the stories fall into the SF/Speculative Fiction category, but by and large these are “General Fiction” (whatever exactly that is). Some are comic, some are very tragic (I think you could make the case for all of the stories containing elements of both).

“Proximity” a bittersweet story about a young man on the brink of maturity (but resisting stepping over it) who happens to be able to teleport is one of the best things I’ve read in months. A great combination of imagination and story, that sadly, I read the same day I read the best novel I’ve read so far this year, and completely forgot about until I started flipping through this book again while writing this. (but, man, am I glad I remember it now…)

Then there’s “Mousetrap,” which starts with the line,

I want to find a not scary way to tell my sister that I’m contemplating killing myself, but I don’t want her to think that it has to do with the fact that she asked me to start paying rent.

And openings don’t get much better than that (the story lives up to it).

There are a handful of other really high high points in this collection. I can’t talk about “Dorian Vandercleef” beyond encouraging you to read it — but you really should. “Blake Bishop Believes in Love” is sweet, grotesque and unpleasant (intentionally so). “Extra Ticket,” a story about a teenager dealing (and not well) with grieving over a friend’s death would serve as a handy example of the concept of “poignant,” if you ever find yourself in need of one.

I might not be over-the-moon with this book, but I did like it. I can even see me being in a situation where I’d re-read parts or all of it (I don’t normally re-read short story books, but I’m not opposed to the idea). I would absolutely read more by Denslow — long form or short form. Not Everyone is Special is a good book — some of the stories might even be more than good. I’d absolutely encourage you to get your hands on this to judge for yourself. I promise you’ll find at least one story that’ll knock your socks off.

—–

3.5 Stars
Disclaimer: I received this book from the author in exchange for this post and my honest opinion, which is what I provided.
LetsReadIndie Reading Challenge

The Great Brain (Audiobook) by John D. Fitzgerald, Ron McLarty: A frequently pleasant stroll down memory lane

The Great Brain (Audiobook)The Great Brain

by John D. Fitzgerald, Ron McLarty (Narrator)
Series: The Great Brain, #1

Unabridged Audiobook, 4 Hours, 41 Minutes
Listening Library, 2002

Read: February 25 – 26, 2019


Growing up, these stories about a pre-teen con artist in late 19th Century Utah were among my favorites. I remember stumbling on a box set at a Yard Sale after I’d read them from the Library a couple of times and just about wore out the set reading and re-reading them. Even then, I remember that I had problems with some of the characters, and recall that my favorite was always the narrator, John D., not the titular Great Brain himself, Tom D. About 10 years ago, I read the series to my kids, and enjoyed it (possibly more than they did), but not as much as I remembered. Still, when I saw it listed as a new addition to my library’s catalog, I took a second glance and when I saw that Ron McLarty did the narration, I had to try it.

This book is a series of episodes from over a year or so in the life of three brothers, Sweyn D., Tom D. and John D. Fitzgerald. Sweyn is around a little bit as the more mature eldest brother, John’s the youngest (8 or 9, I believe) and Tom is 10 and the star. He’s Greedy, conniving, and ambitious — and his ego is bigger than the rest of his attributes combined. They live in a small, largely LDS, town in Utah during the last decade of the 1800s. The episodes feature different ways in which Tom’s Great Brain works to make him money and/or notoriety in the community, especially with the kids.

Some of these antics are silly, some are serious. Almost all of them are profitable for Tom. The strength of the stories is the humanity of the rest of the community — the traveling Jewish merchant, the local farmers, the Greek immigrant family, for starters. The weakness comes from the very laissez-faire approach to parenting the Fitzgeralds take — allowing Tom D. to pretty much get away with everything he wants.

There is some charm, some heart, throughout — even from Tom. That part appeals to me, the ego-driven greedy exploits of the Great Brain don’t. John’s narration occasionally will critique Tom’s motives, but mostly John’s a little brother thinking his big brother is fantastic no matter what. I know John becomes more disillusioned later, but for now, it was annoying. I want better for him.

How’s the narration you ask? Honestly, the chance to listen to Ron McLarty narrate was half the reason I had for grabbing this. McLarty will always be Sgt. Frank Belson to me, despite the many other things he’s accomplished in life. He did a fine job, at times a great job. Something about him reading the contraction-less dialogue bugged the tar out of me. George Guidal can make it work when he reads Henry Standing Bear — although it helps that no one else does it. McLarty can’t make it work, probably because despite the fact that slang is used, time appropriate language — but not a contraction from anyone? I don’t lay the fault at McLarty’s feet, it’s just a prominent feature.

I still recommend the books and enjoyed them. It’s just a tempered enjoyment. I’ll probably keep chipping away at the series over the next few months — waiting to see John’s disillusionment grow, and the brothers develop a conscience.

—–

3 Stars

2019 Library Love Challenge

Pub Day Repost: Immoral Code by Lillian Clark: A Heist Novel where the Heist is maybe the Dullest Part

Immoral CodeImmoral Code

by Lillian Clark

eARC, 272 pg.
Alfred A. Knopf Books for Young Readers, 2019

Read: January 22 – 23, 2019

It’s their senior year, their lives are stretching out before them, this incredibly close group of five friends are preparing for graduation, college, etc. — even (not that they’ll confront this quite yet) living without each other. They all excel in one or two ways — one’s a hacker/activist, one’s an artist, one’s got a real shot at the Olympics — etc. One is a physics genius (or close enough to a genius to count) who was admitted early to MIT. But there’s a catch. She can’t afford it. Her mom works two jobs to help the two of them barely make it and her dad hasn’t been in her life since he was a poor student and impregnated her mom. Since then he’s gone on to become one of the richest of the rich. The kind of rich that people really can’t believe exists. So when MIT looks at her financial aid, they roll their eyes and move on to the next student.

Not content to shake their heads sadly at injustice, her friends come up with a plan to hack into her dad’s company and skim a little bit of money. Not enough that he’d ever notice — just enough to pay tuition for a year. Their hacker friend is good, but not good enough to break in remotely — she has to be physically in touch with the network — for just a few seconds. Like the tagline on the cover says, “Payback is a glitch.” So over Spring Break they take a little road trip — bigger than their families know — to get access to the network. It’s going to take a lot of nerve, some real disregard for the law, and their combined talents to pull this off.

The question they don’t really consider until it’s too late isn’t what will happen if they fail (although, they all could think of that more), it’s what happens if they succeed?

On the whole, I haven’t seen many people classifying this as a Crime Novel, despite the Heist story at the core. It’s definitely not a thriller. Because the Heist story is just an excuse to talk about friendship, figuring your life out, the pressure on teens to know what they want the next few decades to be about (not the same as the previous item on the list), the complicated relationship that exists between parents and their teens on the cusp of adulthood, and the hugeness of the moment where you leave home/family/friends to start the next phase of your life. Oh, also, morality. Somehow Clark does all that while telling a fast-moving, funny, and heart-felt story.

Which is not to say that the Heist story isn’t important, or well executed. And you can read the book just for the Heist. But you’ll miss out on a lot — and you’ll probably wonder why I rated this so highly. As fun as the Heist/prep for the Heist is, the heart of the book is the rest.

Each chapter jumps between first-person narration from each kid, keeping things moving nicely. There’s plenty to like/identify with in each character. You learn a lot about them as individuals, them as friends, and generally them as children (not that much about them as students, oddly). They’re so well-drawn, I’m sure what I respond to in one character or another will not be the same as what another reader responds to. There is one character who serves as the group’s Jiminy Cricket — their vocal and ever-present conscience. Like Jiminy, the character is ignored a lot and fought against. But I appreciated them — the voice of moral reason, the one trying to save the others from themselves, the only one who demonstrated a sense of right and wrong, not just about what feels right.

The writing is breezy, engaging — no matter whose POV you’re reading. Clark did a fantastic job differentiating the characters, giving them all a unique voice so that you don’t even have to pay attention to the indicator at the beginning of the chapter to know whose voice is telling that particular chapter. Now, as each chapter is told from the Point of View of a teenager, and fairly realistically done, that means you have to check your inner grammarian at the door — so much of this book can drive you around the bend if you don’t.

The novel is engaging, it’s beyond that really — it’s infectious.There were several points during reading that I asked myself why I was enjoying it as much as I was. Not that I thought I should dislike it, but I liked it a lot more than I should have. I don’t mind that I did, I’m just not sure I understand why. I’m just going to chalk it up to Lillian Clark being a very good author — someone you should check out, starting with her debut, Immoral Code.

Disclaimer: I received this eARC from Random House Children’s Books via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

Immoral Code by Lillian Clark: A Heist Novel where the Heist is maybe the Dullest Part

Immoral CodeImmoral Code

by Lillian Clark



eARC, 272 pg.
Alfred A. Knopf Books for Young Readers, 2019

Read: January 22 – 23, 2019


It’s their senior year, their lives are stretching out before them, this incredibly close group of five friends are preparing for graduation, college, etc. — even (not that they’ll confront this quite yet) living without each other. They all excel in one or two ways — one’s a hacker/activist, one’s an artist, one’s got a real shot at the Olympics — etc. One is a physics genius (or close enough to a genius to count) who was admitted early to MIT. But there’s a catch. She can’t afford it. Her mom works two jobs to help the two of them barely make it and her dad hasn’t been in her life since he was a poor student and impregnated her mom. Since then he’s gone on to become one of the richest of the rich. The kind of rich that people really can’t believe exists. So when MIT looks at her financial aid, they roll their eyes and move on to the next student.

Not content to shake their heads sadly at injustice, her friends come up with a plan to hack into her dad’s company and skim a little bit of money. Not enough that he’d ever notice — just enough to pay tuition for a year. Their hacker friend is good, but not good enough to break in remotely — she has to be physically in touch with the network — for just a few seconds. Like the tagline on the cover says, “Payback is a glitch.” So over Spring Break they take a little road trip — bigger than their families know — to get access to the network. It’s going to take a lot of nerve, some real disregard for the law, and their combined talents to pull this off.

The question they don’t really consider until it’s too late isn’t what will happen if they fail (although, they all could think of that more), it’s what happens if they succeed?

On the whole, I haven’t seen many people classifying this as a Crime Novel, despite the Heist story at the core. It’s definitely not a thriller. Because the Heist story is just an excuse to talk about friendship, figuring your life out, the pressure on teens to know what they want the next few decades to be about (not the same as the previous item on the list), the complicated relationship that exists between parents and their teens on the cusp of adulthood, and the hugeness of the moment where you leave home/family/friends to start the next phase of your life. Oh, also, morality. Somehow Clark does all that while telling a fast-moving, funny, and heart-felt story.

Which is not to say that the Heist story isn’t important, or well executed. And you can read the book just for the Heist. But you’ll miss out on a lot — and you’ll probably wonder why I rated this so highly. As fun as the Heist/prep for the Heist is, the heart of the book is the rest.

Each chapter jumps between first-person narration from each kid, keeping things moving nicely. There’s plenty to like/identify with in each character. You learn a lot about them as individuals, them as friends, and generally them as children (not that much about them as students, oddly). They’re so well-drawn, I’m sure what I respond to in one character or another will not be the same as what another reader responds to. There is one character who serves as the group’s Jiminy Cricket — their vocal and ever-present conscience. Like Jiminy, the character is ignored a lot and fought against. But I appreciated them — the voice of moral reason, the one trying to save the others from themselves, the only one who demonstrated a sense of right and wrong, not just about what feels right.

The writing is breezy, engaging — no matter whose POV you’re reading. Clark did a fantastic job differentiating the characters, giving them all a unique voice so that you don’t even have to pay attention to the indicator at the beginning of the chapter to know whose voice is telling that particular chapter. Now, as each chapter is told from the Point of View of a teenager, and fairly realistically done, that means you have to check your inner grammarian at the door — so much of this book can drive you around the bend if you don’t.

The novel is engaging, it’s beyond that really — it’s infectious.There were several points during reading that I asked myself why I was enjoying it as much as I was. Not that I thought I should dislike it, but I liked it a lot more than I should have. I don’t mind that I did, I’m just not sure I understand why. I’m just going to chalk it up to Lillian Clark being a very good author — someone you should check out, starting with her debut, Immoral Code.

Disclaimer: I received this eARC from Random House Children’s Books via NetGalley in exchange for this post — thanks to both for this.

—–

4 Stars

A Few Quick Questions With…Matthew Hanover

Matthew Hanover’s Not Famous was released last week (see my initial post about it)– and he was clearly and understandably busy with that. Still, he took the time to answer a few questions for me — which I greatly appreciate. As usual, this is designed to whet your appetite for the author so you go check out their website/twitter feed/etc., but more importantly, you check out their book. I hope that’s what happens here.

I threw in a bonus question about the Nick Hornby/Ben Folds album Lonely Avenue to see just how deeply the Hornby-fan in him ran. Also, his book is about a musician — we should talk music, right?

You’ve spent a lot of time blogging your way through the production of Not Famous — which, incidentally, forces lazy bloggers to get more creative than usual when coming up with interview questions — why did you decide to do that? Did thinking about what you were going through via reporting it help you in any way?
My hope was to build an audience before my novel came out and help motivate me to get the novel finished.Talking about my novel’s progress on my website and on Twitter did help me connect with potential readers and book bloggers like you, so I guess it worked!
In the writing of Not Famous, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV.”
I think the biggest surprise was how much I cared about the story and the characters. There came a point where, even though I was the writer, I felt I was just transcribing the story as the characters I’d developed would play it out naturally. As nice as that sounds, it was really difficult other times… If I didn’t feel inspired to write, I didn’t force it. There were definitely stretches of weeks and months at a time I never touch it.
I’ve made it clear that Lacy is the character that I’m most interested in — where did Lacy come from? Was it a conscious choice to make her role in the Nick/Alli relationship so pivotal, or did that just happen as you wrote?
Lacy, as you know, is Nick’s half-sister. Originally, she was just his sister, but as various plot points evolved, I felt it was necessary to put as much distance between them as I could, and so she became the daughter of their mother’s second marriage which contributed to his struggle to connect with her, and gave him a stronger opportunity to redeem himself with her. It seemed like an interesting way to explore a different kind of relationship (other than a dating relationship), and the problems that exist in that dynamic. Intertwining those to arcs was a real learning experience because I wanted it feel natural, and not forced.
Is “Lad Lit” all you write/want to write? Can you articulate what draws you to the genre? Is there a genre that you particularly enjoy reading, but could never write?
As far as novels go, yes. When I first read books by Nick Hornby and Jonathan Tropper, they were totally the kinds of stories I want to read… and eventually discovered I wanted to write. I do like science-fiction and post-apocalyptic novels, and I’ve written one sci-fi/paranormal short story… but I don’t think a novel in those genres in my future. Lad lit has always been the genre I’ve been most drawn to, and there’s quite a few stories in my head trying to get out!
What’s next for Author Matthew Hanover? Is Novel #2 underway, or are you solely focused (for now) on getting this launched?
I’ve been plotting out my next novel since before Not Famous was finished. I’m not actively writing it yet, and I should tell you straight out it is not a sequel, but is set in the same universe as Not Famous. Some characters you met in Not Famous will make an appearance… but this will be an office comedy / romantic dramedy. I hope to start it soon!
Oooh, sounds great. Hope to see it soon.

Bonus Question: Best song on Lonely Avenue and why?

Wow, what a great, and difficult question. How about I give you my top five? I’m guessing since you’re a Nick Hornby fan you’ll understand!

5. Picture Window
4. From Above
3. Claire’s Ninth
2. Practical Amanda
1. Your Dogs

As for why? I think these are the most solid songs on album… they’re all different… each tell vastly different stories…

Technically cheating — but I figure Rob Fleming would approve of the Top 5 approach. Good answers, too — although if we were hanging out in Championship Vinyl, I’d be compelled to tell you that you got 3 out of 5 correct, but your order is wrong. Good thing we’re not there, right? 🙂

Seriously, thanks for taking the time to answer these questions, I hope that Not Famous does well — and I look forward to your future work.

Pub Day Repost: Not Famous by Matthew Hanover: A Sweet bit of Lad Lit that’ll fill your Heart with Song.

This is now available for pre-order at a discounted price! Take advantage of it while you can!

Not FamousNot Famous

by Matthew Hanover
Series: Wallflowers, #1

eARC, 382 pgs.
2019

Read: December 3 – 4, 2018

We meet Nick a couple of months after one of the most embarrassing experiences of his life — a marriage proposal that goes awry. He’s still reeling from that when he meets a very cute, and comparatively young, barista at his favorite Seattle-based Coffee chain shop. Alli’s not just a barista, she’s also a musician — a solo act, just a girl with a guitar — so Nick goes to one of her shows. He falls in love with her music right away, and somehow convinces her to go to dinner with him.

Which is just the beginning of their story. Alli’s a very private person with no romantic past. At all. Which seems hard to believe when you read it here, but when she tells Nick that, you have no problem believing it. Unless she’s singing, she seems nervous, uncertain, and shy. But on stage . . . she’s a different person. And while she seems like a shrinking violet, she has a will of iron when it counts. One of the places it counts surrounds her past — it’s a closed book — and it doesn’t seem likely that she’ll open up until and unless she truly trusts someone. Although she’s put up enough walls to protect herself that it’s going to take quite the guy to get her to let her defenses down.

Now, on the other hand, Nick has some kind of romantic past, but it’s hard to believe it sometimes as he fumbles his way through this relationship. It’s kind of fun to watch him act like he’s an expert on romance, someone guiding Alli through this new territory for her, and then frequently doing and saying the wrong things — almost sabotaging the relationship more times than he’d care to admit. Some of this comes from general ineptitude, some comes from the damage done to him in his last relationship (much of which he doesn’t realize happened).

Now, I don’t want to take any thing away from Nick or Alli — they’re they heart and soul of the novel. But, I want to talk a little bit about Nick’s sister, Lacy. Her father was their mom’s second husband, and about ten years younger. They’re not close, but their mother keeps trying to get Nick to be involved — after his step-father died, Nick’s really the only male influence in her life. Lacy, like their mom, wants them to be close. She sees him as her big brother, even if he only sees her as his much younger step-sister. As the book goes on, Nick’s maturity can be gauged by his relationship to his little sister. Naturally, like just about everything that’s not work in his life, Alli’s influence and action improves things — the friendship between Lacy and Alli forces Nick to play a larger role in his sister’s life. And before long, he doesn’t need Alli’s efforts to want that closeness himself. I thoroughly enjoyed Lacy as a character, and watching how Nick changes in relation to her — she was the added something that made this book more than just a sweet love story. She’s not around much, actually, and there are characters that have a more obvious impact on the plot — but she’s the non-Nick/Alli character that sticks with you.

She’s also the one character whose main role isn’t to serve the Nick/Alli relationship in some way. Now, she does serve that — don’t get me wrong. But that’s not the chief purpose for her. I have nothing against Alli’s Starbucks coworkers, or fellow musicians who only show up to encourage the romance. Or Nick’s roommate, or friend/partner who give him reality checks and the prodding her needs. But they really don’t do much else. But little sister does. If I ever get to interview Hanover, we’re going to spend a lot of time talking about her.

I would have appreciated having a better sense of who Nick is outside the relationship. I do have a sense of him as a single guy, as a friend, as a professional — but I’d have liked a bit more of that. It’s really hard to have much of a read on Alli outside their romance, as it’s all told from Nick’s POV. But you do get hints — I’d have liked a few more. But since this is the story of Nick and Alli, it’s appropriate (and enough) that we get a really strong idea about them as individuals relating to each other and them as a couple, and how that dynamic functions. I’m just a reader who almost always wants a little more than an author gives me.

At the end of the day — and long before that, actually — what you think about this book boils down to one thing: Alli. Do you like her as a character — do you fall under the same spell that Nick does? (or can you see why someone would?) Moreover, her secret — do you care? And is that caring based on this struggling artist trying to make her way in the world, or do you care because you’re curious? Nick, his struggles, his ineptitude, Lacey, etc. — you’re appreciation of the book will be flavored by your appreciation of those, but it’s all about Alli when it comes to the question of, “Do you like this book?” And Nick, at least, would have it no other way.

Not Famous is almost as much a tribute to Nick Hornby as it is a story in the same vein as his work. There are nods to Jonathan Tropper and Matthew Norman, too — probably Mike Gayle as well, but it’s been so long since I’ve read him, it’s hard for me to recognize that. This is not a bad thing — in fact, I quite appreciate it, and enjoyed the process of seeing how Hanover reflects his influences in his writing.

At some point, I can’t tell you where, I stopped thinking about Not Famous as something that I was going to post about, or something I was going to provide feedback on. I just got wrapped up in the story and the fate of these two characters (and his sister, actually). I stopped thinking about how Hanover wrote and was only concerned with what he wrote (not that I didn’t notice the former, I just didn’t care). It’s always a good sign when I disengage the critical part of my brain and simply read.

Not Famous — it’s cute, it’s amusing, it’s charming, it’s sweet. It’s the kind of book that you want to bring home to mother (okay, that line’s borderline cheesy, I know — but my mom would really enjoy this book) — and even bring it home to your daughter. I hope this book is successful enough to warrant future novels from Hanover, because I would love to read more.

Disclaimer: I was given a copy of this ARC by the author in exchange for this post. Which gave me something to opine about, but otherwise didn’t influence my opinion.

—–

4 Stars

The Power of the Dog by Don Winslow: A truly magnificent book that I can’t adequately express my appreciation for

The Power of the DogThe Power of the Dog

by Don Winslow
Series: The Power of the Dog, #1
Paperback, 542 pg.
Vintage Crime/Black Lizard, 2005
Read: December 29, 2018 – January 8, 2019

The Americans take a product that literally grows on trees and turn it into a valuable commodity. Without them, cocaine and marijuana would be like oranges, and instead of making billions smuggling it, I’d be making pennies doing stoop labor in some California field, picking it.

And the truly funny irony is that Keller is himself another product because I make millions selling protection against him, charging the independent contractors who want to move their product through La Plaza thousands of dollars for the use of our cops, soldiers, Customs agents, Coast guard, surveillance equipment, communications . . . This is what Mexican cops appreciate that American cops don’t. We are partners, mi hermano Arturo, in the same enterprise.

Comrades in the War on Drugs.

We could not exist without each other.

You ever start a book and within a few chapters you know, you just know — the way you know about a good melon — that this is going to be a great book? Not just a good book, an entertaining book, a rave-worthy book, but a great one? Sure, it doesn’t happen often enough, but we’ve all been there. It’s happened almost every time I’ve read a Winslow book, I have to say.

Yet there are eleven books by Winslow that I haven’t read yet. Explain that to me, please.

It’s hard to say exactly when it was that I realized that with The Power of the Dog but it happened — and it took me by surprise for a half of a second, and then the voice in the back of my head said, “Of course.” The scope, the style, the voice, the audacity of the novel — there’s no easy way to describe it. And now I have to try to talk about it? I do super-hero novels, stories about detectives who use magic — or hunt for rare vinyl LPs, teenagers post videos of their drunken parents on Youtube or Picture Books about Die Hard — I posted about (and loved) 2 completely unrelated Crime-Solving Comic Book Artists last year! How am I supposed to talk about this?

After a quick — and disturbing — look at the cost of the War on Drugs in 1997, Winslow takes us back to 1975 in the State of Sinaloa, Mexico. There we meet new DEA agent Art Keller — a Vietnam vet, who’s come to use his experience to help take on the Opium trade. Thanks in large part to those efforts, the Opium trade is devastated — but the industry shifts to cocaine, and well — things go from bad to worse.

We follow Art’s career from 1975 to 2004 — watching him try to stop the flow of drugs from Mexico into the U.S. Calling that a Quixotic effort seems to be an understatement at best — but one particular cartel has made things personal for him and he directs most (if not all) of his efforts — you could argue most of his life — at disrupting their business and, hopefully, dismantling it. It’s no small task, and no quick battle.

But this isn’t just Art’s story — he disappears from the focus several times, in fact. It’s also the story of a maverick Mexican priest as he struggles to minister to various drug dealers, their family members — and their victims. We get to know some members of the Federación very well (too well, in some cases). Also, because the Federación needs customers, we meet several, ahem, NYC-based importers. Connected to all of the above is a high-class prostitute. We see these characters moving through actual history — Iran-Contra, the Mexico City Earthquake, political shifts in Washington. It was striking reading this in 2018/2019, remembering that once upon a time the name “Giuliani” was an invocation of law and order — a name that symbolized a change in organized crime’s power (at least perceived). Watching these individual’s stories weave in and out of each other’s over the decades and over huge geographic areas moves this from an intricate crime story to an epic.

None of these criminals is wholly evil (well, you could make the case for a couple of them, maybe), there are very relatable moments for just about all of them. They love, they laugh, they nurture their kids — they do good things in their community. The same can be said for the law enforcement characters — they aren’t wholly good, in fact, some of what they do is downright despicable. All of them, in short, are very human.

Winslow’s skilled at weaving in seemingly disparate tales into this tapestry and eventually you can see enough of it to appreciate why they’re all there. There are scenes in this book that are among the most depraved I’ve read. Scenes of torture, scenes of murder, scenes of heartbreak. But they’re not written for thrills, they’re not exploitative — they’re just horrific, and very likely based on something that actually happened. There’s a sweet little love story, tucked away in the middle somewhere that I kept wondering why we were getting. It was hundreds of pages, really, before I learned why — I enjoyed it while I could.

There is within this book a very heavy critique on the so-called War on Drugs in the U.S. — at the very least, on the way it’s being waged. Sometimes this comes from the narration, sometimes from a narcotraficante (see the opening quotation), sometimes from DEA agent — it doesn’t really matter whose mouth the critique comes from, it’s biting and it’s typically on point. It will likely make many people uncomfortable — by design; it should make many people upset. But Winslow never browbeats you with these critiques — unless you take the entire book as one, which it very arguably is.

I don’t know if I have the ability to describe Winslow’s writing here. Despite the scope and intricacy of the plot, it’s not a difficult read. Despite the horrors depicted, it’s not overwhelming. In fact, there are moments of happiness and some pretty clever lines. Which is not to say there’s a light-hand, or that he ever treats this as anything but life-and-death seriousness. It’s not an easy, breezy read — but it’s very approachable. I don’t know if there’s a moment that reads as fiction, either — if this was revealed to be non-fiction, I would believe it without difficulty. I will not say that he transcends his genre to be “Literature,” or that he elevates his work or anything — but I can say that Winslow demonstrates the inanity of pushing Crime Fiction into some shadowy corner as not worthy of the attention of “serious” readers.

I think I’ve pretty much covered everything on my pared-down outline. I really want to keep going, but I can’t imagine that many have read this far. As it is, this is at best, an inadequate job describing the book and how wonderfully constructed and written it is. Hopefully, this encourages you to seek more information, or actual reviews about it. Really, The Power of the Dog is a tremendous book and should be read by many. Be one of those.

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5 Stars

Not Famous by Matthew Hanover: A Sweet bit of Lad Lit that’ll fill your Heart with Song.

This is now available for pre-order at a discounted price! Take advantage of it while you can!

Not FamousNot Famous

by Matthew Hanover
Series: Wallflowers, #1

eARC, 382 pgs.
2019

Read: December 3 – 4, 2018

We meet Nick a couple of months after one of the most embarrassing experiences of his life — a marriage proposal that goes awry. He’s still reeling from that when he meets a very cute, and comparatively young, barista at his favorite Seattle-based Coffee chain shop. Alli’s not just a barista, she’s also a musician — a solo act, just a girl with a guitar — so Nick goes to one of her shows. He falls in love with her music right away, and somehow convinces her to go to dinner with him.

Which is just the beginning of their story. Alli’s a very private person with no romantic past. At all. Which seems hard to believe when you read it here, but when she tells Nick that, you have no problem believing it. Unless she’s singing, she seems nervous, uncertain, and shy. But on stage . . . she’s a different person. And while she seems like a shrinking violet, she has a will of iron when it counts. One of the places it counts surrounds her past — it’s a closed book — and it doesn’t seem likely that she’ll open up until and unless she truly trusts someone. Although she’s put up enough walls to protect herself that it’s going to take quite the guy to get her to let her defenses down.

Now, on the other hand, Nick has some kind of romantic past, but it’s hard to believe it sometimes as he fumbles his way through this relationship. It’s kind of fun to watch him act like he’s an expert on romance, someone guiding Alli through this new territory for her, and then frequently doing and saying the wrong things — almost sabotaging the relationship more times than he’d care to admit. Some of this comes from general ineptitude, some comes from the damage done to him in his last relationship (much of which he doesn’t realize happened).

Now, I don’t want to take any thing away from Nick or Alli — they’re they heart and soul of the novel. But, I want to talk a little bit about Nick’s sister, Lacy. Her father was their mom’s second husband, and about ten years younger. They’re not close, but their mother keeps trying to get Nick to be involved — after his step-father died, Nick’s really the only male influence in her life. Lacy, like their mom, wants them to be close. She sees him as her big brother, even if he only sees her as his much younger step-sister. As the book goes on, Nick’s maturity can be gauged by his relationship to his little sister. Naturally, like just about everything that’s not work in his life, Alli’s influence and action improves things — the friendship between Lacy and Alli forces Nick to play a larger role in his sister’s life. And before long, he doesn’t need Alli’s efforts to want that closeness himself. I thoroughly enjoyed Lacy as a character, and watching how Nick changes in relation to her — she was the added something that made this book more than just a sweet love story. She’s not around much, actually, and there are characters that have a more obvious impact on the plot — but she’s the non-Nick/Alli character that sticks with you.

She’s also the one character whose main role isn’t to serve the Nick/Alli relationship in some way. Now, she does serve that — don’t get me wrong. But that’s not the chief purpose for her. I have nothing against Alli’s Starbucks coworkers, or fellow musicians who only show up to encourage the romance. Or Nick’s roommate, or friend/partner who give him reality checks and the prodding her needs. But they really don’t do much else. But little sister does. If I ever get to interview Hanover, we’re going to spend a lot of time talking about her.

I would have appreciated having a better sense of who Nick is outside the relationship. I do have a sense of him as a single guy, as a friend, as a professional — but I’d have liked a bit more of that. It’s really hard to have much of a read on Alli outside their romance, as it’s all told from Nick’s POV. But you do get hints — I’d have liked a few more. But since this is the story of Nick and Alli, it’s appropriate (and enough) that we get a really strong idea about them as individuals relating to each other and them as a couple, and how that dynamic functions. I’m just a reader who almost always wants a little more than an author gives me.

At the end of the day — and long before that, actually — what you think about this book boils down to one thing: Alli. Do you like her as a character — do you fall under the same spell that Nick does? (or can you see why someone would?) Moreover, her secret — do you care? And is that caring based on this struggling artist trying to make her way in the world, or do you care because you’re curious? Nick, his struggles, his ineptitude, Lacey, etc. — you’re appreciation of the book will be flavored by your appreciation of those, but it’s all about Alli when it comes to the question of, “Do you like this book?” And Nick, at least, would have it no other way.

Not Famous is almost as much a tribute to Nick Hornby as it is a story in the same vein as his work. There are nods to Jonathan Tropper and Matthew Norman, too — probably Mike Gayle as well, but it’s been so long since I’ve read him, it’s hard for me to recognize that. This is not a bad thing — in fact, I quite appreciate it, and enjoyed the process of seeing how Hanover reflects his influences in his writing.

At some point, I can’t tell you where, I stopped thinking about Not Famous as something that I was going to post about, or something I was going to provide feedback on. I just got wrapped up in the story and the fate of these two characters (and his sister, actually). I stopped thinking about how Hanover wrote and was only concerned with what he wrote (not that I didn’t notice the former, I just didn’t care). It’s always a good sign when I disengage the critical part of my brain and simply read.

Not Famous — it’s cute, it’s amusing, it’s charming, it’s sweet. It’s the kind of book that you want to bring home to mother (okay, that line’s borderline cheesy, I know — but my mom would really enjoy this book) — and even bring it home to your daughter. I hope this book is successful enough to warrant future novels from Hanover, because I would love to read more.

Disclaimer: I was given a copy of this ARC by the author in exchange for this post. Which gave me something to opine about, but otherwise didn’t influence my opinion.

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4 Stars

Flashback Friday: The Theory of Opposites by Allison Winn Scotch

The post I’m working on just isn’t going to be finished on time — at least not while leaving me capable of working today. So here’s a post from the past about a book that I’ve thought about lately.

The Theory of Opposites
The Theory of Opposites

by Allison Winn Scotch
Paperback, 306 pg.
Camellia, 2013

The Theory of Opposites starts off with a bang — a Rube-Goldberg of verbal and physical slapstick. Raised by a self-help guru, raised in an atmosphere saturated with and run by her (best-selling and almost universally acclaimed) father’s theories, Willa Chandler-Golden’s life is about to fall apart the way that her day falls apart before she even leaves the apartment this fateful day.

She loses her job, learns that she’s not pregnant after all, learns that her parents are both in the midst of a late-life crisis, learns that the twelve-year-old son of her husband’s dead friend will be spending the summer with them, her husband may be stepping out on her. Oh, yeah — and then a couple weeks later her husband decides they need a break from each other. He’ll be moving across the country, sharing custody of his “nephew.”

So, Willa does what anyone finding themselves in this situation — she agrees to help her best friend write a self-help book that ties into her favorite Reality TV Show. As an added bonus, their book will flatly contradict her father’s near-Nobel Prize winning work.

During this break, catastrophe strikes Willa’s father and brother, her mother’s life turns upside down, and The One Who Got Away comes back into her life.

Somewhere in all this, Willa tries to figure out just what she wants in life, what she believes about life, and what kind of person she’s going to be. The question The Theory of Opposites tries to answer.

There’s fun to be had in the reading, but it’s not as if there’s a denial of the seriousness of it all. Scotch deals with some pretty serious issues with the same light, deft touch she brought to her past novels — breezy enough that you can let the uncomfortable details slip by, but honest enough that they’re in front of you all the time. I don’t think this was quite as satisfying as her The Song Remains the Same, but it was good enough to keep me looking for whatever comes next.

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3 Stars

Flashback Friday: Fate Ball by Adam W. Jones

The post I’m working on just isn’t going to be finished on time — at least not while leaving me capable of working today. So here’s a post from the past about a book that I’ve thought about lately.


Welcome to Part One of our participation in the Fate Ball Book Tour — a brief interview will follow in a couple of minutes. Hope you enjoy both of these posts half as much as I enjoyed this book.

Fate BallFate Ball

by Adam W. Jones
PDF, 279 pg.
Wisdom House Books, 2016
Read: April 14 – 15, 2016

Parents always seem to think that saving the day is a good thing, but really it just postpones the inevitable. Sometimes, they should just let their kids crash and burn, so they learn their lesson the hard way. Parents can be the biggest enablers of them all when they’re acting out of love and kindness, but that usually just makes things worse.

That’s not the most dazzling piece of writing in Fate Ball, nothing catchy or inherently memorable, like I try to start with — but this is the heart of the book. People trying to help an addict not ready to be helped, and inadvertently making things worse.

In the prologue, Able Curran receives news that Ava Dubose has died — Chapter One takes us back 14 years to 1980 to meet her. In Chapter Two (one of the best chapters I’ve read this year), Able meets her — and falls for her almost instantly (and many readers will, too). Over the next few chapters, you see the two falling deeper and deeper in love — one of the cutest couples you’ve read.

All the while, you know that things are leading to the fateful phone call Able receives in 1994. We start to see some signs of trouble (well, those started before this) long before Able does. When he finally gets clued it, it destroys him — and they don’t see each other for some time. From there we watch these two lives intersect from time to time over the next 15 years (usually, Able trying to help her), as well as getting glimpses of their lives between the intersections.

This is really the story of two addicts — one who lets their dependency control and destroy them. The other who learns how to live with the problem, controlling and eventually overcoming. And even as you know it’s happening, you still hold out hope for Ave to shake things off, to achieve the serenity — or at least the contentment that she so desperately needs. Things get worse and worse — yet Jones is able to keep things from despairing, there’s a lightness to the prose that keeps things moving. While things fall apart for Ava, they move on for Able and their friends — success, new love, children, life.

In some hands, you’d be beaten over the head with the contrast, Jones doesn’t do that however. It all spools out naturally, easily (the kind of ease that takes work to pull off). You like everyone here enough that you’re pulling for them, no matter what stupid choices they make. Jones as come up with a perfect blend of humor, romance, drama, and tragedy.

There are plenty of little touches along the way to keep things light, to immerse you in the world — which is good because the book could become too fixated on Able and Ava.

His mother was always asking, then answering her own questions. That’s why she was always right. She could have a whole conversation with herself, even a fight depending on the subject matter, and no one had to say a word. All Able needed to do was just nod his head once in a while and she would take care of the rest.

This is not the best book I’ve read — not even the best novel on addiction. But it works well enough that it doesn’t matter. I’m not saying it’s a bad book, or there are glaring problems — but objectively, I just think it could be better. But when you’re reading it? It delivers everything you want, and some things you don’t expect. I really enjoyed this and think you will, too.

Disclaimer: I received a copy of this book from the kind folks at Wisdom House Books in exchange for an honest review.

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4 1/2 Stars

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