Category: General Fiction/Literature Page 32 of 52

BOOK BLITZ: Castles in the Air by Sangeet Sharma

About the Book:

Publisher: Rumour Book India
Edition: First edition (2017)
ISBN: 978-1945563850
Genre: Fiction
Format: Paperback
Pages: 234
Price: 299/-

Laughter is said to be the best elixir and the book is a satire on architecture written by one who knows the bricks and concrete of the profession by heart.

The author, an architect himself, delves into the journey of a professional practice. The book is witty with acerbic humor.

Word by word, sentence by sentence, page by page, every scene unfolds like a screenplay, leaving the reader amazed with the brutalities of life in architecture, and life itself.
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About the Author:
Sangeet Sharma is a practicing architect in Chandigarh. He is a partner in SD Sharma & Associates, a well-known firm of the region founded by his father Ar. SD Sharma, an eminent Architect. Widely acknowledged and awarded Ar. Sangeet Sharma commands an undisputed international reputation in profession. Carrying forward the legacy and vocabulary established by his father he is fascinated by geometrical forms.
By looking at every drawn line as built spaces he follows a certain rationale to his reflective practice. His buildings are based on sustainable applications.
He is a multifaceted personality. He is a poet, Architectural critic, writer, artist and author. He has authored Architecture, Life and Me, published by Rupa and Co., a memoir that takes an all-round view of the profession.
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BOOK BLITZ: Robert’s Rules by J.F. Riordan

Literary Fiction
North of the Tension Line, Book Three
Date Published:  May 23, 2018
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As the new Chairman of the Town Board, Fiona Campbell finds that life has become a series of petty squabbles, dull meetings, and papers everywhere, all complicated by her guardianship of the as yet unidentified screaming goat. In desperation, she hires an unknown newcomer, the compulsively orderly Oliver Robert, to run her office and keep her organized.
Roger’s fame as an idiosyncratic yoga practitioner continues to spread, and he and Elisabeth are looking for a new location to accommodate the growing crowds at their tiny coffee shop. Ferry Captain and poet Pali has an offer to leave the Island, and wonders whether it is time to introduce his son, Ben, to the larger world. Meanwhile, the Fire Chief is threatening to quit, and Fiona finds herself faced with an Island controversy and an unwanted set of new responsibilities.
As Pete Landry prepares to leave for one of his regular journeys, Fiona begins to suspect that his life may be more than it seems. His secrecy raises doubts in her mind about whether he can be trusted, and their breakup plunges her into grief.  The reliable Jim, always nearby, is all too ready to offer comfort.
Robert’s Rules is Book Three in the award-winning North of the Tension Line series, set on a remote island in the Great Lakes. Called a modern-day Jane Austen, author J.F. Riordan creates wry, engaging tales and vivid characters that celebrate the well-lived life of the ordinary man and woman.
 
Other Books in the North of the Tension Line Series:
North of the Tension Line
Published: May 2016
Fiona Campbell is a newcomer to tiny Ephraim, Wisconsin. Populated with artists and summer tourists, Ephraim has just enough going on to satisfy her city tastes. But she is fascinated and repelled by the furthest tip of Door County peninsula, Washington Island, utterly removed from the hubbub of modern life. Fiona’s visits there leave her refreshed in spirit, but convinced that only lunatics and hermits could survive a winter in its frigid isolation.
In a moment of weakness, Fiona is goaded into accepting a dare that she cannot survive the winter on the island in a decrepit, old house. Armed with some very fine single malt scotch and a copy of Meditations by Marcus Aurelius, Fiona sets out to win the dare, and discovers that small town life is not nearly as dull as she had foreseen. Abandoning the things she has always thought important, she encounters the vicious politics of small town life, a ruthless neighbor, persistent animals, a haunted ferry captain, and the peculiar spiritual renewal of life north of the tension line.
North of the Tension Line, Book Two
Release Date: May 23, 2018
Publisher: Beaufort Books
All is not well north of the tension line. A series of unsettling nighttime incidents have left the islanders uncertain whether to be nervous or annoyed. Are they victims of an elaborate teenage prank, or is there a malevolent stranger lurking on the island? Meanwhile, out-of-state owners of a new goat farm seem to consider themselves the self-proclaimed leaders of the island; Pali, the ferry captain, is troubled by his own unique version of writer’s block; and Ben, the captain’s ten year-old son, appears to be hiding something. But it is only when the imperturbable Lars Olafsen announces his retirement, and Stella declares her candidacy for office, that the islanders realize trouble is brewing. Fiona must decide whether it is time to leave the island for good, or to make another reckless gamble.
Book two in the award-winning North of the Tension Line series, The Audacity of Goats is the continuing tale of Fiona Campbell, and her reluctant adventures among the pleasures, mysteries, and exasperations of small town life
 Excerpt
Pete looked over at Fiona. “That stop sign…I’m sure it was only a suggestion.”
“Never mind,” said Fiona blithely. “There was no one around.”
“I’m here,” said Pete.
She glanced at him briefly and returned her eyes to the road.
Pete sighed pointedly, but continued the conversation.
“It’s never occurred to me that books should match,” he said.
“That’s because you read. Well, also probably because you’re male,” Fiona conceded. “But serious people. I mean, people who care about ideas, and about actually reading, don’t have matching books. If anything, their books are a haphazard reflection of the search for knowledge, reflecting the wanderings of a person’s curiosity. There’s nothing matching about that.”
“I don’t think I’ve ever been to a house with matching books.”
“How about a house with just one set of encyclopedias and not one other book? Have you been to one of those?
“Encyclopedias? Who has encyclopedias anymore?”
“Well, you know what I mean.”
“You have thought a great deal about this.”
Fiona looked sheepish. “Yes. Because it’s a form of pretention, and I detest pretention.” She pulled into a parking space that had been more or less invented between the cedar trees and pulled on the brake, continuing the conversation without turning off the engine.
“It’s showing off that you have books, even while it’s clear that the books are only props. And, also,” she confessed, “it bothers me because their houses are so beautiful, and mine is full of haphazardly unmatching books.”
“And stacked everywhere, by the way. We need to get you some more bookcases. But if it’s clear that the books are props,” he said, returning to the main point, “isn’t it also clear that the person doesn’t actually read them? In which case, I would argue that it’s not pretension, it’s actually the opposite: no pretense whatsoever, just, perhaps, shallowness. Now, if an unserious person were to have lots of unmatching books that he had never read and were trying to make people believe that he’s read them, that would be pretentious. So, you should shift the focus of your wrath to owners of never-read, unmatching books. Leave the poor matching people alone. They don’t know what they’re missing.”
Laughing, Fiona looked at him and shook her head. “Stop looking so pleased with yourself.”
“I am pleased, though. I have unmatching books, and I read them. Q.E.D. I feel smug.”
“If you were the kind of person who felt smug, I wouldn’t like you.”
Pete smiled. “I feel smug about that, too.”
Laughing and shaking her head, Fiona turned off the engine. They gathered their things from the trunk of the car and headed off toward the water and its rocky beach. “How would you even find the book you wanted if they were all wrapped in matching paper?” asked Pete, slinging the straps of the beach chair bags over his shoulder.
“Exactly,” said Fiona.
About the Author

J.F. Riordan was born in New Jersey and first moved to Michigan, then Wisconsin as a child. At the age of 14 she decided to become an opera singer, and was fortunate in the aftermath to have been able to sing. At 16, after two years of high school, she went to the University of New Mexico to study voice, continued her music studies in Chicago and Milwaukee, and ultimately became a professional singer. Homesick after years of travel, she came home to the Midwest, finished her college degree, and became certified to teach high school. She taught for three years in the inner city before taking a position as a program officer for a foundation. She lives in exile from Washington Island with her husband and two dogs. North of the Tension Line is her first novel.
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Gables Court by Alan S. Kessler: A Character Looking for Love, a Novel Looking for a Plot

Gables CourtGables Court

by Alan S. Kessler

Kindle Edition, 268 pg.
Black Rose Writing, 2018
Read: May 8 – 9, 2018

Ugh. Just…ugh. Why? Why would anyone bother publishing this?

I like liking things. I want to enjoy books. But every now and then, too often lately, I come across a book that I can’t find a redeeming feature in. This is one of those.

It is impossible, simply impossible, for someone to get through Law School (and the requisite undergrad program) and come out as naive as Samuel Baas. I would think that’d be particularly true in the 1960’s. If, if Baas had been sheltered his entire life and escaped/was released at age 24, many of his conversations would have been appropriate. But for someone with his education? Nope. Conversations at any age, on personal or professional topics.

I use the word “conversation” loosely — primarily, his conversations are monologues with a little bit of interaction between those involved tagged on.

There are several attempts at plot lines, but Kessler doesn’t seem to commit to them wholly — or for long. The novel seems listless, bouncing around from idea to idea, trying out this thing and then another and another — like a college freshman deciding on a major. I’m not suggesting any of these ideas were interesting or well-executed, but there were a lot of them.

There’s no ending to this book, it just stops. Baas has learned nothing — any epiphanies he’s had or changes he’s made evaporate faster than dew in the desert. To say I was frustrated by the ending is an understatement.

There’s part of me that wants to go on and pick this apart — but why? No one wants to read that — maybe if I was more annoyed by it and mustered up some funny comments, but I just don’t care enough to. This book induced apathy and a general sense of ennui. Gables Court was aimless, listlessly written, dull and an utter waste of time.

Disclaimer: I received a copy of this book from the author, clearly my opinion wasn’t influenced by that.

—–

1 Star

Reluctant Courage by Rica Newbery: I just can’t muster the energy to excoriate this

Reluctant CourageReluctant Courage

by Rica Newbery

eARC, 234 pg.
BookVenture, 2017

Read: May 5 – 7, 2018

When I don’t like a book (yes, it’s going to be one of those posts), sometimes I’m tempted to describe all the problems I had with the book. And some deserve it. But generally, I don’t want to do that — it seems mean, a lot of this is subjective anyway, and someone poured themselves into their book and why kick them?

So I’ll keep this short and vague.

We’re in Oslo, two years into the Nazi occupation. One thing that’s easy to forget is that even under oppressive governments, life goes on — people love, get married, have kids, go to school, have affairs, abuse substances, and whatnot. Sure, you’ve got to be careful about it — you don’t want to attract the attention of the oppressors or anything, but hey, into each life family turmoil must fall.

Maria and her three daughters (and sometimes her husband) spend so much time bickering and fighting with, or just hurting, each other that it’s almost like they forgot there are Nazi soldiers walking the streets. Sadly, throughout, the antagonism and outbreaks of anger, or sadness, or what have you, don’t feel organic, but rather the results of authorial need. Their lives are filled with poverty, hardship, disease and bitterness — and more than a few attitudes that don’t seem genuine for anyone living tat that point in history (with or without Nazi soldiers on the streets).

I do want to stress that everything that happens is plausible, is possibly based on fact — I’m not commenting on that. It’s the frequently melodramatic way this novel depicts it — it’s just not well-written. Shallow characterization, poor pacing, and strange organization are what dooms this.

There’s one scene that comes out of nowhere that gave me a little hope for the book when someone (who’d basically be depicted as a horrible person) risks life and career to save some Jewish families from arrest. It’s a long time before anything comes from that one scene. I didn’t dislike and/or get put off by the whole book, there was a point that I breathed a sigh of relief — something interesting was finally happening. It was page 148 when I noted that. Sadly, most of what followed (at least the parts that had to do with that event) was hard to believe — and was shoehorned in with a few other storylines for the last 80 pages.

Dull, cliche-filled, aimless, and difficult to believe. Don’t waste your time on this.

Disclaimer: I was given a copy of this book in exchange for my honest opinion.

—–

1 1/2 Stars

My Man Jeeves (Audiobook) by P. G. Wodehouse, Simon Prebble: Tales of Rich Fools Fail to Amuse

My Man JeevesMy Man Jeeves

by P. G. Wodehouse, Simon Prebble (Narrator)

Unabridged Audiobook, 5 Hrs., 8 min.
Blackstone Audio, Inc., 2006
Read: April 24 – 25, 2018
This is a collection of eight short stories — half of them starring Jeeves and Wooster, the other half featuring Reggie Pepper (who is basically Wooster without Jeeves). Like the rest of the books featuring Jeeves and Wooster, this is frequently hailed as a comedic classic, a masterpiece, and has no dearth of fans — highbrow and lowbrow alike.

I am not one of them. Wooster and Pepper are vapid, privileged aristocrats — vain, insipid, too wealthy and seeming incapable of narrating — or conversing — in coherent sentences. Jeeves is a frequently (but not infallibly) conniving and tricky valet, who seemingly knows more than anyone else around him. I honestly don’t know if I’d want him working for me, he’s too nosy, too duplicitous for my taste. All the characters get into farcical situations that are complicated and entirely of their own devices. If they could just be upfront and honest with others (including each other), their lives would be far less complicated.

Prebble did a fine job, I think. Yeah, I had no patience for any of the narrators of the stories — but that’s not on him. That’s totally on the characters. I think he grabbed the personalities perfectly. I just don’t see why anyone would bother.

I’m primarily posting about this experience as a reminder to myself: Just give up, HC. You and Wodehouse are just not compatible. You may have friends (Internet-based and Real Life) that love him, but you just don’t understand the appeal.

Not funny. Not amusing. Not charming. Pretty much a waste of time. Just can’t recommend this to anyone.

—–

2 Stars

The Italian Teacher by Tom Rachman

The Italian TeacherThe Italian Teacher

by Tom Rachman

Hardcover, 336 pg.
2018, Riverrun

Read: April 2 – 5, 2018

I am going to say some nice things about this book, but the thing that kept going through my mind — for at least the first two-thirds — was: haven’t I read this before? There are a couple of Richard Russo books hidden here, one Matthew Norman — and I want to say DeLillo, Tropper and Weiner, too, but I can’t put my finger on which of those — and probably a few others that I don’t recall. That’s not necessarily a bad thing — we’ve all read plenty of books that are just variations on well-established themes. What I had to ask myself was: did Rachman have anything new to say with his take? Did he throw in some interesting twists to the mix? Was it a rewarding experience for the reader? I think my answers were: not really, sort of, and not particularly.

The novel revolves around Bear Bavinsky, a painter of renown, an iconoclast, a rock star in a pre-rock star age — and a serial monogamist on his second marriage when we meet him. He’s essentially a Jeff Bridges character. His son, Charles (nicknamed Pinch) idolizes him (many of his children do, but Charles doesn’t get over it the way most do). Bear is mercurial, irresponsible, unfaithful, arrogant, and incredibly charming. Really, the difference between Rachman’s Bear Bavinsky and Russo’s Donald “Sully” Sullivan is that Bear has money (that’s just to help you understand him, not a commentary on the character). When he turns on the charm, he can get seemingly anyone — detractor, fan, or something in between — to feel important, to feel pivotal, captivating, and so on. Most people shake off this effect after a couple of days (although they seem to hold on to a little bit of it for decades) — Charles never does. He spends his life striving for his father’s attention, favor, affection — anything. He shapes his life around those things which will hopefully get Bear’s approval — and when he fails (or at least, doesn’t succeed as he hopes) in the endeavor, and/or doesn’t get Bear’s approval he has a moment of clarity, stumbles into something else and then eventually falls back into the search for his Father’s approbation.

Ironically, compared to the rest of Bear’s kids, Charles has that approval. He just doesn’t realize it — and maybe it’s because the rest have given up and don’t seek him out as much. We follow Charles’ life from childhood, to adolescence (living with a divorced mother now), in college, early adulthood and then in his 50s. Striving for significance, striving for something beyond his reach — and yearning for his father. It’s a decent, if lonely, life — and could’ve been something better if he hadn’t allowed so much of it to be shaped by his father, what Charles things his father wants, and then listening to his father’s input when he really shouldn’t.

As the jacket copy says, “Until one day, Pinch begins an astonishing plan that’ll change art history forever…” It stops being a book that I’ve read before (mostly), takes on its own flavor — and gets worse. But your results may vary.

I thought Bear was an interesting character — but not one I wanted to spend a lot of time with. I felt too much pity for Charles to really get invested in him. No one else in the book was really worth the effort. The story was unimpressive and oddly paced. Which is not to say it’s a bad novel, it’s just not one I could appreciate that much. There were conversations, scenes, etc. that were just great. I kept waiting for there to be a moment (probably the “Until one day…”) that this book turned for me — like Rachman’s last one did — and it never came.

Maybe it was just my mood, maybe it’s my utter incapability of appreciating visual art, maybe it’s actually Rachman stumbling. I don’t know — this just didn’t work for me. Am I glad I read it? I think so — if only because I don’t have to wonder what the new Rachman book is like. I’m still giving it 3 stars because of the skill Rachman displayed — I just didn’t enjoy what he did with it.

—–

3 Stars

2018 Library Love Challenge

Pub Day Post: Mr. Neutron by Joe Ponepinto

Mr. NeutronMr. Neutron

by Joe Ponepinto

eARC, 300 pg.
7.13 Books, 2018

Read: March 1 – 3, 2018

It couldn’t be real. Just couldn’t. Besides, if someone brought a cadaver to life today, it would be under controlled circumstances—in a lab at some university, with the media and religious protesters in attendance. It would go viral on the web. He would have heard about it.

Still, Gray couldn’t dismiss the possibility. His timid psyche often cleaved to the supernatural, if only to explain the failures in his life. And dead men had been elected before, although they typically stayed in their graves and didn’t campaign.

Before I get into this — yes, this is a political satire. But it’s pretty apolitical. There are almost no political points made, few actual policies advanced or discussed, and certainly no mainstream parties are either pilloried or lauded. The satire is of this strange thing called American politics — the campaigns, the process, the press, the people involved. Conservatives, liberals, statists, libertarians, and everyone in between can read this safely without worrying about getting much tweaked by the book.

In the opening paragraphs we meet Gray (Davenport, we’re later told) and Reason Wilder. Gray is running a mayoral campaign and one of his candidate’s opponents is Reason. Right away, you can tell this book isn’t going for subtlety. We later meet Patsy Flatley (the advisor to Gray’s candidate), The Reverend Inchoate Hand, Breeze Wellington, and Randy (of various last names) — all of these names tell you a good deal about these characters (and I could’ve listed other examples). Ponepinto lays his cards on the table right away when it comes to his characters and the type of people they are.

Reason isn’t the best funded, most articulate, or most polished candidate — but there’s some impossibly strong magnetism about him and his simple promise that “Together we will do great things for this city,” without ever giving a specific idea how they’ll do that, or what a great thing might be. Virtually everyone who encounters Reason falls under his spell but Gray. Not only does Gray maintain some sort of skepticism about Reason, he notices a disturbing odor about him, the way his body doesn’t seem to work together organically, and frankly, doesn’t seem to belong together. It’s almost as if someone stitched him together from spare parts.

Once Gray starts speculating down that path, he becomes convinced that’s the case — and sets out to prove it. Along the way, this effort causes problems in his marriage (well, it brings problems in his marriage to a head); brings some powerful people into his life; and puts him in league with the strangest journalists you’ve probably encountered. This kicks off some overdue self-examination to go along with his hunt for information about Reason.

All the while, the campaign goes on: Gray’s duller than dull candidate tries to build a voter base, the well-funded front-runner has to work to remain relevant, and Reason’s cult grows in a way no one can believe (or deny). We see a debate, a fundraiser or two, press conferences, polls, and money — and the ways all of those can alter a campaign, especially the money.

One difficulty I had while reading this book was remembering it was a satire — Ponepinto’s writing frequently comes across as highly-crafted and nuanced, and then he’ll have someone named Randy do something filled with innuendo or something equally obvious or ridiculous and I’d have to remind myself I was reading a book about a Frankenstein’s Monster-like being running for mayor, and perhaps I shouldn’t take it too seriously. I do think that’s a strength of the book — I’d forget I was reading nonsense about impossible tings because the narration was just so serious. It is a funny book, at times, but not told in a way that underscores it, which somehow works.

I didn’t love the ending, honestly. But I absolutely get why Ponepinto did it — and good satires rarely have satisfactory endings anyway. This was better than a lot of them — for example, I’ve read almost all of Christopher Buckley’s novels and there’s only one of them that had an ending I can tolerate. So, “didn’t love” is pretty good. I thought the last couple of paragraphs were far too preachy, and could’ve been cut without really harming the novel and/or its message.

But before all that, we’ve got a very strange ride. You’re not going to see a lot like this — a little supernatural/monster, some pointed commentary on politics, a dash of romance, a nice friendship, and an odd collection of characters bringing all this to you. You should give it a shot. I have no idea what kind of follow-up Ponepinto might have in store, but I’m very curious.

Disclaimer: I received this eARC in exchange for this post and my honest opinions.

—–

4 Stars

Pub Day Repost: Like a Champion by Vincent Chu

Like a ChampionLike a Champion

by Vincent Chu
eARC, 238 pg.
7.13 Books, 2018
Read: January 31 – February 2, 2018

The man across from Henriette read a book. It was a very big book, a Hunger Games or Game of Thrones kind, with a sword and flame and chess piece on the cover. Dean had never read such a big book. The man was on the very last page and Dean felt guilty suddenly for spying on him during this personal moment, but he did not stop. It was not often, he reasoned, that he would get the opportunity to observe another person at the exact moment they finished a book, a big one at that. But, after the last page, the man, without so much as a satisfied nod or pensive stare, shut the thing and immediately put in his iPhone buds. This disappointed Dean.

That’s just one of any number of paragraphs throughout these stories that don’t advance the plot, reveal or describe much in the way of character — but man, the little bit of flavor they add to the story makes it worth it. And don’t you just want to shake the man who finished the book by the shoulders and ask what is wrong with him? The guy appears for one paragraph, and I have a strong reaction to him. With short stories, you don’t typically get to do that kind of thing the way you can with novels, because every word has to count — and typically, that’s what Vincent Chu does, but every now and then, he stretches a bit. Typically, like the best short fiction writers, Chu gets his bang for his buck when it comes to his words — tight, economical prose that strikes just the right tone each time.

But I’m getting ahead of myself. Like a Champion is a collection of eighteen short stories featuring all sorts of people — underdogs in one sense or another — getting a taste of victory. Some of this victory is very short-lived, some is quite Pyrrhic, but it’s there. The stories are varied in tone, in voice, in setting, in types of character — and that’s such a strength. Some will make you smile, some laugh, some are sad, some are tragic, some are somber, all are incredibly human.

There’s a lot I could talk about — if I could, I’d spend a few hundred words on “Squirrels”, the fourth story in the collection. I don’t know why, but that one sealed me appreciation for this book, and it stands out as a high point for me. There’s just something about it that worked for me, the same kind of thing that lead me to write three papers for three separate courses in college about one Updike short story. There were a couple of other stories that I could point to that were as as outstanding, but I’ll stick with “Squirrels” — a story about one man’s childhood basketball triumph in the midst of defeat — because I enjoyed it more.

With one exception (at least one that I noticed, I might have missed others), these are independent of each other. The two stories that are connected are so different in tone and subject matter that it takes you by surprise when you notice the connection — but it really works (and the connection is of a lesser importance, that not much changes if you don’t make the connection). It was a nice little touch, I would’ve liked a part three, however.

I’m not crazy about Chu’s depiction of older characters. Maybe if I only got one of the stories in this collection featuring an older character — I wouldn’t have commented. Or if I took a few more days to read this than I did, it wouldn’t have stood out to me as much, but when you get the same note or two being played so often with elderly characters it sticks out.

I don’t usually spend much time talking about the publisher of the books I post about, but when it comes to some indie presses, I should. A couple of months ago, I know I posted a link to a profile of 7.13 Books in a Saturday Miscellany, and before that I talked about another short story collection they put out. And come to think of it, I have one more book from them on my schedule in the coming weeks. If Like a Champion is indicative of what they are publishing (and it seems to be), there’s something in the water there, folks, keep an eye out for their books.

Like with every collection — be it full of short stories, essays, poems — there are some in this collection that don’t work for me — two because I didn’t get what he was going for; a couple that I’m pretty sure I got what he was going for, and just didn’t care for it. And I’m very sure that many people will get those I didn’t and will like the ones I didn’t care for — and even dislike the stories that I enjoyed, and maybe even someone’s nuts enough to not care for the ones that filled me with joy. There’s enough variety in these to appeal to all sorts of tastes — and that’s a compliment, Chu’s nothing if not versatile. But on the whole, this is a great collection of short stories, full of compassion, humanity, and talent. You’d do well to grab this one.

Note: I received a copy of this eARC in exchange for my honest opinions as expressed above.

—–

4 Stars

COVER REVEAL: Corridors of Time by Vinay Krishnan

Blurb:
Corridors of Time tracks the story of a sensitive young man who grows from carefree childhood to eventful manhood – one who stumbles before learning to stride through those dark and dense passages.

Set in Bangalore – a city of paradoxes. of gardens and garbage heaps. of technology and traffic snarls. of friendly people and failing infrastructure. when bungalows had gardens and pavements were meant for pedestrians. this is a narrative of the human spirit.

Rohan, an idealistic young sports lover experiences rejection, dark dejection and isolation and hurtles down the path to self-destruction.

Shyla, attractive and successful is everything his heart yearns for and his body desires, except, she is married!
Chandrika, simple and devoted fails to understand the man she loves.

The shuklas long for justice denied by the system.

And khalid fears nothing and no one …anymore.

About the Author:

Vinay Krishnan describes himself as a ‘complete Bangalorean’. A student of Clarence High School, he graduated in Humanities from St Joseph’s College. Earning a diploma in Business Administration, he began his career at Usha International Ltd and rose to a position of Senior Sales manager. Vinay has now set up a construction firm of his own. He also writes and devotes his time to an NGO assisting people with disability. The city of his dreams, Bangalore, where he stays with his wife and daughter, continues to inspire and exasperate him. He can be reached at – vinaykrshnn@yahoo.com.

Praises for the Book:

The book is simple in style and content, for often it is this simplicity that bewilders and rouses Interest.
~ Shri S . Rajendra Babu, Former Chief Justice of India

The book has excellent literary craftsmanship, passion humour and adventure. Highly recommended.
~ Mr. Namboodiri, former Asst. Editor, Deccan Herald

This charming book about old Bangalore is written in a racy easy-to-read style.
~ Deccan Herald, Bangalore.

This Cover Reveal is brought to you by Author’s Channel in association with b00k r3vi3ws
 
 

 

Pub Day Repost: Where Night Stops by Douglas Light

Where Night StopsWhere Night Stops

by Douglas Light
eARC, 252 pg.
Rare Bird/Vireo, 2018
Read: January 12 – 13, 2018

She smells of lemons and warm cinnamon and isn’t very pretty. Sliding onto the barstool next to me, she says, “Can I sit here?”

The bartender, the woman, and me — we’re the only people in the bar. She can sit anywhere. It’s not just a seat she wants.

I study her a moment then catch the bartender’s eye, the order is placed without a word. Whatever the woman wants. Alcohol, like long marriages, has a language of its own, one not composed of speech.

Now, that’s how you start a novel.

So, our narrator is orphaned the night after his high school graduation — however odd it may feel to call someone on the cusp of adulthood an orphan, he is one (and the back of the book says so). Suddenly his college dreams, plans for the future are gone, as is his past (other than memories). He finds his way from Iowa to Seattle and takes up residence in a homeless shelter. The closest thing he has to a friend there sets him up with a way to make some money — more than he’d been able to scrape together from an under-the-table gig at a gas station.

It’s obviously not above-board, but it’s good money. What else is a kid with no ties to society, no dreams, no means and nothing better to do? We bounce back and forth between the opening scene (and what follows) in the bar and his burgeoning criminal career. He bounces all of the globe playing small roles in what are likely significant crimes. The resulting story is a combination of tragedy, comedy of errors and Bildungsroman. All of which leads up to a concluding scene that is at once unexpected and the only appropriate thing that could’ve happened.

As a reader. you’re never impressed with our narrator’s choices. You may understand them, but it’s hard to be behind them. Especially because after a certain point, our young man makes a giant mistake. The reader knows this — and has to hope that whatever he does, he figures out his mistake or gets out of this life soon.

The plot’s decent and will carry you along well enough. But it’s not why you will stick with this book (at least not primarily), it’s Light’s writing. In the middle of all this, there are sentences like, “Walking the empty night street, my kidneys rattled with anxiety.” I’m pretty sure this is biologically nonsensical (I haven’t bothered to check with my son’s nephrologist, but I was tempted to), but that doesn’t stop it from being incredibly effective — you know precisely what Light’s going for there, and in the moment, your kidneys felts a little weird. There’s something to his writing that made me stop every so often to re-read a sentence or paragraph or passage — not because I missed something or didn’t understand what was happening, but because Light captured a moment, an idea, or phrase in such an engaging way that I didn’t want to move on.

I’m not sure if this is a very literary thriller, or a literary novel playing with thriller tropes. Nor am I sure that I care, but this is the kind of book that can appeal to both target audiences. It’s a good example of either genre, and a better example of why the distinctions are specious. There’s an interesting crime story here; a character study; a look at what happens to someone who has no connection to his future, society, or his past — oh, and it’s a good read, too.

Disclaimer: I received this ARC in exchange for my honest opinion about the novel, I appreciate the opportunity, but it didn’t influence the above.

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4 Stars

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