Category: General Fiction/Literature Page 9 of 49

Adult Assembly Required by Abbi Waxman: She Gets By with a Little Help from Her Friends

Adult Assembly RequiredAdult Assembly Required

by Abbi Waxman

DETAILS:
Publisher: 9780593198766
Publication Date: May 16, 2022
Format: Paperback
Length: 374
Read Date: June 2-4, 2022
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“My name is Laura Costello, and I’m having a bad day.” She realized that made her sound like a member of a twelve-step group with an extremely low requirement for membership, but it’s what came out.

What’s Adult Assembly Required About?

This is not the most auspicious way to meet your protagonist—she’s in a new city, she knows nobody, and is about a month away from starting grad school, so is in kind of a limbo—waiting to start the next chapter in her life when her apartment burns up (with everything she owns) and she’s caught in a massive rainstorm before stumbling into Knight’s bookstore.

Thankfully, Knight’s is just the right place for someone to stumble into—not only will you find a great selection of books and people to help you find the right one, (at least in this case) they’ll take you in, get you a towel, a cup of tea, befriend you, and will help you find a place to live—the illegal boarding house that one of their staff lives at has an opening.

Maggie Morse is a widowed therapist, her children have moved out, so to fill up her house, she rents out as many rooms as she can—once Laura moves in, that total is five boarders, two dogs, and a cat. All are just a wee bit eccentric, which is just what Maggie wants—to fill her life with interesting people. The 80s sitcom just begs to be made, doesn’t it?

She and Laura hit it off, and Laura moves in. We quickly learn that today isn’t the only bad day that Laura’s had—she’d had a couple of years’ worth of them and has moved to L.A. for a fresh start as well as graduate school (she could’ve stayed in NYC for that, but her overbearing family and her ex-fiancé are there).

And from this point? Well, life—and possibly love—ensues.

No Islands, No Rocks

If The Bookish Life of Nina Hill was about finding and understanding family (while finding love), Adult Assembly Required is about friendship and its power to help you define yourself and your place in the world—alongside, or possibly in place of, family—(while possibly finding love).

It’s not just about Laura’s new friendships—there are so many layers of overlapping, intertwined, and free-standing friendships of various levels of closeness throughout this book it’d be nearly impossible to diagram. You could really excise (or ignore) the romantic plots within this and it’d still carry a heavy emotional impact.

Study after study, article after article, book after book talks about how disconnected Americans are today, that people are lonely and isolated—even those in close-knit families feel this way—that we need friends, friend-groups, and social connections outside the home. And to see all of these strong friendships and the impact they have on the people involved—topping it with how Laura’s life changes for the better and she becomes stronger because of and as she develops friends? It’s fantastic to see. You want to be friends with some/all of these people.

I’ve got nothing against a decent love story (over one book or a series), teams/partners working together are great, and there are plenty of great rugged individuals all over the literary landscape. But there’s something special about healthy and solid friendships.

The Nina Hill of It

“…I’m not a big Halloween person.”

“Not even Reese’s peanut butter pumpkins? They’re the best of the shapes,” said Nina. “It’s the perfect ratio of chocolate to peanut butter.”

Laura looked at Nina with interest. “You really do spend a lot of time thinking about things, don’t you?”

“‘Fraid so,” said Nina cheerfully, nodding. “It’s what keeps me from gnawing my own fingernails off.”

I was a little apprehensive about the idea of revisiting Nina Hill—that book was just so good, and we left her in the perfect place—a good chance of a Happily Ever After, a fresh start with her family, and her vocation/life purpose was revitalized and re-energized. Why disturb or revisit that?

But in making her a supporting character—Waxman gets to give fans (and, I expect, herself) some more time with this delightful character, but doesn’t have to jeopardize anything from the ending of The Bookish Life, because the focus is on Laura along with Polly and Impossibly Handsome Bob. Nina is just one more of the eccentric characters that Laura encounters in L.A. and as she becomes a friend she helps Laura—but the agency, the interest for the reader is on Laura.

I wasn’t sure I wanted anything like it, but now I’m fully on board with the idea of a Nina Hill Extended Universe and hope Waxman will return to it frequently (but not necessarily exclusively).

Only Missing Taylor Doose

One of the most impressive things that Waxman did in this book (and to an extent in The Bookish Life was making this little area of L.A., Larchmont, feel like a small town—not just a small town, but an idyllic small town like Stars Hollow.

It’s still in LA—with the traffic, weather, intricate highway systems, and questionable public transit—but in at least this one area it’s a community. Neighbors help and support each other’s businesses, know who the quirky people are, go to street fairs, have a Booster Club that’s apparently effective, et cetera.

I’m sure there are real communities scattered about in larger cities like L.A., but this feels different—yet believable.

So, what did I think about Adult Assembly Required?

I’ve tipped my hand already, here, I’m sure. But I loved this. By the time I’d read four pages I’d laughed enough that my daughter was giving me a look from the other side of the room. That settled down a bit as I re-acclimated to Waxman, but the book stayed as engaging and witty from there.

Waxman’s narrative voice is the real star of this book—Polly’s a fantastic character, ditto for everyone else in Maggie’s house, I’d love more time with Polly’s grandmother, and the assorted cats and dogs* are fantastic—but I’d be more than willing to read a version of this book without any of them just to read this narrative voice. It’s chatty, it’s snarky, and it’s still a reliable third-person omniscient. One day, I may be able to define the je ne sais quoi to define what it is about this voice that makes it so special, but until then I’ll just enjoy it (and not really care if I can describe it).

* Ugh. The pets! I forgot to write anything about the pets! Especially Daisy the pug. I don’t have time, and this post is too long anyway. They’re all pretty great, even the cats. But Daisy is magic. Am thinking of starting a petition calling for Book 3 in the NHEU to be about her.

I’ve spent a lot of time talking about everything but Laura Costello. Primarily because I don’t know how I could do so without making you reading the book irrelevant, once I start, I don’t know that I would know where to stop. From the moment you see her in the bookstore and hear about her bad day, you want to see her have a good day. When you do see that, you want to see more of them—and you want to see her put herself in positions to have many more of them. And as she has them, you want her to have even more.

She took some hard and important steps to put herself in L.A.—but those aren’t enough. She has more work to do (I don’t think she realizes how much more), and she needs support to get it done. The remarkable thing is that she gets that support, she’s surrounded by it, when she realizes her need—these friendships enable her to get to the point that she can see her need. And (very importantly), it’s not one-sided, she’s able to give support and encouragement and prodding even as she receives it.

Impossibly Handsome Bob is probably also Impossibly Good. But who cares? He’s just fun to read about, especially as he reacts to Laura.

Adult Assembly Required is funny, it’s sweet, it’s heartwarming, and will make you feel good all over. I canceled a thing or two and shuffled around my plans so I could find more time to read this because I just didn’t want to stop once I started (and didn’t regret it!). I’m not promising you’ll have the same reaction, but I don’t see why you wouldn’t have one like it.


5 Stars

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Attachments (Audiobook) by Rainbow Rowell, Rebecca Lowman: I Stumble All Over the Place Trying to Talk About This

AttachmentsAttachments

by Rainbow Rowell, Rebecca Lowman (Narrator)

DETAILS:
Publisher: Penguin Audio
Publication Date: July 27, 2020
Format: Unabridged Audiobook
Length: 8 hr., 55 min.
Read Date: May 31-June 2, 2022
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A Bit of Backstory

I read this back when it was first published—I stumbled upon it browsing my library’s New Release shelf and decided to give it a try. I have no idea why—it’s been over a decade, and I couldn’t tell you. It probably seemed like something in the Hornby/Tropper/Gayle-vein, which was/is good enough for me.

It led me to read the next few books that Rowell put out, too—I had to give up on her stuff once she wrote a book set in the universe that Fangirl wrote fan-fic about. It got too meta for me, and honestly, I couldn’t get into that part of Fangirl in the first place.

A few weeks ago, my library added the audiobook to its digital shelf, and so it came up again as I was browsing New Releases. Needing a break from my typical listens, I decided to revisit this. I think if I’d thought about the story a bit, I wouldn’t have. But who knows.

What’s Attachments About?

I’m not going to be able to give my synopsis, because I’m going to end up tying myself in knots (see below), so I’m just going to appropriate the Publisher’s:

Beth and Jennifer know their company monitors their office e-mail. But the women still spend all day sending each other messages, gossiping about their coworkers at the newspaper and baring their personal lives like an open book. Jennifer tells Beth everything she can’t seem to tell her husband about her anxieties over starting a family. And Beth tells Jennifer everything, period.
When Lincoln applied to be an Internet security officer, he hardly imagined he’d be sifting through other people’s inboxes like some sort of electronic Peeping Tom. Lincoln is supposed to turn people in for misusing company e-mail, but he can’t quite bring himself to crack down on Beth and Jennifer. He can’t help but be entertained—and captivated—by their stories.
But by the time Lincoln realizes he’s falling for Beth, it’s way too late for him to ever introduce himself. What would he say to her? “Hi, I’m the guy who reads your e-mail, and also, I love you.” After a series of close encounters and missed connections, Lincoln decides it’s time to muster the courage to follow his heart . . . even if he can’t see exactly where it’s leading him.
Written with whip-smart precision and charm, Attachments is a strikingly clever and deeply romantic debut about falling in love with the person who makes you feel like the best version of yourself. Even if it’s someone you’ve never met.

The Other Attachments

Obviously, Lincoln and Beth are the central characters of this novel and the relationship/lack thereof/whatever-you-want-to-call-it between them is the important bit. But the title is Attachments, and it’s the other attachments where this novel shines brightest (and least problematically…but that’s for later).

The e-mails between Beth and Jennifer are what hooks the reader—as much as they hook Lincoln. Their friendship, the support, the advice—that link is what’s going to get the reader invested in Beth.

Lincoln’s lack of attachments to others—other than his sister and mother, anyway—is what’s going to draw the reader in. You feel for him—you know he’s pretty much alone in this world—defined mostly by the broken attachment to his ex-. And that was, what, almost a decade ago? He can’t move on yet—and you see that in his relative lack of attachments. The closest thing he has to a real relationship (of any kind) is with his D&D group. It’s when Lincoln starts putting energy (spurred by reading these emails and realizing he needs something else in his life) into building/strengthening attachments/relationships with others that Lincoln is able to move on from his ex- and turn into someone that would attract Beth (or anyone else, and there are possibilities). Not just attract, but would be good for—he needs to remember how to be a good friend/romantic partner.

This aspect of the novel deserves more space, but someone else needs to do that.

So….How Did this Age?

When I mentioned to my wife that I was listening to this book (that she also enjoyed a decade ago), she asked, “How did that age? Does it work today?” And…I’m not sure.

I reflexively grant the benefit of the doubt to a book written in another period—yes in Classic book X, a character might use a term no one would use today, but that doesn’t mean the book/author is whatever -ist we’d call them now. The most counter-cultural novel of 50 years ago will seem regressive today. So, there’s a little bit of that going on.

Still, there’s no getting around the fact that Lincoln reading private correspondence and basing his infatuation off of that is creepy with a capital EEP. In 2022, there’s no way Rowell gets this published. It’s arguable that she shouldn’t have got it published in 2011.

I’m not saying Beth’s actions toward Lincoln before they meet are less creepy, but they’re negligible. Especially if you compare the two. (really not endorsing moral equivalence the way that it looks there…I don’t think).

But…ugh. This is where I reveal that I’m a horrible person, I guess. The way Rowell presents it, and the way the characters are frank about the wrongness of what he did, kind of wins me over. The last couple of chapters are so sweet that you want to see them get past this horrible hurdle. Rowell’s charm and wit carry you to this point and then you just want these two crazy kids to get past this and live a happy life together.

It’s horrible, it’s terrible, and it’s problematic in more ways than I can express in this post if I talked about nothing else. And that should not be minimized. Buuuut, it’s cute and charming and funny, and you kind of melt. (which probably does that minimizing that I just said shouldn’t be done…)

On the Other Hand…

So I wrote the above section, as honestly as I could, set it down, and did something else. And a voice started yelling in the back of my head. “But Lincoln was wrong!” He cyber-stalked Beth, invaded her privacy, violated his job duties, and probably should be prosecuted.

If I came at this fresh today. If I listened/read this without the baggage of remembering that I enjoyed this, enjoying what Rowell produces (unless it involves adolescent wizards), and generally trusting her—I wouldn’t finish it. I’d have definitively DNF’d this, given it a 1-Star, and written Rowell off forever, not even glancing at anything else she wrote.

How was the Narration?

None of the problems of the work should be laid at Rebecca Lowman’s feet—she knocked this out of the park. It can’t be easy portraying someone reading the emails of others and letting that bring out a personality, but she does it. Also, she makes you believe the emails are dialogue, not extended monologues. Really good job by Lowman (and the director/editor, too).

Lowman also did the Eleanor parts of the Eleanor & Park audiobook. I remember thinking she crushed that, too, a few years ago when I listened to it. Basically, I need to keep an eye out for audiobooks by her.

So, what did I think about Attachments?

I…I just don’t know. I gave this 4 1/2 stars when I first read it. And I can absolutely see why. But I also know that I’d give it 1 1/2 stars as I DNFed it today (Rowell’s wit would’ve forced me to give it that extra half, no matter what moral bankruptcy existed).

I did find it interesting that I remembered the plot so poorly—the last hour or so felt like I’d never read it before. I’d remembered a completely different plotline for the last third or so of the book (and have spent a week trying to figure out what novel/movie’s plot I’d unconsciously merged with this one). I got the broad overview right, but wow…the things I got wrong. But then again, it has been a decade-plus.

I can’t recommend this book, and probably shouldn’t have. But if you read it (and can get past the hero being a stalker), you’re going to enjoy it. If Rowell gets back to writing things that don’t involve teen magic users, I will gladly read it. I love her style, her humor, her references, and the way she damaged characters finding love—particularly the way they express that love. Her dialogue is some of the best around.

I just feel icky that I enjoyed this so much.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Dirt Road Home by Alexander Nader: From the Motor City to Small Town Tennessee

Dirt Road HomeDirt Road Home

by Alexander Nader

DETAILS:
Publisher: Winding Road Stories
Publication Date: April 15, 2022
Format: eARC
Length: 268 pgs.
Read Date: June 1-2, 2022

What’s Dirt Road Home About?

After a succession of horrible boyfriends (abusive, addicts, etc.) over the years, Rose Davis started seeing someone online. And things were going pretty well for them—so well, in fact, that Rose and her adolescent sons move from Detroit to a small Tennessee town to be with him.

Her sons, Logan and Dex, aren’t crazy about this move. Logan (who is the protagonist, by the way) is 6 weeks away from high school graduation and turning 18. Dex is a year behind him. They’re Detroit through-and-through, comfortable on the streets there, they live and breathe internal combustion engines, and cannot imagine living anywhere else, but they have no choice*.

* Okay, that part rang a little false for me. He’s close enough to 18, that Logan could’ve stayed behind. He could’ve crashed with some friends—or a series of friends—or something. Child Services isn’t going to swoop in and put someone his age into the system. But suspend disbelief for it and it’s fine.

On their first night in town, Logan and Dex get into a tussle with a couple of local high school football stars, and instead of simply being the new kids in school, they’re those guys. They’re trouble. The fight video is online, putting a giant target on their back.

Logan’s ability with cars helps him find a niche, a way to fit in. He and Dex take part in some street racing and find some friends—or at least people who aren’t instinctually antagonistic toward them.

More importantly, Logan meets Leah there. She’s a stunning, confident, and charming young woman in his class who will turn his life upside down. Maybe life in the South won’t be that bad after, all.

Greg McCarter

The MVP of this book has got to be Rose’s new boyfriend, the one they move to Tennessee to be with. With only one major character flaw (which, granted, is debatable and a minor spoiler, so that’s all you get), he’s about to perfect as you’re going to get. And sure, those characters are unrealistic, but every now and then, coming across one is fine.

He’s exactly the kind of guy that Rose needs to be with (even if, like Logan, the reader doesn’t understand her appeal to him). He’s absolutely the right kind of adult make for Logan and Dex to have in their lives. You can’t help but wonder how things would’ve turned out for all four of them had they moved to Tennessee a year or two earlier.

Still, he’s the kind of guy that would improve almost any novel—if Nader had put him as the central character of a book, he’d be just as appealing—maybe more so. I know my appreciation for this novel went up a notch or two when he was in a scene.

A Problem that Only I’m Going to Have

Back in April, Pay Dirt Road was published, and about that time Winding Road Stories reached out to me about Dirt Road Home. I cannot tell you how often I’ve conflated the two titles since then. They couldn’t be more different in any way, but those titles? I have been and am forever going to refer to them both as Pay Dirt Road Home.

So, what did I think about Dirt Road Home?

This is tagged as a coming-of-age story. And technically it is, sure. But I’d want to call it something else. It’s a coming-home story, which is tricky because Logan’s really never had one. But that’s what separates this from so many coming-of-age stories, it’s about more than Logan maturing—it’s about the atmosphere that gets him there.

My only complaint with this book is that everything happens too quickly. I’m not saying it’s too fast-paced, I’m just saying that if Logan had been 3 months away from graduation instead of 6 weeks, and that the events that happened between the fight their first night and the Event That Changes Everything right before the dénouement had taken more weeks, I’d have bought everything a little easier.

I bought it all in the moment, although there was a voice in the back of my head saying, “Slow down and think about things, kid.” The problem for me came when I put the book down and thought about it. I’m not saying what happens to—and within—Logan and the rest couldn’t happen like that, I just could have accepted and liked it more. Also, I wanted to see the relationships between Logan and those new to his life more—I really liked Greg and Leah’s parents, in particular, and more scenes with them would’ve improved this already good novel.

Tossing that aside—this is a fun story. It’s sweet, it’s hopeful, and it’s heartfelt. It’s a giant departure from the rest of Nader’s work (judging by the 120 seconds I spent researching him). It’s reminiscent of James Bailey‘s YA novels and Headphones and Heartaches. I need to read things like this from time to time—things that focus on growth, improvement, and contentment/happiness. That’s what this book’s premise promises and that’s what it delivered.

Disclaimer: I received this eARC from Winding Road in exchange for this post, the opinions expressed are my own.


3 Stars

20 Books of Summer 2022: Kickoff

20 Books of Summer
Cathy at 746 Books is hosting 20 Books of Summer again. This challenge has been fun the last couple of years, and has proved to be a good way for me to actually read some of those “I need to read those one day” books. I’m being very ambitious this year with some of my selections, but some of those are pulling double-duty and are taking care of another reading challenge, too. It’s going to be an actual challenge to get all of these read, but I think I’m up for it. It’s a little risky with two trilogies and three books from another new-to-me series—I could end up really disliking myself, but I really want to clean up some of my shelves, you know?

I’m going with the unofficial US Dates for Summer—Memorial Day to Labor Day (today through September 5th), just because it’s easier for me to think that way. And I’ve needed those first few days of September the last two years, but let’s not think about that. Well, I say I’m starting today, but it’s going to be next Tuesday at the earliest that I get to read one of these books…proper planning and all that…

This summer, my 20 are going to be:

1. The Deepest Grave by Harry Bingham
2. Condemned by R.C. Bridgstock
3. Payback by R.C. Bridgstock
4. Persecution by R.C. Bridgstock
5. AMORALMAN: A True Story and Other Lies by Derek DelGaudio
6. Against All Odds by Jeffery H. Haskell
7. One Decisive Victory by Jeffery H. Haskell
8. With Grimm Resolve by Jeffery H. Haskell
9. A World Without Whom: The Essential Guide to Language in the Buzzfeed Age by Emmy J. Favilla
10. Composite Creatures by Caroline Hardaker
11. Divine and Conquer by J.C. Jackson
12. Mortgaged Mortality by J.C. Jackson
13. The Ghost Machine by James Lovegrove
14. Roses for the Dead by Chris McDonald
15. A Wash of Black by Chris McDonald
16. Whispers in the Dark by Chris McDonald
17. Down the River unto the Sea by Walter Mosely
18. Crazy in Poughkeepsie by Daniel Pinkwater
19. Ghost of a Chance by Dan Willis
20. The Border by Don Winslow

(subject to change, as is allowed, but I’m going to resist the impulse to tweak as much as I can).
20 Books of Summer '22 Chart

Nothing to See Here (Audiobook) by Kevin Wilson, Marin Ireland: This Family Drama Hits All the Right Notes

Nothing to See HereNothing to See Here

by Kevin Wilson, Marin Ireland (Narrator)

DETAILS:
Publisher: HarperAudio
Publication Date: October 29, 2019
Format: Unabridged Audiobook
Length: 6 hr., 40 min.
Read Date: May 16-17, 2022
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What’s Nothing to See Here About?

Over a decade ago Lillian and Madison were roommates at a boarding school for the upper crust (or scholarship kids like Lillian). They were incredibly close until Lillian was expelled. Even then, Madison wrote Lillian regularly and Lillian responded sometimes. They didn’t see each other, only corresponded.

Madison’s gone on to success in politics—first as a campaign staffer, now as the wife of a Senator, who is likely to be tapped for a Cabinet position. Lillian…well, she’s not done really well for herself. The controversy over her expulsion followed her through school—she didn’t get the scholarships she needed to get out of her situation. She’s still living with her mother—which is a pretty contentious relationship.

Now Madison writes with a job offer/plea for help. The Senator’s previous wife has recently died and he needs to take custody of their children. Madison would like Lillian to act as a governess (Lillian keeps saying “nanny,” much to Madison’s consternation) for them, at least until her husband’s nomination is confirmed by the Senate.

There’s a catch. The twins will sometimes burst into flames. Like Johnny Storm without the flying or the trip into space that goes horribly wrong.

They won’t suffer any injury from it, but the same can’t be said for their clothing or anything near them. Lillian needs to keep them out of the press, away from Madison’s son, and hopefully under control. They want to/need to take care of the twins, but really don’t want to have anything to do with them.

This will be the best-paying job Lillian ever has held. She knows nothing about working with kids—and the only models she’s ever had for it are horrible. But she’ll do whatever Madison asks (and she could use the money). Also, she knows what it’s like to be a kid who needs a break—maybe she can help these kids out.

A Pleasant Twist

So you have a couple of kids who burst into flames from time to time. 97% of authors are going to devote the novels to the rest of the characters spending the bulk of the book trying to figure out how or why that happens, and what they can do to stop it/duplicate it/fight crime with it.

Wilson’s in that other 3%, thankfully. Yes, there are some efforts to learn why it happens, but that’s never the focus—and most of the time, those who are investigating aren’t characters who were supposed to be that sympathetic.

The focus remains on the kids as kids—how does Lillian help them feel safe? Wanted? Normal? She does work with them on not bursting into flame—but it’s not so much about the ability/affliction, but about helping them to be comfortable in their own skins—whatever temperature it is. It’s about self-acceptance (which leads to control).

How Was the Narration?

Normally, it takes me a chapter or two to “get into” a new-to-me narrator, or at least to decide what I think of the narration overall. But Ireland won me over within the first couple of minutes—as a certain janitor says, “I don’t know what IT is, but [s]he’s got it.”

She’s a narrator I’ll keep my eyes out for. I don’t know that I’ve seen her in anything, but I saw today that she’s going to be in the Justified revival—I’m looking forward to that.

So, what did I think about Nothing to See Here?

One of the reasons that I put off reading/listening to this book for so long, was that I remember The Family Fang falling apart in the end—or at least not ending as good as the first 80% or so of the book was*. I was more than a little apprehensive that the same thing would apply here. Thankfully, I was wrong.

* My memory of it is hazy, that’s just the sense I have—I could be wrong.

This book started strong and kept getting better—it didn’t end like I thought it would but ended the only way it could’ve (in retrospect). The only way it could’ve been better is for the middle bit to be longer and more detailed. These are fantastic characters, and the concept is just as fantastic. These kids belong in a speculative work of some kind—SF or Fantasy (Urban or otherwise). But no, Wilson puts them in the middle of a family drama. And it’s great to see. Funny, warm, and heartfelt—Nothing to See Here scored on all fronts for me.


4 1/2 Stars

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The Cartographers by Peng Shepherd: Will Take You Somewhere You Didn’t Expect

The CartographersThe Cartographers

by Peng Shepherd

DETAILS:
Publisher: William Morrow
Publication Date: March 14,2022
Format: Hardcover
Length: 387 pg.
Read Date: May 4-7, 2022
Support Independent Bookstores - Visit IndieBound.org

“What do you know about that?” she asked.

“Not much,” Nell lied. “Ramona told me it was destroyed a long time ago.”

Eve grimaced. “It was dangerous, that thing. Cursed. Everyone who touched it got hurt.” Her eyes drifted back to the compass rose symbol. “And it’s still not over.”

What’s The Cartographers About?

This is hard—I tried to describe this to some friends earlier, and I tripped over myself so many times while trying to make this sound enticing while not giving anything away. I’d call that conversation a rough draft of this section, but it was so bad that Anne Lamott’s going to have to revise the section in Bird by Bird about sh***y first drafts.

Nell Young has had a life-long obsession with maps—her parents have doctorates in cartography and it might as well have been encoded in her DNA. She and her boyfriend had internships in the New York Public Library where her father works, too. Then one day, she finds a couple of maps in a forgotten corner of the Library, one of which is an old gas station map. Her father flips out over what she found, for reasons she can’t really understand—a major argument ensues and she’s fired. So is Felix, her boyfriend. Not just that, but her father goes on to wage a war on their reputations—they’re finished in academia.

Felix leaves the field and Nell goes to work for an Internet company making faux historical maps. Years pass without Nell speaking to her father, then he dies suddenly. While looking through his office, Nell finds that gas station map and is flabbergasted. Why would he keep that thing?

Nell starts asking questions and learning things about her family, and a whole lot more.

Visual Aids

As is fitting for a book about maps, the novel has some. Not many, most of the ones in the book are described, not seen. But there are just enough—the important ones—to ensure the reader can visualize what’s going on—we see what Nell and the rest see.

It’s a great touch—I love that Shepherd included those—I’m one of those fantasy readers who rarely glances at the maps in those books—but I spent time on these.

I Couldn’t Stop Thinking About…

Last week, I quipped that this book was “very Mr. Penumbra-esque.” This was too blithe and flippant. And yet…I couldn’t get it out of my mind.

Shepherd doesn’t write anything like Sloan, the worlds are completely different, and the way they approach character and narrative don’t really overlap. Really I think the only thing I can point to that is a demonstrable similarity is the way that they approach Big Tech companies—but this novel’s Haberson Global is more like the company in Sourdough, anyway, so I’m not sure it counts.

Again, I couldn’t stop thinking about Mr. Penumbra’s 24‑Hour Bookstore. It’s about some dedicated and brilliant people whose passion for and pursuit of something that everyone else in the world pretty much takes for granted. There’s a little more to it, but I’d have to spoil stuff about both books, so I’m not going to get into it.

So, what did I think about The Cartographers?

I never, not for one minute, thought that a book about maps and mapmakers would be this riveting. And I was wrong. Not that I’ve spent that much time thinking about books about mapmakers, but you get the idea.

I’ve read some pretty strong thrillers that weren’t as gripping as this. Shepherd paced this perfectly and kept building the tension in just the right manner. Even when I got to the point where I’d figured everything out—even the mind-bendy bits—and was just waiting for Nell and the rest to catch up, I was on the edge of my seat. That tension extends to things that happened before the novel’s present time—we’d get chapters of first-person narration from some of Nell’s father’s friends from when she was a toddler. I knew where certain characters would end up because you’d met them already—but that didn’t make the uncertainty about what was going to happen to them in the memory much easier to take.

But this isn’t just a thriller—it’s a story about a family. One of the sweetest, strangest, and saddest found families you’re going to run into. A mantra that runs throughout this book the way Uncle Ben’s “With great power…” runs through certain movies* is that the purpose of a map is to connect people. The way that these people are connected would be difficult to map out—the routes certainly are intricate and varied—but the connections are strong and lasting.

* Yes, I know it’s from the comics first—but the comics rarely, if ever, beat that drum the way some of the movies do.

I was less than satisfied with the ending—because I thought it was headed somewhere else, and then it seemed to aim in a different direction, and it ended up in a third. I think the expectation problems are all mine, they’re not from the text. I’m also sure that the ending we get is stronger than what I expected. Still, it’s hard to for me accept what we got since I’d spent 100 or so pages sure we were getting something else.

None of that changes the bottom line of this post—you’re going to want to read this book. I strongly recommend it. There are few books like it in the world, and that’s a shame. But it means that there’s every reason to read this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Ordinary Grace by William Kent Krueger: A Summer In the Valley of the Shadow of Death

Ordinary GraceOrdinary Grace

by William Kent Krueger

DETAILS:
Publisher: Atria Books
Publication Date: March 26, 2013
Format: Hardcover
Length: 307 pg.
Read Date: April 19-20, 2022
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All the dying that summer began with the death of a child, a boy with golden hair and thick glasses, killed on the railroad tracks outside New Bremen, Minnesota, sliced into pieces by a thousand tons of steel speeding across the prairie toward South Dakota. His name was Bobby Cole. He was a sweet-looking kid and by that I mean he had eyes that seemed full of dreaming and he wore a half smile as if he was just about to understand something you’d spent an hour trying to explain. I should have known him better, been a better friend. He lived not far from my house and we were the same age. But he was two years behind me in school and might have been held back even more except for the kindness of certain teachers. He was a small kid, a simple child, no match at all for the diesel-fed drive of a Union Pacific locomotive.

What’s Ordinary Grace About?

It’s the summer of 1961, and thirteen-year-old Frank and his younger brother, Jake, are going to be irrevocably changed over the next few months. Their small Minnesotan town of New Bremen, will be rocked by five deaths and some near-deaths, as well.

Frank and James live there with their older sister, Ariel—eighteen and about to leave their parents’ home. Nathan and Ruth married before Nathan went to serve in WWII—when he came home, he became a Methodist minister instead of the lawyer he’d planned on being before the war changed him. Ruth hasn’t entirely forgiven him for that but does her best to take part in congregational life, and to make do with his small salary.

Ariel is their golden child, Julliard-bound. Jake stutters, and is clearly fearful of almost everything—and everyone—around him, drawing what little confidence he has from his proximity to Frank. Frank is the family rebel—by most standards, he’s only slightly mischievous, but compared to the rest of the Drum family, he’s the equivalent of Bart Simpson.

The first death (see the quotation of the novel’s first paragraph, above) is that of someone that Frank and Jake knew–even played with. The boys discover the second body, a stranger to them. Those two are enough to alter the course of their development to a degree—but the next three (and the accompanying events) are what will leave an indelible mark on the entire family.

God’s Awful Grace

Krueger likes to use the phrase “the awful grace of God,” and makes other references to it, he wants that idea in your head as you read about the horrible things and deaths the reader and the characters encounter. You’re supposed to think about the (apparent) contrast between “awful” and “grace”, as well as catch the references to Aeschylus and Robert F. Kennedy (and, by extension, Martin Luther King’s death).

As far as the Aeschylus/RFK allusions go—yes, think about those. I think there’s a lot to chew on there. Sure Kennedy has yet to cite that poem, but the narrator has heard it–he’s writing from the perspective of four decades later.

But the former suggestion? I’m sure that Krueger, and many/most of his readers, know the phrase isn’t to evoke something extremely bad or shocking/saddening, but the archaic definition of awe-inspiring or enormous. But the reflex for contemporary readers isn’t to go with the lesser-known/used understanding but to think of the surface and the tension between the ideas, and it bothers me that we’re supposed to spend time on that understanding, even if it’s only a little bit. I’m not sure why it does, but it does.

But while I’m here on the subject of God’s grace, can I just say that the one sermon that we get all of from Nathan Drum, during the darkest part of this book, is one of the best I’ve read in a long time. Drum doesn’t understand grace the same way that RFK or Aeschylus does—grace to him is the unmerited sort, the kind that will come to someone in loss, in misery, in despair, and will cause them to believe, hope, and love. The book was worth the effort for this sermon alone, the rest is just gravy.

Krueger’s Prose

On the one hand, the prose is gorgeous—Krueger’s one of those authors that feels like he’s writing, perpetrating hooptedoodle. He breaks most of Leonard’s rules for writing all over the place, notably, “If it sounds like writing, I rewrite it.” But, as Leonard notes himself, there are authors who can skip them–Krueger’s one of those authors.

Still, there are a couple of things that got under my skin and would frequently take me out of the moment. For one, Krueger is sparing in his use of commas—a couple of times, I’d read a sentence out loud the way it’s in the book, and then with the missing commas; and I think I could get close to understanding why he made the choice. I didn’t agree, but I could maybe see what he’s going for.

But the thing that really bothered me was the dialogue. It really reads like someone wrote it, everyone (or almost everyone) is almost constantly sounding like they’re making a profound point about whatever. Particularly when it comes to Frank and his brother—I don’t need prepubescent boys uttering sentences with layers of meaning and dripping with wisdom nearly every time they say something.

That doesn’t mean that some of those sentences aren’t great and readable and even quotable. It just means it bothered me.

So, what did I think about Ordinary Grace?

“… He’s a vet. Korea. Had a tough time over there. It’s eating at him, I believe. He drinks. He’s hard on his family…”

“Sometimes, Nathan, I think it wasn’t as what we took into the war. Whatever cracks were already there the war forced apart, and what we might otherwise have kept inside came spilling out.”

Once I’d gotten on board with the hooptedoodle, I was able to appreciate what Krueger was about. This really brought Tiffany McDaniel’s The Summer That Melted Everything to mind (and Betty to a lesser extent). I also was reminded of Songs In Ordinary Time by Mary McGarry Morris, A Prayer for Owen Meany by John Irving, and early Richard Russo, as I read this. None of which would ever be considered for the Edgar, Anthony, Macavity, or Barry Awards like Ordinary Grace won. I know those awards mean I should think of this as a Mystery or Crime novel, but I just don’t. It fits with the others better, I think (but I do see why it won those).

It’s a book that will get its hooks into you, if you let it, just not the way that most Mystery novels do. It will make you think, it will make you feel, and it may cause you to think deeper (or more shallow, I suppose) thoughts about God and His grace. But mostly, it’ll make you think about humanity and many of the ways we can harm each other, intentionally or not.

I won’t say that I enjoyed 98% of this book—but the entire time I spent reading it I was fully aware that I was reading something of quality–something that deserved my attention, and I was glad to give it. I also had no trouble seeing why my friend recommended it to me–and I owe her a solid recommendation in return.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes: Some Audiobooks from Feb. & March 2022

Here are some audiobooks that I’ve listened to in the last couple of months, and I really don’t have much to say about them—all are worth the time to listen to (or read, if you prefer), I just don’t have enough to say to make up a typical post.


Hard RebootHard Reboot

by Django Wexler, Morgan Hallett (Narrator)

DETAILS:
Publisher: Recorded Books
Publication Date:  May 24, 2021
Format: Unabridged Audiobook
Length: 3 hrs., 57 min.
Read Date: March 14-15, 2022
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(the official blurb)
This just seemed like a lot of fun when it was published last year, so when I saw it on the library site, I had to jump on it. And it was fun.

But it was a bit too shortI know that’s by design, but it felt too abrupt. You got fighting robots on the cover, I want more than two major fights. Sure, the fights we get are pretty cool, but I wanted more.

If this was 20 percent longer, I’d have been happy. As it was? I was satisfied.
3 Stars

Demon Magic and a MartiniDemon Magic and a Martini

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: The Guild Codex: Spellbound Series, #4
Publisher: Tantor Audio
Publication Date: April 22, 2019
Format: Unabridged Audiobook
Length: 7 hrs., 15 min.
Read Date: March 9-10, 2022
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(the official blurb)
So, um…yeah. This was okay.

For the second book in a row, we get to peel back the mysterious backstory of one of Tori’s new best friends while they’re battling a new magical threat. This time it’s demonsand rival guilds. One of which is pretty ethically challenged.

It was a bit too similar to the previous book for me. But it delivered the same kind of quippy UF action that characterizes the series. It’s entertaining enough to keep going with the seriesand to recommend themI just want to see a little more out of them.
3 Stars

Finlay Donovan Knocks 'Em DeadFinlay Donovan Knocks ‘Em Dead

by Elle Cosimano, Angela Dawe (Narration)

DETAILS:
Series: Finlay Donovan, #2
Publisher: Macmillan Audio
Publication Date: January 31, 2022
Format: Unabridged Audiobook
Length: 9 hr., 20 min.
Read Date: February 25-28, 2022
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(the official blurb)
I was a little worried how the premise would carry over to a sequel, and I clearly shouldn’t havelargely because Cosimano didn’t just repeat the way the first book went. It was very much an “okay, so now with that finished, what comes next?”assuming that Finlay and Vero don’t just wholly abandon their new revenue stream.

We get some important new information about Veromaking a lot of what she did in the first book make sense. Finlay makes some smart romantic movesand there’s some decent movement on the divorce front.

All in all, a solid sequel that shows that this can be a series with legs, not just a quirky one-off.
3 Stars

Fuzz: When Nature Breaks the LawFuzz: When Nature Breaks the Law

by Mary Roach

DETAILS:
Publisher: Brilliance Publishing
Publication Date: September 13, 2021
Format: Unabridged Audiobook
Length: 9 hrs., 17 min.
Read Date: January 31-February 1, 2022
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(the official blurb)
So this is about what happens when animals and humans have a hard time co-existingwhich basically means when animals being animals inconvenience (or worse) humans. Was that hiker killed by an animal, or did they die of other causes and become food for an animal? What happens when we put a building where an animal expected to be able to be?

I don’t think it was as amusing as Roach tried to make it. It was interesting, but it went on too long and therefore became less-interesting the longer it went on. I don’t remember anything more specific than thatwhich says something about the book. It just didn’t hold my attention for long.

This is my first Mary Roach bookand maybe would’ve been my last if I hadn’t run into a couple of other bloggers who are Roach fans that were as tepid as I was about the book. Still, I’m going to get a bit more distance between this book and my next.
3 Stars

Murder Under Her SkinMurder Under Her Skin

by Stephen Spotswood, Kirsten Potter

DETAILS:
Series: A Pentecost and Parker Mystery, #2
Publisher: Random House Audio
Publication Date: December 6, 2021
Format: Unabridged Audiobook
Length: 9 hrs., 40 min. hrs and 40 mins
Read Date: March 28-29, 2022
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(the official blurb)
The circus that Will used to be in is in troubleone of their performers has been killed and another has been arrested. Will’s mentor, to be specific. So she and Lillian Pentecost head down south to see what they can do.

It’s a culture clash (both the South and the circus) for the duoWill learns the hard way that maybe she’s been gone too longas well as a fish out of water kind of thing for Pentecost. Although not as much as Will and the reader might expect.

I enjoyed this one a lot more than the predecessorit’s still a bit too much about Will and her current love interest than it is about Pentecost and the case they’re supposed to be working on. The mystery was clever, the character arcs were solid and Will’s narrative voice is strong enough to keep the reader/listener locked in.
3 Stars

Free BillyFree Billy

by Don Winslow, Ed Harris (Narrator)

DETAILS:
Series: The Dawn Patrol 
Publisher: Audible Originals
Publication Date: 2022
Format: Audiobook
Length:1 hr., 6 min.
Read Date: March 30, 2022

(the official blurb)
This is a silly, fun, and sweet story in the world of The Dawn Patrol (one of my top 5 All-Time books), all our favorites get a quick appearance and we’re introduced to a couple of new characters.

Despite being in the same world as the crime novels that introduced Winslow to me, there’s no crime to be found here.

Which is fineit’s not needed in this short story. It’s just a fun story about one of Boone’s friends. I laughed audibly more than once, and just enjoyed the story as a wholeI just wish it was longer so I could spend more time in this world. The story didn’t require it.

Ed Harris gives exactly what you’d expect from him in an audiobook narrationnear perfection. I thought his stuff was great.
5 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK SPOTLIGHT: These Walls Were Never Really There by Bryan Blears

I’m very pleased to welcome The Write Reads Blog Tour for by Bryan Blears to the blog today. I couldn’t fit this into my schedule on time, sadly, but you should absolutely check out some of the posts about it at https://twitter.com/WriteReadsTours to see why you should give it a read. But before you go there, let’s learn a little about this book, shall we?

These Walls Were Never Really There Tour Banner

Book Details:

Book Title: These Walls Were Never Really There by Bryan Blears
Publisher: 2qt Limited
Release date: April 1, 2022
Format: Paperback/Ebook
Length: 286 pages
These Walls Were Never Really There

About the Book:

Based on the author’s own experiences of leaving home and traveling across Europe on less than a pound a day, These Walls Were Never Really There is a compelling true story described by publishing editors as ‘immersive and moving’ and ‘a potential prizewinner in the making’.

Initially set in the heart of Manchester’s homeless community, These Walls follows twenty-year-old Cameron, who is propelled on a physical and spiritual journey which will take him far from the life he once knew.

A surprising story about mental health, friendship, and redemption, this compelling debut will take you on a journey across Europe and beyond, as Cameron and his traveling companion Jacob navigate perilous border crossings, packs of wolves, and the harsh realities of life on the road.

Set against the backdrop of the emerging Arab Spring, Cameron and Jacob will have their friendship pushed to its limits as they find themselves trapped thousands of miles away from home…

Book Links:

Amazon US ~ Amazon UK ~ Goodreads

About the Author:

Bryan BlearsBryan Blears is an author of contemporary literary fiction from Salford, Manchester. He has written for the Huffington Post, the New Statesman, and the Philosophical Society of England, among others.

Focusing on social issues, mental health, and overcoming personal adversity, his fiction has been compared to George Orwell, Sylvia Plath, and Donna Tartt. His debut novel, These Walls Were Never Really There, has been described by critics as an ‘immersive and moving true story’ and ‘a fantastic talent, and a potential prizewinner in the making.’

Author Links:

Website ~ Twitter

 


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

The Jackals by Adam Shaw: Maybe You Can Go Home Again, But Should You?

The JackalsThe Jackals

by Adam Shaw

DETAILS:
Publisher: Moonshine Books
Publication Date: January 11, 2022
Format: Kindle Edition
Length: 288 pg.
Read Date: January 28-31, 2022
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What’s The Jackals About?

Years ago, Jack was in a band with his brother and two close friends from school. They were playing regularly, and had a big event coming up. A major fight occurs between Jack and Mark, his best friend since childhood and bandmate. Jack leaves town, the band falls apart, and they don’t speak for seven years.

Now Jack’s living in a new town, has a career on the verge of going somewhere, a girlfriend out of his league, and a dog that the author doesn’t spend enough time on.* Which is when he gets the news that Mark was killed.

Robbed of the chance to make amends, Jack joins his brother and another bandmate to help clean out Mark’s house and attend the funeral. Hopefully giving him the opportunity to mend fences with everyone still living.

It does not go according to plan.

* It’s been a while since I got to geek out over a dog, and I thought for a minute that this would be my chance.

Proportional Response

Around the time that Jack left town, Mark’s life took a turn. The next several years were marked by a series of poor choices and their ramifications (I’ll keep it vague on that point). Many/some of those close to Mark blamed Jack for this direction in his life. When presented with the opportunity to pay Jack back for this, they do so.

But it’s not a proportional response—what’s done to Jack is over the line, and will have long-reaching consequences for Jack’s life.

I found Jack’s response to this both hard to believe and disappointing. The more I think about this part of the novel, the less I like it. No matter what Jack’s ultimate response to everything that happens may be, no matter what personal development may be triggered by this—ultimately for the good (quite possibly)—I just don’t buy this part of the book.

So, what did I think about The Jackals?

I’m not 100% that the official description is correct, and I wonder if the novel was revised a bit after it was written. But that’s okay, the things that didn’t quite match up were better this way.

The ending wasn’t what I expected from this story—both from the way the novel was moving and from the kind of story Shaw was telling. It was a little unsatisfying in the moment, but the more I thought about it, the more I appreciated what Shaw did. He went against expectations provided the kind of ending that was most fitting for Jack.

The best takeaway from this novel was what it had to say about friendship—the real, enduring kind. Both the friendships that were forged in childhood/adolescence and how they morph into something different in adulthood—whether or not there’s frequent contact.

It had comedic moments, but could’ve been funnier. It had some good drama, but could’ve used some more depth. I thought the characters were well-thought-out, but we needed a little more from each one. I liked the story, but I wasn’t sure it was resolved right. Essentially, on just about every front I can think of the novel missed the promise it shows. Just by a hair. I wanted to love this, but in the end, I could only like it.

However underwhelmed I was with the book as a whole, and whatever issues I might have with parts of the plot—I did enjoy the book and am glad I read it. I’m curious to see what Shaw will do next, and I’ll definitely grab it. Your results may vary, of course, and I can easily see readers enjoying this more than I did (and I did like it!).

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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