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PUB DAY REPOST: I Have Too Many Things to Say About Robert B. Parker’s Buried Secrets by Christopher Farnsworth

Cover of Robert B. Parker's Buried Secrets by Christopher FarnsworthRobert B. Parker’s Buried Secrets

by Christopher Farnsworth

DETAILS:
Series: Series: Jesse Stone, #22
Publisher: G.P. Putnam's Sons
Publication Date: February 4, 2025
Format: eARC
Length: 352 pg.
Read Date: January 4-6, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Buried Secrets About?

Jesse is called to make a welfare check on an elderly Paradise resident (no one he knows) and finds the worst outcome—they are weeks too late for this check. Also, the man was a hoarder, and it’s near impossible to navigate through his home to his body without disturbing some of his stacks of…whatever it was that he’d accumulated.

When one box of photos is dislodged, Jesse finds several photos of murder victims. Crime Scene techs soon find $2 million in cash stashed in the house. Either one of these finds would send Jesse’s “coply intuition” to sound alarm bills—the two together? He knows that they stumbled onto something bad—and worse is on the way to Paradise if they can’t wrap up this case soon.

The A Story and Jesse

(not that most of the cast of characters aren’t involved in this storyline)
Something about this case sets Jesse off. Something is eating him in ways that he’s unprepared for, and he gets a little on edge and grumpy (at least to those on the outside). The bottle is calling to him in a way it hasn’t for a while. The voice is loud and tempting. There’s at least once that he goes looking for a bottle that thankfully isn’t there anymore.

The way this—and the related issues it brings up—work themselves out through this novel shows just how far Jesse has come since he first came to Paradise—or even since he stopped drinking in earnest. But that battle isn’t over.

The rest of the PPD is involved in this storyline, but this is Jesse’s focus throughout the novel—it’s also where everything that Jesse goes through emotionally/psychologically is rooted. As such, I’ve found that I can’t keep talking about this without telling you too much. So let’s move on to:

The B Story and Everyone Else

The day that this body is found is also the first day for a new officer for the PPD. He’d spent some time on patrol in a major city, and then a smaller city before this relocating. He tells Jesse that he wanted to be in a town like Paradise, where he could do some good.

There’s an incident or two—you could see them as first-day on-the-job eagerness, a training issue, or something worse. Before you know it, people in Paradise (and in the PPD) are divided over this one officer. Jesse is too caught up in this case, the city politics, and other things to really dig into things. Some others in the department aren’t so sure about him. Others are willing to give him a chance or three. Essentially, Jesse is willing to let things shake out on their own—at least until he’s able to close the murder.

He might not get that chance. Making this call is arguably Jesse’s biggest mistake in the novel.

In addition to the story of this officer, Farnsworth is able to bring in some discussion of what it means to be a police officer in the 21st Century USA. What does it look like, what kind of people should wear the badge? What kind of equipment should police departments have? How can people who have a problem with the police in their area safely do? There’s a related scene that touches on public protest and social media/legacy media fanning the flames.

In many—most—ways, this story is not the main focus of the book—but it’s so close that it might as well be. And as much as I enjoyed The A Story, this is the one that hooked me the deepest. Farnsworth did the franchise proud with it, too.

Farnsworth at the Helm

Poor Jesse Stone, this is his fourth author since Parker’s death. Just for that reason alone, I hope Farnsworth sticks around for a while. He and his readers need some continuity. Once you figure in what a bang-up job that Farnsworth did, I can underscore that hope a couple of times.

Unlike just about every other (I think every other, but let’s throw some wiggle room into this), Farnsworth didn’t give us a lot of trivia from Parker’s books to establish his bona fides. There were some references, but they were the same kind that Parker himself made. Farnsworth showed us his credentials in the way he wrote these characters, this community, and the story.

I was a little apprehensive about him—I read at least the first two of his Nathaniel Cade books—maybe all three, but nothing since. There was something about whichever Cade book was my last that didn’t leave me eager to try him again. Don’t ask me what it was—it’s been over a decade. I’m glad my loyalty to the series won out over my vague sense of apprehension (it wasn’t a close competition). He nailed it.

The one item that I’m most happy about is that with one line of dialogue, Farnsworth expanded on—added depth to—Dix. Did we need this for Dix? But I love that we got it. Also…it was a great way to give that gift to us.

BTS Question

I know there have been conversations between some of the Parker-verse authors about moves they were going to make with certain characters and whatnot—I can’t remember the details, but I heard in one or two interviews that  Atkins or Coleman had to make an adjustment to one book because of something the other did (I’m being very vague because I don’t remember too much and I’m too lazy to do the homework). So I’m sure that Farnsworth and Lupica had a conversation about this book and the events of Hot Property.

What I want to know is how did Hot Property impact this novel? Did Farnsworth have Rita’s scenes in this book completed and added a couple of lines to reflect it? Did he have something else in mind for those scenes and revised them to take advantage of Lupica’s latest? Just what kind of collaboration happened?

Does this impact my appreciation for either book? Nah. But I’m certainly curious.

So, what did I think about Buried Secrets?

At each step along the way, I kept thinking of other things I wanted to say about this one—and at book 22 of a series (no matter how many authors have contributed), that’s saying something. I’ve done my best to limit myself to the bigger matters, but I think I could add at least another 5 paragraphs without breaking a sweat (and they’d likely lead to others).

When Coleman got Jesse into AA, I saw one fan complain about him turning Jesse into “another whining Twelve Step wuss” (that’s very close to it). This seemed like an odd take, as most of Parker’s work (since 1974’s God Save the Child) has celebrated people getting help via therapy or some other means to improve—even save—their lives. I’m afraid that some of what this book does is going to elicit similar reactions from that fan and many others. I hope that the publisher, the Parker Estate, and Farnsworth ignore all that. I don’t see anything here that doesn’t fit in Parker’s worldview (or at least the worldview of all of his fiction).

The Paradise Police Department—particularly the officers we’ve spent time with since Night Passage—got to shine as they ought to. Sure, it’s Jesse’s series, but Molly, Suit, Peter, Gabe, and the others are more than just cardboard cutouts in the background (obviously we don’t know as much about Peter and Gabe as we do some others). The more the various personnel get to contribute, the more the books feel like it’s about a Police Chief—not some rogue lawman. I’m glad Farnsworth did that.

Buried Secrets was satisfying on every level that I can think of. It’s the best Jesse Stone novel in years (with all due respect to Mr. Lupica), specifically since The Hangman’s Sonnet or Colorblind (now that I’ve mentioned those two books in particular, I could probably have written a post just about the ways that Buried Secrets parallels major elements of those, something I hadn’t thought of until now). It contains a good mystery, some strong social commentary, some great character moments, a bunch of characters on the other side of the law that you just have to meet, some solid action, and most of all, time with characters that fans have been spending time with for decades.

I strongly recommend this.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

I Have Too Many Things to Say About Robert B. Parker’s Buried Secrets by Christopher Farnsworth

Cover of Robert B. Parker's Buried Secrets by Christopher FarnsworthRobert B. Parker’s Buried Secrets

by Christopher Farnsworth

DETAILS:
Series: Series: Jesse Stone, #22
Publisher: G.P. Putnam's Sons
Publication Date: February 4, 2025
Format: eARC
Length: 352 pg.
Read Date: January 4-6, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Buried Secrets About?

Jesse is called to make a welfare check on an elderly Paradise resident (no one he knows) and finds the worst outcome—they are weeks too late for this check. Also, the man was a hoarder, and it’s near impossible to navigate through his home to his body without disturbing some of his stacks of…whatever it was that he’d accumulated.

When one box of photos is dislodged, Jesse finds several photos of murder victims. Crime Scene techs soon find $2 million in cash stashed in the house. Either one of these finds would send Jesse’s “coply intuition” to sound alarm bills—the two together? He knows that they stumbled onto something bad—and worse is on the way to Paradise if they can’t wrap up this case soon.

The A Story and Jesse

(not that most of the cast of characters aren’t involved in this storyline)
Something about this case sets Jesse off. Something is eating him in ways that he’s unprepared for, and he gets a little on edge and grumpy (at least to those on the outside). The bottle is calling to him in a way it hasn’t for a while. The voice is loud and tempting. There’s at least once that he goes looking for a bottle that thankfully isn’t there anymore.

The way this—and the related issues it brings up—work themselves out through this novel shows just how far Jesse has come since he first came to Paradise—or even since he stopped drinking in earnest. But that battle isn’t over.

The rest of the PPD is involved in this storyline, but this is Jesse’s focus throughout the novel—it’s also where everything that Jesse goes through emotionally/psychologically is rooted. As such, I’ve found that I can’t keep talking about this without telling you too much. So let’s move on to:

The B Story and Everyone Else

The day that this body is found is also the first day for a new officer for the PPD. He’d spent some time on patrol in a major city, and then a smaller city before this relocating. He tells Jesse that he wanted to be in a town like Paradise, where he could do some good.

There’s an incident or two—you could see them as first-day on-the-job eagerness, a training issue, or something worse. Before you know it, people in Paradise (and in the PPD) are divided over this one officer. Jesse is too caught up in this case, the city politics, and other things to really dig into things. Some others in the department aren’t so sure about him. Others are willing to give him a chance or three. Essentially, Jesse is willing to let things shake out on their own—at least until he’s able to close the murder.

He might not get that chance. Making this call is arguably Jesse’s biggest mistake in the novel.

In addition to the story of this officer, Farnsworth is able to bring in some discussion of what it means to be a police officer in the 21st Century USA. What does it look like, what kind of people should wear the badge? What kind of equipment should police departments have? How can people who have a problem with the police in their area safely do? There’s a related scene that touches on public protest and social media/legacy media fanning the flames.

In many—most—ways, this story is not the main focus of the book—but it’s so close that it might as well be. And as much as I enjoyed The A Story, this is the one that hooked me the deepest. Farnsworth did the franchise proud with it, too.

Farnsworth at the Helm

Poor Jesse Stone, this is his fourth author since Parker’s death. Just for that reason alone, I hope Farnsworth sticks around for a while. He and his readers need some continuity. Once you figure in what a bang-up job that Farnsworth did, I can underscore that hope a couple of times.

Unlike just about every other (I think every other, but let’s throw some wiggle room into this), Farnsworth didn’t give us a lot of trivia from Parker’s books to establish his bona fides. There were some references, but they were the same kind that Parker himself made. Farnsworth showed us his credentials in the way he wrote these characters, this community, and the story.

I was a little apprehensive about him—I read at least the first two of his Nathaniel Cade books—maybe all three, but nothing since. There was something about whichever Cade book was my last that didn’t leave me eager to try him again. Don’t ask me what it was—it’s been over a decade. I’m glad my loyalty to the series won out over my vague sense of apprehension (it wasn’t a close competition). He nailed it.

The one item that I’m most happy about is that with one line of dialogue, Farnsworth expanded on—added depth to—Dix. Did we need this for Dix? But I love that we got it. Also…it was a great way to give that gift to us.

BTS Question

I know there have been conversations between some of the Parker-verse authors about moves they were going to make with certain characters and whatnot—I can’t remember the details, but I heard in one or two interviews that  Atkins or Coleman had to make an adjustment to one book because of something the other did (I’m being very vague because I don’t remember too much and I’m too lazy to do the homework). So I’m sure that Farnsworth and Lupica had a conversation about this book and the events of Hot Property.

What I want to know is how did Hot Property impact this novel? Did Farnsworth have Rita’s scenes in this book completed and added a couple of lines to reflect it? Did he have something else in mind for those scenes and revised them to take advantage of Lupica’s latest? Just what kind of collaboration happened?

Does this impact my appreciation for either book? Nah. But I’m certainly curious.

So, what did I think about Buried Secrets?

At each step along the way, I kept thinking of other things I wanted to say about this one—and at book 22 of a series (no matter how many authors have contributed), that’s saying something. I’ve done my best to limit myself to the bigger matters, but I think I could add at least another 5 paragraphs without breaking a sweat (and they’d likely lead to others).

When Coleman got Jesse into AA, I saw one fan complain about him turning Jesse into “another whining Twelve Step wuss” (that’s very close to it). This seemed like an odd take, as most of Parker’s work (since 1974’s God Save the Child) has celebrated people getting help via therapy or some other means to improve—even save—their lives. I’m afraid that some of what this book does is going to elicit similar reactions from that fan and many others. I hope that the publisher, the Parker Estate, and Farnsworth ignore all that. I don’t see anything here that doesn’t fit in Parker’s worldview (or at least the worldview of all of his fiction).

The Paradise Police Department—particularly the officers we’ve spent time with since Night Passage—got to shine as they ought to. Sure, it’s Jesse’s series, but Molly, Suit, Peter, Gabe, and the others are more than just cardboard cutouts in the background (obviously we don’t know as much about Peter and Gabe as we do some others). The more the various personnel get to contribute, the more the books feel like it’s about a Police Chief—not some rogue lawman. I’m glad Farnsworth did that.

Buried Secrets was satisfying on every level that I can think of. It’s the best Jesse Stone novel in years (with all due respect to Mr. Lupica), specifically since The Hangman’s Sonnet or Colorblind (now that I’ve mentioned those two books in particular, I could probably have written a post just about the ways that Buried Secrets parallels major elements of those, something I hadn’t thought of until now). It contains a good mystery, some strong social commentary, some great character moments, a bunch of characters on the other side of the law that you just have to meet, some solid action, and most of all, time with characters that fans have been spending time with for decades.

I strongly recommend this.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Word and Spirit: Selected Writings in Biblical and Systematic Theology by Richard B. Gaffin, Jr.: Righteous Gems

I can’t put this one off any longer—if I could, I promise you I would (I’ve delayed it a few weeks already). I’m out of my league here, but I’ve got nothing else to write about. And I really need to write something about this.


Cover of Word and Spirit by Richard B. Gaffin, Jr.Word and Spirit:
Selected Writings in Biblical and Systematic Theology

by Richard B. Gaffin, Jr.; edited by David B. Garner & Guy Prentiss Waters

DETAILS:
Publisher: Westminster Seminary Press 
Publication Date: December 1, 2023
Format: Hardcover
Length: 723 pg.
Read Date: January 7, 2024-September 22, 2024

The word atonement does not occur in Paul’s writings.’ But no concern is more central for him than the meaning of the death of Christ, the church’s perennial concern in its doctrine of the atonement. What does Christ’s death achieve? How is it effective for the salvation of sinners? This chapter considers Paul’s answers to such questions with an eye to the issue of continuity between Paul’s teaching and later church doctrine. How faithful to the apostle is subsequent Christian understanding of the atonement?

Contemporary Pauline scholarship is marked by a fairly widespread consensus that in its dominant and most influential expressions, traditional atonement theology departs from Paul in at least two substantial ways. First, it fails to recognize, or at least do justice to, the Christus Victor theme in Paul, that Christ’s death destroys actual slavery to sin and its consequences in the sinner. Second, its notion of the cross as penal substitution, particularly as it has been developed beginning with the Reformation, is foreign to Paul.? In my view, the first of these critiques contains some measure of truth; however, the second is wrong. As a fair generalization, historic Christianity, including Protestant orthodoxy, is weak in not recognizing adequately Paul’s teaching that the cross destroys sin in the sinner as a corrupting and enslaving power, but modern historical-critical scholarship is defective for not dealing adequately with his teaching that the cross removes the guilt and just punishment of sin.

What’s Word and Spirit About?

According to the Publisher,

Few Reformed theologians have exerted the influence in both the church and the academy that Richard B. Gaffin, Jr. has, shaping the theology and spiritual formation of generations of pastors and teachers. Until now, his most significant published works have been inaccessible to most theological readers, published in academic journals, denominational newsletters, and out of print festschrifts and essay collections. A decade in the making, Word & Spirit gathers Gaffin’s finest works of biblical and systematic theology and arranges them in a singular, organic whole that presents Gaffin’s thought and work as comprehensively and clearly as it ever has been. More than 40 essays, articles, and tracts have been compiled, including “The Usefulness of the Cross”, No Adam, No Gospel, “A Cessationist View,” and “The Work of Christ Applied”. This collection is a must-have for any student of theology.

There’s really not much else to say. It’s broken down into five sections, and I’d be tempted to say that each section was the most valuable/useful (well, at least 2-5, but maybe if I spent some time re-reading part 1, I’d reconsider that). Let’s take a quick look at each:

Hermeneutics, Biblical Theology, and Systematic Theology

This is ten articles spread out over 170+ pages, covering the basics of Biblical Theology, how it can and should interact with Systematic Theology (and vice versa).

There’s some repetition of ideas (this will be a common thread throughout each section), which makes sense as these were written as individual pieces, not as part of a book, and Gaffin’s position and ideas about these things have remained static/build on each other.

It’s vital to understand him and his work—and just good to have a handle on these ideas regardless.

Theology of Hebrews and Paul

Most of these seven articles encapsulate (and expand on) the ideas from In the Fullness of Time: An Introduction to the Biblical Theology of Acts and Paul, a book I raved about a couple of years ago. But there are teachings and texts he didn’t address there, that he does here.

This section was so rich, so helpful—the chapters “‘The Obedience of Faith’: Some Reflections on the Rationale for Romans,” “Atonement in the Pauline Corpus: ‘The Scandal of the Cross,'” “and “The Priesthood of Christ: A Servant in the Sanctuary”—were good enough that I almost re-read them immediately (and I probably should’ve).

The first article in this section, The Usefulness of the Cross is available as a PDF Free Chapter Download from the publisher, take advantage of this.

Scripture, Epistemology, and Anthropology

The first three of these six chapters might have been the most mind-stretching for me (they won’t be for everyone), and were very rewarding.

The final three were the easiest for me—and the most repetitive in the book. They focus on Biblical anthropology (as in teaching on the nature of man), focusing on the historicity and nature of Adam. I’ve read at least “No Adam, No Gospel” before—it was published as a booklet a few years ago, and I think I read the previous chapter, the Translator’s Foreword to Adam in the New Testament as well. And I didn’t mind one bit re-reading it/them. Still helpful.

Pneumatology

These seven chapters could be (should be, if you ask me) be reworked into one book. Gaffin shines in these studies—and going back to his By Faith, Not By Sight and Resurrection and Redemption, these teachings are where he’s historically helped me the most. And that streak continues here.

Reformed theologians often (and wrongly) get the reputation for not talking about the Spirit as much as other traditions, and—even worse—are considered to ignore Him. Gaffin makes it clear that everything about Reformed Theology is based on the work of the Spirit in believers’ lives and helps us understand just what that means—both theologically and practically.

The Law of God, Soteriology, and Eschatology

This section pretty much covers “everything that couldn’t fit above.” Again, I’ve read a few of these before in other publications/stand-alone works. But I don’t care.

The chapters on eschatology are gold.

The chapters on Justification and Calvin are even better—the way he talks about Calvin’s view of the relationship of Sanctification and Justification (and the way he presents the two in The Instittues even in the organization of them) is so important for us all to heed. Particularly as he roots them both in Union in Christ—as is every benefit that the believer enjoys in this life and in the resurrection.

So, what did I think about Word and Spirit?

The justification of God’s elect is unshakably secure because, in a sentence, Jesus Christ is “the same yesterday, today and forever” (Heb. 13:8). Despite the way it is often read, this is not, at least in the first place, a proof text for Christ’s divine immutability, that as God he is unchanging, though that attribute is surely in the background (see, for instance, 1:10—12).” Rather, it is most likely an affirmation of his unwavering fidelity, his abiding reliability as high priest—in his once-for-all sacrifice in the past on earth and in his ongoing present and future (cf. 7:25) intercession in heaven. That is as good a note as any to bring these reflections to a close. “Jesus Christ—the same yesterday, today and forever.” This, first and finally, is what Christians need to know about their justification when they consider Christ as their priest, not only in his state of humiliation but also in his state of exaltation.

Outside of the Foreword, Introduction, and Brief Biography (Appendix A), none of this is particularly easy reading. Nor quick. But all of it is accessible—for the depth he gets into at points, this is much more approachable than On Classical Trinitarianism (to mention a recent example).

This is probably the most personally beneficial read I’ve had in the last couple of years—sitting down with Gaffin for 30-50 minutes every week has been a great discipline and a great boon.

I should probably have more to say than that, but I can’t think of what else to say that’s not just a restatement of this: this is a fantastic book—with insights, teachings, and reminders of the things that are vital for every believer.

Highly recommended.


5 Stars
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BLOGIVERSARY REPOST: P is for Peril by Sue Grafton

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week. I hope you’ve enjoyed this stroll down Amnesia Lane as much as I did.


P is for Peril (Kinsey Millhone #16)P is for Peril by Sue Grafton
Series: Kinsey Millhone, #16

My rating: 3 of 5 stars

Well, this is totally not surprising at all…a solid mystery novel, with plenty of satisfying twists and turns from Sue Grafton.

A name from the past (and one of my favorite Grafton books) refers Kinsey for another missing persons case — against her better judgement, she takes it and before too long finds herself in the middle of broken family politics, pouty teenagers, a potential stalker, and cases of grand theft, fraud, murder, and a handful of other brushes with human frailty and depravity.

I did rather enjoy all these voices from the 80s complaining about the labyrinth that is Medicare/Medicaid/other federal health regulations — if they only knew!

I do wish, and I don’t think I’ve complained about this before, but Kinsey blabs way too much — to friends (especially new ones), to suspects/interviewees/sources, and even to clients. Maybe it fits with the research that Grafton’s done about proper P.I.-ing, but man. Every time she starts to divulge information I want to reach into the book and slap my hand over her mouth. Seriously, lady, keep it to yourself.

The conclusion to this one is atypical — we don’t get resolution to any of they mysteries she’s involved with; well, we sort of get resolution to one of them, but it has nothing to do with any sleuthing on Kinsey’s part. The rest of the mysteries are solved by Kinsey, but we don’t see the resolution of the story line — we don’t even get the (often) heavy-handed wrap up where she reflects on the events of the novel. Nope. Not saying that’s good or bad (honestly, I’m not sure). It’s just not par for the course. Not sure why Grafton did it that way, but it worked this time (could get to be tiring if she keeps it up)

BLOGIVERSARY REPOST: Gone Tomorrow by Lee Child

To commemorate the 11th Blogiversary of The Irresponsible Reader, I’m reposting the first six books I blogged about this week. This was apparently the first book I discussed here—something I don’t remember looking up until I prepped this.


Gone Tomorrow (Jack Reacher, #13)Gone Tomorrow by Lee ChildSeries: Jack Reacher, #13
My rating: 4 of 5 stars

4.5 out of 5 really. Not sure why I’m holding that .5 out, but let’s say it wasn’t perfect — just so, so close.

On the one hand, this was a typical Jack Reacher novel* — Reacher sees a wrong that needs righting, a question that needs answered, someone who needs a little help, a little vengence that needs meting out, and he takes care of business, period. On the other hand — this was more intense, had more twists and turns, with higher (personal) stakes than your typical Reacher novel.

So, I guess it was a typical Reacher novel — just turned up to 11.

It’s really hard to say much about this Gone Tomorrow without spoiling the whole thing. But I’m going to try a bit: From the outset, it’s hard to tell who Reacher is working for until a little over halfway through the book (I think–didn’t take notes); everyone (everyone) lies to him about all sorts of things — but there’s enough truth mixed into the lies that I didn’t just spoil anything there; the violence (at least on Reacher’s part) is a bit more concentrated than usual, but once it starts…whoa, Nelly.

The biggest difference in this one is the looming specter of various counter-terrorism agencies and entities, functioning in the full protection and powers given by the Patriot Act and so on. Reacher and other characters in this book aren’t reticent to voice their complaints with these powers and the curtailment on citizen rights, honestly, to an extent that surprised me. While Reacher’s not directly in opposition to these agencies (he never would be that), his purposes and theirs do not directly align. Which gives an extra layer of danger for him — if Reacher’s not careful, he can disappear like he’s never existed before.

Basically the only other thing I can say without spoiling the crap out of this is simply: With Gone Tomorrow, Child, once again, shows that he and Reacher are the best around.

——-

* And a typical Jack Reacher novel is a great read, so don’t take this characterization as a complaint.

Clearing the Deck III: Tweet-length thoughts about books I can’t find time to write about

I did this last month to catch up up to 2023, but the backlog I’d accrued last year was too big for me. So here we go again. This doesn’t get me totally cuaght up, but it’s close enough. Hopefully it’ll be years before I have to resort to this again.

I frequently mention how looming Mt. TBR is getting for me, but what’s worse is my “To Write About” pile, I know I’m never going to catch up with that properly and it bugs me to no end. But in the interest of something being better than nothing, a dash of realism, and a heavy dose of self-care, I’m cutting myself some slack. This was painful to do, I was looking forward to writing about most of these, and I have so much that I want to say. But I’m just not going to get to them—and other books are starting to pile up, too. So, in 144 characters or less, here’s me cutting myself some slack.

(Click on the cover for an official site with more info)

If I Understood You, Would I Have This Look on My Face?
3.5 Stars
If I Understood You, Would I Have This Look on My Face?: My Adventures in the Art and Science of Relating and Communicating by Alan Alda
Not sure how helpful this was–but it was quite entertaining & interesting. Hours of Alda’s narration–it almost doesn’t matter what he said.
The Librarian of Crooked Lane
3 Stars
The Librarian of Crooked Lane by C.J. Archer, read by: Marian Hussey
Great idea. Okay (ish) execution. Had to push myself to keep going more than once.
The Bittlemores
4 Stars
The Bittlemores by Jann Arden
So strange at times. The ending made all of the “why am I bothering” parts worth it. Capital Q-quirky and emotionally effective. Give it a try.
Things My Son Needs to Know about the World
3.5 Stars
Things My Son Needs to Know about the World by Fredrik Backman, read by: Santino Fontana
Hilarious and touching. Backman seems more down-to-earth than expected–a great writer & a relatable dad. Should give this to my grandkid’s dad.
That Old Cloak and Dagger Routine
3 Stars
That Old Cloak and Dagger Routine by Anne Louise Bannon
Ummm…a cozy and fairly self-consciously chaste spy novel. Who knew that was possible? Wasn’t wowed, but intrigued enough to read more.
The Deal Goes Down
3.5 Stars
The Deal Goes Down by Larry Beinhart
A compelling, self-aware, action read. Really dug it, but not sure I’m 100% into the story’s wrap-up, but the denouement helped.
Endangered
3 Stars
Endangered by C.J.Box, read by: David Chandler
Ehhhh…I liked this, I think. I’m not sure what to say about it (hence the months of silence from me, I guess)
Strong Female Character
3 Stars
Strong Female Character by Fern Brady
Funny and helpful look at one woman coming to terms with an ASD diagnosis, and how she got to it.
Hammered
3 Stars
Hammered by Lindsay Buroker, read by: Vivienne Leheny
Good world, great protagonist/narrator. Decent introductory novel. I’ll be back for more.
Vampire Weekend
4 Stars
Vampire Weekend by Mike Chen
Heckuva read. Words have failed me for a year with this one. The premise, execution, characters, plot–all typical Chen greatness.
Spider-Man’s Bad Connection
3 Stars
Spider-Man’s Bad Connection by Preeti Chhibber
Not as good as book 1, but filled with everything I liked about it. Seemed more concerned about setting up the series arc than this book’s plot.
Blue Like Me
3.5 Stars
Blue Like Me by Aaron Philip Clark, read by: Preston Butler III
The mystery/police aspect of this series is great. The personal life material is less so. This author/narrator combo makes it worthwhile.
Once Upon a Tome
3 Stars
Once Upon a Tome: The Misadventures of a Rare Bookseller by Oliver Darkshire
If you’ve ever wondered what it’s like to work in an antiquarian bookshop or if you like quietly charming people talk about unusual occupations…
The Storied Life of A. J. Fikry
3.5 Stars
The Storied Life of A.J. Fikry by Gabrielle Zevin, read by: Scott Brick
So sweet, so heartwarming, so charming. This novel about booksellers in love–and Firkney’s adorable daughter–will steal your heart.
Killing Me
4 Stars
Killing Me by Michelle Gagnon
Great take on vigilante serial killers. Great turns and twists.
Teen Titans: Robin
3 Stars
Teen Titans: Robin by Kami Garcia, Art by: Gabriel Picolo
Not the best in the series, but Garcia’s take on these characters is good enough to overcome that. I just wish these came out faster.
Charlie Thorne and the Last Equation
2 Stars
Charlie Thorne and the Last Equation by Stuart Gibbs, read by: Emily Woo Zeller
The problem with an impossibly smart characters is that the creators behind them aren’t that smart. The results are disappointing.
Evil Valley
3 Stars
Evil Valley by Simon Hall
I like this series, I like the characters…didn’t think this was up to the author’s standards. Some great scenes and a compelling killer.
Summer Hours at the Robbers Library
2 1/2 Stars
Summer Hours at the Robbers Library by Sue Halpern, read by: Josh Bloomberg, Dara Rosenberg, Allyson Ryan
Meandering. The major reveal was a major letdown. It was just intriguing enough to keep me listening, but I wish it hadn’t been.
The Stench of Honolulu
2 Stars
The Stench of Honolulu: A Tropical Adventure by Jack Handey
What a waste of time (mine and the authors) and talent.
Pieces of Eight
3.5 Stars
Pieces of Eight by Peter Hartog
I <3 this universe. I think this case was weaker, but the character moments, growth, and magic were so great that it didn't matter. I need more.
Posthumous Education
3 Stars
Posthumous Education by Drew Hayes, read by: Kirby Heyborne
Good to be back in Fred’s world. Not the best collection of episodes for the Vampire Accountant, but pleasant enough.
The Last Ranger
3 Stars
The Last Ranger by Peter Heller, read by: Mark Deakins
Feels like a CJ Box standalone that he abandoned because he couldn’t come up with an ending. Heller couldn’t either, but called it good anyway.
The Door-to-Door Bookstore
3 Stars
The Door-to-Door Bookstore by Carsten Henn, read by: Raphael Corkhill, translated by Melody Shaw
Schmaltzy but pure-of-heart. One central character’s motivation makes no sense. Ignoring that, it’s a sweet celebration of books/readers.
Murder Your Employer
3.5 Stars
Murder Your Employer: The McMasters Guide to Homicide by Rupert Holmes, read by: Simon Vance, Neil Patrick Harris
Possibly too clever for its own good. I vacillated between reveling in it and utter disdain. It’s a mixed-bag that won me over in the end.
Fixit
4 Stars
Fixit by Joe Ide
IQ and Dodson are back and better than ever. Who needs to say more than that?
Thornhedge
3 Stars
Thornhedge by T. Kingfisher, read by: Jennifer Blom
Great prose in service of a solid modern take on Cinderella.
Flood and Fury
4 Stars
Flood and Fury: Old Testament Violence and the Shalom of God by Matthew J. Lynch
Helpful work on Divine Violence (how to think of it, how not to think of it or avoid the idea, either) and about the conquest of Canaan.
But Have You Read the Book?
2 1/2 Stars
But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films by Kristen Lopez
How can a book with this premise be so dull? And snobbish, too.
The Chinese Groove
2 1/2 Stars
The Chinese Groove by Kathryn Ma, read by: James Chen
Great characters, an okay story, but the payoff wasn’t there. The ending was bad enough to make me wish I hadn’t spent the time.
Noirville
4 Stars
Noirville: Tales From The Dark Side by Chris McVeigh
15 of the best short stories I’ve ever read. This is how Crime Fiction should always be.
Grand Theft Astro
3 Stars
Grand Theft Astro by Scott Meyer, read by: Elizabeth Evans
The Stainless Steel Rat with a contemporary twist. Meyer is capable of better, but I had enough fun (not sure I’m sold on the ending)
The Eternity Fund
3.5 Stars
The Eternity Fund by Liz Monument
Dynamite dystopian adventure. Worth the $ just for the worldbuilding. The story and characters were even better–I’d relish a sequel.
The Mostly True Story of Tanner & Louise
4 Stars
The Mostly True Story of Tanner and Louise by Colleen Oakley, read by: Hillary Huber
It took me a long time to decide what this book was really about, but I enjoyed the trip. The destination was okay, too.
The Raven Thief
3 Stars
The Raven Thief by Gigi Pandian
See what I said about Spider-Man’s Bad Connection.
Killers of a Certain Age
3.5 Stars
Killers of a Certain Age by Deanna Raybourn, read by: Jane Oppenheimer, Christina Delaine
Who doesn’t enjoy an octogenarian assassin? Who doesn’t love female assassins? A group of them out for revenge? Sure-fire fun.
Vanished
3 Stars
Vanished by Kat Richardson, read by: Mia Brown
Good story, but felt underwhelmed by it all. I think it was me and my timing. not Richardson. I need to get back on this horse.
She-Hulk: Jen Again
3 Stars
She-Hulk, Vol. 1: Jen, Again by Rainbow Rowell
A real winner from Rowell. I knew I should’ve started reading this series earlier. Good art, interesting arcs, & some real smiles were induced.
How to Examine a Wolverine
3 Stars
How to Examine a Wolverine: More Tales from the Accidental Veterinarian by Philipp Schott, read by: Geet Arora
A fun Veterinarian Memoir, with a lot of heart. James Herriot with more laughs and technology.
The Green Ember
3 Stars
The Green Ember by S.D. Smith, read by: Zach Franzen
Maybe too much like Wingfeather Saga, but with rabbits instead of humans. Still, a good fantasy for the MG crowd.
Don't Hang Up
3.5 Stars
Don’t Hang Up by Benjamin Stevenson, read by: Luke Arnold, Sybilla Budd
I can’t do better than Mike Finn did. Go read what he said. It’s why I listened.
How I Won a Nobel Prize
2 1/2 Stars
How I Won a Nobel Prize by Julius Taranto, read by: Lauren Fortgang
Some good writing, but squandered for…I’m not sure really.
The Marlow Murder Club
3 Stars
The Marlow Murder Club by Robert Thorogood, read by: Nicolette McKenzie
Decent cozy with an intriguing cast of oddball slueths.
Questland
3.5 Stars
Questland by Carrie Vaughn
Jurassic Park for RPG, SF, Fantasy, etc. fans. Been a Vaughn fan for years, but don’t know that I’ve had this much fun with one of her novels.
All Systems Red
3 Stars
All Systems Red by Martha Wells, read by: Kevin R. Free
Oh, wow. I understand all the fuss over this series. I shouldn’t have slept on this–or the sequels like I have.
Self Help
3 Stars
Self Help by Ben H. Winters, read by: Wil Wheaton, Ron Perlman
Cool concept. Great cast. Entertaining but not-entirely satisfying result. Worth the time. But not much more.

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Clearing the Deck II: Tweet-length thoughts about books I can’t find time to write about

I did this back in January 2020, and need to do it again.

I frequently mention how looming Mt. TBR is getting for me, but what’s worse is my “To Write About” pile, I know I’m never going to catch up with that properly and it bugs me to no end. But in the interest of something being better than nothing, a dash of realism, and a heavy dose of self-care, I’m cutting myself some slack. So I’m clearing the deck of everything from 2020-2022 that I haven’t made time for. This was painful to do, I was looking forward to writing about most of these, and I have so much that I want to say. But I’m just not going to get to them—and other books are starting to pile up, too. So, in 144 characters or less, here’s me cutting myself some slack.

How bad am I at keeping up with my To-Write-Titles? I put together the list of books for this post in January 2023. And am just now getting to it. I wish that was a joke.

(Click on the cover for an official site with more info)

Battle Ground
5 Stars
Battle Ground by Jim Butcher
I just can’t talk about this one yet. I need more time. (yeah, they’re fictional characters, but I’ve spent too long with them to not be reeling)
Desert Star
3.5 Stars
Desert Star by Michael Connelly
Loved it while reading it. But I have more and more questions about all of it the longer I think about it. Not Connelly’s best but well worth it
Dead Ground
5 Stars
Dead Ground by M. W. Craven
Not a typical Poe and Tilly case, just as good and gripping as the rest though.
The Posthumous Memoirs of Brás Cubas
3.5 Stars
The Posthumous Memoirs of Brás Cubas by Machado de Assis, Flora Thomson-DeVeaux (Translator)
A strange and somewhat humorous look at a ghost’s POV on his life. I want to read it a few more times to really get a handle on it. Heckuva read
Nightwing: Year One Deluxe Edition
5 Stars
Nightwing: Year One Deluxe Edition by Chuck Dixon
If there’s a better Nightwing writer out there, I’d like to see it. A great, great, great telling of his origin.
Mythos
3 Stars
Mythos by Stephen Fry
Drags a little. Wish he could pick a tone for his retellings/commentary on the classic stories. Still, it’s Stephen Fry talking—worth the time.
Heroes Mortals and Monsters, Quests and Adventures
3.5 Stars
Heroes: Mortals and Monsters, Quests and Adventures by Stephen Fry
See above, but felt it dragged a bit more.
Teen Titans Beast Boy
3.5 Stars
Teen Titans: Beast Boy by Kami Garcia,
Gabriel Picolo (Penciller)

A solid, believable update of Gar Logan’s backstory. Very promising follow-up to the Raven book. Really impressed with Picolo.
Beast Boy Loves Raven
3 Stars
Teen Titans: Beast Boy Loves Raven by Kami Garcia,
Gabriel Picolo (Penciller)

Bring the two together and it’s even better. I’m curious about the overall story, but would read just them being awkward together. Like the art.
Missing Pieces
4 Stars
Missing Pieces: A Kings Lake Investigation by Peter Grainger, Gildart Jackosn (Narrator)
The Murder Squad tackles a cold case and is as excellent as ever. I don’t know how to talk about this series w/o being redundant. I want more!
Junkyard War
3.5 Stars
Junkyard War by Faith Hunter, Khristine Hvam (Narrator)
This was utterly fine. A lot didn’t go the way I expected. But I’m still in this series for the long haul.
The Dime
4 Stars
The Dime by Kathleen Kent
One of the best first chapters ever. The rest is pretty good. Not sure I buy the motive for the murders, nor that I want to see what comes next.
City of Crime
3.5 Stars
Batman: City of Crime by David Lapham
If you buy (I can’t) Batman losing sight of his mission, this story about him recovering it is great. If you can’t…well, it’s pretty good.
Bluebird, Bluebird
5 Stars
Bluebird, Bluebird by Attica Locke, J.D. Jackson (Narrator)
A stunning work of fiction. Words fail me. A deeply compromised Texas Ranger tries to solve a potential hate crime and keep his job.
Flynn (Audiobook)
5 Stars
Flynn by Gregory McDonald, Donald Corren (Narrator)
I expected the Fletch narrator for some reason, but Corren won me over in minutes. One of my favorite novels of all-time. Great audio version.
Son of Fletch
3.5 Stars
Son of Fletch by Gregory McDonald, Dan John Miller (Narrator)
Oh, I wanted to love this. But I just liked it. I’ll probably hear Miller in my head anytime I read Fletch in print.
Fletch Reflected
3 Stars
Fletch Reflected by Gregory McDonald, Dan John Miller (Narrator)
This is not the way the series should’ve ended. Some fantastic moments, but not sure it was worth it. Miller was solid as always.
Last Couple Standing
4 Stars
Last Couple Standing by Matthew Norman
Norman’s best female characters (to date). Stupid premise, but it almost convinces me to like it by the end. Lots of great moments.
Weakness Is the Way
3.5 Stars
Weakness Is the Way: Life with Christ Our Strength by J.I. Packer
Packer’s great on 2 Corinthians and what Paul tells about weakness as a way of life for the Christian.
The Monster in the Hollows
3 Stars
The Monster in the Hollows by Andrew Peterson
I’m not sure I loved the way the story went in this one, but I grew to appreciate it. Characters are still great.
The Warden and the Wolf King
4 Stars
The Warden and the Wolf King by Andrew Peterson
Whatever my misgivings about the last one, this was the right way to end the series. Just what I wanted (if mildly predictable)
Deathstroke: The Professional
3 Stars
Deathstroke, Vol. 1: The Professional by Christopher J. Priest
I prefer the version Wolfman and Perez initially told about his origin, but this ain’t a bad version. And I see why it was necessary. Good ’nuff
There Goes the Neighborhood
1 Star
There Goes The Neighborhood by S. Reed
I stopped working with a book tour company because they wouldn’t let me be honest about this book ever. So I won’t be. Loved ALL of it. <3<3<3<3
Percy Jackson's Greek Gods
3 Stars
Percy Jackson’s Greek Gods by Rick Riordan, Jesse Bernstein (Narrator)
If Percy Jackson edited D’Aulaires’s book you’d get this. A great way to introduce the myths to young readers. Bernstein is a spot-on Percy.
Percy Jackson's Greek Heroes
3.5 Stars
Percy Jackson’s Greek Heroes by Rick Riordan, Jesse Bernstein (Narrator)
See above, but with heroes.
I Will Judge You
3 Stars
I Will Judge You by Your Bookshelf by Grant Snider
If someone looked into my brain, took all of my ideas and feelings, and improved them, you’d get this book. But only one-third as good as this.
All These Worlds
3.5 Stars
All These Worlds by Dennis E. Taylor, Ray Porter (Narrator)
Taylor and Porter are unbeatable together. This is funny (duh), and the grief and sadness are real. As is the anger. Is the ending too easy?
The Fellowship of the Ring
5 Stars
The Fellowship of the Ring by J.R.R. Tolkien, Andy Serkis (Narrator)
Serkis nails the narration (as you’d expect). Is there a better first book of a series in Fantasy?
The Two Towers
4 Stars
The Two Towers by J.R.R. Tolkien, Andy Serkis (Narrator)
Serkis is tremendous here. This whole book is ridiculously good.
The Return of the King
5 Stars
The Return of the King by by J.R.R. Tolkien, Andy Serkis (Narrator)
One day the pacing on this won’t surprise me. The book gets better every time. Serkis was phenomenal.
Annihilation Aria
4 Stars
Annihilation Aria by Michael R. Underwood
Found family stars in this fun, space opera about archeologists fighting an empire.
The Cartel
5 Stars
The Cartel by Don Winslow
The best of the trilogy. Shocking. Moving. Gripping. All-too-real—if you told me this was non-fiction, I’d almost believe it. A true classic.

The Mayors of New York by S.J. Rozan: Let Your Honesty Shine…

The Mayors of New YorkThe Mayors of New York

by S. J. Rozan

DETAILS:
Series: Lydia Chin & Bill Smith, #15
Publisher: Pegasus Crime
Publication Date: December 5, 2023
Format: Hardcover
Length: 280 pg.
Read Date: December 21-25, 2023
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What’s The Mayors of New York About?

New York’s first female mayor has a problem. A few months after taking office, her fifteen-year-old son has run away. It’s not the first time, but it’s the first time since she’s been elected. She’s in the middle of high-stakes negotiations with a police union, so Mayor McCann doesn’t feel like she can turn to them without taking some PR hits/weakening in the negotiations.

So, she has her aide hire Bill Smith (who brings along Lydia, of course). It’s not easy tracking down one of the most recognizable teens in the city without letting anyone know you’re doing that—and it almost seems like the “without letting anyone know” part might overrule the “finding the teen” part of the job.

Now, Lydia’s trying to decide if she takes on a case of her own at the same time. Readers know long before they do that these cases will end up intertwined—otherwise, why would Rozan bring it up? And once Bill and Lydia cotton on to that, a hunt for a runaway takes on a whole new layer. Possibly several layers.

The Characters

Nah, I’m not going to talk about Bill and Lydia today—I honestly don’t know if I have anything else to say about them outside how they’re probably my favorite partnership in Crime Fiction (Robin/Cormoran—learn from these two. They trust each other and communicate frankly. Your lives will be the better for it, and the books will be shorter, too. Everyone wins.).

I want to talk about Mark McCann a little bit. At first, he’s just the target. He’s little more than a MacGuffin to get the plot moving. Then we start to learn a little about him and he becomes an actual character—one I want to learn more about. Then we get to meet him, and I like him a lot. And then Mark goes ahead and does some clever and stupid (read: dangerous) things and I want to see more of him.

The wanting to see more of him goes for everyone who’s alive and not under indictment of some sort at the end of the book—the McCann’s household staff, the people who help Mark along the way (and then help Bill and Lydia), and so on. I know it’s not really Rozan’s style, but if we could run across them in future books for a chapter or so just to spend more time with them, I’d really enjoy that. These all have a little more life to them than your typical witnesses, bystanders, and so on in PI Fiction. I particularly appreciated the way they all want some sort of Mayoral favor shown to their neighborhoods/communities and the way that Lydia takes notes to pass them along. A very nice—and real—note.

I feel like I should spend a few paragraphs on the most interesting character in this novel—Aubrey “Bree” Hamilton, the mayor’s aide who hires Bill to look for Mark. She and Bill dated years ago, and it’s clear from Bill’s First-Person Narration that the chip on his shoulder regarding this particular cheating %#&@ has is still pretty deep, no matter what degree of happiness he’s found elsewhere. It’s not just the way she cheated on him—Bill has no sympathy for her former PR clients (lawyers, largely) or the politicians she now works for, assuming everything they do or say is calculated for their benefit. He trusts Bree less than her bosses—and we see that throughout—but something about a 15-year-old boy who keeps running away from home speaks to Bill, so he has to investigate.

I got off target there, but I thought I’d explain Bill taking the case when he can’t stand anyone involved. Bree is a perfectly designed character—the reader can see how she’s good at her job, calculating, smart, and generally three steps ahead of anyone (aside from our protagonists occasionally). It’s impossible to tell how much she believes a lot of what she says, or if she’s saying it out of duty. And then there’s what she says to yank Bill’s chain a little bit. Bill (and therefore his narration) is so jaded against her that it’s hard for us to know how much of our negative reaction to her is justified and how much it is seeing her through Bill’s eyes. A great move by Rozan.

So, what did I think about The Mayors of New York?

The pace is fast without being breakneck. The dialogue is sharp and witty. Bill’s narration has never been more hard-boiled (his contempt for the client/client’s intermediary helps). The characters jump off the page. It’s what you want in a PI novel.

Early on, I had inklings about what was behind everything (and I’m pretty sure Rozan intended readers to). As the plot moved forward and we received more and more confirmation about those inklings, it made me uncomfortable and a little queasy. Why couldn’t I have been wrong? Why couldn’t these have been red herrings? Thanks to some skillful storytelling you don’t get bogged down in the wrongness of everything that’s afoot—it’s there and it colors everything, but your focus becomes on the characters dealing with it all, the reveals to other characters and the nail-biting way this story is resolved.

Yes, I think Rozan could’ve just as easily and skillfully let the characters and readers wallow in the muck of the crimes behind everything—but it would’ve changed the tenor of the book so much that the early chapters would feel out of place, and we probably wouldn’t have found some resolution that’s as satisfying.

Also, just because some things weren’t red herrings, don’t think that Rozan doesn’t toss enough of them at the reader to keep you wondering.

Rozan has been on a hot streak since Paper Son, and The Mayors of New York shows no signs of her slowing down anytime soon. And I am more than okay with that. If you’ve never indulged in this series before—this would work as a jumping-on point. Almost any of them would, really. The trick is to jump on somewhere for some of the best that PI fiction has to offer. A touch of the classic American PI added to a hefty helping of the 21st century. The Mayors of New York is one I heartily recommend to all.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Secret by Lee Child and Andrew Child: Time for Me to Slip out the Back (away from) Jack

The SecretThe Secret

by Lee Child, Andrew Child (Narrator)

DETAILS:
Series: Jack Reacher, #28
Publisher: Delacorte Press
Publication Date: October 24, 2023
Format: Hardcover
Length: 292 pg.
Read Date: December 2-4, 2023
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What’s The Secret About?

It’s 1992 and Capt. Jack Reacher has been assigned to a task force organized by the Secretary of Defense. He’s the U.S. Army Representative, and there’s someone from the CIA, the FBI, and the Treasury Department. They’ve been brought together to investigate a series of possible murders of scientists from around the country—although there’s the possibility they’re freak accidents or suicides, too.

In the 60s these men were part of a secret project that was abandoned after an accident caused some civilian deaths. But now it appears that someone has found their names and is working their way down a list. Can Reacher and the task force find the killer in time? What’s the purpose of killing them now?

So, what did I think about The Secret?

If this were a thriller about any other character and had someone else’s name on the cover, I might have said it was enjoyable enough.

But it’s about Jack Reacher and Lee Child’s name is on the cover (even if it’s pretty well established that Andrew is doing most of the writing), so there are certain standards that have to be met. The Secret falls far short of them.

I could go on a prolonged screed listing my problems with the book—but I’m going to skip it. Those problems range from minor (there’s no way that a 1992 version—or a 2023 version—of Reacher is going to say “pearl clutching”) to major (there’s no reason for the big multiple attackers vs. Reacher fight in the middle other than it’s been a hundred pages since Reacher’s done anything violent, and that time was pretty quick and undramatic). I’d also say I was disappointed by the use of the rest of the task force, which was subpar at best, the big reveal at the end was lazy, and the concluding chapters were a letdown from the mediocre pages before it.

But for me, it boils down to this—that guy walking around in a uniform wasn’t Jack Reacher. He was a decent Generic Thriller hero who could possibly develop into a character worthy of a series. And that’s a fatal flaw.

The Secret wasn’t terrible, but it wasn’t good, either. Reacher deserves better from his creator—and from anyone hired to carry on the character, and he’s not getting it. I’ve tried (and some of my readers have told me I shouldn’t) to give this new arrangement time to develop into something worthwhile, but I think my experiment is over. I’m going to move on to other thriller series now—I may check in with what the Child brothers are doing in a couple of years, but if I’m going to keep a positive regard for Jack Reacher, I’m going to have to focus on my memories (and whatever Alan Ritchson is doing on the show).


2 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Catch-Up Quick Takes: A Few Audiobooks from December

I’m a little worried after all of last week’s Favorites lists, I’m having a hard time writing something that takes multiple paragraphs. Thankfully? I had another stack of books I don’t have that much to say, so…let’s do a few more quick takes.

As always, I want to note, the point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Stone ColdStone Cold

by C. J. Box, David Chandler (Narrator)

DETAILS:
Series: Joe Pickett, #14
Publisher: Recorded Books
Publication Date: March 10, 2014
Format: Unabridged Audiobook
Length: 10 hrs., 49 min.
Read Date: December 2-5, 2022
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(the official blurb)
This was a good way to bring Nate back into the series if nothing else. The story was okay, and seeing Joe balance out working for his new administrator and Gov. Rulon was fun. I was less-than-excited about Sheridan’s storyline, it was good to see her in action, and any way that Box can do that is okay with me—I just wanted more, I guess.

Bringing Missy in (and Box might as well have saved time with that reveal, anyone could’ve seen that coming 5 miles away) didn’t do much for me at all. The series really needs less of her, and I don’t get Box’s need to use her as much as he does.

A decent installment in this series—nothing special, but nothing bad, either.
3 Stars

The Twist of a KnifeThe Twist of a Knife

by Anthony Horowitz, Rory Kinnear (Narrator)

DETAILS:
Series: A Hawthorne and Horowitz Mystery, #4
Publisher: HarperAudio
Publication Date: November 14, 2022
Format: Unabridged Audiobook
Length: 8 hrs., 31 min.
Read Date: December 12-15, 2022
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(the official blurb)
Until I heard Horowitz on a podcast talking about this book, I wasn’t sure if I was going to bother with the book—but he piqued my interest. I’m glad he did—he’s really good at keeping this series from falling into a formula, and bringing Hawthorne into this case to get Horowitz out of trouble was a nice twist (but something he can’t repeat).

I didn’t buy—at all—the way Horowitz didn’t involve his wife in his situation—or how she reacted. The way the other detectives focused on Horowitz and didn’t really listen to him seemed less-than-credible, too—but not as much.

Still, this was a fun listen—Kinnear’s a great narrator—and this mystery was clever. It was a good time—I know you’ll find more enthusiastic recommendations from several other people, and you should probably take their advice. The best I can do is that this book probably led me to get the next one .

3 Stars

Secrets Typed in BloodSecrets Typed in Blood

by Stephen Spotswood, Kirsten Potter

DETAILS:
Series: A Pentecost and Parker Mystery, #3
Publisher: Random House Audio
Publication Date: December 12, 2022
Format: Unabridged Audiobook
Length: 9 hrs., 40 min.
Read Date: December 15-19, 2022
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(the official blurb)
This was a nice step up from the previous books. Spotswood is gaining in confidence and it’s showing. The main client this time out was the best yet and was so believable—the crime was an interesting twist on a familiar setup (see the Castle pilot, for example). The secondary case was pretty much just filler (so much so that Pentecost was willing to give it up), but it still gave some good moments and set up some other promising things. There’s a side trip into an ongoing crusade of Pentecost’s that was really well done—I’m really interested in seeing how this progresses in the future.

This is clearly a Nero Wolfe-inspired series, but it’s becoming less of one all the time—and that’s good. Even better because Spotswood’s Zeck is going to prove to be more formidable and subtle than Stout’s was. (although I wish he’d give Parker the same kind of privacy when it comes to her personal life as Stout gave Archie)

Overall, I liked this.
3.5 Stars

Your Perfect YearYour Perfect Year

by Charlotte Lucas, Alison Layland (Translator), Carly Robins, P. J. Ochlan (Narrator)

DETAILS:
Publisher: Brilliance Audio
Publication Date: October 31, 2019
Format: Unabridged Audiobook
Length: 13 hrs., 33 min.
Read Date: December 23-28, 2022
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(the official blurb)
Ugh. A few years ago I was in the middle of a “I need to read more ‘General Fiction” kick and saw an advertisement (or something) for this—it wasn’t on a blog, I know that much. Something about the description appealed to me, and I got a good Whispersync deal, so the audio and ebook versions sat around since. I wanted to go through the ebook rather than the audio initially—but never seemed to find the time. But I finally broke down and just wanted to get it finished, it’s been calling to me for so long.

I should have held off a little (or a lot) longer. This book didn’t work for me in just about every imaginable way. Within a chapter or two you could see how the whole thing was going to go—including the “big surprise twist”. This is fine if the ride’s enjoyable. But it really wasn’t. The comedy wasn’t all that funny. The drama felt contrived (it’s fiction—all of it is contrived, I realize—but there’s “contrived” and there’s “feeling contrived”). The introspection and self-discovery really didn’t click for me, either.

The best thing I can say about it is that the arc of the publisher of only captial-L Literature and noteworthy Non-Fiction discovering the value and appeal of popular fiction was pleasant (and I just spoiled that…oops). A little self-serving for the writer of popular fiction, but I’m not going to criticize that.

Just pass on this one.
2 Stars

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