Category: G-L Page 2 of 17

Series G-F

No Plan B by Lee Child and Andrew Child Is Good Enough

No Plan BNo Plan B

by Lee Child, Andrew Child (Narrator)

DETAILS:
Series: Jack Reacher, #27
Publisher: Delacorte Press
Publication Date: October 24, 2022
Format: Hardcover
Length: 357 pg.
Read Date: December 1-3, 2022
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…maybe the others were right. With Reacher running around out there, maybe the full ceremony isn’t the smart way to go. Maybe It’s time we switched to Plan B.”

“We don’t have a Plan B, We’ve never needed one.”

“Maybe it’s time to think of one.”

What’s No Plan B About?

Reacher sees something in a newspaper about a museum display nearby, so he goes to check it out. This leads to him being in just the right neighborhood to see someone being pushed in front of a bus. While others are calling 911 and trying to tend to the victim, Reacher pursues the pusher. This leads to a confrontation where Reacher’s size works against him for once, and with the help of his partner, the man gets away (a Tom Cruise-sized character probably would’ve got at least one of them). Before they slipped away, Reacher got a glimpse of something the man took off the victim that made him curious.

That glance starts a whole machine working—that man, his partner, and their bosses can’t have what he saw become public. They don’t know how much time he got with the information, how much he read/understood—but if he saw anything, it could make things go very wrong for them. So they dispatch another team to take care of Reacher (the two that escaped aren’t in any shape to do anything after tangling with our hero).

Meanwhile, Reacher tries to convince the police that the woman had been pushed. But there’s already a witness who’d been swearing she jumped, and no one confirms what Reacher saw. The detective in charge sympathizes with Reacher and wants to follow up on his statement, but his superiors like the tidy answer a suicide brings. He feeds Reacher a bit of information, and the former M.P. is off on his own investigation. When the new team tries to take him out, Reacher knows he’s on to something and digs in for the long haul. This will take him from Colorado to a small town in Georgia, home to a prison the murder victim worked at.

Two other parties are making a trip to that same town. One is a teen who just learned that his father is imprisoned there—in the same conversation that he learned his father’s identity from his dying mother. He steals some money from his foster mother (money that should’ve been used to care for him, I should note) and buys a bus ticket from LA. He’s in over his head, and as we follow him on his journey it becomes clear that the fact that he survives long enough to get to Georgia is a sign of divine blessing or dumb luck.

We also track a father out for revenge. He’s a professional arsonist—actually, he employs professional arsonists at this point in his career. Something happened that killed his son—the details are kept vague for the reader. The grieving father backtracks the supply chain that provided the product, determined to destroy the man at the top.

So, what did I think about No Plan B?

After last year’s Better Off Dead, I was prepared to put this collaboration/Reacher 2.0 in the “Not for Me” category. I’m glad that the brothers continue to have success, and that many, many readers are satisfied, but it might be time for me to disembark. I wanted to give them one more chance—everyone has an off-novel, right?—but I’d decided that this would be my last Reacher novel. This was good enough to get the brothers another. I guess my fandom is no longer a long-term lease, but the equivalent of a month-to-month rental.

One strategy I employed going into this was ignoring half of the names on the cover—this is an Andrew Grant/Child take on Reacher, not a Lee Child*. That adjustment to my expectations, helped a bit, too.

* I’ve heard and seen multiple interviews/features on the pair describing how they work together, so I know it’s not entirely true. But, it helped me.

The action was good—but hallway fights might be better left to Daredevil than print. I wondered for most of the book if they had one too many storylines, but I ended up buying into the idea. The first hundred pages were great (at least the Reacher vs. conspirators storyline, and maybe the foster kid)—particularly the first couple of chapters, it was a very effective hook. Pages 100-300 were good enough—some “meh” bits, enough good bits to keep me engaged and to push the narrative along, with a really nice uptick over the last chapter or two. The last 50 pages were rushed—you want things to move quickly in the end of the thriller, you need fast action to go along with the adrenaline of the big finish—but this was just too much happening, and it was hard to appreciate it all. There’s a fast momentum, and there’s careening out of control, and this came close to that.

Still, it was in those pages that I came around to liking the revenge storyline and getting why the Childs went with it.

This was a decent thriller with some really good moments featuring a character that reminded me a lot of that guy from 61 Hours, The Hard Way, and One Shot. It’s a fast, entertaining read that will do the job.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Robert B. Parker’s Fallout by Mike Lupica: Two Murders Rock Paradise

When I started to write this, I thought it’d be a 5 +/- paragraph post, but apparently I can’t shut up about books in a Parker series (and I did try).


FalloutFallout

by Mike Lupica

DETAILS:
Series: Jesse Stone, #21
Publisher: G.P. Putnam's Sons
Publication Date: September 5, 2022
Format: Hardcover
Length: 353 pg.
Read Date: September 7-8, 2022
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“I guess drinking was his way of dealing with it tonight.”

“That was always my first option,” Jesse said. “And second. And third. But no matter how many times I tried, it never seemed to work.”

There was a pause at her end.

“He didn’t get into any fights, did he?”

“Just with himself,” Jesse said. “Spoiler alert? He lost.”

What’s Fallout About?

There are two murders for the Paradise Police Department to focus on in this book—and both have a lot of personal resonance.

The first is the suspicious death of Suit’s nephew. He was a senior in High School and a hot college baseball prospect—naturally, a great athlete—and had been getting better because of Jesse’s mentoring. Suit thought of Jack as a son more than a nephew and he’s devastated by this. It’s unclear if he died after a drunken fight at a party, or if he’d been driven by inner demons to end his own life. No one wants to believe the latter—but they can’t rule it out. A very not-subtle cone of silence around the team is being enforced—as that was pretty much all of Jack’s life, that means the investigation isn’t getting very far.

Some time ago, a former Paradise Police Chief moved back to town and befriended Jesse. The two regularly had dinner together, and one of the first things we see is a meal between Jessee and Charlie Farrell. The woman that Charlie’s been seeing was recently swindled out of a few thousand dollars and now it looks like scammers have targeted Charlie. He’s been retired for decades, but still has the instincts and reflexes to try to track them down himself rather than turn things over to Jesse’s crew. He must’ve been on the right track because he was killed. This shakes (an already shaken) Jesse, who sets his sights on this case so much that he turns Jack’s death primarily over to Molly. He was Chief before any of the officers we know joined the force (as far as I can tell), but it’s still about “one of their own.”

Jesse’s Battle with Alcohol

I’m not crazy about Lupica’s way of dealing with Jesse’s alcoholism compared to Coleman’s—but it’s better than Parker or Brandman did. But I really liked Jesse’s ruminations about people being able to stop drinking while the bottle still had something left, or when the option to order another glass was available. Actually, all of the material about his drinking in this book was good—better than he’s given us so far. Hopefully, the trend continues.

Miscellaneous Bullet Points

I don’t have time/inclination to expand these beyond brief paragraphs—but I felt compelled to mention a few things.

bullet Okay, the over-use/over-reliance on Crow, basically making him Jesse’s Hawk, bugs me. It also doesn’t do that any favors for the character of Crow or Jesse—and really doesn’t help Molly’s character in any conceivable way (although Lupica may have a long game there). Parker (inadvertently?) tamed Hawk by using him too much—and was well on the way to doing that with Bobby Horse and Chollo, too. And now Lupica’s doing that with Crow. Use him less (far less) and he retains his mystery, his edge, and his ability to do the things that Jesse won’t do.

bullet This isn’t evaluative, per se, I guess I’d file it as a general musing—it felt to me like this book was (for lack of a better term) swear-ier than I’m used to. Parker and the other authors in the Spenser-verse have never been reluctant to use a four-letter word when the situation called for it, by any means. It seemed like a noticeable uptick in those words. I’m not saying that Lupica’s turned into Kevin Smith or anything, it just gave everything a slightly different feel. I wonder if that’ll continue, if it was just a blip, or if I’m imagining things.

bullet It really feels like Lupica is trying to write off Jesse’s son, Cole. Had Coleman continued with the series, I’m curious about how he’d have handled the character. I’ve had so many questions about his introduction in the first place, and now it feels like Lupica’s trying to pull a Chuck Cunningham with him—sending him to law school in London and taking him out of Jesse’s life. He actually thinks, “The kid sounded happy. Leave him alone.”

bullet So Molly came clean with her husband about her fling with Crow several years ago. Now her marriage is all but over. No one has given us enough time with Molly’s husband over the previous 20 books for us to get that invested in the marriage—so putting it on the rocks doesn’t do much for the character either. I really don’t care either way, except that it feels like Molly’s character is drifting and becoming a different person. But that happens to all of us, so I can’t complain on principle, just…

bullet Yeah, Parker created his three series in a way to allow the characters to intersect—but other than the Jesse/Sunny love story, and the Sunny/Susan therapy relationship, the primary characters didn’t intermingle too much. I’m not sure if the current approach of bringing them all together so much is the right way to deal with them. I’m not sure it’s not, either.

bullet Building from that—if you’re going to bring these worlds together so much, and if you’re going to introduce and kill off a police chief that coincidentally(??) shares the last name of a frequently used supporting character who is also a cop? Someone had better say something. If only so that readers stop thinking about it. In a Spenser-verse book, if someone talks about “Farrell,” I reflexively think, “Lee.” I can’t imagine I’m alone there—I just don’t get that character name choice. I bumped on it every time it was mentioned (and, as the central death in one of the two major storylines, it came up a lot).

So, what did I think about Fallout?

This was entertaining and occasionally clever. I don’t know that I felt the emotional impact of either murder—I felt for Suit, but I’m not sure I cared too much about it. Maybe if we’d been able to focus on what Suit was going through while he was doing the investigation—keep it a Jesse and Suit thing with some backup from Molly. In the end, it became primarily a Molly and Jesse thing with Suit in the background.

I don’t know if Lupica’s capable of delivering a great Jesse Stone novel, instead, I think we’re going to get a streak of pretty good—and consistently so—novels (well, he’s probably capable, but I don’t get the impression that it’s his goal). That’s good enough for me, I might want something more, but consistently good and entertaining will sustain my interest.

I’m not sure if this is the place to jump onto the series—but it’s not necessarily a bad place. It’s the 21st in the series, but you don’t need the knowledge that comes from the previous twenty. It might help, but not that much, you’ll not miss much at all.

A good time will be had by those who take a dip into these waters.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

PUB DAY REPOST: Hell of a Mess by Nick Kolakowski: A Whole Bunch of Plans that Don’t Come Together

I also did a Q&A with the author about this book, give it a look!

Hell of a MessHell of a Mess

by Nick Kolakowski

DETAILS:
Series: Love & Bullets, #4
Publisher: Shotgun Honey Books
Publication Date: August 26, 2022
Format: eARC
Length: 234
Read Date: August 1, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Hell of a Mess About?

Well, isn’t that a tricky question? There is too much. Let me sum up. There are multiple people who start off intending to commit one crime and end up doing something entirely different.

Fiona’s been hired to steal something, and it’s a timely thing (and she’s not deterred by much), so despite an impending hurricane, she goes for it. Sure, the Inside Man tries to wave her off, but, again—she’s not deterred by much. Which is a shame—she should’ve paid attention to either the weather or the Inside Man. She ends up with a price on her head and multiple people around the city.

While she’s busy, Bill’s trying to prep for the storm in the home they’re squatting in when some police break in looking for the man who lives there. One thing leads to another, and they kidnap Bill, believing he can lead them to the millions his former employer had hidden away.

Thankfully. that assassin they thought Fiona killed at the end of A Brutal Bunch of Heartbroken Saps survived—readers knew that, but Fiona and Bill didn’t. Not only did he live, but he’s been keeping tabs on them. He’s been trying to live a different—less lethal—life and he has a chance to help them. Will he be enough?

(I have no idea if the above makes any sense—trying to cram it into three brief paragraphs doesn’t do the plot any favors. In the non-condensed version, it works. Trust me.)

The Unnamed Assassin

Up to the point where it looked like Fiona killed him (maybe a little sooner), I thought that the hitman who was sent after Bill in the first book was the protagonist. His is the only first-person perspective we get through the series—almost like he’s relaying what he knows and hears about this crazy couple while he’s dealing with his own problems like they’re a diversion for him.

His personal arc is very different from theirs—they claim to be trying to get out and live a straight life, if only they get one more decent score to set them up. The unnamed assassin is going a different path, he’s still a violent criminal, but like Jules Winnfield, he’s looking for something more. There are lines he won’t cross anymore (he seems to be making those rules up on the fly, but at least he has them.

As you can probably tell, I find it difficult to articulate his development and role in the series—but using him (sparingly, on the whole) and his arc throughout in juxtaposition to Fiona and Bill adds a layer to these books that few authors would have utilized, but make the whole thing better.

Be sure to check out my Q&A with Kolakowski (posting later today) for more about him.

Unanswered Questions

The thing that really kicks off the Fiona storyline is her stumbling across something she wasn’t expecting while discovering the thing she came to steal wasn’t there. Her discovery of the other nefarious action—and the way she prevented it from being completed*—is what starts the manhunt for her, more than the attempted heist. If she’d just walked away, I think it’s likely no one would’ve come after her.

* It is so tricky to discuss this obliquely.

Then when it comes time for Fiona to go save Bill, that storyline is dropped. Which is actually fine and good, because ultimately what it’s replaced by is more interesting. But in the back of my mind couldn’t stop asking—and, a week later, still can’t—what happened? What led up to Fiona’s discovery? What happened after she and the unnamed killer ran off to rescue Bill?

Typically, leaving these threads hanging would annoy me enough that I’d downgrade a novel over it—but Kolakowski pulls it off. If you’re going to abandon a plotline, this is the way to do it.

That said, I’d pony up twice the typical Shotgun Honey novella price today to get Love & Bullets #5 if it picks up right after this to tell the rest of that story. Maybe thrice.

So, what did I think about Hell of a Mess?

The previous three installments were novellas, but this is a novel, clocking in at 50-100 pages longer than the rest. And it didn’t feel like it at all. It was the same adrenaline-fueled, not-quite-frenzied pace and was over before I was ready for it to be. My daily schedule kept this from being a one-sitting read, but I think I could’ve done it in one sitting without realizing it.

This is pulpy fun. There’s action, there’s heart, there’s comedy (some subtle, some absolutely not), there’s a lot of violence, and you can’t forget the bunch of heartbroken saps that are at the center of things. They’re crooks and killers that really seem like decent people when you stack them up next to the nastier crooks and killers they can’t stop encountering. In the middle of all that chaos (and you can’t forget the chaos of the storm), there’s hope, forgiveness, and love. And who can’t use a little of that?

I don’t know if Kolakowski is going to come back to these characters in the future—I’d be content with what he’s given already, but I also know that I’d jump on any future installments, too. I encourage you to do the same.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

A Few Quick Questions with…Nick Kolakowski (2022 edition)

He’s back for the sixth time, now to talk about the fourth installment of this Love & Bullets series of hookups, Hell of a Mess (I posted about it earlier today). I look forward to these Q&As a lot, I know that when I get the responses I’ll learn a few things, understand the books better, and will grin at least twice. Not only does he write a good book, he writes a good answer. The novel comes out at the end of the month, get your orders in today!


So what brought you back to Bill and Fiona? Did you get a hankering to do something new with them while putting The Megabomb Edition together or did you get the idea for a heist in a hurricane (or something like that) and decide they’d fit better than someone new?
I’d always wanted to do a heist in a hurricane. When I was a teenager, for reasons I can’t quite explain, I was really into the movie “Hard Rain” with Morgan Freeman and Christian Slater, which centers on an armored truck robbery in a flooded town. It’s a pretty mediocre flick, but I really dug the idea of taking two distinct genres—crime and natural disaster—and slamming them together.

So, the basic framework of heist-in-a-hurricane rattled around in my brain for years. I thought about it more after Hurricane Sandy smashed through New York ten years ago, which came with all the chaos you can imagine—no power, flooded buildings, chaos in the streets. I even wrote some crime-themed short stories that took place during Sandy, but the itch to turn it into a full-fledged novel didn’t grip me until 2020.

Originally, it was supposed to involve all-new characters, but I really like Bill and Fiona, and I thought: why not? I know how they think. I know what they’d do. It seemed more organic to make it another Love & Bullets adventure.

This question might have fit better for the first Love and Bullets novella, but it still applies here. Can you talk a little about your decision to have the unnamed-assassin as your first person narrator rather than one of the protagonists, or a third-person omniscient narrator? He’s important to this novel, and the first novella—but not as important to the rest of the series—but he’s not a John Watson or Nick Caraway kind of non-protagonist narrator, either. Maybe you can describe his function in the series as well (I clearly can’t do it concisely). Also, was leaving him nameless a conscious decision, or just something that happened along the way that you stayed with it?
Leaving him nameless is just something that happened along the way. The assassin is human, obviously, but I also think of him as a supernatural or mythical force—almost like a Loki, a spiritual trickster who’s not firmly implanted in this world. Giving him a name seemed to reduce him somehow, at least in my mind.

I can’t explain why he’s written in the first person, and the other characters are shoved into the omniscient third. Not to give too much agency to a fictional character, but it’s what he wants; when I sit down and write from his perspective, it just spools out effortlessly. When I started Hell of a Mess, I very briefly tried writing him from the same third-person perspective as the other characters, and it simply fell flat.

There was also a version of Hell of a Mess where he didn’t appear at all, and it didn’t work, either. He’s the levity that differentiates the series from other crime fiction, in my mind; he’s the crazy element, the secret sauce, the glue that binds the narratives together on a subtextual level. Maybe that’s because he’s always articulating the book’s themes as he wrestles with his own feelings and coincidence; maybe it’s just that I find him funny as hell.

How do you balance the threat of a hurricane with the various human threats running around this book? Are there special challenges involved in using a natural disaster like this in a book, or is it a gift—allowing a random tree branch or torrent of rain to come along and interrupt things when you want?
It’s a gift and a curse. If you’re jammed up in the plot, yeah, you can send a tree branch or a flood through to shake things up—it’s the nature equivalent of Chandler’s old adage about how if you’re stumped on how to advance the plot, just have someone walk in with a gun. Living through Sandy, I learned firsthand how a big storm can really impact even the most mundane physics; at one point, I had to open a door with another big guy, and it took all of our strength to crack it open even a few inches against the wind and the air pressure. You throw those physics into a fictional narrative, and you generate some really interesting potentials for suspense.

At the same time, especially when you’re using a hurricane, you have to make sure the tempo of the storm aligns with your action—for example, as the storm intensifies, your characters really can’t do anything outside, which is why I decided to have the climax of the book take place just as the eye passes overhead, cutting out the wind and rain.

Let’s take a break from your work for a moment—you’re a reader/viewer as well as a writer, what’re some of the books/movies/shows this year that you’ve been enjoying?
I loved Heat 2. I was lucky enough to get an early copy, and I had some trepidations about how well Michael Mann would carry off that shift from cinematic to novelistic, but I needn’t have worried—the book is fantastic. Meg Gardiner, his co-author, layered it with her trademark suspense, and the whole thing really works.

I’m also reading Jordan Harper’s Last King of California, which is coming out in late September in the UK (although U.S. readers can find a copy via Amazon.co.uk pretty easily, I think). It’s a real treat because Harper is one of the best wordsmiths working the crime genre, and every sentence is rich and thick. The book itself is in the proud tradition of noirs like Blood Father and Tapping the Source, and it’s wonderful.

You’ve got Beach Bodies coming out on Halloween, right? I understand that’s a horror novella? Do you want to give a quick pitch for that one?
Beach Bodies is a super-short horror novella that began as a potential project for a smaller horror publisher, but when that didn’t work, I decided to dip my toe into self-publishing. It’s a weird book with one bloody moment near the end that will probably excite hardcore horror fans while freaking other folks out (one early reader texted me, “DUDE, WTF, LOL,” when she reached it).

The short pitch for it: Julia and Alec are two twentysomethings paid to “house sit” a billionaire’s luxury doomsday bunker on an isolated stretch of beach. Three strangers invade the bunker on a sinister mission, and very bad things happen. There’s a big twist that’ll have you questioning the nature of the characters’ very reality.

As usual, I’ve got to ask, what’s coming down the pike? Are you far enough into your next book(s) to talk about it/them?
Right now I’m working on an episode of A Grifter’s Song, which is a long-running series (something like 28 novellas and counting) written by various crime-fiction authors, including S.A. Cosby, Hilary Davidson, and Paul J. Garth. The series follows two hustlers as they attempt to cheat bad folks out of their money. The main challenge for me is taking these two preexisting characters with a rich backstory established by other authors… and trying not to mess it up.

And by “mess it up,” I mean, “make it too much like Bill and Fiona from Love & Bullets,” which I’m definitely at risk of doing. But I’ll make it work.

Thanks for your time—and thanks for Hell of a Mess—it’s always fun spending time with these characters.
Thank you! I love these questions!


Hell of a Mess by Nick Kolakowski: A Whole Bunch of Plans that Don’t Come Together

Hell of a MessHell of a Mess

by Nick Kolakowski

DETAILS:
Series: Love & Bullets, #4
Publisher: Shotgun Honey Books
Publication Date: August 26, 2022
Format: eARC
Length: 234
Read Date: August 1, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Hell of a Mess About?

Well, isn’t that a tricky question? There is too much. Let me sum up. There are multiple people who start off intending to commit one crime and end up doing something entirely different.

Fiona’s been hired to steal something, and it’s a timely thing (and she’s not deterred by much), so despite an impending hurricane, she goes for it. Sure, the Inside Man tries to wave her off, but, again—she’s not deterred by much. Which is a shame—she should’ve paid attention to either the weather or the Inside Man. She ends up with a price on her head and multiple people around the city.

While she’s busy, Bill’s trying to prep for the storm in the home they’re squatting in when some police break in looking for the man who lives there. One thing leads to another, and they kidnap Bill, believing he can lead them to the millions his former employer had hidden away.

Thankfully. that assassin they thought Fiona killed at the end of A Brutal Bunch of Heartbroken Saps survived—readers knew that, but Fiona and Bill didn’t. Not only did he live, but he’s been keeping tabs on them. He’s been trying to live a different—less lethal—life and he has a chance to help them. Will he be enough?

(I have no idea if the above makes any sense—trying to cram it into three brief paragraphs doesn’t do the plot any favors. In the non-condensed version, it works. Trust me.)

The Unnamed Assassin

Up to the point where it looked like Fiona killed him (maybe a little sooner), I thought that the hitman who was sent after Bill in the first book was the protagonist. His is the only first-person perspective we get through the series—almost like he’s relaying what he knows and hears about this crazy couple while he’s dealing with his own problems like they’re a diversion for him.

His personal arc is very different from theirs—they claim to be trying to get out and live a straight life, if only they get one more decent score to set them up. The unnamed assassin is going a different path, he’s still a violent criminal, but like Jules Winnfield, he’s looking for something more. There are lines he won’t cross anymore (he seems to be making those rules up on the fly, but at least he has them.

As you can probably tell, I find it difficult to articulate his development and role in the series—but using him (sparingly, on the whole) and his arc throughout in juxtaposition to Fiona and Bill adds a layer to these books that few authors would have utilized, but make the whole thing better.

Be sure to check out my Q&A with Kolakowski (posting later today) for more about him.

Unanswered Questions

The thing that really kicks off the Fiona storyline is her stumbling across something she wasn’t expecting while discovering the thing she came to steal wasn’t there. Her discovery of the other nefarious action—and the way she prevented it from being completed*—is what starts the manhunt for her, more than the attempted heist. If she’d just walked away, I think it’s likely no one would’ve come after her.

* It is so tricky to discuss this obliquely.

Then when it comes time for Fiona to go save Bill, that storyline is dropped. Which is actually fine and good, because ultimately what it’s replaced by is more interesting. But in the back of my mind couldn’t stop asking—and, a week later, still can’t—what happened? What led up to Fiona’s discovery? What happened after she and the unnamed killer ran off to rescue Bill?

Typically, leaving these threads hanging would annoy me enough that I’d downgrade a novel over it—but Kolakowski pulls it off. If you’re going to abandon a plotline, this is the way to do it.

That said, I’d pony up twice the typical Shotgun Honey novella price today to get Love & Bullets #5 if it picks up right after this to tell the rest of that story. Maybe thrice.

So, what did I think about Hell of a Mess?

The previous three installments were novellas, but this is a novel, clocking in at 50-100 pages longer than the rest. And it didn’t feel like it at all. It was the same adrenaline-fueled, not-quite-frenzied pace and was over before I was ready for it to be. My daily schedule kept this from being a one-sitting read, but I think I could’ve done it in one sitting without realizing it.

This is pulpy fun. There’s action, there’s heart, there’s comedy (some subtle, some absolutely not), there’s a lot of violence, and you can’t forget the bunch of heartbroken saps that are at the center of things. They’re crooks and killers that really seem like decent people when you stack them up next to the nastier crooks and killers they can’t stop encountering. In the middle of all that chaos (and you can’t forget the chaos of the storm), there’s hope, forgiveness, and love. And who can’t use a little of that?

I don’t know if Kolakowski is going to come back to these characters in the future—I’d be content with what he’s given already, but I also know that I’d jump on any future installments, too. I encourage you to do the same.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Breaking Point (Audiobook) by C.J. Box, David Chandler: Joe Finds Himself Between Some Rocks and a Hot Place

Breaking PointBreaking Point

by C. J. Box, David Chandler (Narrator)

DETAILS:
Series: Joe Pickett, #13
Publisher: Recorded Books
Publication Date: August 17, 2015
Format: Unabridged Audiobook
Length: 10 hrs., 37 min.
Read Date: July 13-15, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Breaking Point About?

Acquaintance and father of one of Lucy’s best friends, Butch Roberson, is in trouble—he’s been being harassed by some EPA agents and they’ve turned up dead. Joe was the last person to see him before he became a prime suspect in their murder and a subject of a manhunt. Which, in the perverse way that only bureaucrats can think, gets him in hot water.

Joe’s now tasked with helping some contractors track Butch through the wilderness—he really doesn’t want to do it, and almost quits over it. But the way these guys are acting, Joe figures that he’s the only one who can ensure that Butch is brought in alive and with a shot at a fair trial (especially if he can get him into local custody).

Joe’s been in hazardous wilderness conditions before—regularly, from the reader’s point of view—but I think it’s safe to say that these are the most dangerous he’s been in. And the humans (officially and unofficially) hunting for Butch are just making things worse.

Meanwhile, Marybeth is doing a little investigative work on the side for Joe while helping Butch’s wife and daughter through this time. She even sends up a flare hoping to get some help from Nate Romanowski.

There’s a whole lot of moving pieces in this novel, and hopefully, the Picketts and Robersons come out of things alive.

Federal Agencies

Outside of some FBI Agents (maybe only one), people who work for the Federal Government don’t come across well in these books. And Breaking Point is no exception

I don’t know—and really don’t care—how much of Box’s own politics are reflected in these books, but he does a great job of portraying the attitudes of people in Wyoming and Idaho (not that he does a lot of Idaho work, but there’s some). Federal Agents are inherently suspect and will wield their power to damage the way of life of citizens. Sure, there are exceptions, but on the whole, you can’t trust them to do the right thing.

It’s never comfortable reading these depictions of the Federal Government, but if nothing else, it’s good to be reminded of/exposed to the way hunters/ranchers/etc.out here think of them—and why they do.

The Sub-plots

The new head of Game and Fish, Lisa Greene-Dempsey (LGD) is a more interesting foil for Joe than the previous officious penny-pinchers. She’s trying to reshape the Agency in a way that Joe’s not comfortable with, and she’s clearly playing politics with him/his job. But the way she’s going about it—with good intentions, I think—makes her a better character and gives us more interesting reactions from Joe. It’s always better to have competing good intentions than having one side just out to hurt the other/improve themself alone. The whole arc there is one of the best Joe vs. The System stories Box has given us.

I don’t get the Marybeth story, it fizzled on all fronts for me. If it’s to underline the financial hardships the family has gone through, he’s done it more effectively before. If it’s laying the groundwork for something else, on the other hand, great—but I want to see it soon. Generally, Marybeth’s stories are a highlight of these novels but this one fell flat for me.

While Sheridan had a pivotal part to play here, it sort of seems to me that Box doesn’t know what to do with her anymore (ditto for her sisters, but Sheridan’s always shown the brightest among them, so it seems worse). I really hope he does something interesting with her soon, I’m not sure how long I’d have stuck with the series if not for her early on, and I don’t want to not enjoy her in the future.

That Death…

There’s a significant character death that shocked me—both in the manner, the function in the story, and the fact that it happened at all. Box treated the whole thing perfectly.

I’m not going to get into details, but it was a smart, gutsy move.

How’s the Narration?

Chandler has the characterizations down pat—every time he says something as McLanahan (and how great is it to see how things went for him between Force of Nature and this book?) I want to punch the guy in his nose. Which is more violent than I typically get, but that voice is perfectly grating—a wonderful match for McLanahan’s personality.

He’s great even when he doesn’t irritate me—Chandler has brought this series to life, and continues that work here. Really don’t have much else to say.

So, what did I think about Breaking Point?

There’s a great call-back to Savage Run, reminding the reader just how far Joe’s come, and some of the things he’s pulled off in his career.

Box delivers a great thriller here, as we’re used to—with some important character work for Joe—including a move that’ll change his professional life forever.

It’s the thirteenth book in a series, and it’s really difficult to come up with something to say. The storytelling isn’t getting stale, the characters are developing nicely, the premise of the novel rings true, and Box executes it well. It’s an incredibly consistent series, really—not getting much better (nor does it need to), it’s definitely not getting worse.

There’s not much more to say—if you’ve liked most of the previous twelve novels (like I have), you’ll like this one. If you’re intrigued by the idea of a Game Warden getting involved in criminal investigations while dealing with wilderness adventures, you’ll likely enjoy this one, even without the backstory.

Box knows what he’s doing at this point, and even with my quibbles, I figure he’s going to do something in the future to remove them. Give this one a try.


4 Stars

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In a House of Lies by Ian Rankin: The Past and Present Collide for Rebus, Clarke, and Fox

In a House of LiesIn a House of Lies

by Ian Rankin

DETAILS:
Series: John Rebus, #22
Publisher: Little, Brown and Company
Publication Date: December 31, 2018
Format: Hardcover
Length: 372 pg.
Read Date: May 24-27, 2022
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What’s In a House of Lies About?

A decade and change ago, a private investigator went missing. John Rebus was part of the team that spent weeks looking for him—interviewing his client, his family, his boyfriend, the target of his current investigation, and everyone else they could think of. At least that’s what the paperwork said. There’s some question about that—and the family of Stuart Bloom has forced more than one investigation into the original search.

Now his body is discovered—in an area that had been well-searched originally. There’s reason to believe that the body had been somewhere else for years. Now the police—a team featuring DI Siobhan Clarke—have to decide where it was as well as who killed him. This involves taking a fresh look at the old case as well as a new investigation. The original detectives (those who are still alive, that is) and some of the uniformed officers are brought in for questioning—which means that Rebus is under the microscope once again. This suits him fine—it’s a chance for him to have a part in closing the case once and for all (at least in his mind)

Meanwhile, Malcolm Fox’s boss assigns him to take one final look at the original investigation—given the new discovery, can they find police misconduct at the root?

Also, Clarke’s being harassed by someone—only crank calls and vandalism, so far. She doesn’t want to do anything official about it, so she asks Rebus to look into things—if nothing else, it might keep him out of her hair while she looks for Bloom’s killer. Might.

There’s a lot to untangle in these pages, thankfully, Rankin’s three detectives are on the cases.

What did I think about In a House of Lies?

This post feels entirely too short. I’m struggling here. What do I say about Rankin or Rebus (or Clarke or Fox) that I haven’t already said? I’m willing to believe that I’ve asked this question when discussing at least 3 previous books. I’m sorely tempted to just post something like: “Ian Rankin wrote a book about John Rebus. You know what to do.”

I was particularly impressed at the way Rankin got the band (on both sides of the law) back together here—for the reader, it’s expected—probably even inevitable. But it comes across as organic and unforced. Between Rebus’ retirement, and the divergent paths that the others’ careers have taken, that’s no mean feat. Unlike, say, Renée Ballard, Siobhan Clarke isn’t soldiering on with those she can’t trust. Ballard has to get Bosch involved, Clarke chooses to ask for his help and/or lets him push his way in.

Solid mysteries, expertly plotted and executed, full of characters (new and old) that you believe and get invested in. In a House of Lies feels as fresh and as compelling as Knots and Crosses.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

Force of Nature (Audiobook) by C.J. Box, David Chandler (Narrator): Wyoming Requiem

I’ve ended up working on this post a lot longer than most—definitely longer than any other book in this series. I know I didn’t say everything I wanted to, but I think I covered all the essentials. I also think my trimming ideas/paragraphs/rabbit trails didn’t make this too difficult to follow. Let me know if I missed that mark, will you?


Force of NatureForce of Nature

by C. J. Box, David Chandler (Narrator)

DETAILS:
Series: Joe Pickett, #12
Publisher: Recorded Books
Publication Date: March 20, 2012
Format: Unabridged Audiobook
Length: 11 hrs., 23 min.
Read Date: April 13-15, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Force of Nature About?

Nate Romanowski.

That’s the short version anyway—but it’s not a helpful answer.

Since we met Nate, we’ve known that he’s living off the grid for more than philosophical reasons—he’s not just a modern Thoreau, But we’ve never been given the story behind that. He’s offered to tell Joe, but Joe’s smart enough to know he shouldn’t know (but he is curious).

Well now, those people he’s been avoiding are getting close to finding him. They are approaching, questioning, kidnapping (if deemed necessary), and putting all other sorts of pressure on those who may know something about Nate or his whereabouts. This includes new characters as well as well-established characters—including all the Picketts, his friends on the reservation, his mysterious friends in Idaho, and others.

To protect those who are important to him, Nate has to stop hiding and go on the offense. Along the way, the reader gets answers to a lot of the questions about him that we’ve built up over the previous eleven novels.

We also get another lesson in watching out for your ears around Nate Romanowski, just in case Free Fire wasn’t enough for you.

Yes, there are several other things going on, but they all tie back to Nate Romanowski—his past, his present, and if he has a future.

A Gripe

This is semi-spoilery, but without this, I might have rated this higher, so I have to talk about it. I don’t think reading this is going to ruin anything plot-wise. Still, feel free to skip down to the next heading.

Nate, Joe, and Marybeth all agree that the Picketts have to get out of town for their own safety. So Joe, Marybeth, April, and Lucy get to the airport so they can get out of the reach of those who might try to use them to get to Nate.

See the problem there? I said nothing about Sheridan. Sure, she’s away at college, but we’re talking about people who have gone to Idaho and Colorado to find people to get leverage on Nate. Does anyone really think they can’t get to Laramie? Yes, Joe sends his FBI buddy to talk to her, but that’s to get information, not to watch out for her.

I literally kept talking back to the recording, “What about Sheridan?” Is it possible I missed the two sentences it would’ve taken for Box to justify this choice, but I don’t think that’s the case.

David Chandler

This is book 12, David Chandler has this series down—I’m sure he’s not on auto-pilot or anything, but at this point, it’s got to be comfortable for him.

That said, he’s on his game here, and really gets to stretch his wings a little—there’s (obviously) more Nate than usual, and Nate has a greater emotional range than usual, too. Bang-up job by Chandler.

So, what did I think about Force of Nature?

This is the most action-packed, violent, and unpredictable Joe Pickett novel yet. I’m not sure it’s even close—I’m not sure it’s the best novel in the series, but I’m guessing it’s quite the fan-favorite because of all the Nate material.

It’s the C.J. Box-equivalent of Robert Crais’ L.A. Requiem where we get all of Joe Pike’s background* in the midst of a gripping thrill ride. There’s a version of this post that contains several paragraphs comparing/contrasting these two novels that I’m sorely tempted to write, but I can’t imagine anyone wanting to read it all. This will both serve to humanize Nate as well as build up his mystique. A nice trick to be sure.

* I just got a very real lesson in careful typing by invoking Joe Pike in a discussion about a Joe Pickett novel.

Am I happy to have a lot of questions answered about Nate? Yes. Do I have a whole bunch of new questions about him? Yes. Do I sort of hope that he disappears for at least a book so we can refocus on Joe? Yes. Do I think that anyone with a mild interest in the Joe Pickett series will dig this novel? No doubt in my mind.


4 Stars

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Family Business by S.J. Rozan: Family Matters

Family Business

Family Business

by S. J. Rozan
Series: Lydia Chin & Bill Smith, #14

Hardcover, 289 pg.
Pegasus Books, 2021

Read: January 1-3, 2021
Grab a copy from your local indie bookstore!

“Big Brother Choi died.”

“Wow. What happened?”

“Massive heart attack. Not to worry, there.”

I hadn’t really been worried. It wasn’t likely Big Brother Choi had been rubbed out by a rival tong leader and a Chinatown tong war was about to start. Those ham-handed days were largely gone.

But Mary’s “there” implied something else, and I knew what it was, the reason Chris Chiang had called. A seismic shudder was about to move through the streets we’d grown up on.

Our high school physics prof had told us that nature abhors a vacuum.

So does power.

What’s Family Business About?

The core of this novel is focused on what’s going to happen to a real estate development in Chinatown. Which really doesn’t sound that exciting—but Rozan’s able to make you care. Also, this is not a run-of-the-mill real estate problem.

There’s a large-scale development headed towards Lydia’s neighborhood, whether anyone wants it or not. The only thing stopping it is that the owner of one building in the middle of the projected development refuses to sell. That owner is—er, was—Big Brother Choi, the head of a tong, who uses that building as his tong’s HQ.

So, yeah, a criminal enterprise is all that stands between a (seemingly) legal and successful businessman and the destruction of a neighborhood/way of life. And then the head of the tong dies (of natural causes), and everything could change.

Choi’s niece—the executor of his will—comes to Lydia and Bill to provide some security for her as she tries to exert her position vis-à-vis the building. A lot is riding on this one building, and everyone has an opinion: there are two factions within the tong vying to determine the future of the building (and, with it, the tong); the developer; and the neighborhood’s historical society–and it’s all up to her to decide. People on all sides of the issue are trying to pressure her into making a decision they’d prefer about the building–and some of the pressure could be pretty intimidating.

Especially when ranking members of the tong start dying—without natural causes like those that took out Choi. And then people start shooting at people tangentially connected to the niece and threatening them.

Lydia and Bill now have to keep the niece alive and unscathed while trying to discover who’s behind the shooting and the dead tong members.

The Lydia and Bill Relationship

There are several reasons that Lydia and Bill’s romantic relationship is one of my favorites in fiction, and I’m not going to try to enumerate them all. But probably my favorite part is that when they shifted from close friends/business associates to romantic partners the rest stayed pretty much the same. They deepened what was there, but didn’t radically change it.

Their flirting is a little more obvious—and Lydia’s less likely to cut it off. But they still have each other’s back, the mutual support and trust are still there. When they’re on the job, they’re on the job, not making goo-goo eyes at each other. Bill knows that Lydia is going to be reckless—and he doesn’t try to stop her any more than he did before, but he sure worries about her. Would that everyone in fiction who made that transition did so as well.

So, what did I think about Family Business?

As I’ve mentioned before (likely too often), while I think most of the Bill-narrated novels are technically superior, the Lydia-narrated novels are consistently the more entertaining. So I went into this with high expectations—and they were pretty much met.

I could go on about the flirting between Lydia and Bill, or talk about Lydia’s wit and narration, or how nice it was to see a minor character from several books ago show up. But that’s probably enough to indicate where I’m leaning with this post. There are a couple of points that I want to talk about a little, however.

I loved the way Lydia’s mom inserted herself into the investigation. I’ve said enough about the slow-burn in getting the romance to advance, but getting Lydia’s mother to stop actively disapproving of Lydia’s career and now getting involved?? I dare you to go back 13 books and try to predict that.

Like most people who read Detective Fiction, one of my great joys is being one or three steps ahead of the protagonist in putting the clues together. THere’s something so satisfying about being more clever than they are—and in getting your guess endorsed by the protagonist. But what’s better? Having the protagonist put all the pieces together in a way you didn’t see coming—and instantly realizing there was no other way to interpret the evidence. That mix of “X was really clever there” and “ugh, I’m such a dunce for not seeing that” is somehow gratifying. For me, at least, the solution

Still, I’m not sure the people that Lydia initially revealed the solution to were the best to hear that. I’m even less sure of her timing on the revelation. But it did lead to some of the more exciting parts of the book—so as a reader, I liked that. I just wish that Lydia would be more judicious at times.

This was my first novel of the year—it’s a pretty good way to start 2022, something as entertaining as this was can make a guy optimistic about the next twelve months. That’s probably a silly way to think about things, but I’m running with it.

Family Business is not only another strong entry in the series that will please fans, it (like almost all those before) would be a good entry point for someone curious about the series. So really, there’s no excuse to not pick it up. Go do so.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes: A Few 2021 Books I Can’t do a Full Post About

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Super Powereds: Year 1

Super Powereds: Year 1

by Drew Hayes, Kyle McCarley (Narrator)
Series: Super Powereds, #1
Unabridged Audiobooks, 26 hrs., 11 min.
Tantor Audio, 2016
Read: November 19-25, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Lander University has a program that most universities don’t. They offer a Hero Certification Program—a way for super-powered students to become qualified to be a super-hero. This book focuses on five particular students—they’re not just super-powered, they’ve got a secret, too.

As the title suggests, this book follows them over the first year—as they grow, increase in power and ability, develop bonds, and so on. The book is a nice mashup of superhero training and dumb college kids being dumb college kids.

I went into this expecting something that felt a lot like Fred, the Vampire Accountant. This was less like it than I thought possible—it’s much longer, it doesn’t feel like a collection of interconnected short stories, it’s a novel.

I was impressed at how different it is, sure. But I liked the story, world, and characters. I’m not sure I’m up for four more in this series, but I have a feeling that Hayes will change my mind.


3.5 Stars

Master of Formalities

Master of Formalities

by Scott Meyer, Luke Daniels (Narrator)
Unabridged Audiobook, 14 hrs., 58 min.
Brilliance Audio, 2015
Read: November 12-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Thousands of years in the future, elaborate rules of honor, etiquette, and form have been imposed on the planetary governments to preserve order—even in the midst of war. We’re talking rules that Downton Abbey’s Carson would find overly elaborate and restrictive.

Two planets have been at war for decades—but things have come to a tipping point. It’s up to the two arbiters of these rules on these planets to keep things under control.

This book did something I didn’t expect—I would have admitted it was possible, but wouldn’t have expected that Scott Meyers and Luke Daniels produced something that left me frequently bored and that I had a hard time connecting with at all. It was clever, but that cleverness strayed into convolutedness in the plot. Good enough to listen to, but by a hair.


3 Stars

See Her Die

See Her Die

by Melinda Leigh
Series: Bree Taggert, #2
Kindle Edition, 315 pg.
Montlake, 2020
Read: September 30-October 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I don’t have much to say about this book, which is why it’s here, but I wish I did. There’s just something nice about this series, and I’d like to talk about it more.

This is really a follow-up to the first in the series—okay, so Bree got herself the job, what’s she going to do with it? How are the vets in the department and the community as a whole going to handle her coming in? How is she going to do with the whole parental figure for her niece and nephew? Etc. We don’t get definitive answers, but we get some good ideas.

But more importantly, there’s a creepy killer on the loose. In the end, that story is both too outlandish to buy, and I can actually imagine reading about this happening.

I’m coming back for more.


3 Stars

Cold Wind

Cold Wind

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #11
Unabridged Audiobook, 11 hrs., 13 min.
Recorded Books, 2011
Read: August 23-24, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Wow. There’s a lot going on in this one. The events of the Nate story were horrible, but Box pulled it off in a way that will be good for the character/series long-term.

Killing Missy’s husband Earl on the other hand…well, like Joe himself, I’m not crazy about any time we spend with Missy, so making her a focal point of a novel isn’t going to make me thrilled with it. But, I ended up really liking this one, too.

These books don’t inspire a lot of thought or writing from me—and maybe they should—but I do consistently enjoy them. Chandler’s narration is solid as ever. At this point, I don’t think I can switch to the print version of the series—I need his voice for Joe and the gang.


4 Stars

Lycanthropy and Other Chronic Illnesses

Lycanthropy and Other Chronic Illnesses

by Kristen O’Neal
Hardcover, 379 pg.
Quirk Publishing, 2021
Read: June 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
It’s really bothering me that I haven’t gotten a full post out of this yet—and it’s been long enough (and I lost my notes) that anything I end up saying will be super vague and would be too much work to get a longer post.

In a Discord support for chronic illnesses, a group of people from around the world from a variety of age groups, come together to share struggles common to people with a variety of ailments and disorders. A couple of them realize they live nearby and strike up a friendship. Eventually, one of them disappears from contact for too long, so the other takes it upon herself to go try to find her friend IRL.

It turns out that this friend’s chronic illness is a case of lycanthrophy—things get strange and heartwarming from there.

A lot of this is told in modern-epistolary: texts, emails, Discord chats, tumblr posts, etc., etc. I loved the jumble of methods used to tell the story. It really captures the feel for these characters and their lives.

If you look at places like Goodreads, you’ll see a lot of controversy about elements of this book. I didn’t know about any of it until I’d read the book. 96% of what I saw doesn’t reflect the book, and seems to stem from one or two people who hadn’t read the book. Ignore it all.

This was a fun, earnest story that addresses serious things like living with chronic disease and finding your place in the world along with silly things like Lycanthropy and excessive binge-watching with friends. A nice break from reality that maybe helps you think about some things.


3 Stars

Messy

Messy: The Power of Disorder to Transform Our Lives

by Tim Hartford, Nicholas Guy Smith (Narrator)
Unabridged Audiobook, 9 hrs., 45 min.
Penguin Audio, 2016
Read: December 16-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I think I’m going to have to make a point to listen to more Hartford books—between the time I put this on my TBR list and picking it up, I’d forgotten it was by the man behind The Data Detective.

The basic premise is this—people who are messy (not those full of utter chaos in habits or possessions), function better than those who are ruled by rigid standards—either metaphorically or literally. When rules (primarily at work) are too inflexible it hurts productivity and satisfaction in the work.

So let people organize their work and workplaces as they will, don’t impose a filing system on people who don’t want it, etc. Sure, keep things tidy, but beyond that…let the individual reign. That’s a horrible oversimplification, but to do it justice would take…well, most of this book. Just go with that as a thumbnail and read/listen to it. It’s entertaining, thought-provoking, and empowering.

I think this went on a bit too long—perhaps if the last couple of chapters had been excised, it would’ve been better. But I might change my mind on a re-read/re-listen.


3.5 Stars

Stuff You Should Know

Stuff You Should Know:
An Incomplete Compendium
of Mostly Interesting Things

by Josh Clark and Chuck Bryant
Unabridged Audiobook, 9 hrs.
Macmillan Audio, 2020
Read: December 27-28, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Very little (if any) of this fits into things I should know, and I’m glad the subtitle talks about “Mostly Interesting” things. It’s a strange hodgepodge of in-depth look at topics like…the history of facial hair, Murphy beds, Mezcal, and child prodigies.

It was fine, but nothing special. Before I started it, I figured this would end up turning me into a subscriber to the podcast. It didn’t, but I can see why people would listen to it—the narrators/hosts are pretty engaging and had an interesting approach to their explanations. Maybe it was these topics, the randomness of the topics, or…I don’t know. I just didn’t see the point. It made for a good soundtrack to my workday, but within two days, I’ve pretty much forgotten everything I heard.


2 1/2 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

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