Category: M-R Page 3 of 10

Series M-R

I’m excited to take part in the UK Cover Reveal for the new Harry Bosch/Rene Ballard thriller, The Dark Hours by Michael Connelly this morning. Before we get to the cover, let’s talk a bit about the book, okay?

Book Blurb

Has a killer lain dormant for years only to strike again on New Year’s Eve? LAPD Detective Renée Ballard and Harry Bosch team up to find justice for an innocent victim in the new thriller from #1 New York Times bestselling author Michael Connelly.

There’s chaos in Hollywood on New Year’s Eve. Working her graveyard shift, LAPD Detective Renée Ballard seeks shelter at the end of the countdown to wait out the traditional rain of lead as hundreds of revelers shoot their guns into the air. As reports start to roll in of shattered windshields and other damage, Ballard is called to a scene where a hardworking auto shop owner has been fatally hit by a bullet in the middle of a crowded street party.

It doesn’t take long for Ballard to determine that the deadly bullet could not have fallen from the sky. Ballard’s investigation leads her to look into another unsolved murder-a case at one time worked by Detective Harry Bosch.

Ballard and Bosch team up once again to find out where the old and new cases intersect. All the while they must look over their shoulders. The killer who has stayed undetected for so long knows they are coming after him.

Book Details:

Book Title: The Dark Hours by Michael Connelly
Publisher: Orion (UK)/Little, Brown and Company (US)
Release date: November 9, 2021
Format: Hardcover/Ebook/Audiobook
Length: 416 pages

And now…

The Cover

The Dark Hours UK
If that doesn’t grab your eyes, call your optometrist/ophthalmologist, there’s something wrong with them.

My thanks to The Orion Publishing Group for the invitation to participate in this reveal.

Nero Wolfe on Taxes

By HCNewton

On May 17, 2021

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Nero Wolfe/Archie Goodwin, News/Misc., Quotations

I can’t tell you when this became a (largely) annual thing for me to post, but it was on a blog that pre-existed this one. As always, seems like a good day to post it.

A man condemning the income tax because of the annoyance it gives him or the expense it puts him to is merely a dog baring its teeth, and he forfeits the privileges of civilized discourse. But it is permissible to criticize it on other and impersonal grounds. A government, like an individual, spends money for any or all of three reasons: because it needs to, because it wants to, or simply because it has it to spend. The last is much the shabbiest. It is arguable, if not manifest, that a substantial proportion of this great spring flood of billions pouring into the Treasury will in effect get spent for that last shabby reason.

–Nero Wolfe
from And Be a Villain

Dead Secret by Noelle Holten: Maggie Has to Juggle Several Balls at Once—Can She Keep it Up AND Catch a Killer?

By HCNewton

On May 3, 2021

In DC Maggie Jamieson, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Noelle Holten

Dead Secret

by Noelle Holten
Series: DC Maggie Jamieson, #4

Kindle Edition, 448 pg.
HarperCollins Publishers, 2021

Read: April 23-26, 2021

Before I dive in, I’d fully intended on having this posted five days ago, but I had to keep trashing paragraphs because I’d wander into a spoiler or three, and by the time I’d sanitized them enough to post, they were worthless. This has resulted in a shorter post than I expected, and one that may not feel up to my typical thoroughness for this series. There’s a lot to chew on in this novel—more than anything since Dead Inside—but this isn’t the place to talk about it.

The team were deflated – long nights, no solid leads – morale down – they needed to catch a break.

While they waited for more information, Maggie spent the majority of her day chasing up the curfew company, cross-referencing the prison tattoos – which was proving to be a very tedious job – and chasing up Social Care.

While waiting on hold, she recalled a conversation she’d had with her brother about how funny she found it that a large majority of the public believed that everything in a murder investigation was so exciting and moved quickly because of the way that it was portrayed in movies and TV – however a big part of her job focused on calls, computer work, research, and reports. She wished it was the opposite!

What’s Dead Secret About?

The book opens in the final fleeting moments of a young man’s life, he’s scared, beaten, bloody, and desperate for help. And then he’s no longer scared or desperate again. Found in a woody area near an industrial estate, his face has some dots drawn on it, but aside from that, there are no other clues—assuming they are one.

Maggie and the rest of her team have barely begun to get into this investigation when their DI drops a bomb on them—their DCI has gone missing. It’d been a couple of days since anyone had heard from him, so some officers went to check him—they found no one at the home but did find evidence that a violent crime had been committed there. Given their staffing levels, they couldn’t have some detectives work the missing persons cases and others focus on the homicide, so each detective on the team would be involved in each. Watching the detectives try to balance these cases—which primarily means not dropping everything to focus on DCI Hastings and his family—is good to see, and a needed reminder that actual detectives frequently have to juggle multiple cases at once—unlike their fictional counterparts.

Meanwhile, the domestic abuse shelter that Lucy Sherwood has been trying to start is on the verge of opening. But days before, a “battered and semi-conscious woman in her doorway” led her to get an early start. The young woman doesn’t speak at the beginning and appears to be reading lips when dealing with the paramedics. She won’t interact with the police, however. It is impossible not to feel all kinds of sympathy toward this woman—and Lucy definitely feels that way. This storyline is a fantastic way to follow up on Dead Inside, the first book in the series, and show how far Lucy’s comes since then and why her center is needed.

Realism

One thing that seems to jump out at the reader of this series is how authentic the procedural elements feel. Sure, events and characters are heightened, clearly played for greater narrative tension, and the like. But you can’t avoid how real this world, characters, and situations seem. Like the general public in that quotation above, novel readers are frequently given just “the exciting” portions of the procedural, but here, we see the drudgery, the combing through reports, and endless research before substantial advances in the investigation are made. While showing the reader that research and paperwork characterizes modern policing, Holten still allows her characters to have small maverick streaks that propel the action forward a little faster than the actual procedure can.

Along the same lines, all I know about the British probation system comes from this series and Helen Fitzgerald’s Worst Case Scenario. I think if I did, I’d have a better appreciation for scenes in each of these novels. Lacking that (and the drive to do research), I just have to assume that Holten was paying attention during the almost two decades she worked as a probation officer and is giving us something fairly reality-based.

One Random Thought

There are six times in the novel that “youths” is used, like: “youths in the area”, “gang of youths”, and so on. Maybe it’s a cultural thing, but I couldn’t help but laugh. It was like Maggie had been replaced by Schimdt. It’s not worth mentioning, really. But in a book as grim as this, you take the smiles where you can get them.*

* See also two surprising, but effective, TV references. I don’t remember this series doing that.

Give Her a Break

Several times throughout the novel, Maggie thinks about how tired she is—and how little downtime she’s had between major cases. She didn’t get a lot of time between these cases and the previous books (although she had even less between Books 2 and 3). Maggie needs to catch her breath if she’s going to be any good to anybody. Her personal life is a mess, and I’m worried that her professional life is close it one, too. Her physical and mental reserves have to be beyond spent—and you can’t help but wonder as you read this book (and the previous one) if she wouldn’t have picked up on something sooner if she’d been coming at things with a fresh mind.

It’s not much of a spoiler to say that Maggie isn’t going to get a whole lot of downtime before Book 5’s case takes over her life. But what comes after that? As far as I can tell*, this is intended to be a five-book series—so hopefully Maggie gets to take that holiday she’s been thinking about. Even more hopefully, we get to have at least a few more books with her.

* I’m prepared to be shown that I’m wrong—and hope I am.

So, what did I think about Dead Secret?

I’m a fan of this series—so obviously, I went into this book expecting to like it. But any reader knows that sometimes those expectations aren’t met. Thankfully, it wasn’t long at all before I knew Holten had, once again, provided her readers with a great read.

You’ve got a pretty grizzly beating death to start off with and then you the police’s natural inclination to focus all resources on the missing DCI—and them not necessarily wanting to follow all the evidence that points to the DCI not being the kind of man they all thought. Just those two storylines would be enough. But then Holten throws in that third storyline—here’s a person in desperate need of help, a survivor of (as far as anyone can tell) of domestic violence—a reminder that policing isn’t about arrests, it isn’t about only maintaining social order—it’s about people like this woman who showed at Lucy’s front door, it’s protecting and serving the public. This is the kind of thing that both (fictional and real) civilians and the (fictional and real) police need to be reminded of, and here it elevates the rest of the novel by its presence.

I’d largely figured out who the killer was and how it was happening pretty early on. I wasn’t prepared for the motive behind the killing until it was clear. Holten also did a good job of revealing enough for readers who wanted to identify the killer early while at the same time writing things clearly enough that even people who didn’t want that revelation would be able to enjoy the novel.

This is Holten at her best—I also see this having better commercial appeal than the previous novels in the series and I hope I’m right. Can you read this without having read the previous three novels? Yes. I think you’d be better off starting with the first book, but the important thing is that you start somewhere with this series.

4 1/2 Stars

The Friday 56 for 4/21/21: Dead Secret by Noelle Holten

By HCNewton

On April 23, 2021

In Currently Reading, DC Maggie Jamieson, News/Misc., Noelle Holten, Quotations, The Friday 56

This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
Find a snippet, short and sweet.
Post it

from Page 56 of:
Dead Secret

Dead Secret by Noelle Holten

(a little long, but couldn’t see a way to shorten it)

When the steam came out of the spout, Ronnie picked up the kettle and then poured the boiling water on her arm.

What the hell?

Ronnie didn’t even flinch. It was like she didn’t feel any pain. She placed the kettle back, used a tea towel to dry her arm, and covered it up with the sleeve of the cardigan. Vicki turned and looked at Lucy. They waited until they saw Ronnie leave the kitchen, and Lucy stood and headed to the kitchen.

Maybe I was wrong.

At the counter she touched the kettle.

Ouch!

She sucked her index finger and turned on the cold tap, holding the sore digit beneath the running water. Lucy looked up at the camera and raised a brow. She knew Vicki would be watching.

Dead Perfect by Noelle Holten: A Desperate DC Races to Save Her Friend’s Life

By HCNewton

On January 15, 2021

In DC Maggie Jamieson, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Noelle Holten

This is one of those that I struggled for over a week to finish. I can only hope it’s coherent. The short version: Get this book. Read this book.

Dead Perfect

by Noelle Holten
Series: DC Maggie Jamieson, #3

Kindle Edition, 449 pg.
One More Chapter, 2020

Read: December 30, 2020-January 2, 2021

What’s Dead Perfect About?

So, Dead Wrong left us with:

‘Just had a call come in. Police are on the scene. Body of a female has been found. Initial description sounds just like your friend Dr Moloney. I’m so sorry, Maggie …’

Obviously the important thing there is “sounds just like,” because it isn’t Moloney* but the body looks so much like her, that no one can be blamed for assuming it was Moloney. It’s quickly determined that it’s not her, but Maggie and Kate Moloney’s colleagues are having difficulty finding her. Making sure that the tension is as high as it can get in a first chapter.

* That’s not a spoiler, it’s in the blurb, which I should’ve read before diving in.

But even before we get to that, there’s the Prologue. It seemed ominous but fairly typical. Then I looked up one word that I didn’t know, orbitoclast, “A surgical instrument for performing transorbital lobotomies, resembling an icepick.” Then I reread the Prologue and got seriously creeped out.

Kate’s located (and given a talking-to about keeping her phone with her), the body is identified, but that just clarifies the issues at the heart of the investigation. We knew Kate had a stalker, and it seemed like the stalker was getting more intense, more threatening. There’s almost certainly a connection between the murdered woman, the stalker, and Kate. But Maggie has to prove that before they can act on it.

So Maggie and her team dive into the murder investigation, but Maggie’s attention is divided between finding out what happened to this woman and preventing the same thing from happening to Kate. This is probably not the best way to tackle the problems, but it’s not like Maggie is going to let either objective out of her hands.

And then another body is found.

Maggie’s State of Mind

It’s been a while since things were stable for our series protagonist, she’s been caroming off emotionally and mentally challenging cases for so long that she’s got to be close to unraveling. She’s barely had her chance to catch her breath from the events of Dead Wrong before she’s plunged into this race to save her friend’s life.

Add in the pressure of the press, getting used to the shift in the dynamic between her and friend/new boss, and her personal life—she’s not in the best headspace for this (or any) investigation. I think it’s starting to show, she makes some errors in judgment, she’s not dealing well with people, and unless this series is about the downfall of DC Maggie Jamieson, something’s going to have to change.

Although I can totally see Holten pulling off Maggie hitting rock bottom and trying to recover from that, come to think of it. So maybe that’s what we’re starting to see.

Supporting characters

I’ll touch on this more later, but one of the best things about the series is this great world that Holten’s creating. And it’s filled with some great characters, I have a few thoughts about some of the more prominent from this book.

We’ll start with DS Nathan Wright, he’s trying to acclimate to his new position and the way that changes the way he relates to and interacts with his team and friends—and seems to be doing it as well as you can hope. But he’s not perfect, and the transition isn’t smooth. It’s a minor thing, and I don’t imagine many authors would spend the time to do it, but I think it says a lot about the world that Holten’s creating that we see this.

That said, his team needs some more blood. and there’s a newly minted DC he’s got his eye on to help. Everyone’s very excited when Kat Everett is seconded to the investigation, and then she largely disappears. She’s eager, she’s bright, and then it’s like she doesn’t exist until the end when she plays a decent-sized role. It felt a little strange, is all I’m saying. Also, I’m not sure anyone needs a series where a “Kat” and a “Kate” play a major role, I’m just thinking someone needs a new nickname.

A reporter that made few friends, and probably a couple of enemies in Dead Wrong resurfaces. Julie Noble is well on her way to being a regular feature of this series, but for the moment, I don’t know what to think of her. I expect books four and five will solidify my impressions. She promises to be interesting—but I’m not sure in what way yet.

Lastly, there’s poor PC Bethany Lambert. She’s the unit’s go-to worker. Miscellaneous errands, thankless tasks, things requiring technological expertise, and more fall to her. I lost track of how many things Maggie threw her way to do—on top of her own assignments. I have multiple notes about how they’re working this woman to death, and even tweeted Holten about it. I’ve been assured that Bethany likes to be overworked, and that it’ll be addressed soon. But I’m telling you now if she snaps and takes out a lot of pent-up aggression on Maggie, I’ll be cheering her on.

The Killer

I’ve spent more than a week trying to write this post and failing because of this section right here. I still don’t know how I’m going to write something that I like and that doesn’t give anything away.

Sure, I could not talk about The Living Doll Killer, but Holten does something here that I feel compelled to write about. So I’m stuck. You’ll have to read the book to get the unsettling reason for the name, but that won’t keep me from using it.

We get a lot of information at some point in the novel from LDK’s own mouth. Now, I’m not sure the reader or police are supposed to believe everything told to them by LDK, but for the moment, I’m going to pretend I do.

Holten comes as close as possible to giving us a serial killer that the reader can empathize with. Sure, that’s not that close at all, but that doesn’t disprove my point.

I can say that I picked out the LDK straight off, but that’s all I got right. The “how” of the killings is bad, the “what” (abducting and killing) is disturbing, but the “why” will cast everything in a different light and somehow make it all worse (and, at the same time, almost understandable).

I can’t think of a serial killer with this kind of backstory and motivation. And for a fictional serial killer, there’s a strong “Yeah, I can imagine reading about this in the paper” kind of vibe. When I talked about her debut, I said that “Holten writes humans, not caricatures or types.” That applies to LDK, too.

The World Around Maggie Jamieson

This is the Maggie Jamieson series, and she is the core of it. But Holten has put her in the middle of a complex world. We touch base in this book with characters from the first two books—particularly from the first book, and we see a lot of growth and development. These people have put in the time and effort to change their lives and move on from the nightmares we met them in.

The way Holten has set up the series guarantees it won’t just be DC Jamieson and her boss (and the rest of her team) bouncing from investigation to investigation, they’ll brush up against these people, focusing on them for significant periods.

I really appreciate this design and am eager to see how it’s developed.

So, what did I think about Dead Perfect?

I got sucked into this story fast, and if anything above sounds critical, it’s only because I’ve spent a lot of time thinking about them (and talking about three or four niggling points out of one hundred is more interesting to write about than fanboying over the other 96 or 97). I was quickly invested in what was going on—and was soon thankful that it wasn’t Kate’s body in the opening chapter.

And yes, I was convinced that Holten had killed her off at the end of Dead Wrong.

I had many, many opinions about how Maggie and Kate were behaving over the course of this investigation (positive and negative), and sincerely wished that DS Wright would have sat them down in his office and talked some sense into both of them. I’m not sure that I usually spend quite as much time talking back to books about what protagonists are doing/thinking as I did in these pages.

And then the reveals about LDK? Didn’t see any of them coming (other than the one I mentioned). I love it when an author does that.

And then, just like she did last time, Holten doesn’t let you fully absorb and reflect on the conclusion of the novel without hitting you with an image that makes you want the next book now, not in a few months.

So what did I think about it? It was great. I need Book Four next week, and probably Five a couple of weeks after that.

4 Stars

The Friday 56 for 1/1/21: Dead Perfect by Noelle Holten

By HCNewton

On January 1, 2021

In Currently Reading, DC Maggie Jamieson, Mystery/Detective Fiction/Crime Fiction/Thriller, News/Misc., Noelle Holten, Quotations, The Friday 56

This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
Find a snippet, short and sweet.
Post it

from 56% of:
Dead Perfect

Dead Perfect by Noelle Holten

…I apologize if this is slightly repetitive. Remember when we were talking about strange people you may have come across or who’ve made you uncomfortable? Can you just remind me of them again and maybe what made you feel weird around them?’

‘Erm … All right. Is this one of those times I have to just give you what you ask and trust that you have your reasons?’

‘I’m afraid it is.’

Light It Up by Nick Petrie: Peter Ash Throws a Monkey Wrench into a Denver Conspiracy

By HCNewton

On December 31, 2020

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Nicholas/Nick Petrie, Peter Ash

Light It Up

by Nick Petrie
Series: Peter Ash, #3

Paperback, 381 pg.
G.P. Putnam’s Sons, 2018

Read: December 28-29, 2020
Grab a copy from your local indie bookstore!

“I could really use your help,” Henry told Peter. “Maybe a week, two at the most. Just until I get things squared away,”

Peter didn’t have to think before he answered.

“No problem.” He’d send June a postcard. Maybe leave out a few details. He didn’t want to worry her. “Sign me up.”

Later, he’d wish he’d answered differently.

He’d have plenty of reasons.

But he knew he’d have answered exactly the same way.

What’s Light It Up About?

Peter meets and befriends a Vietnam vet on a project in Oregon. His friend, Henry, needs to return home to Denver—his daughter and son-in-law run a security company, escorting money for the cannabis industry. On a recent run, the son-in-law and his team went missing (along with the money). Henry needs to go help run things and hopefully come across a clue about the disappearance. He asks Peter to come along, and he does.

Four days later, Henry, Peter, and two others are taking care of another shipment of money. It’s a very routine run—until it’s not. They’re attacked by a group of professionals and it’s a very ugly event.

It’s no longer about Peter trying to help out a friend, it’s now about Peter striking back at the people who attacked his team and making sure they don’t do anything like that again.

A Three-Headed Monster

There are essentially three villains to this book. I’d like to talk about all three of them, but I don’t think I really can without taking something away from the experience—one calls the shots, one is the man on the ground making the plans and seeing that they’re implemented, the third is the guy who carries out the plan.

This latter we’ve seen before—he’s all about killing and raping*—maybe a little pillaging while he’s at it. He really just wants to watch the world burn. The man at the top is another guy we’ve seen before (a good version of him, don’t get me wrong).

* No, he doesn’t rape anyone in this book. There are some passing references to times he has, and he definitely looks forward to doing it in the future.

It’s the middle man that’s the guy who captured my attention. The man at the top is probably convinced he’s doing the right thing (for at least some people), the guy at the bottom of the chain of command doesn’t care about right and wrong. But the other one—he knows that what he’s doing is wrong, he is deliberately choosing evil. He has compelling reasons for that, but he’s going in with his eyes wide open.

Also, he has an interesting tie to Peter, one that adds a new layer to Peter.

No Army of One

Peter likes to think of himself as a lone wolf—he can do it all himself. Maybe even thinks he needs to (the book delves deep into this toward the end, but I’m not interacting with that part). But he’s not one—unlike Jack Reacher (the easiest guy to compare him to) who will pick up an ally or two for a book, and then will leave them in the dust while “The Lonely Man” (from The Incredible Hulk) plays in the background.

Peter didn’t want to leave June behind, but needed to (and wants to get back to her). And while he considers Lewis a friend, doesn’t try to get him involved in his messes. But they don’t let him—he needs help, so they come to him, over his objections.

Peter’s an action hero for our time—he’s dealing with PTSD (not stoically enduring, he’s trying to deal with it, he’s got a counselor), he has a sense of humor, and he’s a social creature. He needs people—for community and for assistance from time to time—and he’s the kind of guy that people are drawn to.

There’s a moment where Lewis describes why Peter’s men followed him where they did in Iraq. It’s something about his personality, is leadership, his character—he still has that, he just has different people following him in the trouble spots in the U.S.

The Lone Wolf Hero is a mainstay, it’s a fixture in Fiction—but a hero like Peter? He’s so much easier to believe. Easier to root for. He has more to lose, so you care more for his success.

A Missed Opportunity

When it looks likely that Peter’s going to be facing some legal troubles, Lewis arranges for a lawyer for him. She comes on the scene like some sort of oversexed Rita Fiore (from the Spenser/Jesse Stone series), intimidating police and protecting Peter. She’s not cartoonish, but she’s trending that way. She has a couple of good scenes, but then she practically vanishes.

This isn’t a legal thriller, and a lawyer shouldn’t play a huge role—but if you’re going to put a flashy character show up, use them. There’s no reason to believe that she’ll be around in future books—unless Peter moves to Denver.

I did like her, I thought she had some good scenes, but it felt like hiring Meryl Streep to play a role listed as “Lady in Restaurant” in the credits.

So, what did I think about Light It Up?

This series gets better and better. I thought the whole idea of the security for the cash shipments for the new (at least then) cannabis industry in Colorado was great. It’s the kind of thing that was just waiting for a thriller writer to jump on, and Petrie took full advantage before anyone else saw it.

There’s a mano a mano fight at the end—fantastic. Just fantastic. There’s plenty of action before that—a chase scene, the ambush of the security team, and some others—just those would’ve been enough to make me commend and recommend this thriller. But that climactic combat? Just wonderful.

Like with Burning Bright, I lost sleep over this—and did not care. Solid (at least) action, an ingenious premise, good character development, some well-written and well-conceived antagonists (scratch that, they’re flat-out bad guys). There’s nothing to complain about here. Get your hands on this one.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Happy Birthday, Archie!

By HCNewton

On October 23, 2020

In Calendar Items, Mystery/Detective Fiction/Crime Fiction/Thriller, Nero Wolfe/Archie Goodwin, News/Misc., Rex Stout

My annual tribute to one of my favorite fictional characters (if not my all-time favorite). I’ve got to do an overhaul to this soon, but it is slightly updated and tweaked from last year.

On Oct. 23* in Chillicothe, Ohio, Archie Goodwin entered this world—no doubt with a smile for the pretty nurses—and American detective literature was never the same. He’s the narrator (and, I’d argue protagonist) of the questionably named Nero Wolfe mysteries. While the eccentric and overweight genius might be what brings people to the series, it’s Archie’s wit, attitude, and snappy narrative voice that brings people’s back.

* About 34 years ago, no matter what year it is that you read this.

Since I was in Middle School, if I was suffering a slump of any kind (reading, emotional, physical), time with Archie Goodwin could get me out of it. There were a few years that when I got sick, I’d grab a Nero Wolfe novel to help me get through it (along with the Vitamin C and Chicken Noodle soup), and you can’t tell me it didn’t work. Noted critic Jacques Barzun says it well:

If he had done nothing more than to create Archie Goodwin, Rex Stout would deserve the gratitude of whatever assessors watch over the prosperity of American literature. For surely Archie is one of the folk heroes in which the modern American temper can see itself transfigured. Archie is the lineal descendant of Huck Finn.

While Archie’s about as far from a teetotaler as you can get, to commemorate his birthday, I’m toasting him in one of the ways I think he’d appreciate most—by raising a glass of milk in his honor.

Who was Archie? Archie summed up his life like this:

Born in Ohio. Public high school, pretty good at geometry and football, graduated with honor but no honors. Went to college two weeks, decided it was childish, came to New York and got a job guarding a pier, shot and killed two men and was fired, was recommended to Nero Wolfe for a chore he wanted done, did it, was offered a full-time job by Mr. Wolfe, took it, still have it.” (Fourth of July Picnic)

Long may he keep it. Just what was he employed by Wolfe to do? In The Black Mountain he answers the statement, “I thought you was a private eye” with:

I don’t like the way you say it, but I am. Also, I am an accountant, an amanuensis, and a cocklebur. Eight to five you never heard the word amanuensis and you never saw a cocklebur.

In The Red Box, he says

I know pretty well what my field is. Aside from my primary function as the thorn in the seat of Wolfe’s chair to keep him from going to sleep and waking up only for meals, I’m chiefly cut out for two things: to jump and grab something before the other guy can get his paws on it, and to collect pieces of the puzzle for Wolfe to work on.

In Too Many Women, he’s a bit more concise and describes himself as the:

heart, liver, lungs and gizzard of the private detective business of Nero Wolfe, Wolfe being merely the brains

In Black Orchids, he reacts to an insult:

…her cheap crack about me being a ten-cent Clark Gable, which was ridiculous. He simpers, to begin with, and to end with no one can say I resemble a movie actor, and if they did it would be more apt to be Gary Cooper than Clark Gable.

Over at The Thrilling Detective, he’s described this way:

If Goodwin hadn’t gone to work for Wolfe, he’d certainly have his own agency by now (and temporarily does, in one novel). Far more of the traditional eye, Goodwin is a tough, handsome guy with a photographic memory, a .32 under his well-tailored suit (and sometimes an extra .38 in his overcoat pocket), and a well-developed appreciation for the ladies. And, in the opinion of more than a few cops, officials and stuffed-shirt executives, a mouth that ought to be nailed shut permanently. (Wolfe isn’t immune either – part of Goodwin’s job, as he sees it, is needling the fat man into taking cases, if only to make sure the bills get covered.) He’s not the deductive genius that Wolfe is, but a smart and tenacious op with a good right hook, and a decent and personable man. Most of all, in his narration of the books, he’s a helluva storyteller; it’s his view of the world, and his interaction with Wolfe, that keeps us coming back for each new mystery.

The Archie Goodwin FAQ is less succicnt but does a good job of laying out the facts.

I’m not the only Archie fan out there:

Someone pointed me at this post, The Wit and Wisdom of Archie Goodwin. There’s some really good stuff here that I was tempted to steal, instead, I’ll just point you at it.
Robert Crais himself when writing an introduction to a Before Midnight reprint, devoted it to paying tribute to Archie—one of the few pieces of anything written that I can say I agree with jot and tittle.

In case you’re wondering if this post was simply an excuse to go through some collections of Archie Goodwin quotations, you wouldn’t be totally wrong…he’s one of the fictional characters I like spending time with most in this world—he’s the literary equivalent of comfort food. So just a couple more great lines I’ve quoted here before:

I would appreciate it if they would call a halt on all their devoted efforts to find a way to abolish war or eliminate disease or run trains with atoms or extend the span of human life to a couple of centuries, and everybody concentrate for a while on how to wake me up in the morning without my resenting it. It may be that a bevy of beautiful maidens in pure silk yellow very sheer gowns, barefooted, singing “Oh, What a Beautiful Morning” and scattering rose petals over me would do the trick, but I’d have to try it.

I looked at the wall clock. It said two minutes to four. I looked at my wrist watch. It said one minute to four. In spite of the discrepancy, it seemed safe to conclude that it would soon be four o’clock.

Description:I shook my head. “You’re flattering me, Inspector. I don’t arouse passions like that. It’s my intellect women like. I inspire them to read good books, but I doubt if I could inspire even Lizzie Borden to murder.”

She turned back to me, graceful as a big cat, and stood there straight and proud, not quite smiling, her warm dark eyes as curious as if she had never seen a man before. I knew damn well I ought to say something, but what? The only thing to say was ‘Will you marry me?’ but that wouldn’t do because the idea of her washing dishes or darning socks was preposterous.

“Indeed,” I said. That was Nero Wolfe’s word, and I never used it except in moments of stress, and it severely annoyed me when I caught myself using it, because when I look in a mirror I prefer to see me as is, with no skin grafted from anybody else’s hide, even Nero Wolfe’s.

If you like Anglo-Saxon, I belched. If you fancy Latin, I eructed. No matter which, I had known that Wolfe and Inspector Cramer would have to put up with it that evening, because that is always a part of my reaction to sauerkraut. I don’t glory in it or go for a record, but neither do I fight it back. I want to be liked just for myself.

When a hippopotamus is peevish it’s a lot of peeve.

It was nothing new for Wolfe to take steps, either on his own, or with one or more of the operatives we used, without burdening my mind with it. His stated reason was that I worked better if I thought it all depended on me. His actual reason was that he loved to have a curtain go up revealing him balancing a live seal on his nose.

It helps a lot, with two people as much together as he and I were, if they understand each other. He understood that I was too strong-minded to add another word unless he told me to, and I understood that he was too pigheaded to tell me to.

I always belong wherever I am.

The Revelators by Ace Atkins: It’s All Been Leading to This

By HCNewton

On August 14, 2020

In Ace Atkins, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Quinn Colson

The Revelators

by Ace Atkins
Series: Quinn Colson, #10

Hardcover, 386 pg.
G.P. Putnam’s Sons, 2020

Read: August 4-10, 2020
Grab a copy from your local indie bookstore!

“Place kinda looks like when you came home ten years back?”

“Nope,” Quinn said, placing the small bottle back in the glove box. “It’s a lot worse.”

What’s The Revelators About?

How is it already book ten?

The Revelators starts with Boom Kimbrough trying to keep his friend alive. Quinn Colson has been responding to a call about a domestic dispute and had been ambushed by The Watchmen—the far-right vigilante militia beating him and then someone shooting him. When a book starts off with your series’ protagonist clinging to life, you know it’s going to be a grim time and it is.

A year passes and Quinn’s rehab has gone pretty well. The governor has appointed someone to fill in as Sherriff, and that man is everything that Quinn isn’t, he make’s Quinn’s crooked uncle look like a fine lawman. He’s not entirely physically ready, but he can’t wait anymore—Quinn’s got to step up and do his job before it’s too late and criminal elements have completely taken over. Quinn, Boom, Lillie Virgil, and the Jon Holliday (plus who knows how many undercover agents he has—he won’t tell anyone) prepare for a significant move that’ll put most, if not all, of the major elements in prison.

Meanwhile, the new Sherriff and ICE raid a local chicken processing plant (to the surprise of almost everyone in the county), arresting everyone, not allowing anyone to provide their immigration papers (of those who have them), merely sending them off somewhere to await deportation. Lillie and her church have their hands full with the children left behind by this move. If anything, this action galvanizes Quinn to step up his work.

Fannie Hathcock is making moves of her own, securing her position not only in Tibbehah County but the entire state (and beyond). And…well, I don’t have the space to keep going. There are so many moving pieces in this book I’m not even going to attempt to summarize.

There’s at least an allusion to the previous books, and many characters/crimes/events from them directly impact what happens here. The Revelators is the culmination of ten novels’ worth of events and nothing’s going to be the same after it. It’s clear from the get-go that Atkins has something major in mind and the atmosphere of the whole book reflects that. At various points in the novel, I have notes like “please don’t do anything to X and Y.” And at times it feels like this could be the series finale, and I spent a little time wondering how there’ll be any way for it to continue.*

* I’ve heard/read enough interviews of Atkins at this point to know he’s not keeping the next novel a secret, so I don’t feel bad about saying that.

Is this Fiction?

From the ICE raid on a chicken processing plant—and the way that parents are kept from their children afterward, to the police corruption and abuse of power, to the militant (and well-armed) right-wing group pushing their way around, and a few other spoilery actions—these “ripped from the headlines” storylines made me wonder time and time again how little fictionalization/sensationalism Atkins was pouring int this. I’m so relieved that it is fiction but at far too many points, it doesn’t feel all that fictional and you get a little sick wondering just how much of this could really be happening in Mississippi (or your own state).

Lights in the Darkness

In the middle of all this corruption, crime, inhumanity, and impending doom, there are moments of hope, joy, and family. Quinn’s nephew, Jason, falls for a girl (who falls right back). Quinn and Maggie are expecting. Maggie’s son Brandon grows closer to his new family—there’s one very sweet scene between Brandon and Quinn. Caddy seems to have found another chance at love.

And an old foe realizes how far down the wrong road they’ve gone and seeks to make it up to Quinn. I had to read a couple of scenes twice to make sure I understood what was going on.

Not only does that kind of thing keep Quinn and his allies going—it’s a reason to keep fighting, even if things are worse in the ten years since he came home. But, it also makes it easier to read. If it was all crime, corruption, racism, impending doom, and the rest, sure, it’d be worth reading, but these brief reminders that even Tibbehah County isn’t as bad as it could possibly be make it so much easier to keep reading.

So, what did I think about The Revelators?

“Johnny Stagg, J. K. Vardaman, the Watchman—all of them come from the same place,” Quinn said. “Me and you been fighting them over since we came home.”

“Been here long before me and you were born,” Boom said. “And they gonna be around long after we die.”

“That’s a hard take,” Quinn said.

“Do I lie?”

That is a hard—and honest—take. But what Quinn leaves unspoken is that it really doesn’t matter how long this kind have been around, people like he and Boom have been around resisting, fighting back the darkness, and trying to make it easier for light to shine. That’s why readers have kept coming back to this series for ten years. And they’ll keep coming back as long as that fight’s being waged.

Atkins has outdone himself this time—there are so many moving parts, so many interweaving plotlines, so much that he has to reveal slowly (or not let us see) so that he can let it all loose at the right time.

While reading it, I kept muttering about how good it all was, how fantastically Atkins was pulling off this very ambitious novel—and he made it look easy while keeping the reader white-knuckling the cover.

Book 11 in this series is going to look pretty different than the ten that came before, but it’ll be Quinn facing off with the same type of people—and as long as we get books of this caliber (or near it), that’ll be more than good enough.

5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Bullet Points about Burning Bright by Nick Petrie: There’s No Sophomore Slump in the Second Peter Ash Adventure

By HCNewton

On May 29, 2020

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Nicholas/Nick Petrie, Peter Ash

Burning Bright

by Nick Petrie
Series: Peter Ash, #2

Hardcover, 416 pg.
G. P. Putnam’s Sons, 2017

Read: May 11-14, 2020
Grab a copy from your local indie bookstore!

He climbed down to the dry riverbed, hurting all over but more or less functional. His forehead felt warm and wet. He put his hand up, felt the slickness of blood, and wiped it away, reminding himself that head wounds always bleed like crazy.

He knew too much about damage to human bodies.

This post is overdue (as was reading this in the first place), and I can’t seem to find time to do it right. So, I won’t. Here’s a quick and dirty way to get it taken care of. I wish I had it in me to do a better job, but I don’t. Here’s the blurb taken from Petrie’s site:

War veteran Peter Ash sought peace and quiet among the towering redwoods of northern California, but the trip isn’t quite the balm he’d hoped for. The dense forest and close fog cause his claustrophobia to buzz and spark, and then he stumbles upon a grizzly, long thought to have vanished from this part of the country. In a fight of man against bear, Peter doesn’t favor his odds, so he makes a strategic retreat up a nearby sapling.

There, he finds something strange: a climbing rope, affixed to a distant branch above. It leads to another, and another, up through the giant tree canopy, and ending at a hanging platform. On the platform is a woman on the run. From below them come the sounds of men and gunshots.

Just days ago, investigative journalist June Cassidy escaped a kidnapping by the men who are still on her trail. She suspects they’re after something belonging to her mother, a prominent software designer who recently died in an accident. June needs time to figure out what’s going on, and help from someone with Peter’s particular set of skills.

Only one step ahead of their pursuers, Peter and June must race to unravel this peculiar mystery. What they find leads them to an eccentric recluse, a shadowy pseudo-military organization, and an extraordinary tool that may change the modern world forever.

If I had the time to do this properly, here are the things I’d be talking about.

bullet At multiple points both Peter and June note that Peter’s having fun when it’s dangerous, when things are violent, when the bullets are flying. As a reader, this is great—you don’t see Reacher, Charlie Fox, Evan Smoak, etc. enjoying things quite like this. But I’m a little worried about what it says about him as a person.

bullet We get some good backstory on Peter—before he enlisted.

bullet On a related note, Peter has a family! A well-adjusted, not violent, family.

bullet Lewis is back from the first book—he’s essentially Hawk and Pike with flair. His growing family ties are a real strength of character.

bullet June is tough, capable, smart. She’s complex in a way that most characters in this role usually aren’t, and really ought to be.

bullet The villains in this novel are great. Their motives are complex, they don’t approach things the way you think they’re going to (up to the last couple of chapters).

bullet While trying not to give too much away, I appreciate that Ash doesn’t have a scorched-earth approach to his opponents in either book.

bullet Best of all, in the middle of the technothriller stuff, the action hero stuff, and all the rest, there’s a real attempt to portray what a vet with PTSD goes through. How it molds everything he does, but doesn’t define him.

bullet The biggest compliment I can give is this: it kept me awake when I should have been. Since I got my new CPAP last summer, I haven’t been able to read more than 2-5 pages with it on before I’m out like a light. So imagine how shocked I was when I realized that I’d barreled through over 50 pages one night! That’s a feat.

This is a great thrill-ride, I’m not going to wait another year and a half before I get to the next one (it’s sitting on my shelf as we speak). I strongly recommend the Peter Ash books.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.