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Word and Spirit: Selected Writings in Biblical and Systematic Theology by Richard B. Gaffin, Jr.: Righteous Gems

I can’t put this one off any longer—if I could, I promise you I would (I’ve delayed it a few weeks already). I’m out of my league here, but I’ve got nothing else to write about. And I really need to write something about this.


Cover of Word and Spirit by Richard B. Gaffin, Jr.Word and Spirit:
Selected Writings in Biblical and Systematic Theology

by Richard B. Gaffin, Jr.; edited by David B. Garner & Guy Prentiss Waters

DETAILS:
Publisher: Westminster Seminary Press 
Publication Date: December 1, 2023
Format: Hardcover
Length: 723 pg.
Read Date: January 7, 2024-September 22, 2024

The word atonement does not occur in Paul’s writings.’ But no concern is more central for him than the meaning of the death of Christ, the church’s perennial concern in its doctrine of the atonement. What does Christ’s death achieve? How is it effective for the salvation of sinners? This chapter considers Paul’s answers to such questions with an eye to the issue of continuity between Paul’s teaching and later church doctrine. How faithful to the apostle is subsequent Christian understanding of the atonement?

Contemporary Pauline scholarship is marked by a fairly widespread consensus that in its dominant and most influential expressions, traditional atonement theology departs from Paul in at least two substantial ways. First, it fails to recognize, or at least do justice to, the Christus Victor theme in Paul, that Christ’s death destroys actual slavery to sin and its consequences in the sinner. Second, its notion of the cross as penal substitution, particularly as it has been developed beginning with the Reformation, is foreign to Paul.? In my view, the first of these critiques contains some measure of truth; however, the second is wrong. As a fair generalization, historic Christianity, including Protestant orthodoxy, is weak in not recognizing adequately Paul’s teaching that the cross destroys sin in the sinner as a corrupting and enslaving power, but modern historical-critical scholarship is defective for not dealing adequately with his teaching that the cross removes the guilt and just punishment of sin.

What’s Word and Spirit About?

According to the Publisher,

Few Reformed theologians have exerted the influence in both the church and the academy that Richard B. Gaffin, Jr. has, shaping the theology and spiritual formation of generations of pastors and teachers. Until now, his most significant published works have been inaccessible to most theological readers, published in academic journals, denominational newsletters, and out of print festschrifts and essay collections. A decade in the making, Word & Spirit gathers Gaffin’s finest works of biblical and systematic theology and arranges them in a singular, organic whole that presents Gaffin’s thought and work as comprehensively and clearly as it ever has been. More than 40 essays, articles, and tracts have been compiled, including “The Usefulness of the Cross”, No Adam, No Gospel, “A Cessationist View,” and “The Work of Christ Applied”. This collection is a must-have for any student of theology.

There’s really not much else to say. It’s broken down into five sections, and I’d be tempted to say that each section was the most valuable/useful (well, at least 2-5, but maybe if I spent some time re-reading part 1, I’d reconsider that). Let’s take a quick look at each:

Hermeneutics, Biblical Theology, and Systematic Theology

This is ten articles spread out over 170+ pages, covering the basics of Biblical Theology, how it can and should interact with Systematic Theology (and vice versa).

There’s some repetition of ideas (this will be a common thread throughout each section), which makes sense as these were written as individual pieces, not as part of a book, and Gaffin’s position and ideas about these things have remained static/build on each other.

It’s vital to understand him and his work—and just good to have a handle on these ideas regardless.

Theology of Hebrews and Paul

Most of these seven articles encapsulate (and expand on) the ideas from In the Fullness of Time: An Introduction to the Biblical Theology of Acts and Paul, a book I raved about a couple of years ago. But there are teachings and texts he didn’t address there, that he does here.

This section was so rich, so helpful—the chapters “‘The Obedience of Faith’: Some Reflections on the Rationale for Romans,” “Atonement in the Pauline Corpus: ‘The Scandal of the Cross,'” “and “The Priesthood of Christ: A Servant in the Sanctuary”—were good enough that I almost re-read them immediately (and I probably should’ve).

The first article in this section, The Usefulness of the Cross is available as a PDF Free Chapter Download from the publisher, take advantage of this.

Scripture, Epistemology, and Anthropology

The first three of these six chapters might have been the most mind-stretching for me (they won’t be for everyone), and were very rewarding.

The final three were the easiest for me—and the most repetitive in the book. They focus on Biblical anthropology (as in teaching on the nature of man), focusing on the historicity and nature of Adam. I’ve read at least “No Adam, No Gospel” before—it was published as a booklet a few years ago, and I think I read the previous chapter, the Translator’s Foreword to Adam in the New Testament as well. And I didn’t mind one bit re-reading it/them. Still helpful.

Pneumatology

These seven chapters could be (should be, if you ask me) be reworked into one book. Gaffin shines in these studies—and going back to his By Faith, Not By Sight and Resurrection and Redemption, these teachings are where he’s historically helped me the most. And that streak continues here.

Reformed theologians often (and wrongly) get the reputation for not talking about the Spirit as much as other traditions, and—even worse—are considered to ignore Him. Gaffin makes it clear that everything about Reformed Theology is based on the work of the Spirit in believers’ lives and helps us understand just what that means—both theologically and practically.

The Law of God, Soteriology, and Eschatology

This section pretty much covers “everything that couldn’t fit above.” Again, I’ve read a few of these before in other publications/stand-alone works. But I don’t care.

The chapters on eschatology are gold.

The chapters on Justification and Calvin are even better—the way he talks about Calvin’s view of the relationship of Sanctification and Justification (and the way he presents the two in The Instittues even in the organization of them) is so important for us all to heed. Particularly as he roots them both in Union in Christ—as is every benefit that the believer enjoys in this life and in the resurrection.

So, what did I think about Word and Spirit?

The justification of God’s elect is unshakably secure because, in a sentence, Jesus Christ is “the same yesterday, today and forever” (Heb. 13:8). Despite the way it is often read, this is not, at least in the first place, a proof text for Christ’s divine immutability, that as God he is unchanging, though that attribute is surely in the background (see, for instance, 1:10—12).” Rather, it is most likely an affirmation of his unwavering fidelity, his abiding reliability as high priest—in his once-for-all sacrifice in the past on earth and in his ongoing present and future (cf. 7:25) intercession in heaven. That is as good a note as any to bring these reflections to a close. “Jesus Christ—the same yesterday, today and forever.” This, first and finally, is what Christians need to know about their justification when they consider Christ as their priest, not only in his state of humiliation but also in his state of exaltation.

Outside of the Foreword, Introduction, and Brief Biography (Appendix A), none of this is particularly easy reading. Nor quick. But all of it is accessible—for the depth he gets into at points, this is much more approachable than On Classical Trinitarianism (to mention a recent example).

This is probably the most personally beneficial read I’ve had in the last couple of years—sitting down with Gaffin for 30-50 minutes every week has been a great discipline and a great boon.

I should probably have more to say than that, but I can’t think of what else to say that’s not just a restatement of this: this is a fantastic book—with insights, teachings, and reminders of the things that are vital for every believer.

Highly recommended.


5 Stars
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Tooth and Claw by Craig Johnson: Even in The Arctic, Nature’s Red

Cover of Tooth and Claw by Craig JohnsonTooth and Claw

by Craig Johnson

DETAILS:
Series: Walt Longmire, #.5
Publisher: Viking
Publication Date: November 19, 2024
Format: Hardcover
Length: 189 pg.
Read Date: November 28, 2024
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What’s Tooth and Claw About?

After his time with the Marines is over, Walt needs to get away from people, society, anything that makes him think of Vietnam and what he witnessed there. He also wants to get away from what he knows–and what fits that description better than Alaska? He takes a job working security on an oil field, replacing someone who’d killed himself.

He also finds himself drinking. A lot. There’s not much to do when he’s not on the job—and you get the impression he can do a lot of it with a little bit of a buzz on.

We encounter Walt in this state as Henry comes up to visit–he’s concerned about what Walt’s doing to himself (as is Walt’s former fiance, Martha). Henry shows up at the end of December, when there are very few hours of daylight each day up by the Arctic Circle.

Henry’s a little bored, truth be told, so when Walt finds the opportunity to take him along on a quick research trip to help keep a scientist safe they go.

The day trip doesn’t go the way they expect (naturally). Instead, the friends find danger, a blizzard, a large polar bear (even by polar bear standards), a ghost ship, and some garden-variety human evil.

So, what did I think about Tooth and Claw?

This quick novella was fine. Walt and Henry against nature—weather and animal—isn’t exactly new territory, but Alaska isn’t what we’re used to seeing from them. It makes Wyoming look crowded. It’s a bit more extreme than we’re used to for them.

Add in a bunch of people we don’t know and a ship out of legend, and you’ve got something even better. There’s a potential supernatural element here–and the story works either way you approach that element.

It’s not a perfect read. The criminal activity seemed a bit perfunctory—and really didn’t add much to the novella, I might have appreciated the novella more without it. I don’t know that Johnson sold Walt’s drinking as being as much of a problem as Henry and a couple of others made it out to be.

But for what it is—a quick thrill-ride and a look at young-Walt, it’s good. There are some entertaining moments, it’s good to see these two in another environment. There’s at least one character I’d like to run into again.

It’s not a must-read for Longmire fans or the best introduction to the characters—but it’ll please longtime fans and should whet the appetites of new readers for the full novels. That’s good enough, right?


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Bullet Points about Spook Street by Mick Herron: All the Exciting Stuff Happens Around River

Cover of Spook Street by Mick HerronSpook Street

by Mick Herron

DETAILS:
Series: Slough House,  #4
Publisher: Soho Crime
Publication Date: December 12, 2017
Format: Paperback
Length: 307 pg.
Read Date: October 18-29, 2024
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“You want me to issue a shoot-to-kill order.”

“Well there’s no point shooting to wound. People would only get hurt.”

What’s the Back Cover of Spook Street Say?

What happens when an old spook loses his mind? Does the Service have a retirement home for those who know too many secrets but don’t remember they’re secret? Or does someone take care of the senile spy for good? These are the paranoid concerns of David Cartwright, a Cold War-era operative and one-time head of MI5 who is sliding into dementia, and questions his grandson, River, must figure out answers to now that the spy who raised him has started to forget to wear pants.

But River, himself an agent at Slough House, MI5’s outpost for disgraced spies, has other things to worry about. A bomb has detonated in the middle of a busy shopping center and killed forty innocent civilians. The “slow horses” of Slough House must figure out who is behind this act of terror before the situation escalates.

Things I’m Not Going to Develop into Paragraphs:

(I just don’t have the time or energy)
bullet Louisa makes a friend! A non-Slough House friend, it should be stressed. Which is great—and will hopefully help her deal with the events of Dead Lions. Sure, I pretty much like everything about Louisa, but this worked really well.
bullet This: “What happens when an old spook loses his mind? Does the Service have a retirement home for those who know too many secrets but don’t remember they’re secret?” Yeah, it could be phrased a bit more skillfully, but really—what is done in these situations (I have to assume more and more of these happen all the time)
bullet This book is really all about the power behind the throne. Sure, all the attention is on the leader (of whatever), but being the guy behind them—almost all of the power, but with almost none of the accountability or scrutiny, you can get a lot done. And you can direct the person at the top with just the right kind of pressure or incentive.
bullet Yes, the “Slow Horses” are, by design (of both Herron and MI-5) disposable, and impermanent. But some are pretty much irreplaceable, as the poor woman who is brought in to fill Catherine Standish’s shoes learns.
bullet Everything we learned about David Cartwright and his activities seems realistic. It’s chilling and troubling in so many ways. He deserves to be called OB. Or just B.
bullet Back to the impermanent idea. Herron shows us that he’s in the same league as authors like George R.R. Martin when it comes to the mortality of characters. I both admire that and am angered by it.
bullet Roderick Ho…what can I say about him? At the beginning of the book, I couldn’t believe what I was reading about him—it was far more hard to believe than any of the outlandish things we’ve seen Jackson Lamb’s team encounter. By the end, it all made sense. And I might have felt pity for the guy (although he makes it hard)
bullet Herron’s prose is so delicious. It’s mirthful without actually being funny (and only occasionally jokey). It’s so well crafted, it’s…I can’t put it into words. I just love reading him.

They were south of the river, half a mile from the Thames, near one of those busy junctions which rely on the self-preservation instincts of the drivers using it; ether a shining example of new-age civic theory, or an old-fashioned failure of town planning. On one of its corners sat a church; on another, earth-moving monsters re-enacted the Battle of the Bulge behind hoardings which shivered with each impact. A tube station squatted on a third, its familiar brick-and-tile facade more than usually grubby in the drizzle. There was a lot of construction work nearby, buildings wrapped in plastic sheeting, some of it gaudily muralled with visions of a bright new future: the gleaming glass, the pristine paving, the straight white lines of premises yet-to-be. Meanwhile, the surviving shops were the usual array of bookmakers, convenience stores and coffee bars, many of them crouching behind scaffolding, and some of them book-ending alleyways which would be either dead-ends where wheelie-bins congregated, or short-cuts to the labyrinth of darker streets beyond. Once upon a time Charles Dickens wandered this area, doubtless taking notes. Nowadays the local citizenry’s stories were recorded by closed-circuit TV, which had less time for sentimental endings.

So, what did I think about Spook Street?

Once again, I couldn’t stop asking myself why I am so behind in reading these? Why do I take breaks of months and months between them? Everything about this series is great.

I’m just happy the whole time I’m reading one of these books—despite the fact that the events are harrowing, the characters are generally despicable, and what the books suggest about humanity and Western security services (UK’s in particular, but I can only imagine they function pretty similarly to the rest) doesn’t fill one with optimism or confidence.

Spook Street is a solid winner from the horrible incident the book started with to the closing comforting paragraphs and all points in between. Herron planted more seeds than is typical for future installments—and I can’t decide which I want to see first (on second thought, I want to see the Roddy Ho stuff come back to haunt him/Slough House as soon as is humanly possible).

If you’re not reading these books—at my snail-like pace or at a rational pace—you are missing out.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Craig Johnson, The Osher Institute, and Tooth and Claw

Craig Johnson speaking at the Osher InstituteYesterday, I had the pleasure of seeing Craig Johnson for the third time 7 years. I’m starting to feel like a stalker, or a groupie, or…I dunno, I can’t come up with the third things for that list. Anyway, I’m not either of those–or the other one, either. I only see him when he comes to the Treasure Valley and I see an advtisement. Really.

This time, he came to Boise to do a presentation for students of The Osher Institute–a lifelong learning program that seems like a great idea (I’ve heard a few people talk about it before). Thankfully, they opened it for non-students, too–for a small fee that included the price of his new novella, Tooth and Claw (which he signed afterward, too).

the Cover of Tooth and Claw by Craig JohnsonHe talked a little about the oddly extended process in getting the novella written (by his standards, anyway), the style/influence that was behind this one, and a little bit about the story (maybe too much, almost certainly more than I’ll put in my eventual post about it). He also told a nice little story about the history of the SS Baychimo, a ghost ship that would appear every 10 years or so up in Alaska. I assume that I’m not the only one who had to go home and read more about it later after hearing his recounting.

Then he went into an extended Q&A time for the rest of the hour–I’ve heard a couple of the anecdotes he used before, but he used them to answer different questions, so that was a nice touch. But this wasn’t like the other Q&As I’ve seen him do before–this was a fairly mixed audience. There were plenty of Johnson fans, and plenty of people who’d watched the Longmire show, too. But there were a decent number of people who hadn’t read him at all before (1 person read The Cold Dish in the last couple of weeks). This led to some great questions from people who just wanted to talk about writing, the process of publishing, and then the recommended way to read the books (his wife insists they be read in chronological order, he maintains you can grab them in any order*).

Craig Johnson speaking at the Osher Institute Whether he was just talking about his upcoming book, answering a question about his process, talking about the ages of his characters, what he wrote before Walt Longmire got him a publication deal, a storyline that didn’t turn out the way he planned, or even a problem someone had with the Netflix adaptation, Johnson knows how to engage with an audience. I hope he doesn’t do this anytime soon, but if he quit writing and just toured the country telling stories about the books, his life, or just fun things he learned about history–I’d see him as often as possible and I think he be able to stay as active as he wanted. I don’t know if he’s always been able to work an audience the way he does, or if he grew into it (I think the former based on what he says about his family’s knack for storytelling), but there’s no denying that you walk away from a Craig Johnson appearance fully entertained. If you get the opportunity, take it.

And, of course, he brought that same charm and ability to connect to the autograph line–his lines don’t move that quickly. Once you get to the front, you understand why. He takes enough time so that fans new and old get a little of his attention, which no one is going to complain about.

I was also treated by a friend to a great meal at a nearby Mexican restaurant after we got our books signed. That’s not the point of this piece. I just can’t help thinking of it a day later.

*It’s good to see that even your writing heroes can be wrong.

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Opening Lines: Empowered Witness by Alan D. Strange

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. There are so few writers that can grab you like Winslow can from the get-go.

from Empowered Witness: Politics, Culture, and the Spiritual Mission of the Church by Alan D. Strange:

The calling, or mission, of the church as the church is to proclaim the gospel to the ends of the earth, not to be another merely (or even chiefly) political, social, or economic institution. The church, in its full-orbed existence, may have political, economic, or social concerns that develop out of its mission, but those aspects are not what primarily mark and define it. Our Lord Jesus Christ, who is head and King of the church, made it clear in his marching orders to the church—what we’ve come to call the Great Commission—that he intended the church to go to every people group (often translated “nations”) and to evangelize and disciple them (Matt. 28:18-20), enfolding them into his kingdom, which is “not of this world” (John 18:36), a kingdom that does not have the transitory but the eternal at its heart (2 Cor. 4:18). It is Christ himself, our heavenly King—since he is with us even now by his Holy Spirit (1 Cor. 15:45)—who gathers and perfects his church (Westminster Confession of Faith 25.3) through the appointed means.

The gospel is not about worldly success in any proper sense, then, but is rather about deliverance from the penalty, power, and ultimately the presence of sin, a message that comes to permeate the whole of the lives of those transformed by it. We can rightly say that the message of the church is a spiritual one, coming to people of every sort in every land to bring them here and hereafter into the spiritual reality of the kingdom of Christ. Therefore, Paul encourages the Christians in Corinth, “In whatever condition each was called, there let him remain with God” (1 Cor. 7:24). Paul makes clear that the bondservant may and should avail himself of the opportunity of freedom (1 Cor. 7:21). He also makes clear, however, that whatever condition one finds himself in, even whether one is married or not, is not paramount: what is most important is not one’s vocation or life circumstance but being called by and coming to Christ, being a new man or woman in Christ. Paul’s concern is that his readers are Christians, whatever else may be true of their lives. His concern for them, to put it another way, is chiefly spiritual.

This is the spiritual message that the church is privileged to herald to the world (salvation by grace alone), the good news—the meaning of gospel—without which there is no good news. The story of the world after Adam’s fall is nothing but bad news since all is sin, darkness, and hopelessness without the good news of the gospel. The gospel of salvation in Christ, however, is the good news that transforms the worst into the best, seen particularly at the cross, where humanity at its worst not only fails to defeat God but where God uses humanity’s attempt to do so as the centerpiece of our salvation. Christ has overcome the world. This is the message that the church joyfully preaches to the world. It does not preach itself, nor does it promote some sort of political, social, economic, or cultural utopia to be achieved in this age.

The church preaches that we are to live in this age not for this age but for the coming age that has broken in on this age and beckons us to a new heavens and a new earth that await all who trust in Christ alone.

Opening Lines Logo

Douglas Adams on Presidents

This one is a bit more cynical–okay, very much more cynical–than the last quotation I shared. It still seemed appropriate for today.

Zaphod BeeblebroxThe major problem—one of the major problems, for there are several—one of the many major problems with governing people is that of whom you get to do it; or rather of who manages to get people to let them do it to them.

To summarise: it is a well-known fact that those people who most want to rule people are, ipso facto, those least suited to do it. To summarise the summary: anyone who is capable of getting themselves made President should on no account be allowed to do the job. To summarise the summary of the summary: people are a problem.

—Douglas Adams
from The Restaurant at the End of the Universe

 

 

 

That nifty drawing of Zaphod was drawn by Terry Cooper.

Archie Goodwin on Voting

For the 3 of you who are unaware, it’s Election Day in the U.S., so I thought I’d share this little bit from Archie Goodwin to commemorate it.

Archie GoodwinThe most interesting incident Tuesday morning was my walking to a building on Thirty-fourth Street to enter a booth and push levers on a voting machine. I have never understood why anybody passes up that bargain. It doesn’t cost a cent, and for that couple of minutes, you’re the star of the show, with top billing. It’s the only way that really counts for you to say I’m it, I’m the one that decides what’s going to happen and who’s going to make it happen. It’s the only time I really feel important and know I have a right to. Wonderful. Sometimes the feeling lasts all the way home if somebody doesn’t bump me.

–Archie Goodwin
from A Family Affair

PUB DAY REPOST: A New Lease on Death by Olivia Blacke: A Charming New Odd Couple of Amateur Sleuths

Cover of A New Lease on Death by Olivia BlackeA New Lease on Death

by Olivia Blacke

DETAILS:
Series: Ruby and Cordelia Mysteries, #1
Publisher: Minotaur Books
Publication Date: October 29, 2024
Format: eARC
Length: 336 pgs.
Read Date: October 11-15, 2024
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Ruby

Ruby is a young twentysomething-ish woman*, new to Boston, having moved there following a bad breakup. She’s left the comforts of home and family to start again and prove to herself (and probably her ex) that she can do it on her own. She’s generally optimistic, talks to herself, is a bit overwhelmed with everything but she still has a cheerful personality—which is reflected in everything from the way she dresses to the way she looks at life. Despite Winter in Boston, which really isn’t treating her well, that is.

* Just before scheduling this post, I remembered that Ruby can’t spend time in bars. So, she’s a really young twentysomething-ish. I could probably look it up, but that’s good enough.

She’s jobless, but looking, and is getting close to the desperation point. But she’s not going to quit until she has to.

She shares her apartment with a woman who is very different than her, and their communication…well, it’s lousy. And not just because Ruby’s killed all but one of her houseplants.

Cordelia

Cordelia is noticeably older. Not truly grumpy, but optimistic and bubbly are definitely not things she’s been called (or would want to be called). She’s maybe not a huge success, but she does well enough that she’s not worried about money or comfort (there’s more to it than that, but I’ll let you read it for yourself). She likes to stay home in the evenings and read.

And drink. And drink some more. I don’t know if she’s technically an alcoholic (a functional one, for what it’s worth) or if she’s just a heavy drinker. It’s probably an academic question, really.

Cordelia doesn’t have much of a social life, she gets along with her coworkers—none of whom know that up until recently she’d been having an extended affair with their very married boss.

She doesn’t understand Ruby’s optimism, her approach to life/job hunting, resents what she’s doing to her houseplants, and just doesn’t know how to get through to her at all.

A large part of that stems from the fact that Cordelia was found dead a few months ago, and is now a ghost who likes staying in her former apartment while she gets a handle on the whole afterlife thing. Ruby, is (I should’ve said earlier, but I just assume it) very much alive and was more than happy to move into an already furnished apartment.

What’s A New Lease on Death About?

The book opens with Cordelia trying to talk the brand-new ghost of their neighbor through the opening minutes of his afterlife. He’d been murdered just outside their building and he is not taking the whole experience very well.

In one of the early attempts at actual communication between the roomies, Ruby gets the idea that Cordelia is trying to tell her they should investigate the murder like someone on one of the True Crime podcasts she’s a huge fan of. Cordelia was actually trying to keep Ruby as far as she could from all that, and seemed more than ready to accept the police’s rushed theories.

Before you know it, these two had become much more than people…entities?…sharing an apartment, they were a semi-functional team on the hunt for a killer.

The Ghostly Brass Tacks

This isn’t a book steeped in magic, supernatural creatures, and other things common in Urban Fantasy or even other supernatural mysteries I’ve talked about here. The Supernatural (at least in this book) is limited to ghosts who linger around—and not many do. We’re not really told why, but Cordelia has a theory.

It’s not easy to help someone when you’re incorporeal, invisible, and unable to make yourself heard. It’s also hard to “lean on” or assist someone if you’re not all that sure is actually around, or off doing their own thing.

And honestly, that’s just the beginning of their problems.

Blacke paints a picture of Claudia’s reality, her state, her learning curve, and her abilities to interact with the physical world and people in a way that absolutely makes sense, is consistent, well thought-out, and believable. It’s truly impressive—and darn entertaining—to watch Claudia try to be Ruby’s partner through all this.

It’s strong to say there’s a relationship between these two, but there is.

So, what did I think about A New Lease on Death?

In brief—this is everything I hoped it would be (well, I wanted a few more jokes, but I got over that). I bought in right away to everything—Blacke made that really easy—and both the plot and characters kept me fully engaged. I was faster than the pair on a thing or two (nothing applicable to this case, but what appears to be the next one), but didn’t get to the solution to the mystery until about the same time as Ruby and Cordelia.

It’s both a fun and well-executed novel and a solid introduction to a world and series (it’s at least a duology, I just don’t know how many books Blacke/Minotaur Books have in mind). There’s not a huge cast of characters that we can expect to see again—but there are some. We’ll see some of Ruby’s coworkers, I’m sure (eep—minor spoiler, she finds some kind of job); there are some figures we’ll see from the apartment building; and there’s one ghost I expect Cordelia to learn a bit more from. But it’s essentially a cast of two—and that’s more than enough to fuel this book and series.

In a step in a new direction for Blacke, this isn’t a cozy mystery—or so Blacke’s website says. And it’s true, I suppose—largely depending on how strictly you define “cozy.” But almost every cozy reader will embrace the storytelling. Blacke’s fans, in particular, will be fine with this after a little adjustment, and will likely embrace it without much trouble.

It’s not as lighthearted, warm, fuzzy, and pun-filled as The Record Shop Mysteries were. There’s little in here that’s outright funny—although you’ll smile most of the time, and the book is rarely dark. Tonally, it’s close to Darynda Jones’ mysteries, Janet Evanovich, and Lee Goldberg’s Eve Ronin (although all of those contain more jokes).

What Blacke carries over from the Record Shop Mysteries is her charm. You will like these two women right away. You’ll look for signs of friendship, camaraderie, and understanding between the two—and be pleased when you find them (and when you don’t have to look anymore).

This is the fourth book by Blacke that I’ve read, and it’s the fourth book of hers that I enjoyed. But she’s displaying a greater skill when it comes to writing, plotting, and character here than she has before. I think that’s a function of subject/subgenre rather than skill or anything. I’ve liked her books before, but this impressed me in a way the others haven’t. I don’t think it’s me comparing the two series—because I honestly want her to circle back soon to the environs of Sip & Spin Records (as little as I expect it). It’s just this is a better canvas for her to display more of her talent.

If you’ve tried her earlier material, you’ll see what I mean. If you haven’t, just realize I was dancing around a point—and maybe landed near it.

Regardless—this is a fun odd couple/buddy cop outing featuring amateur sleuths (so, yeah “buddy cop” isn’t technically right, but you know what I’m saying) with a side order of supernatural woowoo. The solution to the mystery is satisfying and fitting—and the conclusion of the novel launches into the next novel/series. What’s not to like? Very little. I’m already eagerly awaiting the next volume. I feel like there’s something I’m not saying, but I can’t figure out what it is. So I’ll just leave it at this point.

I’m looking forward to the next book, I expect almost everyone who reads A New Lease on Death will find themselves in the same boat. And I really hope many people come aboard—like you. Yes, you. Pick this one up.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A New Lease on Death by Olivia Blacke: A Charming New Odd Couple of Amateur Sleuths

Cover of A New Lease on Death by Olivia BlackeA New Lease on Death

by Olivia Blacke

DETAILS:
Series: Ruby and Cordelia Mysteries, #1
Publisher: Minotaur Books
Publication Date: October 29, 2024
Format: eARC
Length: 336 pgs.
Read Date: October 11-15, 2024
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Ruby

Ruby is a young twentysomething-ish woman*, new to Boston, having moved there following a bad breakup. She’s left the comforts of home and family to start again and prove to herself (and probably her ex) that she can do it on her own. She’s generally optimistic, talks to herself, is a bit overwhelmed with everything but she still has a cheerful personality—which is reflected in everything from the way she dresses to the way she looks at life. Despite Winter in Boston, which really isn’t treating her well, that is.

* Just before scheduling this post, I remembered that Ruby can’t spend time in bars. So, she’s a really young twentysomething-ish. I could probably look it up, but that’s good enough.

She’s jobless, but looking, and is getting close to the desperation point. But she’s not going to quit until she has to.

She shares her apartment with a woman who is very different than her, and their communication…well, it’s lousy. And not just because Ruby’s killed all but one of her houseplants.

Cordelia

Cordelia is noticeably older. Not truly grumpy, but optimistic and bubbly are definitely not things she’s been called (or would want to be called). She’s maybe not a huge success, but she does well enough that she’s not worried about money or comfort (there’s more to it than that, but I’ll let you read it for yourself). She likes to stay home in the evenings and read.

And drink. And drink some more. I don’t know if she’s technically an alcoholic (a functional one, for what it’s worth) or if she’s just a heavy drinker. It’s probably an academic question, really.

Cordelia doesn’t have much of a social life, she gets along with her coworkers—none of whom know that up until recently she’d been having an extended affair with their very married boss.

She doesn’t understand Ruby’s optimism, her approach to life/job hunting, resents what she’s doing to her houseplants, and just doesn’t know how to get through to her at all.

A large part of that stems from the fact that Cordelia was found dead a few months ago, and is now a ghost who likes staying in her former apartment while she gets a handle on the whole afterlife thing. Ruby, is (I should’ve said earlier, but I just assume it) very much alive and was more than happy to move into an already furnished apartment.

What’s A New Lease on Death About?

The book opens with Cordelia trying to talk the brand-new ghost of their neighbor through the opening minutes of his afterlife. He’d been murdered just outside their building and he is not taking the whole experience very well.

In one of the early attempts at actual communication between the roomies, Ruby gets the idea that Cordelia is trying to tell her they should investigate the murder like someone on one of the True Crime podcasts she’s a huge fan of. Cordelia was actually trying to keep Ruby as far as she could from all that, and seemed more than ready to accept the police’s rushed theories.

Before you know it, these two had become much more than people…entities?…sharing an apartment, they were a semi-functional team on the hunt for a killer.

The Ghostly Brass Tacks

This isn’t a book steeped in magic, supernatural creatures, and other things common in Urban Fantasy or even other supernatural mysteries I’ve talked about here. The Supernatural (at least in this book) is limited to ghosts who linger around—and not many do. We’re not really told why, but Cordelia has a theory.

It’s not easy to help someone when you’re incorporeal, invisible, and unable to make yourself heard. It’s also hard to “lean on” or assist someone if you’re not all that sure is actually around, or off doing their own thing.

And honestly, that’s just the beginning of their problems.

Blacke paints a picture of Claudia’s reality, her state, her learning curve, and her abilities to interact with the physical world and people in a way that absolutely makes sense, is consistent, well thought-out, and believable. It’s truly impressive—and darn entertaining—to watch Claudia try to be Ruby’s partner through all this.

It’s strong to say there’s a relationship between these two, but there is.

So, what did I think about A New Lease on Death?

In brief—this is everything I hoped it would be (well, I wanted a few more jokes, but I got over that). I bought in right away to everything—Blacke made that really easy—and both the plot and characters kept me fully engaged. I was faster than the pair on a thing or two (nothing applicable to this case, but what appears to be the next one), but didn’t get to the solution to the mystery until about the same time as Ruby and Cordelia.

It’s both a fun and well-executed novel and a solid introduction to a world and series (it’s at least a duology, I just don’t know how many books Blacke/Minotaur Books have in mind). There’s not a huge cast of characters that we can expect to see again—but there are some. We’ll see some of Ruby’s coworkers, I’m sure (eep—minor spoiler, she finds some kind of job); there are some figures we’ll see from the apartment building; and there’s one ghost I expect Cordelia to learn a bit more from. But it’s essentially a cast of two—and that’s more than enough to fuel this book and series.

In a step in a new direction for Blacke, this isn’t a cozy mystery—or so Blacke’s website says. And it’s true, I suppose—largely depending on how strictly you define “cozy.” But almost every cozy reader will embrace the storytelling. Blacke’s fans, in particular, will be fine with this after a little adjustment, and will likely embrace it without much trouble.

It’s not as lighthearted, warm, fuzzy, and pun-filled as The Record Shop Mysteries were. There’s little in here that’s outright funny—although you’ll smile most of the time, and the book is rarely dark. Tonally, it’s close to Darynda Jones’ mysteries, Janet Evanovich, and Lee Goldberg’s Eve Ronin (although all of those contain more jokes).

What Blacke carries over from the Record Shop Mysteries is her charm. You will like these two women right away. You’ll look for signs of friendship, camaraderie, and understanding between the two—and be pleased when you find them (and when you don’t have to look anymore).

This is the fourth book by Blacke that I’ve read, and it’s the fourth book of hers that I enjoyed. But she’s displaying a greater skill when it comes to writing, plotting, and character here than she has before. I think that’s a function of subject/subgenre rather than skill or anything. I’ve liked her books before, but this impressed me in a way the others haven’t. I don’t think it’s me comparing the two series—because I honestly want her to circle back soon to the environs of Sip & Spin Records (as little as I expect it). It’s just this is a better canvas for her to display more of her talent.

If you’ve tried her earlier material, you’ll see what I mean. If you haven’t, just realize I was dancing around a point—and maybe landed near it.

Regardless—this is a fun odd couple/buddy cop outing featuring amateur sleuths (so, yeah “buddy cop” isn’t technically right, but you know what I’m saying) with a side order of supernatural woowoo. The solution to the mystery is satisfying and fitting—and the conclusion of the novel launches into the next novel/series. What’s not to like? Very little. I’m already eagerly awaiting the next volume. I feel like there’s something I’m not saying, but I can’t figure out what it is. So I’ll just leave it at this point.

I’m looking forward to the next book, I expect almost everyone who reads A New Lease on Death will find themselves in the same boat. And I really hope many people come aboard—like you. Yes, you. Pick this one up.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Opening Lines: The Moon Is a Harsh Mistress by Robert A. Heinlein

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author—but nothing beats a great opening for getting a reader to commit.

I see in Lwnava Pravda that Luna City Council has passed on first reading a bill to examine, license, inspect—and tax—public food vendors operating inside municipal pressure. I see also is to be mass meeting tonight to organize “Sons of Revolution” talk-talk.

My old man taught me two things: “Mind own business” and “Always cut cards.” Politics never tempted me. But on Monday 13 May 2075 I was in computer room of Lunar Authority Complex, visiting with computer boss Mike while other machines whispered among themselves. Mike was not official name; I had nicknamed him for Mycroft Holmes, in a story written by Dr. Watson before he founded IBM. This story character would just sit and think—and that’s what Mike did. Mike was a fair dinkum thinkum, sharpest computer you’ll ever meet.

Not fastest. At Bell Labs, Buenos Aires, down Earthside, they’ve got a thinkum a tenth his size which can answer almost before you ask. But matters whether you get answer in microsecond rather than millisecond as long as correct?

Not that Mike would necessarily give right answer; he wasn’t completely honest.

from The Moon Is a Harsh Mistress by Robert A. Heinlein
Cover of The Moon Is a Harsh Mistress by Robert A. Heinlein

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