Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 122 of 154

In Medias Res: The Asset by Shane Kuhn

as the title implies, I’m in the middle of this book, so this is not a review, just some thoughts mid-way through.

—–

The Asset
The Asset

by Shane Kuhn

This is not the Shane Kuhn you know. Well, sort of. This is a standalone thriller about Airport/Airplane Security, Terrorism, and the USA’s efforts to keep the friendly skies, well, friendly. It’s not as fun and funny as The Intern’s Handbook or Hostile Takeover (or whatever they’re called in your part of the world). BUT it is just as well-written and suspenseful — and a little easier to believe, actually.

There are hints, suggestions, indicators, and other things pointing to an immanent terrorist attack on the U.S., and not enough people are taking the situation seriously. At least, least that’s the point of view of Kennedy, the security expert and protagonist, who is taking it very seriously. Taking place over 64 days (not a spoiler, that’s literally the 2nd line — although, there could be some action that takes place after that). Will Kennedy be in time to stop it? How will he? this is a pulse-pounder, a nail-biter, a “oh, crud — do I really have to go to work tomorrow? Do I actually need to sleep before then?” kind of book.

I think I’d prefer it to be harder to believe than the other two books, come to think of it.

I’m almost at the mid-way point of the ARC (with thanks to Simon & Schuster and Shane Kuhn) and I’m telling you now, you want to pre-order this, get on your library’s wait-list, or whatever (legal) thing you do to get your hands on a book. It comes out on July 12, you want to be ready for it.

Cheap Shot (Audiobook) by Ace Atkins, Joe Mantegna

Cheap Shot (Audiobook)Robert B. Parker’s Cheap Shot

by Ace Atkins, Joe Mantegna (Narrator)
Series: Spenser, #42

Unabridged Audio, 7 Hours and 30 Minutes

Random House Audio, 2014
Read: June 7 – 9, 2016


This is a very mixed bag of an audiobook. I loved the novel 3 years ago, and enjoyed reliving it. But man, the narration was just not my thing. But I’ll get back to that in a bit.

I stand by pretty much everything that I said 3 years ago (although, I seem to have missed/underrated one plot point last time — I totally bought it this time). Here’s some of what I said before that still applies:

On the one hand, this is not Atkins’ best Spenser. But it’s the one that feels like Parker more than the rest (make of that what you will). The banter, the poking around and stirring things up until you get a break, the fisticuffs, the donuts, the gun fight, the needling of underworld players, and so on — he captures Parker’s voice and pacing better here than he’d managed before (yet doesn’t come across as pastiche). Spenser’s sniffing around the big money and big boys (and a few men) in sports, which serve as a good place for Spenser to reflect how men are to act. Parker did this Mortal Stakes and Playmates (and to lesser extents elsewhere — like Early Autumn), and Atkins is able to do that here (arguably he does so with a subtlety that Parker didn’t achieve).

Kinjo Heywood’s a fun character — slightly more grounded than Mortal Stakes‘ Marty Rabb, far more mature and grounded than Playmates‘ Dwayne Woodcock. One advantage Heywood has is his son, Akira (who’s plenty of fun on his own) — he has someone to provide a good example to, and he strives to. Heywood also seems to have thought ore about life and how one should live it. Marty seemed to think only about Linda (his wife) and baseball, Dwayne was all about his girlfriend (Chantel) and basketball, too — but with less self-examination, it’s just that’s all he had the chance to think about (although Chantel would see that changed, and his horizons broadened if she had anything to say about it). Heywood’s got a kid, he’s been through a divorce, and is fully aware of his place in the limelight (including social media) and his own shortcomings. This alone saves the book from being a reworking of Parker.

I should add that Sixkill has a lot of perspective here (with the assistance of Atkins’ own background in football) — he was close to Heywood’s level, and if he’d made one or two better choices, he would’ve been at this level. He has a better idea what’s going on in Heywood’s mind than Spenser and his brief stint in the boxing world would.

The book begins with Spenser doing bodyguard duty — and as always (Stardust, Looking For Rachel Wallace, A Savage Place, Rough Weather) things don’t go well. You’d think people’d stop hiring him for this kind of work. Spenser turns to investigating — and unearthing lie after lie from his client — while getting Hawk and Sixkill to pitch in on the bodyguard front.

In addition to the main characters, Hawk, Susan, Sixkill, Tony Marcus, and so on; Atkins continues to show a command and familiarity with the impressive gallery of supporting characters in the Spenser-verse. And the new characters fit into the ‘verse just fine, nothing that Parker wouldn’t have created.

Not only did Atkins give us a good story this time, he appeared to be planting and/or watering seeds for future books at the same time — something Parker never bothered with, but I’m glad to see.

About the only thing I’d like to add on this front is that I think I liked the story more this time around.

So much for the lovefest. I just didn’t like Mantegna’s work. I know, I know — he’s done many, many of the Spenser Audiobooks; Parker loved his work with Spenser (even getting him cast in those semi-regrettable movies); and he’s Joe bleepin’ Mantegna. Still, it didn’t work for me. When he was reading the narrative parts — Spenser describing what he was doing, what he was seeing, etc., even making smart aleck asides — I dug it. He did a perfectly entertaining job — maybe even more.

But the strength of Parker’s work was his dialogue, and Mantegna fell flat (at best) on this front. Spenser sounds like Fat Tony, which just should not be. Ever. Kinjo sounds like a stereotypical old blues man, not a young NFL linebacker. Hawk sounds like a slightly younger blues man. And don’t get me started on Zee. That was just embarrassing. Most of the other characters were pretty poorly done, as well. And when the book is so reliant on dialogue, so reliant on the charm of the characters, that missing with just about all of them hurts.

So, like I said, great writing, mediocre (when not disappointing) narration. Please note this rating is for the Audiobook — the whole experience, the narration as well as the writing — still love the book, and would recommend the novel in a heartbeat. This? Eh. It was entertaining enough, but that’s it. Still, any time with Spenser is time well spent.

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3 Stars

The Highwayman by Craig Johnson

The Highwayman The Highwayman

by Craig Johnson
Series: Walt Longmire, #11.5

Hardcover, 190 pg.
Viking, 2016

Read: June 7 -8, 2016

We’re taught to work independently, but nothing strikes you quite like a 10-78 [Officer Needs Assistance], the urgency to reach a fellow officer in need. It’s instinctual to individuals who are trained to respond and risk their lives for each other and complete strangers.”

Having been in Wyoming Law Enforcement for so long, he knows pretty much every officer in the state. One such person is Rosey Wayman, a Highway patrolman who’s having some problems. She’s taken a new assignment, a jurisdiction once patrolled by a (literally) legendary officer. Since then, well, strange things have been happening. Walt and Henry (as a favor to her and her C.O.) have dropped by to act as sort of independent witnesses — basically to determine if her imagination is getting the best of her, or if there are strange things underfoot.

One of the best parts of this series is the way that Johnson writes about things that can’t be readily and easily explained (generally) without spelling things out for the reader. Yes, a character may be having a psychological problem, a physical problem, or there might be a spiritual dimension to what they experience — maybe all of the above — but what Johnson won’t do is tell you what happened. Henry, Walt, Ruby, Lucian or any number of others just might express their thoughts/opinions/beliefs, but the author won’t.

Which means that when Johnson tells a ghost story? You’re in for a good one. One where you have no idea if the ghost in question is a manifestation of someone’s (or multiple someones’) subconscious.

I will admit I was confused when I saw this was advertised as a novella. The last Longmire novel, Dry Bones was 306 pages long, and this was listed at 200 (190 is my count). How did that qualify as a novella (which is a fairly slippery term, anyway)? And then I picked up a copy. This one measured at 5.3″ x 7.4″ (Dry Bones was 6.2″ x 9.2″). Which explained everything. Reading it made it clear that it wasn’t a novel — one story, no personal drama, no ongoing story/character arcs — just Walt, Henry and Rosey on a ghost hunt.

Lean prose, great characters, a setting that means more than just the place where the action takes place (and is described thusly) — everything you want in a Longmire story.

One other thing that I have to mention — the elderly Arapaho sha-woman that Henry introduces Walt to is a real hoot. Her teasing/harassment of Walt was a needed dash of fun in this book, I can only hope that Johnson finds an excuse to use her again.

If this was a novel, it’d be 3-3 ½ stars, but since it’s supposed to be a novella, I’ll give it a 4. Just what the doctor ordered to tide you over until the next full book.

—–

4 Stars

Guilty Minds by Joseph Finder

Guilty MindsGuilty Minds

by Joseph Finder
Series: Nick Heller, #3

eARC, 400 pg.
Dutton, 2016

Read: June 1-2, 2016

The evil that men do lives after them;
The good is oft interred with their bones:
               – Julius Caesar, Act 3, scene ii

Everyone’s favorite private spy, Nick Heller, is back. This Jack Reacher with a budget gets hired to head off a scandal that may threaten the career of the Chief Justice of the Supreme Court. He’s not hired by the Justice, of course, but by a powerful friend. Washington, D.C. being Washington, D. C. not only does the Justice have powerful friends, he has powerful enemies. Heller assumes that they’re behind the scandal breaking on the gossip website, and sets his sites on not only stopping them but exposing them.

There’s more going on than even someone with Heller’s instincts expect — what seems like a pretty routine case (with high stakes) turns into something with life or death stakes. Not shocking, it’s why we read these things.

I love the way that Heller’s mind works — watching him prepare (even quickly) to break into an apartment, or take out a group of kidnappers is one of the highlights of these books. What’s even better is that his hacker can’t do everything. His buddies/colleagues make blunders. What’s more, Heller makes mistakes — errors in judgement, letting personal biases get in the way, bad assumptions. Sure, Heller’s super-human (it’s why we read him), but he’s not perfect. It’s his reaction to the mistakes, his recalculations, his new plans that separate Heller from a lot of these characters who are a little more perfect.

There’s a twist or two, people who aren’t what they seem (in good and bad ways for Heller), and some solid fight scenes (with and without weapons). Pretty much just what you want in a thriller. I’m not sure that I’m crazy about the resolution or the epilogue, but I don’t mind them and honestly I can’t think of a better way for things to play out (and before that, I had just that one complaint). So, I guess a great 380 or so pages, followed by a decent 20.

It took less than a page or two (hard to tell on my screen) to remember what I liked about the style of this series, Heller’s voice, and his crew (although this book relied less on his regular supporting cast than the previous two). If I quoted every snappy line from the first chapter, you’d stop reading this post as tl;dr (and the publisher would come after me) — and things got better from there. Great internal dialogue. Finder writes lean prose without an inch of fat, but it’s not dry, not lacking anything — it’s full of personality and intelligence. There was one thread that seemed pretty important that Finder just abandoned, which is odd for him. Still, anytime you get an action hero quipping about coffee, I’m going to pay attention.

I had coffee. I took one sip and put it down. It tasted like something brewed by someone who disapproved of coffee.

I appreciated the observation about airport/tarmac security, and just with that Heller had spent more time with that. Maybe in the fourth book?

Smooth prose, good action, well-paced, and just a fun story. A real pleasure to read from beginning to end.

I received this book from Net Galley in return for the above thoughts. Thanks to Net Galley and Dutton for the good read. As it was an ARC, there’s a chance that the quotation above might not be in the published version, I’ll try to confirm as soon as I can next month.

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4 Stars

The CleanSweep Conspiracy by Chuck Waldron

The CleanSweep ConspiracyThe CleanSweep Conspiracy

by Chuck Waldron
Series: Matt Tremain Technothriller, #1

Kindle Edition, 304 pg.
CreateSpace Independent Publishing Platform, 2016

Read: May 21 – 25, 2016


Matt Tremain is a man on the run — authorities are broadcasting his picture all over, the police are hunting for him. Not a typical reaction to a tech/privacy blogger (this blogger would like that amount, not kind, of attention) — but that’s the impact that his stories about CleanSweep are possibly having. At the very least, he’s got a few very influential people paying attention, and that’s enough for the powers behind CleanSweep to want him quieted.

Thankfully, he has some allies who have his back — both in Toronto, and around the world, so he’s able to escape the initial attempts to bring him in. Unsure who to trust, he’s living as off-of-the-grid as he possibly can (while maintaining his blog as much as he can — not easy).

Still, this just emboldens him, as well as showing him that the clock is running, and he won’t be able to do anything to prevent this from becoming permanent soon. So Matt, a couple of allies in the press, one in law enforcement, and a few he hasn’t met yet, get busier at exposing what they believe to be a conspiracy devoted to stamping out undesirable elements in society. Toronto will be ground zero, but it won’t be long before this Conspiracy moves to other parts of the world, destroying privacy, civil liberties and lives along the way. Dystopia looms large in these pages, not one decades or centuries away, either; this is a 15-minutes into the future dystopia.

I can’t talk much more about the plot — or most of the characters — without giving too much away. So I’ll just say there are a lot of well-drawn characters trying to do their best at work here. Without exception, everyone of Matt’s allies would be someone I’d like to have more of (not saying that we didn’t get sufficient time with them, just that they were interesting enough to have around more).

And then there are (for wont of a different phrase) the bad guys. With one exception (Claussen’s security chief, Angela Vaughn), these are not well drawn, or that interesting — they’re evil, and that’s about it. Which makes it easier to root against them, but harder to get invested in them as characters.

I’ve got a couple of minor quibbles, and one that’s pretty big. First, for people thus concerned with being spied on, Matt and his allies sure do use their smartphones a lot. Also, the timeline is sometimes too hard to track with, it’s unclear frequently when we’re getting a flashback — and how far back we’re flashing — or when we’re back to “the present.” Lastly, governmental agencies move a little too quickly at the end — probably the hardest part to believe.

My biggest problem with the book was, to me, fairly significant, and ended up toning down my enthusiasm for recommending it. There’s a chapter (maybe two, but I’m pretty sure it was one) wherein Claussen meets with the men with the money and government clout needed to fully implement his plan. A lot of what is revealed about the plan, we readers knew and/or surmised from what had been hinted at, suggested, etc. before. But before it had been shown to us, here it was told to us. And not in a very interesting way — it was basically the part of a James Bond flick where the villain tells Bond his plan just before he leaves him to die (which, of course, he doesn’t). This time there were no Bonds around, just the people who’d enable the villain’s plan. The evil was as plain as day here, and told in the kind of detail no one needed — the only thing missing from this were the conspirators twirling their mustaches. Seriously, you take out this chapter (or edit it a lot), and this book would’ve got a higher rating from me.

Add a little more gray to this, tone down the villains just a shade, and you’ve got yourself a knock out. As it is, it’s a pretty good read — and a chilling reminder of what could be around the corner. The tech feels real, the police state imposed doesn’t sound that far-fetched, the aims of the conspirators carry the feel of legitimacy. This rings entirely of something that could’ve been ripped from the headlines — but thankfully wasn’t (I think). You will keep turning pages, wanting to know what happens to Matt and the rest — you’ll appreciate some small flashes of humanity and the courage that resides in unlikely places.

Give this one a shot. Not only will you probably enjoy this, but like me, you’ll want to get your hands on more by Waldron.

Disclaimer: This book was provided to me by the author in exchange for my honest thoughts.

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3.5 Stars

A Few Quick Questions With…Chuck Waldron

For part two of The CleanSweep Conspiracy tour, I got Chuck Waldron to A some Qs.

Why Canada? Is it because the U. S. would be the obvious and/or easy choice? Or is there something else going on?
Who would expect something like The CleanSweep Conspiracy can take place in a city known as “Toronto the Good?” After all, Toronto is part of a nation known and respected for civility, peace, and good government.

The story is completely a figment of my imagination. I could have used many places, but chose to keep it in Toronto. The setting in the original manuscript was a North American fictitious city. Since the inspiration for The CleanSweep Conspiracy was an event that took place in Toronto in 2010, I decided to rewrite my novel and let Toronto be the location.

I hope there are checks and balances in both Canada and the United States that will prevent something like this from ever happening. That said, I do believe there is an undercurrent in our society that keeps the thought of something like The CleanSweep Conspiracy a possibility.

Then again…

Clifford’s line: “Techies like you never think past high-tech solutions,” sounds like an oft-repeated aphorism. Is Clifford your cameo? If not, is there a Chuck Waldron-like character in this book?
Clifford my cameo? Maybe. According to research I’ve read, I’m of an age that should make me technologically phobic. Instead, I seem to embrace each new gadget, app, or program. At least I like to kick the tires. It may be an oft-repeated aphorism as you say, but as much as I like technology, I sometimes fear we give up part of our humanness when we reach for the high-tech cloud-world.

Part of Clifford’s role in the story was to really know Mattie. He was the link between her and Matt Tremain.

If Clifford is my cameo, I thank him for the honor.

How much of the plot (especially the conspiracy) did you have worked out before starting, and how much did you figure out mid-stream? Is this the way you normally go about things?
I lived with the idea for over two years before I started to think of an outline. I’m not sure where the conspiracy part came into it. I don’t jump on conspiracy theories like the FEMA trailers that will be turned into concentration camps. I don’t waste a lot of time thinking about Area 51.

My novel was simply a what-if idea that started to take shape as a story.

Writers talk about writing by plot or by the seat-of-the-pants. I usually have a rough outline, but I tend to be the latter. I like to let my characters dictate their story as I go along.

For me, if a character isn’t well developed it’s hard to carry a storyline.

Who are some of your major influences? (whether or not you think those influences can be seen in your work — you know they’re there)
I was a history major in college. Lawrence E. Gelfand, my professor, is an influence. Ironically he died the same year (2010) as the event that inspired my novel. I tip my hat to the memory of Henrietta Blake, my first writing teacher. She gave me permission to write and assured me I didn’t need a license to be a writer. Writers that have inspired me include Hemingway, John Le Carre, James Lee Burke, William Manchester and much, much more. Like most writers, I’m an avid reader.
What’s next for you? I’m assuming your next book is well underway, what can you tell us?
Two, actually. I’ve never tried it, but I’m working on two storylines that I can’t seem to let go. I like Matt Tremain, the protagonist in The CleanSweep Conspiracy. He just might hang around for another story. On a recent visit to Cuba, I couldn’t avoid thinking about Hemingway and the downward spiral at the end of his life. We all know he committed suicide in Idaho. But what if there is an alternative ending?

Just saying.

The CleanSweep Conspiracy by Chuck Waldron Book Tour

Welcome to our Book Tour stop for The CleanSweep Conspiracy. Along with this blurb about the book and author I’ve got a Q & A with the author, Chuck Waldron, and my 2¢ about the book.

Matt Tremain publishes Verité, a modest blog dedicated to writing about the truth and exposing scams. When he follows up on rumors concerning something called CleanSweep, a mysterious project in Toronto, Canada, Matt needs to decide if he’s going to take a stand and reveal the truth.

Book Details:

Book Title:  The CleanSweep Conspiracy by Chuck Waldron
Category:  Adult fiction, 304 pages
Genre:  Thriller / dystopian
Publisher:  CreateSpace Independent Publishing Platform
Release date:  March 2016
Content Rating:  PG + M

Book Description:

Matt Tremain publishes Verité, a modest blog dedicated to writing about the truth and exposing scams. Currently, he’s following up on rumors concerning something called CleanSweep, a mysterious project in Toronto, Canada.

Matt gets his break when a whistleblower connects CleanSweep to billionaire Charles Claussen. Claussen plans to rid Toronto of undesirables, beginning with street people and extending to any citizens who don’t match Claussen’s restrictive screening matrix.

With the help of a high-ranking government official, Claussen plans to incite riots and violent unrest, conning Torontonians into sacrificing privacy and civil liberties for illusionary security and safety. Toronto will be reduced to a repressive city-state.

The information overwhelms Matt, who doubts he has the courage, skill, or readership to take on CleanSweep. But the murder of his source convinces the blogger to take a stand—although he’s too late to prevent chaos from gripping Toronto’s streets.

To get the word out, Matt’s going to need allies. He may have found some in a Toronto police detective and a local TV reporter pursuing the same story—presuming they aren’t allied with Claussen. If they are, Matt’s going to become yet another victim of CleanSweep, and the truth will be buried forever.

Meet the author:

Born in Iowa, Chuck Waldron lived in Ontario, Canada, before relocating to Florida’s Treasure Coast. Over the years, he’s held many jobs. The ones he can mention in print include US Army soldier, truck driver, office manager, mailman, real estate salesman, social worker, hardware store clerk, and shuttle driver.
Chuck Waldron
Fate played a crucial role when he walked into his first writing class, and he still honors the memory of the teacher, Henrietta. She gave him permission to write. That—along with countless writing groups, classes, seminars, and much sweat—has resulted in over fifty short stories and four novels.

Waldron often likes to pretend interest, lacks perseverance, and could generally use a good talking to—until it comes to his writing, that is. He and his wife Suzanne reside in Port St. Lucie, Florida. While keeping an eye out for hurricanes, alligators, and Burmese pythons, he’s busy writing his next novel

Connect with the author:

Website   Twitter   Facebook

GIVEAWAY: Hard Court Giveaway by Robert Germaux

Hard Court by Robert Germaux Virtual Book Tour Banner
Thanks to Robert Germaux and My Book Tour, I have a Kindle version of Hard Court to give away!

Hard CourtWe’ll keep it simple — to enter, leave a comment on this post between now and June 2nd at noon (MDST) and I’ll draw a name out of a hat. Obviously, make sure your comment involves some way to get in touch with you 🙂

Hard Court by Robert Germaux

Hard Court by Robert Germaux Virtual Book Tour Banner

Hard CourtHard Court

by Robert Germaux
Series: Jeremy Barnes, #2


Kindle Edition, 253 pg.
Robert T. Germaux, 2016

Read: May 20 – 21, 2016

Miles Bradshaw was my first billionaire. I’ve worked for a few millionaires, a good many thousandaires and, occasionally, individuals with negative net worths. When law firms take on a client from the latter group, it’s called pro bono. When a one-man detective agency does it, it’s called not paying your bills. Since I like paying my bills, I try to keep the negative-net-worth clients to a minimum. Lately, it’s been a mixed bag. Most recently, a guy who owned a string of radio stations had hired me to find out who was sending threatening notes to one of his on-air personalities, and after that, a five-year-old neighbor of mine asked me to find Snowball, her lost kitten. I’d been successful in both endeavors. Ed Willoughby had given me a very big check, and Samantha Jane had given me a very big hug. Both the check and hug were appreciated, and both, in my estimation, constituted fair compensation for services rendered.

Whatever else I may end up saying about this book, get this: Germaux’s prose is as smooth as silk, jazz, a baby’s tush, a criminal in a Michael Jackson song, etc. I don’t know how many times while reading this I was tempted to check his list of published works again — he doesn’t write like someone with less than 10 books under his belt (with at least one exception — I’ll get to that in a minute).

Jeremy “JB” Barnes is an ex-English teacher turned P.I. — he’s tough, into yoga, and making wise cracks. He’s got a gorgeous girlfriend (I liked her a lot), an old buddy who’s a cop (a fun character), one that’s a computer expert (not stereotypical in anyway — phew!), and so on. He’s the whole package when it comes to P.I. characters — I soon felt like I’d been reading this series of books for a long time. He’s a little bit Spenser, a little bit Elvis Cole, and a heckuva lot of fun.

Miles Bradshaw, multi-billionaire tech-giant, is the owner of Pittsburgh’s new NBA team. He’s down to earth, brilliant, generous and completely dedicated to his team. Frankly, I’d love to have someone like him in my life (no, really — all down-to-earth, generous, multi-billionaires that read this should give me a call, we’ll do lunch or something — the Whoppers are on me.). He’s concerned because people involved with the team are being harassed — either by people stalking them, vandalizing their cars, or by screwing up electronic communications between suppliers and ticket holders. Miles is convinced that since the harassment is so varied in nature, it has to be coincidental.

But because this is a detective novel, naturally, there’s no way that these aren’t connected. What neither JB or Miles can figure out is how they’re connected. Before they figure that out, they discover that the silly harassment of the team is really something on the fringe of a large-scale criminal enterprise involving organized crime, computers and spoiler-y things. I appreciated the friendship that develops between Miles and JB, something you don’t see enough of in Detective Fiction (P.I.s rescuing clueless clients, teaching them life lessons? Dime a dozen. Two professionals bonding over mutual interests while letting each deal with their strengths? Practically unheard of.). There’s a subplot that has nothing to do with these stories, that basically delivers the message that JB’s lady love is a knockout and he’s not to be messed with.

I am so glad that when he gets to the nitty-gritty of computer crimes, Germaux doesn’t try to explain it in any kind of detail. JB just leaves his friends to it and goes off to do his thing. I’m tired of that kind of thing being explained like a technical manual, or with bad analogies while the tough-guy hero makes jokes about how he can’t understand them. Nope, we get plausible thumbnail explanations and trust that the experts know what they’re doing. Just like most of us do in real life.

There’s some violence (pretty mild, really), some sexuality (very mild, really), enough to let you know that this isn’t a YA novel, but not so terrible that you couldn’t recommend this to your mother. There’s nothing revolutionary to be found here — but Germaux doesn’t seem to be trying to do anything revolutionary. He’s writing a good, straightforward detective novel, and he does that well.

Okay, here’s my gripe: Germaux has clearly drunk deep at the well containing the advice about making sure you propel your readers to the next chapter with a plot development, cliffhanger or something else. Frequently, he does okay with that. But almost as frequently, what we end up getting is ham-handed and/or corny. You almost expect David Caruso to deliver some of his last paragraphs (no, not the cool NYPDBlue Caruso, but latter-season CSI: Miami Caruso).

I guess I have another one: the ending felt a little rushed. Not much though. Not enough to spend more time on. (making us even, I guess)

Both of these problems are easily overlooked and outweighed by the rest of the novel, and I have little doubt that in a few books (especially if they’re new Barnes books), Germaux will have figured out how to avoid both of these.

This book was a real pleasure to read — it felt like I was at least 4 books into a series. The relationships, the histories, the dialogue all felt like the kind of things that I’d been reading for years — I just hope this means I get to read more of them. Germaux knows what he’s going, and I heartily recommend them.

Disclaimer: I was provided a copy of this book by the author in exchange for an honest review.

—–

4 Stars

Q & A with Robert Germaux Author of Hard Court

Hard Court by Robert Germaux Virtual Book Tour Banner
These questions were provided by My Book Tour

Why a novel about a private detective?

I’ve always loved mysteries, starting when I read the Nancy Drew and Hardy Boys books as a kid. As I got older, I enjoyed Ed McBain’s 87th Precinct novels, and eventually I also got hooked on the characters of Spenser, Elvis Cole and Myron Bolitar, among others. When I decided to write my first full-length novel, there was no doubt in my mind that my protagonist would be a private detective.

How would you describe Jeremy Barnes, Bob?

There’s an old line about people you wouldn’t want to run into in a dark alley. Well, if you did end up in that dark alley with one of those people, JB’s the person you’d want covering your back. He’s a tough guy with a soft spot in his heart for life’s underdogs, and while he’d much rather diffuse a tense situation with his sense of humor, if push comes to shove, he’s more than capable of handling himself that way, too.

Is JB based on anyone in particular?

There’s a little bit of several people I’ve known in JB, but mostly he’s a product of my fertile imagination. Actually, other than the fact that he’s bigger, stronger, younger, smarter and better-looking than I am, we’re remarkably similar!

How do you come up with the plots for your books?

It’s a combination of finding subjects I’m knowledgeable about and things I have an interest in. For example, in Leaving the LAW, JB attempts to help a young man who’s involved with gangs at the school where JB used to teach. In the early 90s, I was teaching at a Pittsburgh high school that the local cops called Gang Central, so I had some personal experience with that whole scene.

Why first person narrative?

I can’t imagine writing about JB in any other way. When I write my Jeremy Barnes novels, I’m right there inside his head. At those moments, we’re one and the same. He’s definitely my alter ego.

You’ve said you can’t see yourself ever writing a character interview with Jeremy. Why is that?

Jeremy exists in the world I created for him, and I’m very comfortable writing about him in that world. But bringing him into this world just doesn’t work for me. It would be sort of like the literary equivalent of breaking the fourth wall in a stage production. I’m sure some authors can pull that off, but I’m not one of them.

Do you have a reading group?

Yes, and the group’s name is Cynthia. As soon as I finish writing a chapter, I give it to my wife. Cynthia knows my characters as well as I do, so I almost always end up using her comments/suggestions.

How important was it for you that Jeremy would have a love interest in the character of Laura Fleming?

I knew from the start that Jeremy would have a woman in his life, a soul mate. The scenes with JB and Laura are my favorite to write, whether they’re discussing one of his cases, talking about her kindergarten kids or just sharing a candlelight dinner at one of Pittsburgh’s hilltop restaurants.

Okay, Bob, last question. Are there other Jeremy Barnes mysteries on the horizon?

I’ve actually written three other books about Jeremy: Small Bytes, Speak Softly and the aforementioned Leaving the LAW. If there’s a demand, I will definitely publish them, too.

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