Tag: Madam Tulip

Madam Tulip and the Rainbow’s End by David Ahern: Derry and Bruce on the Hunt for Treasures Not Associated with Leprechauns

Madam Tulip and the Rainbow’s EndMadam Tulip and the Rainbow’s End

by David Ahern

DETAILS:
Series: Madam Tulip, #5
Publisher: Malin Press
Publication Date: March 1, 2022
Format: eARC
Length: 274 pgs.
Read Date: March 5-8, 2022


Yeah, okay, the post title is pretty lame. It’s the best I can come up with. Let’s move past that, okay?

What’s Madam Tulip and the Rainbow’s End About?

Thanks to a series of events that probably rings true for many struggling actors, Derry and Bruce find themselves stranded by the touring company they’d been a part of without funds and a pretty hefty hotel/bar tab. One thing leads to another, and Derry finds herself suiting up as Madam Tulip to do some fortune-telling at a charity event to work off this debt.

She’s happy to do that for a few reasons—it seems that Derry’s trying to cut back on her Tulip work, and really only does it for charities anymore. This time, she can do it for her own benefit and a charity, so she’s okay with that.

As she’s wont to do, as Madam Tulip she befriends a couple of women—one local, and one fellow American (who turns out to employ the local woman). Both women have recently had family members die, and are still grieving. The local woman comes to Madam Tulip for confirmation of her suspicion that her brother was murdered—which Tulip gave her without realizing it. The other woman’s father was supposed to leave her a large amount of money, but didn’t—her focus isn’t on the money as much as it is on understanding what happened (which makes it so much easier to like her).

Having confirmation of her brother’s murder, Mary Jo sets out to prove it and find the murderer—Derry’s friend, Bruce, is going to prove more useful than his psychic bestie on this front and is happy to try. Being able to look at things more objectively, Derry’s able to suggest a thing or two to Lena that might help her find the closure she needs.

Given the nature of a cozy mystery novel, obviously, it won’t be long until Derry finds herself more caught up in the efforts of both women to get the answers they seek—and a little more peril than any three of them expected.*

* Although by this point, Derry should know better—even without any psychic abilities..

Derry’s Gift

Derry’s abilities that stem from being the daughter of a seventh son of a seventh son have gotten her into (and out of) plenty of trouble in the past few books—but they’re never enough by themselves. Derry’s got to figure things out and take advantage of the information she gains—and frequently needs an assist from Bruce for those things that those abilities can’t cover.

This time out, she doesn’t get to take advantage of that gift too much—there are a couple of tarot readings that help her friends (and maybe some of the other readings she does in between those, but we don’t see them). But that’s pretty much it—the rest comes from Derry putting on her metaphorical deerstalker and sussing things out for herself (talking things over with Bruce helps, too).

I think I like it better this way—Derry’s never used her psychic (or whatever) capabilities as a crutch to get to the bottom of things. But the further she gets from that, the better for me.

(although, I can’t imagine I’d complain too loudly if Book 6 or 7 has Derry acting more like Jean Grey/Professor X than Jessica Fletcher)

Jacko Off-the-Grid

You can’t have a Madam Tulip novel without Derry’s father, Jacko, turning up to make things interesting. This time, fresh off a new variety of financial woes (for him, anyway), he decides to rent out his home and go live on an isolated island for a while—to reconnect with his art and avoid the distractions of technology and the city.

Neither Derry nor her mother have a lot of faith that this is going to work too well. But Derry wants to give him the chance and refuses when her mother tries to enlist her to stop him.

In the end, Jacko’s storyline brushes up against Derry’s in a few places, but in more of a “what a small world” kind of way. The two barely interact with each other, and Jacko’s never part of the main action. This is a good use of the character, who is prone to taking over the books (in an entertaining way, but a bit too dominant). Here he gets to go full-on with his antics without impacting the main story—that’s perfect.

So, what did I think about Madam Tulip and the Rainbow’s End?

At this point, getting a Madam Tulip book is a chance to spend time with some friends—with all the warmth, comfort, and pleasantness that comparison brings to mind. Ahern’s got his world and characters down pat now, and the novel moves like clockwork.

This isn’t the same old-same old by any means, however. As he mentioned in our Q&A about this book, Derry not only has to solve a crime this time but there’s a puzzle, too.

Madam Tulip and the Rainbow’s End gives you everything you want in a cozy mystery—good characters, a grin or two, a clever mystery or two, a well-constructed story, and a diverting read for a couple of hours. As expected from this series/author, I’m glad to recommend it to you.

I know Madam Tulip #6 is on the way, and I’m looking forward to it—and hopefully, several more before people in Ireland figure out that they need to stop inviting the fortune teller to their events if they want things to go smoothly (especially nefarious things).

Disclaimer: I received this eARC from the author in exchange for this post. I thank him for that, but the opinions expressed are mine.


4 Stars

Yet A Few More Quick Questions with . . . David Ahern

The fifth Madam Tulip—Madam Tulip and the Rainbow’s End—book came out two weeks ago, and I’ve somehow conned the author, David Ahern, to come back for his third Q&A with me. I’ll try to get my post about the book up in a couple of hours, but until then, enjoy Ahern’s As to my Qs. And maybe go check out his website and the books if you haven’t yet.


Madam Tulip’s back for her fifth adventure, you’ve said all along that this was intended as a series—did you see it going this long originally? Have the characters/mysteries developed the way you initially imagined, or have they taken on directions you didn’t expect?
I did envisage five books, but only if I could make each as good or better than the last. I’ll be honest, I hadn’t a clue how the characters would develop. They’ve gone their own way, and I just tag along. They’re wandering into book #6 just now.

On the craft side of writing—looking back over these five books (plus whatever drafts you have in progress), can you see the difference in your own writing? Would you say you’re a better writer now, or (as I’ve heard others say) are you finding new and exciting mistakes to make?
If I wasn’t learning something with every book, I’d quit. Writing by numbers, never trying anything new, would make writing too boring for me. On the other hand, getting out of the comfort zone is risky. With ‘the Rainbow’s End,’ I thought more than once I might not be able to pull off what I was trying to do. The story has both a mystery and a puzzle running in parallel. Neither should weaken the other, and they have to synch neatly at the end. Technically a tall order, but I knew if it worked it would be a great read. And when you do pull off a craft challenge and everything clicks, you know it, and that’s satisfying.

While the MadamTulip books aren’t really “humor” per se, there’s a lot of comic moments throughout them. One of the things I’ve been thinking about lately is how authors strike the balance between comedy and the serious matters being depicted in their stories. How do you approach this idea? Also, is that something that’s there from the first draft onwards? Or is that something you address in one of your re-writes? On a related note: when you read for pleasure, what do you gravitate toward—the comedic or the serious/dark?
On the technical side, mixing humor and serious material does have to be managed carefully, but it’s more instinctive with me than thought through. I never have to redraft for taste reasons, only for pace. Good mysteries are very moral books and crime isn’t funny. Folly is where the comedy lives, and that’s ok.

I’ve always loved comic writing. Thurber, Wodehouse, our own Flann O’Brien, Douglas Adams – I adore them. Most of my reading these days is non-fiction, especially history, and almost all of my TV work when I used to produce documentaries was on subjects that don’t leave much room for cheer. Humor is a great relief from all of that. I’ve pretty well given up reading dark fiction, especially anything with graphic violence. Having said that, I’m reading Alexander Pope’s translation of Homer’s Illiad right now, and the thing is one long catalogue of brilliantly described homicides. I should stop reading it but I can’t. That boy Homer has talent and may have a future.

Not only do you have to come up with new settings and mysteries for Derry to stumble into for each book, you have to come up with a storyline for her father, Jacko. Which idea is harder to plan: his escapades or Derry’s? The first time we did a Q&A, you said your grandfather inspired Jacko—are you still drawing on your memories of him?
Derry’s adventures are by far the most demanding, because they’re both mystery and thriller. Jacko’s scrapes seem to arrive of their own accord, though I do like them to share something of the same drivers as the main story. In ‘the Rainbow’s End,’ everybody is chasing some dream, and Jacko is no exception.

Yes, my old granda is still in my thoughts. He had the wonderful quality of relishing life with an infectious enthusiasm. He always had a plan, usually none too practical. My mother lately reminded me that when he left the Irish Army (he was a sergeant several times), he spent his gratuity payout on a piano he could hardly play and a stuffed alligator that cluttered up the hallway for years. I guess he just liked the idea at the time.

We’ve also talked about Bruce before—Derry’s ex-Navy SEAL friend who she can pal around with, and who provides the physical prowess she occasionally has to have to stay alive. He’s such a great character, have you considered a novel/short story focused on him alone?
To be honest, I haven’t thought of a way to do that. Although the Tulip stories are unlikely in the way all amateur sleuth stories are, I keep them psychologically very realistic. Bruce uses his acting vocation to help cope with the more troubling things from his history in the service. That works for him, and no big deal is made about it. But if he were the main character, keeping him realistic without veering into the darker side would be impossible and not the Bruce we know now. In the life he has in the Tulip stories, he’s just himself. There’s something charmingly unreflective about him that in a main character could veer into a cartoon.

What’s next for David Ahern, author?
Another Madam Tulip. She’s not finished with me yet.

That sounds like a win for me! Thanks for your time—and thanks for Madam Tulip and the Rainbow’s End and I hope you have plenty of success with it.
Thanks, H.C. A pleasure talking to you as always.


Madam Tulip and the Serpent’s Tree by David Ahern: It Made me Happy to See that Derry and her Fortune-Telling Alter-Ego are Back

Madam Tulip and the Serpent's Tree

Madam Tulip and the Serpent’s Tree

by David Ahern
Series: Madam Tulip, #4

eARC, 258 pg.
Malin Press, 2020

Read: February 26-27, 2020

Derry frowned. ‘Why is everything so complicated?’

Bruce thought about that. He shrugged. ‘‘ Cos we’re not dead?’

This is a mystery novel that’s hard to talk about—because for the longest time, it’s not a mystery novel at all it’s a novel about a couple of under-employed actors, their rising TV star friend, and an insecure pop star. I want to stress that this isn’t a complaint, it’s a description. By the point that it becomes a mystery novel*, you’re already invested in all the characters and the situations so everything becomes heightened.

* Sure, we all knew it was going to become a mystery novel because that’s what the Madam Tulip books are. But there were at least three ways it could’ve become one before the murder is discovered.

For those new to this series, Derry O’Donnell is a young Irish-American actress in Dublin. Her best friend, Bella, has got a new and regular gig on TV and her career seems to be going somewhere. Meanwhile, Derry and her pal Bruce are still looking for their big break. And Madam Tulip? Well…

Madam Tulip was her fortune-teller alter ego whom Derry had created as a means of making some cash on the side. A woman of indeterminate age and exotic dress, skilled in Tarot and card reading, Madam Tulip was the perfect act for celebrity events. She wasn’t even an imposter or any kind of fraud. Derry was, after all the daughter of a seventh son of a seventh son. But too often, Madam Tulip had led Derry into situations she would rather have avoided and the company of people best left to their own devious devices.

That last sentence is a very understated way of describing the series. Like Jessica Fletcher, dead bodies have a tendency to turn up when Madam Tulip is nearby. This time, thanks to some of Bella’s machinations (as well as a favor from an old friend), Derry is going to be working at the birthday party of a pop star. Before the weekend is over, Derry finds herself as a confidante to the star and (separately) another member of the band. Their manager is trying to get Derry to be his informant, if he can’t get her to influence (via Madam Tulip) the singer.

Derry’s torn between wanting to help everyone but the manager (but she, Bella and Bruce need the manager for something they’re trying) and wanting to leave them all to their own devices. because they’re all a bit too much. But she really can’t get away from it all—especially when a murder is discovered.

The mystery aside, the most intriguing part of this novel to me is the way that Derry thinks of Tulip—and how it changes from the beginning of the book to the end. I don’t think I can discuss it without spoiling something, so I’ll just say that I didn’t see it coming, and really like the way that Ahern dealt with it.

There’s a sweet little romantic story that gets just the right amount of attention and space. And I now realize that I don’t have much else to say about it—I liked this guy for Derry.

Since Day One, I’ve thought that Derry’s father, Jacko, could be the stand-out character of the series with the capability of stealing every scene he’s in. It’d be really easy to overuse him. Ahern hasn’t done that the way that I can imagine it’d be easy to do so far. In fact, I’d argue that he underused Jacko in this volume. He’s decided it’s time to publish his memoirs—which will include “a tell-all exposé” of the art world—an idea that terrifies Derry’s mother (and makes for fun reading). He’s even hired a ghostwriter and expects to publish soon. I liked his storyline, but thought it ended a bit abruptly. But that’s really just me being disappointed that we didn’t get more of Jacko—because it was executed just right.

Derry’s pal Bruce, struggling actor, former SEAL, jack-of-all-trades (it seems) is (again) a real highlight of the book. He continues to be Ranger to Derry’s Stephanie Plum—just without the money, the team or the flirtation (and the post-flirtation stuff). I really enjoy him as a character—not just when he’s pulling Derry’s bacon out of the fire, but for the nice, quiet moments of friendship and support. If Ahern decides to give Tulip a break and focus on Bruce for a book or two, I’d be in the front of the line for that.

This is the best one yet in this series—yeah, I said that in my post about #3, Madam Tulip and the Bones of Chance, too—it was true then and it’s true now. There’s more depth to the characters, more subtlety to the story—and even some of the story beats that should be expected by now (because Ahern’s used them in every book) took me by surprise. It’s just a pleasure to read one of these books—Madam Tulip and the Serpent’s Tree was a little oasis of enjoyment in the midst of a stressful week for me, and I relished retreating to it.

I’d been eagerly checking Ahern’s website off and on for news about this release before he emailed me about it. I like this world, I look forward to spending time with these characters, and the Serpent’s Tree not only solidified these feelings it intensified them. These are fun mysteries, and the little touch of the supernatural (which takes on different nuances in each book) helps keep them fresh. Would this work as a jumping-on point? Yup. Any of them would—take the plunge, you’ll be glad you did.


4 Stars

Disclaimer: I received a copy of this novel from the author in exchange for my honest opinion, which is what you just read. The opinions expressed are my own.

Pub Day Repost: Madam Tulip and the Bones of Chance by David Ahern

Madam Tulip and the Bones of ChanceMadam Tulip and the Bones of Chance

by David Ahern
Series: Madam Tulip, #3Kindle Edition, 368 pg.
Malin Press, 2018
Read: March 5 – 6, 2018

Many people doubt psychic powers exist, but the doubters do not include actors. Everyone in showbusiness knows that as soon as one actor learns of a casting, actors of all ages, ethnicities, creeds and genders are instantly aware of every detail. Einstein claimed that faster-than-light communication is impossible. Einstein was not an actor.

But not even the actors that Derry, Bruce and Bella knew had an inkling of the dash of good fortune heading toward Derry and Bruce — they were given roles in a movie without the need to audition, if they could get themselves to Northern Scotland and Derry might have to give a reading or two. For readers new to this, Derry played the role of Madam Tulip on occasion — giving psychic readings at parties and the like. Derry was initially reluctant to take the role, but she needed the work — and Bruce only got his job if she took hers.

So they find themselves in Scotland — a land not necessarily ready for or welcoming toward people making a film. Which almost describes the director, too. He’s clearly nuts — and not in the genius filmmaker kind of way. Many of the other professionals on set did seem to know what they’re doing, which went a long way to keeping the production running. But mostly, the antics on the set made for good comedy. Derry is given a set of bones on set to add to her gypsy character’s fortune telling routine in the historical drama.

While practicing with the bones, Derry starts to have visions, we’ll get into that later, but it’s clear that she’s gotten herself into more than meets the eye (again).

The most striking and interesting people in the book aren’t on the film set — believe it or not. As the blurb on the back says,

A millionaire banker, a film producer with a mysterious past, a gun-loving wife, a PA with her eyes on Hollywood, a handsome and charming estate manager—each has a secret to share and a request for Madam Tulip.

As usual, Derry’s desire to help people and natural nosiness gets her involved in these people’s lives (okay, she might have less altruistic motives about the estate manager). And that’s before someone tries to kill her and/or one of her new friends. Once that happens, Derry can’t help but dive into finding out what’s going on. Madam Tulip may be able to guide the direction she goes, but it’s Derry’s on cleverness that will carry the day.

In Madam Tulip, her father seems to actually believe that she had some psychic ability, otherwise it seems like a lark, something she does for giggles. But in book 2, it seemed possible that she might actually have some abilities, but there wasn’t much in the novel that was more than a hint or suggestion that she did. But here? That hint, that suggestion is gone — she sees things when she rolls the bones, her Tarot readings do say a lot that’s true (and future) about the person she’s reading the cards for. I think I liked it better when the reader wasn’t sure if she had gifts or not, honestly — but only a little bit.

I’ve been a fan of this series since chapter two or three of the first book, so you’re not getting anything really objective here (not that you ever do). But this is the best that Ahern’s done yet — there’s plenty of good comedic writing (there are lines I tried to shoehorn into this, but couldn’t, that made me laugh out loud), a mystery you can’t really guess the solution to, a little peril, a dash of romance and some fun characters. That’s not even counting Derry and Bruce. Bones of Chance is a strong entry in the series that will please fans, but it’s also a decent jumping on point for new readers. Basically anyone who enjoys light mysteries with a touch of something extra should have fun with this book.

There are times that I fear my enthusiasm towards a book doesn’t come through, and I usually don’t know how to achieve that better — this is one such time. I found myself grinning frequently while reading this — I chuckled, I even laughed out loud. I had a few theories about the trouble that Derry was getting herself into, and failed with almost all of them (a sign of a good mystery/thriller, if you ask me). If you’re not picking up my enthusiasm, that’s on me, just trust me that it’s there.
Disclaimer: I received this eARC from the author in exchange for my honest opinion..

—–

4 Stars

A Few (more) Quick Questions With…David Ahern

David Ahern was nice enough to answer some questions for me when his debut novel, Madam Tulip, came out and somehow, I got him back for another round as we prepare for the release of Book 3 in the series, Madam Tulip and the Bones of Chance. I talked about it earlier today, and really recommend you go grab it (pre-orders are being taken now, it releases April 12).

Anyway, here’s the new batch of questions:

So it’s been almost 2 years since your first novel came into the world, How’s the reality of that (and the follow-up book) match up with your hopes/expectations? Other than James Patterson, I’m sure every writer wants better sales, but are readers being generally receptive?
The important thing for me is that readers enjoy the books, especially the characters; and happily people seem to love Derry and her friends. That’ll do. There are a lot of books out there, and anyone who imagines they’ll be an overnight best-seller isn’t paying attention.
Has your writing process changed? Are things coming easier now — or are you finding yourself working harder as your craft improves?
Writing is a funny old thing. Parts are a hoot, and hugely enjoyable. Other parts are a pain, and like any craft hard work. In a way the job does get harder in that you’ve set the bar for yourself and you want each book to be better than the last. At the same time, you’ve got a comfortable storytelling rhythm you can settle into, and that’s nice.
In Madam Tulip, it seemed like most of this fortune-telling was a joke, Derry being a good listener with a flair for the dramatic and possibly a touch of something else (if you believed in that sort of thing). But in each book since, you seem to be emphasizing the reality of Derry’s gift. Unless I’m misreading that, was that your plan all along, or something you stumbled on to? Do you see this continuing, or will there be a resurgence of the ambiguity?
Hey, this is Ireland. We can believe stuff and laugh at the same time. Seriously though, the main thing is that Derry’s modest powers don’t help her solve mysteries – that would be cheating. But a sensitive person, psychic or not, will sense disturbances and respond unconsciously to situations that don’t seem right or are somehow contradictory or even dangerous. Derry has that ability. It can be scary.
Talk to me a little about Bruce — your Hawk/Joe Pike/Wallace Fennel/Ranger character. I’m not really sure I have a question about him — just tell me something about him and/or writing him.
Almost every woman I know has a close gay male friend they love. I guess because there’s the possibility of a strong friendship without romantic complications. It’s a happy kind of relationship and often a lot of fun. The other side of Bruce is his background as a Navy SEAL. When I was a film maker, I developed a tremendous respect for a certain type of military personality. Bruce has the balanced confidence and extreme competence I associate with the best soldiers (and sailors, of course, as Bruce would remind you).
What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
Ooh, that’s too hard. I’m probably strange, but I only envy non-fiction writers. I read some people and I think, ‘how do you get to be that clever?’ But then I relax, remembering that mostly it’s best not to have a clue.
Thanks so much for the book, these characters and for spending some more time answering my questions — I hope The Bones of Chance is a success!

Madam Tulip and the Bones of Chance by David Ahern

Madam Tulip and the Bones of ChanceMadam Tulip and the Bones of Chance

by David Ahern
Series: Madam Tulip, #3

Kindle Edition, 368 pg.
Malin Press, 2018

Read: March 5 – 6, 2018

Many people doubt psychic powers exist, but the doubters do not include actors. Everyone in showbusiness knows that as soon as one actor learns of a casting, actors of all ages, ethnicities, creeds and genders are instantly aware of every detail. Einstein claimed that faster-than-light communication is impossible. Einstein was not an actor.

But not even the actors that Derry, Bruce and Bella knew had an inkling of the dash of good fortune heading toward Derry and Bruce — they were given roles in a movie without the need to audition, if they could get themselves to Northern Scotland and Derry might have to give a reading or two. For readers new to this, Derry played the role of Madam Tulip on occasion — giving psychic readings at parties and the like. Derry was initially reluctant to take the role, but she needed the work — and Bruce only got his job if she took hers.

So they find themselves in Scotland — a land not necessarily ready for or welcoming toward people making a film. Which almost describes the director, too. He’s clearly nuts — and not in the genius filmmaker kind of way. Many of the other professionals on set did seem to know what they’re doing, which went a long way to keeping the production running. But mostly, the antics on the set made for good comedy. Derry is given a set of bones on set to add to her gypsy character’s fortune telling routine in the historical drama.

While practicing with the bones, Derry starts to have visions, we’ll get into that later, but it’s clear that she’s gotten herself into more than meets the eye (again).

The most striking and interesting people in the book aren’t on the film set — believe it or not. As the blurb on the back says,

A millionaire banker, a film producer with a mysterious past, a gun-loving wife, a PA with her eyes on Hollywood, a handsome and charming estate manager—each has a secret to share and a request for Madam Tulip.

As usual, Derry’s desire to help people and natural nosiness gets her involved in these people’s lives (okay, she might have less altruistic motives about the estate manager). And that’s before someone tries to kill her and/or one of her new friends. Once that happens, Derry can’t help but dive into finding out what’s going on. Madam Tulip may be able to guide the direction she goes, but it’s Derry’s on cleverness that will carry the day.

In Madam Tulip, her father seems to actually believe that she had some psychic ability, otherwise it seems like a lark, something she does for giggles. But in book 2, it seemed possible that she might actually have some abilities, but there wasn’t much in the novel that was more than a hint or suggestion that she did. But here? That hint, that suggestion is gone — she sees things when she rolls the bones, her Tarot readings do say a lot that’s true (and future) about the person she’s reading the cards for. I think I liked it better when the reader wasn’t sure if she had gifts or not, honestly — but only a little bit.

I’ve been a fan of this series since chapter two or three of the first book, so you’re not getting anything really objective here (not that you ever do). But this is the best that Ahern’s done yet — there’s plenty of good comedic writing (there are lines I tried to shoehorn into this, but couldn’t, that made me laugh out loud), a mystery you can’t really guess the solution to, a little peril, a dash of romance and some fun characters. That’s not even counting Derry and Bruce. Bones of Chance is a strong entry in the series that will please fans, but it’s also a decent jumping on point for new readers. Basically anyone who enjoys light mysteries with a touch of something extra should have fun with this book.

There are times that I fear my enthusiasm towards a book doesn’t come through, and I usually don’t know how to achieve that better — this is one such time. I found myself grinning frequently while reading this — I chuckled, I even laughed out loud. I had a few theories about the trouble that Derry was getting herself into, and failed with almost all of them (a sign of a good mystery/thriller, if you ask me). If you’re not picking up my enthusiasm, that’s on me, just trust me that it’s there.
Disclaimer: I received this eARC from the author in exchange for my honest opinion..

—–

4 Stars

Madam Tulip and the Knave of Hearts by David Ahern

Madam Tulip and the Knave of HeartsMadam Tulip and the Knave of Hearts

by David Ahern
Series: Madam Tulip, #2

Kindle Edition, 355 pg.
Malin Press, 2016

Read: September 29 – October 1, 2016


After the dramatic events at the end of her first experiment as Madam Tulip, Derry puts away her costume and fortune-telling apparatus, focusing on something safer — like theater. Which works up until the roof caves in after her big opening night. So now she (and her friends) are without jobs, the theater’s existence is in danger, and Derry’s mother is just waiting for a chance to pounce and force her into a “real” job.

Derry and her pals organize a charity auction (with some help from her mother) to help the theater — Derry also ends up working for her mother in a temporary capacity (only one of them actually believes that part) — we see a different side of her, on e that makes you believe she has options outside of acting if she wants them. I like seeing her character rounded out — I also liked the little flash we had of her acting ability outside of Madam Tulip.

Marlene comes to the rescue as well — she has a friend from a titled family, who is throwing an extravagant engagement party and wants Madam Tulip to be part of it. This will give Derry a needed infusion of cash and the family will make a contribution to the theater’s fund as well (there’s a family connection). Bruce also picks up some work, which is convenient for Derry — and for Ahern — always handy to have your ex-SEAL buddy character nearby if things go bad. And they do, naturally — Derry has visions of an unhappy bride, body parts start showing up in the mail (don’t worry — this doesn’t get gruesome), and rumors of other family problems surround Derry. It’s up to her, her clients (featuring a spunky dowager), and Bruce to save the day.

It might just be me, but there’s a larger supernatural feel to this one. Last time, you could almost get away thinking that Derry was just good at reading people and doing the card thing as a lark. But in this volume, there’s no denying that she has some sort of “sight.” While the supernatural is more evident here, it’s not like Charlaine Harris took over, it’s still pretty much the same feel. Also, I should add that Derry putting the pieces together at the end isn’t all due to her gift — the practical side, her mother’s influence, that has as much to do with her success as anything else.

There’s a bit of a romantic storyline here, I liked this one better than the previous book’s foray into that part of Derry’s life. It was less complicated and more believable. Sure, I liked the guy from the last book more than this one — but the story worked better with this interest.

The whole gang is back for this go ’round. We didn’t get a lot of Bella, less of Marlene than I expected, and less of Bruce than I wanted (but he’s there when he needed to be) — but the just the right amount of Jacko (who was a lot of fun) and her mom. The new characters were okay, I didn’t get the sense of connection to them that I did with everyone last time — they were clearly invented just for this adventure, ready to be replaced by another group in need of her talents.

This is a fun, light mystery — great for readers of David Rosenfeldt or Janet Evanovich, who don’t mind a touch of something beyond this world. I really liked the first book in this series — I’ve even put my money where my mouth is and given it as gifts. I liked this one almost as much, but in many ways it reminded me about what I’ve heard many TV writers talk about — writing the pilot is hard, but the 2nd episode is worse — it’s basically retelling the pilot in a slightly different way. On many fronts, that’s what this felt like: a slightly tweaked version of the first book (and as soon as I wrote that, I thought of at least a half-dozen ways I was wrong to say it). I hope book 3 (assuming we get one) is a little less like these two. But I’m still going to be there, because these characters and Ahern’s voice are right up my alley and I want to spend more time with both.

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4 Stars

A Few Quick Questions With…David Ahern

Earlier today, I posted my take on Madam Tulip, and now here’s a quick Q & A with the author, David Ahren.

According to your author bio, Madam Tulip isn’t your first novel — but it’s the first published, though, right? What made this one different than the others?
My last novel was a dark thriller, edgy and disturbing. When I was lucky enough to get to talk to several publishers about it, I found they were only interested if I meant to follow up with a couple more in the same vein. I really didn’t want to do that. So it sits in the imaginary drawer and will probably stay there.
In the writing of Madam Tulip, what was the biggest surprise about the writing itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”.
How much sheer fun they are to write was a real surprise. I love living with these characters.
I particularly enjoyed the character Jacko. What can you tell me about him — where did he come from?
Ah! He sprang up fully formed, hair and all. I love characters who are impossible people you can’t dislike. Jacko owes a lot to one of my grandfathers who had a wonderful ability to relish life. He had extraordinary energy and always had a scheme of some sort, usually unwise.
Did you intend from the beginning on this being a series and construct things with that in mind, or was this a novel you liked enough that you wanted to continue with Derry and the rest?
Madam Tulip was a series from the start. I used to make TV documentary series in another life, so thinking that way is instinctive for me. I like the way a series forces you to be consistent with your structures. You have to set yourself strict rules. Tough, but satisfying when you succeed.
Is there a genre that you particularly enjoy reading, but could never write? Or are you primarily a mystery reader?
That question really makes me think. These days I read mostly non-fiction, because I don’t like to be influenced stylistically by other novels while I’m in the middle of writing one. Historical novels I love. In fact my all-time favourite writer of series is Patrick O’Brien who wrote the most wonderful series of sea-stories. But any time I tried to write in that genre, I got bogged down in hugely enjoyable research and forgot I was meant to be creating a story.
Thanks so much for your time, hope the launch goes well!
And thank you H.C. for your interest in Madam Tulip. She thanks you too and sees a wonderful future for your blog.

Madam Tulip by David Ahern

While in the shower this morning, it hit me that I left out something like a paragraph and a half of this — and I had to make the choice: fix this before it posted, or get to work and fix it later. Because my wife tends to appreciate things like paychecks, a roof over our heads and food for the kids, I chose the latter. If you read this already, try it again.

This one just launched this past weekend — get it while it’s hot and fresh so he can do more!

Madam TulipMadam Tulip

by David Ahern
Series: Madam Tulip, #1

Kindle Edition, 309 pg.
Malin Press, 2016

Read: April 27 – 28, 2016

‘Hi,’ said Marlene, pausing for the briefest moment before striding up the steps and through the entrance, trailing the rest behind. Derry might have been justifiably offended at the offhand greeting but recognised the signs of a woman bursting for a pee. That a supermodel needed to pee was a gratifying thought, even endearing, though Derry recognised it was odd to like somebody just because they had a bladder. . .

Derry sighed. Her father was about to lose two hundred euro on a race, and although he wouldn’t dream of blaming her, she felt responsible. And now she was condemned to spend the afternoon in the company of a supermodel. Next to Marlene, Derry felt like a hobbit—a hobbit overweight and round even by the famously relaxed standards of hobbits. She looked down at her shoes (charity shop) then at Marlene’s (Jimmy Choos) and her soul shrank a little inside her.

Derry’s an out-of-work actor — “fully qualified for unemployment in three different dialects” — trying to make a go of it in her father’s hometown of Dublin, and is on her last legs. Her mother is on the verge forcing her to return to the States and get a real job. And by “force,” I mean, “stop paying her bills so she has no choice.” But Derry’s got a little something extra working for her, she’s the only daughter of a seventh son of a seventh son — and therefore, has a bit of a gift. She uses it to read Tarot and other cards for her friends as a laugh, and that’s really about it. But suddenly, she really needs money, and the mother of invention just had another kid.

With the help of her friend, Bella, and a couple of costume and makeup artists at a local theater, they create an alter ego for Derry, Madam Tulip — celebrity fortune-teller. Her first gig is at a charity event that Marlene sets her up with — Marlene is blown away by Derry’s gift, and desperately needs a friend. The event is the perfecting launching pad for her new role, it’s attended by actors, musicians, models, has-beens, wanna-bes, people with too much money, etc. For example, there’s Mojo.

Mojo was an outlandishly gorgeous rapper from London, winner of numerous industry awards. He was also the star of TV ads for masculine cosmetics and a revolutionary vacuum cleaner also created especially for men, so presumably designed to withstand long periods of storage under the stairs.

(yeah, it was an awkward transition, but I got to use that quotation)

Not to get into details, but the event goes well — Tulip sees many people, some of whom take her card; Derry and Marlene get closer; money is raised for . . . something, I don’t know. Well, sure, nothing’s perfect — Derry runs into an old flame, Bella runs into trouble and someone died. If Derry’s sight is right, that’s just the beginning of the trouble. Before long, Derry and at least two of her friends are in danger on several fronts. Oh, yeah, and her mother is coming to town.

Ahren’s put a lot of thought into these characters, it’s clear — they’re well-drawn, well-utilized, and prime for return in a sequel. Beyond Derry and Marlene, we have the aforementioned Bella — an outspoken fellow struggling-actress, the ex-boyfriend (will let you learn about him on your own) and Bruce. Bruce is an actor, and so much more — starting with ex-SEAL, which means he can be used for the dangerous stuff. Thankfully, he’s more human than most characters in this position, he’s not a gay version of Joe Pike or Ranger from the Stephanie Plum novels (nor is he Spike from the Sunny Randall series). He’s a guy who’s done some things, seen some things, and is working to move on into his new life. We also have Derry’s folks — her mother (just as charming as you’d expect from the ultimatum) and her artist father. Derry’s father, Jacko, is the stand-out character for me — he reminded me of Moxie Mooney’s father from Fletch’s Moxie (been years since I’ve read that, so maybe he shouldn’t have). Jacko’s full of life, an inveterate gambler, a painter with an ego to match his talent, womanizer, not-as-devoted-as-he-thinks father — and, of course, the seventh son of a seventh son. I can easily see him becoming a drag on the series (see Grandma Mazur in the Plum novels), but as long as Ahren uses him right, he’s probably going to be my favorite.

Here’s the best part of the book for me, it’s also the part that keeps this in the “Mystery” category and not “Urban Fantasy,” Derry’s gift really has very little to do with the outcome of things. She knows there’s trouble afoot (murder tends to indicate that), she has friends in peril, and she does something about it (calling the police is out, for pretty good reasons). It’s Derry’s wits and some help from her friends that allows her to help bring justice to the situation. Naturally, most of the help on the friend side comes from the ex-SEAL, because when you’re in danger, and you have an ex-SEAL friend, that’s who you look to. Derry risks life and limb to help out her friends without any supernatural, extrasensory, etc. assistance.

This isn’t a comedy, but it’s comedic. Ahern writes with a light, but confident, touch. It’s well-paced, and it kept me very engaged. The mystery is fairly simple, but this doesn’t set out to to be a head-scratcher. It’s a silly adventure — and a well-executed one at that. Think Psych where Shawn actually has abilities, and doesn’t need James Roday’s affable charm to keep him from being the most annoying character in television history. Ahern’s clearly and carefully set the stage for several more books with these characters, and I’m eager to see what he does next.

Disclaimer: I received this book from the author in exchange for an honest review, and I thank him for bringing it to my attention.

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4 Stars

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