Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 19 of 144

DETAILS:
Publisher: One More Chapter
Publication Date: September 27, 2022
Format: eBook
Length: 378 pg.
Read Date: October 6-11, 2022

When you’re given the opportunity to confront your mother’s killer, do you take it?

I did.

No words were spoken though.

I just killed him.

Was it worth it?

Absolutely.

Do I have any regrets?

Only that I didn’t make him suffer longer.

What’s 6 Ripley Avenue About?

6 Ripley Avenue is a Probation Hostel—similar to what we call a halfway house in the U.S.—focusing on probationers convicted of violent crimes (including murder). It’s been plagued by controversy since before its opening two years ago. The concerns go beyond the typical NIMBY protests because of the violent nature of the residents.

Sloane Armstrong, a freelance investigative journalist, and Helen Burgess, an elderly woman who lives next door to the house, have been at the forefront of the effort to move and/or close Ripley House Approves Premises from the start. Their friendship was forged by this effort but has grown since then.

Now, a resident there—a convicted murderer—has been killed. The investigation into the murder highlights many of the concerns Helen has voiced and Sloane has published—poor staffing levels, inadequate security, malfunctioning CCTV, and more. Helen and Sloane see this as their opportunity to close the facility once and for all and work to uncover as much as they can about the crime and the systemic problems it exposes as possible for their purposes.

On the other hand, Jeanette Macy is the Senior Probation Officer on staff—she learns of the same problems (and more) during the investigation and sees this as the opportunity to improve things both at Ripley House and throughout the system.

The narrative bounces between the perspectives of these women as they investigate the happenings of that fateful night and interact with each other and the police during the inquiry. Will any of them be fast enough in their investigation to ensure the murderer is caught in time to save more lives?

It’s almost a locked-room mystery—but if you can’t trust the locks on the room…

The Prologue

I see a lot of hate/antagonism toward Prologues online lately. I’m not sure I get it, but if people want to skip them, I guess that’s their prerogative. However, anyone who is anti-prologue probably hasn’t read a Noelle Hotlen prologue—they’re consistently very good. This is one of her best—it’s not Dead Perfect—good, but it’s close.

If you read this book, don’t gloss over/skim/skip it.*

* I think that should apply to Prologues/Epilogues in general, but whatever. You do you.

On the Other Hand…

I think the last two chapters could be cut and the book would be stronger. I get (I’m pretty sure) the impulse for them, and they do make sure that some of what was suggested/implied in the text was nailed down. I also wonder if she answers a question or two that would be better left lingering. But I think most readers would either assume almost everything contained there—or wouldn’t care. It’s like watching deleted scenes from a movie and thinking “yeah, that was good to see, but I see why it didn’t make the final cut.”

Okay, the last six paragraphs of the penultimate chapter—they’re a distinct section—would’ve made a good, punchy last chapter on their own. But the rest felt like overkill.

Your results may vary, and it’s not like these chapters hurt the book significantly. But for me, they took a little of the luster off.

So, what did I think about 6 Ripley Avenue?

“Sometimes the places where you are meant to be safe are the ones you should fear the most.”

The violence in this book centers on those places you’re meant to be safe—home and family—and what happens when that safety is disrupted. The whodunit of the novel is the focus—but there’s a lot said about the ripple effects of (many, but not all, of) the crimes talked about. How the repercussions of a moment of violence or other dangerous choices are long-lasting and alter the lives of those only indirectly affected by them. Crime Fiction in general is getting better at showing this, and few do it as well as Holten does.

Holten’s signature style of terse chapters and paragraphs is well-evident here,* jumping from perspective to perspective to make sure the plot is always steadily advancing. This makes the pacing almost relentless and it’s hard to put the book down, no matter what the reason for doing so may be. I’m not saying that I burned any meal or let a pot boil over while reading this, but I’d absolutely understand why someone would. Thankfully, the style also makes it incredibly easy to pick back up and get fully immersed in the story immediately. You could easily read 6 Ripley Avenue in one sitting without intending to.**

* Really, does she draft on cocktail napkins? What would happen if she invested in a couple of reams of 8.5 x 11/A4?
**The fact that it took me as long as it did to read this is a commentary on my schedule this month, not the book.

The only problem with the pace is that we don’t get quite enough time to see enough of Helen and Sloane’s friendship—it’d be easy to see their relationship as Sloane exploiting the lonely woman for ammunition and Helen as desperate for an emotional connection. That’s what I saw it as initially. But as the novel progresses, we see actual affection between the two and it’d have been nice if circumstances had allowed us to see more of it. On the other hand, things do allow the reader to change their initial impression of Jeanette over the course of the novel (at least this one did).

This is one of those novels that is strengthened by the use of multiple POVs—the overlapping motives, agendas, and methods of the women looking into the crime and its repercussions, sometimes in alignment, sometimes at odds, but leading to getting at the truth was really well done. I’m not sure that, outside of the first bit of narrative from the Killer’s point-of-view that having their perspective present is that helpful—but I’d say that about at least 98% of those that I’ve read, so take that comment with a boulder-sized grain of salt.

This standalone solidifies Holten as an auto-buy for me, it’s a pleasant departure from Holten’s series work, displaying her already visible strengths and giving her a chance to show new ones. 6 Ripley Avenue is a fast, compelling, read that will stay with you for a while—you can’t ask for more than that.

4 Stars

PUB DAY REPOST: Santa’s Little Yelpers by David Rosenfelt: A Little Yuletide Cheer and Two Dangerous Cases Andy Didn’t Ask Santa For

By HCNewton

On October 11, 2022

In Andy Carpenter, David Rosenfelt, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Santa’s Little Yelpers

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #26
Publisher: Minotaur Books
Publication Date: October 11, 2022
Format: eARC
Length: 304 pg.
Read Date: September 30, 2022

What’s Santa’s Little Yelpers About?

There’s a new employee at the Tara Foundation—he’s an ex-con, and an ex-lawyer (the former led to the latter). Chris is clear that he was wrongly convicted, but is trying to rebuild some sort of life and move on from there. Andy, Willie, and Sondra are happy to have him on board—especially because one of the shelter’s dogs just had a litter, and Chris has taken mom and her pups into his house until they’re ready to be adopted.

But since this is an Andy Carpenter novel, you know what’s coming next—the dog lover introduced at the beginning of the book is headed for trouble. Chris is told by the major witness in the case against him that he was lying and will recant in court. But before Andy can get anything filed on Chris’s behalf, the witness changes his mind. Chris goes to confront him, the witness is murdered, and, as we all expected, Chris is arrested for that crime.

It’s up to Andy, The K Team, and the rest of Andy’s team to try to prove him innocent of the murder—and maybe the initial crime.

It’s Beginning to Look (a Little) Like Christmas…

I’m not sure why Minotaur keeps doing these Christmas-themed Carpenter novels—there’s very little Christmas-y (or other holidays) in them. The Christmas content in this one is less than usual—don’t worry, there’s enough to justify this being considered a holiday novel or to satisfy those who want that content. But just enough for that—not one sentence more.

I should stress—I’m not complaining about this. I’ll take any excuse for an Andy Carpenter novel, and this gives us two in a year—and some of these “Christmas” novels have been better than the others released that year. I’m just wondering.

So, what did I think about Santa’s Little Yelpers?

Between the 25 previous books in the series and the 3 K-Team books, I like to think I’m pretty familiar with Rosenfelt and his bag of tricks—the series and I are old friends by now, and while I have a ball with these books, I pretty much see most things coming. Or so I thought. Sure, most of the book went as I expected, and I was enjoying it as much as I expected to. And then Rosenfelt pulled off a twist that I didn’t see coming—my interest and appreciation for the book increased.

And then he did it again. I wouldn’t have guessed that by book 29, Rosenfelt would be surprising me twice in one book. I’m not saying that I don’t appreciate the twists and the turns of the stories in most of his books, because I really do—but I usually know something like them is coming—I didn’t see either of these coming at all. (I do think I should’ve been in the ballpark for one of them, though, if I’d been on my game). And because of these reveals, a lot of the book played out in ways I didn’t fully expect. I love it when an author does this.

Are all semi-savvy readers going to experience this? Not necessarily—but you just might.

Even without that—this is a classic Andy Carpenter book, there’s some good Ricky material, Laurie and Marcus get to do their thing—Corey and Simon Garfunkel get some nice moments, too. Sam Willis (very minor spoiler) gets some out-of-the-office work, which is fun. And Andy meets a new judge and prosecutor and doesn’t totally alienate them (I’m not sure he endears himself to either, either).

It’s a good time, a clever case, with some typical quotable lines. Everything an Andy Carpenter fan wants—and, as always, this would be a good jumping on point for a newbie looking for an enjoyable mystery/legal thriller to read.

Disclaimer: I received this eARC from St. Martin’s Press, Minotaur Books via NetGalley in exchange for this post and my honest opinion–thanks to both for this.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

A Death in Door County by Annelise Ryan: A Nice Kick-Off to a Promising Series

By HCNewton

On October 6, 2022

In Mystery/Detective Fiction/Crime Fiction/Thriller

A Death in Door County

by Annelise Ryan

DETAILS:
Series: A Monster Hunter Mystery, #1
Publisher: Berkley
Publication Date: September 12, 2022
Format: Hardcover
Length: 322
Read Date: October 1, 2022

What’s A Death in Door County About?

Morgan Carter owns and runs a bookstore in a tourist-y town in Minnesota. In her spare time, she’s a cryptozoologist—hunting for proof of creatures like Bigfoot, Nessie, chupacabra, Jersey Devils, and so on. She hasn’t found any yet—but that hasn’t stopped her from the search (something she inherited from her parents—along with enough money to pursue this).

One day, the new-ish police chief of a local town comes by the bookstore to hire her as a consultant. There’ve been a few drowning victims—animal and human—in the last few months that have unidentifiable bite marks on them. The bites haven’t been made public knowledge, but the number of bodies with them and the short amount of time has him and state wildlife authorities curious.

She jumps at the chance—but knows that if it’s not a large creature living in Lake Michigan, there’s a chance that there’s a human behind it. Finding a human cause would be a fast way to rule out a cryptid. So, while looking for indications of a creature, she does a little Jessica Fletcher-ing. One way or another, Morgan and her loyal dog, Newt, are going to find out who’s behind the deaths.

Odds and Ends Bookstore

So, I want to go visit Morgan’s bookstore tomorrow. It feels like it has a pretty extensive inventory—with a great selection of local information and history, esoteric cryptozoological material (due in large part to Morgan and her parents’ other gig), and some very strange non-book items for sale, too (like the non-magical section of Alex Verus’ Arcana Emporium)—I’m guessing they also have a decent selection of current books, on top of that

The store has two employees (which does suggest it’s smaller than the inventory could suggest, unlike, say, Nina Hill’s bookstore). They’re the perfect level of quirk, competence (possibly hyper-competence), and humanity. They’re the kind of supporting characters that will be fun to follow.

So, what did I think about A Death in Door County?

I don’t have a lot to say about this one—it was a fun little diversion, with nice characters that I want to spend more time with. The conceit should fuel a good number of books. I can’t think of a lot to say about it at the moment, I feel like I need to see one or two more books before I can really start talking about things because so much of this book was establishing the characters and the world. The setting of Lake Michigan isn’t one that I think I’ve spent a lot of (any?) time in, so I’m looking forward to more of that.

This was an entertaining, cozy-ish read—the addition of cryptozoology to the amateur detective who owns a bookstore was a fantastic touch. It’s really a great idea. Pick this one up, I think you’ll enjoy it.

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Station Eternity by Mur Lafferty: One Giant Leap for Homicide

By HCNewton

On October 4, 2022

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Science Fiction

Station Eternity

by Mur Lafferty

DETAILS:
Series: The Midsolar Murders, #1
Publisher: Ace 
Publication Date: October 4, 2022
Format: eARC
Length: 464 pg. 
Read Date: September 23-29, 2022

What’s Station Eternity About?

In the not-too-distant future, Aliens (of various species) have made Contact with Humanity. It’s not unheard of for them to be seen on earth, looking around. Many humans are worried about war with the aliens—that they’re around to invade or something. What they can’t accept is that the aliens just don’t think enough about humanity to bother.

Nearby—but not that near—is a Space Station where the aliens that Earth knows about are living. It’s important to know that the Space Station is sentient. She’s allowed three humans to live on board. One is an ambassador from the U.S. (you’re going to spend a lot of time wondering how he got that appointment, until—of course—Lafferty explains it, and then it’ll actually make sense); another is our protagonist, Mallory Viridian (more on her in a bit); and Xan, an Army quartermaster, Mallory met in college a few years back.

People tend to die around Mallory. Well, that’s not exactly true—people in Mallory’s vicinity have a tendency to be murdered. When that happens, Mallory is really good at solving the murders, too. Sure, she has to repeatedly convince law enforcement that she wasn’t involved in the murder—but after that, she’s great at figuring out who did the killing. Her presence on the Space Station is her attempt at staying away from people. Her thinking is that if she’s not around people, they can’t be killed. Yes, there are two other humans on board, but she avoids them as much as possible for their own sake.

But now…Eternity has decided to allow a shuttle-full of humans to visit, and Mallory is worried. Beyond worried, really. She tries to convince Eternity to call it off, but before she can…there’s a murder. And before long, there are others—is Mallory up for the challenge?

The Aliens

There’s a lot that I liked about this novel—more than I’m going to be able to really dig down into. But one of my favorite aspects of the novel is the alien races, their cultures, how they relate to humans, and so on. Aliens should be…alien. They shouldn’t all be humanoid with a few cosmetic differences. Novels are a better place for this than movies/TV because they’re not limited by an F/X budget, but still, we tend to get variations on a theme. Lafferty’s good at keeping the aliens strange and humans should be equally strange to them (beyond a McCoy-can’t-get-the-whole-Vulcan-logic thing)

A couple of examples to start with: there’s the food on the station—a lot of it is lethal to humans, some is just unpalatable (think of the way 80s sitcom characters would react to the idea of sushi, and then multiply that). There’s also the way way that the universal translation device (fairly reminiscent of Adam’s Babel Fish) being implanted is a bloody and painful process—which is still not easy and pain-free by the end of the book. Unless I’m forgetting something (likely) or haven’t been exposed to the right things (very likely), I’m used to this being a seamless, easy and pain-free process in SF.

We are talking about races here that can remember thinking of species like humans (and some others on the station) as “masticatables,*” before they got to the point where they saw them as sentient beings who should be treated with respect and on the same level. Physiology, communication, ethics, and worldviews that we can’t comprehend easily. Not only are they only barely interested in dealing with humans (it’s never stated, but I think most of Eternity’s residents wish they’d waited a few centuries before making First Contact)—they’re sure not going to go out of their way to make things accessible to humans. It’s up to the three on board to figure out how to survive.

* Of the thousands and thousands of words that I read last week, that’s probably my favorite one..

That said, they are pretty curious about humanity’s squishy bodies full of wetness, our lack of symbiotic relationships (oh, yeah, I forgot to mention—every other race in this book is in some sort of symbiosis). Isolated creatures are hard for them to wrap their minds around. Throughout the novel, various characters repeatedly express how they can’t understand how humans get by without a symbiotic relationship of some kind—in fact, they pity humans for how they must be isolated and hampered by it.

I could keep going here, but without writing a few hundred words on each race, I’m not going to be able to say enough (besides, that’s Lafferty’s job, not mine). Let me just sum up by saying that these aliens are alien, and we’re pretty strange to them. I love seeing both of these in action.

A Question of Genre

In my Spotlight post, wrote that Station Eternity is:

“a witty, self-aware whodunit with a unique sci-fi twist” (at least that’s what the promotional material says—I’d call it a witty, self-aware Sci-Fi novel with a unique whodunit twist, if I was in the mood to split hairs).

Now, largely, genre is used as a marketing tool—how do we get this in front of the readers who are most likely to respond with their attention (and wallets, can’t forget to get Lafferty and the publisher paid). As such, maybe it doesn’t matter what genre it’s classified as—and there’s something to it. But genre also helps you talk about a book—the conventions of the genre, the way a book diverts from and/or uses them, etc. It also helps you find a book, “I’m in the mood for a good book,” really doesn’t get you very far, whereas “I’m in the mood for an Urban Fantasy,” points you in the right direction.

So, Ace’s marketing—and the title of the series itself—leans on the mystery. And I think that’s fair. But I think the emphasis in this novel is on SF elements. That might not really be the case* in future novels in the series, but it felt that way this time. Lafferty’s own bibliography and résumé are pretty heavy on Speculative Fiction, too—so it makes sense that the book would be Science Fiction-heavy.

* Pun unintended. But I really wish I had planned it.

Considered separately, I think the mystery part of the novel isn’t as successful as the SF part is. That’s largely because the SF aspects change the rules for the mystery. Thankfully, you don’t have to consider the two strains separately—the book doesn’t, there’s little reason for a reader to do that (unless you’re trying to talk about it in a blog post or something).

As I mentioned, most of the various races in the novel are in a symbiotic relationship of some kind to survive (and things do not go well for them when the symbiosis is disrupted). I think the relationship between the two genres here could be thought of that way—it’s a mutually dependent relationship. The SF needs the mystery to generate and advance the plot, and the whodunit needs the SF to have a setting and for the characters to work.

Ultimately, I think a Mystery-reader who isn’t that into SF is not as likely to enjoy this as a SF-reader who isn’t that into Mysteries will. But I think readers of either genre who are open to the idea are going to find themselves really getting into this.

So, what did I think about Station Eternity?

I’ve said almost nothing about Mallory, Xan or any of the other humans running around this book—but this has gone on too long already. Also, most of what I’d say is best discovered in the novel. So let me just say that Mallory is a fantastic character, and I’ll sign up for at least three more books about her now. She’s this great mix of neurosis (tied to all the murders around her, so they’re understandable), talent, determination and snark. We don’t get to know Xan quite as well—but I’ll eagerly take at least one more book about him, too. He’s going to be able to be a very different person after the events of this book, and I’m curious to see what that looks like.

Eternity herself is a character I want to understand more—and everyone on board, too. There’s a Princess, for example, who seems like good comic relief when we meet her—and stays that way for most of the book. Then she does something and becomes a whole different kind of character—she’s still a hoot, but she’s a whole lot more.

That goes for the series, too—after Lafferty has created this world and shaken it up pretty well in this book, I want to see what happens afterward.

But I’ve gotten side-tracked, I want to focus on Station Eternity—there’s a lot of backstory woven into plot, and Lafferty handles it well. We learn enough to advance the plot and understand the characters—but not so much that she can’t throw us a curve-ball every now and then to be surprised by someone. And she does—and I relished each of them. These events and the characters will keep you on your toes.

This is a funny book—in the narration, some of the situations, and the way the characters relate to each other. The circumstances around a lot of the murders that Mallory encounters, for example, are frequently ridiculous. But it is not a comedy—we’re talking about a lot of murders for one thing. Then there’s intergalactic intrigue, the dangers of space travel, and life-or-death situations all around. The interactions and histories between the various characters are full of drama and the serious stuff that comes from being a person, too. There’s a great balance of light and darkness throughout the book and Lafferty writes both with skill and a touch of panache.

I had a great time with this book and will be thinking about it for a while to come—and as I’ve suggested, I’m eager to see what’s around the corner. I strongly recommend this book for mystery fans open to aliens walking around, SF fans interested in a different kind of story, and readers who like good things.

Disclaimer: I received this eARC from Berkley Publishing Group, Ace via NetGalley in exchange for this post and my honest opinion—thanks to both for this.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to Penguin Random House for the invitation to participate in this Publication Day Blitz and the materials (including the book via NetGalley) they provided.

EXCERPT from Station Eternity by Mur Lafferty: Nobody Believed Murders “Just Happened” Around Mallory

By HCNewton

On October 4, 2022

In Book Tour, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Quotations, Science Fiction

from Station Eternity by Mur Lafferty

Nobody Believed Murders “Just Happened” Around Mallory

The kettle screamed its achievement of boiling water and Adrian jerked it off the element, wincing. He must have a hell of a headache, she thought. He retrieved a mug from his shelves above the sink and then a tea bag from a small basket on his counter. He went on with his tea-making ritual with his back to her.

Mallory grew tired of the silence. “Do you think Earth knows that someone else did the diplomatic negotiating? Think they’re sending someone to take your place?”

“Don’t bait me, Mallory,” he said quietly, picking up the mug in both hands and facing her. He inhaled the steam, eyes closed.

Mallory nearly said she hoped a new ambassador would offer their guests tea, but Adrian was pretty tightly wound right now. There was something alarming about the way he was keeping himself perfectly still, like a waiting snake. She mentally prepared herself to dodge a mug of boiling water if he let loose.

She cleared her throat. “May I also have some tea, please?” She asked it just the way her mother insisted she do when she was young.

He looked at her for a long moment as if he didn’t understand her words and then turned around, face still stony. Behind him, hanging below the shelves against the wall, was a wooden dowel. Slung over the dowel and secured with a thumbtack were about twenty used tea bags. He removed one and prepared her tea.

“An old tea bag? Really, Adrian?” she protested.

“I have to ration when I don’t know when I’ll get back home again,” he said woodenly. “If I’d known they were coming, I could have asked someone to bring me some more tea. I was denied that option.” He cleared his throat, and then his voice took on his smoother diplomatic tone. “About the incoming humans-it’s a good thing, Mallory. Trade will increase. Doctors will visit. Diplomats will come to make the situation better on Earth. We might get closer to negotiating for FTL technology. People will bring us news. Media. More books and games. I know you don’t like people, but it’s undeniable-”

She stopped him before he got into full diplomat monologue mode, holding up her hand. “Wait, wait, wait, you still think I don’t like people?” she echoed in disbelief. “Jesus, when are you going to believe me? I like people just fine. They just tend to not like me.”

He had the full diplomatic face on, and he smiled benignly and spread his hands in the classic way to defuse arguments without actually conceding. “What can I do to make things better? Can we find a compromise?”

“You can listen to me when I tell you that letting that shuttle dock will very likely result in someone getting killed,” she said, glaring at him from behind bangs that hadn’t been cut in three months. “You can go to your meeting and tell them to send the humans back home.”

“You knew this was what we were working toward, and it’s much bigger than you and your personal problems. This is a big step for humanity and long overdue,” he said patiently. “What if one of us humans gets appendicitis and there’s no one who understands human anatomy? Having humans on board who can handle our medical needs is good for both of us!”

She got to her feet. “If you won’t listen to me, I’ll ask for a meeting with the station folks. I can still get this changed.”

He shook his head slowly. “That’s not going to work. They’re not going to deny a new race access to the station based on one person’s paranoia. And if you succeed you will be responsible for single-handedly holding back humanity from scientific evolution. Do you want that on your tombstone?”

“If humans come aboard, we will be writing the epigraph for someone’s tombstone, but it won’t be mine,” she said, defeat weighing on her shoulders.

Nobody—really, nobody—believed murders “just happened” around Mallory.

After two years of college and four murders in six months, she had tried therapy.

Dr. Miller first said she’d seen too many murder mystery shows and didn’t believe her when she said she wasn’t a fan of them. Then he suggested possible paranoid schizophrenia. Or maybe just paranoia. She left the appointment with a prescription for brexpiprazole that she didn’t fill.

During her second appointment, Miller’s receptionist became number eight when she was murdered while Mallory and the doctor were arguing in the next room. When they discovered the body, Dr. Miller accused her instead of validating her, and then, when she obviously had a perfect alibi, refused to treat her further.

He didn’t appreciate her solving the crime either. Probably because the killer had been his own wife, who had been convinced he was sleeping with the victim.

She’d turned to religion next. She didn’t care which; she just made a list of places one could worship in Raleigh and rolled a die. Each holy leader she spoke with told her to trust in a variety of higher powers, give herself over to Christ, follow the Tao, meditate, pray, volunteer, whatever. They each thought she was presenting a troubled mind that their faith could focus, not a real problem. But she couldn’t just magically believe in something; she had trouble believing in what was actually happening in front of her.

“Miracles happen daily if we just open ourselves to it,” one priest had said while she was in confession. He hadn’t wanted to call it a miracle when, while hearing Mallory’s confession, a parishioner had been murdered in the church’s parking lot. The church had not admitted she was right; they instead accused her of orchestrating the crime. This was her ninth murder and she should have known better.

My thanks to Penguin Random House for the invitation to participate in this Publication Day Blitz and the materials (including the book via NetGalley) they provided.

BOOK SPOTLIGHT: Station Eternity by Mur Lafferty

By HCNewton

On October 4, 2022

In Book Tour, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Science Fiction

Today I’m very pleased to welcome the Publication Day Book Blitz for the first of The Midsolar Murders series, Station Eternity by Mur Lafferty, “a witty, self-aware whodunit with a unique sci-fi twist” (at least that’s what the promotional material says—I’d call it a witty, self-aware Sci-Fi novel with a unique whodunit twist, if I was in the mood to split hairs). It’s a great read and I’m happy to spend some time today highlighting it. Along with this spotlight post, I have an excerpt from the novel to share and my take on the novel later this morning (I’ve got about 4 paragraphs to go on that). Those links’ll work when the posts go live.

First, let’s take a look at Station Eternity.

Book Details:

Book Title: Station Eternity by Mur Lafferty
Publisher: Ace Books
Release date: October 4, 2022
Format: Ebook/Paperback/Audiobook
Length: 464 pages
ISBN: 9780593098110

About the Book:

Amateur detective Mallory Viridian’s talent for solving murders ruined her life on Earth and drove her to live on an alien space station, but her problems still follow her in this witty, self-aware novel that puts a speculative spin on murder mysteries, from the Hugo-nominated author of Six Wakes.

From idyllic small towns to claustrophobic urban landscapes, Mallory Viridian is constantly embroiled in murder cases that only she has the insight to solve. But outside of a classic mystery novel, being surrounded by death doesn’t make you a charming amateur detective, it makes you a suspect and a social pariah. So when Mallory gets the opportunity to take refuge on a sentient space station, she thinks she has the solution. Surely the murders will stop if her only company is alien beings. At first her new existence is peacefully quiet…and markedly devoid of homicide.

But when the station agrees to allow additional human guests, Mallory knows the break from her peculiar reality is over. After the first Earth shuttle arrives, and aliens and humans alike begin to die, the station is thrown into peril. Stuck smack-dab in the middle of an extraterrestrial whodunit, and wondering how in the world this keeps happening to her anyway, Mallory has to solve the crime—and fast—or the list of victims could grow to include everyone on board….

Purchase Links

Amazon ~ Barnes & Noble ~ Books A Million ~ Bookshop.org ~ Hudson Booksellers ~ IndieBound ~ Powell’s ~ Target ~ Walmart

Early Praise for Station Eternity:

“Lafferty (Hugo-nominated for Six Wakes) creates a clever and suspenseful sci-fi mystery, with intriguing characters and attentive worldbuilding.”
—Library Journal, STARRED review

“What a glorious romp. Murder, sentient space stations, and banter. It had everything I wanted.”
—Mary Robinette Kowal, Hugo and Nebula Award-winning author of The Calculating Stars

“A science fiction mystery has to nail both the science fiction and the mystery, and this book passes both tests with flying colors. As bingeable and satisfying as your favorite murder show. I couldn’t put it down.”
—Sarah Pinsker, Nebula Award-winning author of A Song For A New Day and We Are Satellites

“Lafferty’s characters stomp off the page, kicking ass and taking names as they do. If Jessica Fletcher ended up on Babylon Five, you still wouldn’t get anywhere close to this deft, complicated, fast-moving book. Station Eternity kept me up way too late turning pages.”
—T. Kingfisher, Hugo and Nebula Award-Winning author of Paladin’s Grace and Nettle & Bone

About the Author:

Mur Lafferty is an author, podcaster, and editor. She has been nominated for many awards, and even won a few. She lives in Durham, NC with her family.

My thanks to Penguin Random House for the invitation to participate in this Publication Day Blitz and the materials (including the book via NetGalley) they provided.

Santa’s Little Yelpers by David Rosenfelt: A Little Yuletide Cheer and Two Dangerous Cases Andy Didn’t Ask Santa For

By HCNewton

On October 3, 2022

In Andy Carpenter, David Rosenfelt, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Santa’s Little Yelpers

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #26
Publisher: Minotaur Books
Publication Date: October 11, 2022
Format: eARC
Length: 304 pg.
Read Date: September 30, 2022

What’s Santa’s Little Yelpers About?

It’s up to Andy, The K Team, and the rest of Andy’s team to try to prove him innocent of the murder—and maybe the initial crime.

It’s Beginning to Look (a Little) Like Christmas…

So, what did I think about Santa’s Little Yelpers?

Are all semi-savvy readers going to experience this? Not necessarily—but you just might.

Disclaimer: I received this eARC from St. Martin’s Press, Minotaur Books via NetGalley in exchange for this post and my honest opinion–thanks to both for this.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Roxanne (Audiobook) by Peter Grainger, Gildart Jackson: The Murder Squad Wades Through a Pool of Lies

By HCNewton

On September 30, 2022

In Audiobook, DC Smith & Kings Lake, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Roxanne

by Peter Grainger, Gildart Jackson (Narrator)

DETAILS:
Series: A Kings Lake Investigation, #3
Publisher: Tantor Audio
Publication Date: March 2, 2021
Format: Unabridged Audiobook
Length: 10 hrs., 13 min.
Read Date: August 19-23, 2022

What’s Roxanne About?

Gregory “It’s not lupus” House, MD’s guiding dictum was “Everybody lies.” Every police officer/detective knows and expects this, too. But there are cases where the lies fly thicker than others—this is one of those.

DS Chris Waters and DCI Cara Freeman are called to sign off on an apparent suicide/accidental overdose. But because this isn’t a short story, they both notice some things that make those scenarios highly improbable/impossible, and the Murder Squad takes the case (incidentally, they haven’t had a lot of work to justify their existence, so it’s coincidentally good for them). They soon discover that the victim was a sex worker. This alone pretty much guarantees that everyone is going to be lying to them—her roommates, clients, the people at her former booking service.

Some good breaks, some lucky leaps of intuition—and a little advice from a certain retired detective—help the team get to the truth. A very nice touch was seeing how Waters being a decent guy with a good memory from a previous case or two pay off now. His training served him well.

Just Enough

We get a little more backstory for DCI Freeman here—rounding the character out a bit. It’s nice, but I don’t know that her character needs to be humanized or anything. She’s a driven and highly compartmentalized person, and if we really only see her at work, I think that’s enough. I clearly don’t think that’s the case for all characters in this series (I’m a huge fan of the current romantic subplot for Waters, can’t get enough of John Murray as father, etc.), but for her, I’m content as is.

But hey, if Grainger wants to shed some light on her? I’ll take it—and I thought it was a good way to show what made her into the person she is today.

I’m Not So Sure About This…

This could be spoiler-ish, but I’ll try to keep this detail-free. So when Grainger introduced a whole lot of new characters in On Eden Street, I wondered how he was going to serve them all—and so far, the answer is sparingly. But he’s not ignoring them, and they seem like better people to work with than the characters on the other side of the office back in the DC Smith series. We got to know some of them in On Eden Street, but there was one character Grainger didn’t do much with, but he addressed that this time.

I think it was better to ignore her. Her activities land Waters in some hot water—and it could’ve been interesting to see this play out. It also could’ve been annoying because there’s no way that any reader would believe Chris did something that questionable, and Grainger really couldn’t afford to damage the character at this point. At the same time, it seemed almost too easy for Waters to get out of that hot water. I knew he’d be okay, but he should’ve had to work a little harder for it.

Unless this storyline circles back in a future book, I just don’t understand why it happened. It’s the first time in 11 books that I’m really questioning something that Grainger did.

Gildart Jackson’s Work*

I don’t have anything new to say about Jackson at this point. I thoroughly enjoy his work, I can’t imagine listening to one of this series with anyone else, nor do I think I’d enjoy reading one on my own half as much.

* Yes, I’m just plagiarizing myself at this point—and will likely do so in the future, I’m not creative enough to find a new way to talk about how good he is.

So, what did I think about Roxanne?

This is another winner from Grainger and Jackson. Grainger has this gift for taking what looks like a “small” case, an everyday kind of thing—no grand conspiracy, serial killer, or especially violent death like we so often get in procedurals—the kind of case you expect the police to deal with on a pretty regular basis, and turning it into something as interesting for the reader as a “flashier” case would be in other series.

There’s not a lot of character development going on here—these are all adults who are good at their jobs—they’re gaining experience, getting better at them, and are progressing through their careers/personal lives as we all do. So at this point, it’s about us getting to know them better (this is not, in my mind, contradicting what I said about not needing to know more about Freeman outside of work), understanding them better, and seeing how the past builds on itself. Grainger is able to do this while telling stand-alone stories in a way that few others can. It’s one of the surest pleasures in my life watching him do this.

Not surprisingly to anyone who’s read me before—I strongly recommend this, and all of Grainger’s DC Smith/King’s Lake Investigations series. Solid, entertaining mysteries; characters that will endear themselves to you; and a reliably clever narration (the text itself and the audiobook narrator).

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Hell and Back by Craig Johnson: They Say All Haunting is Regret

By HCNewton

On September 28, 2022

In Craig Johnson, Fiction, Walt Longmire

Hell and Back

by Craig Johnson

DETAILS:
Series: Series: Walt Longmire, #18
Publisher: Viking
Publication Date: September 6, 2022
Format: Hardcover
Length: 336 pgs.
Read Date: September 21-22, 2022

“Something wrong?”

“I’m not sure, but I’m thinking I might’ve screwed things up.”

“How?”

“The way you always do, by doing a good deed.”

What’s Hell and Back About?

Recently, Walt has across repeated references to Fort Pratt—a military base and a school for natives there. Neither Walt nor Henry had heard of this place before, and it made him curious—he did a little looking and asking around about it and found one person who knew something.

And now…Walt wakes up in the middle of the street in that town. He doesn’t know who he is, or what he’s doing there, and keeps running into people he vaguely recognizes (or thinks he should) and readers do. Then he finds himself witnessing events surrounding that school’s destruction by fire—which killed the 31 boys living there.

Meanwhile, Henry Standing Bear and Vic are trying to track down Walt. He’s been on the hunt for a suspect in a murder and hasn’t checked in for a while—they get to the area he was last known to be and find some disturbing signs, but no Walt.

While they look for Walt, our favorite sheriff and the reader have to figure out where he is and why—and does it have anything to do with the Éveohtsé-heómėse, the Wandering Without, that Walt encountered in the last book?

Hmmm…

I wanted to give a section focusing on each of our main trio of characters—or at least the two main storylines. And I can’t. Anything I say would divulge so much of the plot/mechanics of the novel that I’d ruin something.

So why am I spending time talking about this? 1. I don’t want it to look like I’m harping on just one point (see the next section) and 2. to make a point—these threads are so tightly woven in this book that to look at any of them, you have to look at how it all plays out—from beginning to ending. Don’t decide—or try to decide—what you think of anything until the ending—you’ll be wasting time and effort.

Is Craig Johnson Taking a Stand?

A mixture of native Spirituality (beliefs, practices, and possible occurrences) have been around since the beginning of this series as a constant, but emphasized in books like Hell is Empty and last year’s Daughter of the Morning Star. But the novels have never really taken a stand on whether a spiritual entity/entities or powers are interacting with Walt and others or whether that’s one possible interpretation—and maybe Walt was hallucinating/dreaming due to physical injury, mental exhaustion, hypothermia, etc.

It really seems like Walt believes it’s true in the moment (sometimes he has to be convinced), but then brushes it away. Although a couple of times, I thought it was Henry who suggests an alternate explanation—Vic never seems to give a mystical idea any precedence.

If only for the amount of this book that appears not to transpire in our world, I think that Johnson’s not really pretending to be neutral anymore. Even Walt’s “but maybe…” take seemed halfhearted.

I think I’m fine with it—if only so we don’t have to have this discussion so often within the books. As long as Johnson isn’t trying to veer into Urban Fantasy or anything (and I don’t think he is), go for it. Let Walt be convinced by his experience, embrace them, and move forward that way. At least let him wrestle with it, not just brush it away.

Now, if Vic starts seeing Virgil White Buffalo or something like him…that might be a problem.

So, what did I think about Hell and Back?

In his Acknowledgements, Johnson says he attempted to create “a Western, gothic-romance with traces of horror.” “Traces” is a good word—it’s just a hint, like the hint of whatever fruit a particular can of La Croix tells you it has (maybe a little heavier). The rest seems like a good description of the result—I guess I’m not sold on “if” he should’ve tried, or at least tried in this way. I don’t want this series to turn into a bunch of cookie-cutter novels about Walt and the gang solving mysteries at home or in a nearby county. But…not all experiments are successful.

I’m torn. I enjoyed this, I like that Johnson is constantly trying to keep each novel from being a duplicate of a previous one and trying to do new things with well-established characters. I thought the ideas were great, I appreciate that Johnson wants to discuss things like the horrible conditions and events in “Indian schools.”

But I think this was a lousy Walt Longmire book. There were some strong character moments for Vic and Henry (and a moment or two that I’m not so sure about for each). I don’t think it was a good use of the character of Walt Longmire or the kind of story that’s good for the series. There are a couple of things that could spring from this for future books, but I think Johnson probably could’ve gotten there a different way.

Yes, I’m prepared to eat my words in that last sentence, but I feel pretty safe about it.

This was a good follow-up to the previous book, but it’s also a wholly unnecessary follow-up. It ended so well, and yet so ambiguously on one point that I thought was very effective. This book takes away that ambiguity and takes away the power/mystery from the conclusion.

Long-time fans will find enough to justify their time (there’s a moment where Vic reveals a lot of herself to another character that’s one of the most honest moments in the series for her, for example), but I expect most will be unsatisfied by the book as a whole. I think I was. Still, while this might not have been the most successful Walt Longmire book, I tip my cap to Johnson for giving it a shot.

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Catch-Up Quick Takes: A Few Remaining August Titles

By HCNewton

On September 23, 2022

In Audiobook, Don Winslow, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Urban Fantasy

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. Except for the two books that I want to do full posts on, this wraps up August. I’m in danger of catching up. (insert the obligatory “Narrator: He will not” joke here)

The Alchemist and an Amaretto

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: The Guild Codex: Spellbound Series, #5
Publisher: Tantor Audio
Publication Date: January 27, 2020
Format: Unabridged Audiobook
Length:  6 hrs., 55 min.
Read Date: August 24-25, 2022

(the official blurb)
This series is the trunk that the others branch out from, it’s the anchor for the whole thing—and I’m just about at an end with it. It feels like Marie’s discovered a template and is just following it.

That said…I’m not leaving this because I want to see how the others unfold, I really like Tori, I want to see how things turn out with her brother, and the books are entertaining enough, while still being exasperating (to illustrate, Cobra Kai Season 5 is just on the other side of that line). But man…I’m tired of the non-romance romantic story and I’m fed up with the Ezra storyline (that I think is what the whole series is going to be ultimately about, so I’d better get used to it).

Putting my gripes aside—the alchemy stuff here is great, and I really liked the way all of it developed. This approach to werewolves is great and I’d really like to see more (but am pretty sure we won’t because of the whole template thing…but maybe in the Warped series?)

Also, I’m really hoping that at one point the protagonists from these series will figure out they should be allies and friends for one final, climactic battle before living a life of relative peace and routine.
3 Stars

Her Last Breath

by Linda Castillo, Kathleen McInerney (Narrator)

DETAILS:
Series: Kate Burkholder, #5
Publisher: Macmillan Audio
Publication Date: June 17, 2013
Format: Unabridged Audiobook
Length: 9 hr., 46 min.
Read Date: August 25-26, 2022

(the official blurb)
I truly had a hard time with this one because so much of the book is about this police chief that we’re supposed to be rooting for going around and manipulating a case, lying to other law enforcement officers, and pressuring her siblings into lying to cover up what will be a clear case of self-defense so that she can keep her job.

The other storyline about the hit and run that turns out to be vehicular homicide? That was pretty good—a touch predictable, sure. But only because Castillo did everything but name the killer McMurderer, because this one needed to be about Kate figuring it out and the reader seeing what that put her through.

If we can put the self-defense cover-up story behind us now, I can keep going. Otherwise, this series becomes Dexter with a really low body count, and I’m just not going with that.

3 Stars

The Heron

by Don Winslow, Ed Harris (Narrator)

DETAILS:
Publisher: Audible OriginalsT
Publication Date: July 28, 2022
Format: Unabridged Audiobook
Length: 1 hr., 6 min.
Read Date: August 12, 2022

(the official blurb)
This is only an hour long, so it’s really difficult to talk about. But that’s a shame because I want to go paragraph by paragraph and talk about it—a live-blog running commentary seems to be the best way to talk about it, but who has the time for that?

I’m going to start with Ed Harris rocking this one—the dude is perfect and I want nothing else out of life than a new Winslow story every month or so read by Harris. That’s hyperbole to make a point, but it feels like one of the most honest sentences I’ve uttered recently.

This is short fiction at its best—a great premise, some good twists, a great conclusion, and a perfect ending. It just made me happy. I was about to say that there’s a great villain, but I’m not sure which character I’d attribute that to. There are a good number of great criminal characters running around committing crimes against each other—it’s just a matter of who comes out on top and how they do so. Grab some popcorn and enjoy.

Also, as I look back at what I noted when I listened—only 4 stars? I remember it better than that. Maybe it was the length? I’m going to trust my initial reaction, but as I write this, 4 seems like I’m underselling it.
4 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.