Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 37 of 153

Lives Laid Away by Stephen Mack Jones: An Action-Packed, Dark Sequel

Lives Laid AwayLives Laid Away

by Stephen Mack Jones

DETAILS:
Series: August Snow, #2
Publisher: Soho Crime
Publication Date: January 7, 2019
Format: Paperback
Length: 296
Read Date: March 9-10, 2022
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What’s Lives Laid Away About?

While August Snow is considering how to help out his neighbors in the middle of an ICE crackdown/intimidation campaign, his friend from the coroner’s office brings him a case he can’t get out of his mind. A young, unidentified, Hispanic woman was tortured, raped, killed, and dumped while dressed as Marie Antoinette. The police can’t get anywhere with the case and are ready to move on. Falconi can’t do that. So he comes to August for help.

Snow’s not able to get the photos he’s been shown out of his mind, either. So he starts looking into it—knowing the right people to ask, he’s able to identify the woman within a day. This gets him looking in the right direction for answers—sadly, that direction is full of organized crime, disorganized crime, human trafficking, and corrupt government officials.

August gets backup in both his brushes with ICE and the murder case from new and unexpected allies. There’s a lot going on in Detroit (and in his own past) that August had been previously unaware of, and he’s likely going to wish he’d stayed in the dark before all is said and done here.

Tomás

We met Tomás Gutierrez, August’s godfather, in the previous book and he provided some of the backup August required then. In this book, he’s basically August’s partner.

He fills the fairly typical modern detective sidekick role (Hawk, Joe Pike, Bubba Rogowski, Nate Romanowski, Nick Petrie’s Lewis, etc.)—a little meaner, a little less bound by conscience, a little more prone to violence, has a better personal weapons stash, and so on. The big twist here is that he’s so much older than August. I don’t know if we’re told his age anywhere, but he’s no spring chicken—He’s his godfather, was good friends with his parents, he has a grandchild. And while his age is mentioned every now and then, he seems too spry to be really believable in this role.

This might be because of the subjects of the book—his wife is being threatened, the dead woman was known to his wife, etc.—and in the next book, he won’t be as involved in whatever is happening. If that’s the case? I have no problem with it—but if he keeps acting as a partner, it’s going to have to be addressed.

I like the character of Tomás and how Jones has been using him so far, I just don’t know if he’s a viable long-term option.

What is it About Places Like This?

Back in 2019, I posted about M. W. Craven’s Black Summer, and discussed how Craven’s description of a seedy pub made me feel like I was there. I had a flashback to that moment when Jones described the biker bar Taffy’s on the Lake here. It was so crystal clear and detailed that I felt like I was there. I don’t know if it’s me, and the one or two nasty bars that I’ve been in have stuck with me so much that when Craven or Jones describes one that I’m taken there, or if they’re just so good that I’d feel the same way without personal experience.

I’m going to credit them with this, not just for the sake of my mental health. For example, in August Snow, Jones did a similar job with a small Mexican restaurant. In that case, his writing made me want to feel like I was there.

He’s so good at describing places in a way that brings in all of your senses (there are other examples I could cite, but this one paralleled so nicely with Black Summer), that without ever stepping foot in Detroit (or the state of Michigan) that I can really get a strong feel for the settings.

So, what did I think about Lives Laid Away?

Is this as good as August Snow? I don’t think so. But that says more about how good it was than about the quality of Lives Laid Away. This was intense and exciting. You’re kept on the edge of your seat while being given things to think about.

At the same time, while August Snow had enough action to satisfy any thriller reader, Jones stepped up the violence this time. I don’t know if this is the direction of the series in general, or if something about these circumstances brought it out in August, but wow. I can think of Jack Reacher/Peter Ash novels that contain less violence and action—I wouldn’t have expected that given the first novel. This is not a criticism, I’m just putting that out there for potential readers—it really worked for me (although I’m not sure I needed all the “enhanced interrogation” scenes).

Along those lines, I’m not sure I really realized how ominous, “I gotta see a guy about a thing,” could sound.

This isn’t just a novel about a vigilante ex-cop on a crusade—it is that, but it’s more—it’s also about a city dealing with contemporary pressures, contemporary issues, and a troubled (to be nice about) past. What is Detroit becoming? How is it treating the people who live there? How should it be? These questions loom large while August is trying to figure out who killed these women and why. Lives Laid Away is a solid, action-filled thriller with a social conscience and heart. This is not a combination that you see that much, but I wish we’d see more of.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK SPOTLIGHT: Under the Bridge by Jack Byrne

I’m very pleased and excited today to welcome The Write Reads Blog Tour for Under the Bridge by Jack Byrne. The problem is, I was supposed to do this on March 9th (I apparently put it in my calendar as May 9th). Even if I’d gotten the date right, I couldn’t fit this into my schedule on time, sadly, but you should absolutely check out some of the posts about it at https://twitter.com/WriteReadsTours to see why you should find room for it. But before you go, let’s learn a little about this book, shall we?

Under the Bridge Tour Banner

Book Details:

Book Title: Under the Bridge by Jack Byrne
Series: The Liverpool Mysteries
Publisher: Northodox Press
Release date: February 18, 2021
Format: Paperback/Ebook
Length: 360 pages
Under the Bridge

Book Blurb:

2004 – The discovery of a skeleton in the Liverpool docklands unearths long buried secrets. Reporter, Anne McCarthy, is keen to prove herself and dives into the case with abandon where she finds Michael, an old Irish caretaker who knows far more than he’s letting on and may have a connection to the body.

Meanwhile, Vinny Doyle, is starting a postgrad degree, researching Liverpool’s immigrant history and a burgeoning Scouse identity. But Vinny has been neglecting his own family history and stranger Michael might know about his father’s disappearance in the 70s.

1955 – Escaping violence in Ireland and fresh off the boat, Michael falls in with Wicklow boys Jack Power and Paddy Doyle, who smuggle contraband through the docks putting them at odds with unions while they rally the dock workers against the rackets and the strikebreakers. A story of corruption, secret police, and sectarianism slowly unravels. But will the truth out?

As the conflict heightens, Michael questions the life sprawling out ahead of him. In the present, Anne races to solve the mystery, but is she prepared for what she’ll find?

Book Links:

Amazon US ~ Amazon UK ~ Goodreads

About the Author:

Jack ByrneI was born and raised in Speke Liverpool, (Paul McCartney lived in the street behind us for a while) although my parents first lived ‘Under The Bridge’ in Garston, and all my family goes back to Wicklow in Ireland.

The Liverpool Mystery Series will be four novels. Under The Bridge is the first. I am writing Fire Next time now, and The Wicklow Boys will follow next year. You can find The One Road prequel a collection of short stories on Amazon.

Author Links:

Website ~ Twitter ~ Facebook

 


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Bullet Points about Troubled Blood by Robert Galbraith: A Clever Mystery Hidden in a Bloated and Problematic Novel

Troubled BloodTroubled Blood

by Robert Galbraith

DETAILS:
Series: Cormoran Strike, #5
Publisher: Mulholland Books
Publication Date: September 14, 2020
Format: Hardcover
Length: 927 pg.
Read Date: February 23-March 2, 2022
Support Independent Bookstores - Visit IndieBound.org


I’ve jumped on each book in this series, but this book sat on my shelf for 16 months after its release. Now that I’ve finally tackled it, I’m afraid that it’ll take me 16 months to write this up the way I normally would.

So, I’m just going to offer some brief thoughts about the book. But first, let’s start with:

The Offical Description

Private Detective Cormoran Strike is visiting his family in Cornwall when he is approached by a woman asking for help finding her mother, Margot Bamborough – who went missing in mysterious circumstances in 1974.

Strike has never tackled a cold case before, let alone one forty years old. But despite the slim chance of success, he is intrigued and takes it on; adding to the long list of cases that he and his partner in the agency, Robin Ellacott, are currently working on. And Robin herself is also juggling a messy divorce and unwanted male attention, as well as battling her own feelings about Strike.

As Strike and Robin investigate Margot’s disappearance, they come up against a fiendishly complex case with leads that include tarot cards, a psychopathic serial killer and witnesses who cannot all be trusted. And they learn that even cases decades old can prove to be deadly . . .

Things I’m Not Going to Develop into Paragraphs:

bullet The Acknowledgments start with, “My thanks, as ever, to my superb editor David Shelley…” Why? What did Shelley do? I cannot be expected to believe that anything was cut, trimmed, or compressed. 900 pages is too long for a P.I. novel.

There’s very little that I can think of that Shelley or Galbraith should’ve cut, but that’s not my job, I’m just the reader. Those two get paid to eliminate the wasteful portions of this book.

bullet Two things that I think could’ve been slimmed down, if not eliminated were: the cases non-Bamborough cases that Strike, Robin, and their contractors were on. We could’ve just used passing references to them, we didn’t need all the space devoted to them.

bullet There’s a storyline involving Robin and a contractor that took too long, and I get why Galbraith included it…but I have to keep arguing myself into accepting it.

bullet A lot has been made of the way that the serial killer suspected of Bamborough’s killing sometimes disguised himself as a woman. Given the public stances that Galbraith’s alter-ego has taken lately, this aspect of the character has come under fire. Which is understandable, and likely justified.

However, had Rowling not been embroiled in this controversy, or had anyone else written this character, I don’t think this character’s practice would’ve been controversial—it really comes across as his way of muddling witnesses and gaining the trust of a victim.

But she is the one who wrote this, and she is the one out there making those statements, and it’s hard to believe there’s no connection.

bullet I learned about a new philia while reading this book, and I really wish I hadn’t. It’s part of one of Strike and Robin’s other cases. I hope I don’t come across another reference to this in fiction or reality anytime soon so I’ll forget about it.

bullet Troubled Blood contains the only Matthew storyline that I liked in this series And it took until the end of it (or maybe Robin’s thoughts about it after the end of it) for me to reach that conclusion. He’s really one of the worst characters I’ve endured in the last decade.

bullet Similarly, we got another Charlotte Campbell story. I could barely put up with that story. I did like Strike’s actions at the end of it (I’m only now seeing the parallel, which makes me realize that I hadn’t organized my thoughts too well before this), but I wish Strike had gotten there a book or two ago. Or that Galbraith had used less space for it here.

bullet On the other hand, the story about Strike’s family (not his father and half-siblings, the family he was raised with) was fantastic.

bullet Outside of a few scenes in each previous novel, this was the best display and development of the friendship between Robin and Strike. It’s also the most extended, which helps (this is actually not a reference to the length of the book).

bullet The Bamborough mystery was just great. The strengths and weaknesses it showed in both Strike and Robin were worth the effort getting through it all. Seeing them make mistakes and recovering from them—and seeing them make breakthroughs—this is the kind of thing that attracted me to the series in the first place, they’re both works-in-progress and it’s great to see them grow as investigators.

You cut out everything else in the book and just give us this? I’m raving about it. Period.

bullet Yeah, yeah, yeah, I know…you need subplots, character growth, etc. But really…

bullet Did I mention this was too long?

bullet This ultimately worked for me. But there are so many qualifications, disclaimers, bet-hedging, allowances, and so on to that evaluation, I’m not sure it’s worth much. Die-hard fans of the series will find reasons to like this. I don’t think this would bring on new fans—it’s definitely not a place for people to jump on to this series.

bullet I said it last time, I’ll say it again, I hope the next book is leaner. But I doubt it will be.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

One for All by Lillie Lainoff: An Entertaining YA Dumas-inspired Adventure

One for AllOne for All

by Lillie Lainoff

DETAILS:
Publisher: Farrar, Straus and Giroux (BYR)
Publication Date: March 8, 2022
Format: eARC
Length: 336 pgs.
Read Date: March 5-6, 2022
Support Independent Bookstores - Visit IndieBound.org

The Publisher’s Description

I keep stumbling over coming up with my own synopsis, it’s either too long, too spoiler-filled (although I wonder if I’d have said as much as this does), or too brief to be worth it. So, here’s what the publisher has to say:

Tania de Batz is most herself with a sword in her hand. Everyone thinks her near-constant dizziness makes her weak, nothing but “a sick girl.” But Tania wants to be strong, independent, a fencer like her father—a former Musketeer and her greatest champion. Then Papa is brutally, mysteriously murdered. His dying wish? For Tania to attend finishing school. But L’Académie des Mariées, Tania realizes, is no finishing school. It’s a secret training ground for new Musketeers: women who are socialites on the surface, but strap daggers under their skirts, seduce men into giving up dangerous secrets, and protect France from downfall. And they don’t shy away from a sword fight.

With her newfound sisters at her side, Tania feels that she has a purpose, that she belongs. But then she meets Étienne, her target in uncovering a potential assassination plot. He’s kind, charming—and might have information about what really happened to her father. Torn between duty and dizzying emotion, Tania will have to decide where her loyalties lie…or risk losing everything she’s ever wanted.

POTS

The main characters of this novel are Tania and her fellow musketeers, the head of L’Académie des Mariées, the bad guys, and Postural Orthostatic Tachycardia Syndrome. The description talks says, “Everyone thinks her near-constant dizziness makes her weak, nothing but ‘a sick girl.'” Which introduces that character.

Obviously, no one has actually diagnosed Tania with POTS, and most of the characters don’t know the extent of the Syndrome’s impact on her (not just because she hides it as much as possible). But that’s what she has—I know that not just because the symptoms are recognizable to those who can, nor because it’s in all the marketing materials I’ve seen—but because there’s a great note at the back describing the author’s own experience with it (and, as I understand it, the same applies to the audiobook narrator).

It’s depicted, discussed, and addressed in period-appropriate ways, which is great. This is a really good way to raise awareness and understanding of POTS. I, for one, needed that—and I’m pretty sure I’m not alone in that.

I’d never heard of POTS until a few months ago—or if I had, it didn’t take root in my consciousness—but a family member was diagnosed with it. I’ve read websites, heard them discuss it, and so on, so I had a decent understanding. But after reading this novel, I think I have a richer understanding. Lainoff helped me walk a mile in the shoes of someone with the Syndrome in a way I hadn’t been able to before. The book is going to have a special place for me because of that.

I want to stress that I’d have enjoyed it anyway and would’ve appreciated “the look behind the curtain” of POTS without the personal connection, and I’m certainly not recommending it only because of the depiction of POTS. But it was a personal highlight.

YA-ness

Every so often when I’m reading a YA/MG book, I feel like a grumpy old man. The things that make a book fitting for the target audience jump out at me, they usually don’t make me like a book less (maybe they help me cut the book some slack). So what I’m saying here—just because I mention something, it doesn’t mean I’m critiquing/criticizing/complaining about it, it’s just something that jumped out at me.

Also, I know some readers of this blog have a YA allergy (or at least sensitivity), and I want to provide them with enough information to make an informed choice.

One for All is a very much YA book. If you bear in mind that it is one, the excesses/lack of subtlety/predictability of the book can be understood/expected.

Would I have preferred a little more nuance? A little more complexity? Sure. But Lainoff’s plot and characters were good enough to make up for it.

I also think it’s the YA-ness of the book that makes the transplanting of progressive 21st Century attitudes, expectations, and behaviors on the part of some of the characters in this 17th Century setting work. Were this written with older readers in mind, there’d be more internal conflict (amongst Tania’s group, and likely within some of the individuals) against bucking the cultural norms to the degree that they do.

Tous Pour Un

Big themes that one might expect to be addressed in a book like this would be romance, maybe family, likely even found family. And that’s not really what happens here. (well sort of found family, but it feels different to me, your results may vary)

Instead, it’s about camaraderie. It’s about a team. A group working together in a very Star Treky “the needs of the many outweigh the needs of the few…Or the one” kind of way. The four Mousquetaires have different political, social, and personal agendas—which are respected, understood, and shared to varying degrees—that they put aside for the needs of each other.

Time and time again, they tell each other “we won’t let you fall.” Mistakes will be made, errors will occur—hugely stupid choices will be made—but these four rally together to form a bond that is truly all for one and one for all.

I love seeing things like this—and I don’t see it often enough. And when I do see it, it’s largely an unstated thing. Sometimes it will be discussed with an outsider, but rarely within the group. And I get that, and there’s a certain beauty and nobility about not having to say it. At the same time, there’s a beauty in saying it. It’s great having examples of people reassuring each other, “I’ve got your back, I’m on your six, and I will help when needed” is a wonderful thing. How many of us need to hear that ourselves? So seeing it in a group of characters? I absolutely loved it and it’s likely my favorite thing about this book.

Use of French

Lainoff will frequently drop in a word, phrase, or sentence in French in the middle of dialogue or the narration. It’s almost always immediately translated or given enough context clues that a translation is unnecessary (generally she still provides one even when it’s unnecessary).

It was a nice way to brush up on my high-school French, for sure, but I really can’t tell you why it was used 97% of the time. And even that 3% I could guess about, I’m not certain that it was necessary or useful.

It was a nice bit of seasoning—little dashes of spice to add flavor—but nothing the recipe needed.*

* See the section head above for an accidental example of what I’m saying.

So, what did I think about One for All?

I really had fun with this book. I think I liked it in a “the whole is greater than the sum of its parts” kind of way. I do think if I focused on story X or Y; character W or Z; or theme A, B, or C; I might end up quibbling with the book. But the experience as a whole really worked for me and gave me almost everything I wanted in this book. (a little more humor or panache would’ve been nice—but now that the four have established themselves, that’s possible in a sequel)

It’s a familiar premise, well-executed—with just enough distinctiveness about it to make this stand out. Good characters acting in largely relatable and believable ways. Solid action that’s well used (although I’d like the volume turned up just a little bit on those scenes). It’s very much an origin story kind of thing and does a good job of introducing and creating a world as well as populating it.

If there’s a sequel, I will read it. If this is a stand-alone, I’m satisfied with it. Which is a great spot to be in, and not one I find myself in a lot lately. Particularly when you bear in mind the target audience, this is an enjoyable and satisfying read that I’m pleased to recommend.

Disclaimer: I received this eARC from Macmillan Children’s Publishing Group via NetGalley in exchange for this post—thanks to both for this. Although I’m sorry that this posted the day after publication, I tried, really.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

I Was On a Thing: Barbican Station – Episode 13


I have Podcasted—is that the right conjugation?—I have Podcast? I have committed Podcast? I have appeared on a podcast, I guess is the way to put it.

A month or so ago, Friend of the Blog, Jeff Quest who took part in a Q&A some time back about the podcast he co-hosts*, Like the Wolfe. invited me onto one of his other podcasts, Barbican Station. Barbican Station is primarily a look at Mick Herron’s Slough House series, but he’s also looking at some of Herron’s other works, which is where I come in. We discussed Herron’s stand-alone, Reconstruction. Reconstruction is an Espionage-adjacent Thriller, but more of something in the Crime Fiction genre. It’s—simply put—great and the work that turned me into a Herron fan.

Reconstruction

We spent about an hour talking about Reconstruction, Herron in general, Slough House, and a few other things. It was a blast. Give it a listen–while you’re at it, give it an extra one for me, since there’s no way I’m going to bear listening to the voice that isn’t Jeff’s.

* He also contributed a nice post in my Strolling Down Amnesia Lane series last year.

Man Down by Mark Pepper: The Wrong Man in the Wrong Place at the Wrong Time

Man DownMan Down

by Mark Pepper

DETAILS:
Series: Matt Spiller, #1
Publisher: Red Dog Press
Publication Date: February 22, 2022
Format: eARC
Length: 428 pages
Read Date: February 21-22, 2022

The Proper Mindset

Do you like movies (or shows) like Fargo,* where regular, everyday folks find themselves in the middle of some sort of large criminal activity? Things go quickly out of control and before they know it, this regular guy is kidnapping people, covering up killings, disposing of bodies, planning heists, and whatnot. If that’s your kind of thing, buckle up, because you’re in for a ride.

*I had a handful of other titles I was going to invoke, but as soon as I started the sentence, they vanished.

If Fargo ain’t your thing, if Elmore Leonard or Eoin Colfer’s Crime Novels don’t work for you, well, you might want to skip Man Down, unless you’re looking for someone to change your mind about this type of thing.

What’s Man Down About?

Matt Spiller is our Everyman—he’s a taxi driver, he’s a devoted dad, he’s separated from his wife, and his life is about to be turned upside down. And then shaken up, bounced around, chewed up, and spit out.

One Christmas Eve night, after dropping off a fare, he sees a couple of men who look like they’re about to attack her. Without thinking about it, Matt steps in and prevents that—they won’t be harming anyone for a while. This isn’t something he typically does, but the woman he rescued doesn’t know that. Which leads to an interesting business proposition…

Meanwhile, his 16-year-old daughter doesn’t make it home for Christmas—she’s off with her new (older) boyfriend. When she eventually gets home, Matt and his wife are told that she’d been prevented from leaving or calling them. Also, a police officer warns Matt about the boyfriend—his criminal C.V. is truly impressive if you’re the sort who’s impressed by that sort of thing. Matt and his wife are going to have to do something drastic to keep this creep away from their girl. But maybe they go too far…

That’s a thumbnail of the first 12% of the book. There’s no way to summarize the next 88%, even if I was the kind of guy who’d do that. Where those two storylines take Matt and his family can only be read to be believed.

Helen

It’d be easy to give all of your attention to Matt and his antics while reading/talking about this book, but that’d be a mistake. The women in his life really deserve a lot of attention.

His daughter Sophie, a Minions addict, is one of the cutest kids you’ll encounter in print this year. Sammy, the girl with lousy taste in men, is strong, determined, and would probably have found a way out of her trouble on her own, thank you very much. Emma, the fateful fare…okay, I don’t know how to describe her—but man, she’s intriguing (and then some).

But Helen, Matt’s wife (at least for now), is something else. She’s had it up to here with his Depression, his dead-end job, and any number of other failings he has. She still loves him, but she has to do what she can for herself and their daughters. This spills over to how she approaches a boss who’s been harassing her constantly, Sammy’s boyfriend, the repercussions of what happens after Christmas, and everything else to do with Matt. Helen’s the kind of character you’d like to meet in real life, just to hang out and get to know a little bit.

That Reveal

There’s a reveal that’s so big that I want to spend a few paragraphs talking about it. I won’t, don’t worry, but I want to. When you get to it, you’ll know exactly what I mean.

If you’re anything like me, you’ll cackle a bit. Then you’ll have to flip through the pages to check a few things to see how Pepper played you. Then you’ll chuckle some more and dive back in to see how this new understanding of everything plays out—and you’ll be eager to do so, because this book that had been a compelling read has become something new, something richer, something more twisted and fun. What you won’t know is that there’s another reveal or two coming, and that you shouldn’t get comfortable.

So, what did I think about Man Down?

This was a bonkers read—that’s a compliment, in case that wasn’t clear. On the one hand, it’s impossible to predict how Pepper is going to start at Point A and end up anywhere near Point Z, but he does, and when you look back at it, the logic is clear and sound.

I can’t tell you how many times he pulled the rug out from under me (he does the same to Matt almost as often)—sometimes eliciting a laugh, sometimes shock and dismay, sometimes I was so dumbfounded as not to know how to react. But there’s a lot more going on than just unpredictability—Matt keeps coming across as a poor guy just trying to do the best he can—and failing with horrible results. But you never stop pulling for him.

The humor is dark, the action is frequent and dynamic, with characters that you want to get to know better and see more of. I’m not sure what else to say at this point without giving away everything, so let’s just go with if you’re in the mood for a Mr. Toad’s Wild Ride of a thriller, get your mitts on this one pronto.


4 Stars



My thanks to Red Dog Press for the invitation to participate in this reveal and the materials (including the novel) they provided. The opinions expressed are mine and honest.

Red Dog Press

BOOK SPOTLIGHT: Man Down by Mark Pepper

I’m very pleased to welcome the Book Tour for Mark Peppers’s Man Down to The Irresponsible Reader this morning! I have a million things to say about this book, but 999,995 of them would be spoilers, so it’s going to be a struggle to contain myself. I’ve got this little spotlight post and my thoughts about the novel coming along in a bit. Let’s start by learning a little about this book, okay?

Book Details:

Book Title: Man Down by Mark Pepper
Publisher: Red Dog Press
Release date: February 22, 2022
Format: Hardcover/Ebook/Audiobook
Length: 428 pages
Man Down

About the Book

Matt Spiller drives a souped-up taxi, suffers from SAD, and has a troublesome past. It’s Christmas Eve, and one of his fares is about to become extremely problematic.

Helen Spiller still loves her husband, but can no longer live with his moods. She’s a wonderful mum, with a screw quietly working loose in her head.

Now, their eldest daughter has hooked up with a very bad boyfriend. Spiller thinks he has the skillset to handle all these problems. He’s dead wrong.

Purchase Link

Get it from Red Dog Press

(it’s also available on Amazon, Kobo, Google Play Books, and all good bookshops—but why not support an independent publisher?)

About the Author

Mark PepperChris Mark lives in Manchester with his wife of 30 years, Jeannifer, and his daughter, Jade. 
In his day job, Mark is an Intelligence Analyst for a financial regulator in Washington DC. He is a qualified secondary school drama teacher, and worked as an actor for fifteen years, having graduated from RADA in 1990. 

His first two novels, The Short Cut and Man on a Murder Cycle, were published by Hodder & Stoughton, and his third, Veteran Avenue, originally published by Urbane and now by Red Dog Press. Veteran Avenue, is mainly set in LA, and is currently being developed as a TV series by the actor Warren Brown. 

Find him on twitter: @PepSixSix



My thanks to Red Dog Press for the invitation to participate in this reveal and the materials they provided.

Red Dog Press

PUB DAY REPOST: The Blood Tide by Neil Lancaster: A Gripping Sequel, Stronger than its Predecessor

The Blood TideThe Blood Tide

by Neil Lancaster

DETAILS:
Series: DS Max Craigie Scottish Crime Thrillers, #2
Publisher: HQ
Publication Date: February 23, 2022
Format: eARC
Length: 384 pgs.
Read Date: February 7-9, 2022

Dead Man’s Grave Spoilers Ahead

It’s impossible to talk about this sequel to Dead Man’s Grave without spoiling it. If you haven’t read that yet, go read my post about it and skip this post. (but thanks for the blog view, I always appreciate the visit)

What’s The Blood Tide About?

It’s been a few months (if we’re told specifically, I missed it) since Dead Man’s Grave, but not too long. Tam Hardie’s in prison for his crimes, his wife and kids are out of the country, and his syndicate is in trouble from without and within. The Policing Standards Reassurance Team, now established, is still trying to find Hardie’s remaining contact(s) in the police. On the personal side, Max Craigie’s wife has moved back in with him, and things are going well.

Basically, things are in a good place. This means it’s time for things to happen—a fisherman goes missing on a routine fishing trip (well, a routine something anyway), not long after that, an intelligence officer with the National Crime Agency commits suicide—and the only witness’s notes go missing, too. And then there’s another (apparent) suicide. There’s almost no reason for anyone to see a link between them—but once Max Craigie is shown the link, he’s able to convince the rest of his team and soon will get more proof.

This is where things get really dicey—and the Team is immersed in a case involving drugs, murder, corrupt officials—and at least one criminal in their own midst.

Characters

In the previous book, we got a pretty good handle on DS Max Craigie and DC Janie Calder. In this book, we get to know their boss, DI Ross Fraser better as he’s able to take a greater leadership role (since it’s not an off-the-books investigation anymore) and as we see him deal with problems in his home life.

We also get introduced to a new member of their team, and get to know her fairly well. I liked the fact that we didn’t come into this book with a greatly expanded team, and only added someone after this book’s action had started—it helps the readers to connect with everyone, and it’s also a nice touch of realism, if the team expands too quickly, it’d be more difficult to keep it to those who can be trusted.

Policing the Police

Max and his team operate far differently from the other fictional Scottish detective looking into Police Corruption that I’m familiar with—Malcolm Fox. There’s no way that Fox in his role with Complaints and Conduct would pursue a case this way (although by the end of his time with them, that had started to change, and he might be more open to it).

The Policing Standards Reassurance Team is a band of mavericks, or at least operate as a collective maverick—going back to their inception. They seem more effective running that way—although I do wonder about realism (for those who care about such things—and it’s more exciting to read about than a bunch of people being careful about paperwork.

So often reading what Max and Janie are going through, I wondered how they trust anyone in the Police service. It almost seems like luck when they have an operation go well without someone having leaked something to their target. Does that take a toll on people? I wonder if Lancaster will deal with that in the future.

So, what did I think about The Blood Tide?

It is really hard to talk about this in any kind of detail—the twists and reveals start early on and I fear I may have said a bit too much already.

I will say as someone who’s been reading Lancaster from the beginning, that it’s great to see his growth as an author—the writing, the characterization, the details in The Blood Tide is leagues beyond what his debut displayed. And I enjoyed his debut, and would’ve kept reading him if he kept producing books like it. It’s just so much easier to do when they’re as good as this one.

Along the same lines, there’s growth to this series—as ought to be expected. Dead Man’s Grave was about establishing this world, these characters, and their mission. Now we get to see them in action, we’re ready to see them at work, in danger, and taking on bigger challenges.

Do I recommend The Blood Tide? You bet—a good author getting better at his craft, a handful of strong characters, and a plot that’ll keep you guessing as it ratchets up the tension. Grab both of the DS Max Craigie thrillers and you’ll be in for a good time. The third book is due this autumn, which is too far away for my tastes.


4 Stars

Disclaimer: I received this eARC from HQ via NetGalley in exchange for this post—thanks to both for this.

Under Color of Law (Audiobook) by Aaron Philip Clark, Preston Butler III: A Murder Investigation that’s Darker than Most

Under Color of LawUnder Color of Law

by Aaron Philip Clark, Preston Butler III (Narrator)

DETAILS:
Series: Trevor Finnegan, #1
Publisher: Brilliance Audio
Publication Date: September 30, 2021 
Format: Unabridged Audiobook
Length: 10hrs., 20 min. 
Read Date: February 3-7, 2022
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Three Events

There are three major events that define the career of LAPD Detective Trevor “Finn” Finnegan.

The first happens in his teens and leads to him deciding to abandon his plan to pursue an artistic career and follow in his father’s footsteps and apply to the Police Academy. The second is the event that puts him on the accelerated track to promotion as a detective.

The third is the case that is the focus of this novel. A black Police Academy recruit is found dead—in a way that screams both suspicious and weird. Finn is assigned to work the case solo—his partner is on medical leave—despite the volatile nature of this case.

The media scrutiny on the case is intense, BLM protesters are turning it into a rallying point, and Finn isn’t making fast progress—making him a target for the command structure, the media, and the community. And Finn is sure that the answers that he will find aren’t going to make anyone happy—assuming he can live long enough to find them.

Father and Son

Finn’s father is retired LAPD, and still has a degree of pull and respect from his former colleagues. But he’s putting it at risk—he’s playing a very visible and loud role in BLM (and similar) protests that were going on even before Finn’s case.

His health and mental acuity are in decline—yet he’s still able to advise and cajole Finn in between their regular bouts of arguing. It’s a complicated relationship that feels rather real (more than a few others in the book).

A Complicated Morality

Finn says that he wants to rise in the ranks so that he can be a force for reform—particularly when it comes to the way that the LAPD deals with minorities. And he really does seem driven by those concerns.

But what’s the cost for advancement in the LAPD? How many things does he have to overlook to save his career? How many rules will he bend? How many compromises are necessary?

There are no easy answers, no clear-cut moral distinctions—a lot of what Finn does (and doesn’t do) will make the reader uncomfortable, and should.

He really seems to be a guy who wants to do the right thing—but doesn’t what that is all the time. And when he does know what the right thing he is, he’s not sure how to do it. Which makes him seem pretty human and relatable, if not the typical hero.

A Series?

I thought I’d read that this was the first in a series about Finn—but as the book continued, especially as it moved into the endgame, I couldn’t see how it would continue. I actually assumed that I remembered incorrectly and that it wouldn’t keep going.

Then when Clark tips his hand and shows how the story can continue, I was pretty impressed—it’s not at all what I saw coming, but think it’ll be rich with opportunity for continued stories.

So, what did I think about Under Color of Law?

It took me a while to really see what Clark was doing here, I expected Finn to be your usual driven detective—and in many ways he was. But in more ways, he wasn’t. Think of Bosch at his most political (especially early on) and you’ve got the beginnings of an understanding of how Finn works within and against the system.

The further I got into it, the more I could see how the event that made him want to be a cop shaped him, how much he’s grown since the first two events I listed.

But more than that, this novel is a great exploration of the morality of law enforcement as well as a compelling novel about a murder investigation. Many of the twists and reveals seemed obvious, but just as many blind-sided me.

The narration was just as strong, Butler did a great job of bringing Finn and his circumstances to life.

I can’t help but feel that I’m short-changing this book, it deserves more from me, but I can’t think of what it is that I’m missing.

Under Color of Law is a dark and tense novel, with just a hint of hope. It’s worth your time.


3.5 Stars

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Dead Man in a Ditch (Audiobook) by Luke Arnold: A Murdered Elf, An Old Friend, and a Hint of Magic

Dead Man in a DitchDead Man in a Ditch

by Luke Arnold

DETAILS:
Series: The Fetch Phillips Archives, #2
Publisher: Orbit
Publication Date: October 9, 2020
Format: Unabridged Audiobook
Length:  11 hrs., 51 min.
Read Date: February 11-15, 2022
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What’s Dead Man in a Ditch About?

Fetch, Man for Hire, has two clients/cases this time out.

First, the police want his help—they have a corpse that appears to have been killed by magic. They’re not broadcasting this idea, but that’s the best theory they have. They figure this is more up Fetch’s alley than theirs, they can’t officially hire him, but they’ll make sure that there’s a solid reward ready for him if he can bring them answers.

The other case involves an older elf—her husband is missing, and is probably dead. She wants Fetch to figure out who killed him—even better, if Fetch can tell her why there are debt collectors from the wrong side of the tracks sniffing around…

There’s not a lot of overlap in these cases, beyond the suggestion that there’s still a little magic in the world, despite what everyone knows/assumes. Maybe this time Fetch will find the thing everyone wants.

Too On the Nose

There’s a lot of material that’s a commentary on the presence, use, and abuse of guns in the real world. Arnold was not subtle at all—I’m not saying he should’ve been, but it would’ve been a bit easier to take if he had. I really don’t like authors taking a moment to do a PSA for whatever their cause is in the middle of a book.

Now, if they can work it in subtly? I don’t mind, in fact, I’m frequently impressed by it (whether or not I agree with them). But this was a tad too blatant for me.

The Narration

There’s got to be an advantage in narrating the audiobook for your own novel—you know how the strange names are pronounced already, you know exactly what tone is called for in each scene, and so on. On the other hand, you probably have to resist the impulse to do one more edit on each passage.

If you happen to be a pretty experienced actor, that has to be all the better.

Basically, I’m saying that Arnold is a perfect narrator for this and he did a bang-up job of it.

So, what did I think about Dead Man in a Ditch?

I thought I liked this novel more than the first in the series—I actually still do, but I’m rating this lower (I would like to ask 2020 me a couple of questions). Focusing on the present, even if the past looms large over the present, allows Fetch’s cases to mean more and be developed in a better, fuller sense.

I’m intrigued by the direction that Fetch seemed to be headed at the end here (although, I kind of thought that’s where he was headed already), but let’s never mind that.

I loved Fetch’s inner monologues, the voice is fantastic and I could listen/read it all day. I’m not quite as on board with the story—it’s good, just slow. Still, I’m glad I listened to this, and expect most fantasy/PI fans will be, too—particularly if they’re fans of both genres.

I’m just going to repeat what I said last time, because it still applies (maybe more than last time). Do I recommend this book? Oh yeah. You’ll probably like it more than I did (I’m a little worried about hitting “publish” on this, as I know I’m one of the less enthusiastic readers of this). And even if you don’t, you’ll be just as impressed as I am with Arnold’s imagination and skill.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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