Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 52 of 153

Blood Trail (Audiobook) by C. J. Box, David Chandler: Who Hunts the Hunters?

Blood Trail

Blood Trail

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #8

Unabridged Audiobook, 9 hrs, 5 mins.
Recorded Books, 2008

Read: February 10-12, 2021
Grab a copy from your local indie bookstore!

What’s Blood Trail About?

Since Governor Rulon re-hired Joe Pickett and made him sort of a Game Warden-at-Large, his life has improved—he and Marybeth have their own home, no longer living in State housing, or at his father-in-law’s. Nor is he really as subject to the whims of Randy Pope, his director. But there’s a price to be paid for this: he’s pretty much at Rulon’s beck and call.

This time, thankfully, he’s called to his former territory—a hunter has been found dead. It’s the beginning of Elk Season, so it’s not that surprising. But…this isn’t your typical dead hunter. This man has been shot and field dressed like an elk. Joe’s garnered a reputation for stumbling into a solution for things like this, and Rulon needs that quickly—people are getting antsy about the killings and pressure is mounting to cancel Elk Season (which would have horrible consequences on Wyoming’s economy). Joe’s been named to a task force with the FBI, and the local sheriff. Not only are they out to preserve hunting season, but they also need to head off a mounting anti-hunting protest movement that is taking advantage of this situation.

Randy Pope decides that this is important enough that he comes to supervise Joe personally—and takes an oddly active and proactive role in fieldwork (which no one has ever accused him of being fit for). I don’t know about anyone else who reads this series, but there isn’t a time that Randy Pope has been around when I haven’t wanted Joe to punch him in the nose (or Marybeth, or Sheridan even), and that’s taken to the nth degree for most of this book.

So not only does Joe have to find a killer (not really his job, ubt he seems good at it) for political and social reasons, he has to put up with antagonism from local law enforcement who resent his role, get micromanaged by an officious twerp who is even less suited for this than he is, and he ends up having to deal with two individuals from his past that he’d rather expected never to have to deal with again over the course of the investigation. I’m not going to identify these people, but neither Joe or Marybeth are prepared to have them in their lives again, frankly, I wasn’t ready either.

We Should Talk About Nate

I get into a spoiler in a vague way here. Feel free to skip to the next header.

For various and sundry spoilery reasons, Joe decides that he needs Nate Romanowski’s tracking help. Now, Nate’s been in FBI custody for a few months, ever since the FBI double-crossed Joe at the end of Free Fire. Given the urgent nature of things, Rulon is able to finagle a release into Joe’s custody.

And then Nate ditches Joe for days. Joe, the good friend, covers for him (he’s also covering for himself and his own ability to maintain custody). Sure, he ultimately comes back and pitches in. But it’s pretty clear he didn’t need that much time to do his thing—I get that Nate has his own way of working and that Nate isn’t that terribly concerned with people who aren’t him (what does he care if someone’s killing hunters?)—but he should care about his friend and the deal that got him out of custody, right?

I lost a lot of sympathy for Nate here. And a good deal for Joe, too, later in the book when it comes to Nate.

A Low-Stakes Antagonist

Now that Joe lives in town, in a normal house with a yard and no need to consult a government budget officer for upkeep on his home, it falls to Joe to take care of things. He has a neighbor now (I forget his name, one of the hazards of audiobooks is that I can’t look it up easily). This man is retired and is far too concerned with his own yard and upkeep, and carries that over to Joe’s.

We don’t spend a lot of time with him, but it’s easy to see that he’s a burr in Joe’s side—a constant problem, a constant annoyance. Sure, Joe’s off working for the governor and trying to stop a killer, but surely he could take the time to mow his lawn, like a decent citizen.

This book needed a little lightness, and this crank delivers it.

A Word About the Narration

At this point, I really don’t know what to say about David Chandler, he’s great at this.

However, ,I have one thing to say. For most of the book, I assumed the killer was one of two people. And despite the fact that we get the killer’s POV frequently, it was still pretty unclear which one of the two it was (assuming I was right). Until about halfway through in one scene, Chandler makes 1 choice when he reads one line. And we “hear” the character in a voice Chandler would use for that character, not just the generic Killer’s POV voice he’d been using throughout. And then I knew exactly who it was.

I understand why he made that choice. But, man. It ruined things a little bit for me.

So, what did I think about Blood Trail?

This was, hands down, my favorite entry in the series. The tension, the huge character events, the motive for the crime, and the way it ended…I can’t explain all my reasoning without ruining the novel.

But man…this is the standard I’ll be judging books in this series by. Is it going to be that impactful for new readers? No, but it would work as a jumping-on point if you’re not in the mood to read the seven previous books.

Blood Trail is a great entry in this solid series, with entries like this, it’s easy to see why it’s lasted for twenty-one (so far) books. Check it out.


4 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Robert B. Parker’s Payback by Mike Lupica: Sunny Does Some Dangerous Favors for Some Dear Friends

Payback

Robert P. Parker’s Payback

by Mike Lupica
Series: Sunny Randall, #9

eARC, 352 pg.
G.P. Putnam’s Sons, 2021

Read: April 14-15, 2021
Grab a copy from your local indie bookstore!

What’s Payback About?

Sunny’s closest friend, Spike, has got himself in trouble—he needed some financial assistance to keep the doors of his restaurant open (like just about every restaurant in 2020) and let a long-time customer and friend, a hedge fund manager, loan him the money. But when Spike tried to pay off the loan, he learned the hard way that Alex Drysdale wasn’t so much a friend as he was an opportunistic toad, and thanks to clever work on the contract, Spike had defaulted on the loan almost immediately.

Spike has already let his fists do the talking (and broken Drysdale’s nose), but oddly enough, that didn’t help. So, Sunny decides she’s going to figure out a way to get Drysdale to release him. Financial crimes aren’t really Sunny’s forte—much less shady, but not criminal, financial deals—but Spike is family and she figures she can learn as she goes.

She’s barely begun digging into Drysdale and his practices when she gets a call from Lee Farrell who needs a favor. His niece, a student at Taft*, was assaulted and she refuses to talk to the police or Lee. Can Sunny help? Sunny tries to talk to her, but Emily keeps saying it was just a misunderstanding and refuses to explain anything. Lee’s worried about her, Sunny’s concerned and nosy. So while Lee deals with a major homicide investigation, Sunny starts digging into Emily’s life.

* Yup, Taft, the Parker-verse’s all-purpose university for people who don’t go to Harvard.

Before Sunny can really get anywhere with the Drysdale investigation, she’s warned off. THat warning quickly becomes direct threats against her, Spike, Richie’s son, and her father. You have to admit, that’s really not the most clever approach. Sunny warns them all to be careful and works harder to find something. One of the biggest things she finds is a link between the two cases.

Ahh, a Little COVID-19 Fiction

Early on, we’re told that this starts shortly after the pandemic is over and life has gone back to something akin to normal. But vaguely so, especially when this was written, no one had an idea when exactly this would be, so Lupica left things vague.

Also, Spike’s is in trouble because of the impact that COVID has had on restaurants.

I lost count of how many times that Sunny talked about the world falling apart and getting worse. Clearly, this is a product of 2020 (and 2021). I remember hearing and reading authors last year talking about not being sure how to address COVID in their works—if they were even going to. This is probably the best way to do it—acknowledge it happened, look at the changes/difficulties it brought about—and don’t get into the details.

Poor Lee Farrell

This is my biggest beef with the novel—and the more that I think about it, the more it bothers me.

So, Lee’s got a big case that he’s dealing with and a family member in trouble—and he’s still not in the book that much. Belson plays a bigger role than Lee does in the book, which is fine because it’s not like Belson gets a lot of use in the Atkins novels, and he shouldn’t be put out to pasture. But this was a chance for Lee to get to shine and Lupica let it pass by.

I like Lee, and have since Paper Doll (he was one of the few good things in that novel), but Parker never used him all that much—and Lupica does the same. It’s time for Lee Farrell to really get a moment.

Sunny and The Men in Her Life

There are two other things that Lupica inherited from Parker that he’s maintained—but I’d like him to move on. From Family Honor on, there’s been this tension between Sunny’s independence, being able to make it as a female in a male-dominated world/industry and her being dependent on men like Richie and Spike (and a couple of others) to help out when things get dangerous. I can see revisiting the issue from time to time, but the authors have spent so much time on it, the reader has to wonder—why doesn’t Sunny do something about it? Either step up her fitness and martial arts training, or partner up with a female who can handle the shooting and hand-to-hand stuff. They exist.

Similarly is her seemingly everlasting tie to Richie, being unable to let him go—even as it’s clear she needs to, for at least his son’s sake. Her level of commitment to Jesse Stone could use some definition as well, but that’s not going to happen as long as Richie’s around (and, I’m not sure Jesse’s capable of it). Coleman was able to get Jesse to the point where he was able to let go of Jen (a move that was more overdue than Sunny and Jesse). I’d like to see Sunny do something similar, all that therapy she’s received should be enabling her to make some tough choices.

All that said, again, these are inherited themes, ideas, and characteristics. I’m not holding them against Lupica for maintaining it (he can only do so much without getting the fans to rebel). I just think it’d be nice to see.

So, what did I think about Payback?

Lupica is locked-in on this series, he’s got a handle on the characters and the stories he wants to tell and gets it done confidently, smoothly, and with just enough flair to keep the reader hooked and turning pages. This was his best yet. I’d describe his first two novels in this series as “good, for a Sunny Randall novel.” Payback. is doesn’t get the modifier. It’s good, period.

* I’ve got both hardcovers on the shelf next to me, after getting the eARCs from NetGalley. So if that sounds a little more back-handed than I mean that to be, maybe the fact that I shelled out for them takes a bit of the sting out of it.

The prose is crisp. It’s engaging and filled with a Parker-esque clarity and wit. The story is compelling and an interesting reaction to things in the zeitgeist, and the characters are as solidly drawn and executed as they were over two decades ago when Sunny debuted. New readers or established Sunny fans alike will find enough to entertain them and will likely come back for more—just like me. I recommend Payback to you.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Because You’re Mine by Luna Miller, Ludvig Christensen Parment (Translator): Another Missing Person Case for Gunvor Ström and Friends

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Because You're Mine

Because You’re Mine

by Luna Miller, Ludvig Christensen Parment (Translator)
Series: The Fruängen Bureau, #2

Kindle Edition, 277 pg.
Publishing Authority, 2021

Read: April 13, 2021

A Little Bit about Gunvor Ström

Two years ago, I posted about the first book about Gunvor, The Lion’s Tail*. I started off by saying, she’s “a rookie Private Investigator, forced to leave her career and changing her life after a divorce, she signs on to a Private Investigative Agency and mostly does grunt work—but does get the opportunity to do some investigative work. As much as she misses her old life, she relishes this new one (although she might like joints that are a little less painful).”

* In case you go looking for it, it has been repackaged as Looking for Alice—probably a more commercial title, even if it’s lacking the panache of the original.

She has a neighbor, Aidan, who serves as a drinking buddy (and they drink a lot), driver, and sounding board. During the case detailed in that book—her first major investigation—she ends up recruiting a couple of older teens/young adults from the neighborhood to help. The four of them somewhat jokingly dub themselves The Fruängen Bureau, and end up exposing some serious criminal activity in the course of what should have been a pretty simple inquiry.

What’s Because You’re Mine About?

It’s a few weeks later, and Aidan’s taking a friend to a nightclub to help blow off some steam after a recent breakup. While the friend is off flirting and dancing, Aidan strikes up a conversation with a woman who seems to be in a distress (he’s also attracted to her, but let’s focus on his chivalrous side—which does seem to be preeminent). She’s looking for a friend that seems to be missing—they’ve spoken almost daily for years and she hasn’t heard from him.

Aidan pretends to be much more of an investigator than he is (he’s surely picked up a few things from Gunvor, and anyway, she’ll be around soon and he can enlist her help if he needs it), asks a couple of questions, and arranges to meet the woman the next night to resume the search.

Meanwhile, Gunvor has a new client—a woman whose husband has gone missing. She insists he’s gone, she worried about his depressive bouts. His father (and employer) insists he took a two-week leave of absence. Everything Gunvor can find lines up with his father’s explanation, but the client doesn’t want to hear it.

Gunvor and Aidan end up working both disappearances together and bring in the rest of The Fruängen Bureau for assistance. Between the four of them (and a couple of new allies), they learn a few things about the two men they’re searching for—things that no one expected, but can’t seem to find either of them. Both the friend and the wife are insistent that the men be found but aren’t really forthcoming with information about themselves or the men they’re looking for. Which is strange, but the team doesn’t let that deter them.

The Fruängen Bureau

Gunvor Ström is supposed to be the protagonist of these books, but I’m not sure I see that. The first book in the series focused on her two young friends, Elin and David, at least as much as it did on her. Aidan gets the spotlight in this book—with Elin and David coming in second.* I’m utterly fine with this, it’s just odd when you have the entertaining and dynamic character that Gunvor is to set her aside.

* As always, I don’t have a word/page count or anything to back up this kind of observation. It’s the impression I walk away with.

It’s not so much the case with Aidan, but with the younger two, you see Gunvor as a catalyst for change in their lives—the events of The Lion’s Tail/Looking for Alice have changed their lives, their behaviors, attitudes, and futures. The people they encounter in this book do the same. Gunvor and Aidan seem pretty set in their identities and outlooks—but Elin and David are still works in progress. I wonder if that’s more interesting to write about, and that’s why they seem to overshadow the ostensible central character.

This isn’t a criticism, just an observation—sure, I’d like more focus on Gunvor, just because she’s interesting. But so are David and Elin, so I’m fine with that.

The Translation

This book has a different translator than the previous volume—I don’t know why. Ludvig Christensen Parment ends up capturing the same tone and feel as the previous translator did, they really feel like they were written by the same person. Which, I guess, is the point—and shows that it’s a pretty good translation. Also, on the whole, it’s really hard to tell that this wasn’t originally written in English. I think that counts as another sign that Parment did the job right.

So, what did I think about Because You’re Mine?

I spend a lot of time wondering if this was going to be how every book in this series went—Gunvor is hired to find a missing husband, only to discover that something else is going on —something possibly worse than a missing man (and probable adulterer). If so, at a certain point, I’d think that wives would stop coming to her (and/or she’d stop taking those cases). But in the meantime, it’s a perfectly decent formula for the books—and both have worked well.

Early on, I guessed what was going on in the missing person cases—and I was close to right. But what Miller did with those explanations—and the serious crimes tied to those explanations (so hard not to spoil anything there) caught me pretty off-guard. The last 20% or so of the novel really stepped up intensity and quality—it was a fine novel up to that point, then it became a good one.

I recommend this (probably more than the first, which you don’t need to read to appreciate this one, but you might as well) for a solid character-driven mystery and am very curious about what the future holds for David and Elin (and Gunvor, too).


3.5 Stars

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

BOOK SPOTLIGHT: Because You’re Mine by Luna Miller

Today I welcome the Book Tour for the second Gunvor Ström/The Fruängen Bureau novel, Because You’re Mine by Luna Miller. Following this spotlight post, I’ll be giving my take on the novel here in a bit. But let’s start by learning a little about this here book, okay?

Because You're Mind Tour Banner

Book Details:

Book Title: Because You’re Mine by Luna Miller
Publisher: Publish Authority
Release date: April 12, 2021
Format: Paperback/Ebook
Length: 277 pages

Book Blurb:

Gunvor Ström, a Swedish surgeon who had to retire because her hands weren’t steady enough to perform operations, accepts a position as a private detective and enters a new and surprisingly dangerous career.

In Because You’re Mine, she accepts her second assignment. Is it always for the best to look for a missing person? Gunvor is not entirely sure as she believes there are those who don´t want to be found. Despite this, she takes on a case. A wife needs help to find her husband, Per Cedergren. A simple case at first glance. Gunvor is convinced that he has sneaked off on an adventure with a mistress and soon will return voluntarily.

Gunvor’s good friend Aidan also makes his debut as a private detective when he helps a new acquaintance look for her missing friend.

When Gunvor and Aidan take the help of their young friends, Elin and David, the two parallel cases meander closer each other. But how do they relate? And what do the disappearances have in common with the murders that at first glance appear to be hate crimes.

Soon they find themselves in the eye of the storm, not knowing where the danger lurks.

Because You’re Mine is the second book in the series of private detective Gunvor Ström.

About Luna Miller:

Luna Miller

Swedish author Luna Miller (pseudonym) specializes in Nordic Noir. She is the writer of the international best-seller Three Days in September and is one of the authors of the international anthology Love Unboxed 2.

In mid-life, after experiencing life and adventure throughout Europe, India, China, Pakistan, Iran, Thailand and a host of other countries, with her studies, children and work, Luna found quality time to write her debut novel Three Days in September followed by Den som ger sig in i leken – the original Swedish precursor of Looking for Alice and the first book in the series of private detective Gunvor Ström.

Gå vilse, hitta hem – the sequel in Swedish to Three days in September was published in May 2020.

Because you´re mine – the second book in the series of Gunvor Ström will be published April 12, 2021.

Luna Miller was born in Sundsvall, Sweden 1962.

Social Networks:

Twitter ~ Facebook ~ Website ~ Pinterest

Purchase Links:

Amazon UK ~ Amazon US ~ Kobo ~ Waterstones ~ Barnes & Noble

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

Cross Her Heart by Melinda Leigh: A Fast, Addictive Introduction to a New Series

Cross Her Heart

Cross Her Heart

by Melinda Leigh
Series: Bree Taggert, #1

Hardcover, 319 pg.
Montlake, 2020

Read: April 5-6, 2021
Grab a copy from your local indie bookstore!

What’s Cross Her Heart About?

Bree Taggert is a homicide detective in Philadelphia. She’s successful enough, has a great partner, and is able to generally keep her personal demons in their place.

And she has more demons than most—her abusive father killed her mother and then himself with Bree and her two siblings nearby. She was raised by a demanding aunt while her brother and sister were raised by their grandparents, who couldn’t handle their older sibling.

Then Bree’s sister, Erin, is murdered. Erin’s estranged husband, Justin, is the prime suspect and is missing. Erin’s body was discovered by Matt, Justing’s friend. Before a shooting left him unable to work, he’d been a detective and a K-9 officer for the local sheriff’s office. He’s not in law enforcement anymore, but he still has the experience—his knowledge of Justin and his experience tell him that Justin’s innocent. He just needs to prove it.

Recent events have left the department without a sheriff, and while the Chief Deputy seems to be a good cop, he’s not much of an investigator—recognizing this, he’s willing to work with Erin and Matt, assuming they share information with him. He knows he won’t stop them from looking into things, so he might as well profit from it.

Bree wants someone to pay for the murder, so does Matt, but he wants his friend to be safe, too. The question is—will both of them be able to achieve their goals?

Fastest Way to Make Me a Fan…

…is to include a dog. More and more I find myself a sucker for a strong canine presence, and Leigh delivers one here. On top of an already compelling read, that’s just icing on the cake.

As I said, Matt was a K-9 officer before his shooting. His dog, Brody, left the department with him. Brody’s a steady presence throughout the novel—Matt has to leave him home (or with Erin’s niece) frequently, but he’s still around, helping. Matt’s sister runs a rescue shelter, too, and so there are plenty of dogs around.

They’re all depicted as helpful—both for in the hunt for Justin and the killer, but also in helping Erin’s kids cope with their mother’s death and some of the other things going on around them. This is done in just the way I’d like to read it.

The Pilot Episode

Even if I didn’t know that there were three books in this series already (and, I assume, more on the way), I’d have known more Bree Taggert books were intended to follow this. The title/subtitle might as well have been “The Pilot Episode.” Sure, the emphasis of this novel is finding the murderer and possibly clearing Erin’s estranged husband, but it’s also about setting up the series.

This is not necessarily a bad thing, really. I’m just describing things.

Story beat after story beat you could just feel “oh, this is happening to establish this character/idea/etc. so we can revisit it later/in every book” or “this is going to play out for a while” or “this is how this relationship is going to be set up.” It eliminates a bit of suspense from the book, but just a bit. And there’s always the chance the reader’s wrong about thinking something/someone is safe.

Fool Me Once

Early on—partially due to the pilot-y nature of the book, partially due to the way Leigh started the book, partially due to hubris—I was convinced I knew all the major plot points, how they’d be resolved, how the reveals would happen, who the killer was, what the ramifications of various events would be and what new status quo would be set up for the series.

And for most of the book, I was either right or I gathered more evidence for my ideas. The key word is “most.” I’m not going to say exactly when Leigh started proving me wrong, but it was somewhere in the last quarter of the book. Boy howdy, was I wrong. At least about the two or three most significant storylines—overall, I think I’d give myself a B for predictions. But the things I was wrong about? I was very, very wrong about them.

I love that. She didn’t cheat—everything was right there for the reader to pick up and interpret the clues as they should be interpreted, but Leigh did it in such a way that you’d think I’d never read a mystery novel before.

So, she got me this time-I’ll watch for her next time.

So, what did I think about Cross Her Heart?

So, if I was so confident I knew what was going to happen, why did I keep reading? Because something about the way Leigh wrote this kept me from stopping. I can’t point to any one thing (or handful), but this book got its hooks in me and wouldn’t let go. I’d planned on reading a chapter or three just to dip my toes in the water one night—and ended up reading just shy of 100 pages! I gave serious consideration to just bailing on sleep until I finished, too.

While a good hook, an original idea/take on an idea, or a type of character no one’s thought of before are great to get you into a book. It’s the execution of an idea that keeps you reading (and coming back for more). And Cross Her Heart is well-executed. I’d like to be able to point out one or three things she’s doing that makes it work so well, but I can’t. She’s got some sort of alchemy going on here, and I just couldn’t stop reading.

I like this world that she’s established, and see a lot of promise for this kind of series with these characters and this setting*. I’m in for at least the next two books—give this a shot and I think you’ll be sticking around for more too.

* I didn’t have time or space to get into the way that Leigh weaves the personal and family stories into the mystery, but I really appreciated that too, and think it’ll be a strength of future books. Hopefully, I can address it more fully soon.

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Drop the Mikes by Duncan MacMaster: The Scrawny, Geeky, Jessica Fletcher-esque Kirby Baxter find Trouble in a Caribbean Paradise

Drop the Mikes

Drop the Mikes

by Duncan MacMaster
Series: Kirby Baxter, #3

Paperback, 243 pg.
Fahrenheit Press, 2016

Read: March 29-30, 2021

“Mathilda, my wife, says that archaeology runs in your family.”

“My parents are archaeologists,” said Baxter with a nod. “They teach, and every summer they go to digs in Europe or the Middle East.”

“They’re pretty respected,” said West, “what do they think about their son the cartoonist, turned detective?”

“I don’t think they ever fully understood what I do,”said Baxter. “In fact, most days, I don’t fully understand what I do.”

A Little Bit about Kirby Baxter

Before I get into this book, let me give a quick run-down of the series. Kirby Baxter is a comic book artist/writer. A few years ago, he came into a lot of money and took some time for himself in Europe. Kirby has the kind of eye for observation and powers of deduction comparable to Shawn Spencer or Adrian Monk (you could include several incarnations of Holmes, etc., too—but Shawn and Monk are closer in tone to this series). While in Europe, he found himself in situations where he could use those gifts to help solve some crimes—this got him a bodyguard, valet, assistant, or whatever, named Gustav, and both of them were made official Interpol consultants.

His talent(?) for being in the general vicinity of crimes continued once he got back to the States and he’s ended up helping the police in various cities with murders and other crimes. He’s frequently helped in this by the aforementioned Gustav; his girlfriend, Molly; her gossip-blogger cousin, Shelly; and his friend and colorist, Mitch Mandelbaum.

What’s Drop the Mikes About?

As a thanks for a bit of deduction that saved a New York Hotel a lot of money and even more bad publicity, Kirby and his friends (Molly Mitch, Gustav and Gustav’s girlfriend, Miriam) were given the opportunity to spend two weeks in some villas at a resort that’s about to open on a Caribbean island. Sounds like a fun little getaway, right?

Kirby Baxter doesn’t get those anymore. But we’ll get to that in a minute.

At the same time they arrive on the island, so do many other people—these people are largely young, with a lot of money, and/or are social media “influencers.” They’re on the island of a big luxury music festival to help promote a new product from a company called HÿpStar. Except the festival didn’t have any musicians (their checks bounced), or food (same), or decent places for the attendees to stay (you probably have guessed why by now).*

* If you’re thinking, this sounds a lot like Fyre Festival, give yourself a pat on the back.

Before the situation can totally deteriorate with the festival, the right-hand man to the organizer is found murdered. So you have thousands of disgruntled festival-goers, all with a reason to be angry with the victim, with almost every one of them trying to get off the island as fast as possible. It’s a bit much for the small island police force—thankfully, there’s a renowned detective in the neighborhood.

So Kirby and his friends have their vacation cut short.

The Hÿp Festival

I think I was largely offline for whatever reason about the time the whole Fyre Festival thing happened, and I missed most of the early hubbub, and then when I started to become aware of it, I didn’t exert a whole lot of effort into it. I’ve picked up a thing or two in the years since then, but that’s about it. So while I’d like to say something about the way that MacMaster satirizes The Fyre Festival, but I can’t. Seems outlandish and crooked enough.

But I can say that some of the more outlandish characters are hilariously drawn—like the influencer who cannot help speaking in text-speak acronyms, like “Double-you-tee-eff” or “Ess-em-aitch.” I appreciated MacMaster not using the acronyms themselves but going the extra mile and spelling out the letters, it added just enough to make her ridiculously charming. Carting around a ceramic Buddha statue and calling it her “Good luck Gandhi” was borderline-too-much, but I found it amusing every time it came up, so I’m not going to criticize it.

Too Much Going On

The two earlier Kirby Baxter books had a lot going on—several characters, each with their own arcs intertwined with the others—and that’s repeated here as expected. But this time it felt like there were too many other characters and their arcs running around—it wasn’t confusing or anything (we’ve all seen that before, this isn’t one for that list), but to do an adequate job for each of those, MacMaster had to use Kirby less.

But also, his friends—his self-labeled Scooby Gang—are running around doing their own thing while he’s looking into the murder (some are acting independently to help, others are working along with him), and that ends up taking time away from Kirby getting to shine. Sure, (to refer to that other Scooby Gang) we all know Fred, Velma, and Daphne have to look for clues on their own—either paired up or on their own—but the viewers came to see Scooby and Shaggy (possibly Scrappy-Do, too) and the more time we spend with Fred and his ascot doing things the less we see Scooby and Shaggy and the less entertaining the episode is. The same applies here. Molly’s great doing her own thing. Ditto for Miriam—and even Mitch is pretty darn amusing and got to do things we don’t normally associate with him. I’m all in favor of it, but Kirby was off-screen too much of this book.

A Small Gift for Long-Time MacMaster Fans

Readers of MacMaster’s other series, the Jake Mooney books, might recognize this particular part of the Caribbean, as it was the setting for Hack (and if you don’t recognize it, that’s okay, a couple of characters will make sure you get the connection).

It’s one of those things that won’t bother you if you don’t get the references as you read, but if you do, you’ll appreciate the ties between the two.

Now, what are the odds we can get Jake and Kirby working the same mystery from different angles?

Baxter had long thought that the adventures that afflicted his life the last few years had immunized him from ever feeling shocked, or surprised. It was one of the very rare instances where he was very, very wrong.

So, what did I think about Drop the Mikes?

Drop the Mikes is 243 pages of pure enjoyment. It’s that simple. You have Kirby being geeky and almost supernaturally-clever self. You get Molly and Gustav doing their usual thing. Mitch gets to be repulsive yet endearing—and even a little heroic, and we get to meet Miranda, the librarian who could be an action star if she really wanted to.

Throw in a handful or two of whacky characters, the disaster of the Hÿp Festival, a couple of murders, financial hijinks, another couple of crimes that really have nothing to do with the Festival outside of location—and you just can’t stop turning the pages to see what MacMaster has left up his sleeve.

These books are like ice cream or pizza—even if the one you’re eating isn’t as good as others you’ve had, they’re still ice cream or pizza, and you’d rather be eating them than just about anything else. I strongly recommend this book—and the rest in the series, too—well, anything with Duncan MacMaster’s name on it. I can’t think of another book this year that I’ve had as much fun reading as this one. And I bet there won’t be many in the 7+ months yet to come.


4 Stars

Pub Day Repost: Animal Instinct by David Rosenfelt: The K Team Gets the Chance to Right an Old Wrong

Animal Instinct

Animal Instinct

by David Rosenfelt
Series: The K Team, #2

eARC, 304 pg.
Minotaur Books, 2021

Read: March 22-23, 2021
Grab a copy from your local indie bookstore!

What’s Animal Instinct About?

Every retired police officer or PI in fiction (maybe in real life, too, I don’t know), has at least one case, one incident, one moment that haunts them. If only they’d done X, if only they’d been able to solve Y, or stop Z from happening. Corey Douglas has one of those—a few years ago, he responded to a call about domestic violence. He was unable to make any arrests that night, or anything else–he was convinced that the woman had been abused, but she denied it.

Years later, this woman is murdered and Corey’s out to do the one thing he couldn’t do before—get justice for her. He keeps telling himself that he wants the killer arrested, but really, he wants to finally arrest the boyfriend for the murder. Laurie and Marcus, his partners in the private investigator business—as well as his dog, Simon Garfunkel, a retired K-9 officer, join him in this investigation that turns out to be far more than anyone expected. The team needs Laurie’s smarts and ability with people, Marcus’s mysterious abilities (and brute force), Simon Garfunkel’s teeth, and Corey’s determination—and more than a little luck—to get to the bottom of this.

Especially when more murders are committed.

Simon Garfunkel

The collective name for this group of investigators is The K Team, because of their K-9 member, right? So why doesn’t he get more to do? I realize he’s a dog. I’m not suggesting he join Sam in the hacking, or sit on stakeouts with Marcus (although I admit, I would pay good money for 10 pages or so of that). But Corey leaves him home a lot—yes, he retrieves him as quickly as possible and does what he can to spend time with him. But, I think he could do more.

When Simon Garfunkel is given a chance to do something—he’s great. And even when he’s just there for atmosphere, or as a conversational/narrative prop for Corey—he’s a handy addition. I just think we could get some more of him. Bernie Little brings Chet to many more places that Corey tries. Maybe that’s a function of Corey living in New Jersey and not the Southwest, and I think I could accept that as an explanation.

There’s a scene toward the beginning of the novel where Corey takes Simon to the beach for the first time—and like most dogs, Simon loves the water and the sand. It’s his enjoyment of the setting that gets Corey, who’s apathetic at best toward the beach, to embrace the beach. I couldn’t have enjoyed this scene more unless I was on the beach with them.

Corey’s Other Relationship

Of course, the reason that Corey’s at the beach for Simon to enjoy is his girlfriend, Dani. She’s one of the best things about this book.

We’re told in the last book that Corey’s not really had any serious relationships as an adult, he’s always looking for the reason to end things. He just doesn’t want to end things with Dani. Whether it’s because now that he’s retired, he has time in his life for things other than police work; he’s finally found “The One” (or a right one, depending on how you like to think of that); or he’s finally maturing—or any combination of the three. Corey’s letting himself grow, letting himself want things that he hasn’t before—even at his age.

I love a character like that—I want to read about them, they’re inherently interesting. And Rosenfelt is writing this just right—a little sappy and a little realistic.

It helps that Dani’s a pretty fun character—but we could learn a bit more about her. Still, I like the way Corey seems to be changing because of her influence, I like him more than I did when we first met him in the Andy Carpenter series.

My Concern…

This is about The K Team as a series as much as it is about this book specifically.

There’s just too much Andy Carpenter.

Sure, this is a spin-off from that series, and as Andy’s married to Laurie and they largely work out of the Carpenter house, he’s going to be around. I don’t mind, but he has his own series, and gets two books a year lately. Not only do we need more Simon Garfunkel, but we also need more Laurie and Marcus.

I like Andy Carpenter, I’ve read 22 novels about him (some more than once)—and I’m probably going to read at least two novels in that series this year. I thought Animal Instinct was a good way to use Andy, and I’m absolutely glad that I read this book. I just think for The K Team series to have any long-term success, they need to stand on their own feet more and not be propped up by Andy.

The Unexpected Highlight

I don’t know if you typically read Acknowledgments pages/sections. I tend to glance at them, but like many people, I don’t spend that much time with them. So let me draw your attention to the Acknowledgments for this novel—any David Rosenfelt novel, really. You simply must read them. They are the silliest, goofiest writing Rosenfelt ever does (and in some cases, that’s saying something) and never fail to make me smile.

So, what did I think about Animal Instinct?

So I have some long-term concerns with the series and a couple of things I wasn’t crazy about when it comes to Animal Instinct, but I don’t want those to overshadow the central point I have about this book: it’s good*. I had a lot of fun while reading it, and while I was satisfied with the ending, I wish it didn’t end when it did, because that meant it’d be a few months before I got to spend more time with any of the characters in this book.

* I’ve said it on this site before, I’ll say it again: It takes few words to praise something, it takes several to fully explain a concern, problem, or even mild annoyance. As such, they tend to overshadow the praise. I think that’s what is happening here. I don’t mean it to.

David Rosenfelt is one of the most reliably entertaining novelists in Crime Fiction today. Every time I sit down with one of his books, I know I’m in for a good read. Characters you want to spend time with. Animal Instinct is a solid story with some great twists—and well-executed reveals. Corey’s got a great narrative voice and his sense of humor (which isn’t quite the same as Andy Carpenter’s) permeates the book and livens up the text just enough when things are grimmest.

If you have no idea who Andy Carpenter, Corey Douglas, Simon Garfunkel, or the rest are? Don’t let that stop you from trying this, it absolutely works as a jumping-on point—both to this series and the books it’s spun off from. I’m in this series for the long haul, and I think you’ll want to be, too.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this opportunity and the fun read.


3.5 Stars

 

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

A Few Quick Questions with…Robert Germaux

Before I get to the questions, I have to say that I’m surprised that we haven’t done one of these before–I did post a Q&As with Germaux as part of tours for Hard Court and One by One, but those questions came from the tours. I’m glad I finally got the chance to ask these few questions.


We’re talking about Small Talk and the Daniel Hayes series today, but I’d be remiss if I didn’t plug the Jeremy Barnes books, too. Where did Jeremy come from, and what would readers want to know about him before they dive in?
Jeremy is my alter ego. As I often tell people, other than the fact that he’s younger, smarter, taller, stronger and has way more hair, you can hardly tell us apart. As for what readers should know before they dive into a Jeremy Barnes mystery, well, JB (a high school English teacher in a previous life) can quote Shakespeare as quickly and easily as he can land a mean left jab, has an irreverent sense of humor and a definite soft spot in his heart for life’s underdogs.

But before you gave us Jeremy, you published Small Talk and introduced us to Daniel Hayes and his team. What was the inspiration for that series and Hays in particular?
Actually, I wrote three books about Jeremy Barnes before I wrote Small Talk. I held off putting those three books on Amazon because my agent at the time had hopes of finding a traditional publisher for them. While he was doing his best in that ultimately unsuccessful endeavor, I came up with the idea of a serial killer novel. Since I couldn’t see a private detective hunting a serial killer as effectively as a police detective who had all the tools of a large urban police department at his disposal, I created my Daniel Hayes character.

Daniel’s not a lone-wolf detective like Bosch or Rebus, he comes with (and works within) a team. While being more realistic isn’t the typical choice for Detective Fiction—why did you make that choice? Talk about the team a bit.
I wanted Daniel to work with a small group of people with diverse backgrounds and talents, a team that could bounce ideas off each other as they searched for the killer. Writing their interactions allowed me to show my readers how the investigation progressed from one level to the next as they closed in on that killer. Each member of the team brings something different to the table. Ted has a long history in local law enforcement, Samantha’s a respected city cop with an FBI contact who helps them in their hunt for the killer, and Henry’s a young suburban cop with great instincts. Together, Daniel (a former pitcher for the Pittsburgh Pirates) and his team are a classic example of the whole being greater than the sum of its parts.

Take a moment and compare the two series—what are the limitations and advantages to writing a lone PI and a Police Detective?
Interesting question, H.C. I’ve never really thought about these two series that way. I guess the advantage to writing my Jeremy Barnes books is that I’m able to focus solely on JB’s determination to solve the case, by whatever means necessary, whereas Daniel has to be aware of the legal constraints imposed upon him by the system within which he works. Both he and JB will ultimately get the job done. It’s just that they sometimes take different paths to get there. Again, great question.

Both of your series are based in Pittsburgh, a city that I honestly don’t think I’ve read novels set in before. Is that one of your reasons behind choosing it? What is it about the series that draws you—and why do you think it’s ignored in favor of LA, New York, Boston, Chicago, etc.?
The easiest answer to this question is that old adage: Write what you know. While I’ve been fortunate enough to visit many far-flung locales, from Tahiti to Paris to Rome, I’m a yinzer at heart, born and raised in Pittsburgh. I find the city’s wealth of diverse neighborhoods, from the Oakland area (home to both Carnegie Mellon and the University of Pittsburgh) to the Hill District (site of many of August Wilson’s Pittsburgh Cycle of award-winning plays) to be a treasure trove of fascinating people and places for my novels. The other cities you mentioned do, indeed, get more attention in terms of settings for books, probably because they all have that big city “panache,” but I think we’re seeing more and more books and, especially, movies being set in and around Pittsburgh.

In addition to your mysteries, you’ve put out some humor collections, and two “General Fiction” (for lack of a better term) novels. Are there genres you wouldn’t want to try? What is it about Mystery novels that brings you back to them?
I wouldn’t try to write anything in the horror or supernatural genres. Although I know they’re enormously popular, and I definitely acknowledge and applaud the writers who are successful in those literary categories, I’ve just never been bitten by that particular bug. As for my love of mysteries, it probably goes back to my childhood, when I couldn’t get enough of The Hardy Boys and Nancy Drew. I devoured those books.
Let’s play “Online Bookstore Algorithm” (a game I’ve recently invented). What are 3-5 books whose readers may like Small Talk?
Any of the Spenser novels written by Robert B. Parker, along with Robert Crais’ Elvis Cole books and Harlen Coben’s Myron Bolitar mysteries.

What’s next for Robert Germaux, more Jeremy Barnes, Daniel Hayes, or do you have something else up your sleeve?
I just finished Grammar Sex 3, my third book of humorous essays (I like to call them my Grammar Sex Trilogy), so that will be out soon, along with Leaving the LAW and Speak Softly, two of the early Jeremy Barnes novels. And just recently, I finally figured out the plot for a sixth JB book, so I’ll be getting to work on that.

Thanks for your time and these answers, and I hope both the Jeremy Barns and Daniel Hays books have enough success that you can keep going with them!
Hey, H.C., this has been fun. Thanks!


Small Talk by Robert Germaux: A Fledgling Task Force on the Hunt for a Serial Killer on the Streets of Pittsburgh

So this is going to be Robert Germaux day here, apparently. I’ve got this post about Small Talk and Germaux was kind enough to give me a Guest Post and to do a Q&A with me, all of which is coming along shortly. Hope you enjoy this as much as I did.


Small Talk

Small Talk

by Robert Germaux
Series: A Daniel Hays Mystery, Book 1

Kindle Edition, 266 pg.
2015

Read: March 24-25, 2021

What’s Small Talk About?

The area around Pittsburgh, we’re told early in this book, is made up of a vast number of local jurisdictions that are fiercely independent and don’t necessarily cooperate too well with each other—even when it comes to crimes being committed in various jurisdictions. After one recent crime spree took too much of a toll and had too little cooperation between various law enforcement agencies, a Special Assignment Squad answering directly to the Chief of Police is formed to deal with crimes of that type.

This team’s first real trial comes some weeks after its formation when a series of young women are being strangled. There’s no sexual assault, no robbery, simply a strangulation. There’s no connection—appearance, socio-economic status, profession, location—between the victims. If there’s anything not random about the selection of the victims, no one can see it.

Daniel Hays, the head of the SAS, is the lead investigator on the first murder before it’s officially a SAS matter. But it doesn’t take him long to assume that there will be another —probably many—after looking at the evidence, scene, and victim. Sadly, he’s proven correct fairly shortly. As more and more victims are found, it’s clear that the killer is getting more brazen, and the pressure—from within and from outside the SAS—increases.

The Killer’s Perspective

97 times out of one hundred, I’d rather not get the killer’s perspective (either told in first or third person) as well as the detective’s. I’m clearly in the minority, however, even judging solely on how frequently we’re given this setup.

Germaux handles this device as well as anyone could want. It does add a little to the novel and helps us understand the killer better than we would if we only had Daniel’s perspective. It also helped me to really dislike the character—you know, in case randomly killing women wasn’t enough. The guy is too impressed with himself, he’s a showoff and a blowhard with a penchant for monologuing (to himself or others). Some of that goes with the territory, obviously, but there’s something about him I liked even less than your typical budding serial killer.

For example, unless something is wrong with you, you’re charmed by Lecter in Silence of the Lambs—yes, he’s a deranged killer that needs to be kept away from people, but you can’t help but like the guy. Robert B. Parker gives us the killer’s POV in Crimson Joy, and all I wanted was for him to be stopped—I don’t know if I ever cared about him one way or the other. But this guy? I actively disliked him, in addition to wanting Hays and the team to get him off the streets.

Advantages/Disadvantages of Reading this Now

I almost never read books out of order anymore—I used to do it all the time, but now my default mode is: Start at Book 1 and move forward. But because it was for a book tour, I read the second Daniel Hays novel first. It was nice to see that gripes and questions I had while reflecting on One by One had been anticipated and dealt with in these pages.

The downside is that there are some things that didn’t hold as much suspense for me because I knew the status of various characters in the sequel. There was one scene that held absolutely no suspense for me, and I regretted that lack as I read it. Thankfully, Germaux still handled that scene in a way I didn’t expect him to, so while it came with the resolution I expected, the journey to it was a nice surprise.

So, what did I think about Small Talk?

Before I wrote this post, I read what I said about the sequel just to compare the two. Plot-specifics aside, I could have just re-used that post here.

Small Talk has an interesting and solid approach to the Serial Killer, some nice twists, and a good group of core characters.

Professionals who treat each other as professionals, with respect and camaraderie. It could be made slightly more interesting or challenging if there were a bit more friction in the team or spillover from Daniel’s personal life (for example). But that’s only marginally more interesting.

I do wish there was a greater sense of urgency to this. The SAS is driven to find the killer, but they’re not obsessive about it. They clock out at the end of the day, go home and bake, or go on a date, or something else. And as nice as those side stories were, and as realistic as it might be, it’s somewhat dissatisfying when it comes to drama.

Like with all of Germaux’s writing, there’s a pleasantness to reading this. No matter how dire things may be, the book is just a pleasant experience. It’s a fast, gratifying read with some fun moments and justice prevailing. It’s hard to go wrong with that.

I recommend this—like all of Germaux’s Crime Fiction—especially if you’re not in the mood for gritty depictions of police detectives going about their work. In my earlier post, I compared them to “blue sky” dramas like NCIS, Burn Notice, or White Collar, and the same is true here. And sometimes that’s just what the doctor ordered.


3.5 Stars

Animal Instinct by David Rosenfelt: The K Team Gets the Chance to Right an Old Wrong

Animal Instinct

Animal Instinct

by David Rosenfelt
Series: The K Team, #2

eARC, 304 pg.
Minotaur Books, 2021

Read: March 22-23, 2021
Grab a copy from your local indie bookstore!

What’s Animal Instinct About?

Every retired police officer or PI in fiction (maybe in real life, too, I don’t know), has at least one case, one incident, one moment that haunts them. If only they’d done X, if only they’d been able to solve Y, or stop Z from happening. Corey Douglas has one of those—a few years ago, he responded to a call about domestic violence. He was unable to make any arrests that night, or anything else–he was convinced that the woman had been abused, but she denied it.

Years later, this woman is murdered and Corey’s out to do the one thing he couldn’t do before—get justice for her. He keeps telling himself that he wants the killer arrested, but really, he wants to finally arrest the boyfriend for the murder. Laurie and Marcus, his partners in the private investigator business—as well as his dog, Simon Garfunkel, a retired K-9 officer, join him in this investigation that turns out to be far more than anyone expected. The team needs Laurie’s smarts and ability with people, Marcus’s mysterious abilities (and brute force), Simon Garfunkel’s teeth, and Corey’s determination—and more than a little luck—to get to the bottom of this.

Especially when more murders are committed.

Simon Garfunkel

The collective name for this group of investigators is The K Team, because of their K-9 member, right? So why doesn’t he get more to do? I realize he’s a dog. I’m not suggesting he join Sam in the hacking, or sit on stakeouts with Marcus (although I admit, I would pay good money for 10 pages or so of that). But Corey leaves him home a lot—yes, he retrieves him as quickly as possible and does what he can to spend time with him. But, I think he could do more.

When Simon Garfunkel is given a chance to do something—he’s great. And even when he’s just there for atmosphere, or as a conversational/narrative prop for Corey—he’s a handy addition. I just think we could get some more of him. Bernie Little brings Chet to many more places that Corey tries. Maybe that’s a function of Corey living in New Jersey and not the Southwest, and I think I could accept that as an explanation.

There’s a scene toward the beginning of the novel where Corey takes Simon to the beach for the first time—and like most dogs, Simon loves the water and the sand. It’s his enjoyment of the setting that gets Corey, who’s apathetic at best toward the beach, to embrace the beach. I couldn’t have enjoyed this scene more unless I was on the beach with them.

Corey’s Other Relationship

Of course, the reason that Corey’s at the beach for Simon to enjoy is his girlfriend, Dani. She’s one of the best things about this book.

We’re told in the last book that Corey’s not really had any serious relationships as an adult, he’s always looking for the reason to end things. He just doesn’t want to end things with Dani. Whether it’s because now that he’s retired, he has time in his life for things other than police work; he’s finally found “The One” (or a right one, depending on how you like to think of that); or he’s finally maturing—or any combination of the three. Corey’s letting himself grow, letting himself want things that he hasn’t before—even at his age.

I love a character like that—I want to read about them, they’re inherently interesting. And Rosenfelt is writing this just right—a little sappy and a little realistic.

It helps that Dani’s a pretty fun character—but we could learn a bit more about her. Still, I like the way Corey seems to be changing because of her influence, I like him more than I did when we first met him in the Andy Carpenter series.

My Concern…

This is about The K Team as a series as much as it is about this book specifically.

There’s just too much Andy Carpenter.

Sure, this is a spin-off from that series, and as Andy’s married to Laurie and they largely work out of the Carpenter house, he’s going to be around. I don’t mind, but he has his own series, and gets two books a year lately. Not only do we need more Simon Garfunkel, but we also need more Laurie and Marcus.

I like Andy Carpenter, I’ve read 22 novels about him (some more than once)—and I’m probably going to read at least two novels in that series this year. I thought Animal Instinct was a good way to use Andy, and I’m absolutely glad that I read this book. I just think for The K Team series to have any long-term success, they need to stand on their own feet more and not be propped up by Andy.

The Unexpected Highlight

I don’t know if you typically read Acknowledgments pages/sections. I tend to glance at them, but like many people, I don’t spend that much time with them. So let me draw your attention to the Acknowledgments for this novel—any David Rosenfelt novel, really. You simply must read them. They are the silliest, goofiest writing Rosenfelt ever does (and in some cases, that’s saying something) and never fail to make me smile.

So, what did I think about Animal Instinct?

So I have some long-term concerns with the series and a couple of things I wasn’t crazy about when it comes to Animal Instinct, but I don’t want those to overshadow the central point I have about this book: it’s good*. I had a lot of fun while reading it, and while I was satisfied with the ending, I wish it didn’t end when it did, because that meant it’d be a few months before I got to spend more time with any of the characters in this book.

* I’ve said it on this site before, I’ll say it again: It takes few words to praise something, it takes several to fully explain a concern, problem, or even mild annoyance. As such, they tend to overshadow the praise. I think that’s what is happening here. I don’t mean it to.

David Rosenfelt is one of the most reliably entertaining novelists in Crime Fiction today. Every time I sit down with one of his books, I know I’m in for a good read. Characters you want to spend time with. Animal Instinct is a solid story with some great twists—and well-executed reveals. Corey’s got a great narrative voice and his sense of humor (which isn’t quite the same as Andy Carpenter’s) permeates the book and livens up the text just enough when things are grimmest.

If you have no idea who Andy Carpenter, Corey Douglas, Simon Garfunkel, or the rest are? Don’t let that stop you from trying this, it absolutely works as a jumping-on point—both to this series and the books it’s spun off from. I’m in this series for the long haul, and I think you’ll want to be, too.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this opportunity and the fun read.


3.5 Stars

 

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

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