Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 51 of 153

A Wanted Man by Rob Parker: Meet Ben Bracken

A Wanted Man

A Wanted Man

by Rob Parker
Series: Ben Braken, #1

Kindle Edition, 206 pg.
Lume Books, 2017

Read: May 6-8, 2021
Grab a copy from your local indie bookstore!

Jack’s father goes missing but turns up dead in a warehouse at Manchester Airport. Shot. Who has access to firearms here in the UK? Farmers, the police, and organised crime. I can’t picture an angry pig farmer losing his shit and heading to Manchester Airport to clip someone. Nor can I especially imagine a police officer doing the same thing, although stranger things have happened. And that leaves the last one. Organised crime.

What’s A Wanted Man About?

Ben Bracken was sent to prison not that long ago, but just walked out a free man—although he wasn’t actually released (nor was he scheduled to be). He has some “insurance” to keep him from having to go back and had a little cash set aside for when he was out of prison.

His plan is to get his cash, secure his insurance policy and head off to London to get revenge on the man who got him sent to prison. But before he can do that, his friend Jack has a problem. Jack’s father was just murdered and he doesn’t see the police—or his father’s criminal associates—doing that much to find the killer. Would Ben help? Sure—especially because Jack’s also in danger as long as the killer is out there.

Before Ben can enjoy his first beer in years, he’s set on a path that will lead him to going up against two crime syndicates, and decades of history, just to get Jack both the answers and safety he needs.

A Little About Ben

But… I feel a nagging. That familiar tug of duty. I carry it everywhere with me even now, bound by it, cajoled by my gratitude to Jack…

My problem is compounded by my brittle, unique moral compass. My idea of good and bad is very black and white, with great streaks of grey smeared straight across the borders between the two– the zone in which I have been known to take matters into my own hands. Those grey areas demand I owe Jack some assistance, even if it is outside of my self-imposed remit.

Ben Bracken is yet another soldier who’s having a hard time adjusting to society after years of active duty (see also Jack Reacher, Peter Ash, John Rambo, and a couple of other characters whose names slipped my mind as I got to this point), but his sense of duty kept him trying to do good. His early attempts were less than successful, landing him in prison. Now that he’s released, he’s going to resume his quest (you can practically see him sporting Joe Pike’s tattoos—as well as living them out). Sure, he had another initial target in mind, but Jack’s situation fit his mission, so he’s able to delay his own plan and help Jack out.

But basically, you get the idea that he’s going to be another of the modern wandering samurai hero—like Reacher and Ash—just with a different kind of baggage. Namely, being an escaped prisoner in a country where the kind of weapons Reacher and Ash seem to have a steady supply of aren’t that readily available. It’s a fresh version of that character type, and I’m more than interested.

There’s more than just his criminal past to separate him from the typical wandering warrior. He’s not a technophobe, actually, he’s fairly capable when it comes to the basics of technology (once someone explains what Siri is and how to use it), but he’s not a whiz. He has a sense of humor, but he’s not cracking jokes all the time—and to say that he has issues with women is understating it, but he’ll likely move on from those.

I was pretty much sold on Ben early on, and was invested in the story—but at one point, we get this line:

I whistle a little (surprised to find my ‘go to’ whistling tune is Somewhere Over The Rainbow), and drop my pocket change noisily onto the dresser.

and I knew I liked Ben, and was probably going to be buying a few more books.

Parker’s Writing

The actual writing involved in a book is something I always think about, always take into consideration when rating a book—but it’s the thing I have the hardest part discussing. Something about Parker’s work here made me want to try it.

There’s a lot of this book that comes across as a pretty standard indie thriller. That’s not a judgment, it’s just a description. In many indie thrillers, there are repeated sections that make me wince (including novels that I like). A Wanted Man has none of those—quite the opposite, he has several sections that are just wonderful.

He can sum up a character in a few words—

The curious obsessive-compulsive aspect of this guy, which, twinned with the seemingly bottomless battery of his energy, gives his personality an almost pathological slant.

His precise, measured way of speaking seems pulled from the pages of a book, exactly how you’d picture someone of his generation learning a foreign language.

I had a few more examples in my notes, but this post is getting too long.

His ability to capture a scene or a room is even better:

I leave the motorway networks as the daylight fades and trundle through the bleak stone township of Glossop, as wild hills begin to sprout out either side of the settlement. I know where I am going, and follow the ‘V’ in the horizon where two hills meet and a road carves through: Snake Pass. Suddenly, the buildings and pavements disappear, and I’m out in the open, rolling through a picture-book patchwork of varying landscapes: undulating rugged grasslands, steep canyon drop-offs, vast forests of tall firs, and a softly lapping reservoir. You could be lost out here, but still feel in touch with the gods. It’s Lord of the Rings country, Tolkien’s inspiration. It’s Britain at its most beautiful, most powerful, most respectful.

Ben and Jack visit a floating restaurant and I could almost think I’d been there.

Sure, some of his descriptions are a bit much—I didn’t need that much detail about one man’s behavior at a urinal. No one does. But thankfully, those are few and far between (but, sure, I have a crystal clear vision of what happened there).

One more example of how good Parker can be, and then I’ll move on. At one point, Bracken visits the house he grew up in. I read the two paragraphs as he left a few times, they were just that good (and hopefully out of context you can tell that)

I walk down the path to the scuffed, mucky pavement. The gum on the concrete beneath my shoes, some of it is undoubtedly mine. My DNA lies at my feet, inseparable from my town, my past. That DNA is now the only evidence I was ever here. Thirty years of love, life, family– all reduced to a dirty bit of gum on an old pavement.

This will steel me. Toughen me. It has to. Because this would, could, should break a lesser man.

So, What Did I Think About A Wanted Man?

There’s a very “pilot episode” feel to this one—the focus is on introducing Ben Bracken, his world, his situation, and his mission. The actual story seems of secondary importance. Maybe I’m being too harsh—I likely am, but that was the impression I got.

The Epilogue shows that this isn’t just going to be a series about Ben’s quest for vengeance—there’s something else going on. Now Ben just out to get revenge on the man who sent him to prison would probably be worth sticking around to watch. But Ben doing that and the stuff from the Epilogue? Now, that’s a winning combination.

Do I recommend this? Absolutely. A great character, a compelling direction for the series, and some strong writing make up for a story that seems pretty boilerplate (but a good boilerplate, don’t get me wrong). I’m coming back for more soon, and can see these books becoming a favorite.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

COVER REVEAL: Meat is Murder (Stonebridge #3) by Chris McDonald

Welcome to The Irresponsible Reader’s part in the Cover Reveal for Chris McDonald’s Meat is Murder! (which means we’re about a month away from me having a pleasant day with the book and probably saying some complimentary things about it). Like the first two books in the Stonebridge Mysteries, it looks pretty sharp. But before we get to the cover down below, but before the picture, I’ve got a few words to share about the book.

Book Blurb

McNulty’s Meats, one of Stonebridge’s oldest businesses, is about to be taken over in a lucrative deal that would make brothers Ron and Kevin very rich men indeed. Unfortunately for them, local activist Tyler Love has other ideas. Convinced that the deal would be bad for the town, he burns the place to the ground and inadvertently kills himself in the process.

At least, that’s what the police think.

Tyler’s mum disagrees and pleads with amateur sleuths Adam and Colin to investigate. Although, going up against the psychopathic McNulty brothers, a rival businessman, a group of hippies, and a girlfriend with secrets of her own might not be such a good idea… Someone has something to hide, and will go to great lengths to keep that secret buried.

Meat is Murder
is the third book in The Stonebridge Mysteries series of Cosy Crime novellas.

Publication date: June 8, 2021

About the series

Stonebridge is a small town on the north coast of Northern Ireland. Most of its inhabitants are friendly, happy people. Most of them… Because bad things happen even in the happiest of places. It’s a good thing, then, that Adam Whyte and Colin McLaughlin call Stonebridge home.

Armed with an encyclopedic knowledge of detective shows, a misplaced sense of confidence and a keen desire to see justice done, these two are the closest thing the town has to saviours. Which isn’t that reassuring…

About the Author

Chris McDonaldOriginally hailing from the north coast of Northern Ireland and now residing in South Manchester, Chris McDonald has always been a reader. At primary school, The Hardy Boys inspired his love of adventure before his reading world was opened up by Chuck Palahniuk and the gritty world of crime. A Wash of Black is his first attempt at writing a book. He came up with the initial idea whilst feeding his baby in the middle of the night, which may not be the best thing to admit, considering the content. He is a fan of 5-a-side football, heavy metal and dogs. Whispers in the Dark is the second installment in the DI Erika Piper series, and Chris is currently working on his latest series, The Stonebridge Mysteries, published by Red Dog Press in 2021.


And now…

The Cover

Meat is Murder
The cover designers at Red Dog have done it again.

Again, this book comes out on June 8th, but you can pre-order this now at: Red Dog Press, Amazon, Kobo, or Google (but you should absolutely order from Red Dog directly, the Bezos retirement fund is big enough, help out the publisher).



My thanks to Red Dog Press for the invitation to participate in this reveal and the materials they provided.

Meat is Murder Cover Reveal Banner

Red Widow by Alma Katsu: This Realistic Spy Thriller Just Missed the Mark

Red Widow

Red Widow

by Alma Katsu

Hardcover, 340 pg.
G.P. Putnam’s Sons, 2021

Read: May 4-5, 2021
Grab a copy from your local indie bookstore!

Another weekday morning at Langley. Men and women streamed across the parking lots—past the towering parabolic antennas, the Blackbird spy plane made into a monument—to converge on a set of doors placed into a wall so discreetly that they could be secret doors, known only to the initiated.

It was a cold morning. In raincoats and windbreakers, they moved with mindless determination, like ants following the scent of sugar, minds already on the coming day, chores left undone from the day before, a confrontation anticipated with a boss or coworker. Or they were brooding over what they’d just left behind, an argument at the breakfast table, the last thing a child said before running for the school bus. Not one of them was thinking about what it meant to cross the threshold of the most secretive building in America.

What’s Red Widow About?

I’m going to cheat here and just copy the text from Katsu’s website. It would be just too easy for me to slip on this one—either not describing it enough to be helpful to anyone or adding a sentence or two and ruining half the book. It’s that carefully constructed.

An exhilarating spy thriller about two women CIA agents who become intertwined around a threat to the Russia Division–one that’s coming from inside the agency.

Lyndsey Duncan worries her career with the CIA might be over. After lines are crossed with another intelligence agent during her most recent assignment, she is sent home to Washington on administrative leave. So when a former colleague, now Chief of the Russia Division, recruits her for an internal investigation, she jumps at the chance to prove herself once more. Lyndsey was once a top handler in the Moscow Field Station, known as the “human lie detector” and praised for recruiting some of the most senior Russian officials. But now, three Russian assets have been discovered–including one of her own–and the CIA is convinced there’s a mole in the department. With years of work in question, and lives on the line, Lyndsey is thrown back into life at the agency, only this time tracing the steps of those closest to her.

Meanwhile, fellow agent Theresa Warner can’t avoid the spotlight. She is the infamous “Red Widow,” the wife of a former director killed in the field under mysterious circumstances. With her husband’s legacy shadowing her every move, Theresa is a fixture of the Russia Division, and as she and Lyndsey strike up an unusual friendship, her knowledge proves invaluable. But as Lyndsey uncovers a surprising connection to Theresa that could answer all of her questions, she exposes a terrifying web of secrets within the department, if only she is willing to unravel it…

How Mundane

One thing that really jumped out at me is Katsu’s depiction of the CIA offices as not that different from what most of us experience M-F. There’s the boss’s assistant putting her nose into everything, monitoring both the work and the socializing between the staff. There’s the overachiever going the extra miles; the old workaholic who to avoid retirement has taken the job no one wants; there’s the lecherous creep being…well a lecherous creep; parents trying to juggle work and home; office romances; typical office politics; gossip/ and so on.

The Value of Life

Sure, in a very real sense, what these people do at work is just like what we all do but on the other end of the spectrum, the actual life and death repercussions of what happens there is easy to see.

The description above mentions four deaths—a director and three assets. Of those, two of them are given some emotional weight and importance. The others aren’t really seen as that important and are pretty much forgotten about*. Yes, in the world of espionage people die. Yes, I have a tendency to read books with high body counts and rarely talk about it. This is not that kind of book, and in the non-fictional world, deaths matter. Particularly when they involve people who are put in the line of fire because of the American government’s actions. The way those two deaths were dealt with in contrast to the other two really bothered me (in case I was being vague).

* Although one death is pretty horrific and gets a little space because of it.

So, what did I think about Red Widow?

I almost DNFed this a handful of times, and each time that happened, Katsu would do something to perk my interest a bit. The book managed to stay juuuuuuuuuuust interesting enough to keep me turning the pages without actually really enjoying the book.

I think I get why this is getting decent reviews—both professional and amateur. But I just can’t talk myself into agreeing with them. Who knows? If I read this three months ago (or three months from now), it might have hit me differently, but this is the week I read this.

When I describe the thinking behind my star ratings, I describe 2 Stars as: “It’s not bad per se, it’s just not good.” That pretty much sums this up. It’s almost good, but it just misses the mark.


2 1/2 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: Robert B. Parker’s Payback by Mike Lupica: Sunny Does Some Dangerous Favors for Some Dear Friends

Payback

Robert P. Parker’s Payback

by Mike Lupica
Series: Sunny Randall, #9

eARC, 352 pg.
G.P. Putnam’s Sons, 2021

Read: April 14-15, 2021
Grab a copy from your local indie bookstore!

What’s Payback About?

Sunny’s closest friend, Spike, has got himself in trouble—he needed some financial assistance to keep the doors of his restaurant open (like just about every restaurant in 2020) and let a long-time customer and friend, a hedge fund manager, loan him the money. But when Spike tried to pay off the loan, he learned the hard way that Alex Drysdale wasn’t so much a friend as he was an opportunistic toad, and thanks to clever work on the contract, Spike had defaulted on the loan almost immediately.

Spike has already let his fists do the talking (and broken Drysdale’s nose), but oddly enough, that didn’t help. So, Sunny decides she’s going to figure out a way to get Drysdale to release him. Financial crimes aren’t really Sunny’s forte—much less shady, but not criminal, financial deals—but Spike is family and she figures she can learn as she goes.

She’s barely begun digging into Drysdale and his practices when she gets a call from Lee Farrell who needs a favor. His niece, a student at Taft*, was assaulted and she refuses to talk to the police or Lee. Can Sunny help? Sunny tries to talk to her, but Emily keeps saying it was just a misunderstanding and refuses to explain anything. Lee’s worried about her, Sunny’s concerned and nosy. So while Lee deals with a major homicide investigation, Sunny starts digging into Emily’s life.

* Yup, Taft, the Parker-verse’s all-purpose university for people who don’t go to Harvard.

Before Sunny can really get anywhere with the Drysdale investigation, she’s warned off. THat warning quickly becomes direct threats against her, Spike, Richie’s son, and her father. You have to admit, that’s really not the most clever approach. Sunny warns them all to be careful and works harder to find something. One of the biggest things she finds is a link between the two cases.

Ahh, a Little COVID-19 Fiction

Early on, we’re told that this starts shortly after the pandemic is over and life has gone back to something akin to normal. But vaguely so, especially when this was written, no one had an idea when exactly this would be, so Lupica left things vague.

Also, Spike’s is in trouble because of the impact that COVID has had on restaurants.

I lost count of how many times that Sunny talked about the world falling apart and getting worse. Clearly, this is a product of 2020 (and 2021). I remember hearing and reading authors last year talking about not being sure how to address COVID in their works—if they were even going to. This is probably the best way to do it—acknowledge it happened, look at the changes/difficulties it brought about—and don’t get into the details.

Poor Lee Farrell

This is my biggest beef with the novel—and the more that I think about it, the more it bothers me.

So, Lee’s got a big case that he’s dealing with and a family member in trouble—and he’s still not in the book that much. Belson plays a bigger role than Lee does in the book, which is fine because it’s not like Belson gets a lot of use in the Atkins novels, and he shouldn’t be put out to pasture. But this was a chance for Lee to get to shine and Lupica let it pass by.

I like Lee, and have since Paper Doll (he was one of the few good things in that novel), but Parker never used him all that much—and Lupica does the same. It’s time for Lee Farrell to really get a moment.

Sunny and The Men in Her Life

There are two other things that Lupica inherited from Parker that he’s maintained—but I’d like him to move on. From Family Honor on, there’s been this tension between Sunny’s independence, being able to make it as a female in a male-dominated world/industry and her being dependent on men like Richie and Spike (and a couple of others) to help out when things get dangerous. I can see revisiting the issue from time to time, but the authors have spent so much time on it, the reader has to wonder—why doesn’t Sunny do something about it? Either step up her fitness and martial arts training, or partner up with a female who can handle the shooting and hand-to-hand stuff. They exist.

Similarly is her seemingly everlasting tie to Richie, being unable to let him go—even as it’s clear she needs to, for at least his son’s sake. Her level of commitment to Jesse Stone could use some definition as well, but that’s not going to happen as long as Richie’s around (and, I’m not sure Jesse’s capable of it). Coleman was able to get Jesse to the point where he was able to let go of Jen (a move that was more overdue than Sunny and Jesse). I’d like to see Sunny do something similar, all that therapy she’s received should be enabling her to make some tough choices.

All that said, again, these are inherited themes, ideas, and characteristics. I’m not holding them against Lupica for maintaining it (he can only do so much without getting the fans to rebel). I just think it’d be nice to see.

So, what did I think about Payback?

Lupica is locked-in on this series, he’s got a handle on the characters and the stories he wants to tell and gets it done confidently, smoothly, and with just enough flair to keep the reader hooked and turning pages. This was his best yet. I’d describe his first two novels in this series as “good, for a Sunny Randall novel.” Payback. is doesn’t get the modifier. It’s good, period.

* I’ve got both hardcovers on the shelf next to me, after getting the eARCs from NetGalley. So if that sounds a little more back-handed than I mean that to be, maybe the fact that I shelled out for them takes a bit of the sting out of it.

The prose is crisp. It’s engaging and filled with a Parker-esque clarity and wit. The story is compelling and an interesting reaction to things in the zeitgeist, and the characters are as solidly drawn and executed as they were over two decades ago when Sunny debuted. New readers or established Sunny fans alike will find enough to entertain them and will likely come back for more—just like me. I recommend Payback to you.

Disclaimer: I received this eARC from PENGUIN GROUP Putnam via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Below Zero (Audiobook) by C. J. Box, David Chandler: Joe Pickett’s 9th Adventure is Almost Impossible to Believe

Before you read on—if you haven’t read the third book in the Joe Pickett series, Winterkill, you probably shouldn’t read anything else in this post. Really, it’s impossible for me to not ruin Winterkill and talk about this book.


Below Zero

Below Zero

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #9

Unabridged Audiobook, 10 hrs., 22 min.
Recorded Books, 2009

Read: March 24-25, 2021
Grab a copy from your local indie bookstore!


Don’t say I didn’t warn you if you haven’t read Winterkill…

What’s Below Zero About?

Joe Pickett’s daughter starts getting text messages from a very unlikely source: April, her foster sister. The sister that Joe watched die in a fire during a horrific FBI raid on a group of survivalists. Joe and Marybeth are skeptical at first—Sheridan is a little skeptical, but she wants to believe. Eventually, they provisionally accept that it is April texting them and Joe heads off to rendezvous with her.

The difficulty comes with April’s traveling companions—she’s fuzzy on the details, but the men she’s with are hurting people. Joe’s able to construct a path of where they’ve been (where they’re headed is pretty murky, though) and pieces together some sort of motive. The victims have been significant polluters in their own way—and he’s pretty sure that one of the killers is an environmental activist and the child of a notorious mobster, who might have been learning a lesson from his father.

Joe now has two goals—track down the person claiming to be April and see if she really is who she claims to be—and learn how she survived, and stop the killings.

The Balancing Act

Behind the murders stands a discussion about environmental concerns vs. real-world solutions vs. way of life in West. This is a theme of the last few books in the series (probably all of the books, it just feels more pronounced). Generally, when I’ve encountered this kind of thing it’s not dealt with very well—the novel preaches at readers about the environment, an unrealistic solution is approved/implemented, or the whole concern is shrugged off (either because it’s too late to do any good* or because the characters don’t accept the legitimacy of the concerns. I love the way Box does this and I wish more authors would learn from him.

* Yes, I realize that it might be too late, but we’re not going to focus on that right now.

Poor Old Lu

I don’t want to say that I’ve disliked Lucy, Joe’s younger daughter. But I’ve never been taken with her as I have been with the rest of the family. She’s too much like her grandmother I guess. She’s about clothes and nice things, not about wildlife or her family or whatever it is that makes Sheridan an interesting character.

But her reaction to the possibility of April being alive? What’s more, her reaction to Sheridan being the sole point of contact between Joe and April? It just broke my heart. I actually wanted her to get to tag along with her dad and sister for a change. I hope this is a sign of things to come and that I finally get the chance to get invested in the character.

David Chandler

I’ve got nothing to say here that I haven’t said before. Chandler is Pickett in my mind. When the TV series starts, I’m going to be comparing Michael Dorman to him (and I think Dorman’s not going to fare too well).

So, what did I think about Below Zero?

I hated, hated, hated the way that Box brought April back. This isn’t General Hospital or Days of Our Lives, after all. Also, it ruined some of the gut-punch of an ending of Winterkill. But by the end, Box had won me over and convinced me that it wasn’t the worst idea he’d ever had.

I do wonder how the traveling murderer story would have worked without the April aspect—part of me would have liked a closer focus on that. But I don’t know how much I’d have cared about them without April as a point-of-entry into that story.

I’m curious about where Joe and the family go from here. It’s possible I’ll totally get over my antagonism toward the April story within a book or two, it all depends on what Box does from here.


3.5 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Dead Secret by Noelle Holten: Maggie Has to Juggle Several Balls at Once—Can She Keep it Up AND Catch a Killer?

Dead Secret

Dead Secret

by Noelle Holten
Series: DC Maggie Jamieson, #4

Kindle Edition, 448 pg.
HarperCollins Publishers, 2021

Read: April 23-26, 2021


Before I dive in, I’d fully intended on having this posted five days ago, but I had to keep trashing paragraphs because I’d wander into a spoiler or three, and by the time I’d sanitized them enough to post, they were worthless. This has resulted in a shorter post than I expected, and one that may not feel up to my typical thoroughness for this series. There’s a lot to chew on in this novel—more than anything since Dead Inside—but this isn’t the place to talk about it.

The team were deflated – long nights, no solid leads – morale down – they needed to catch a break.

While they waited for more information, Maggie spent the majority of her day chasing up the curfew company, cross-referencing the prison tattoos – which was proving to be a very tedious job – and chasing up Social Care.

While waiting on hold, she recalled a conversation she’d had with her brother about how funny she found it that a large majority of the public believed that everything in a murder investigation was so exciting and moved quickly because of the way that it was portrayed in movies and TV – however a big part of her job focused on calls, computer work, research, and reports. She wished it was the opposite!

What’s Dead Secret About?

The book opens in the final fleeting moments of a young man’s life, he’s scared, beaten, bloody, and desperate for help. And then he’s no longer scared or desperate again. Found in a woody area near an industrial estate, his face has some dots drawn on it, but aside from that, there are no other clues—assuming they are one.

Maggie and the rest of her team have barely begun to get into this investigation when their DI drops a bomb on them—their DCI has gone missing. It’d been a couple of days since anyone had heard from him, so some officers went to check him—they found no one at the home but did find evidence that a violent crime had been committed there. Given their staffing levels, they couldn’t have some detectives work the missing persons cases and others focus on the homicide, so each detective on the team would be involved in each. Watching the detectives try to balance these cases—which primarily means not dropping everything to focus on DCI Hastings and his family—is good to see, and a needed reminder that actual detectives frequently have to juggle multiple cases at once—unlike their fictional counterparts.

Meanwhile, the domestic abuse shelter that Lucy Sherwood has been trying to start is on the verge of opening. But days before, a “battered and semi-conscious woman in her doorway” led her to get an early start. The young woman doesn’t speak at the beginning and appears to be reading lips when dealing with the paramedics. She won’t interact with the police, however. It is impossible not to feel all kinds of sympathy toward this woman—and Lucy definitely feels that way. This storyline is a fantastic way to follow up on Dead Inside, the first book in the series, and show how far Lucy’s comes since then and why her center is needed.

Realism

One thing that seems to jump out at the reader of this series is how authentic the procedural elements feel. Sure, events and characters are heightened, clearly played for greater narrative tension, and the like. But you can’t avoid how real this world, characters, and situations seem. Like the general public in that quotation above, novel readers are frequently given just “the exciting” portions of the procedural, but here, we see the drudgery, the combing through reports, and endless research before substantial advances in the investigation are made. While showing the reader that research and paperwork characterizes modern policing, Holten still allows her characters to have small maverick streaks that propel the action forward a little faster than the actual procedure can.

Along the same lines, all I know about the British probation system comes from this series and Helen Fitzgerald’s Worst Case Scenario. I think if I did, I’d have a better appreciation for scenes in each of these novels. Lacking that (and the drive to do research), I just have to assume that Holten was paying attention during the almost two decades she worked as a probation officer and is giving us something fairly reality-based.

One Random Thought

There are six times in the novel that “youths” is used, like: “youths in the area”, “gang of youths”, and so on. Maybe it’s a cultural thing, but I couldn’t help but laugh. It was like Maggie had been replaced by Schimdt. It’s not worth mentioning, really. But in a book as grim as this, you take the smiles where you can get them.*

* See also two surprising, but effective, TV references. I don’t remember this series doing that.

Give Her a Break

Several times throughout the novel, Maggie thinks about how tired she is—and how little downtime she’s had between major cases. She didn’t get a lot of time between these cases and the previous books (although she had even less between Books 2 and 3). Maggie needs to catch her breath if she’s going to be any good to anybody. Her personal life is a mess, and I’m worried that her professional life is close it one, too. Her physical and mental reserves have to be beyond spent—and you can’t help but wonder as you read this book (and the previous one) if she wouldn’t have picked up on something sooner if she’d been coming at things with a fresh mind.

It’s not much of a spoiler to say that Maggie isn’t going to get a whole lot of downtime before Book 5’s case takes over her life. But what comes after that? As far as I can tell*, this is intended to be a five-book series—so hopefully Maggie gets to take that holiday she’s been thinking about. Even more hopefully, we get to have at least a few more books with her.

* I’m prepared to be shown that I’m wrong—and hope I am.

So, what did I think about Dead Secret?

I’m a fan of this series—so obviously, I went into this book expecting to like it. But any reader knows that sometimes those expectations aren’t met. Thankfully, it wasn’t long at all before I knew Holten had, once again, provided her readers with a great read.

You’ve got a pretty grizzly beating death to start off with and then you the police’s natural inclination to focus all resources on the missing DCI—and them not necessarily wanting to follow all the evidence that points to the DCI not being the kind of man they all thought. Just those two storylines would be enough. But then Holten throws in that third storyline—here’s a person in desperate need of help, a survivor of (as far as anyone can tell) of domestic violence—a reminder that policing isn’t about arrests, it isn’t about only maintaining social order—it’s about people like this woman who showed at Lucy’s front door, it’s protecting and serving the public. This is the kind of thing that both (fictional and real) civilians and the (fictional and real) police need to be reminded of, and here it elevates the rest of the novel by its presence.

I’d largely figured out who the killer was and how it was happening pretty early on. I wasn’t prepared for the motive behind the killing until it was clear. Holten also did a good job of revealing enough for readers who wanted to identify the killer early while at the same time writing things clearly enough that even people who didn’t want that revelation would be able to enjoy the novel.

This is Holten at her best—I also see this having better commercial appeal than the previous novels in the series and I hope I’m right. Can you read this without having read the previous three novels? Yes. I think you’d be better off starting with the first book, but the important thing is that you start somewhere with this series.


4 1/2 Stars

PUB DAY BOOK BLITZ: In the Blood by Margaret Kirk

This morning I’m pleased to host a Book Blitz for Margaret Kirk’s In the Blood to celebrate the publication today.

In the Blood Blitz

Book Details:

Book Title: In the Blood by Margaret Kirk
Publisher: Orion
Release date: April 29, 2021
Format: Ebook/Paperback
Length: 294 pages
Purchase Link:

Amazon UK ~ Amazon US ~ Apple ~ Google ~ Kobo

In the Blood

Book Blurb:

‘Ritual murder and ghosts from a chilling past haunt DCI Lukas Mahler in his latest case, set on the ancient Orkney Islands.’

Tied to a derelict pier on Orkney, the bloated remains of a man bob in the waves, under the shadow of forbidding Sandisquoy House. The locals know him as William Spencer.

But DCI Lukas Mahler identifies him as Alex Fleming – his former boss.

Unable to step away from the case, Mahler tries to piece together why Fleming would retire to such a remote location. But the deeper he digs, the more disturbing the investigation becomes.

Seal bones, witches’ salve, and runic symbols appear everywhere he looks, ushering Mahler towards Fleming’s most notorious unsolved case: the ‘Witchfinder’ murders. And towards a dark and uncomfortable truth someone has gone to great lengths to bury…

About the Author:

Margaret Kirk writes ‘Highland Noir’ Scottish crime fiction, set in and around her home town of Inverness.

Her debut novel, Shadow Man, won the Good Housekeeping First Novel Competition in 2016. Described as ‘a harrowing and horrific game of consequences’ by Val McDermid, it was published in 2017 by Orion. Book 2 in the DI Lukas Mahler series, What Lies Buried, was published on 13th June 2019. Book 3, In The Blood, will be released by Orion on 29th April 2021.

Margaret is also the writer of several award-winning short stories, including The Seal Singers, which has been published in translation in Germany. She has contributed a short story, Still Life, to the Noir From The Bar anthology, which has been compiled to raise funds for NHS charities.

My thanks to Love Books Group for the invitation to participate in this Blitz.

Love Books Group

Quick Take Catch Ups: Strange Planet; Claire Dewitt and the City of the Dead; Midnight at the Bright Ideas Bookstore; Paper: Paging Through History

This is an odd group of books, I realize—there’s no theme or anything. Most are books that I can’t find the time to write a full post about, and one I don’t want to spend the time on. To do justice to the Claire DeWitt book would take at least two of my longer-sized posts, and I’d want to read the book at least two more times—so, that’s just not happening, I’ll settle for this sketch. The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness. As you’ll see here.


Strange Planet

Strange Planet

by Nathan W. Pyle
Series: Strange Planet, #1
Hardcover, 144 pg.
Morrow Gift, 2019
Grab a copy from your local indie bookstore

(the official blurb)
I’m not sure how to talk about this collection. If you’ve seen the comics floating around online, you either love ’em or hate ’em. If you haven’t seen the comics floating around online, you’re probably wrong, they’re fairly ubiquitous.

Having these in one handy collection is greatthis covers the topics “Young Beings,” “Friendship,” “Adulthood,” and “Recreation” from Pyle’s distinctive perspective. They’re great to dip into and out ofeither in order or just randomly. I could (and have) spend too much time reading/rereading this.
4 Stars

Claire DeWitt and the City of the Dead

Claire DeWitt and the City of the Dead

by Sara Gran
Series: Claire DeWitt Mysteries, #1
Paperback, 273 pg.
Houghton Mifflin Harcourt, 2012
Read: February 15, 2021
Grab a copy from your local indie bookstore

(the official blurb)
I have copious notes on this one, and I just can’t decide how to talk about it. So…I’ll cheat and do this.

It’s like someone decided to do a serious take on Dirk Gently and his approach to detection. And it is pretty seriousalthough it has moments where I wasn’t sure if I was supposed to laugh or not. A former teen detective turned “world’s best detective” comes to post-Katrina New Orleans to hunt for a missing D.A. Following the idiosyncratic methods of her mentors (in both print and in real life), DeWitt deals with the good, the bad, and the hard-to-fathom that make up New Orleans. She also deals with some ghosts from her past as she uncovers the truth about the DA (including many things he’d probably want no one to uncover).

It’s a book about literary private eyes as much as it is a literary private eye story. I do recommend it, you’re not likely to read anything like it. I’m coming back for the sequel soon.

Not that there was a great danger of this, but between this book and Treme there is zero chance I’ll ever live in New Orleans.
3.5 Stars

Midnight at the Bright Ideas Bookstore

Midnight at the Bright Ideas Bookstore

by Matthew J. Sullivan, Madeleine Maby (Narrator)
Unabridged Audiobook, 8 hrs., 59 min.
Simon & Schuster Audio, 2017
Read: February 24-26, 2021
Grab a copy from your local indie bookstore

(the official blurb)
A bookstore clerk finds a frequent customer dead in the shelves after he committed suicide. He has some sort of connection to her as a child, she discovers, and has left his few possessions to her. She’s compelled to learn why he killed himself, why he died with a photo of her as a child in his possession, and along the way has to come to terms with horrific events from about the time the photo was taken.

There are a lot of layers to this novelfantastic concept, heartbreaking conclusion. I never really connected with the protagonist, but I couldn’t stop listening, either.

Mabey did a fine job with the narration, I should add. Looking over some of her other titles suggests that I’ll be running into her again.
3 Stars

Paper: Paging Through History

Paper: Paging Through History

by Mark Kurlansky, Andrew Garman (Narrator)
Unabridged Audiobook, 13 hrs., 42 min.
Recorded Books, 2016
Read: March 4-9, 2021
Grab a copy from your local indie bookstore

(the official blurb)

This vacillated between intensely interesting and stultifyling dull, overly detailed, and seemingly random in focus, provocative and insulting. More than once I wondered about the connection between paper and whatever particular period of history he wanted to sound off onthe connection was usually there and clear (and germane), but he stretched it more than once. Also, Kurlansky seems to have a real chip on his shoulder regarding religions of many stripes. That’s fine, it’s just not all that germane.

I’m not sure audio was the right for this medium, outside of the irony. There was just so much thrown at the listener, I can’t imagine how anyone could retain any detailsI didn’t even try.

None of my problems were with Garman’s narration (although I questioned a few of his pronunciation), it was simply the text.
2 1/2 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Art of Violence by S. J. Rozan: Bill Smith is Hired to Prove His Client IS a Murderer

The Art of Violence

The Art of Violence

by S. J. Rozan
Series: Lydia Chin & Bill Smith, #13

Hardcover, 275 pg.
Pegasus Crime, 2020

Read: April 7-8, 2021
Grab a copy from your local indie bookstore!

… he said, “Aren’t you going to tell me I’m not the serial killer type?”

“I don’t know that.”

“I guess in some weird way that’s a compliment.”

“It’s not. Why did you come here, Sam? Anyone else, I might think he was trying to impress me, but not you.”

“I’m not the type?” A sly smile.

“I hope you didn’t come for help leaving town, laying low, something like that. If you killed those women, you know I’m going to have to turn you in.”

“Good luck.”

“I have the guns,” I reminded him.

“You won’t need them but they won’t help. I already tried it.”

“Tried what?”

“Turning myself in. The detective told me to get lost. She said I wasn’t the type.

What’s The Art of Violence About?

Five years ago, Sam Tabor was sentenced to prison following a homicide. Bill Smith worked for Sam’s lawyer during the case, and was convinced Sam should’ve been put in a treatment center instead of prison—but Sam refused.

Now that he’s been “discovered” as an important artist, several agents and arts worked to get him released from prison. That happened a few weeks ago, and now two women have been killed. Sam’s convinced that he’s the killer, although he doesn’t remember killing these women—or even encountering them. He hires BIll to prove that he did commit the murders, so he can be sent back to prison for life where he can’t hurt anyone. Bill’s skeptical (as is the investigating detective) about Sam’s guilt, but takes the case so he can make sure Sam’s treated right and that his fears are investigated correctly.

So instead of looking for evidence to exonerate Sam, Bill’s looking for things to implicate him (technically, Bill’s still looking for ways to exonerate him, too). This is a very strange reason to hire a PI, and I loved this premise.

PI/Client Relations

Most people in Sam’s life treat him as two things—a murderer with psychological issues and an artistic genius (with shades of a cash cow). His brother and sister-in-law see him as a burden/obligation as well as a murderer with psychological issues. The police are looking for an excuse to lock him up again, hopefully for forever this time.

Bill Smith (and later, Lydia), on the other hand, treats him as a person. He doesn’t dance around Sam’s past, but Bill has always figured he’d paid a dearer price for that than warranted. He doesn’t want Sam to be railroaded by a vengeful detective or his own guilt. He certainly has no ideas about taking advantage of Sam’s wealth, status, or fame. He simply wants to find out what happened to these women.

In this light, Bill reminded me of Elvis Cole with Peter Alan Nelsen and Spenser with the various sports stars he’s worked for or Jill Joyce. They’re clients first and foremost, people who deserve to be treated right—and being celebrities is so far down the list of things they care about, that it almost doesn’t matter. Bill stands in good company there, and something about that way of dealing with a VIP has always appealed to me.

The Role of Art

Lydia and Bill find themselves involved in a crime involving the art world yet again, I can’t think of another detective that spends as much time in this world as these two. Typically, novels focusing on artists, galleries, and so on don’t do much for me. But the way this pair brushes up against this world, not only do I not mind, I find it appealing. I can see why Rozan or other authors find this world appealing.

One of Sam’s few friends in this particular case is a photographer. As hard as it is to give the flavor or an impression of a painting in prose, it seems more difficult to capture a photograph (aside from saying “it was a photo of X”), and Rozan doesn’t spend a lot of time describing individual photographs but she does a great job on the subject and tone of them, instead. I’m pretty glad that there were no pictures included I’m not sure I could’ve taken it (the novel’s title gives a hint about the direction of the photos). A picture may be worth a thousand words, but Rozan doesn’t need that many to get the reader to have the reaction she needs.

By now, it was half past eight. Traffic choked the streets, and pedestrians wove complex patterns on the sidewalks. All traces of last night’s mist had burned away under the April sun. The slanting whiteness of the light, the thin freshness of the day, dazzled me.

Lydia’s suggested any number of times that I consider changing my ways, getting up earlier, taking this in more often. She thinks it’s laziness and old habs that keep me from it. But she’s wrong. This unsullied light, this bright vision, they’re beautiful, but they’re false. They paint over the truth. They promise something they can’t deliver. It’s not until the day gets older, wearier, that it stops making the effort to lie.

The Subtle Slow Burn

Rozan says so little about the non-P. I. relationship between Bill and Lydia, and yet says so much. It’s been clear how Bill has felt about Lydia since the first book in the series, but it’s been a little harder to read Lydia. And Rozan hasn’t been as forthcoming as other mystery novelists when it comes to that sort of thing—and by other, I mean “every other one I can think of.” The Lydia/Bill romance arc is definitely a “less is more” kind of thing. Which is pretty much how Lydia would prefer it, I think.

I’d really prefer that she was less circumspect about it, but I really appreciate her approach to it. Which seems like a contradiction, but it’s not. If I were calling the shots, we’d get a lot more detail about what’s going on between them—and how long that’s been the case. That said, the way that Rozan plays with the audience’s desires/expectations, and instead just gives the reader hints, winks, and nudges work so well. Not just because it is so clearly what Lydia would like and leaves it all to the reader to piece things together. Yet, there have been developments in the relationship and we learn a lot about it (at least by Ronzan’s standards) in this book.

Yet again, the angel on my right shoulder told me to call Grimaldi, and the guy on the other side said I’d get more accomplished on my own. The right-side guy wanted to know if this was about getting things accomplished, or if it was personal. The left-side guy told him to guess.

So, what did I think about The Art of Violence?

The fact that this is the thirteenth book in the series that I’ve read, you probably have a pretty good idea of what I was thinking going in—I fully expected to like this one and I did.

First off, it’s from Bill’s perspective this time, and those usually feel a little different, and we get different details reported than we would have were the shoe on the other foot. I always enjoy the bouncing back and forth between the two narrators. Particularly if the police are involved, Bill has a strange relationship with the police, and it’s always good to see.

There’s a good puzzle to chew on here*, while watching Bill make a nuisance of himself with the people in Sam’s life who are convinced they’re far too good to deal with a P.I. Lydia’s around to smooth things over a bit, but not enough. It’s a dynamic I don’t imagine I’ll get tired of seeing. The (too few) scenes where it’s just Bill and Lydia talking to each other, are again, the highlight of the novel—I’ve said it before, I’ll say it again I don’t care what these two are talking about I’ll gladly read it. The Art of Violence would make a good jumping-on point to this series (almost all of them would be, come to think of it).

* Okay, I pegged the guilty party pretty early on, but not all the whys and hows involved. This is about the journey Bill and Lydia take to get the answers, more than it is the puzzle. Either way, the book scored pretty high on those).

These are characters you like to see in action, with a client who’s more interesting than most of those in a P.I. novel. you get a couple of good surprises out of Lydia’s mom, too. There’s really a lot to commend this book, as is to be expected from this series. You should give it a try.


4 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Friday 56 for 4/21/21: Dead Secret by Noelle Holten

The Friday 56This is a weekly bloghop hosted by Freda’s Voice

RULES:
The Friday 56 Grab a book, any book.
The Friday 56 Turn to Page 56 or 56% on your ereader. If you have to improvise, that is okay.
The Friday 56 Find a snippet, short and sweet.
The Friday 56 Post it

from Page 56 of:
Dead Secret

Dead Secret by Noelle Holten

(a little long, but couldn’t see a way to shorten it)

When the steam came out of the spout, Ronnie picked up the kettle and then poured the boiling water on her arm.

What the hell?

Ronnie didn’t even flinch. It was like she didn’t feel any pain. She placed the kettle back, used a tea towel to dry her arm, and covered it up with the sleeve of the cardigan. Vicki turned and looked at Lucy. They waited until they saw Ronnie leave the kitchen, and Lucy stood and headed to the kitchen.

Maybe I was wrong.

At the counter she touched the kettle.

Ouch!

She sucked her index finger and turned on the cold tap, holding the sore digit beneath the running water. Lucy looked up at the camera and raised a brow. She knew Vicki would be watching.

Page 51 of 153

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