Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 54 of 153

Chasing the Pain by Matthew Iden: A Missing Addict (or two), a Missing Friend, and the Ex-Cop Out to Find Them

Come back in the next hour for a Q&A with the author!


Chasing the Pain

Chasing the Pain

by Matthew Iden
Series: Marty Singer, #8

eARC, 274 pg.
Life Sentence Publishing LLC, 2021

Read: February 3-4, 2021

The Set-Up

Once upon a time, it seemed like at least 40% of the P.I. novels/TV shows I read started out with an old friend (usually that the reader/viewer had never heard of) coming to the P.I. for help—or getting word to him that they were in trouble. It was a quick and effective way for the P.I. to get involved in the case without all the bother of interviewing a prospective client and worrying about money and whatnot. Obviously, it was better if it was someone the reader/viewer knew so we’d be invested, too.

And that’s what we have here, Marty Singer gets a visit from the ex-wife of a man he’d worked with not that long ago (Book 6, Once Was Lost, for the reader). He’s gone missing, leaving a note for his ex that reads:

If you’re reading this, then you haven’t heard from me in three weeks, maybe more. If that’s the case, call Marty Singer. He’ll know what to do.

Marty, a former DC Homicide detective, really has no choice (not that he wants one). He needs to find the retired US Marshall, Karl Schovasa, and bring him home—and helping Karl out however he needs to in order to get him able to come home.

The Protagonist

So, I’m coming into this series late (this is Book 8), but here’s what I picked up about Marty. He’s a retired detective and a cancer survivor. He now does favors for people, acting like a P.I. without a license (for undoubtedly a good reason). Think Matthew Scudder without the alcoholism.* He’s got a great girlfriend and there’s a young woman in their life that might as well be an adoptive daughter**. Drawing on his experience and contacts, he seems to be fairly successful at what he does.

* This is just my impression at this point, I could be way off.

** Think Spenser and Paul Giacomin.

I didn’t get to spend a lot of time with his girlfriend or daughter-figure, but they seemed like the kind of characters you’d want to spend more time with, and the interaction between the three of them served to make the reader like Marty.

The Victim

Karl Schovasa ran into Marty when they were on opposite sides of a case a couple of years back—but at some point, they realized they weren’t really on opposite sides and combined their efforts, forging a friendship. In the meantime, Karl’s addictions became worse—although Marty sees signs of him sobering up (and signs that the sobering didn’t last).

It looks like Karl befriended a young woman in a treatment group and decided she was in trouble. She’d ended up in a treatment center in Palm Beach, and it looks like Karl followed her there. Then he disappeared.

So, it’s off to Palm Beach for Marty to look for Karl—and probably the girl, too—and then the trouble really starts. And I’m going to leave it there.

A Refreshing Take on Violence

Like any good P.I. (or P.I. adjacent) novel, there’s a little violence—really 4 incidents of it. There’s nothing all that dramatic or over-the-top with them, they’re pretty straightforward. The biggest one—in terms of importance, and I think word count—is a fistfight. This is about as far as you can get from a Jack Reacher kind of fight. It’s nasty, brutish, and short.

Usually, in fiction—even among the more “realistic” works—a fistfight is something that the protagonist/their allies can shake off pretty quickly. Not this one. It really wasn’t that entertaining (the way that a Reacher or Spenser fistfight typically is), but it comes across as how things actually go down when someone is attacked from behind by someone swinging a piece of lumber against their head.

I loved that. I need to see more of that.

I Demand a Spin-Off!

Being a fish out of water as he is in Palm Beach, Marty needs to make some allies—and he does that with a little help from an old contact. I really liked all the allies we meet, Iden knows how to quickly get you to like a supporting character (he does it 3-4 times effortlessly). There are some characters that you encounter in various novels that basically steal every scene that they’re in. In this book, that character is Madame Cormier. I can’t say anything more than that without diminishing your experience in meeting Madame (but, boy howdy, I want to). All I can say is that I didn’t get enough, and I’m certain the character is worth a novel—if not a series—without Singer or the rest around.

Iden talks a little about this in the Q&A I had with him. (which will post a little later today)

The Real-Life Crime

Like so many Crime Writers do, Iden took the central idea for the crimes at the center of this novel from the news. I’d never heard of the way that these unscrupulous addiction treatment centers were gaming the system using the Internet and Insurance Payments to make a ridiculous kind of money. Iden provides links to his sources (at least some of them) at the end of the book—they made my blood boil and almost took away from the pleasant experience I had with the book.

I mention this just to say, while you read Chasing the Pain and you think, “this is preposterous, no one can get away with this…” Just know that it’s not. John Rogers would frequently say they had to tone down the crimes they based Leverage‘s crooks on because no one would believe what had actually happened. Something tells me Iden did something similar.

Also, I mention this all to say: if you’re someone who gets mad when they read news stories? Maybe skip the research at the end.

So, what did I think about Chasing the Pain?

First off, this book has a nostalgic feel for me—this feels like the Crime Fiction that I cut my teeth on back in Junior High/High School (both in books and on TV). Both the way Iden tells the story and the character of Marty Singer just takes me back to that time. So I like it for that alone.

But the story he’s telling isn’t really the kind of thing that anyone was telling in the 1980s (and not just because of the technology involved). And that is just as appealing to me, if not more so.

There’s something about this book that was just fun to read–I sat down to read about 10% on the first night, just to get the book started and get a feel for it. Before I knew what had happened, I was about one-third of the way in. I just didn’t want to stop reading—I could’ve easily finished it in that sitting, if I didn’t have a list of things to get to. It was still early in the book, so I hadn’t got hooked by the story or anything yet. It was just a pleasant read—I’m not sure I can put it into words, but everyone reading this knows what I’m talking about. A book like that gets me to come back to the series.

I liked this enough that I’ve purchased the first Marty Singer book, A Reason to Live, and am looking forward to catching up with this series. I bet I’m not the only one who reacts that way to this book.

This is a fast, easy read with characters you’ll like and believable conflicts for Marty to resolve. Marty himself has a strong, engaging voice that’s a pleasure to read. I recommend this novel and expect I’ll recommend the rest.

Disclaimer: I received this book from the author in exchange for this post and my honest opinion. I appreciate the opportunity, but, as always, my opinions are my own.


3.5 Stars

Smoke by Joe Ide: What Happens When Isaiah Quintabe Leaves LA?

Smoke

Smoke

by Joe Ide
Series: IQ, #5

eARC, 336 pg.
Mulholland Books, 2021

Read: February 8-12, 2021
Grab a copy from your local indie bookstore!


Not that any of the previous IQ novels have been cookie cutters of the rest, but this really feels less like an IQ novel than I was ready for. In fact, it felt* like this was more of a Juanell Dodson novel for most of it. When Isaiah left town at the end of Hi Five, he left his friends behind. But their problems didn’t leave with him, they all have to step up and take care of things now without him. But the way they go about taking care of these problems is heavily influenced by Isaiah—he might not be playing an active role in most of the storylines in this book, but this is still his book.

* Yes, I said “felt like,” I could be wrong. This isn’t the kind of blog where you’re going to find me doing word counts to prove things like this.

The LA Stories

Grace is trying to get over Isaiah and focus on her art. She’s got a show coming up and needs to get some more paintings ready—that’s all that matters.

But while she and Isaiah know they’re over—most people don’t (and some of those who do know, believe it’s temporary). When someone that Isaiah helped put away gets back to town and is looking for a little payback, he only hears that Grace is Isaiah’s girl. Which puts her right in the cross-hairs.

Deronda’s life is going great—she’s getting some media attention for her success (which is only serving to build that success), her food trucks are doing great, and her son is fantastic (just ask Deronda, she’ll tell you). But then someone comes along to help himself to a share of that success and uses Janeel as his tool. Deronda goes nuclear and tries everything she can think of to stop this.

Grace tries to help—and gets one of Isaiah’s former clients involved, too. And even Dodson gets in on it. There’s nothing about what they try or the solutions they come up with that Isaiah would have done. In fact, I’m pretty sure he’d have seen some of the problems with her theories and stopped Deronda before she tried to act on them. But for fear of repeating myself, without Isaiah’s influence on the three of them, none of them would’ve tried anything like they did.

Cherise has had enough of Dodson’s bouncing around from opportunity to opportunity, trying to make some money, but with no stability. He needs to grow up and get a real job, and to help with that, she’s arranged for an internship at a local advertising agency. Dodson isn’t interested at all in this, but she’s not negotiating.

So he shows up for the first day, and something clicks. He thinks about the way Isaiah had approached goals in his life and applies it in his way to this situation. It wasn’t quite a “What Would Isaiah Do?” thing, more of a “How Would Isaiah Do This?”

Now there is zero percent of the Dodson storyline that is Crime Fiction. It’s about character development, character growth—it’s a transition point for Dodson. Yet this is my favorite part of this Crime Novel. Because it’s Dodson going through all this. Also, as Dodson pops up in their storylines to help Grace and Deronda, he gets plenty of Crime Fiction action.

There’s a fun part of this storyline where Dodson, who started as Isaiah’s Dr. John Watson, now becomes an Eliza Doolittle figure. Cherise’s mother, Gloria, who tries to equip him into someone who could make it in the Corporate World. On the one hand, I felt bad for poor Dodson—this wasn’t easy for him—but man, it was funny. We also got Dodson’s commentary on Pop Music and TV—which is not to be missed.

The LA stories interweave, Grace helps Dodson, Dodson helps Grace, Dodson chips in with Deronda…and so on. IQ is mentioned, he’s talked about and he even converses with some of them—but not about the challenges they’re dealing with (and vice versa) in this novel. He’s as removed from their stories as possible. Yet, without him, without his influence in their lives—none of this would’ve happened. So it absolutely was still part of an IQ novel, even if it was for all intents and purposes IQ free.

Isaiah’s Story

Isaiah’s trying to be IQ-free, too. He’s pulled up stakes to get away from the enemies he made in Hi-Five, and away from everything else, too. He’s decided he wants a new life. He wants nothing to do with the violence, the depravity, the danger that has so characterized the last few years of his life.

Which, of course, means that despite his best efforts—and really by dumb chance—he’s brought into a hunt for a serial killer by one of the least likely, least credible people we’ve encountered in this series.

While I did say this felt like Dodson’s book most of the time, at one point the Isaiah/Serial Killer story took over—and we see heroism and depravity on display (not quite in equal parts, but we get an excess of both). As much as Isaiah has said he wants away from this life—when the chips are down, he finds a way to try to stop another murder, at great risk to himself.

The final confrontation can be seen as darkly comic or as intensely human and maybe even realistic to an extent you don’t usually see. There’s a visceral desperation to it—everyone involved seems to believe on some level that they’re doomed, but they press on anyway. It’s harrowing really.

So, what did I think about Smoke?

This really feels like a transition novel—probably for the series as a whole, and definitely for all these characters. In a book or two, it’ll be easier to see (not that it’s difficult now) exactly what role this is going to play in things, but choices are made, steps are taken that insure wherever Isaiah ends up, he’s going to be a different man than he was in Hi-Five, ditto for everyone else. I’m particularly looking forward to seeing where Dodson is. Hopefully, he’s still going in the direction he started to move in here.

But that’s for 2023. What about the 2021 novel? While Ide seemed to be writing with an eye to the 2022 and 2023 novels, he also produces a fine read in Smoke. There are a lot of balls in the air, a lot of Point of View characters (those we know and those we only meet here). There are blasts from the past and new characters that we could be seeing in the future.

And while we get some very strong resolution to just about everything in the novel, there’s a cliffhanger at the end that makes it difficult for me to say most of what I want to say. It’s a complete novel, this isn’t just a book that you read so that you have to read the next. But I tell you what, when you finish you want that next IQ novel now.

I think it says a lot about the kind of world that Ide has created that his main character can only show up in 50±% of a novel/its stories and the novel to still be as strong as any of the others. The series isn’t about Isaiah (and other characters) now. It’s about Isaiah, Grace, Dodson, and Deronda—and their families, no matter what the series is called. I love that evolution, that development.

I think existing fans will find their enthusiasm for this series rewarded. I think new readers are going to want to grab the earlier novels to fill in how the characters got to where they are. Either way, people who pick up Smoke are in for a treat.

Disclaimer: I received this eARC from Mulholland Books via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

COVER REVEAL: Burying the Newspaper Man by Curtis Ippolito

Welcome to The Irresponsible Reader’s part in the Cover Reveal for Curtis Ippolito’s Burying the Newspaper Man! It is eye-catching! But before we get to his great cover down below, but before the picture, I’ve got a few words to share about the book.

Book Blurb

A dead body. A dark past. An ordinary man with everything to lose.

Marcus Kemp is a regular beat cop living a normal life in San Diego, California. Until the day he makes a shocking discovery: a dead body in the trunk of a stolen car. Worse, the victim turns out to be the man who abused him as a child.

Marcus instinctively wants to help the killer get away with murder and, disregarding his police oath, will stop at nothing to make it happen. With both his job and freedom in jeopardy, his investigation leads him to an unexpected killer, and Marcus is soon faced with an impossible decision.

Can he finally bury the past before it drags him under?

Date of publication: March 16, 2021

About the Author

Curtis IppolitoCurtis Ippolito lives in San Diego, California, with his wife. He is a communications writer for a nonprofit biological research facility. He has previously been a writer in the health care industry and is a former newspaper reporter. Follow him on Twitter @curtis9980.


And now…

The Cover

Burying the Newspaper Man
That just jumps out at you, doesn’t it? (it also makes me want to check my fingers for newsprint smudges) Another winning cover from the people at Red Dog.

Again, this book comes out on March 16th, but you can pre-order this now at: Red Dog Press or Amazon (but you should absolutely order from Red Dog directly, the Bezos retirement fund is big enough, help out the publisher).



My thanks to Red Dog Press for the invitation to participate in this reveal and the materials they provided.

Burying the Newspaper Man Banner

In This Bright Future (Audiobook) by Peter Grainger, Gildart Jackson: A Stranger in a Strange Land

This Bright Future

In This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)
Series: A DC Smith Investigation, #5

Unabridged Audiobook, 9 hrs., 18 min.
Tantor Audio, 2017

Read: January 7-8, 2021
Grab a copy from your local indie bookstore!

It’s Time to Wrap up Some Things

We’ve known for some time, that someone connected to DC Smith’s time in Belfast has been trying to get in touch with him. We know almost nothing about what he did, and he’s in no rush to think about it as whoever makes these attempts. But that’s done with now.

While recuperating from knee surgery, Smith finally confronts/is confronted by (you could make the case either way) with that person and ends up using his convalescence time going to Belfast to look into something that happened (probably) the day after he left.

Smith is brought face-to-face with friends and adversaries for the first time in decades. He has to come to terms with many consequences of his actions. And he looks into a killing from that time that he didn’t even know had happened until he made the trip.

So we learn who has been looking into him/trying to communicate with him. We learn a lot about his backstory that we’d only got glimpses of shadows of before. For fans who want to know more about DC Smith, here’s the place.

There’s another plotline that gets some resolution, too—in a very pleasant way. But I’m not going to get into it.

Never Fear, There are Still Some Storylines Alive

We don’t have any resolution when it comes to this author friend and her book (and digging up all sorts of horrible memories with it). And there’s a new one introduced in the closing moments, one that will probably shake up a lot of Kings Lake…

Jackson Nails It Again

Gildart Jackson makes sure that you get what DC is feeling, how the past is coming back to haunt him while confronting him with his failures, his missed opportunities, the what could have been. This is a lonely book for Smith, and Jackson ensures the listener experiences it.

So, what did I think about In This Bright Future?

Overall, this was strange. Still good, but strange. As much as we all pick up these books for DC, it’s DC in relation to his fellow officers. Here, he’s fairly isolated—he has his ghosts, his memories, and people he hasn’t seen for decades (some he’s tried not to think about since)—but he doesn’t have his team. The fact he can’t give any tutorials, he doesn’t have anyone around to amuse with his commentary, the fact that he’s constantly on his guard, all combine to heighten the emotional impact of this one.

But man, I want to get back to King’s Lake.

This was as good as the previous entries—probably better in some ways—but in a different way. I’m all for that, let’s keep this series from getting stale. You can read/listen to this without the rest, and enjoy it. But it’s a lousy way to sample the series. If you want to know what this winning series is like, grab book 1 or 2. But if you grab this? You’re in for a very pleasant experience.


4 Stars

2021 Audiobook Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Someone to Watch Over Me by Ace Atkins: Spenser Battles Mortality, An Old Foe, and a Sex-Trafficking Ring.

Believe it or not, this is the trimmed-down version. The original draft was too long even for me, so I tabled it for a week or so and came back with something more concise. More concise, I said, not concise. Hopefully coherent.


Someone to Watch Over Me

Robert B. Parker’s Someone to Watch Over Me

by Ace Atkins
Series: Spenser, #48

Hardcover, 306 pg.
G.P. Putnam’s Sons, 2020

Read: January 15-16, 2021
Grab a copy from your local indie bookstore!

It was early evening and early summer, and my bay window was cracked open above Berkeley Street. I had a half-eaten turkey sub on my desk and the sports page from The Globe splayed out underneath. Dan Shaughnessy proclaimed Mookie Betts to be overrated. I’m sure many said the same thing about me. But I was pretty sure being overrated was better than being underrated. A mistake few made twice.

I contemplated Mookie’s situation as I heard a knock on the anteroom door.

And just like that, I’m back in one of my favorite fictional universes, and it felt so great. Among the many, many things wrong with 2020 (and I want to stress that this is far down the list) was that there was no new Spenser novel. Thankfully, Atkins and his publisher have addressed that problem here in the early days of 2021 by bringing us the 48th entry in this fantastic series.

It All Starts with a Favor…

Mattie Sullivan, who’s been doing some work for Spenser lately, tried to do a favor for someone from her neighborhood, and now needs Spenser to help her. It’s a pretty simple task, but the story behind it is troubling. It doesn’t go much better for Spenser than it went for Mattie, but once he starts to ask questions, he ends up pulling the proverbial thread that unravels a sweater. And by “sweater”, I’m referring to an international sex-trafficking ring catering to the wealthy and powerful who like to prey on the young.

Yeah, basically, Atkins is going for a ripped-from-the-headlines Jeffrey Epstein kind of story.

Mattie Sullivan

One of my few complaints with the Spenser novels by Atkins is that he hasn’t used Mattie Sullivan since his first one, Lullaby. There’ve been a reference or two, but that’s it. But I got the impression that, like Zebulon Sixkill or Paul Giacomin, Mattie’d be around. But it never materialized. That’s fine. I get where (especially as Atkins was establishing himself) that there’d be some resistance to bringing in a young girl as a regular—it’d be tantamount to introducing Cousin Oliver.

But she’s here, and we’re to believe she’s been a presence in his life, and he in hers. More importantly, she needs a little help from her mentor. She’s on the verge of starting a career, and the way this works out will have a lot to say about her next steps.

Boston Homicide Captain Lorraine Glass

The Captain has been antagonistic toward Spenser since she showed up a few books back, a little more than Quirk was in the early books in the series. Sure, she’ll let Belson do his thing and will eventually listen to what Spenser has to say.

And that hasn’t changed. However…years ago, she tried to stop the same man. She worked with two victims, but the charges went away after someone (probably multiple someones) that he had leverage over had exerted their influence. Glass hasn’t gotten over it. If Spenser’s truly trying to bring him down, she’s in.

She doesn’t give a lot of help, but she gives some—and given what little Spenser has to work with it’s something. This doesn’t mean things are going to be chummy between Glass and Spenser any time soon. But it’s still nice to see.

Pearl Again, Naturally

On the backside, we found two cars parked outside. One was the Mercedes I’d seen drop off Debbie Delgado. The other was a light blue Rolls-Royce Phantom. Pearl and I noted the license tag on the Rolls. Or at least I hoped she did. She was still a detective-in-training.

Susan and Spenser’s second Pearl has died. This time, Spenser replaced her with a puppy German Shorthaired Pointer. I think I mentioned when Lupica’s first Sunny Randall had her do the same thing, I find the practice of replacing one dog with another of the same breed and using the same name odd (more than odd, but let’s stick with that). Susan seems to balk at the practice this time, which is odd. She seemingly had no problem with it for their second Pearl, but now she puts her foot down?

This does, however, provide Atkins with the opportunity to get Spenser to explain himself. I’m not sure that it helps. But at least he tried.

Still, Puppy Pearl is cute, so I’ll shut up about it.

Ruger? Really?

I feel bad bringing this up, but it’s right there in the Publisher’s description, so I guess it’s fair game. But Atkins brings back The Gray Man. I was stunned—almost as stunned as Spenser, Hawk, and Susan were—because I haven’t read a blurb for this series since Atkins’ first installment (and it had been probably decades before that).

I think it’s a risky move to bring someone like this back. You don’t want to use someone like Ruger too often. Once was probably enough, any more than that and you risk humanizing the character, making him seem less threatening, more mortal, more defeatable. I thought that when Parker did brought him back, and I think that now. Parker pulled it off. Atkins did it better. I love it when something so risky pays off.

Momento Mori

The three plane rides hadn’t been kind to me. I could feel every old break, bruise, and irregularity in my body. It had been eight years since I’d first met Mattie. Now she was a grown, successful person. And I was still doing what | do, none the wiser, not finding a better line of work. Maybe someday I’d retire to a place like this… Few get out of our livelihood by being politely asked. One day all the push-ups, wind sprints, and sparring wouldn’t save us. At this point in my life, I’d been doing this for many more years than I had not.

Both Ruger and the new Pearl (in different ways) make much of this book a meditation on mortality (Spenser’s in particular, while Hawk insists he “youthens”). This is something that Atkins has really highlighted in various ways since he took the helm, but not to this extent.

I don’t have time (or that much desire) to re-read it so I couldn’t say this definitively, but I don’t think Ruger’s second appearance brought with it this level of angst and apprehension on the part of Spenser, much less Hawk or Susan. But Atkins hits the notes that he should. The Grey Man about killed Spenser, reduced him to a shadow of the man we knew before, and he should make Spenser—reflexive confidence or not—fearful. As he should be. Because that’s the kind of guy that Ruger is, smart people are afraid of him. Smart people who’ve barely survived going up against him should really be afraid of him.

So, what did I think about Someone to Watch Over Me?

I loved it. I always enjoy being back in this world. Getting to see another part of Hawk’s life than we’ve ever seen before just makes it better.

I do wonder a little about what this novel says about Ceremony, the most problematic Spenser novel (still a good read, don’t get me wrong, but come on). I think Spenser’s actions and attitudes in this are defensible without casting doubt about what he did in Ceremony. And maybe it could be argued that Spenser’s attitudes changed after seeing what happened to April Kyle. I don’t think it’d be convincing, but maybe you could do that.

This gives the long-time fan plenty of stuff to think about, if they want to. There’s a decent amount for a new reader to chew on, too. But more than anything—it’s a solid Spenser novel written by the man who’s been keeping the legend alive for almost a decade, with hopefully many more years to come.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

BOOK SPOTLIGHT: Fake by Roz Kay

Today I welcome the Book Tour for Fake by Roz Kay. Following this spotlight post, I’ll be giving my take on the novel here in a bit. But let’s start by learning a little about this here book, okay?

Fake Tour Banner

Book Details:

Book Title: Fake by Roz Kay
Release date: September 21, 2020
Format: Paperback
Length: 285 pages

Book Blurb:

James Cowper-art dealer, gambler, thief-is going straight and on the brink of redeeming himself with his disillusioned wife, Imani. He’s still broke, but all he needs to take care of that is a rare art find. Then trouble arrives in the shape of a scheming landlord and an unwelcome dinner party with his boss. As events spin out of his control it appears that nobody, including Imani, is what they pretend. And over everything looms one make-or-break question for James: can he get a grip on his exploding life?

About Roz Kay:

Roz KayRoz Kay is a writer and former journalist. Her debut children’s novel, The Keeper of the Stones, was published in March 2020 by Hayloft Publishing and she’s had literary short stories published under the name Roz DeKett. Roz, who now lives in Wiltshire, England, has lived in Ghana, Canada, Malaysia, Brunei, and the United States—including nearly six years in Philadelphia where Fake is set. Fake is her debut novel for adults.

Social Networks:

Twitter ~ Facebook ~ Website ~ Instagram

Purchase Links:

Amazon UK Waterstones ~ Bookshop.org

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

Blacktop Wasteland by S. A. Cosby: Entertaining. Stunning. Devastating.

Blacktop Wasteland

Blacktop Wasteland

by S. A. Cosby

Hardcover, 385 pg.
Flatiron Books, 2020

Read: January 28-February 1, 2020
Grab a copy from your local indie bookstore!

Meet Beauregard Montage

The secret ain’t about the motor. That’s part of i it, yeah, but that ain’t the main thing. The real thing, the thing most people don’t want to talk about, is how you drive. If you drive like you scared, you gonna lose. If you drive like you don’t want to have to rebuild the whole engine, you gonna lose. You gotta drive like don’t nothing else matter except getting to that line. Drive like you fucking stole it.

Beauregard heard his Daddy’s voice every time he drove the Duster.

The first thing we learn about Beauregard (nicknamed “Bug”) is that he is both a great mechanic and a great driver. We see that at the start as he wins a street race to help pay his monthly bills. The second thing we learn is that he’s capable and willing to give a man a beating—both efficient and effective—if he’s crossed (read: cheated out of winnings).

Beauregard runs an auto-repair shop in a small Virginia town. He was doing okay for himself until a few months back when a new, better-financed shop opened up in town. Now he’s losing customers by the handful, and may not be able to stay open for more than three months.

He’s deeply and madly in love with his wife and is a devoted father to two great sons (one complaint—possibly my only one is that we don’t get more time with the boys). But one of them needs braces. His wife works too hard, and he’d like to lighten her burden—and provide a nicer home. His daughter (from before he was married, and he never had any kind of custody) can’t afford college and plans on working for a while before she can afford it (the reader knows, and I think Beauregard does, too, that she’ll never make enough to get there). His mother’s in a nursing home, and there’s some sort of financial problem there, too.

He’s got all that he needs, and it’s all about to slip through his fingers.

The “Life”

Beauregard thought about the clichéd scene in every crime movie where the main character who has gotten out of the “Life” buries his weapons under a hundred pounds of concrete only to have to dig them up when his enemies come knocking at his door.

He understood the appeal of the symbolism for filmmakers. It was just unrealistic. You were never out of the Life completely. You were always looking over your shoulder. You always kept a gun within reach, not buried under cement in your basement. Having a gun nearby was the only way you could pretend to relax.

It wasn’t all that long ago that Bug* received the bulk of his income from illicit means. He was part of a crew, he was a wheelman for them—among other things. He’s a meticulous planner, has an eidetic memory, and can do mental math at a speed I can only envy. He planned whatever the crew was going to do—and woe to anyone who did not stick with his plan to the T, or gave him bad information while planning.

* Beauregard tends to think of himself as “Bug” when he’s thinking of the reckless, thrill-seeking lawbreaker side of him, and “Beauregard” when he’s living the way he should. I’m following that.

But he decided he needed to be a better father than his own (who never left the Life and left home when it became too dangerous for him to stay). He’s been living straight since then. He misses the rush, he misses the work—mostly the driving. But he has better things to focus on now, and he’s largely successful.

But is he at the end of that? There are just too many things he needs to pay for and only so much money.

The Temptation of Bug

One of his last jobs, before he went straight, was with Ronnie Sessions—he had an idea, Bug came up with the plan, did the elaborate work necessary to pull it off. And then because Ronnie had faulty intel for him, the job fell apart and Bug was out thousands in expenses—and he didn’t get the payday. He hasn’t seen Ronnie since.

But now Ronnie’s back, at just the right time (or wrong, depending on how you look at it). He’s got a juicier target. One that will erase most of Beauregard’s immediate needs, and will make things more comfortable for a while into the future, too.

After some thinking, some waffling, (this isn’t a spoiler, the book needs something like this), he agrees and takes over the operation.

Car Chases

I am not a car guy. I know almost nothing about cars, I can do basic maintenance (or I could a long time ago, I’m not sure I’m capable anymore). I’m an adequate driver. I can correctly identify maybe 40% of the cars I see on the road.

However. I am a red-blooded American male. I love car chase/driving scenes.* Like in Blues Brothers, half the TV (and a good number of movies) I grew up watching in the 80s, Bourne Identity, Baby Driver (I could watch the opening sequence on a loop for hours)—the only positive memory I have of the second Matrix movie was the elaborate car chase scene. I could keep going, but you get the point. They’re harder to pull off in a book than they are on-screen, but when they work, they really work.

* I realize people who aren’t red-blooded American males frequently love them, too, I’m not arguing against that. It just seems more definitional of RBAM.

S. A. Cosby could give everyone lessons on how to do it properly. I don’t know that I’ve read any as good as his. So yes, there’s a lot that he has to say about class, race, fatherhood, and more. This novel is beautifully written, with a lyrical nature to some passages that will make you want to reread the paragraphs a few times just to take it all in. But also? It has great car scenes in case you’re worried about it being too highbrow and artsy.

Oh, It’s That Kind of Book

Men like your Daddy, like me, like you used to be, we don’t die in hospital beds. Ant wasn’t perfect. He loved driving, drinking, and women, in that order. He lived life at 100 miles per hour. Men like that, well, they go out on their own terms, usually with a bang.

Fairly early, I decided I knew what kind of book I was reading—we’d see Beauregard and his situation, we’d get a little backstory about his criminal history and why he got out of “the Life,” we see the pressures making him think of returning to it (however briefly he intends on it), the temptation to do so, the planning and execution of the robbery, and so on. I was into the idea.

And then the (supposed) central crime is over in a few pages. Which surprised me. And then I noticed I wasn’t even halfway done with the book—which meant that the bulk of the book is about what happens as a result of the robbery. And given the tone of the book, we’re not talking hijinks and good times. My notes say, “Oh, it’s going to be that kind of book.

I’m not going to spoil anything and tell you why it was a mistake for Bug and his fellow thieves to rip off the place they rip off. But, it was a colossal mistake. And the repercussions are big.

Because Cosby had done such a good job making me care about Bug and his family, and the way he wrote the characters who objected to this robbery—I had a really hard time finishing this book. I’d literally have to read a chapter or two and then put the book down for 30+ minutes while I did something else. I just didn’t want to know how bad things got for the Montage family.

Still, there was no way I wasn’t going to finish the book. I had to know. So, I’d read another chapter or two, and then it’d get too much for me, and I’d start the cycle again. I added a day or two to my reading because of this (I did read the last 50 or so pages without a break, but I wanted one…). I don’t react this way to books, I just don’t. But, man, this got under my skin and I couldn’t do anything else.

So, what did I think about Blacktop Wasteland?

Is there any doubt?

Early on, this made me think of She Rides Shotgun by Jordan Harper. It had a similar sensibility, a book about a father throwing away a chance at…everything…so his kid(s) would have a shot at a decent life. I’d even started jotting down notes for a paragraph or two about that. And then I noticed that the last quote on the back cover is from Harper. So I was definitely not the first reader to see the link. Still, if you read Harper (or wanted to), you’ll want to get your hands on this. The converse is true as well.

But let’s focus on Blacktop Wasteland. From the first paragraph that made me sit up and say “Oh, this explains the hype,” to the devastating last line—and all points in between, Blacktop Wasteland is one of those books that a guy can’t describe without seeming hyperbolic.

Fantastic car chases. Great action. Compelling and moving family moments. Race as a deterministic factor in success. Class, too. What does it mean to be a father? Human depravity on display in a variety of ways from criminals small-time and Organized. Human frailty and striving for greatness, too. Blacktop Wasteland has it all. You’re not supposed to cry over a Crime Novel—and I didn’t. But it wouldn’t have taken much to push me over that line.

You’re not a Crime Fiction reader? I get that—and don’t worry, you can just think of this as General Fiction/Literature and you’ll be fine. I’m repeating myself. This is a great novel, go read it.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Dead Perfect by Noelle Holten: A Desperate DC Races to Save Her Friend’s Life

This is one of those that I struggled for over a week to finish. I can only hope it’s coherent. The short version: Get this book. Read this book.

Dead Perfect

Dead Perfect

by Noelle Holten
Series: DC Maggie Jamieson, #3

Kindle Edition, 449 pg.
One More Chapter, 2020

Read: December 30, 2020-January 2, 2021

What’s Dead Perfect About?

So, Dead Wrong left us with:

‘Just had a call come in. Police are on the scene. Body of a female has been found. Initial description sounds just like your friend Dr Moloney. I’m so sorry, Maggie …’

Obviously the important thing there is “sounds just like,” because it isn’t Moloney* but the body looks so much like her, that no one can be blamed for assuming it was Moloney. It’s quickly determined that it’s not her, but Maggie and Kate Moloney’s colleagues are having difficulty finding her. Making sure that the tension is as high as it can get in a first chapter.

* That’s not a spoiler, it’s in the blurb, which I should’ve read before diving in.

But even before we get to that, there’s the Prologue. It seemed ominous but fairly typical. Then I looked up one word that I didn’t know, orbitoclast, “A surgical instrument for performing transorbital lobotomies, resembling an icepick.” Then I reread the Prologue and got seriously creeped out.

Kate’s located (and given a talking-to about keeping her phone with her), the body is identified, but that just clarifies the issues at the heart of the investigation. We knew Kate had a stalker, and it seemed like the stalker was getting more intense, more threatening. There’s almost certainly a connection between the murdered woman, the stalker, and Kate. But Maggie has to prove that before they can act on it.

So Maggie and her team dive into the murder investigation, but Maggie’s attention is divided between finding out what happened to this woman and preventing the same thing from happening to Kate. This is probably not the best way to tackle the problems, but it’s not like Maggie is going to let either objective out of her hands.

And then another body is found.

Maggie’s State of Mind

It’s been a while since things were stable for our series protagonist, she’s been caroming off emotionally and mentally challenging cases for so long that she’s got to be close to unraveling. She’s barely had her chance to catch her breath from the events of Dead Wrong before she’s plunged into this race to save her friend’s life.

Add in the pressure of the press, getting used to the shift in the dynamic between her and friend/new boss, and her personal life—she’s not in the best headspace for this (or any) investigation. I think it’s starting to show, she makes some errors in judgment, she’s not dealing well with people, and unless this series is about the downfall of DC Maggie Jamieson, something’s going to have to change.

Although I can totally see Holten pulling off Maggie hitting rock bottom and trying to recover from that, come to think of it. So maybe that’s what we’re starting to see.

Supporting characters

I’ll touch on this more later, but one of the best things about the series is this great world that Holten’s creating. And it’s filled with some great characters, I have a few thoughts about some of the more prominent from this book.

We’ll start with DS Nathan Wright, he’s trying to acclimate to his new position and the way that changes the way he relates to and interacts with his team and friends—and seems to be doing it as well as you can hope. But he’s not perfect, and the transition isn’t smooth. It’s a minor thing, and I don’t imagine many authors would spend the time to do it, but I think it says a lot about the world that Holten’s creating that we see this.

That said, his team needs some more blood. and there’s a newly minted DC he’s got his eye on to help. Everyone’s very excited when Kat Everett is seconded to the investigation, and then she largely disappears. She’s eager, she’s bright, and then it’s like she doesn’t exist until the end when she plays a decent-sized role. It felt a little strange, is all I’m saying. Also, I’m not sure anyone needs a series where a “Kat” and a “Kate” play a major role, I’m just thinking someone needs a new nickname.

A reporter that made few friends, and probably a couple of enemies in Dead Wrong resurfaces. Julie Noble is well on her way to being a regular feature of this series, but for the moment, I don’t know what to think of her. I expect books four and five will solidify my impressions. She promises to be interesting—but I’m not sure in what way yet.

Lastly, there’s poor PC Bethany Lambert. She’s the unit’s go-to worker. Miscellaneous errands, thankless tasks, things requiring technological expertise, and more fall to her. I lost track of how many things Maggie threw her way to do—on top of her own assignments. I have multiple notes about how they’re working this woman to death, and even tweeted Holten about it. I’ve been assured that Bethany likes to be overworked, and that it’ll be addressed soon. But I’m telling you now if she snaps and takes out a lot of pent-up aggression on Maggie, I’ll be cheering her on.

The Killer

I’ve spent more than a week trying to write this post and failing because of this section right here. I still don’t know how I’m going to write something that I like and that doesn’t give anything away.

Sure, I could not talk about The Living Doll Killer, but Holten does something here that I feel compelled to write about. So I’m stuck. You’ll have to read the book to get the unsettling reason for the name, but that won’t keep me from using it.

We get a lot of information at some point in the novel from LDK’s own mouth. Now, I’m not sure the reader or police are supposed to believe everything told to them by LDK, but for the moment, I’m going to pretend I do.

Holten comes as close as possible to giving us a serial killer that the reader can empathize with. Sure, that’s not that close at all, but that doesn’t disprove my point.

I can say that I picked out the LDK straight off, but that’s all I got right. The “how” of the killings is bad, the “what” (abducting and killing) is disturbing, but the “why” will cast everything in a different light and somehow make it all worse (and, at the same time, almost understandable).

I can’t think of a serial killer with this kind of backstory and motivation. And for a fictional serial killer, there’s a strong “Yeah, I can imagine reading about this in the paper” kind of vibe. When I talked about her debut, I said that “Holten writes humans, not caricatures or types.” That applies to LDK, too.

The World Around Maggie Jamieson

This is the Maggie Jamieson series, and she is the core of it. But Holten has put her in the middle of a complex world. We touch base in this book with characters from the first two books—particularly from the first book, and we see a lot of growth and development. These people have put in the time and effort to change their lives and move on from the nightmares we met them in.

The way Holten has set up the series guarantees it won’t just be DC Jamieson and her boss (and the rest of her team) bouncing from investigation to investigation, they’ll brush up against these people, focusing on them for significant periods.

I really appreciate this design and am eager to see how it’s developed.

So, what did I think about Dead Perfect?

I got sucked into this story fast, and if anything above sounds critical, it’s only because I’ve spent a lot of time thinking about them (and talking about three or four niggling points out of one hundred is more interesting to write about than fanboying over the other 96 or 97). I was quickly invested in what was going on—and was soon thankful that it wasn’t Kate’s body in the opening chapter.

And yes, I was convinced that Holten had killed her off at the end of Dead Wrong.

I had many, many opinions about how Maggie and Kate were behaving over the course of this investigation (positive and negative), and sincerely wished that DS Wright would have sat them down in his office and talked some sense into both of them. I’m not sure that I usually spend quite as much time talking back to books about what protagonists are doing/thinking as I did in these pages.

And then the reveals about LDK? Didn’t see any of them coming (other than the one I mentioned). I love it when an author does that.

And then, just like she did last time, Holten doesn’t let you fully absorb and reflect on the conclusion of the novel without hitting you with an image that makes you want the next book now, not in a few months.

So what did I think about it? It was great. I need Book Four next week, and probably Five a couple of weeks after that.


4 Stars

The Curious Dispatch of Daniel Costello by Chris McDonald: A Cozy Mystery for People who Don’t Read Cozies

The Curious Dispatch of Daniel Costello

The Curious Dispatch of Daniel Costello

by Chris McDonald
Series: The Stonebridge Mysteries, #1

Kindle Edition, 94 pg.
Red Dog Press, 2021

Read: January 9, 2021
Grab a copy from your local indie bookstore!

The Would-Be Sherlock

Adam Whyte is a late bloomer, or at least he expects to be.

He remembered reading that Susan Boyle had been 47 when she auditioned on whatever talent show she’d gone on, and the guy who founded McDonald’s didn’t do it until he was 59. Some people simply came into their own a little later in life – like a fine wine.

He’s still a couple of decades away from those ages, and if he can’t apply himself a bit better, he’s going to be living with his mother until then. Just like he has since he dropped out of college and began holding a series of dead-end jobs.

From a young age, he loved playing detective and even started university to study Psychology with an eye to joining the police. Now, he binges the Mark Gatiss/Steven Moffat Sherlock. When he discovers a dead body at the hotel he’s staying at for a wedding, he decides to take it upon himself to solve the crime he’s convinced was committed (even if no one else thinks there’d been any crime), dragging his friend Colin along.

His Watson

His friend Colin, on the other hand, has his life together. He works at an assisted care facility and likes it. He has an easier time talking to people—and getting them to talk to him.

Early on, Colin realizes that Adam’s cast him as a Watson-figure and wonders why he was the sidekick (he could handle the sight of blood, for starters, unlike his friend), but it takes almost no time for him to realize why he is. I appreciated both his ambition and quick understanding about his own nature.

Interestingly, for a Watson, Colin’s not the narrator, nor the exclusive point-of-view character. I’m sure I’ve seen this before, but since reading this book, I haven’t been able to think of another example.*

* Reader, you’re invited to make me feel foolish by listing a few examples in the comments.

Their First Case

After a night of heavy, heavy drinking, most of the wedding gifts are stumbling around and trying to recover. But the best man doesn’t make an appearance, and Adam is sent to get him. Sadly, Adam discovers his body and notifies the police. Once they arrive, Adam is dismayed at the small number who show up and even more dismayed at the cursory look they give the victim and his room. It’s a busy weekend, so it will be some time before paramedics are able to come and get the body.

Adam and Colin don’t believe the police’s conclusion—Danny had too much to drink and choked on his own vomit. They instinctively know that Danny didn’t die from overindulging—he’d drank them under the table without trying too often to believe that. With nothing else to do for the rest of the day, they decide to look into things themselves.

It ends up being good that the body hasn’t been removed yet, they’re able to sneak back into the room, and Colin’s able to give their friend’s body a closer look. Then they start asking a few of the guests and the groom some questions. People indulge them and answer—mostly for their own amusement it seems. The pair start to uncover some actual evidence, which leads them to more and quickly, a theory emerges for Adam.

Then he just has to come up with a way to prove his theory—hopefully in a way worthy of Cumberbatch.

So, what did I think about The Curious Dispatch of Daniel Costello?

This is a quick and enjoyable read. It’s a clever little mystery—most (maybe all) of the clues are there for the reader to pick up and put together with (or before) Adam. For me, at least, this is what I want in this kind of story—a little bit of fair play so that I can match wits with the sleuth (amateur or not).

The language is a little rougher than I’m used to seeing in this kind of story, and the protagonists aren’t the norm either. Honestly, they’d both be a better fit for a harder-boiled, more noir-ish fare. I’m not criticizing this, I’m trying to describe it.

Nor am I complaining—McDonald makes this work. Maybe it’s the contrast between what I’m used to seeing in “cozy” mystery and what he gives, maybe it’s just the strange charm that the boorish Adam displays that does it. I’m not sure I can describe why it works, I’m just enjoying the fact that it does. Also, the language and protagonists are what make this novella/series what I suggest in the headline—something for people who aren’t drawn to the aesthetic of a cozy, but like the way they work.

The one thing that I’d be tempted to grumble about is the length of the novella and the resulting lack of depth to the story. But both of those are by design, so I’ll hold my tongue. And really, if my gripe is that I didn’t get enough of something that I liked, it really just says that I’m a glutton.

I don’t know when the second Stonebridge Mystery will be available, but I’ll be waiting for it when it is. Spend a few minutes with this unlikely crime-fighting duo and you’ll likely be waiting with me.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Red Dog Press
My thanks to Red Dog Press for the invitation to participate in this tour and the materials (including a copy of the novella) provided.

BOOK SPOTLIGHT: The Curious Dispatch of Daniel Costello by Chris McDonald

I’m excited to welcome the Book Tour for the first installment in The Stonebridge Mysteries, The Curious Dispatch of Daniel Costello by Chris McDonald this morning. I was supposed to be part of a Cover Reveal for this last month, but the material fell prey to a spam filter. Thankfully, all this material got through just fine, so I only owe Red Dog Press one apology. Check back next hour for my take on the novella, but for now, let’s start by learning a little about this book, okay?

Book Details:

Book Title: The Curious Dispatch of Daniel Costello by Chris McDonald
Series: The Stonebridge Mysteries
Publisher: Red Dog Press
Release date: January 12, 2021
Format: Paperback/Ebook
Length: 94 pages
The Curious Dispatch of Daniel Costello

Book Blurb:

Wedding bells are chiming in the idyllic, coastal town of Stonebridge. For Sam and Emily, it should be the happiest day of their lives. But on the morning of the ceremony, the best man is found dead. The police quickly write his death off as a tragic accident, but something doesn’t seem right to wedding guest and groomsman, Adam Whyte.

Armed with an encyclopedic, but ultimately ridiculous knowledge of television detective shows and an unwarranted confidence in his own abilities, Adam and his best friend (and willing Watson) Colin, set out to uncover what actually happened to Daniel Costello.

About Chris McDonald:

Chris McDonaldOriginally hailing from the north coast of Northern Ireland and now residing in South Manchester, Chris McDonald has always been a reader. At primary school, The Hardy Boys inspired his love of adventure before his reading world was opened up by Chuck Palahniuk and the gritty world of crime. A Wash of Black is his first attempt at writing a book. He came up with the initial idea whilst feeding his baby in the middle of the night, which may not be the best thing to admit, considering the content. He is a fan of 5-a-side football, heavy metal and dogs. Whispers in the Dark is the second installment in the DI Erika Piper series, and Chris is currently working on his latest series, The Stonebridge Mysteries, to be published by Red Dog Press in 2021.

Purchase Links:

Amazon ~ Red Dog Press

Red Dog Press
My thanks to Red Dog Press for the invitation to participate in this tour and the materials (including a copy of the novella) provided.

Page 54 of 153

Powered by WordPress & Theme by Anders Norén