Category: Mystery/Detective Fiction/Crime Fiction/Thriller Page 67 of 153

My plan for today was to post about the new Nick Heller novel: House on Fire by Joseph Finder. But one thing led to another, and . . . well, that just didn’t happen (and I’m not sure when it will). Instead, I’ll be revisiting my posts about the first three in this thriller series. This is the second in the series, so the first has already been posted, and the next is on the way, but first: Buried Secrets

Buried Secrets

by Joseph Finder
Series: Nick Heller, #2

Hardcover, 386 pg.
St. Martin’s Press, 2011
Read: April 13, 2015

Private Spy, Private Investigator, Private Vengeance-Taker, whatever you want to call him, Nick Heller one of the best — he’s tough, he’s resourceful, troubled kids like him and he quotes The Punisher. Who doesn’t love that?

Heller’s relocated himself, his computer wiz, and his nephew to Boston since we saw him last, setting up shop marketing his peculiar trade. True to form, he’s pretty picky about who he accepts as a client, but there is one who he can’t turn away. Marshall Marcus, the richest man in Boston, was a lifeline for Heller’s mother after his father’s prison sentence was handed down. Now he needs a lifeline — actually, his 17 year old daughter does. She’s been kidnapped and will be executed if her father doesn’t give the men responsible exactly what they want.

The kidnapping itself, and the way Alexa is being held captive aren’t that novel — most readers who’ve watched a police procedural or two in the last few years will have seen one or two scenarios like it. But Finder does make it distinctive by making the man holding her into a particularly sick and evil man. Thankfully, we don’t spend so much time with Dragomir that the reader sympathizes with him, or starts to like him (à la Dr. Lecter). What he’s doing to Alexa is just wrong — as is pretty much everything that has led up to this point in his life.

Nick’s not just up against this twisted man — and those behind him — he also has to contend with a client who continually lies to him, an FBI official that seems to be blocking his efforts, and more than one person who isn’t who they say they are. Thankfully, he has Dorothy, his old military friends, international intelligence contacts, and a different FBI agent backing him.

There’s less action (as defined by explosions, gunplay, fights, etc.) than in Vanished, but it’s more suspenseful. In Vanished, it wasn’t until the closing pages that you had any idea what was happening with the victim — but here, there’s never any doubt about what’s going on with her, and what’s going to happen to her if Nick doesn’t put the pieces together. Soon. Which isn’t to say it’s all-thriller-all-the-time, there’s moments where Nick and the reader catch their breath. Even a couple moments of levity (Nick’s narrative voice helps a lot on that front) — his observation, “Veganism is apparently the paramilitary wing of vegetarianism” helped set the tone. Dorothy’s eventual use of the word “Pepsi” to close a chapter made me chuckle audibly (you’ll get it when you read this).

I should probably add that this book includes one of the grosser character deaths I’ve read in the last couple of years. Didn’t bother me much, he had it coming.

We get to see a bit more of Nick’s life and backstory this time. He’s a better-rounded character now. It’d have been easy to see him as a workaholic who had no contact with anyone outside of work and his nephew before. But that’s clearly not the case now. There’s not much more to him — but there used to be, and getting that glimpse helps you care a bit.

It’s taught, it’s a page turner, it’s a “I can always sleep later” kind of read. Man, oh man, I hope Finder has at least one other Heller adventure up his sleeve.
4 Stars

Reposting Just Cuz: Vanished by Joseph Finder

By HCNewton

On February 13, 2020

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Vanished

by Joseph Finder
Series: Nick Heller, #1

Hardcover, 384 pg.
St. Martin’s Press, 2009
Read: April 7 – 8, 2015

I lost sleep over this one. Literally. I had to force myself to put this thing down so I could get a little shut-eye. Which wasn’t easy. After about 70 pages or so, I realized two things very clearly: I was hooked on this book and was going to have to get the next one in the series very soon. Neither feeling went away.

Last year, when I read FaceOff, the Jack Reacher/Nick Heller story was probably my favorite, so when I found myself wandering the library last week, with every thing on my “to get list” unavailable, I figured I’d finally give a full-length Heller story a try. Clearly, one of the better moves I’ve made.

Nick Heller is former Army Special Ops, turned corporate espionage hotshot. His estranged brother, Roger, is abducted (at best) leaving an injured wife behind. His nephew, Gabe, freaks out and calls his uncle for help, not willing to trust the police. So Nick, with “a very particular set of skills,” starts looking for his brother.

Heller’s similar to Reacher, but has more of a cerebral approach to things. I’m not sure that’s necessarily fair, maybe it’s that he takes a less direct approach to Reacher’s bull in a china shop approach. That’s not quite it, either. There’s something similar, yet very distinctive about their approaches. It’s more than just the fact that Heller has money and resources (and friends and family . . . ), while Reacher has a fresh set of clothes, a new toothbrush and whatever weapon he can take off a foe. Heller definitely has a better sense of humor — and a cell phone, maybe that’s it.

Heller definitely has to work — suffers some real investigative setbacks, is flat-out wrong on several fronts, blunders a bit, and has to go through some real emotional hardship. Making him human enough to really engage the reader (in a way that Reacher never can — not that I want to keep comparing the two).

Well paced, intelligent, some cool spycraft, some good fight scenes and a lot less gunplay than you’d expect — this is a thriller well worth your time.

—–

4 1/2 Stars

Winterkill (Audiobook) by C. J. Box, David Chandler: Pickett Battles Winter and Paranoia to Find Justice

By HCNewton

On February 11, 2020

In A-B, C. J. Box, Fiction, G-L, Joe Pickett, Mystery/Detective Fiction/Crime Fiction/Thriller

I wish I knew what it was about Joe Pickett novels that made them difficult for me to write about. I ended up not writing anything about the first two books in the series and it took me three attempts to get this done (which was followed, naturally, by saving this as a draft rather than scheduling the post…). In the end, I was a bit more spoilery than I like to be, but the book has been out since ’04 (the audiobook since ’14), with 17 more books in the series. I’m giving myself a little more leeway with it than I’d normally grant myself.
—

Winterkill

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #3

Unabridged Audiobook, 11 hrs., 25 mins
Recorded Books, 2014

Read: January 29-31, 2020
Grab a copy from your local indie bookstore!

Joe Pickett is wrapping up a pretty routine day when he stumbles on to a U.S. Forest Service Supervisor acting in an irrational (at best) manner. While Joe’s trying to apprehend him (I’ll spare you the details, but it’s similar to the incident that kicked off the first book, and will give Joe’s critics plenty to mock him about), he’s murdered in a noteworthy manner.

As he was a witness (and the only one who can lead anyone to the crime scene), Joe’s attached to the investigation that features state officials, the Sheriff’s office and a Forest Service official (who brings a reporter in her wake). They quickly identify a suspect and make a fast (and brutal) arrest. Something in the way that the suspect reacts makes Joe wonder if they’ve got the right guy.

This wondering is compounded when the suspect reaches out to Joe a couple of days later to ask him two favors. Nate Romanowski is, among other things, a falconer who left two birds behind when he was arrested. Favor one is to feed the birds. Favor two is to get him out of jail—Nate and Joe have never met before, but Nate’s read about him and figures Joe’s his best shot after the events of the last two novels.

From a thing or two I’ve read, I think Nate’s going to be around for awhile. Which is fine with me, I enjoyed his character a good deal. He’s a former special-ops guy who wants nothing to do with any governmental entity anymore. He just wants to live on his own terms and take care of his birds. I could be wrong, but at this point, it looks like Box is establishing Nate as Joe’s Hawk/Joe Pike/Bubba Rogowski/Henry Standing Bear-figure. Although really, to qualify as Joe’s lethal pal, is a low standard—it’s not like Joe can use a firearm with any kind of accuracy. If my hunch is right, and he’ll be around more in the future, I’ll be very happy to know him better.

As before, Joe’s daughter Sheridan is a Point-of-View character as well. She doesn’t play as large a role in this novel, but when she shows up, it matters. Her appearances in the narrative are also a pretty good signal that it’s time for something heart-wrenching to happen.

Before I forget, I want to say something about Joe’s family. I love, love, love his family. His wife, Marybeth, may be the best Significant Other in crime fiction—supportive, tough, she’s not a wilting flower nor an obstacle to his work. His other daughter, Lucy, is as cute as you could hope for (am sure we’ll get something more than cuteness from her in a while). And how many crime fiction heroes are plagued by a mother-in-law like his—the dynamic between the two is wonderful.^*

^* Wonderful to read, that is. It’d be a miserable, unhealthy, and precarious situation to live through.

There are three factors that make it difficult for Joe (or anyone else) to investigate a murder. The first is snow. The novel takes place in the days before and after Christmas and even for this section of Wyoming, the snow is heavy. The second complicating factor is the arrival in town of a large group of people trying to shake off their pasts and find a peaceful place to live (I’ll explain in a bit). The third factor is that one of this group is Lucy’s mother—we saw her last in the first book when she abandoned Lucy after her husband’s murder. In the ensuing two years, Joe and Marybeth had taken her in as a foster daughter and were trying to adopt her. Until Mom showed up with a court order form a crooked judge demanding Lucy be turned over to her.

One of these would be difficult for Joe to overcome—all three? That’s just mean.

The group of people that came to town (technically, a campground outside of town) could be considered Survivalists, I’m not sure the best way to describe them. Most are those who were around during the biggest law enforcement stand-offs in recent history: e.g., Waco, Ruby Ridge, Montana Freemen. Their leader assures Joe (and would assure others if they’d listen) that they’re just looking to live a quiet life outside of Federal control.

But Strickland (the Forest Service official) doesn’t see them that way. She’s convinced that they’re anti-government activists, probably terrorists. They’re a threat that she’ll do anything to put down. And she (and her FBI cronies) are looking for a way to create another stand-off. Given the out-of-the-way nature of their location—and the snow—it’ll be a stand-off they can end without the press interfering. No press means the Feds can do whatever they think they need to in order to stop the stand-off.

By and large, the people working for the Federal Task force looking into the murder, the Survivalists, etc. are decent people trying to do their job—but Strickland and her cronies (and the Sheriff) are focused on their goals. The Survivalists/Freemen/whatever are antagonistic to the government, but they’re not necessarily trying to overthrow anything. Box does a truly commendable job of being sympathetic to their concerns/issues without coming down in their favor. It’s a real tightrope he’s walking along here, and he pulls it off magnificently.

I’ve now read six books by Box—the first three in two series.^* And three of those (you could argue four of those, I guess) Box does something almost unthinkable to his protagonists/their family/friends. So many authors would do the kind of thing I’m talking about once very 5-8 books, and it’d be a big deal (think of the Battle in the Ministry in Harry Potter and the Order of the Phoenix). But Box does it routinely. Does this lessen the impact? Not for me yet. In fact, I couldn’t believe that he’d done what he did in this book for a few minutes, I kept waiting for something to happen revealing X had only appeared to have happened. It’s just brutal. How Pickett can make it to book 20 boggles my mind given the beating these people take. I’m not sure I’ll survive that long, given only The Highway Quartet Book 2, and Winterkill (I’m honestly still reeling from the first Pickett novel, Savage Run

^* Okay, I read a stand-alone back in 2009, but that’s beside the point.

I do not think that Box did a sufficient (or credible enough) job explaining the odd behavior of the victim in the books opening pages. He does spend all of a sentence or two giving us Joe’s theory about it. I don’t buy it. This single point has been driving me crazy since the murder—yes, it’s overshadowed by the rest of a very strong book that shocked, surprised and entertained me so well. But…it’s going to be a long time before I can read a Pickett novel without hoping that he’ll revisit this and explain it better (I don’t expect Box will do so, but I’ll hope for awhile).

I really don’t have a lot to say about Chandler’s narration. It’s good, without drawing attention to itself. I’m pretty sure that when/if I get to the point I’m reading the novels rather than using an audiobook, I’m going to hear Chandler’s voice in my head. He is the voice of Joe Pickett for me.

At the end of the day, most of the “White Hat” guys really were “Black Hats.” The suspected “Black Hats” mostly wore a dirty gray. And almost everyone was just trying to do the right thing with limited knowledge (some of those with the most knowledge were deliberately taking illegal and immoral steps, but they’re the exception). There are a lot of moral questions to wade through in this novel and it’ll keep you thinking about it for a good amount of time.

In the midst of all that, Box managed to tell a pretty decent Crime Story, a compelling family story, and introduced us to a fascinating new character—while developing characters we’ve known and liked (or known and distrusted) already. It’s not going to be long at all before I’m fully addicted to these books if the next few are almost as good as this one.

3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

San Diego Dead by Mark Nolan: A Modern-Day Privateer (and his dog) takes on a Powerful Drug Cartel

By HCNewton

On February 4, 2020

In Book Tour, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

San Diego Dead

by Mark Nolan
Series: Jake Wolfe, #4

Kindle Edition, 348 pg.
2019

Read: January 30-February 3, 2020

Jake Wolfe is a former photojournalist, ex-Marine, ex-CIA asset, lawyer, Mafia “Made Man” and modern-day privateer. He recently saved the life of the new First Lady (before the election), and is on a first-name basis with her (and her husband). Men (who don’t want to kill him) admire him, women (who don’t want to kill him) swoon over him. But for Wolfe, none of that matters, as much as spending time with Cody, who is another Marine vet. Cody shares in most of Wolfe’s accomplishments—and gets the same reaction from men and women. The significant difference between the two is that Wolfe comes from Irish and Italian roots, and Cody is a yellow Labrador and Golden Retriever mix.

Together these two make a seemingly unstoppable force for truth, justice, and the American way. Apart they are capable but diminished, distracted, and less emotionally whole. Wolfe considers Cody a partner and makes it clear to any and all that they’re a package deal.

While on assignment for the Secret Service, the pair assassinates a man who provides boats for a Mexican Drug Cartel to smuggle drugs into the U.S. Around the same time a dear friend and fellow Vet crosses the same cartel, putting both men (and Jake’s girlfriend) in the cross-hairs pg of the leader of that cartel.

The cartel cuts a deadly and destructive swath from Mexico to L.A. attempting to eliminate these two, pushing the pair until they retaliate.

Most of the book is told from Wolfe’s point-of-view, with dips into the POV of his girlfriend or Cartel members. There are a couple of noteworthy sections told from Cody’s perspective—he’s closer to Crais’ Maggie than Quinn’s Chet in these, but he’s more thoughtful (and more human thinking) than Maggie. I wish we had a few more segments from Cody’s POV.

There are two paragraphs in which a ghost appears and saves the day. These two paragraphs have had me thinking far too much about them in contrast to the rest of the novel. They’re proverbial sore thumbs sticking out from the rest—but they also worked better than you’d think.

Recently, listening to interviews with Lee Goldberg, I was reminded of a genre that’s not really out anymore (and I’d totally forgotten about)—”Men of Action” or “Men’s Adventure.” These used to be at grocery stores, convenience stores and the like offering easy-to-read adventures featuring manly men doing manly (frequently super-patriotic) deeds, and deadly (and incredibly attractive) women. Years ago, Goldberg wrote a few of this type under the pen name Ian Ludlow—and now Goldberg’s protagonist of the same name writes that kind of book. See also: Mack Bolan, the Executioner; Remo Williams; and the like. Thanks to that reminder, I was able to see San Diego Dead for the return to that kind of story-telling and enjoy it for what it is. If not for that reminder, I’d have been annoyed, bothered, underwhelmed by the book. But realizing the inherent goals of this kind of writing, I was able to ignore that annoyance and channel it into reuniting such entertaining tropes/themes for contemporary audiences. It’s silly, cheesy fun—which is all it tries to be.

Would much of this work better if you’d read the previous novels? Probably. Does it work fine as a stand-alone? Yes. I’m not going to say that this is for everyone—it’s not (but what is?). If you (or someone you know) need a break from intense, serious, deliberate thrillers and could use solid action that places the emphasis on entertainment factor over all other considerations, give yourself a treat and check out Mark Nolan’s Jake Wolfe.

3 Stars

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

BOOK SPOTLIGHT: San Diego Dead by Mark Nolan

By HCNewton

On February 4, 2020

In Book Tour, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Today I’m pleased to welcome the Book Tour for San Diego Dead by Mark Nolan. Along with this spotlight post, I’ll be giving my take on the novel here in a bit. But let’s start by learning a little about this here book, okay?

Book Details:

Book Title: San Diego Dead by Mark Nolan
Release date: August 31, 2019
Format: Ebook/Paperback
Length: 348 pages

Book Blurb:

Danger awaits Marine-turned-lawyer Jake Wolfe on his vacation to sunny San Diego and Cabo San Lucas. There he finds sugary white sand beaches, warm turquoise water, boat trips among gray whales, and … cold blooded murder.

It was meant to be a relaxing holiday for Jake and his adopted war dog, Cody, but violence erupts when he crosses paths with a criminal cartel urgently seeking to reclaim a deadly package.

Jake learns the missing item is a threat to US citizens and vows to stop the cartel from possessing it, no matter what vigilante justice actions he might have to take.

Time is running out and thousands of innocent lives are at risk. Will the two combat veterans be able to retrieve the dangerous item before the killers do? The clock is ticking, but Jake hopes that if anybody can help find the package, it has to be his highly-trained and ultra-intelligent dog, Cody.

Find out what happens next. Start reading the latest Jake and Cody thriller right now and enjoy another fast-paced stand-alone story by author Mark Nolan.

About Mark Nolan:

Mark Nolan has spent much of his life near the seashore. He loves dogs and has often been called a “dog whisperer.” These interests are reflected in his novels where the main character lives on a boat with his highly intelligent former war dog.

Social Networks:

Facebook ~ Twitter ~ Goodreads

Purchase Links:

Amazon UK ~ Amazon US

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

Lost Hills by Lee Goldberg: A Dynamite Beginning to a New Series from One of the Most Reliable Scribes Around

By HCNewton

On January 28, 2020

In Fiction, Lee Goldberg, Mystery/Detective Fiction/Crime Fiction/Thriller

Lost Hills

by Lee Goldberg
Series: Eve Ronin, #1

Kindle Edition, 237 pg.
Thomas & Mercer, 2020

Read: January 23-25, 2019
Grab a copy from your local indie bookstore!

Mulholland Drive. It was an intersection that generated lots of confusion, and not only because of the nearly identical street names. It was also the intersection of two cities, three neighborhoods, two law enforcement jurisdictions, and on this hot, smoggy Thursday afternoon in December, life and death.

So begins Lee Goldberg’s new series—a story of a young, talented, fallible, inexperienced woman detective in the LA County Sheriff’s Department. Eve Ronin is in this position thanks to being in the wrong place at the right time, and getting herself plastered all over social media just when the Department needed any good publicity it could get. Capitalizing on this, the Sheriff puts her in the high-profile Robbery-Homicide Division where she faces a lot of sexist backlash—and some that’s not sexist, but based on the way she got the job and how unprepared she is for it. Still, Eve knows a good opportunity when she gets it and is determined to rise to the occasion, as hard as it will be.

That’s the novel (and probably the series) in a nutshell—everything else is just window dressing. But man, I tell you, it’s great window dressing.

First off, you’ve got this case. A single mother of two (no longer romantically involved with the man she’s living with, but unable to move out), her kids and their dog are missing. What’s present in their home is a lot of blood. I mean a lot. Enough that there’s little hope that any of them are still alive, but Eve can’t rule out the possibility. So she really has two investigations to get into—the multiple murder case, and a missing persons case. Given the grizzly nature of the crime scene, there’s a lot of public attention on this case, and a lot of pressure on the rookie detective. That there is enough for most novels, but we get more.

What I loved about this book (and, from what I hear in interviews, the series to come), is how it displays that everyone in the L.A.-area is in or adjacent to the entertainment industry. Eve’s mother and the probable victim are chasing stardom, the likely victim’s ex-boyfriend works on a film crew (as does his alibi). There are detectives shopping script ideas around, and clearly will jump on new “material.” You’d think that with the sheer number of police procedurals/PI novels set in LA that this would be well-trodden territory, but it really isn’t. How is that possible? I’m so glad that Goldberg committed to this idea.

At the end of the court was a poorly maintained, unfenced ranch home with two cars in the driveway— an old Ford Taurus with oxidized paint and a Nissan Sentra. A woman in her early thirties paced anxiously in front of the house.

“She’s keyed up,” Duncan said as Eve pulled up to the driveway. “You better talk to her, woman- to- woman.”

“Good idea, because you know we don’t even have to speak to each other,” Eve said, putting the car into park. “Our uteruses can communicate telepathically.”

“I think the correct term is ‘uteri.’”

But what makes this (and any series) work are the characters. Eve is a great character, while her mom was off chasing stardom (and primarily finding work as an extra), she did the heavy lifting when it came to raising her younger siblings. Now she’s taken that sense of responsibility to her career and those she comes into contact with.

Eve’s mom is still in pursuit of the Hollywood dream, if not for her (though that’d be her preference), than for Eve. When Eve shows up on TV being cornered by a reporter, Jen is more focused on how Eve looks than the case in question. When she does think about the case, it’s in relation to how Eve can turn it into a movie deal. I cracked up at Eve’s first conversation with her (and enjoyed the rest), but can easily see where she could be overused on the long-term, and she could easily turn into a one-note joke. I know Goldberg can do something interesting with her if he wants to, I just hope he does.

Meanwhile, Eve’s younger sister, Lisa is a delight. She’s a nurse as well as Eve’s main source of emotional support (and ice cream). The cynic in me thinks she might as well be named Nurse Bechdel Test. But let’s ignore him—she’s a great character for Eve to bounce off of—a sounding board for the emotional beats and struggles that Eve endures thanks to her promotion and career—as well as something that humanizes Eve. She’s not just a cop, she’s a sister with strong maternal instincts/reflexes, who needs someone to take care of her occasionally. I thoroughly enjoyed their interaction and the way they fed off each other, and her continuing presence in the series bodes well for it (and, yeah, probably makes sure these books pass that particular test).

Then there are Eve’s colleagues (who get more real estate in the book than her family does, but I’m going to cover briefly here because I’m rambling). I’ll start with her partner, Duncan—a jaded veteran detective nearing retirement. That gives him a certain detachment from Eve’s catapulting into Homicide, as long as her presence doesn’t interfere with his exit, what does he care. In the meantime, he’ll pass on some wisdom and cynicism. I loved his character and really hope that retirement stays away for a while.

Almost every other detective (both in the Sheriff’s department and the LAPD) doesn’t share his detachment, and will not actively try to derail Eve, but will be skeptical and antagonistic to her. The nicest thing anyone will say about her is that she’s starved for attention and fame. The Sheriff on the other hand, will exploit Eve whenever he can (he needs her to be a star to deflect attention away from serious problems in the department). It’s hard to tell if he has any real confidence in her, or if it’s all opportunistic. I’m not sure it matters much.

I would’ve liked a little more depth to this story, but just a tad. Any more and it would’ve slowed down the fast, driving pace and tension—which wouldn’t have been worth the trade-off. I’d also have liked to gone a bit more in-depth here myself, but if I do, I’d probably not get this posted for two more months, so we’ll call this good.

I haven’t read every novel Goldberg has written, but I have read 26 of them (so far), so I feel like I have a pretty decent idea of what kind of writer he is. There is something distinctly Goldberg-esque about Lost Hills and Eve. At the same time, there’s a freshness and verve to them that is new—it felt like Goldberg has stretched himself to try something in these pages and it worked—a reward for both author and readers. Eve Ronin is a fantastic character that I hope to spend many years reading and exploring the world of. You should, too.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Opening Lines: The Godwulf Manuscript by Robert B. Parker

By HCNewton

On January 27, 2020

In Mystery/Detective Fiction/Crime Fiction/Thriller, News/Misc., Opening Lines, Robert B. Parker, Spenser

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I’ll throw it up here. Dare you not to read the rest (plus the 39 novels to follow by Parker (not to mention the 8+ by Ace Atkins)).

from The Godwulf Manuscript by Robert B. Parker:

The office of the university president looked like the front parlor of a successful Victorian whorehouse. It was paneled in big squares of dark walnut, with ornately figured maroon drapes at the long windows. There was maroon carpeting and the furniture was black leather with brass studs. The office was much nicer than the classrooms; maybe I should have worn a tie.

Bradford W. Forbes, the president, was prosperously heavy—reddish face; thick, longish, white hair; heavy white eyebrows. He was wearing a brown pin-striped custom-tailored three-piece suit with a gold Phi Beta Kappa key on a gold watch chain stretched across his successful middle. His shirt was yellow broadcloth and his blue and yellow striped red tie spilled out over the top of his vest.

As he talked, Forbes swiveled his chair around stared at his reflection in the window. Flakes of the season’s first snow flattened out against it and dissolved and trickled down onto the white brick sill. It was very gray out, a November grayness that is peculiar to Boston in late fall, and Forbes’s office seemed cheerier than it should have because of that.

He was telling me about the sensitive nature of a college president’s job, and there was apparently a lot to say about it. I’d been there twenty minutes and my eyes were beginning to cross. I wondered if I should tell him his office looked like a whorehouse. I decided not to.

“Do you see my position, Mr. Spenser,” he said, and swiveled back toward me, leaning forward and putting both his hands palms down on the top of his desk. His nails were manicured.

“Yes, sir,” I said. “We detectives know how to read people.”

Forbes frowned and went on.

“It is a matter of the utmost delicacy, Mr. Spenser”—he was looking at himself in the glass again—”requiring restraint, sensitivity, circumspection, and a high degree of professionalism. I don’t know the kind of people who usually employ you, but…”

I interrupted him.

“Look, Dr. Forbes, I went to college once, I don’t wear my hat indoors. And if a clue comes along and bites me on the ankle, I grab it. I am not, however, an Oxford don. I am a private detective. Is there something you’d like me to detect, or are you just polishing up your elocution for next year’s commencement?”

Forbes inhaled deeply and let the air out slowly through his nose.

“District Attorney Frale told us you were somewhat overfond of your own wit.”

Operation Large Scotch: O.L.S. by Bill Flockhart: Terrorists Attempt the Unthinkable

By HCNewton

On January 24, 2020

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Operation Large Scotch: O.L.S.

by Bill Flockhart

Kindle Edition, 331 pg.
2017

Read: January 21-23, 2019

Flockhart has given us a tale of horrible people doing horrible things in the name of various causes. There’s no attempt to minimize these acts, or is there any attempt by anyone to convince the reader that these groups are worthwhile. Just before (what we know as) the Good Friday Agreement is finalized, the 1972 Club (a reference to the Bloody Sunday massacre) sees their way of life and way of funding is at risk. They launch an ingenious and audacious (if troubling) effort to destabilize the British government while lining the Club’s bank accounts. Meanwhile, various intelligence services and armed services are at work, too, and showing a similar disregard for lives as the terrorists do.

Each group is convinced they’re in the right—at least they act as if they are. Flockhart doesn’t try to make any of the characters sympathetic, they aren’t charming ne’er-do-wells. They are soldiers, killers, and/or those who aid them. The reader is free to apply their own value to the actions taken by the characters. It’s uncommon for a writer to do this and a refreshing take.

I have to warn you, there is a rape scene/storyline that many of readers of The Irresponsible Reader will find offensive (all of the writers of The Irresponsible Reader did). I don’t take the position that rape is an unmentionable subject in fiction–but there’s a way to use it to depict reality and depravity responsibly, and Flockhart fails at this.

I feel bad about saying this, but if Brian May played a concert out of tune, someone should say it. In that vein, more often than not, Flockhart doesn’t use commas where he needs them. It’s distracting and detracts from the text (or I wouldn’t say anything). Similarly, his dialogue reads like the script from a drama from The Golden Age of Radio. which does create problems for the reader.

Ultimately, the technical problems were too much for me to overcome, and while Flockhart’s approach to the subject was atypical and fresh, it didn’t win me over. I can see where many readers would see the appeal to it (and many have). For readers who appreciate a bare-bones style and frank discussion of the acts of these various groups and how they attempt to achieve their ends, Operation Large Scotch: O.L.S. should prove to be a bracing and compelling read.

My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

Deep Dark Night by Steph Broadribb: High Stakes Danger for Lori Anderson in the Windy City

By HCNewton

On January 23, 2020

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Steph Broadribb/Stephanie Marland

Deep Dark Night

by Steph Broadribb
Series: Lori Anderson, #4

Kindle Edition, 320 pg.
Orenda Books, 2020

Read: January 16-17, 2020
Grab a Steph Broadribb book from your local indie bookstore!

I’ve always felt an element of fear about the jobs I do. In the right dosage it can help you. It gets your adrenaline firing, makes you think clearer, faster—gets you alert and ready to tackle anything that comes your way. But if the fear builds too much, all that good stuff swings things around; the nerves make you hesitant, jumpy and too cautious. That’s when you start making mistakes. And mistakes, in my world, can be fatal.

After barely getting to take a breath following the events of Deep Dirty Truth, Lori finally gets the chance to work off her debt to FBI Agent Monroe. This puts Lori and JT in Chicago trying to get the mobster Cabressa to take possession of some stolen goods. Once that’s done, a series of dominoes will fall and Monroe will be able to put him away for a very long time.

So he insists, anyway.

Step one involves Lori getting an invite to an incredibly exclusive Poker game, Step two involves giving her a crash course in playing Poker so she seems mostly credible in the game. (this isn’t presented as a comedic segment, but I chuckled at this part of the book—also, I’m jealous, I wish I could learn how to play like this).

Now, every thriller reader knows what will happen next—no plan, no matter how thorough, how well-thought-out no matter who’s involved, will work. If for no other reason than it would produce a dull novel. But also, every thriller reader has heard the line, “no plan survives first contact with the enemy” and knows it to be true. The questions that need to be answered are: how badly will the plan go awry? and How will Lori and JT react to it?

So let me assure you, when this plan is derailed, it’s derailed in a spectacular fashion, providing a lot of danger for our heroes, peril for those around them, and more than enough tension to satisfy a hungry reader. Lori and JT respond appropriately, not perfectly (which would be boring), but they display the stamina, resourcefulness, and tenacity we’ve come to expect from them.

The poker game collected quite the interesting mix of players—sports figures, politicians, as well as shady characters like Cabressa. When things go wrong during the game, it opens things up for a lot of drama and conflicting interests causing trouble for all involved. Suddenly, Lori and JT can’t focus solely on getting Cabressa to fall into Monroe’s trap—they have to worry about survival—their own, and as many others that they can help. Sure, Cabressa is still their target, but there’s a lot they have to go through before they can make him a priority.

I’m not going to get more in-depth than that, I’ll leave it there and say there’s more than enough going on plot-wise to fuel a book at least half again as long as this one. Broadribb has stacked the deck against the pair and it’s great to watch them try to navigate the situation.

The game takes place at the top of a pretty high building in Chicago and the action centers around that location, stories above the ground. In the real world, I’m pretty acrophobic—and occasionally (okay, more than occasionally), a movie can get me to feel the anxiety that heights can bring out in me. I don’t remember ever feeling symptoms while reading a book, but I did here. It’s not like Broadribb focused all that much on the height and risk of falling (it was there, but she didn’t belabor the point), but something about the way that she told the story, flicked that particular switch in my brain. There’s something very disconcerting about sitting in a comfortable seat (on the ground level like a sane person) but feeling like I was standing in a precarious* location several feet off the ground. I’m not promising that anyone else will experience what I did, I assume the rest of humanity is a bit better adjusted than I am, but for me that was an unexpected “bonus” to the book.

* Yeah, fine, my definition of a precarious location applies to perfectly safe—even benign—spots.

I’m a little worried about the long-term health of Lori’s elbows. She uses them so often as weapons, she probably heads back to Florida with at least one of them horribly bruised. I don’t remember this being the case in the previous novels, maybe I just forgot—or maybe she’s just relying on the technique in these circumstances (I remember more than once the narration in a Jack Reacher novel talking about the usefulness of that tactic compared to the use of a fist).

As far as long-term character development goes, Lori and JT start a conversation they’ve needed to have since, well, since we met the two of them about Dakota and why Lori didn’t tell JT about her before she did. This will prove helpful in the future and provide the opportunity for the relationship to grow and change. The two of them have some sort of plan going forward about their careers and daughter, but we’re going to have to come back to find out what they have in mind. Seeing these two deal with each other and their daughter is almost as rewarding to me as the action-hero kind of thing is, and Broadribb’s featuring both sides of Lori like this is a real strength of the series.

For my money, this is the best of the series—she’s got a real handle on these characters by now and knows just how to put them through the wringer in a way that provides real tension and thrills. I got more wrapped up in this than I expected to (and I had pretty high expectations at this point in the series), and it was absolutely worth it. Book five cannot arrive soon enough for me.

If you haven’t met this bounty hunter yet, you need to—either in the pages of this book or the beginning, either would work (but you might as well just buy the set all at once, you won’t be satisfied until you read them all). Deep Dark Night will win Broadribb some new fans and confirm those readers already along for the ride.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Clearing the Deck: Tweet-length thoughts about books I can’t find time to write about

By HCNewton

On January 14, 2020

In Audiobook, Fiction, G-L, Joe Pickett, Mystery/Detective Fiction/Crime Fiction/Thriller, Patricia Briggs, Theology/Christian Living

Yeah, I have a daunting TBR stack, but I also have too many books on my “To Write About” pile, and it’s bugging me. So, I’m cutting myself some slack, and am clearing the deck of everything from 2019 and before that I haven’t made time for. This was painful to do, I was looking forward to writing about most of these, but I’m just not going to get to them–and the 2020 books are starting to pile up, too. So, in 144 characters or less, here’s me cutting myself some slack.

(Click on the cover for an official site with more info)

	Rivers of London, Volume 4: Detective Stories by Andrew Cartmel, Ben Aaronovitch, Lee Sullivan Brief flashbacks showing what Peter et al. get up to between novels/comic series. A fun idea, well executed. Would enjoy another one like this.
	Rivers of London Volume 5: Cry Fox by Andrew Cartmel, Ben Aaronovitch, Lee Sullivan This was a lot of fun, and showed a new side of a cool recurring character.
	Rivers of London: Action At A Distance by Andrew Cartmel, Ben Aaronovitch, Brian Williamson, Stefani Renne A serial killer hunt and Nightingale backstory. Great combo.(some nice Molly material, too)
	Geerhardus Vos: Reformed Biblical Theologian, Confessional Presbyterian by Danny E. Olinger A biography and a discussion of his Vos’ major works. This was an excellent way to gear up for my 2019 Vos reading. Inspirational stuff.
	The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant by Drew Hayes, Kirby Heyborne (Narrator) A light Urban Fantasy about misfit monsters. Enjoyable enough to come back for more.
	Open Season by C. J. Box, David Chandler (Narrator) Series Debut about a WY Game Warden with a nose for mystery. Loved the dual POVs (Pickett, his daughter). Addicting.
	Please Don’t Tell My Parents I’m a Supervillain by Richard Roberts, Emily Woo Zeller (Narrator) A cute story about kids of super-heroes/super-villains trying to get started in the biz without their parents’ involvement. Went on longer than it needed to, but fun enough to try volume 2.
	Dragon Bones by Patricia Briggs, Joe Manganiello (Narrator) Manganiello is a great choice for narrator. Nice little stand-alone fantasy story. Great dragons.
	Savage Run by C. J. Box, David Chandler (Narrator) Almost as good as the first Pickett novel. Mrs. Pickett gets to shine here, too. I’m so glad I finally got to this series.
	Inkheart by Cornelia Funke, Lynn Redgrave (Narrator) Gets a bit redundant, but I loved the concept. Better than the movie (which I kind of liked), but still could’ve been better.
	Undeath and Taxes by Drew Hayes, Kirby Heyborne (Narrator) A little better than the first volume, an enjoyable way to spend a few hours.
	Dragon Blood by Patricia Briggs, Joe Manganiello (Narrator) OK, so Dragon Bones wasn’t a stand-alone. Could’ve been, but it was nice to get a little more with these characters/this world. Still, give me a Briggs Urban Fantasy above this.
	The Imputation of the Active Obedience of Christ in the Westminster Standards by Alan D. Strange I love this series. Strange packs so much material into this tiny package. Excellent stuff.
	Badlands by C. J. Box, January LaVoy (Narrator) Cassie takes over The Highway series and moves to a new Oil Town in North Dakota. Midwest Winter, Drugs, Murder, Corruption and Too Much Money wreak havoc on her first week on the job.
	Zombie Spaceship Wasteland: A Book by Patton Oswalt (Audiobook) The memoir chapters are nice, the comedic bits are odd (and funny). An interesting look at Oswalt.
	No Sweat: How the Simple Science of Motivation Can Bring You a Lifetime of Fitness by Michelle Segar, Ph.D. A great way to look at keeping (or getting) yourself motivated to exercise.