Category: Fiction Page 118 of 353

My Favorite Audiobooks of 2021

My Favorite Audiobooks of 2021
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The Hum and the ShiverThe Hum and the Shiver

by Alex Bledsoe, Emily Janice Card(Narrator), Stefan Rudnicki (Narrator)

This was my third or fourth trip through this book (maybe, fifth, but I don’t think so). I’m not sure if that means it was easy for me to be impressed—or maybe it was really hard because I had high expectations. Regardless, Rudnicki and Card took me to Cloud County and the land of the Tufa. I could believe that these people lived, breathed, and walked around in this world—and yet were otherworldly, as they ought to be. I knew Rudnicki could make me believe in a Fantasy world—it turns out that he can make me believe in this one, too. Card was right there with him.

4 Stars

Finlay Donovan Is Killing ItFinlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)

My original post
This is on the list because of Dawe’s narration. The text was entertaining enough, sure, but her narration is what made sure I remembered the book during the list-making time. The novel was a tricky balancing act between the various tones and characters, and Dawe makes you believe it. She captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too.

3.5 Stars

A Christmas Carol: A Signature Performance by Tim CurryA Christmas Carol: A Signature Performance by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

My original post
I’ve said it before, I’ll say it again: all you need to know about this is: Tim Curry. This wasn’t the performance I expected—I figured I was in for something near to over-the-top, with Curry going to town with the text. Instead, we’re treated to a respectful, restrained performance giving Dickens’ classic just the right emotional weight, sentimentality, personality, and life.

5 Stars

This Bright FutureIn This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Grainger and Jackson together have made this one of my Top 3 audiobook series, period. So my only question was how many of the books would end up on this list. I ended up limiting myself to one, and therefore it had to be this one—we get so little of our typical characters and settings, but Jackson is able to make Belfast as warm and homey as King’s Lake. There are elevated dangers and emotions in this book that we don’t typically get with D.C. Smith, but Jackson doesn’t miss a beat. Grainger puts D.C. through his paces, too. Both are at the top of their game—making D.C. at the top of his, too.

4 Stars

Ink & SigilInk & Sigil

by Kevin Hearne, Luke Daniels (Narrator)

Even though a pro like Luke Daniels is constantly doing voices/accents for his characters and the narration is almost never his “natural” voice (assuming he even has one anymore), I have to think that maintaining a Glaswegian accent for as long as he did for this book (ten hours and change, I think) has to be an added level of difficulty. Not that you can tell from listening to this. I thought the novel was a rollicking good time and just the way you should introduce a new series. The audiobook version just cemented that.

4 1/2 Stars

The Unkindest TideThe Unkindest Tide

by Seanan McGuire, Mary Robinette Kowal (Narrator)

This novel was the payoff (as far as we know so far, I wouldn’t put it past McGuire to turn it upside down later) to a storyline that had been lingering and building for years, I remember being stunned when reading it—just that aspect of The Unkindest Tide brought a great combination of anticipation, grief, suspense, and surprise. The story of the novel—the trip to the Duchy of Ships, the intrigue around Dianda, etc. was as solid as it gets, too. I remembered all this going in, so it was all teed up for Kowal—and she nailed it, it almost felt like I hadn’t read the book before and was discovering it fresh. A narrator who can do that is tops in my book.

4 1/2 Stars

We Had a Little Real Estate ProblemWe Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy

by Kliph Nesteroff

My original post
As I was trimming down the list of audiobooks I listened to last year for this list, I didn’t expect that this would stay on the list. A history of Native Americans in Comedy, really? But I kept not deleting it…so I started thinking of it—there’s a social history, an entertainment history, with individual profiles mixed it—it has it all. What’s more, despite a pretty dry (but never boring) narration, and not using clips of original performances, the comedy of these individuals comes through. In the midst of hardship, suffering, prejudice, and hard breaks, there are some solid laughs. It’s hard not to keep thinking about that.

4 Stars

Percy Jackson's Greek GodsPercy Jackson’s Greek Gods

by Rick Riordan, Jesse Bernstein (Narrator)

I started working on a post last year about contemporary myth retellings (and I intend on finishing it before my unconceived grandkids are ready to read it), and listened to this as part of that. In many ways, the book and the information didn’t fare well compared to things like Gaiman and Fry have recently produced. But this is here and they’re not—because as an audiobook this is a great experience. Bernstein is Percy Jackson here, and it felt like something ol’ Percy was sitting down and relating to future Camp Halfblood residents. It inspired me to listen to the original Percy Jackson series again just so I can listen to Bernstein perform this character.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I’m still telling people about this audiobook/book nine months later. I can’t think of a book that made me angrier, sadder, or made me laugh as much in 2021 (or a few years before it, either). This did all three. Ruffin’s narration, Lamar’s stories, their hurt, and their optimism make this a must-listen.

4 1/2 Stars

The Salvage CrewThe Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

My original post
This is a very strange SF story about a sentient AI (based on the memories and personality of an engineer). I think I’d have enjoyed the story had I read the novel, but it’s Nathan Fillion that brought it to life. That same charm that makes you like Caleb, Mal, Castle, and Nolan shines forth and makes you believe in this malfunctioning (at least eccentrically-functioning) AI and get invested in the AI’s survival and that of his ragtag crew.

4 Stars

Fortune Favors the Dead (Audiobook) by Stephen Spotswood, Kirsten Potter: Female Sleuths Buck Convention in this 1945’s Adventure

Fortune Favors the Dead

Fortune Favors the Dead

by Stephen Spotswood, Kirsten Potter
Series: A Pentecost and Parker Mystery, #1

Unabridged Audiobook, 8 hrs., 31 min.
Random House Audio, 2020

Read: December 1-2, 2021
Grab a copy from your local indie bookstore!

The Oversimplified Setup

It’s a gender-flipped Nero Wolfe/Archie Goodwin. Instead of staying home habitually because of eccentricity, detective Lillian Pentecost has multiple sclerosis. Her assistant, Willowjean “Will” Parker has a much more colorful history than Archie Goodwin—she spent years in the circus after running away from a terrible home in her teens. Will is game to get physical with suspects if necessary, but she’s not up to Archie’s level and doesn’t necessarily give as good as she gets.

Pentecost is much more active outside the home than Wolfe, and the pair are more socially active—with social consciences that would be far more at home in Twenty-First century American than in the 1940s. But largely the duo operates like their archetypes.

What’s Fortune Favors the Dead About?

The book begins with how the two met and started working together, then it jumps three years to after the partnership had been established and prospective clients show up.

A year ago, Abigail Collins’ husband shot himself when it looked like everything was going the way the steel magnate wanted it to (in the mid-1940s, selling steel to the U.S. Government was a license to print money). Now, she’s been murdered, and her body was found in the same chair as her husband. Her son, daughter, and an old family friend (now head of the company) come to Pentecost to do what the police have been unable to—find the killer and assuage the worries of the company’s stockholders.

It’s practically a true-locked room mystery, which gets Pentecost’s attention. As an added bonus for the detectives, hovering around the case is a famed spiritualist that Pentecost has been wanting to expose for a fraud.

So, what did I think about Fortune Favors the Dead?

When it comes to re-imaginings, or characters based on Wolfe/Archie, I thought this was one of the more inventive and successful (DeAndra’s Lobo Black/Quinn Booker might be better, but it’s been so long since I read it, I’m not sure). Don’t take anything negative I say—or if I’m not that enthusiastic about it—as being a reaction to being a Wolfe purist.

When you think of Stout’s works—it’s about the case, the mystery. Sure, you stick around because of the characters—but it’s about watching the characters at work in and around the case. This was about Will Palmer first and foremost—with Pentecost clearly a secondary character—and her relationships/interactions with the principals related to the case and her background. The next priority of the novel was in creating and revealing the world of Pentecost and Palmer—how they were active in it and related to people in the world. The case—and everything else—came in as a tertiary concern.

This is all fine and good for a first novel—but it didn’t seem to fit the setup either as something modeled on Wolfe/Archie novels, or as something in a vaguer 1940s detective mold. That’s me carrying in assumptions to the text, I realize. But it still felt like Smallwood’s emphasis was misplaced.

The mystery/mysteries were clever enough and the plotlines were well-executed, and the emotional beats—particularly in the final chapter—were handled perfectly by both Spotswood and Porter.

Fortune Favors the Dead was not the novel I expected, but it was good enough to get me to come back for the second in the series.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Anonymous by Elizabeth Breck: This PI Will Fill the Kinsey Millhone-Shaped Hole in Your Heart

Anonymous

Anonymous

by Elizabeth Breck
Series: Madison Kelly, #1

Hardcover, 309 pg.
Crooked Lane Books, 2020

Read: December 28-30, 2021
Grab a copy from your local indie bookstore!

The thing about being a private investigator was that she liked to investigate things. Madison had never been able to interpret whether she liked mysteries or she hated them; all she knew was that she was compelled to solve them.

What’s Anonymous About?

Madison Kelley is a freelance PI who has been between jobs for a while (we’re never told exactly why, a little touch that I loved more than I was annoyed by it being left dangling to tempt me). So she does what any mystery junkie would do when she’s not being paid to investigate—she listens to True Crime podcasts, and with her favorite focusing on a local investigation (or two, as we join the action it’s unsure if they’re connected) she spends a lot of time thinking about the case(s) and tweeting the hosts with her ideas.

Madison starts receiving threats telling her to stop her investigation. But she has no idea what investigation the threats are referring to—it can’t be her tweets to the podcast, can it?

Madison has to move from fan-interest in the crime to actually investigating it, just to find out who is threatening her. Assuming it’s not someone from a previous case, a prank, or a case of mistaken identity. I know I’m not in the evaluative portion yet, but I have to say that I don’t remember the last hook that got me like this one. So, so, clever.

Kinsey 2.0?

By page 10, I’d already put in my notes, “She’s Kinsey, but not.” The sentiment just grew. I’m not really suggesting that Breck designed Madison to be a Kinsey Millhone clone/knock-off, but if someone was to design a contemporary version of Grafton’s protagonist, the result would look just like Madison Kelley.

So here are just a few things that made me think of Kinsey over the course of the book: she’s from California (although Breck uses San Diego without a fake name); her PI work (up until this novel) has primarily been as an insurance investigator; she has a strange not-really-romantic relationship with a married cop; she’s not afraid to stand up for herself or to take on situations she might be wise to avoid; she refuses to let being a woman in a male-dominated field hold her back; she’s interested in romance but needs her space/independence. Frankly, a lot of these will apply to several other female PI’s—I realize that. But there’s just something about the way that Breck showed Madison to the reader that screamed Kinsey, but not.

How is she not Kinsey? A few quick notes (I expect this list will grow in subsequent novels—and could be longer now if I took more time to compile it/didn’t mind spoiling anything): Madison doesn’t once resort to/mention a Little Black Dress (and I don’t see her donning one), Madison eats so much better, she seems better with people naturally, I can’t imagine Kinsey listening to the 1980s equivalent of True Crime Podcasts—and being on Twitter? No way.

Investigative Tips

One of the best parts of Detective novels is when you get some insight into PI/Detective methods—sometimes it’s in a didactic way like Michael Westen would do on Burn Notice, sometimes it’s just in the narration like Archie Goodwin would do. It’s what convinces people like Harvey Mapes, Adam Whyte/Colin McLaughlin, Cat Caliban, or me that we can handle a murder investigation when one drops in our laps.

The descriptions of Madison tailing someone, noticing someone tailing her, shaking the tail, and so on are just great. I assume given Breck’s résumé that they’re authentic (and if I’m wrong, she pulls it off in such a way that you’d never know). Not only do you feel like you’re in the moment in a way you sometimes don’t when reading about someone tailing another car (even when reading really good novels), but you walk away convinced that you could follow a random stranger for a while without them noticing and seeking a restraining order against you.

She has Good Taste, Too

The coincidences were stacking up. Her favorite fictional detective, Nero Wolfe, always used to say, “In a world of cause and effect, all coincidences are suspect.” She agreed.

Like other detectives I’ve read recently, Madison reads Mystery/Detective Fiction—although it hits me, that I can only think of female detectives that fit this bill (or amateurs). Why is that? Are male detectives illiterate or are do they only read intellectual fare (see: Spenser)?

Anyway, I had noted that Madison had some good tastes in reading when I came across the above quotation—and knew we were going to be friends for a long time to come. Sure, I’d already decided to read the next novel by this point, but this cemented it. Nero Wolfe is her favorite? That’s worth me picking up at least three sequels.

So, what did I think about Anonymous?

Madison had had a supervisor at one of her first investigation jobs tell her, “Being a good investigator is fifty percent technique and fifty percent luck. And Madison, you have good luck.” She had thought about that a lot. She did have good luck.

Never underestimate luck—that’s pretty much always true of fictional detectives (private, police, or amateur)—at least Breck’s upfront about it.

This was my last novel of 2021, and what a novel to go out on! Madison’s a great character—who makes one pretty big error in judgment but is otherwise sharp as a tack. And you can’t beat her kind of luck.

I really liked Breck’s prose and pacing—she kept things moving while giving us enough background on Madison to really get a good feel for her (and I have to know more about the lawyer, Haley—I think she promises to be fun). Also, of all the ways to bring in True Crime podcasts and social media into detective fiction, this is my favorite.

Clearly, I had a blast with this. Anonymous starts with a killer hook, has enough twists and turns to keep things interesting and the reader invested, has some good emotional subplots, a great setting (and we get a decent feel for Madison’s little corner of it), and a bang-on ending. It’s hard to ask for more from a debut.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Catch-Up Quick Takes: A Few 2021 Books I Can’t do a Full Post About

The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Super Powereds: Year 1

Super Powereds: Year 1

by Drew Hayes, Kyle McCarley (Narrator)
Series: Super Powereds, #1
Unabridged Audiobooks, 26 hrs., 11 min.
Tantor Audio, 2016
Read: November 19-25, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Lander University has a program that most universities don’t. They offer a Hero Certification Program—a way for super-powered students to become qualified to be a super-hero. This book focuses on five particular students—they’re not just super-powered, they’ve got a secret, too.

As the title suggests, this book follows them over the first year—as they grow, increase in power and ability, develop bonds, and so on. The book is a nice mashup of superhero training and dumb college kids being dumb college kids.

I went into this expecting something that felt a lot like Fred, the Vampire Accountant. This was less like it than I thought possible—it’s much longer, it doesn’t feel like a collection of interconnected short stories, it’s a novel.

I was impressed at how different it is, sure. But I liked the story, world, and characters. I’m not sure I’m up for four more in this series, but I have a feeling that Hayes will change my mind.


3.5 Stars

Master of Formalities

Master of Formalities

by Scott Meyer, Luke Daniels (Narrator)
Unabridged Audiobook, 14 hrs., 58 min.
Brilliance Audio, 2015
Read: November 12-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Thousands of years in the future, elaborate rules of honor, etiquette, and form have been imposed on the planetary governments to preserve order—even in the midst of war. We’re talking rules that Downton Abbey’s Carson would find overly elaborate and restrictive.

Two planets have been at war for decades—but things have come to a tipping point. It’s up to the two arbiters of these rules on these planets to keep things under control.

This book did something I didn’t expect—I would have admitted it was possible, but wouldn’t have expected that Scott Meyers and Luke Daniels produced something that left me frequently bored and that I had a hard time connecting with at all. It was clever, but that cleverness strayed into convolutedness in the plot. Good enough to listen to, but by a hair.


3 Stars

See Her Die

See Her Die

by Melinda Leigh
Series: Bree Taggert, #2
Kindle Edition, 315 pg.
Montlake, 2020
Read: September 30-October 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I don’t have much to say about this book, which is why it’s here, but I wish I did. There’s just something nice about this series, and I’d like to talk about it more.

This is really a follow-up to the first in the series—okay, so Bree got herself the job, what’s she going to do with it? How are the vets in the department and the community as a whole going to handle her coming in? How is she going to do with the whole parental figure for her niece and nephew? Etc. We don’t get definitive answers, but we get some good ideas.

But more importantly, there’s a creepy killer on the loose. In the end, that story is both too outlandish to buy, and I can actually imagine reading about this happening.

I’m coming back for more.


3 Stars

Cold Wind

Cold Wind

by C. J. Box, David Chandler (Narrator)
Series: Joe Pickett, #11
Unabridged Audiobook, 11 hrs., 13 min.
Recorded Books, 2011
Read: August 23-24, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Wow. There’s a lot going on in this one. The events of the Nate story were horrible, but Box pulled it off in a way that will be good for the character/series long-term.

Killing Missy’s husband Earl on the other hand…well, like Joe himself, I’m not crazy about any time we spend with Missy, so making her a focal point of a novel isn’t going to make me thrilled with it. But, I ended up really liking this one, too.

These books don’t inspire a lot of thought or writing from me—and maybe they should—but I do consistently enjoy them. Chandler’s narration is solid as ever. At this point, I don’t think I can switch to the print version of the series—I need his voice for Joe and the gang.


4 Stars

Lycanthropy and Other Chronic Illnesses

Lycanthropy and Other Chronic Illnesses

by Kristen O’Neal
Hardcover, 379 pg.
Quirk Publishing, 2021
Read: June 2, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
It’s really bothering me that I haven’t gotten a full post out of this yet—and it’s been long enough (and I lost my notes) that anything I end up saying will be super vague and would be too much work to get a longer post.

In a Discord support for chronic illnesses, a group of people from around the world from a variety of age groups, come together to share struggles common to people with a variety of ailments and disorders. A couple of them realize they live nearby and strike up a friendship. Eventually, one of them disappears from contact for too long, so the other takes it upon herself to go try to find her friend IRL.

It turns out that this friend’s chronic illness is a case of lycanthrophy—things get strange and heartwarming from there.

A lot of this is told in modern-epistolary: texts, emails, Discord chats, tumblr posts, etc., etc. I loved the jumble of methods used to tell the story. It really captures the feel for these characters and their lives.

If you look at places like Goodreads, you’ll see a lot of controversy about elements of this book. I didn’t know about any of it until I’d read the book. 96% of what I saw doesn’t reflect the book, and seems to stem from one or two people who hadn’t read the book. Ignore it all.

This was a fun, earnest story that addresses serious things like living with chronic disease and finding your place in the world along with silly things like Lycanthropy and excessive binge-watching with friends. A nice break from reality that maybe helps you think about some things.


3 Stars

Messy

Messy: The Power of Disorder to Transform Our Lives

by Tim Hartford, Nicholas Guy Smith (Narrator)
Unabridged Audiobook, 9 hrs., 45 min.
Penguin Audio, 2016
Read: December 16-17, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
I think I’m going to have to make a point to listen to more Hartford books—between the time I put this on my TBR list and picking it up, I’d forgotten it was by the man behind The Data Detective.

The basic premise is this—people who are messy (not those full of utter chaos in habits or possessions), function better than those who are ruled by rigid standards—either metaphorically or literally. When rules (primarily at work) are too inflexible it hurts productivity and satisfaction in the work.

So let people organize their work and workplaces as they will, don’t impose a filing system on people who don’t want it, etc. Sure, keep things tidy, but beyond that…let the individual reign. That’s a horrible oversimplification, but to do it justice would take…well, most of this book. Just go with that as a thumbnail and read/listen to it. It’s entertaining, thought-provoking, and empowering.

I think this went on a bit too long—perhaps if the last couple of chapters had been excised, it would’ve been better. But I might change my mind on a re-read/re-listen.


3.5 Stars

Stuff You Should Know

Stuff You Should Know:
An Incomplete Compendium
of Mostly Interesting Things

by Josh Clark and Chuck Bryant
Unabridged Audiobook, 9 hrs.
Macmillan Audio, 2020
Read: December 27-28, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Very little (if any) of this fits into things I should know, and I’m glad the subtitle talks about “Mostly Interesting” things. It’s a strange hodgepodge of in-depth look at topics like…the history of facial hair, Murphy beds, Mezcal, and child prodigies.

It was fine, but nothing special. Before I started it, I figured this would end up turning me into a subscriber to the podcast. It didn’t, but I can see why people would listen to it—the narrators/hosts are pretty engaging and had an interesting approach to their explanations. Maybe it was these topics, the randomness of the topics, or…I don’t know. I just didn’t see the point. It made for a good soundtrack to my workday, but within two days, I’ve pretty much forgotten everything I heard.


2 1/2 Stars

2021 Library Love Challenge 2021 Audiobook Challenge

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Fortune and Glory: Tantalizing Twenty-Seven by Janet Evanovich: Stephanie’s on a Treasure Hunt

Fortune and Glory

Fortune and Glory:
Tantalizing Twenty-Seven

by Janet Evanovich
Series: Stephanie Plum, #27

Paperback, 332 pg.
Pocket Books, 2021

Read: December 25-27, 2021
Grab a copy from your local indie bookstore!

Ranger stopped for a light and looked at me. “How about you? What’s in your bucket list?”

I was stumped. I didn’t have a bucket list. My bucket was empty.“I haven’t gotten around to making a bucket list,” I said. “Do you think that’s a personal failure?”

“No. You’re busy living every day. That’s a personal triumph.”

“It doesn’t feel like a triumph. It feels like I’m moving through my life with no important goals or aspirations.”

“What do you consider to be an important goal?”

“Being a doctor or a vulcanologist or a marine biologist or finding the Ark of the Covenant.”

What’s Fortune and Glory About?

Fortune and Glory continues the storyline kicked off in Look Alive Twenty-Five, this time Stephanie and Grandma Mazur are hunting for the treasure—whatever it may be (no one is telling) that the La-Z-Boy Gang had tucked away. Two of the surviving members are on the hunt for the clues that lead to it, too—and they’re not playing by Marquess of Queensberry Rules.

Naturally, Stephanie also has three skips to track down for Vinnie’s Bail Bonds—one of whom decides that Stephanie needs a bodyguard and devotes himself to that. Sure, Stephanie could use a bodyguard, but probably not one who has a handful (or more) of anxiety disorders that prevent him from doing much of anything.

Dodging gangsters and chasing down FTA’s, just another day in the ‘Burb for Stephanie Plum.

A Backdoor Pilot?

Evanovich has a new series starting next year about a recovery agent, Gabriela Rose. We get to meet Gabriela here because she’s been hired to recover the same treasure than Stephanie and Grandma are on the hunt for.

She’s slick, she’s skilled, she’s apparently successful—she’s pretty much the anti-Stephanie. She’s what Ranger could be if he didn’t have his whole company, either.

Gabriella’s not in the novel much, just enough to introduce her to Evanovich’s readers. But she plays a vital role when she’s around.

I enjoy it when there’s overlap between an author’s series/works, but this felt cheap.

A Change in the Offing?

Stephanie spends a lot of time considering her life, her career, her future…nothing she hasn’t done before, but it felt a bit more serious this time—going so far to ask herself “Who am I?”. Even her newfound bodyguard sees that she wants to change her life.

The presence of Gabriela and some new turmoil in her relationship with Morelli adds fuel to this self-reflective fire.

So, what did I think about Fortune and Glory?

This was fine. This was okay. It was amusing. I appreciate the ambition of the storyline (but glad Evanovich wasn’t ambitious enough to try to extend it). For a series this old, to try something like this for the first time? Pretty impressive.

I don’t know that I found anything funny, though—which isn’t good for a comedic series like this.

It’s not quite as good as the last couple of Plum novels, but not as weak as some of the others. Good enough to read and recommend, but just that good. If I actually believed this round of self-reflection was going to result in a change, I might be more optimistic about things, but I expect that #28 will be more of the same. Which isn’t necessarily bad, it’s just nothing to be excited about.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

2021 While I Was Reading Challenge

2021 While I Was Reading Challenge

Earlier today, I finished my fourth annual While I Was Reading Challenge. Well, I thought I did, anyway. As I was putting this list together, I realized that the entry I’d pencilled in for “An essay or short story collection” was published last Fall. In fact, every short story collection I thought of as “recent” was from 2020. I somehow managed to make it through this year without a single short story collection, same with most of the essay collections I could think of. I guess this is why I keep a reading log, I just need to pay more attention to it.

Oh, well the important thing is, that it’s done, right?

2021 Reading Challenge Categories

  1. A book published before 2000: The Case of the One-Eyed Witness by Earle Stanley Gardner
  2. An essay or short story collection: Nothing Like I Imagined (Except for Sometimes) by Mindy Kaling
  3. A book you’ve been looking forward to: Blacktop Wasteland by S. A. Cosby
  4. A book you’ve been avoiding: The Posthumous Memoirs of Brás Cubas by Joaquim Maria Machado de Assis, translated by Flora Thomson-DeVeaux
  5. A book of magical realism: The Particular Sadness of Lemon Cake by Aimee Bender
  6. A book with alliteration in the title: Headphones and Heartaches by Wesley Parker
  7. A book with food or drink on the cover: Love by Roddy Doyle
  8. A cozy mystery: The Curious Dispatch of Daniel Costello by Chris McDonald
  9. A book with a dog on the cover: The Keepers by Jeffrey B. Burton
  10. A memoir: A Dream About Lightning Bugs: A Life of Music and Cheap Lessons by Ben Folds
  11. A book by an author who has written more than 10 books: Gated Prey by Lee Goldberg
  12. A debut novel: The Thursday Murder Club by Richard Osman

Some Things I Still Can’t Tell You by Misha Collins: A Thoroughly Pleasant Batch of Poems

Some Things I Still Can’t Tell You

Some Things I Still Can’t Tell You

by Misha Collins

Paperback, 129 pg.
Andrews McNeel Publishing, 2021

Grab a copy from your local indie bookstore!

A Quick Disclaimer

I really need to come up with a boiler-plate paragraph, or at least a sentence or two for the rare occasions when I read a book of poems: Poetry isn’t my thing. I try it every now and then (mostly then), and usually, when I do so, I’m reminded that it’s not something I can easily appreciate.

Still, this is my second collection this year. Maybe I’m turning a corner.*

* Probably** not.

**Almost certainly not.

So, Why Did I Buy & Read Some Things I Still Can’t Tell You

That’s easy—my daughter is one of Collins’ biggest fans and I knew she’d be raving about it. I thought it’d be nice to have something to talk about.

What’s Some Things I Still Can’t Tell You About?

This is a collection of brief (all under two small pages—most less than one) poems by the actor Misha Collins—some are about his wife and their relationship, some about his parents, friends, children, and so on.

A Common Structure

You know how with Sudden Fiction there’s a line or two at the end that acts like a punchline? Not necessarily like with a joke, but something that adds a little twist, or a surprise at the end of the story. These poems almost always feature something like that—you’re going along reading about a rainy day or something, and then in a line or two it turns into something about missing his wife. Or being a jerk about something. Or thinking about a dead friend. Something to give a little “punch.”

It was common, but even after a couple dozen of them, it didn’t stop being effective. And the ones that didn’t have it weren’t quite as good.

So, what did I think about Some Things I Still Can’t Tell You?

I don’t know if they’re great art—my instinct is to say no, but what do I know? I do know that they’re effective. They capture the feeling, the moment, the whatever Collins is talking about—they’re not the kind of poems you have to sit and ponder to dig out the meaning (you probably can dig deeper than I did), you get the payoff immediately.

For me, that’s what I want in a poem—a thought (fleeting or otherwise), an impression, a feeling—captured and passed on.

Going by that definition, this collection is a success.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Grenade Bouquets by Lee Matthew Goldberg: True to the Rock Scene it Describes, there’s a Bit of a Sophomore Slump Here

Grenade Bouquets

Grenade Bouquets

by Lee Matthew Goldberg
Series: Runaway Train, #2

Kindle Edition, 286 pg.
Wise Wolfe Books, 2021

Read: October 12-13, 2021
Grab a copy from your local indie bookstore!

I’m sure there’s always moments in life you’ll remember, like when you get married, or hold your newborn baby, but like, I can’t imagine anything more hella cool than hearing your song on the radio for the first time.

What’s Grenade Bouquets About?

At the end of Runaway Train, Nico joins Evan and his band, Grenade Bouquets, for a few dates, helping them with one song at the end of the set.

Before long, a rivalry heats up between Nico and the band’s singer (and Evan’s ex)—enough that she leaves, and Nico takes over just as they get the attention of a record label.

Things go about as well as you’d expect from this point out—there’s a template for novels about Rock bands, and Goldberg’s not one to buck a trend.

So, what did I think about Grenade Bouquets?

Is it ridiculous to expect that just because she got her act together at the end of Runaway Train that Nico will act maturely after that—especially in light of sudden success, money, attention, lack of adult supervision, and the easy access to drugs and alcohol. But man, I had a hard time with her antics. At one point, I jotted in my notes “I’d pay Goldberg $50 if we could just drop this and catch up with Nico in 5 years.”

Sure, Goldberg did a fantastic job of capturing the cultural moment so wonderfully—and the realism of a confused teen in the midst of that. But, I tell you what, I had a hard time getting through that part of the book (the majority of it). Eventually, however, that part ends. It doesn’t necessarily end well for Nico (the opening scene of the book makes that clear, so I’m not spoiling), but it ends believably (perhaps inevitably).

It’s what happens after things fall apart for Nico where the novel starts to be worth the struggle—there’s a scene featuring a celebrity cameo that makes the whole novel worthwhile, actually. But even without that scene the latter parts of the novel rescue it and get me to the point I can recommend it.

If you liked Nico’s story from Runaway Train and wanted to know what happens to her after it, Grenade Bouquets is a successful follow-up. The reader, as well as Nico, has to get through a lot—but the pay-off will compensate you.

I’m sounding pretty down about the book—and I don’t mean to, really, I came around in the end—but there was something to come around from. I have to mention it/warn you about it. Still, a decent read—with some strong moments and crystal clear writing.

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Nutcracker by E.T.A. Hoffman: A (weird) Classic Christmas Story

The Nutcracker

The Nutcracker

by E.T.A. Hoffman

Hardcover, 69 pg.
Fahrenheit Press, 2021

Read: December 20, 2021

What’s The Nutcracker About?

This is a story about a little girl who gets a nutcracker from her toy-making godfather. But this is no ordinary nutcracker: it’s magical—it’s a prince trapped in a wooden figure until he’s freed (like Belle’s Beast).

At night, this Nutcracker comes to life (like Buzz, Woody, and the rest) to do battle against the mice in the girl’s palace. The war between the Nutcracker and the mice—in particular, the seven-headed Mouse King, goes back to when the Nutcracker was human, and wages on.

And then things get weird…

A Couple of Confessions

I’m part of the probably 5-15% of Western Culture who needed the above, many of you probably rolled your eyes at me including that. But:

1. Until I got the newsletter from Fahrenheit Press talking about this release, I had no idea that this novel existed. Obviously, I knew about the ballet and a handful of the adaptations of it. But a novel started it all? What rock was I living under to have missed that?

2. I have never watched the ballet, or finished any of the various adaptations. I get bored, or distracted, or just decide it’s just a mess of a show. Maybe now that I’ve actually read the novel, I can make persevere to the end.

One Thing I’d Like to Know

Before the text itself, there’s a…it’s not really an epigraph or epigram, it’s too short to be an Author’s Note—well, maybe it’s the right length for that, I guess we should go with that. In it, Hoffman praises his skill and genius, not to mention the value of the book.

Now, I don’t know enough about the guy to know if he’s the world’s most delusional and/or arrogant writer—or is it satire? My gut says the latter, but I don’t know. Maybe he is the Narcissus of Prussian Literature. Do any of you know?

This Particular Edition

For the last two Decembers, Fahrenheit Press has hit pause on their particular brand of noir publishing to publish nice editions of Classic Christmas stories*.

This one came in a very nice hardcover with a great cover that is both on-brand for them and evocative of the story. It’s one of those hardcovers that’s going to last a while and is pretty enough to deserve it. You should absolutely try to get your hands on one while they’re still available.

* They also do some great charity work at this time of year, even as a struggling indie press, an example to us all.

So, what did I think about The Nutcracker?

The fantastical elements of this story were great—and the way it bounced back and forth between fantasy and reality—or make-believe and reality, if you’re Marie’s family—were wonderful. It was likely that Hoffman looked at the rules for story-telling around that, shrugged, and then did whatever he wanted to. The imagination behind it was truly impressive and I can tell why it’s inspired so many people to create works based on it.

The style, too, was fantastic—it’s a great way to tell a story. His word choice (and that of whoever translated this) were delightful. I felt like I was reading a descendant of things like Arabian Nights and The Brothers Grimm and a forerunner of writers like Lewis Carroll and William Goldman (The Princess Bride not Marathon Man). Although I will admit it occasionally left me a little bored—it was like he laid it on too thick from time to time, and I just couldn’t sustain my interest when that happened. Too much of a good thing, I guess.

It was a nice little book. I’m not saying I’m a convert to the story of the prince, the magic toys, and the seven headed-rat or anything. But I can see myself reading it again from time to time–I can definitely see this as a great thing to read this time of year to a kid if I had any around.

The Case of the One-Eyed Witness by Erle Stanley Gardner: A Dose of Nostalgia Delivered in a Twisty Whodunit.

The Case of the One-Eyed Witness

The Case of the One-Eyed Witness

by Erle Stanley Gardner
Series: Perry Mason, #36

Mass Market Paperback, 210 pg.
Pocket Books, 1963

Read: October 19-20, 2021
Grab a copy from your local indie bookstore!

What’s The Case of the One-Eyed Witness About?

While out for dinner with Della Street, Perry Mason gets a call from an unidentified person wanting to hire him for a job. She’s even arranged for some money for a retainer to be delivered to him at the restaurant—she just needs him to act on some information included with the cash. It’s a matter of life and death, she says, before the call ends.

Trying to earn his (pretty small) retainer, after he gets the delivery, Mason tries to track down his new client—and then he completes his assignment.

In the course of trying to figure out who his client is, Mason comes across a murder, and then another. He finally finds someone who he thinks is the client—and she denies that up until she gets arrested for murder, and then she’s more than ready to hire him.

Mason goes up against the Washington Generals of the legal system, Hamilton Burger and Lt. Tragg, as well as some pretty clever witnesses in his efforts to get to the bottom of this mystery. But while things frequently look grim for his client, it’s a sure bet that Mason will make sure justice is done.

Perry Mason, Micromanager

So Paul Drake is supposedly one of the best P.I.’s around—he’s got a sizeable agency of capable detectives, too. But you wouldn’t know it, the way that Mason ordered him around the investigation. I was taken aback by it, I have to say. It’d be different if this was Drake’s first case for Mason—or at all—but for a guy with his kind of experience? Sorry, Perry, trust the man to do it right.

There’s A Lot of Ugly Here

This was originally published in 1950, and you can tell in many ways. One of which is the casual usage of ethnic slurs about Japanese people. It’s not the first time I’ve read a book from this era (or earlier), I know this stuff is there—and I normally wince and move on. But it seemed a bit heavy in this book. I think—I don’t know, but I think—it’s there purposefully. That doesn’t make it easier to read. But if I’m right, it allows me to want to read more Gardner.

The reason I think the racist language is intentional is that prejudice against Japanese people is at the core of the plot—I’m not saying it’s a hate crime. But this story is only possible in a society where this prejudice is this prevalent.

I don’t know why I’m being cagey with spoilers for a book seven decades ago, but old habits, I guess.

At the end of the day, I can still enjoy this and see the racism as a disturbing cultural relic. And maybe as a sign of how far we’ve come (though, we obviously have further to go).

Nostalgia Trip

As best as I can remember, a few months after I fell in love with the Perry Mason show in syndication, I girded my loins and crossed that line between the “Juvenile” and “Adult” shelves at my library for the first time to see if I could find some books by the guy listed in the credits. They didn’t have a complete set—but boy howdy, they had a lot of them. A few years later, when we moved to a new city, I was disappointed to see that their Gardner collection was smaller—but at least they had a couple I hadn’t read.

For some reason, about the time I left college, I stopped hunting down unread novels and stopped re-reading them, too. I’ve thought about dipping my toes back in, but hadn’t gotten around to it. Until a couple of months ago and I found myself in front of a large selection of used paperbacks—including one that was new to me.

Reading this took me back—from the list of the Cast of Characters through to the end, it was like stepping back into a world I’d forgotten. I remembered the characters (and how they differed from their TV portrayals), the snappy dialogue, and quiet humor. I got a huge hit of nostalgic warm and fuzzies from reading this one.

So, what did I think about The Case of the One-Eyed Witness?

I don’t think this was one of Gardner’s best, but it’s like what they say about pizza. Even if it’s bad, it’s still pretty good. And this wasn’t bad—it just wasn’t great.

I do think the plot was unnecessarily convoluted, but it was necessary to get Mason exposed to everything he needed to lead up to the big gotcha moments in the courtroom, and to Mason solving it. It was a satisfying conclusion, too. Enough that I don’t care about how complicated the trip to the conclusion was.

I had a great time reading this—and I think anyone who loves a good bit of courtroom drama will, too. If you haven’t read a Perry Mason novel before, this might not be the best one to start with. But you should give one of them a shot—I can’t imagine it’ll be another two-and-a-half decades before I try another.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Page 118 of 353

Powered by WordPress & Theme by Anders Norén