Category: Fiction Page 128 of 346

PUB DAY BOOK BLITZ: Division [The Crows Over Cross Hill] by John Bowie

This morning I’m pleased to host a Book Blitz for John Bowie’s Division [The Crows Over Cross Hill]–the third book in the Black Vicking Thriller series–to celebrate its publication today.
Division Blitz Banner

Book Details:

Book Title: Division [The Crows Over Cross Hill] by John Bowie
Publisher: Red Dog Press
Release date: June 1, 2021
Format: Ebook/Paperback
Length: 197 pages

Division

Book Blurb:

Darkness Follows Wherever He Goes

John Black returns to Northern England for a family funeral, having left the woman he loves to protect her from his past.

His solace is broken as the sands shift, crows and gulls circle overhead, and children run on the beach where John used to play as a child… and where a body is found in the dunes by Cross Hill — the body of a woman John once knew.

With a set of coordinates left for him in a haunted pub, the body count grows, and the police are made fully aware of John’s connection.

As he drives the ancient coastal and rural landscapes, from Alnwick Castle, Hadrian’s Wall, Cragside to Kielder, racing to confront the killers, John wrestles the pain of bringing the evils of his past to his homelands and to all who know him.

Will Death Ever Leave Him?

Purchase Links:

The Red Dog Shop ~ Amazon ~ Kobo ~ Google Play

About the Author:

John BowieJohn writes articles, poetry, reviews, short stories and novels. His fiction is a semi-autobiographical mix of dirty realism, crime fiction and noir. Ghostly references to a heritage that includes the Vikings, Scotland, Ireland and the North, flavour the words throughout. Often with a dark but humoured edge.

John’s writing has appeared online and in print for the likes of Bristol Noir, Storgy Magazine, Litro Magazine, Punk Noir Magazine, Necro Magazine and Deadman’s Tome.

He grew up on the coast in rural Northumberland, a region steeped with a history of battles, Vikings, wars and struggles. These tales and myths fascinated him as a child, and then as an adult. In the mid to late nineties, he studied in Salford enjoying the bands, music, clubs and general urban industrial-ness of Greater Manchester, including the club scene and the infamous Hacienda. He was also there when the IRA bomb went off in 1996.

John has been partly inspired by 50s pulp hard-boiled detective fiction and the beat generation authors and poets. John aims to celebrate his female characters from his real-life through his writing, whilst retaining the hard-drinking, cynical honesty and the accessible writing style of these genres.

John lives in Bristol with his wife and daughters, where he has been since the late nineties. He is a professional designer, artist and writer as well as a proud husband, father, brother and son.

 

Red Dog PressMy thanks to Red Dog Press for the invitation to participate in this blitz and the materials they provided.

20 Books of Summer 2021

20 Books of Summer
One summer.

Three months.

93 Days.

20 books.

Are you in?


Here’s the kickoff post on 746 Books in case you want more details. I had a lot of fun with this last year (the time pressure helped a lot), so let’s give it another shot. Last year, my list was a mix of summer releases, NetGalley things I’d been procrastinating on, and some things I’d meant to read for a while. But here’s the thing–I don’t need something prompting me to read the next Ace Atkins or Kevin Hearne, ditto for my NetGalley stack–that’s going to get read. So in keeping with my push to trim my TBR List (both aspirational and stuff I already own) this year, 19 of these 20 books are those (I did put one upcoming release on the list, it was a moment of weakness). It’s going to be an actual challenge to get all of these read, but I think I’m up for it.

Anyway, here’s my list (subject to change, but I’m going to resist the impulse to tweak as much as I can).

1. A Beginner’s Guide to Free Fall by Andy Abramowitz
2. The Dead House by Harry Bingham
3. The Run-Out Groove by Andrew Cartmel
4. Love by Roddy Doyle
5. The Ninja’s Blade by Tori Eldridge
6. Small Bytes by Robert Germaux
7. A Reason to Live by Matthew Iden
8. Twiced Cursed by J. C. Jackson
9. The Dime by Kathleen Kent
10. Dead Man’s Grave by Neil Lancaster
11. The Magnificent Nine by James Lovegrove
12. The Mermaid’s Pool by David Nolan
13. All Together Now by Matthew Norman
14. The Good Byline by Jill Orr
15. Sir Thomas the Hesitant and the Table of Less Valued Knights by Liam Perrin
16. Fools Gold by Ian Patrick
17. Know Your Rites by Andy Redsmith
18. The Far Empty by J. Todd Scott
19. August Snow by Stephen Mack Jones
20. In Plain Sight by Dan Willis

20 Books of Summer '21 Chart

PUB DAY BOOK BLITZ: Fake News by C. J. Dunford

This morning I’m pleased to host a Book Blitz for C. J. Dunford’s YA Novel Fake News to celebrate its publication today.

Book Details:

Book Title: Fake News by C. J. Dunford
Publisher: FledglingPress
Release date: May 31, 2021
Format: Ebook
Length: 197 pages

Fake News

Book Blurb:

Four teenagers, and one dog, suffer at the hands of online media and come up with a plan to show people they should never trust what they read on the internet. They launch their own news site detailing amazing, shocking, utterly believable but totally untrue stories. They always intend to come clean, but success goes to their heads and before long they are enmeshed in a world of spies and aliens. How will they get out of this unscathed? What happens next will change all of their lives forever.

About the Author:

Author of over 30 books, C J Dunford is best known for her crime and spy stories set around the world wars (The Euphemia Martins Mysteries and The Hope Stapleford Adventures).

She has been, in no particular order, a hypnotist, a drama teacher, a journalist, a psychotherapist, a voice actor, a playwright, and a novelist. She is currently a part-time Teaching Fellow at the University of Edinburgh where she teaches creative writing, freelance journalism, and statistics. Never one to follow the usual route she holds degrees in both arts and social science, as well as a smattering of professional qualifications. She is good with a blow torch, but better behind a steering wheel (her youngest son believes she used to be a racing driver). It was, in fact, a desperate attempt to get her two sons to read, and because she thinks all the best stories are YA, that she wrote Fake News. After all, with spies, cyber threats, disinformation, and aliens, why wouldn’t you want to read it?

My thanks to Love Books Group for the invitation to participate in this Blitz.

Love Books Group

Cover Reveal: The Dark Hours by Michael Connelly

I’m excited to take part in the UK Cover Reveal for the new Harry Bosch/Rene Ballard thriller, The Dark Hours by Michael Connelly this morning. Before we get to the cover, let’s talk a bit about the book, okay?

Book Blurb

Has a killer lain dormant for years only to strike again on New Year’s Eve? LAPD Detective Renée Ballard and Harry Bosch team up to find justice for an innocent victim in the new thriller from #1 New York Times bestselling author Michael Connelly.

There’s chaos in Hollywood on New Year’s Eve. Working her graveyard shift, LAPD Detective Renée Ballard seeks shelter at the end of the countdown to wait out the traditional rain of lead as hundreds of revelers shoot their guns into the air. As reports start to roll in of shattered windshields and other damage, Ballard is called to a scene where a hardworking auto shop owner has been fatally hit by a bullet in the middle of a crowded street party.

It doesn’t take long for Ballard to determine that the deadly bullet could not have fallen from the sky. Ballard’s investigation leads her to look into another unsolved murder-a case at one time worked by Detective Harry Bosch.

Ballard and Bosch team up once again to find out where the old and new cases intersect. All the while they must look over their shoulders. The killer who has stayed undetected for so long knows they are coming after him.

Book Details:

Book Title: The Dark Hours by Michael Connelly
Publisher: Orion (UK)/Little, Brown and Company (US)
Release date: November 9, 2021
Format: Hardcover/Ebook/Audiobook
Length: 416 pages


And now…

The Cover

The Dark Hours UK
If that doesn’t grab your eyes, call your optometrist/ophthalmologist, there’s something wrong with them.


My thanks to The Orion Publishing Group for the invitation to participate in this reveal.

One of These Things is Not Like the Other…

I frequently find myself surprised at the strength of some of my opinions when it comes to the Fox and O’Hare series, starting with one of the prequel short stories—Pros and Cons and going up through 2019’s The Big Kahuna (Book 7). At its best, the series is a great combination of action, comedy, with a dash of will-they-won’t-they flirtatious fun.

As I’ve been reading the latest installment, The Bounty, one thought in the back of my mind is: this doesn’t look like a Fox and O’Hare book. And, like with some of the books, I find myself thinking about this more than than I’d expect to.

Books 1-6

Book 1Book 2Book 3Book 4Book 5Book 6

Book 7

Book 7

It just doesn’t look right, does it? The other covers (to me) capture the flavor of the books, the bright colors and the silhouettes speak to me of action-comedy. The Bounty looks like a cable/streaming drama. Like, a merger of CB Strike or Jack Ryan thumbnails.
CB Strike Jack Ryan

Does it matter that much? That’s a good question—but I’m not sure if I was trying the series with The Bounty that I’d be getting what I expected.

Sure, it might just be a change, and like Garth Algar, I’m not a fan of change. But it’s a branding thing, and why mess with one that’s working?

A Quick Look at the Wonderful The Hitchhiker’s Guide to the Galaxy: The Illustrated Edition by Douglas Adams, Chris Riddell (Illustrator)

The Hitchhiker's Guide to the Galaxy

The Hitchhiker’s Guide to the Galaxy:
The Illustrated Edition

by Douglas Adams, Chris Riddell (Illustrator)

Hardcover, 291 pg.
Del Rey, 2021

Grab a copy from your local indie bookstore!

As soon as I picked up this book this weekend, I just knew that I had to talk about it today on Towel Day. And then I sat down to write about this—and I’m not really sure what to say. Anyone who’s read this site much knows how bad I am at describing art. But, what else am I going to talk about today?

For the 42nd Anniversary of the publication of the novel The Hitchhiker’s Guide to the Galaxy, the publishers commissioned noted illustrator and political cartoonist Chris Riddell to tackle this classic. And wow, what a great choice.

Contents

The book starts off with “A Guide to the Guide” a short piece Adams wrote about the series in its various forms shortly after the release of So Long, and Thanks for All the Fish. Then we get the text of the novel—attractively laid out, with illustrations scattered throughout.

One of the best things included in this edition is a large, full-color illustration on the inside cover—it’s a collection of some of the more obscure characters mentioned (largely in passing) throughout the novel—and the book ends with a key to that illustration. Which is just great, I’ll be the first to admit that I didn’t give almost any of these any thought. And now I don’t have to, Chris Riddell did it for me.

Some of the Characters and Scenes Depicted

By and large, the illustrations don’t really match what I had in my head (although the Ravenous Bugblatter Beast of Traal was pretty close), but almost every time I look at one, my reaction is “yeah, he’s nailed it, that’s what _____ should look like.”

I’m not going to go over all of them, but I’ve had a blast flipping back and forth through the book looking at the pictures. The small furry creature from Alpha Centauri (a real one) was adorable, Slartibartfast was…perfect, Marvin looks nothing like the TV show or movie—thankfully. Eddie the Shipboard Computer is odd, but I can buy it. Eccentrica Gallumbits looks, well, you know. Trillian’s mice and (particularly in their native universe) and The Heart of Gold was just great. Deep Thought was another surprise but absolutely worked. Gag Halfrunt looks just like a private brain-case specialist should look. Last, but not least, the falling sperm whale and the poor bowl of petunias got a two-page spread, and I’d absolutely love to have a print on my wall of it.

Trillian

My biggest beef about the book is the small number of illustrations of the core characters—I liked what I saw, but we really only got more than one illustration of Trillian (although Zaphod, or should I say…Phil? is in the background).

I’m sure most of us can figure out why they’d include another picture of the attractive mathematician and astrophysicist, rather than the bumbling human, the two-headed egomaniac, the oddball researcher, or the morose android.

Some examples

So, I wasn’t really sure what I could get away with as far as showing samples from the book, so I didn’t want to just take some pictures of a few of the illustrations (besides, it’s clear that my photographic ability isn’t that great). But I was able to find this drawing for some original art to celebrate the publication. The art shown isn’t exactly what you find in the book (the book version of Prostetnic Vogon Jeltz, for example, is far more disgusting), but these sketches give you an idea of what you’ll find here. That’s about the best I can do.

It’d take a lot for me not to like an edition of this novel, I realize, but I absolutely love Riddell’s work on this. Which is great for me—if I’m going to bring another edition into my house, it’d better be great. It is, the illustrations capture the feel and flavor of the novel, and make it feel fresher. I strongly recommend it for fans new, old as well as those who are still on the verge of being fans.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Towel Day ’21: Some of my favorite Adams lines . . .

(updated 5/25/21)

There’s a great temptation here for me to go crazy. I’ll refrain from that and just list some of his best lines . . .*

* The fact that this list keeps expanding from year to year says something about my position on flirting with temptation

The Hitchhiker’s Guide to the Galaxy

bullet Time is an illusion. Lunchtime doubly so.
bullet This must be Thursday. . . I never could get the hang of Thursdays.
bullet “You’d better be prepared for the jump into hyperspace. It’s unpleasantly like being drunk.”

“What’s so unpleasant about being drunk?”

“You ask a glass of water.”
(I’m not sure why, but this has always made me chuckle, if not actually laugh out loud. It’s just never not funny. It’s possibly the line that made me a fan of Adams)
bullet He had found a Nutri-Matic machine which had provided him with a plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea.
bullet In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centuari. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before . . .
bullet “Look,” said Arthur, “would it save you a lot of time if I just gave up and went mad now?”
bullet The ships hung in the sky in much the same way that bricks don’t.
bullet For a moment, nothing happened. Then, after a second or so, nothing continued to happen.
bullet He attacked everything in life with a mix of extraordinary genius and naive incompetence, and it was often difficult to tell which was which.

The Restaurant at the End of the Universe

bullet It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.
bullet Reality is frequently inaccurate.
bullet Life is wasted on the living.

Life, the Universe, and Everything

bullet The Hitchhiker’s Guide to the Galaxy has this to say on the subject of flying. There is an art, it says, or rather, a knack to flying. The knack lies in learning how to throw yourself at the ground and miss.

(It goes on for quite a while after this—and I love every bit of it.)

bullet “One of the interesting things about space,” Arthur heard Slartibartfast saying . . . “is how dull it is?”

“Dull?” . . .

“Yes,” said Slartibartfast, “staggeringly dull. Bewilderingly so. You see, there’s so much of it and so little in it.”

So Long, and Thanks for All the Fish

bullet Of course, one never has the slightest notion what size or shape different species are going to turn out to be, but if you were to take the findings of the latest Mid-Galactic Census report as any kind of accurate guide to statistical averages you would probably guess that the craft would hold about six people, and you would be right. You’d probably guessed that anyway. The Census report, like most such surveys, had cost an awful lot of money and told nobody anything they didn’t already knowexcept that every single person in the Galaxy had 2.4 legs and owned a hyena. Since this was clearly not true the whole thing eventually had to be scrapped.
bullet Here was something that Ford felt he could speak about with authority. “Life,” he said, “is like a grapefruit.”

“Er, how so?”

“Well, it’s sort of orangy-yellow and dimpled on the outside, wet and squidgy the middle. It’s got pips inside, too. Oh, and some people have half a one for breakfast.”

“Is there anyone else out there I can talk to?”
bullet Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her.”Why’s this fish so bloody good?” he demanded, angrily.

“Please excuse my friend,” said Fenchurch to the startled waitress. “I think he’s having a nice day at last.”

Mostly Harmless

bullet A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.
bullet Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyways, so their opinion can and should be discounted.

Dirk Gently’s Holistic Detective Agency

bullet There is no point in using the word ‘impossible’ to describe something that has clearly happened.
bullet If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands.
bullet Let’s think the unthinkable, let’s do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.

(I’ve often been tempted to get a tattoo of this)

The Long Dark Tea-Time of the Soul

bullet There are some people you like immediately, some whom you think you might learn to like in the fullness of time, and some that you simply want to push away from you with a sharp stick.
bullet It can hardly be a coincidence that no language on earth has ever produced the expression, ‘As pretty as an airport.’
bullet The impossible often has a kind of integrity to it which the merely improbable lacks.
bullet She stared at them with the worried frown of a drunk trying to work out why the door is dancing.
bullet It was his subconscious which told him thisthat infuriating part of a person’s brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing.
bullet As she lay beneath a pile of rubble, in pain, darkness, and choking dust, trying to find sensation in her limbs, she was at least relieved to be able to think that she hadn’t merely been imagining that this was a bad day. So thinking, she passed out.

The Last Chance to See

bullet “So what do we do if we get bitten by something deadly?” I asked.

He looked at me as if I were stupid.”You die, of course. That’s what deadly means.”
bullet I’ve never understood all this fuss people make about the dawn. I’ve seen a few and they’re never as good as the photographs, which have the additional advantage of being things you can look at when you’re in the right frame of mind, which is usually around lunchtime.
bullet I have the instinctive reaction of a Western man when confronted with sublimely incomprehensible. I grab my camera and start to photograph it.
bullet Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.
bullet The aye-aye is a nocturnal lemur. It is a very strange-looking creature that seems to have been assembled from bits of other animals. It looks a little like a large cat with a bat’s ears, a beaver’s teeth, a tail like a large ostrich feather, a middle finger like a long dead twig and enormous eyes that seem to peer past you into a totally different world which exists just over your left shoulder.
bullet One of the characteristics that laymen find most odd about zoologists is their insatiable enthusiasm for animal droppings. I can understand, of course, that the droppings yield a great deal of information about the habits and diets of the animals concerned, but nothing quite explains the sheer glee that the actual objects seem to inspire.
bullet I mean, animals may not be intelligent, but they’re not as stupid as a lot of human beings.

The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

bullet I’ve come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you’re thirty-five is against the natural order of things.

And a couple of lines I’ve seen in assorted places, articles, books, and whatnot

bullet I love deadlines. I love the whooshing noise they make as they go by.
bullet A learning experience is one of those things that says, “You know that thing you just did? Don’t do that.”
bullet The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
bullet Solutions nearly always come from the direction you least expect, which means there’s no point trying to look in that direction because it won’t be coming from there.

Towel Day ’21: Do You Know Where Your Towel Is?

(actually updated and slightly revised this 5/25/20!)

The Hitchhiker’s Guide to the Galaxy has a few things to say on the subject of towels.

A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-bogglingly stupid animal, it assumes that if you can’t see it, it can’t see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have “lost”. What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.

Hence a phrase that has passed into hitchhiking slang, as in “Hey, you sass that hoopy Ford Prefect? There’s a frood who really knows where his towel is.” (Sass: know, be aware of, meet, have sex with; hoopy: really together guy; frood: really amazingly together guy.)

Towel Day, for the few of who don’t know, is the annual celebration of Douglas Adams’ life and work. It was first held two weeks after his death, fans were to carry a towel with them for the day to use as a talking point to encourage those who have never read HHGTTG to do so, or to just converse with someone about Adams. Adams is one of that handful of authors that I can’t imagine I’d be the same without having encountered/read/re-read/re-re-re-re-read, and so I do my best to pay a little tribute to him each year, even if it’s just carrying around a towel.

Some time in 7th or 8th grade (I believe), I was at a friend’s house—his brother let us try his copy of the text-based Hitchhiker’s Guide game, and we were no good at it at all. His brother had a copy of the novel, however, and we all figured that the novel held the keys we needed for success with the game (it did not). It was decided that I’d be the one to read the book and come back in a few days as an expert. Adams’ irreverent style rocked my world—could people actually get away with saying some of these things? His skewed take on the world, his style, his humor…and a depressed robot, too! It was love at first read. One of those experiences that, looking back, I can say shaped my reading and thinking for the rest of my life (make of that what you will). If carrying around a (massively useful) piece of cloth for a day honors his memory? Sure, I’m in.

One of my long-delayed goals is to write up a good all-purpose Tribute to Douglas Adams post, and another Towel Day has come without me doing so. Belgium.

Next year . . . or later. (he says for at least the 7th straight year, a work ethic I like to believe Adams would recognize).

In the meantime, here’s some of what I’ve written about Adams. A couple of years back, I did a re-read of all of Adams’ (completed) fiction. For reasons beyond my ken (or recollection), I didn’t get around to blogging about the Dirk Gently books, but I did do the Hitchhiker’s Trilogy:
bullet The Hitchhiker’s Guide to the Galaxy
bullet The Restaurant at the End of the Universe
bullet Life, The Universe and Everything
bullet So Long, and Thanks For All The Fish
bullet Mostly Harmless
bullet I had a thing or two to say about the 40th Anniversary of The Hitchhiker’s Guide to the Galaxy
bullet (this link will go live later in the morning of 5/25/21) I took a look at the 42nd Anniversary Illustrated Edition of The Hitchhiker’s Guide to the Galaxy
Also, I should mention the one book Adams/Hitchhiker’s aficionado needs to read is Don’t Panic by Neil Gaiman, David K. Dickson and MJ Simpson. If you’re more in the mood for a podcast, I’d suggest The Waterstones Podcast How We Made: The Hitchhiker’s Guide to the Galaxy—I’ve listened to several podcast episodes about this book, and generally roll my eyes at them. But this is just fantastic. Were it available, I’d listen to a Peter Jackson-length version of the episode.

I’ve only been able to get one of my sons into Adams, he’s the taller, thinner one in the picture from a few years ago.

TowelDay.org is the best collection of resources on the day, recently posted this pretty cool video, shot on the ISS by astronaut Samantha Cristoforetti.

Even better—here’s an appearance by Douglas Adams himself from the old Letterman show—so glad someone preserved this:

Love the anecdote (Also, I want this tie.)

The Jigsaw Man by Nadine Matheson: A Jaw-Dropping Debut

The Jigsaw Man

The Jigsaw Man

by Nadine Matheson
Series: DI Anjelica Henley, #1

Hardcover, 388 pg.
Hanover Square Press, 2021

Read: May 17-20, 2021
Grab a copy from your local indie bookstore!

“You never know though. This could still be a nice, straightforward investigation.”

Henley didn’t reply as she picked up her bag, because every nerve in her body told her Pellacia believed that even less than she did.

What’s The Jigsaw Man About?

Someone is killing people, dismembering them, and then scattering the parts of the bodies near the river (not necessarily in that order).

It’s DI Henley’s first day back in the field in months when these pieces are discovered. I think that qualifies as a blessing and a curse—it’s a blessing because these murders resemble the crimes of a serial killer she arrested years ago. The curse comes in because Henley is still haunted by this killer and what happened during his arrest. Stil, Peter Olivier, “the Jigsaw Killer,” is in prison—which is one of the more ironclad alibis around. The killers’ methods are so similar, there has to be a connection between the two. And there’s no one better suited to uncover that connection than Henley.

Olivier isn’t impressed with someone stealing his M.O., and he’s even less satisfied with Henley’s speed at apprehending the killer. So he decides to take care of things himself. Step one, get out of prison. Step two, find the killer—and unlike Henley, Olivier has a few suspects.

DI Anjelica Henley

The CSI team hadn’t arrived by the time Henley had left [spoiler]’s home. Anthony was en route to a shooting on the Kingsland Road, but had promised to dispatch two of his team with unrealistic promises of paid overtime. Henley could feel the anger overwhelming her as she walked back to her car. Someone had dropped the ball and no one was taking responsibility. She was doing everything that she was trained to do, to the best of her ability, but it didn’t feel as though it was enough. As if she wasn’t enough.

Henley is an all-too-familiar figure in Detective Fiction—smart, determined, driven. So much so that her husband wants her to get another job so she can spend more time with her family. But that’s not going to happen, she can’t do that. A couple of things that make her different from your typical driven, brilliant, cop that doesn’t always play well with others—Henley is a black woman DI. She has to be the best, she has to be driven and determined to survive in a position like hers. Almost everyone does a double-take as she identifies herself, someone who looks like she does is a DI?

She’s struggling with the trauma that came from the arrest of Olivier, and she appears to be losing that struggle, too. And that was before she had to deal with crimes that looked like his and interview Olivier on multiple occasions in order to try to understand the connection between Olivier and the new guy.

There’s something instantly appealing about Henlely—she’s a mess, but that doesn’t stop her. She has every reason in the world to leave the job, but she won’t for a few compelling reasons. Which actually makes her more vulnerable, watching her deal with her own issues in addition to the case makes for some really compelling reading.

The Rest of the Team

Stanford turned his back on the body. Henley knew how he was feeling. They thought they had seen it all, until life presented them with a fresh kind of hell.

As with most UK-based procedurals, there’s a great cast of characters around Hnely There are too many to really discuss the way I want to (and I don’t want to give short shrift to any). From the supervisor with complicated feelings toward her, a DS who might as well be a brother, a trainee who is in over his head (but finds a way to be valuable to the investigation), the best-friend of a medical examiner, to all those I can’t come up with a pithy phrase to describe, Matheson filled this novel with people, not two-dimensional (or one-dimensional) characters. You really can’t ask for more than that.

Peter Olivier

Unlike too many serial killers in fiction, Peter Olivier isn’t charming. He’s not some sort of misunderstood genius. The reader is never tempted to root for him as he goes up against the copy-cat or as he escapes. He’s a vile man, excellent at reading people either to attack or to convince them to become an ally.

I cannot stress enough that he’s the kind of serial killer I want to read about (and I really don’t want to read about too many of them anymore). I don’t want to sympathize with someone like that, I want it to be crystal clear that this guy is a monster, and deserves to be put away from society. Matheson gives us not just one, but two killers like that.

Questions to Wrestle With…

The best literature demands something of the reader. It often requires you to dig down deep inside and ask yourself some hard questions as you read.

The Jigsaw Man is one such book. As you read it, you have to ask yourself penetrating questions like:
bullet What’s the absolute minimum amount of sleep I need to function?
bullet Do I have to go back to work after lunch, or can I just keep reading?
bullet Will my kids be upset if I miss their soccer game/little league game/dance recital if I read throughout?
bullet Will my cats murder me in my sleep if their bowls are empty?
bullet How angry will my wife be if I ignore her for a couple of hours? (especially during the last 100 or so pages) How long will it take her to get over it?

So, what did I think about The Jigsaw Man?

I absolutely loved this. This is a dark, unsettling read—there are two pages toward the end that may be the most disturbing pages I’ve ever read. And yet…there’s something very appealing about the novel—it’s gripping and compelling, it’s also entertaining.

Henley might be a tangle of problems and issues (in addition to the positive qualities she possesses), but they’re not just there as quirks or to ground the character. There’s a reason for each of them, a story behind them, making her absolutely believable. The same could be said for the rest of the characters, too. Matheson has a real eye for character and displayed that throughout.

The pacing is perfect, and you find yourself turning the pages as fast as you can for the last 40-60 pages, because you just have to know what happens. That part of the book reminded me of the first time I read Clarice Starling walk into Buffalo Bills’ house. You’re on the edge of your seat, tense, and any little noise can startle you. It’s not often I feel like that and I love it when I do.

I definitely recommend this one to you, folks—but I should warn you, when you do, you’ll be waiting with bated breath for the next book in the series.


5 Stars
2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

A Few Quick Questions with…Jonathan Nevair

Earlier this morning, I posted my take on the novel Goodbye to the Sun–out today, I should add. Now, I get to present this Q&A the author was gracious enough to participate in with me. There are some great answers here (at least I think there are), hope you enjoy.


Describe your path to publication with this.
Goodbye to the Sun was the second novel I wrote. The first will never see the light of day and I now understand that it was more a personal exercise in getting my “literary legs” than a book to be shared with readers. I’d written academic essays, etc. for years but fiction was an entirely new language. One important piece of feedback I got from an agent on the first book was that while they enjoyed it, especially the world-building and prose, they wanted more investment in the main character – more emotional connection.

I took that to heart and Goodbye to the Sun was the result. I did a good deal of research on how to write characters that are emotionally charged and how to increase empathy and investment in a reader’s relationship to a protagonist. When it came time to construct the plot for Goodbye to the Sun, I decided to model the story off of one of the most heavy-hitting examples I could find – the tragedy. It had everything I needed to ground the story in a rollercoaster of emotional transformations, struggle, and hardship.

After an early structural edit and feedback from a sensitivity reader, Goodbye to the Sun was sent out into the literary agent ether, and then, someone I follow on twitter posted a call for submissions to a small indie press specializing in SFF and horror, Shadow Spark Publishing. They were closing to submissions the next day – talk about luck… I whisked off a query letter (an improvised one, not the official one I’d been using for agents) and got a response back and a request for a partial manuscript. From there a full request followed, and after some back and forth, I signed a three-book deal.

I knew I was in the right place for the series when I read the mission statement that Jessica Moon and Mandy Russell had on the publishing house website. It made clear that they were seeking authors whose works tested boundaries and experimented with approaches – they wanted fiction that pushed in new directions. The POV structure of Goodbye to the Sun is a bit unorthodox and I was thrilled when they read the manuscript and responded positively to the story and my writing. From there, it’s been the usual publication process – editing rounds, proofs, cover designs, etc.

All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to it?
This is a great question because I don’t usually stop and reflect on the process of literary invention. As an art historian and educator, much of my recent focus has been on ethics. At the time I was writing Goodbye to the Sun, I was teaching and writing academically about ethics in art and that spirit translated into the Wind Tide universe. One thing I am starting to understand is that while I may not consciously know it, I have something to say in my fiction writing – whether it’s human themes, issues relating to ecology, or just wanting to share an appreciation of the wonders of the imagination (often visual) with others through the written and spoken word (that’s one of the reasons I love my job as an educator – putting visual experience into words and sharing my perspective with others, and engaging in a back-and-forth with others about their impressions, is one of the best parts of being an art historian).

What really made me stick with this story is the characters. Razor and Keen became intimate and close companions and something about them forced me to commit to their journeys and see them through to a narrative resolution. I didn’t grasp it until I’d written Goodbye to the Sun, but I’m a character-driven writer. I adore world-building, both settings and cultures, but when it comes down to it, I build them to put characters into the settings – to live with them in those worlds and experience what they experience, struggle alongside them, and revel in their growth and evolutions.

Clearly, you put a lot of time and effort into the world/culture-building for the novel—were there historical analogues for some/all of these groups? What kind of research did you do for this?
This is one of the reasons why I am enjoying writing science fiction – it presents a whole new, expanded set of research experiences necessary to build convincing and interesting secondary worlds. I spent time reading about tidal cycles, wind, and tropical weather to construct the two main planetary settings for Goodbye to the Sun. Some other random world-building research tangents arose like the nature of cave systems, bioluminescence, and a very intimate reading on trees (Wohlleben’s The Hidden Life of Trees) to help develop not only the famed cantinool trees on Heroon but also a broader ecological philosophy emphasizing a hidden biological communication network tied to a cause-and-effect system of human interaction with terraforming, etc.

It was also the time when the most recent cycle of Star Wars movies hit theaters and as a big fan from my childhood, the films drove me to fantasize about living in a similar secondary fictional world. Rogue One was especially inspirational to me. The rebellion, as well as the very complicated set of players mixed up between opposing sides (and the emphasis on family vs. state that related to other important sources like Antigone), played an important role as a precedent. The Motes are indebted to that source as well as giving a nod to the Fremen in Frank Herbert’s Dune.

As a middle-aged person, I’m drawn to stories of people who’ve been pushed back into circumstances of their youthful years, and I’d read Legend by David Gemmell not too long before writing Goodbye to the Sun – Keen Draden probably has some Druss “qualities” sprinkled on him. I’ve also had a lifelong interest in martial philosophy and many texts written over the centuries provided source material for Keen’s warrior philosophy and the fighting scenes. Razor’s voice and tone were strongly influenced by some other writing research I did on character voicing. Although not written in the same POV, I was strongly affected as a writer by Essun in N.K. Jemisin’s The Fifth Season.

What was the biggest surprise about the writing of Goodbye to the Sun itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”
Oh, this one is easy! And I’ll take the, “I’d have skipped this and watched more TV for 200$, please.” Even though I set up plot points and had an outline, as well as a close sense of how this narrative would adapt a tragedy model, I got bogged down at ACT III – halted in my writing tracks. It took a month of talking to myself (out loud on walks with my dog, in my head, and many scribbles that were scrunched up and tossed in the trash) to find my way out. I learned two things from this: first, I needed to be open to change and surprises in writing, but have a general plan and an “arc” for the entire plot, and second, sometimes you need to just sit down and write to get out of a rut. These are, of course, personal reflections and not advice to anyone else writing fiction. I heeded my own words for the second book in the Wind Tide series, Jati’s Wager, and that one went much better with no torturous plot crises.

Let’s play “Online Bookstore Algorithm” (a game I’ve recently invented). What are 3-5 books whose readers may like Goodbye to the Sun?
Gareth Powell, Embers of War
Essa Hansen, Nophek Gloss
James S.A. Corey, The Expanse
Becky Chambers, A Long Way to a Small Angry Planet
Frank Herbert, Dune

Thanks for your time—and thanks for Goodbye to the Sun, and I hope you have plenty of success with it.


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