Category: Fiction Page 16 of 317

Shades of Mercy by Bruce Borgos: Memory Brushes the Same Years

Reading back-to-back books featuring a character named Mercy—not to mention writing about one while reading another—is a fun way to trip yourself up. Thankfully the genres are different. But if I start rambling on about the fae or coyotes, you’ll know why. Also, skip to the next sentence or so.


Cover of Shades of Mercy by Bruce BorgosShades of Mercy

by Bruce Borgos

DETAILS:
Series: Porter Beck, #2
Publisher: Minotaur Books
Publication Date: July 16, 2024
Format: e-ARC
Length: 352 pg.
Read Date: June 27-July 1, 2024
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What’s Shades of Mercy About?

Sheriff Porter Beck’s life intersects with a couple of high school buddies for the first time in many years. And both situations should make anyone else from high school leery of running into him.

We open with Beck coming across one of those friends after they’d overdosed. Soon after, a federal investigator recruits Beck to go visit the other one. Jesse Roy has recently moved back to the area, and is renovating his father’s ranch into something that Beck can’t comprehend—it’s just too large, too gaudy, for this area. Cattle ranching is going really well for Jesse (too well?). The night before, something had gone wrong with a test vehicle with the Air Force, and something had fallen on Roy’s prize bull, destroying it. The investigator is here to negotiate a settlement—and it’s not a little one.

But something about the whole deal sets Beck’s B.S.-meter off. He forces the investigator to come clean—someone had hacked an Air Force drone and launched a missile at the cow. It was a targeted hit—but why?

Beck knows if he doesn’t help for the search for this hacker (and they know they’re local, somehow) and get to the root of the problems soon, his county will be overrun by Intelligence officers from all sorts of government agencies.

Oh, and there are wildfires threatening the county on several sides, and a large group assembling to storm Area 51. Just in case it didn’t seem like he had enough going on.

The investigation quickly points at a teenage girl who is serving some time at a teen facility nearby. As hard as it might be to believe. And before he knows it—Beck finds himself dealing with so much more than a hacker.

Comparing Shades of Mercy to The Bitter Past

So, the first book used dual timelines to tell the story—and I was afraid Borgos would try to pull that trick again. I think it could’ve worked, but eventually, his county is going to run out of people who were doing interesting things several decades ago. This time it’s all one timeline (with a little backtracking every now and then, but not much. But we do bounce between a few perspectives, so we still get the advantage of multiple POVs. So he’s able to maintain some of the same feel there.

His deputies are back, but some of them aren’t really seen due to the fires. There’ve been some changes since the last book and it’s good to see that everything isn’t stagnant with this series. We don’t get as much time with them all this time, and that’s a disappointment. Other characters return, too, most of them made me happy and one was a pleasant surprise. I had a more specific sentence there, but decided to remove the names…

The big change is the focus—The Bitter Past is all about the past—what it does in the present, how it can change so much about your life when you learn new things about your own past. Also, the weapons and conflicts of the past.

This one is very present and future-focused. It’s also good to see that Borgos isn’t stuck in one frame of mind.

So, what did I think about Shades of Mercy?

I’m having a hard time talking about this book without saying too much about the content.

In what—I think—was a very nice bit of story-telling is that there were a few things that should make the attentive reader pause and wonder if Borgos is being sloppy. I’m going to try to be vague here, but I’m thinking of some parts of the timelines before the novel started—and some things that happened during the novel that we don’t see first-hand, but see the effects of. I was too invested in the stories to spend time on these myself—I basically shrugged and moved on (not that I noticed everything I should’ve, either). I’m going to give you credit for being perceptive and thoughtful enough to catch these things—then I’m going to reassure you: trust Borgos. Everything gets tied up, everything makes sense, I can’t tell you how often in the last pages I said “Oh, sure—that makes sense,” (I also said “I probably should’ve caught that” about most of those items). It’s really a nice and tidy book.

I’m worried that my last paragraph makes the whole thing seem like a mess. Au contraire. This is a tight thriller—it’s only on a few points that it I was mistaken that he’d left things dangling. The rest of the book is as tightly written as you could hope (which I should’ve realized described the rest, too). There’s a little slowness for a chapter or two, just to bring us back into this world, reintroduce the character, and catch us up on Beck’s life—then we’re off to the races from the moment that Beck is brought to his old friend’s ranch.

The conclusion was just great—exactly what this book (and character) needed.

This book bodes well for the rest of the series that follows—yes, I’d like a “smaller” crime. One that didn’t involve multiple state and federal agencies, for one. Just a matter of Beck and his guys analyzing a crime scene and then figuring out who in their small community could’ve done it. It’d just be more believable than all the federal and military types wanding around all the time. But the way Borgos is dealing with the latter, I’m not sure I care.

There’s enough humor and heart here to take the edge off of things—the tension gets cut, the characters are made more endearing, and the reader can catch their breath before diving into more tension and action.

I wasn’t as wow-ed with this book as I was the first—but I was still impressed, and this book makes me more sure what the following books will be like than I was with The Bitter Past. And it promises to be a very good series. I’m repeating myself, so it’s time to wrap this up. Either with Shades of Mercy or The Bitter Past, you want to get on board this series here at the beginning.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Dog Day Afternoon by David Rosenfelt: Understanding Marcus

Cover for Dog Day Afternoon by David RosenfeltDog Day Afternoon

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #29
Publisher: Minotaur Books
Publication Date: July 2, 2024
Format: eARC
Length: 304 pg.
Read Date: June 20-21, 2024
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What’s Dog Day Afternoon About?

Overall, I’m not sure that the body count in this book is that much higher than in other books in this series—but the way it opens is very different. The instigating crime feels like something straight out of a mass-shooter video your HR people make you watch annually (assuming your workplace is similar to mine, I guess)—it’s cold, calculated, with a casual disregard for human life we don’t often see in this series. (Andy says something similar at one or two points).

So you’re left wondering—how does Andy get roped into representing the accused? (although many readers are going to read that scene and pick out the places the defense is going to take advantage of). This is where Marcus comes in.

Andy learned about this earlier, but we readers learn about this now—Marcus mentors young people in his neighborhood who have had a rough time of it and have run afoul of the law in the past. They need some help, some guidance, and some favors—Marcus provides this.

He also helps a couple of those he mentors to adopt a dog from the Tara Foundation. One of these two is accused of the crime—Marcus comes to Andy for help, and he gets it. That Willie also vouches for the accused helps—there’s no chance that Willie agrees to let one of their dogs go to someone capable of this crime.

That’s not evidence he can introduce in court, but it’s compelling for Andy. Now he just needs to find something that will be compelling in court.

Marcus

Marcus can’t become too well-rounded of a character—we need him in the shadows, doing things that defy belief. But we can learn more about him than we have prior to this.

We see that he can have attachments to people other than Laurie (and by extension, Andy). We see just how far he’s willing to go to help someone.

I was interested in this book because I’ve enjoyed almost every one of its predecessors enough that I don’t bother to see what they’re about before I add them to the TBR list. But once I noted that this one featured Marcus like that—my excitement grew. I love watching the character at work, and to see him in a different situation than we’re used to made my day. Also, we got just what the doctor ordered from a Marcus-centric book.

So, what did I think about Dog Day Afternoon?

I cannot believe that I’ve read 29 books in this series (plus a few in a spin-off). Twenty-nine. That’s just insane. Now, am I going to say that they’re all as fresh as they were in 2002 when Open and Shut came out? Of course not. But they have their moments when they feel that way.

* According to my logs, I read it in 2011—I’ve been with these characters for 13 years. Mind-boggling.

So, Rosenfelt has his work cut out for him to do something to keep the audience engaged. Over the last few books, he’s worked on deepening the relationship between Andy and Marcus, which has been nice. This book takes a big step forward in that. I don’t know that we’re going to see much more than this anytime soon—you need to preserve some of Marcus’ mystique to keep him nearly-superhuman in Andy’s (and the reader’s) eyes. Similarly, we readers can know Hawk a little better than when Spenser first ran into him in Promised Land—but not too much.

So, we’d better enjoy what we get here, right?

And naturally, that’s really easy. Other fun bonuses—Andy getting along with the prosecutor. Cory clearly being annoyed with Sam Willis wanting to get in on the action. Even some of the Andy and Tara interactions felt a little different (not unusually so, and not negatively). There was also the attempt of a law firm to hire the most reluctant lawyer in the world—that did bring a smile to my face.

There’s a good mix of the tried and true Andy bits, fun material with our old friends, a clever mystery, a new side of Marcus, and Rosenfelt’s trademark zippy prose. It’s easy to see why this series has gone on as long as it has—and may it continue to do so.

Can you hop on here? Absolutely—and you’ll have the fun bonus of a healthy backlist to work your way through once you get done with this one.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grandpappy’s Corner: Under the Barnyard Light by Carla Crane Osborne, Brandon Dorman (Illustrator): A Quiet, Wintry Night’s Chores

Grandpappy's Corner Logo featuring the cover of Under the Barnyard Light

Under the Barnyard Light

by Carla Crane Osborne, Brandon Dorman (Illustrator)

DETAILS:
Publisher: Gogonago
Publication Date: November 17, 2020
Format: Hardcover
Length: 26 pg.
Read Date: June 29, 2024
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What’s Under the Barnyard Light About?

This book follows a young girl as she takes care of some farm chores on a cold and wintry night.

Let’s Talk about the Art for a Minute

No slight intended toward the text, but the art here is the star of the show. That’s a commentary on the art, not the text. Few authors would be able to compete (not that it’s a competition). Dorman’s just fantastic. In these pages, he combines realism with a style that will appeal to the younger readers. The colors might not be bright enough and the art “loud” enough to get the youngest readers, but he’ll draw in those north of two (I think). It looks painted, not drawn and colored.

When I checked out his website, I realized I’d held other books that he’d illustrated and/or done the covers for–several of them, actually. My kids even owned some of them growing up.

How is it to Read Aloud?

Like Every Dreaming Creature, this book seems to demand a quiet reading voice–this is a book for settling down for the night (or at least a nap).

I will admit that the first time I read this myself, I got distracted by the rhyme scheme and ended up spending more time paying attention to it and trying to suss out the pattern. Take it from me–don’t do it. Just read it line by line–or couplet by couplet–while being ready to deal with frequent non-rhyming lines. If you go looking for a pattern or a rhythm, you’ll be lost.

Just sit back, adopt a hushed tone, and read. If you do that, you’ll find it to be a nice, soothing read. The text–and the art–are gentle and cozy. You read it that way and you’ll be set.

What did the Little Critter think of It?

He seemed to like the pictures, but had no patience for the book, we only got three pages into it before he was finished. In fairness, he’s young–and I picked a wrong time to try it. He wasn’t in the mood for a quiet book.

But I’m confident that when I try again, he’ll be fine with it.

So, what did I think about Under the Barnyard Light?

I enjoyed this–it did make me think of Every Dreaming Creature and settling down for the night–it’s a quiet book, it’s a calming book. Between the atmosphere, the soft edges of the art, and the way the text carries you along–I imagine this is going to be a bedtime favorite for many. Including the grandcritter in a few months.

This definitely inclines me to read more by Osborne, I’m curious to see what she does with different kinds of stories (for example, I doubt Pony Express is the kind of book you curl up with on your way to sleep).

3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

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20 Books of Summer 2024: June Check-In

20 Books of Summer
Here’s a quick check-in for this challenge run by Cathy at 746 Books.

So far, I’ve read 4—which puts me a 2/3 of a book behind last year. I should read at least 1 more this coming week, but I’m a little intimidated about my picks for the rest of the summer. A little. Really 8 books a month doesn’t sound that bad for the rest of the summer, but I know full well that other things are going to pop up to distract me. It’s a self-inflicted problem—and one I fully predicted. But still…

I’m more intimidated by the fact that I haven’t written about any of these four yet—am hoping that I can get at least one posted about by Friday. (stranger things have happened, I hear).

Let’s take a quick look at my progress in June:

1. This is Who We Are Now by James Bailey
2. Blood Reunion by JCM Berne
3. Ways And Truths And Lives by Matt Edwards
✔ 4. The Running Grave by Robert Galbraith
✔ 5. Grammar Sex and Other Stuff: A Collection of (mostly humorous) Essays by Robert Germaux
6. The Camelot Shadow by Sean Gibson
7. Last King of California by Jordan Harper
8. Steam Opera by James T. Lambert
9. The Glass Frog by J. Brandon Lowry
10. Rise of Akaisha Morningstar by Kataya Moon
11. Curse of the Fallen by H.C. Newell
12. Heart of Fire by Raina Nightengale
✔ 13. Detours and Do-overs by Wesley Parker
14. Bizarre Frontier Omnibus #1 by Brock Poulson
✔ 15. Howl by e rathke
16. Bard Tidings by Paul J. Regnier
17. Panacea by Alex Robins
18. Cursed Cocktails by S.L. Rowland
19. Big Trouble in Little Italy by Nicole Sharp
20. The Nameless Restaurant by Tao Wong

(subject to change, as is allowed, but I’m going to resist the impulse to tweak as much as I can).

20 Books of Summer '24 June Check In Chart

The Ballad of Bonaduke—Episode 53: Connection by R. T. Slaywood: Things That Make You Go “Hmm…”

Been a bit (okay, a month and a half) since I dipped my toe in these waters…


The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 53: Connection

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #53
Format: Kindle Vella Story
Read Date: June 28, 2024

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars). And then he gets into a supernatural fight and survives…just.

Or maybe not. But he gets better. And then his new…friends? Acquaintances? People who keep popping up in his life?…start explaining exactly what’s going on to him while they set up a new HQ and try to teach him about his abilities (and everyone tries to understand them) while they try to fund their further work.

What’s Connection About?

There are two parts of this episode really. In the first, Bonaduke chews on some of what he’s learning and applies it to the circumstances around his family’s death, his childhood, and more. He’s starting to make some connections and then is interrupted by his compatriots and the need to free Om.

Bonaduke asserts himself more than he usually does—and everyone responds to it (at least they allow it). Om might not be free—or even closer to free*—by the end of this episode, but we’re starting to get a clearer idea about the powers that this motley crew are tangling with.

Whatever is (mostly) in control of Om tempts Bonaduke to cast his lot in with them. But, at a cost, he refuses and employs a gambit he’d been cooking for a while. It seems to work but before Bonaduke can enjoy the taste of victory, he’s told that was only step one to freeing Om.

* Have an earworm for free with this post.

So, what did I think about Connection?

I’d have been closer to satisfied if each part of this episode had received a full one (or three) to fully develop. But that’s not what we got, so…

I wish circumstances, his patience, other things going on had allowed Bonaduke to spend more time thinking about and thinking through the first half of things. I just really want these answers, and am intrigued by the possibilities.

On the other hand, I’m also intrigued by what’s brought up at the end. This could be pretty cool. I’m concerned that Slaywood is going to fall back on his half-baked and vague “here’s an explanation, but not really” and convoluted hand-waving in the general direction of answers before going off in some other direction. I’m hoping to be proven wrong.


)
3 Stars

This Weekend Sees Re-release of Boise Longpig Hunting Club by Nick Kolokowski: A Gritty, Violent Visit to Idaho

Cover to Boise Longpig Hunting Club by Nick Kolakowski'Boise Longpig Hunting Club

by Nick Kolakowski’

DETAILS:
Series: Jake Halligan, #1
Publisher: Rock & a Hard Place Press
Publication Date: June 30, 2024
Format: eBook
Length: 210 pg.

A Second Edition?

On June 30, Rock & a Hard Place Press will be putting out the second edition of one of those books I haven’t been able to stop thinking of in almost six years. This will be followed by the republication of the sequel, Rattlesnake Rodeo later this year, and the third in the series, Righteous Trash, next year.

I was very excited to read about this—not only is this a heckuva read that I’m hoping finds more readers, I’m eager to read more about Jake and Frankie. Kolakowski has been nothing but generous with his time (and books) since then and it’s great to see good things happening for him.

I’ve read this book twice (and am tempted to do it again this weekend) and it’s just a blast. Also, I have to say that Kolakowski’s fictionalized Boise/Southwestern Idaho/Eastern Oregon is closer to reality than any I’ve come across. And since most of those others are from people who live here, for a New Yorker to get the geography and populace so accurately is really impressive.

For more—check out this interview Rock and a Hard Place conducted with Kolakowski.

What Did I Say About Boise Longpig Hunting Club Back When It Was First Released?

Jake Halligan is a bounty hunter—more in the Lori Anderson/JT mold, than a Stephanie Plum-type—in Boise, Idaho, and the immediate environs. He’s got a kid, an interesting relationship with his daughter’s mother, and a sister that . . . well, you just have to meet her. But think Bubba Rogowski without the size and clinical diagnosis.

Jake’s a Vet, having served in some of the worst conditions Iraq has to offer. He’s smart, he’s careful—he has people he cares about, so he has to be—and he has a conscience. It doesn’t stop him from doing his job, but it can stop him from enjoying it. Early on in the novel, we find Jake after a rough week at work—and a less-than-friendly exchange with the local police—on the whole, his life is looking pretty good, even if Janine (his ex-wife, fiancé, and mother of his child) made him pay a social call on some neighbors. When they get home, Jake finds a dead woman in his gun safe. This plunges Jake into a hunt for a killer—as well as an explanation. He’ll find both—and probably wish he didn’t. It’s a violent, nasty hunt full of crazy characters, drug dealers, Aryan assassins, corrupt police—and people who are even worse than them.

Along for the ride is Janine—I can’t say enough about Janine as a character. From her attitude towards a house without books, to her hidden strength and anxieties—and all points in between. Then there’s Frankie, his sister—she’s cocky, funny, and vicious—she’s the biggest gun dealer in Idaho, not even close to legal, and the law can’t touch her. The law can’t even find her. She’s surrounded by associates/employees who are almost as colorful as she is (some even more so)—and is definitely the person you want at your side (or back) in a firefight.

Which is good—because they’re going to find themselves in a few.

Kolakowski has a great way with his characters—they’re real, they’re human—and they’re larger than life in a way that you’ll absolutely buy, as well as enjoy. When the action starts, it is gripping and exciting—you’ll keep turning pages. When there’s a lull in the action, you can bask in the character moments. I’m not really sure what else can I say beyond that. This is the whole package, you get to spend time with interesting people being interesting, and when they take a break from that, it’s because fists or bullets are flying—or maybe something explodes.

My one gripe—and it’s not much of one before we get back to me saying nice things. The ending is abrupt. I’m not sure if I can think of a well-known book/movie to compare it to. You’re just reading along, hoping that Jake, Frankie, Janine, and the rest survive this mess, and then before you really realize what happened, it’s over. You know who survives—and who doesn’t—and the book ends with very little wrap-up (actually the wrap-up happens before the ending—that remark will make sense when you read it). Kolakowski had a story to tell and he didn’t drag out the ending, much like his protagonist would approach things, I expect. He got the job done and moved on. I would’ve preferred a little more time after the main events are over—there are things I want to know about the immediate aftermath. There aren’t loose ends left untied, I’d just like to see what they look like after they’re taken care of. You can make a strong case that this is the way to end a book—when things are done.

It’s not often that I can evaluate an author’s use of geography—I know that Robert B. Parker and Dennis Lehane have tweaked Boston, I understand that Butcher goofs re: Chicago’s neighborhoods, etc. but I don’t know that reading the books, I learn that later. It’s rare when I’ve been somewhere a book has been set—a little bit with the Mercy Thompson books (but I’m better at noting pronunciation on the audiobooks that no resident would recognize), I noted that Wesley Chu fumbled a smidge Eastern Oregon in the third Tao book, and that Marilynne Robinson’s Housekeeping was creative with the facts, etc. But by and large, this book takes place in the area I’ve lived in most of my life, so I feel that I can actually comment—and Kolakowski nailed it. Not just the details, but he’s got the feel, he’s got the atmosphere, the attitude toward change, and the out-of-state money that’s bringing the change. he’s changed business names and whatnot, but I can still recognize them—I love seeing this kind of detail brought to life. I’m trusting that his depiction of local crime is hyperbolic, however.

I’m a little worried that it’s as accurate as the rest, actually . . . but we’ll move on.

There’s a visceral feel to this novel and these characters—people in places most don’t think about showing skills, interests, and circumstances that you don’t normally associate with that area. Just a guy trying to make a decent life for his family and himself, who finds himself in dangerous situations. I couldn’t help but think of Jason Miller’s Slim in Little Egypt series while reading his. Jake’s far more capable than Slim, and is far less likely to end up on the wrong end of a beating. But there’s a very similar ethos in the books, and fans of one should grab the other right away.

I’m not going to belabor the point anymore, I think it’s clear that I enjoyed the heck out of this—it’s fast, it’s energetic, it’s fun. Go grab a copy of it.

Basically, Get Your Hands On The New Edition


4 Stars

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IN MEDIAS RES—The Book of Perilous Dishes by Doina Rusti, James Christian Brown (Translator): The Arts of Occult Cuisine

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As the title implies, I’m in the middle of this book (59%), so this is not a full post, just some thoughts mid-way through. There were some challenges getting me a copy that my eyes could read, so I didn’t get the chance to finish the book on time. Many thanks to Dave at The Write Reads Tours for trying so valiantly to help.


The Book of Perilous DishesThe Book of Perilous Dishes

by Doina Rusti, James Christian Brown (Translator)

DETAILS:
Publisher:  Neem Tree Press
Publication Date: May 21, 2024
Format: e-Book
Length: 272 pgs.
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What’s The Book of Perilous Dishes About?

This novel takes place in two distinct times, the majority of which starts in 1798 when fourteen-year-old Pâtca is forced to flee the only home she really knows because the city guards are raiding it to take in her grandmother (and anyone else they find there) for crimes imagined (and possibly real). She runs to Bucharest, the city she was born in, where her family had lived for a long time, and where her parents died when she was young.

She was told to track down her “little uncle,” Cuviosu Zăval, who could bring her to her parents’ home as well as provide for her. But Zăval is dead when she arrives—murdered, actually—and things get worse from there. Her meager possessions are stolen, she’s captured by criminals (possibly to be sold as a slave), accused of crimes and imprisoned, taken under the care of someone that she—and readers—cannot be sure she should trust, and…so much more (including several things I haven’t read yet).

Pâtca, Zăval, her grandmother, and who knows how many other members of her family, follow occult practices of various types. Some time back, Pâtca, compiled several recipes that are will bespell the eater into a collection called “The Book of Perilous Dishes.”

At the same time, the city is in turmoil. The current prince is about to be deposed (it doesn’t seem likely that he’ll be able to stop the fomenting rebellion). This prince recently took a slave, Silică, from a prominent citizen (the woman who will later assume Pâtca’s guardianship)—he’s a chef of a caliber that would get an invitation from the Chairman to take on Iron Chef in another time. Soon after she arrives in the city, Pâtca becomes convinced that Silică bought “The Book of Perilous Dishes” from her uncle, and is (unwittingly?) about to unleash chaos on the city unless she stops him.

(there’s a few other things afoot, but let’s stick with the story that the book gets its title from)

The other time is 1829, a.k.a. “The Present” is the perspective the 1789 story is being told from. We get snippets of what’s going on in Pâtca’s life there throughout the book—and the Table of Contents tells me that the last chapter will take place there. I’m really unsure beyond that what to say about it. I mean, obviously, Pâtca survives the tight places and dangers she faces (although that’s generally implied in first-person narration, but with the amount of ghosts/possible ghosts and other weirdness going on here, I’m not convinced that’d be guaranteed in this book)

That Opening

I can think of at least 4 books I’ve read in the last two years that have started like this*—guards/police/authorities/angry crowds, etc. coming for the protagonist/protagonist and their family and they have to flee their home to hide/take on a new persona/find a new home. I don’t bring this up to complain about the lack of originality or anything, it’s just something that occurred to me as Pâtca was being rushed out the door by her grandmother, Maxima.

Not only is it an exciting way to open a book—far better than a description of the weather or something—it almost guarantees that the reader will be hooked for at least a chapter or two, but it also tells the reader a lot about the novel and what to expect just from the opening pages. Odds are, not all of those who flee are going to make it—or someone is going to stay behind in an act of self-sacrifice, so you’ve got some tragedy right out of the gate. You’re also going to see your protagonist with a thirst for revenge, justice, or a resolve to carry on with whatever brought whoever to their door.

It’s an efficient and effective bit of writing and storytelling strategy. And Rusti pulls it off well.

* …and who knows how many in the last 40 years.

Rusti’s Writing

A good deal of the appeal to this book is Rusti’s descriptions and depiction of life in Bucharest. The way she describes certain people and Silică’s food, for example, just about justified what I paid for the book. For example:

If I tell you he was handsome, you will understand nothing. He was a man so luminous that you’d be drawn like a magnet to him from any distance. You couldn’t see his eyes. You couldn’t describe any of the features of his face. He was quite simply a soul that soaked into your flesh and blood. He was like water. He was a spark struck from the heart of a coal. He was the very breath of that noontide, fixed over the city.

That woman had a way of looking that was impossible to forget. She didn’t smile, but her face lit up as if she had drunk up all the events that she gazed at.

Beyond that, there’s just her language and way of telling the story. Largely this has to be Rusti’s culture and heritage shining through—the result is something that feels a lot less like our world than a lot of Fantasy/SF that’s supposed to be in worlds that have no relation to Earth. Tatooine, Qo’noS, and Krynn are a lot more like the U.S./U.K. than the world of this book—which is actually in Europe. This really shines forth brightly in this novel and adds a richness to the experience.

There’s a circuitous style to the way that Rusti moves the plot forward that’s both charming and frustrating. I’m not sure if I can describe it but I’ll try. She’ll begin a section at Step 10 (although you won’t realize that right away) and then slip to Step 2 (or 1) and proceed in order to Step 6 or 7, and maybe make you guess at/assume 8 and 9 while resuming at Step 10. Occasionally, she’ll throw a flashback into the middle of that.

I do wonder about some of the language used—there’s a formality to some of the writing and vocabulary that seems out of place to the pacing and atmosphere (and possibly, characters, I’m not sure about that yet). It’s not in every sentence or paragraph (which, I guess is why I said “some”), but it pops up often enough that I can’t help but take note of it. This is at least partially attributable to James Christian Brown, particularly when it comes to word choices—and what not to translate*. I don’t know how much of Rusti’s vocabulary is as formal as Brown’s, but for my purposes, I have to assume that if Rusti wrote this in English, it’d read this way.

* There is a handy-dandy glossary in the back of the book, I discovered too late, because why read the Table of Contents?

So, what do I think about The Book of Perilous Dishes so far?

I like it. I’m confused and/or uncertain about many things going on—I’m not even sure how much I like/trust/care about Pâtca, much less anyone else. But I’m intrigued and very curious about where this all is going.

It’s definitely one of those books that I’m going to have to read the last couple of pages of before I know what I think of the whole thing—I largely think that the journey is as rewarding as the destination when it comes to books—and certainly, the trip I’m on is pretty interesting. But this is going to be one of those books that I’ll have to look back at the journey once I arrive to decide if it was all worth it, pretty scenery notwithstanding.

At this point, I can say that this is a fascinating world, filled with riveting characters, and a story that’ll keep you wondering and guessing throughout (I’m willing to bet until the last ten pages). But I feel confident in saying that it’s worth a shot.

 

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

BOOK SPOTLIGHT: The Book of Perilous Dishes by Doina Rusti

This morning, I’m very pleased to welcome The Write Reads Blog Tour for Donia Rusti’s novel, The Book of Perilous Dishes. In addition to this Spotlight, my first post about the book will be coming along a little later. The Tour started yesterday and will be going on for a few more days, and there are going to be plenty of interesting things said about the book. So check out https://twitter.com/WriteReadsTours (see also the snazzy image below) to catch other people’s perspective. But for now, let’s learn a little bit about the book, shall we?

The Book of Perilous Dishes Tour Banner

Book Details:

Title: The Book of Perilous Dishes by Donia Rusti, translated by: James Christian Brown
Genre: Historical Fiction, Romanian Literature
Release date: February 2017, March 3, 2022 (Neem Tree Press edition), May 21, 2024 (U.S.)
Length: 272 pages
Publisher: Neem Tree Press
Cover for The Book of Perilous Dishes by Donia Rusti

About the Book:

1798: A magical, dark adventure. Fourteen-year-old Pâtca, initiated in the occult arts, comes to Bucharest, to her uncle, Cuviosu Zăval, to retrieve the Book of Perilous Dishes. The recipes in this magical book can bring about damaging sincerity, forgetfulness, the gift of prediction, or hysterical laughter. She finds her uncle murdered and the book missing. All that Zăval has left her is a strange map she must decipher. Traveling from Romania to France and on to Germany to do so, Patca’s family’s true past and powers are revealed, as is her connection to the famous and sublime chef, Silica.

Book Trailer:

Book Links:

Amazon UK ~ Amazon US ~ Neem Tree Press ~ Goodreads

About the Author:

Donia RustiDOINA RUŞTI, important contemporary Romanian novelist, is unanimously appreciated for epic force, for originality and erudition of her novels. She received all major Romanian awards, including the Romanian Academy Prize, and was translated into many languages (even in Chinese).

She wrote ten novels, including: Fantoma din moară (The Phantom in the Mill, 2008), Lizoanca (2009), Zogru (2006).

The novels Manuscrisul fanariot (The Phanariot Manuscript, 2015), Mâța Vinerii (The Book of Perilous Dishes, 2017) and “Homeric” (2019) can be a Phanariotic Trilogy (18th century). The most recent novel: Paturi oculte (Occult beds), 2020.

Good international reviews in: La Stampa, Stato Quotidiano, Il Venerdì di Repubblica. Il Libero, Neue Zürcher Zeitung, Magyar Nemzet, La Opinion, Turia. Il Mercurio etc.

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Cover Re-Reveal: Domestication by Shannon Knight

I got a nasty shock yesterday when I saw fellow bloggers posting this cover a day early, but a quick of my email showed that I put the wrong date in my calendar. So, welcome the Cover Re-Reveal, or Cover Confirmation, for Shannon Knight’s horror novel Domestication this morning! Artist Savanna Mayer (who will be showing up on this site in a Q&A with Shannon and me soon) brought the creepy. But I’ll share that in a minute. First, let’s learn a bit about the book.

Book Details:

Book Title: Domestication by Shannon Knight
Cover Illustrator: Savanna Mayer
Publisher: Winter Moon Press
ISBN (eBook): 979-8-9876393-9-9
Genre: Horror, Thriller
Paperback page count: 298
Release date: July 23, 2024

About the Book:

In an eat-or-be-eaten world, domestication is a death sentence.

When Janie chose the isolated sheep farm, she knew her husband would hunt her down. What she didn’t expect was Rob and Howard. Rob rules the farm with the same domination tactics she uses to train dogs, while Howard believes only human supremacists think humans should be treated any differently than other animals. Janie inadvertently jumps out of the frying pan and into the fire. She wishes to leave her old self behind. She wants to transform. Will she devolve into meat, metamorphose into a monster, or transcend beyond her domesticated limitations?

E-Book Pre-order price: $2.99
E-Book Retail price: $4.99
Pre-order link: https://books2read.com/Domestication
ARC request for book reviewers: https://shannonknight.net/Domestication-ARC/

About the Author:

Shannon KnightShannon Knight wrote Domestication while living on an Icelandic sheep farm in the Pacific Northwest. There are no skulls on her roof, but there are a suspicious quantity of bones kicking around the farm. Shannon graduated summa cum laude with a Bachelor’s in English. She is the author of Grave ColdInsiders, and Wish Givers.

Author Links:

Website ~ Instagram ~ Bluesky ~ Twitter

and now…

The Cover

Cover for Domestication by Shannon Knight

Here’s what the paperback’ll look like if you prefer that:
Paperback Cover Wrap for Domestication by Shannon Knight

Credit goes to Savanna Mayer for that little creepifying image you’ll see in your sleep tonight. I don’t know how many times I’ve looked at it since Shannon sent it to me, and I’m not sure I’ve spotted everything going on there…

Keep your eyes peeled for this book, folks. It’ll be out in a little less than a month and will be worth the wait!
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Dog Day Afternoon by David Rosenfelt: Understanding Marcus

Cover for Dog Day Afternoon by David RosenfeltDog Day Afternoon

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #29
Publisher: Minotaur Books
Publication Date: July 2, 2024
Format: eARC
Length: 304 pg.
Read Date: June 20-21, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Dog Day Afternoon About?

Overall, I’m not sure that the body count in this book is that much higher than in other books in this series—but the way it opens is very different. The instigating crime feels like something straight out of a mass-shooter video your HR people make you watch annually (assuming your workplace is similar to mine, I guess)—it’s cold, calculated, with a casual disregard for human life we don’t often see in this series. (Andy says something similar at one or two points).

So you’re left wondering—how does Andy get roped into representing the accused? (although many readers are going to read that scene and pick out the places the defense is going to take advantage of). This is where Marcus comes in.

Andy learned about this earlier, but we readers learn about this now—Marcus mentors young people in his neighborhood who have had a rough time of it and have run afoul of the law in the past. They need some help, some guidance, and some favors—Marcus provides this.

He also helps a couple of those he mentors to adopt a dog from the Tara Foundation. One of these two is accused of the crime—Marcus comes to Andy for help, and he gets it. That Willie also vouches for the accused helps—there’s no chance that Willie agrees to let one of their dogs go to someone capable of this crime.

That’s not evidence he can introduce in court, but it’s compelling for Andy. Now he just needs to find something that will be compelling in court.

Marcus

Marcus can’t become too well-rounded of a character—we need him in the shadows, doing things that defy belief. But we can learn more about him than we have prior to this.

We see that he can have attachments to people other than Laurie (and by extension, Andy). We see just how far he’s willing to go to help someone.

I was interested in this book because I’ve enjoyed almost every one of its predecessors enough that I don’t bother to see what they’re about before I add them to the TBR list. But once I noted that this one featured Marcus like that—my excitement grew. I love watching the character at work, and to see him in a different situation than we’re used to made my day. Also, we got just what the doctor ordered from a Marcus-centric book.

So, what did I think about Dog Day Afternoon?

I cannot believe that I’ve read 29 books in this series (plus a few in a spin-off). Twenty-nine. That’s just insane. Now, am I going to say that they’re all as fresh as they were in 2002 when Open and Shut came out? Of course not. But they have their moments when they feel that way.

* According to my logs, I read it in 2011—I’ve been with these characters for 13 years. Mind-boggling.

So, Rosenfelt has his work cut out for him to do something to keep the audience engaged. Over the last few books, he’s worked on deepening the relationship between Andy and Marcus, which has been nice. This book takes a big step forward in that. I don’t know that we’re going to see much more than this anytime soon—you need to preserve some of Marcus’ mystique to keep him nearly-superhuman in Andy’s (and the reader’s) eyes. Similarly, we readers can know Hawk a little better than when Spenser first ran into him in Promised Land—but not too much.

So, we’d better enjoy what we get here, right?

And naturally, that’s really easy. Other fun bonuses—Andy getting along with the prosecutor. Cory clearly being annoyed with Sam Willis wanting to get in on the action. Even some of the Andy and Tara interactions felt a little different (not unusually so, and not negatively). There was also the attempt of a law firm to hire the most reluctant lawyer in the world—that did bring a smile to my face.

There’s a good mix of the tried and true Andy bits, fun material with our old friends, a clever mystery, a new side of Marcus, and Rosenfelt’s trademark zippy prose. It’s easy to see why this series has gone on as long as it has—and may it continue to do so.

Can you hop on here? Absolutely—and you’ll have the fun bonus of a healthy backlist to work your way through once you get done with this one.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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