Category: Fiction Page 19 of 317

Towel Day ’24: Some of my favorite Adams lines . . .

(updated 5/25/24)

Towel Day

There’s a great temptation here for me to go crazy and use so many quotations that I’d get in copyright trouble. I’ll refrain from that and just list some of his best lines . . .*

* The fact that this list keeps expanding from year to year says something about my position on flirting with temptation.

The Hitchhiker's Guide to the Galaxy

The Hitchhiker’s Guide to the Galaxy

Time is an illusion. Lunchtime doubly so.

This must be Thursday. . . I never could get the hang of Thursdays.

“You’d better be prepared for the jump into hyperspace. It’s unpleasantly like being drunk.”

“What’s so unpleasant about being drunk?”

“You ask a glass of water.”

(I’m not sure why, but this has always made me chuckle, if not actually laugh out loud. It’s just never not funny. It’s possibly the line that made me a fan of Adams)

He had found a Nutri-Matic machine which had provided him with a plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea.

In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centuari. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before . . .

“Look,” said Arthur, “would it save you a lot of time if I just gave up and went mad now?”

The ships hung in the sky in much the same way that bricks don’t.

For a moment, nothing happened. Then, after a second or so, nothing continued to happen.

<

blockquote>“Space,” [The Guide] says, “is big. Really big. You just won’t believe how vastly, hugely, mindbogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to space, listen…”

He attacked everything in life with a mix of extraordinary genius and naive incompetence, and it was often difficult to tell which was which.

He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it.


The Restaurant at the End of the Universe

The Restaurant at the End of the Universe

It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.

Reality is frequently inaccurate.

Life is wasted on the living.


Life, The Universe and Everything

Life, the Universe, and Everything

The Hitchhiker’s Guide to the Galaxy has this to say on the subject of flying. There is an art, it says, or rather, a knack to flying. The knack lies in learning how to throw yourself at the ground and miss.

(It goes on for quite a while after this—and I love every bit of it.)

“One of the interesting things about space,” Arthur heard Slartibartfast saying . . . “is how dull it is?”

“Dull?” . . .

“Yes,” said Slartibartfast, “staggeringly dull. Bewilderingly so. You see, there’s so much of it and so little in it.”


So Long, and Thanks For All The Fish

So Long, and Thanks for All the Fish

Of course, one never has the slightest notion what size or shape different species are going to turn out to be, but if you were to take the findings of the latest Mid-Galactic Census report as any kind of accurate guide to statistical averages you would probably guess that the craft would hold about six people, and you would be right. You’d probably guessed that anyway. The Census report, like most such surveys, had cost an awful lot of money and told nobody anything they didn’t already know—except that every single person in the Galaxy had 2.4 legs and owned a hyena. Since this was clearly not true the whole thing eventually had to be scrapped.

Here was something that Ford felt he could speak about with authority. “Life,” he said, “is like a grapefruit.”

“Er, how so?”

“Well, it’s sort of orangy-yellow and dimpled on the outside, wet and squidgy in the middle. It’s got pips inside, too. Oh, and some people have half a one for breakfast.”

“Is there anyone else out there I can talk to?”

Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her. “Why’s this fish so bloody good?” he demanded, angrily.

“Please excuse my friend,” said Fenchurch to the startled waitress. “I think he’s having a nice day at last.”


Mostly Harmless

Mostly Harmless

A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.

Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyways, so their opinion can and should be discounted.


Dirk Gently's Holistic Detective Agency

Dirk Gently’s Holistic Detective Agency

There is no point in using the word ‘impossible’ to describe something that has clearly happened.

If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands.

Let’s think the unthinkable, let’s do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.

(I’ve often been tempted to get a tattoo of this)


The Long Dark Tea-Time of the Soul

The Long Dark Tea-Time of the Soul

There are some people you like immediately, some whom you think you might learn to like in the fullness of time, and some that you simply want to push away from you with a sharp stick.

It can hardly be a coincidence that no language on earth has ever produced the expression, ‘As pretty as an airport.’

The impossible often has a kind of integrity to it which the merely improbable lacks.

She stared at them with the worried frown of a drunk trying to work out why the door is dancing.

It was his subconscious which told him this—that infuriating part of a person’s brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing.

As she lay beneath a pile of rubble, in pain, darkness, and choking dust, trying to find sensation in her limbs, she was at least relieved to be able to think that she hadn’t merely been imagining that this was a bad day. So thinking, she passed out.


The Last Chance to See

The Last Chance to See

“So what do we do if we get bitten by something deadly?” I asked.

He looked at me as if I were stupid. “You die, of course. That’s what deadly means.”

I’ve never understood all this fuss people make about the dawn. I’ve seen a few and they’re never as good as the photographs, which have the additional advantage of being things you can look at when you’re in the right frame of mind, which is usually around lunchtime.

I have the instinctive reaction of a Western man when confronted with sublimely incomprehensible. I grab my camera and start to photograph it.

Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.

The aye-aye is a nocturnal lemur. It is a very strange-looking creature that seems to have been assembled from bits of other animals. It looks a little like a large cat with a bat’s ears, a beaver’s teeth, a tail like a large ostrich feather, a middle finger like a long dead twig and enormous eyes that seem to peer past you into a totally different world which exists just over your left shoulder.

One of the characteristics that laymen find most odd about zoologists is their insatiable enthusiasm for animal droppings. I can understand, of course, that the droppings yield a great deal of information about the habits and diets of the animals concerned, but nothing quite explains the sheer glee that the actual objects seem to inspire.

I mean, animals may not be intelligent, but they’re not as stupid as a lot of human beings.


The Salmon of Doubt

The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

We are stuck with technology when what we really want is just stuff that works.

I’ve come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you’re thirty-five is against the natural order of things.


And a couple of lines I’ve seen in assorted places, articles, books, and whatnot

I love deadlines. I love the whooshing noise they make as they go by.

A learning experience is one of those things that says, “You know that thing you just did? Don’t do that.”

The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.

Solutions nearly always come from the direction you least expect, which means there’s no point trying to look in that direction because it won’t be coming from there.

Towel Day ’24: Do You Know Where Your Towel Is?

(updated and revised this 5/25/24)

Towel Day

The Hitchhiker’s Guide to the Galaxy has a few things to say on the subject of towels.

A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-bogglingly stupid animal, it assumes that if you can’t see it, it can’t see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have “lost”. What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.

Hence a phrase that has passed into hitchhiking slang, as in “Hey, you sass that hoopy Ford Prefect? There’s a frood who really knows where his towel is.” (Sass: know, be aware of, meet, have sex with; hoopy: really together guy; frood: really amazingly together guy.)

Towel Day, for the few who don’t know, is the annual celebration of Douglas Adams’ life and work. It was first held two weeks after his death, fans were to carry a towel with them for the day to use as a talking point to encourage those who have never read HHGTTG to do so, or to just converse with someone about Adams. Adams is one of that handful of authors that I can’t imagine I’d be the same without having encountered/read/re-read/re-re-re-re-read, and so I do my best to pay a little tribute to him each year, even if it’s just carrying around a towel.

In commemoration of this date, here’s most of what I’ve written about Adams. I’ve struggled to come up with new material to share for Towel Day over the years, mostly sticking with updating and revising existing posts. But I do have a couple of new things coming today. But let’s start with the old material. A few years back, I did a re-read of all of Adams’ (completed) fiction. For reasons beyond my ken (or recollection), I didn’t get around to blogging about the Dirk Gently books, but I did do the Hitchhiker’s Trilogy:
bullet The Hitchhiker’s Guide to the Galaxy
bullet The Restaurant at the End of the Universe
bullet Life, The Universe and Everything
bullet So Long, and Thanks For All The Fish
bullet Mostly Harmless
bullet I had a thing or two to say about the 40th Anniversary of The Hitchhiker’s Guide to the Galaxy
bullet I took a look at the 42nd Anniversary Illustrated Edition of The Hitchhiker’s Guide to the Galaxy

I should also point to a posts I wrote about Douglas Adams’ London by Yvette Keller and 42: The Wildly Improbable Ideas of Douglas Adams edited by Kevin Jon Davies—both are great ways of illing-out one’s understanding of Adams and his work. I have to mention the one book that Adams/Hitchhiker’s aficionado needs to read is Don’t Panic by Neil Gaiman, David K. Dickson and MJ Simpson. If you’re more in the mood for a podcast, I’d suggest The Waterstones Podcast How We Made: The Hitchhiker’s Guide to the Galaxy—I’ve listened to several podcast episodes about this book, and generally roll my eyes at them. But this is just fantastic. Were it available, I’d listen to a Peter Jackson-length version of the episode.

I’ve only been able to get one of my sons into Adams, he’s the taller, thinner one in the picture from a few several years ago.
(although I did get he and his younger siblings to use their towels to make themselves safe from the Ravenous Bugblatter Beast of Traal a few years earlier:)

You really need to check out this comic from Sheldon Comics—part of the Anatomy of Authors series: The Anatomy of Douglas Adams.

Lit in a Nutshell gives this quick explanation of The Hitchiiker’s Guide:

TowelDay.org is the best collection of resources on the day. One of my favorite posts there is this pretty cool video, shot on the ISS by astronaut Samantha Cristoforetti.

Even better—here’s an appearance by Douglas Adams himself from the old Letterman show—I’m so glad someone preserved this:

Love the anecdote (Also, I want this tie.)

Nothing Special: Through the Elder Woods by Katie Cook: This Graphic Novel Sparked Joy

Through the Elder WoodslThrough the Elder Woods

by Katie Cook

DETAILS:
Series: Nothing Special, Volume One
Publisher: Ten Speed Graphic
Publication Date: March 05, 2024
Format: Hardcover
Length: 416 pg.
Read Date: April 13, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Through the Elder Woods About?

Callie is sure she’s nothing special—and even more sure that everyone she goes to school with is convinced of that as well. Her dad runs a magical antique shop, but she lives with non-magical humans (and frequently he does, too)—so non-magical they don’t know it exists. But Callie can see ghosts—or spirits.

One day, she accidentally discovers she’s not alone, but a classmate, Declan, can see them, too. Relieved that he’s not just seeing things (Callie’s dad had already convinced her of that), the two become great friends. (you get the impression that Declan has wanted to be at least friends for as long as he’s been aware of her).

When Callie’s dad goes missing in the magical realm on her 17th birthday, the two of them take their first steps in this strange, magic-filled world to try to find him.

Plant-Based Ghosts?

If I had to single out one thing about this book/series that sets it apart from the rest and makes it worth a read regardless of other factors—the ghosts that Callie can see and interact with are the ghosts of plants. Trees, flowers, vegetables, and so on. If there are ghosts of people/elves/animals running around (and I don’t see why there wouldn’t be), we don’t see them in this book. Just plants. In particular, there’s the ghost of a radish (cruelly used as mere a garnish) who serves as a traveling companion/guide for Callie and Declan in the magical realm.

A great idea, executed in the cutest way possible.

My Favorite Kind of Love Triangle

Slightly-spoilery…but only slightly (and frankly, this is a selling point if you ask me…), skip if you want to go into this pristinely.

At some point—another guy* shows up on the scene to pursue Callie romantically. She just shuts him down—she’s not interested, at all. Also, there’s Declan…who she seems to be interested in.

* I had to return the book to the Library before I wrote this and I didn’t write down his name, and a couple of minutes of internet research didn’t get it for me, either.

The other guy tries, but is shut down (and almost seems to be pro forma about his attempts at a certain point) constantly.

So how is this my favorite kind of Triangle? It doesn’t exist. Callie isn’t even tempted by the other guy. Pure bliss for me.

A Word The Art

I just loved it. It’s bright, energetic, lively, and adorable. That last one may sound patronizing, but I can’t come up with a better word for all of the art. It just brought a smile to my face.

The radish ghost (all the ghosts, but let’s focus on it) is one of the cutest things I’ve seen in months. The little accent bits of art throughout the book featuring similar looking ghosts and non-story jokes are just as good.

I don’t know what else to say, but I loved the art.

So, what did I think about Through the Elder Woods?

I don’t have anything deep, meaningful, or particularly insightful to say here—nor do I have a lot to say (believe it or not).

I thought the story was fun. I less-than-threed the characters so much. The art made me smile—as did the book as a whole. The pages just melted away and I read more of it than I intended to (i.e., all of it) in an afternoon. It’s cute, it’s effortlessly charming, it’s sweet, and full of whimsy. ‘Nuff said.

Your results may vary, obviously, but this just made me happy. I’m definitely back for Volume Two later this year.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Christa Comes Out of Her Shell by Abbi Waxman: Family, (Unwanted) Fame, Love, and Snails

Christa Comes Out of Her ShellChrista Comes Out of Her Shell

by Abbi Waxman

DETAILS:
Publisher: Berkley Books
Publication Date: April 16, 2024
Format: Paperback
Length: 371 pg.
Read Date: May 2-7, 2024
Buy from Bookshop.org Support Indie Bookstores

I glanced up from the phone screen and caught sight of myself in the mirror. With thoughts of my mother in my head, I straightened up and took a look. As always, I was wearing pieces from what she refers to as my “forest floor collection.” It makes my life easier to wear khaki, green, olive or sand, because all of my clothes end up coated with seawater, salt lines and general beach muck. I researched and found the perfect pair of shorts, I researched and found the softest, most durable T-shirt, then bought four sets of both and never wear much else. Honestly, when Einstein did it, he was an eccentric genius; when Steve Jobs did it, he was a genius emulating an eccentric; and when I do it, I’m not making enough of an effort. Patriarchal bullshit; those are quality shorts.

What’s Christa Comes Out of Her Shell About?

Christa Barnet is a biology researcher happily studying a particular kind of snail on a remote island in the Indian Ocean. The island is populated by people who grew up there and a rotation of other researchers taking advantage of the isolation of the flora and fauna from the rest of the world. She has no real close relationships, a nice room in a boarding house, and her snails—life is pretty much what Christa wants.

Until her father comes back from the dead. Well, kind of. It’s not a zombie novel or anything. Her dad was an internationally known TV host of nature programs. Think Steve Irvin without the accent. But when Christa was a small girl, the plane her dad was flying went down in the Alaskan wilderness and no one knew what happened to him. He was eventually declared dead, and the family moved on.

But now, he’s back—so Christa has to leave her snails behind and go back to help her mother and sisters deal with this, to find out what her dad has been doing (and why no one knew he was alive).

To get all reductionistic there are three main plotlines afoot and I want to touch on them briefly—but each of them is about Christa coming out of her shell in their essence.

The Whole Dad Thing / Celebrity Culture

So, yeah…her Dad is back. It’s hard to talk about this as anything but strange. And Christa and her family don’t even bother trying. As they learn more and more about where he’s been, it gets even stranger.

Obviously, all of them have a lot to catch up on, they’ve missed decades of life with him—Christa has only the vaguest memories of him because she was so young when he disappeared. Her sisters have relationships to repair and rebuild (to say nothing of what her mother needs to do)—but Christa essentially needs to start from nothing.

Given his status (which has only grown while he was “dead”), the way that the media is sensationalizing his return, and the way the American public loves a good reboot—the press and opportunities for books, movies, new series, etc., etc., etc. are insane. It’s difficult to try to reestablish/establish any kind of family ties under the microscopes and spotlights that surround the family right now—and that’s assuming the family wants to.

Agents representing entertainment professionals live lives illuminated by reflection. When their clients do well, they do well, and some cycles are virtuous and some are vicious. One fortunate feather in an agency’s cap is a celebrity who DWF—died while famous. All famous people die, but most do not die famous. Most simply die old, like everyone else.

When they do kick off at their peak, their agency inherits an icon. It’s an annuity, kind of, or like money in a mattress. Somebody benefits from the fact that Jimi Hendrix (for example) isn’t a happily retired guitar player growing tomatoes in Seattle, though that would have been a better outcome in every other way.

Throughout all of this, Waxman has her sights set on the entertainment industry (with a special eye on publicists/PR/focus on image over substance), the role of the press in covering that industry, and social media (in general and relating to celebrities). Waxman reminds me so much of Christopher Buckley (oddly, Dave Barry’s fiction comes to mind, too) when this plotline is the focus—she has a similar ability to find the alienness to what “regular people” think, the absurdity of the “logic” employed by the media types, and the ridiculousness of how it all works—and is eaten up by viewers/fans. She excoriates this whole thing—but also shows the appeal.

The Romance Story

He frowned quizzically at me. “You’re very dreamy for a scientist. I think of you guys as practical and all about the facts, ma’am.”

I laughed. “You’re completely wrong. Scientists fall deeply in love with something and spend their lives obsessing over it.” I turned my head to look at him. “Like when you first fall in love with someone, and want nothing more than to be with them all the time, learn everything you can, discover how they feel, what they think . . . that’s science. Isn’t love just an overwhelming desire to solve the mystery of another human being?” I shrugged. “Science is full of mysteries, and people trying to get to the bottom of them.”

Nate has been a constant feature in Christa’s life (and vice versa), he’s older than her—more like her sister’s age. But their families were close while they grew up—so they spent a lot of time in each other’s orbit. He’s now running the business side of her family’s conservation work, and they really haven’t set eyes on each other for over a decade.

When they do meet each other in this novel, the mutual attraction is pretty obvious (especially to everyone who isn’t them). What unfolds from there is one of your standard-issue Rom-Com stories. But Waxman is so good at writing it that it feels pretty fresh, and you can easily find yourself forgetting that you’ve read umpteen times and seen even more stories that follow the same outline. Also, it needs to be remembered why we’ve seen/read this story so many times—it works really well and people enjoy it. People really enjoy it when someone as clever as Waxman is telling it.

The two are sweet and cute together. The story is easily the most engaging part of the book—and it’s nice to have it to fall back on when things get dicey with the above story.

Christa’s Mother and Sisters

“What’s with your hair?” she said, reaching out to tousle it, a move I was able to block.

I shrugged. “I like it like this; it makes it easier for people to find me.” It also goes with the tattoos and piercings to suggest I might be a badass. . . It’s a basic tenet of camouflage: Look like something dangerous (an edgy chick who might mess you up) and no one will get close enough to see the truth (a nervous scientist who would rather be left in peace).

I think readers are supposed to get more invested in the story about Nate—and the story about her Dad is really the bigger story of the novel. But the plotline that did the most for me was about Christa’s family that didn’t go missing—her mother and older sisters.

Like with many such stories, there’s a mix of who these people are as adults and who they were as children/teens (and younger adults, in the case of her mother). Christa, more than the others, still sees the others the way she saw them as a child and during her turbulent teen years. Yes, she understands how they’re not the same people, but her view of them as people and their relationships with her were set in stone then. And for her sisters, they largely see the troubled teen she was.

In the last couple of years, however, Christa’s sisters have started to change—and they all get to see new sides of their mother given the return of her not-that-deceased-first husband. They all see Christa in new ways, too—and we get the idea they actually understand her better than she does herself.

If you’ve read Waxman before, you know how well she depicts relationships between women. If you haven’t—just take my word for it, she depicts them in a way that you could just sit and read dozens and dozens of pages of it, even without much of a plot. When they’re working together on something (even if they don’t all agree on the way to do it), it’s just great. If Waxman just wants to give us a novella about the next Thanksgiving these women enjoy together (or something like that), I’ll be first in line.

I have largely complimentary things to say about the novel as a whole, but this aspect is the one I’ll spend the most time thinking about.

We Could’ve Faded to Black a Little Quicker

Like with the Sunshine Vicram series, at a certain point I couldn’t believe I recommended this book to my mother.* I’m sure she’ll enjoy it, but things get a little more spicy (and detailed) before Waxman fades to back on our couple. And Christa’s first-person narration is fine with talking about things that happen while things were faded to black.

* Note to Self: Finish Books before recommending them to her.

I don’t think we actually achieve the, um, levels of ardor that Sunshine does (not like that’s the most extreme I’ve encountered, I just think I’ve talked more about what the people that make up TV/Movie warnings call “adult situations” with that series than others). But we get close on a couple of occasions.

Is it too “adult” for most actual adults to read? No. Will many of you find it tame? Yes. Did it make me a little uncomfortable? Yes (I keep telling you I’m a prude). Does it really impact what I think of the novel? Nope. But it was noteworthy enough, that I figured I should mention it.

If only I feel better about things when my mother ends up reading the novel.

So, what did I think about Christa Comes Out of Her Shell?

According to my notes, the first 87 pages of this book might have been my favorite 87 pages this year. Maybe it went on longer, but that’s where I was when I wrote that down. Not every page after those were as good, but overall, I had a real blast with this book.

Christa is definitely a Waxman-brand protagonist. But she’s different enough to make it clear that Waxman has range. Christa is more abrasive—she also has more formal education than the others I’ve encountered and shows it (not in a performative or braggadocio way). There’s also a Bernadette Fox-ish vibe to her. The rest of the characters are easily the kind to shop at Nina Hill’s bookstore or hang out at the boardinghouse with Laura Costello and the rest. In other words, they’re complicated, fallible, and fun to spend time with.

Waxman’s voice is one of my favorites—and has been since I first encountered her work. I love her characters, her wit, and the stories she decides to tell. This seemed like a departure for her—not in ways I can articulate, nor in ways I can or want to criticize. It’s just a different feel from her last three novels—and more power to her for making those choices.

I laughed, I was moved, my heart was warmed—all the typical reactions to Abbi Waxman. I loved being in this world, surrounded by Waxman’s words and I cannot wait for the next excuse I have to do it again. I heartily encourage you all to do the same.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Price to Pay by Dave Sivers: “The past is never dead. It’s not even past.”

Price to Pay Tour Banner

Price to PayPrice to Pay

by Dave Sivers

DETAILS:
Series: Archer and Baines, #7
Publication Date: February 28, 2024
Format: eBook
Length: 288 pg.
Read Date: May 9-11, 2024

What’s Price to Pay About?

It’s not necessarily news-making when someone threatens a DCI. But DCI Archer gets a couple of very fresh threats from family members of someone she’s just put away and from a would-be organized crime heir, and things seem to be a little more real than usual. She’s ready to ignore them both, but some spoilery-events prevent that.

More annoyingly, an ex—some might call him the ex—tracks her down and announces his intention to win her back. Archer is utterly uninterested in him—and her husband is not amused by his antics at all. The ex- is on the verge of turning into a full-fledged stalker, and Archer’s mild-mannered husband is about to try to get into a fistfight over this.

As the distractions and annoyances start to pile up—there’s a murder. The initial evidence points at Archer and her husband, and a lot of their past starts coming back to haunt them. There are plenty of alternate suspects around, but none of them are quite as convenient for the police (Archer, on the other hand….)

Meanwhile, DI Baines has to deal with the repercussions of stopping the serial killer, The Invisible Man, on his family—who were almost victims. As the expert in The Invisible Man, he’s also brought in to consult on some cold case murders that might be connected to him. As much as he wants to help out—his loyalties are divided, because Archer needs help a lot sooner than these cold cases. (although he’s officially not allowed to be working on the case, for obvious reasons)

Backstory, Backstory, Backstory

Now it takes a little bit for the plot to get really rolling along because there is just so much backstory involved with Archer and Baines individually at this point. Particularly when it comes to Archer—she’s got connections with just about everyone we meet early on in these pages.

As this is my first time reading Sivers, I don’t know how many of these various and sundry people are making their first appearance in these pages, and how many are just people from her past that are being brought back into her life in this book. It really doesn’t matter, because Sivers will pause the narrative long enough to catch you up with the relationship/history between Baines, Archer, and these people from their pasts.

Most authors do this—and most of the time it’s good as a refresher or a way to get a new reader oriented. But with a book as rooted in the past and the ties between characters past and present as this one…taking the time to give all this background really slows things down. I think I’d have appreciated Sivers finding a better way to blend these into the narrative rather than stopping everything. It was such a momentum killer.

That said…all the backstories were pretty interesting. A couple might have been a smidgen too soap-opera-ish for me, but still interesting. The amount of work and character development demonstrated by these says a lot about the series that’s been built up to now.

So, what did I think about Price to Pay?

Once all the dominoes were set up—the crime established, the motives, the backstories told—Sivers started knocking them over and things moved so well that all the annoyances of the stop-and-start pacing of the early chapters were forgiven. To change up metaphors, it took a long time for Sivers to get his hook into me, but once he did—I couldn’t stop turning the pages.

This is such a rich, detailed world with a very clever—and well-executed—mystery. And, as is necessary for a police procedural series to be as established as this one, the characters are really well-developed and jump off the page. It’s a real treat to read.

While Price to Pay can serve as an entry point to the series, and has a strong stand-alone element to it, the amount of ongoing character and story arcs involved are going to be an obstacle for anyone approaching it without some previous knowledge of Archer, Baines, and the rest—and what they’ve been up to lately. Is it worth persevering? Oh yeah. But you should know that going in. And by the time you’re done—you’ll be curious about what’s next*—and maybe about what was before. Based on Book 7, Books 1-6 are quite the ride, you might be well-served starting from there.

* I will admit that I’m not sure what kind of future the series has, but it should be fun to see.

If you’re not new to this series, obviously, you’re not going to have that difficulty. You likely won’t need me to suggest that you give this a shot, you’re probably ahead of me on that point. Still, if you haven’t gotten around to it, you should probably remedy that.

That’s two paragraphs just to say: Price to Pay is an entertaining and rewarding police procedural that I recommend to you.


My thanks to Overview Media for the invitation to participate in this tour and the materials they provided (including the novel).

BOOK SPOTLIGHT: Price to Pay by Dave Sivers

I’m very pleased to welcome Overview Media’s Book Tour for the seventh Archer and Baines novel, Price to Pay by Dave Sivers. We’ll start with this spotlight to learn a little about the book and I’ll be along a little later with my take on the novel.

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Book Details:

Book Title: Price to Pay by Dave Sivers
series: Archer and Baines, Book 7
Genre: Police Procedural
Format: eBook/Paperback
Release Date: February 28, 2024
Price to Pay Cover

About the Book

‘Fast-paced, devious and twisty – the pages turned themselves! I loved it!’  – Liz Mistry

The more you have, the more you have to lose…

Following an arrest that went wrong, leaving her disfigured and her life in ruins, DCI Lizzie Archer transferred to Buckinghamshire’s Aylesbury Vale, hoping to rebuild her confidence, her career and her life. Eleven years later, she’s happily married, her career is back on track, and she has friends she would trust with her life.

But things can change in a heartbeat.

Meanwhile, her friend and colleague, DI Dan Baines, has worries of his own as the long shadow of the serial killer known as the Invisible Man continues to hang over him. When the chance comes to finally get answers to some troubling questions, he is almost afraid to learn the truth. Because sometimes the reality can be worse than your imagination.

Soon after receiving unsettling threats from local criminals, an old flame makes an unwelcome return to Lizzie’s life. Days later, a grisly murder too close to home plunges her into a nightmare that could cost her everything as suspicion falls on her and her husband, Dominic.

Dan and his team are sidelined from the murder investigation, but they’re not going to let that stop them when a friend is in trouble. And the clock is ticking. Because, if they can’t uncover the truth soon, things will get even worse for Lizzie and Dominic.

Book Links:

Amazon UK ~ Amazon US

About the Author:

Dave Sivers
Dave Sivers grew up in West London and has been writing all his life. His books include the popular crime series featuring the Aylesbury Vale detectives, DI Lizzie Archer and DS Dan Baines.

The Scars Beneath the Soul and Dead in Deep Water were both top three bestsellers in the Amazon Kindle Serial Killers chart. In Ice is the second in the DI Nathan Quarrel series.

His other works include the Lowmar Dashiel crime fantasy novels.

Dave also writes plays and other material for the amateur stage and is a founder of the annual BeaconLit festival of books and writing. He lives in Buckinghamshire with his wife, Chris.

To keep up with Dave’s news and upcoming releases, subscribe to his newsletter at www.davesivers.co.uk.

Author Links:

Website ~ Twitter/X ~ Facebook


My thanks to Overview Media for the invitation to participate in this tour and the materials they provided.

GUEST REPOST: The Hexologists by Josiah Bancroft from Witty & Sarcastic Book Club

This morning, I get to bring you this Repost from Friend of the Blog and a great source of encouragement and friendship, Jodi from Witty & Sarcastic Book Club. This originally appeared over there last September and she thought it’d be a good fit for this place. I think she’s right…

The Hexologists Cover

The Hexologists by Josiah Bancroft

I have recently decided that fantasy mysteries are the best kind of mysteries! There is something irresistible about wondering whether the culprit in a whodunnit is human or some sort of magical being. The regular rules of mysteries don’t apply, which gives the writer so much freedom to confound the reader. In the realm of fantasy mysteries, The Hexologists is right at the top of my list of favorites, tied only with Jackaby.

The Hexologists sparkles with cleverness and fun! There was so much to love, from the charmingly oddball main characters to the delightfully bizarre situations they find themselves in. There was something irresistible about Bancroft’s writing that left me both incredibly happy yet wanting more. I loved the mystery and the characters so much that I could have gladly continued for another hundred plus pages.

The mystery itself is simplicity wrapped in a cloak of obfuscation. I loved the various fantastical interruptions that got in the way of things. The twists and turns were loads of fun, but at the end of the day it was the characters and their interactions that elevated this book to the absolute gem that it is.

Our detectives are Iz and Warren Wilby, a married couple whose distinct differences in personality mesh well. Before I go any further, I have to say that I absolutely loved that they were happily married. I haven’t seen that all too often in fantasy of any sort, and it has a refreshingly different feel to it. Plus, as a happily married person myself, I like seeing them interact in ways that I could relate to (within reason. I have yet to have a mandrake invade my front room and I don’t use chalk in interesting and creative ways). The way they played off each other and understood each other’s little quirks felt very familiar.

Iz is a little prickly, although it’s more from a distaste of nonsense than anything. Warren is rather easygoing in comparison, although he of course has his moments. The way the outside world sees them as opposed to how they see each other was fun to read. Their run-ins with other characters and how they played out were a joy to read.

The vaguely Victorian feel mixed with some steampunk-esque elements, combining beautifully with the magic that was present but never overpowering. The book relies on whimsy and strong character building more than on complex magic systems, and it was fantastic.

And that portmanteau! Mary Poppins wishes she had a bag half that cool! I loved the haphazard nature of it, that it was just as dangerous and (possibly) useful. That uncertainty was a stroke of brilliance on the part of the author, and it paid off in droves.

Read this book if you enjoy mysteries, or fantasies. Or, you know, good books. The Hexologists is a rollickingly good time!

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GUEST POST: A Contemporary Gothic Thriller by Mary Kendall

This afternoon, I’m very pleased to bring you a Guest Post from Mary Kendall talking about her upcoming release. The book comes out this summer, and I think this post will inspire you to look into it (details below).

Thanks to Geoff at Artemesia Publishing, for pointing her my way.

A Contemporary Gothic Thriller:
Bottled Secrets of Rosewood

Bottled Secrets of Rosewood Cover
Writers never know what kind of strange alchemy will occur to actually result in a full-fledged novel. Some of us (me) pick up inspiration kindling along the way, snipping bits out of newspapers or jotting down something seen or heard on napkins or whatever random scrap of paper might be available. Because…you just never know what might be a thread or strand that becomes something more, maybe much more.

In January 2020, I happened upon a newspaper article in the Washington Post along with a photograph of a jade blue “witch bottle” found near a Civil War fortification in Williamsburg, Virginia. I clipped and saved for later because it struck that inspiration vibe, the vibe that says this could become something.

Other things happened right after that in 2020. Big things. Time went by as I did all the baking, all the gardening, all the painting of furniture and walls, all the other things too. Soon enough, it was summer, the first pandemic summer. I scrambled for a focus and latched back onto the tantalizing tidbit snipped months earlier. Just like everybody else, I needed some “lockdown work” to take me away from the realities so I decided to find out more about witch bottles.

There wasn’t too much out there in terms of research, just several limited studies. Even so, there were plenty of rich and fascinating details. Typically filled with items that ranged from fish hooks to urine, the primary purpose of witch bottles was to lure and trap witches and/or malevolent spirits. They were especially employed during times of hardship and strife which explains why one was buried at the Civil War site. Research also pointed to the bottles as a tradition brought over from the East Anglia region of Britain.

The area where this particular bottle was located, Tidewater Virginia with its tie-ins to Colonial American history and its own unique idiosyncrasies and folklore, provided a perfect setting for my fictional use of a witch bottle. Cue some Southern gothic vibes along with these historical underpinnings and I went ahead and did what we fiction writers do— I got back to writing and started to spin a tale to work witch bottles out of my psyche. It allowed me to put my energy and attention elsewhere even if it was only for stolen moments of writing sessions.

Eventually, I ended up with a contemporary gothic thriller now titled Bottled Secrets of Rosewood. My plucky fictional heroine, Miranda Chesney, a logics professor, falls in love with a historic house called Rosewood, a centuries old, tumble-down, gambrel roofed charmer, in need of rescuing. Her story takes place during present-day in an isolated, coastal corner of Virginia. While Miranda shrugs all locational concerns aside to pursue her new love, she has unwittingly landed in a place with some strange traditions that harken back to days of old including an almost indecipherable brogue and possible witchcraft connections.

After an archeological dig by the local college at Miranda’s property unearths an ancient blue bottle of questionable origin, it seems to trigger the occurrence of inexplicable and mysterious events. While Miranda and the archeology team try to figure out what the blue bottle is all about, incidents commence that are more than just “bumps in the night”. In fact, it seems that there are forces at hand trying to oust Miranda from Rosewood. When she is awakened one night by an eerie glow at her window and finds a circle of fire around her property, she must decide. Should she leave her dream house or stay—and potentially pay the ultimate price?

My fiction writing harkens back to an early reading diet of Nancy Drew mysteries, later expanded and layered on top with gothic suspense and thriller reads. This novel is, without question, a product of those deep reading roots. But it must be said that the weirdness of 2020 no doubt colored the authorship of this tale and ramped up the volume on its quirky overtones. I’ll leave the reader to decide how weird it actually is. As stated earlier, writer’s alchemy works out in its own ways.


Bottled Secrets of Rosewood is soon to be released on 16 July 2024 by Artemesia Publishing. Up for preorders now, look for it where all books are sold. Links are also provided at www.marykendallauthor.com.


Bio
Mary Kendall is first a reader of all books across the genres and, second, a writer of fiction. She brings her background in history-related fields to her writing along with some Celtic story-telling genes. Fueled by black coffee and a possible sprinkling of fairy dust, she tends to find inspiration in odd places and sometimes while kneading bread dough. She has two published novels, The Spinster’s Fortune (historical mystery) and Campbell’s Boy (coming of age, historical fiction). Her third novel, Bottled Secrets of Rosewood, is a contemporary gothic thriller to be released in Summer 2024. She also has three short stories published in dark fiction anthologies for charity.
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CROSSPOST: The Unexpected Mrs Pollifax (Mrs Pollifax #1) 3.5Stars

I’m very pleased to crosspost this review from Bookstooge’s Reviews on the Road this morning. I couldn’t tell you how long he and I have been reading each other’s posts in a variety of sites, but I’m pretty sure he pre-dates almost everyone who visits here regularly right now. He was generous enough to send me this to use the same day he’s posting it over on his site. I’m torn between being incredibly grateful for this and being incredibly envious that he had today’s post ready to go as long ago as it was.


This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress & Blogspot by Bookstooge’s Exalted Permission

The Unexpected Mrs Pollifax CoverTitle: The Unexpected Mrs Pollifax
Series: Mrs Pollifax #1
Author: Dorothy Gilman
Rating: 3.5 of 5 Stars
Genre: Thriller
Pages: 212
Words: 75K


First, I’d like to say that this particular post is being shared over at the Irresponsible Reader. He didn’t steal this, or clonk me over the head and hold it hostage. I willingly and of my own free will let it be cross posted. Just so we’re clear. None of you need to take vengeance on my behalf or boost his Lamborghini or steal all that money he’s got squirreled away. No, I can do all of that on my own, thank you very much. But I appreciate your willingness to do such nefarious things on my behalf, I really do. Ok, on to the actual book review.

I first read a Mrs Pollifax story back in 2000. I labeled it a “mystery” and accidentally thought it was written by Agatha Christie. I went close to two decades thinking Mrs Pollifax was just another version of Miss Marple and as such, I avoided the series. It wasn’t until I was getting the Hotel Bookstooge in final order that I realized that Dorothy Gilman was the author and that it wasn’t really a mystery series at all. I eventually tracked down the series and added it to my tbr pile.

Imagine my surprise when I found out this was a series about a little old lady named Emily Pollifax and that she works for the CIA. That immediately threw it out of the cozy mystery genre and straight into the cozy thriller genre. Only, as I read the book, it really wasn’t that cozy, so I decided Mrs Pollifax deserved to go straight to the big leagues and just get the “Thriller” label. I mean, she gets kidnapped by Chinese Commies, escapes their remote fortress and makes it out to sea to get rescue. AND she fulfills her original mission of picking up some super secret ultra superdooper important info. She does all of this without turning into the Black Widow and doing crazy acrobatic stunts that no real person could possibly do.

There are moments of genuine threat and while Emily doesn’t go all Black Widow on the situation, neither does she break down and fall part. She’s what I’d describe as a tough old bird. The world needs more people like her. I thoroughly enjoyed her as a character and am looking forward to see what else Gilman has in store for her creation.

This is also a good time capsule of the times and I enjoyed seeing what the 60’s were like from a non-commie-hippy viewpoint.

★★★✬☆


From Wikipedia.org

Mrs. Pollifax is an elderly widow who has come to find life dull and is almost ready to end it all out of sheer boredom. Inspired by a newspaper profile of an actress who began her career in later life, she decides to fulfill a childhood ambition and apply for a job as a spy at the CIA. Meanwhile, Carstairs at the CIA is looking for an agent who can pass as a tourist in order to pick up an important package in Mexico. Due to a slight confusion, he thinks Mrs. Pollifax is one of the candidates and decides that Mrs. Pollifax is ideal; Carstairs decided this assignment carries so little danger that even one who is relatively untrained may be sent. So with minimum explanation, Pollifax is ushered off to Mexico City to meet a bookstore owner/secret agent, exchange code phrases, and leave with the package. The courier mission does not go as planned, and Mrs. Pollifax finds herself imprisoned in the Socialist Republic of Albania, facing harsh questioning and possible torture. But she proves to be unusually resourceful, and with her companion’s assistance, manages to outwit the enemy and save the day.

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PUB DAY REPOST: The Djinn’s Apple by Djamila Morani, translated by Sawad Hussain: The Scent of Death

The Djinn’s Apple Tour Banner

The Djinn's AppleThe Djinn’s Apple

by Djamila Morani , Sawad Hussain (Translator)

DETAILS:
Publisher: Neem Tree Press
Publication Date: May 7, 2024
Format: eARC
Length: 160 pg.
Read Date: February 24, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s The Djinn’s Apple About?

Nardeen is a remarkable twelve-year-old. Her father is a physician known for translating medical texts from a variety of languages into Arabic, and Nardeen soaks up his work. She has an astounding memory and ability to understand what she memorizes.

But due to some political intrigue that she doesn’t wholly understand, Nardeen and her family have to flee their home one night. Sadly, she’s the only one who survives.

Nardeen vows revenge on those responsible for her family’s murder—certain that a friend of her father’s is ultimately to blame.

But before then, she finds herself being taken under the wing of a legendary physician and teacher, Muallim Ishaq. He recognizes her gifts and her heritage from her father—he arranges (mostly by the force of his will) to have her learn at The Bimaristan, a hospital of great renown. There, she’s able to hone her skills and knowledge—and sharpen her tools, resolve, and ability to mete out that vengeance.

Father vs. Father

There are a handful of various conflicts in this book (like with any good book), but at the core, this book seems to be a conflict within Nardeen herself. On the one hand, she has her memories of her father and what he taught her—what he showed her by example—about the way to live. She also has to wrestle with what she’s told about her father—by those who profess to have admired him and those who worked against him.

On the other hand, she has her (for all intents and purposes) adoptive father, what he’s trying to teach her—what he shows her by example—about the way to live. She also has to wrestle with what she’s told about him—by those who profess to admire him and those who work against him.

In many ways, these two fathers line up—but in significant ways, they follow and lead her down divergent paths. So much of how the plotlines of this book resolve depends on Nardeen’s acceptance/rejection of what these men stand for.

The Setting

So, this takes place during the “golden age of Baghdad”—Harun al-Rashid’s rule of the Abbasid Caliphate from 786 to 809. Now, everything that I know about this period of time comes from the appendices to this novel “Harun Al-Rashid: The Golden Age of Baghdad” and “The Bimaristan.” As they are appendices, I read them afterward. So I came into this not knowing anything—which is a bit intimidating. And I figure I’m not alone in this (particularly for the intended YA audience, who probably haven’t had much opportunity to study Eigth-Century history).

But honestly? Anyone who reads Fantasy/SFF knows how to approach something like this—sure, this is a representation of actual history, but the same tools and imagination you need to understand Westeros, Panem, or the world of the Shadowhunters equip you to get into this world.

And, like with those worlds, after getting this taste, you’ll likely want to read more about it.

While reading, and since then, I do have to wonder a little bit about how much Morani was stretching things about the opportunities presented to women in this time and place. Not just for Nardeen, either—but all the women she encounters at the Bimaristan (and I’d be saying this if the city was Paris or Rome, not just because it’s Baghdad). But I’m willing to both suspend disbelief for the sake of a good story and to trust that someone who’s as familiar with Arabic literature as Morani is more than my hunches.

So, what did I think about The Djinn’s Apple?

This book hits the ground running—Morani doesn’t give you the opportunity to settle in and get comfortable in this world or anything like that. She thrusts the reader—and poor Nardeen—straight into life-or-death action. Nardeen has a slightly better understanding of what’s going on than the reader does—but not much. This was a great way to start this read—you don’t get the chance to indulge curiosity or get lulled into thinking it’s a different kind of book than it is—you have to rush to catch up and then keep up with Nardeen and only get the luxury of starting to understand the world until she’s (relatively) safe.

There were a couple of times that I wondered about the timelines and how well they worked. I assume I just missed something (and didn’t want to take the time to go back and check). It wasn’t anything that bugged me enough to look into it, but I would’ve appreciated things being a bit clearer.

The characters of Nardeen and Muallim were so well drawn, so vivid, and so compelling that I really wish we had more time with them. Particularly Muallim—this cantankerous genius is the kind of character I really respond to. Now, given the pacing of this book, that’s impossible. And Morani picked the better option for her story. But the eccentric teacher and the stubborn and gifted student is a combination that could’ve made for a lot of fun.

Somehow in the midst of this propulsive pacing, Morani is able to litter the book with some great observations, some drops of wisdom (primarily from the teacher and student), and memorable prose (some of that credit has to be given to Hussain as well).

This is a fast, immersive read that’ll leave you guessing from the beginning right up to the end. You’d be doing yourself a favor if you pick it up.

Disclaimer: I received a copy of this book from Neem Tree Press and The Write Reads via NetGalley.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

 

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

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