Category: Fiction Page 2 of 344

BOOK SPOTLIGHT: Time-Marked Warlock by Shami Stovall

This morning, I’m very pleased to welcome The BBNYA Finalst Tour for Shami Stovall’s Time-Marked Warlock. In addition to this Spotlight, my post about the book will be coming along soon. Be sure check out https://twitter.com/WriteReadsTours over the next week and change to see other people saying (probably) great things about the book. This is not the first Spotlight that I’ve posted for this book, I should add. But I’m pleased to do this–and I’d be happy to do it a few more times. But for now, let’s learn a little bit about the book, shall we?

The Book Bloggers’ Novel of the Year Award Time-Marked Warlock Tour Banner
Before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 (17 in 2025) finalists and one overall winner.

The Book Bloggers’ Novel of the Year Award 2025 badge

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official.

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Book Details:

Title: Time-Marked Warlock by Shami Stovall
Genre: Urban Fantasy
Release date: June 2024
Length: 374 pages
Time-Marked Warlock by Shami Stovall Cover

About the Book:

Adair Finch is the most powerful warlock in the world, and one of the best private investigators for hire. He has dealt with corporate vampires, murderous werewolves, and even fae royalty. Everything was perfect until he lost one case—the case where he also lost his brother.

So Finch retired. From magic. From PI work. From everything.

Bree Blackstone, a twelve-year-old witch, doesn’t know or care about any of that except Finch’s reputation. In the middle of the night, she bangs on Finch’s door. Her mother has been murdered, and now the assassin is after Bree as well.

Reluctantly, Finch agrees to help, only to discover something sinister has been brewing in town while he ignored the world… He’ll need to dust off all his old skills and magic before it’s too late.

Book Links:

<

p style=”text-align: center;”>Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ <a href=”https://app.thestorygraph.com/books/93640c6e-3ed0-43c3-b013-96c7e3b7aba9 target=”_blank” rel=”noopener”>The Story Graph

About the Author:

Shami StovallShami Stovall is a multi-award-winning author of fantasy and science fiction. Before that, she taught history and criminal law at the college level and loved every second. When she’s not reading fascinating articles and books about ancient China or the Byzantine Empire, Stovall can be found playing way too many video games, especially RPGs and tactics simulators. She loves John, reading, and writing about herself in the third person.

See all future releases with: https://sastovallauthor.com/newsletter/

Author Links:

Website ~ Twitter ~ Facebook

My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

The Book Bloggers’ Novel of the Year Award 2025 Finalist badge

REPOSTING JUST CUZ: Like a Champion by Vincent Chu

The post I had pretty much ready for today had to be scrapped, the more I thought about it, the less I agreed with it. And I was just too knackered to finish anything else. So…it’s time for a Summer Re-run.


Cover of Like a Champion by Vincent ChuLike a Champion

by Vincent Chu

eARC, 238 pg.
7.13 Books, 2018

Read: January 31 – February 2, 2018

The man across from Henriette read a book. It was a very big book, a Hunger Games or Game of Thrones kind, with a sword and flame and chess piece on the cover. Dean had never read such a big book. The man was on the very last page and Dean felt guilty suddenly for spying on him during this personal moment, but he did not stop. It was not often, he reasoned, that he would get the opportunity to observe another person at the exact moment they finished a book, a big one at that. But, after the last page, the man, without so much as a satisfied nod or pensive stare, shut the thing and immediately put in his iPhone buds. This disappointed Dean.

That’s just one of any number of paragraphs throughout these stories that don’t advance the plot, reveal or describe much in the way of character — but man, the little bit of flavor they add to the story makes it worth it. And don’t you just want to shake the man who finished the book by the shoulders and ask what is wrong with him? The guy appears for one paragraph, and I have a strong reaction to him. With short stories, you don’t typically get to do that kind of thing the way you can with novels, because every word has to count — and typically, that’s what Vincent Chu does, but every now and then, he stretches a bit. Typically, like the best short fiction writers, Chu gets his bang for his buck when it comes to his words — tight, economical prose that strikes just the right tone each time.

But I’m getting ahead of myself. Like a Champion is a collection of eighteen short stories featuring all sorts of people — underdogs in one sense or another — getting a taste of victory. Some of this victory is very short-lived, some is quite Pyrrhic, but it’s there. The stories are varied in tone, in voice, in setting, in types of character — and that’s such a strength. Some will make you smile, some laugh, some are sad, some are tragic, some are somber, all are incredibly human.

There’s a lot I could talk about — if I could, I’d spend a few hundred words on “Squirrels”, the fourth story in the collection. I don’t know why, but that one sealed me appreciation for this book, and it stands out as a high point for me. There’s just something about it that worked for me, the same kind of thing that lead me to write three papers for three separate courses in college about one Updike short story. There were a couple of other stories that I could point to that were as as outstanding, but I’ll stick with “Squirrels” — a story about one man’s childhood basketball triumph in the midst of defeat — because I enjoyed it more.

With one exception (at least one that I noticed, I might have missed others), these are independent of each other. The two stories that are connected are so different in tone and subject matter that it takes you by surprise when you notice the connection — but it really works (and the connection is of a lesser importance, that not much changes if you don’t make the connection). It was a nice little touch, I would’ve liked a part three, however.

I’m not crazy about Chu’s depiction of older characters. Maybe if I only got one of the stories in this collection featuring an older character — I wouldn’t have commented. Or if I took a few more days to read this than I did, it wouldn’t have stood out to me as much, but when you get the same note or two being played so often with elderly characters it sticks out.

I don’t usually spend much time talking about the publisher of the books I post about, but when it comes to some indie presses, I should. A couple of months ago, I know I posted a link to a profile of 7.13 Books in a Saturday Miscellany, and before that I talked about another short story collection they put out. And come to think of it, I have one more book from them on my schedule in the coming weeks. If Like a Champion is indicative of what they are publishing (and it seems to be), there’s something in the water there, folks, keep an eye out for their books.

Like with every collection — be it full of short stories, essays, poems — there are some in this collection that don’t work for me — two because I didn’t get what he was going for; a couple that I’m pretty sure I got what he was going for, and just didn’t care for it. And I’m very sure that many people will get those I didn’t and will like the ones I didn’t care for — and even dislike the stories that I enjoyed, and maybe even someone’s nuts enough to not care for the ones that filled me with joy. There’s enough variety in these to appeal to all sorts of tastes — and that’s a compliment, Chu’s nothing if not versatile. But on the whole, this is a great collection of short stories, full of compassion, humanity, and talent. You’d do well to grab this one.

Note: I received a copy of this eARC in exchange for my honest opinions as expressed above.

—–

4 Stars

Quick-Take Catchups: The Leftovers from March

I’m a few weeks behind on this, but that “To Write About” stack is still calling. Time for me to do a few more of these—emphasizing pithiness, not thoroughness.


Cover of Rabbit Cake by Annie HartnettRabbit Cake

by Annie Hartnett, read by Katie Schorr

DETAILS:
Publisher: Blackstone Publishing
Publication Date: March 7, 2017
Format: Unabridged Audiobook
Length: 7 hrs., 7 min. 
Read Date: March 9-13, 2026

This is told from the point-of-view of a very bright 10-12 year-old girl (named Elvis) grieving the recent death of her mother. She has an older sister who is having some pretty severe mental health challenges (likely inherited from the mother)—and it’s unclear about Elvis’s mental health, too.

This covers roughly a year in the life of the family—dad and the two daughters trying to deal with it (our protagonist has an internal calendar in her head for when she’ll be done grieving). There’s some mild comedy, some strong emotional moments–all learned.

I think I came into it expecting something different than what it was. I thought it was…fine? A little better than fine—I enjoyed it, and assume many people will click with it better than me.

Cover of The Cyclist by Tim SullivanThe Cyclist

by Tim Sullivan, read by John Heffernan

DETAILS:
Series: The DS Cross Mysteries, #2
Publisher: W. F. Howes Ltd
Publication Date: November 4, 2021
Format: Unabridged Audiobook
Length: 7 hrs., 26 min.
Read Date: March 13-16, 2026

I think I read this too close to the previous one—it seemed to hit a lot of the same notes for the same reason. I get that we’re not going to see a lot of growth in DS Cross. That’s just not him. But it feels like the characters around him should be learning from their time with him—and how does his father not know how to introduce changes to him at this point in life?

The mystery felt a little more convoluted than complex—but the solution was pretty satisfying (although I was faster by a few chapters than our DS), as was the reveal.

Wholly satisfying and entertaining—just not quite what I was expecting. I’m hoping with a little more distance that the third mystery won’t be overshadowed by The Dentist the way this was.

Cover of Blind Date with a Werewolf by Patricia BriggsBlind Date with a Werewolf

by Patricia Briggs, read by Holter Graham

DETAILS:
Series: Alpha and Omega
Publisher: Penguin Random House Audio Publishing Group
Publication Date: October 21, 2025
Format: Unabridged Audiobook
Length: 8 hrs., 5 min. 
Read Date: March 17-18, 2026

I’ve read one (maybe two) of these stories in various anthologies before—they’re all fine. Asil is a fun character to read, but I don’t know that he’s enough to sustain my attention for that long. Well, maybe if there was a novel-length plot—but this series of stories gets pretty redundant quickly. I think the gimmick turned me off a bit, too.

The characters that Asil interacts with are amusing enough, I suppose. Asil seems better as a supporting/secondary character. There’s some nice character growth for him, and I’m curious to see what that looks like in Briggs’ future works.

Cover of The Spellshop by Sarah Beth DurstThe Spellshop

by Sarah Beth Durst, read by Caitlin Davies

DETAILS:
Publisher: Macmillan Audio
Publication Date: July 9, 2024
Format: Unabridged Audiobook
Length: 12 hrs., 29 min. 
Read Date: March 18, 2026

You’ve got a librarian—with a sentient talking fern—who is chased from the Capitol city during a coup. She returns to the home her parents abandoned when she was a child and sets up a jam shop/black market potions shop. Adventure and found-family ensue.

Okay, this is technically (according to some, anyway) a romance. And I know some of my readers will be scared away by this. It’s pretty tame on that front—and I just don’t mean it’s PG. I mean, the love story is pretty tame and mixes in pretty well with everything else that one could be forgiven for not thinking of it as a Romance. Like I do.

I had a blast with it, and am looking forward to getting my paws on Durst’s follow-up.

Cover of Nav'Aria: The Marked Heir by K.J. BackerNav’Aria: The Marked Heir

by K.J. Backer

DETAILS:
Series: Nav'Aria, #1
Publication Date: January 18, 2019
Format: Paperback
Length: 390 pg.
Read Date: March 26-31, 2026
Buy from Bookshop.org Support Indie Bookstores

This is a fun, sort of porthole fantasy—Darion has been sent by his parents to Earth with some caretakers. He doesn’t know he’s from this different world—he just thought his parents had weird hobbies for him—martial arts, a lot of time in the forest, hunting, and so on.

There’s very little new or unexpected to this story—it doesn’t matter, it’s done well and is entertaining. It’s a very comfortable read in that sense. You’ve got a noble king and queen, a jealous upstart relative, loyal countrymen, oppressed citizenry…yada yada. We’ve all read it, we all like it (otherwise we’d find another genre). It’s in the telling, and some of the small touches. Backer shines there.

For example: The relation between dragons and unicorns—which we’re going to explore more in volume two—is pretty interesting. And unicorns at the top of the power structure? That’s cool.

And we’re not talking plush unicorns with rainbows and flowers. We’re talking big, strong animals who know that pointy thing can be used for. They have other cool magic abilities, too. Really, the unicorns alone are worth reading this.

My concern is that Darion seems to be shedding his Earth-ness for Nav’Arian as fast as Peter Pevensie did when he went back to Narnia in Prince Caspian, I’d like to see that hanging on a little longer. Otherwise, instead of Earth, he might as well have been sent to live in a hovel in a small town to hide. I’m back for more soon.

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

PUB DAY REPOST: Nice Places by Vincent Chu: Traveling Far So Easily

Cover of Nice Places by Vincent ChuNice Places

by Vincent Chu

DETAILS:
Publisher: Forest Avenue Press
Publication Date: June 2, 2026
Format: eARC
Length: 296 pg.
Read Date: May 11-14, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Nice Places About?

When we meet Georgie, he’s about to quit his job—but his boss fires him first. It was a mutual thing, really.

Georgie has a plan—he’s going to take a year and travel the world. He got a job right out of high school and has spent more than a decade at the company—he wants to grab some of that life experience so many people grab in their late teens/early twenties. He’s knocked off course from that attempt before he makes his first flight—and stumbles into something stranger.

He meets a mixed media artist named Ant. She’s working on her M.A. and is in search of a thesis project. Some silly thing that Georgie tries inspires her—and the two concoct a crazy plan that will suit Georgie’s quest for an experience and her thesis.

Odd times ensue. And a friendship develops between the two of them that will alter the courses of their lives.

Why did I pick this up? Why did I keep reading?

Picked it up because Chu asked me nicely, and because I had fond (and vague) memories of a short story collection.

I stuck with it for two reasons—once you get into Chu’s writing, you don’t want to leave until it’s done. Chu doesn’t have a flashy style, or snappy dialogue, or a tight pace (this book would be ruined by any of those, these are not critiques)—but his writing is solid, appealing, and will carry you along without drawing attention to itself.

The other is the character and his little project; I just needed to see where it went. The relationship between Georgie and Ant—and the difficult way to characterize it—is probably more of a driving force for me.

What does this book tell us about humanity?

It’s tricky to tackle this question because that’s one of the points of the book, and to really answer it would involve ruining the book.

But I can talk about some of the things it focuses on thematically. Chu explores the idea of experiences and how we need them. Particularly shared vs. solitary experiences. The “shared” aspect comes out a lot—sometimes it’s just two or three people, sometimes it’s a family, or a group of acquaintances. Sometimes it’s something as large and vague as “the Internet reacted to X.”

You may not find yourself resonating or agreeing with everything that Georgie and Ant conclude—or any of the other points of view they encounter along the way—but you’ll enjoy the experience of thinking about them.

So, what did I think about Nice Places?

I’m not wholly pleased by the way this book ends up—but outside of a Wayne’s World-esque “mega Happy Ending,” I’m not sure I would be. But I get what Chu did, and it’s both more fitting and narratively satisfying than what I think I wanted. Note, you should not read into my comment that this has a nasty or unhappy ending—just not a “mega Happy” one.

In the beginning of the novel, I didn’t get Georgie at all, and progressed only because I trusted Chu—I was mildly amused by some of what happened to him, and then around the time his whole plan was derailed, I got hooked. By the time his ridiculous plan was hatched, I was fully invested. And that stuck with me for most of the book. What Georgie and Ant went through together was just great, and I’d have happily read another 50-70 pages of it. I admit that there was a period toward the end where Georgie seemed to wallow in ennui and depression, and I had a hard time caring at that point—his ennui was contagious. But once he re-engaged, so did I.

I’m going to avoid saying much about Ant. But almost everything the book has to say comes from her (or in reaction to her), and as a character, she’s drawn in such a way that you’re primed and eager to hear her. So well done.

The other characters are drawn just as deeply as they’re required to be—and not one bit more. But they come in and out of the story so well that you see them as deeply constructed. I wouldn’t have minded more time with some of them, but I was satisfied.

I think I got so hung up on the bigger themes and ideas (at least in my head) that I haven’t done a great job of describing just how fun the book was (with the exception of the whole ennui bit I mentioned above). It was a very enjoyable read, it just got me thinking so much that I haven’t been able to focus on the Georgie’s goofy plot (and I was rooting for it the whole time).

This whole novel was so unexpected, so creative—it’s one of those books that you just can’t guess what provoked Chu to write it, what might have inspired him. I really don’t care, I’m just glad he did.

Disclaimer: I received this eARC from the author in exchange for this post, which contains my honest opinion.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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20 Books of Summer 2026: Commence

20 Books of Summer 2026
Annabel from AnnaBookBel carries on the work started by Cathy of 746 Books . You can read her kick-off post here.

Initially, I was going to use this as time to catch up on my “Read Everything I Buy in 2026 in 2026” goal, but then I remembered things like my book clubs and NetGalley. So I had to accept some setbacks there. I’ve got an ambitious, but easily achievable list.

I’ve frequently used the unofficial US Dates for Summer—Memorial Day to Labor Day, but Memorial Day has already passed. So, I’ll go along with the “official” June 1-August 31.

There’s still time to join in the fun—if you’re into this kind of thing. (there are 10 and 15 book versions, too)

This summer, my 20 are going to be:

1. The Devils by Joe Abercrombie
2. Trade of Blood by Robert Jackson Bennett
3. Eyes of Empire by JCM Berne
4. Cold Iron Task by James Butcher
5. Eaters of the Dead by Michael Crichton
6. Dungeon Crawler Carl by Matt Dinniman
7. Detained: A boy’s journal of survival and resilience by D. Esperanza and Gerardo Iván Morales
8. What’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service by Melissa Fitzgerald and Mary McCormack
9. Killer Vibes by Jack Friday
10. Manitou by Glen Gabel
11. Wool by Hugh Howey
12. Eternal Blades by Vlad V. Imakaev
13. First Mage on the Moon by Cameron Johnston
14. Left Hand of Darkness by Ursula K. Le Guin
15. The Shadow Carver by Nadine Matheson
16. Squeaky Clean by Callum McSorley
17. Dial A for Aunties by Jesse Q. Sutanto
18. Crownfall by Michael Vadney
19. We Be Dragons by Michael Weitz
20. Everybody Wants to Rule the World Except Me by Django Wexler

(subject to change, as is allowed, but I’m going to resist the impulse to tweak as much as I can).

What do you think of this list? Any warnings—or anything you think I should be really excited about?

20 Books of Summer '26 Chart

Nice Places by Vincent Chu: Traveling Far So Easily

Cover of Nice Places by Vincent ChuNice Places

by Vincent Chu

DETAILS:
Publisher: Forest Avenue Press
Publication Date: June 2, 2026
Format: eARC
Length: 296 pg.
Read Date: May 11-14, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Nice Places About?

When we meet Georgie, he’s about to quit his job—but his boss fires him first. It was a mutual thing, really.

Georgie has a plan—he’s going to take a year and travel the world. He got a job right out of high school and has spent more than a decade at the company—he wants to grab some of that life experience so many people grab in their late teens/early twenties. He’s knocked off course from that attempt before he makes his first flight—and stumbles into something stranger.

He meets a mixed media artist named Ant. She’s working on her M.A. and is in search of a thesis project. Some silly thing that Georgie tries inspires her—and the two concoct a crazy plan that will suit Georgie’s quest for an experience and her thesis.

Odd times ensue. And a friendship develops between the two of them that will alter the courses of their lives.

Why did I pick this up? Why did I keep reading?

Picked it up because Chu asked me nicely, and because I had fond (and vague) memories of a short story collection.

I stuck with it for two reasons—once you get into Chu’s writing, you don’t want to leave until it’s done. Chu doesn’t have a flashy style, or snappy dialogue, or a tight pace (this book would be ruined by any of those, these are not critiques)—but his writing is solid, appealing, and will carry you along without drawing attention to itself.

The other is the character and his little project; I just needed to see where it went. The relationship between Georgie and Ant—and the difficult way to characterize it—is probably more of a driving force for me.

What does this book tell us about humanity?

It’s tricky to tackle this question because that’s one of the points of the book, and to really answer it would involve ruining the book.

But I can talk about some of the things it focuses on thematically. Chu explores the idea of experiences and how we need them. Particularly shared vs. solitary experiences. The “shared” aspect comes out a lot—sometimes it’s just two or three people, sometimes it’s a family, or a group of acquaintances. Sometimes it’s something as large and vague as “the Internet reacted to X.”

You may not find yourself resonating or agreeing with everything that Georgie and Ant conclude—or any of the other points of view they encounter along the way—but you’ll enjoy the experience of thinking about them.

So, what did I think about Nice Places?

I’m not wholly pleased by the way this book ends up—but outside of a Wayne’s World-esque “mega Happy Ending,” I’m not sure I would be. But I get what Chu did, and it’s both more fitting and narratively satisfying than what I think I wanted. Note, you should not read into my comment that this has a nasty or unhappy ending—just not a “mega Happy” one.

In the beginning of the novel, I didn’t get Georgie at all, and progressed only because I trusted Chu—I was mildly amused by some of what happened to him, and then around the time his whole plan was derailed, I got hooked. By the time his ridiculous plan was hatched, I was fully invested. And that stuck with me for most of the book. What Georgie and Ant went through together was just great, and I’d have happily read another 50-70 pages of it. I admit that there was a period toward the end where Georgie seemed to wallow in ennui and depression, and I had a hard time caring at that point—his ennui was contagious. But once he re-engaged, so did I.

I’m going to avoid saying much about Ant. But almost everything the book has to say comes from her (or in reaction to her), and as a character, she’s drawn in such a way that you’re primed and eager to hear her. So well done.

The other characters are drawn just as deeply as they’re required to be—and not one bit more. But they come in and out of the story so well that you see them as deeply constructed. I wouldn’t have minded more time with some of them, but I was satisfied.

I think I got so hung up on the bigger themes and ideas (at least in my head) that I haven’t done a great job of describing just how fun the book was (with the exception of the whole ennui bit I mentioned above). It was a very enjoyable read, it just got me thinking so much that I haven’t been able to focus on the Georgie’s goofy plot (and I was rooting for it the whole time).

This whole novel was so unexpected, so creative—it’s one of those books that you just can’t guess what provoked Chu to write it, what might have inspired him. I really don’t care, I’m just glad he did.

Disclaimer: I received this eARC from the author in exchange for this post, which contains my honest opinion.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Go Gentle by Maria Semple: Was Never What I Expected to Be (and that’s a good thing)

Cover of Go Gentle by Maria SempleGo Gentle

by Maria Semple

DETAILS:
Publisher: G.P. Putnam's Sons
Publication Date: April 14, 2026
Format: Hardcover
Length: 384 pg.
Read Date: May 16-19, 2026
Buy from Bookshop.org Support Indie Bookstores

It’s a thing Stoics do: meditate on worst-case scenarios. Which is not about working yourself into a neurotic doom loop. It’s about preparing for things not to go your way. So when they inevitably don’t, you can say, “I expected that.”

Think of it as inoculation against emotional extremes. Because who needs those?

What’s Go Gentle About?

Adora Hazzard has a pretty interesting life–she’s a philosopher whose entire job seems to be acting as a moral tutor to a couple of incredibly privileged boys who don’t seem to be applying much, if anything, of what she’s teaching. She’s also been a tutor, friend, sounding-board for their father, who absolutely pays attention.

She’s got primary custody of her teenage daughter, Viv–who is a pip. The two of them (and their dog) live in an Upper West Side apartment–and Adora and her friends are slowly taking over the floor of their building. Sharing expenses and resources among themselves. It’s really a clever set-up.

Then Adora runs into a man at the opera (or is it a concert? I think it was an opera–not important). This sets her life careening–almost out of control. She gets involved in international crime, possible terrorism, and more FBI/Interpol agents than you expect from the first half of the novel.

If it sounds like a thriller there–it’s absolutely not. It comes close a couple of times, but it avoids it overall. Trust me on that.

Do You Have to Know Anything About Philosophy to Read This?

No. What you need to know about Adora’s Stoicism is explained to you–in easy-to-understand bites (that’s kind of her schtick).

Might it be helpful to be familiar with Epictetus and Marcus Aurelius and others–maybe some of the contemporary pop-Stoics? Sure. It could also prove distracting if you’d reflexively get pedantic about Adora’s take (and I’m not sure there’s a lot of room to do that, but I assume there’s some…there’s always room for a pedant)

Why did I pick this up? Why did I keep reading?

I picked it up because of Where’d You Go, Bernadette. It’s one of those books that has earned Semple an auto-read from me, no matter what I think about subsequent books. I don’t care what it’s about, I see her name, and it’s getting checked out from the library at least once.

I stuck with it because I was curious—I was curious about the protagonist and a couple of the minor subplots. But primarily, I couldn’t see where Semple was going with anything. Each segment of the book came as a surprise to me, propelling me on.

What does this book tell us about humanity?

It’s hard to put my finger exactly on it. But essentially, Adora shows us how it’s dangerous to tie ourselves to one thing. In some flashback chapters we see what her life was like before she became interested in philosophy. Her career, arguably her life’s focus, was centered on one thing.

Since then, she’s been focused on happiness through virtue. Yes, she’s found a lot of success through that—personally, financially, career-wise. With a certainty about the arc for the rest of her life.

But her life in flashbacks is rocked—the foundation isn’t as strong as she thought. I don’t think her replacement foundation’s flaw isn’t in the strength—just in its scope. It doesn’t take into account the unexpected—in life or affections. A lot of her inner turmoil comes from realizing that virtue isn’t enough, and that she’s okay with it—even as she’s unsure where to go.

I think that’s something most/many/all of us have to go through a time or three in life. Semple’s depiction of that might be overly-compressed (“might” does a lot of work in that thought), but it’s very human. Very relatable.

So, what did I think about Go Gentle?

I was very satisfied with it. I can’t say I was blown away, and it certainly wouldn’t have earned Semple that auto-read ranking if it were my first novel by her. But it’s good.

Novels about philosophers have to rank pretty low on most reader’s interest list. It just doesn’t seem like something that involves excitement—something potentially important and interesting, but…it sounds like kind of book about a Hobbit who stays home. No one’s picking that up. Semple shows that’s a bad assumption–and she infuses a lot of Adora’s philosophy and approach to it throughout the book. Double-win.

I think we could’ve gotten more featuring the women in Adora’s life—she has gone to effort to create a home-environment featuring them. We get a lot of description of that, but we don’t see enough of it in action. I’d like to see a bit more of what her next chapter was—some more closure with the various plotlines.

But all of that is looking back and reflecting on the book. As I was reading, I wasn’t thinking about anything other than “where is Semple going with this?”, “Did Adora just do that?” “Viv seems like a great kid, a good character.” Things like that. My critical reflexes didn’t engage once, just curiosity and appreciation.

Solid character work; a fairly unpredictable plot; a kind of lifestyle (well, multiple kinds) that few, if any, readers have seen themselves; and some very clever writing. Go Gentle is a book I’m glad I read and am pleased to recommend.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Towel Day ’26: Some of my favorite Adams lines . . .

(updated 5/25/26)

A Blue towel with the words Towel Day on it

There’s a great temptation here for me to go crazy and use so many quotations that I’d get in copyright trouble. I’ll refrain from that and just list some of his best lines . . .*

* The fact that this list keeps expanding from year to year says something about my position on flirting with temptation.

The Hitchhiker's Guide to the Galaxy

The Hitchhiker’s Guide to the Galaxy

Time is an illusion. Lunchtime doubly so.

This must be Thursday. . . I never could get the hang of Thursdays.

“You’d better be prepared for the jump into hyperspace. It’s unpleasantly like being drunk.”

“What’s so unpleasant about being drunk?”

“You ask a glass of water.”

(I’m not sure why, but this has always made me chuckle, if not actually laugh out loud. It’s just never not funny. It’s possibly the line that made me a fan of Adams)

He had found a Nutri-Matic machine which had provided him with a plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea.

“You know,” said Arthur, “it’s at times like this, when I’m trapped in a Vogon airlock with a man from Betelgeuse, and about to die of asphyxiation in deep space that I really wish I’d listened to what my mother told me when I was young.”

“Why, what did she tell you?”
“I don’t know, I didn’t listen.

In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centuari. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before . . .

“Look,” said Arthur, “would it save you a lot of time if I just gave up and went mad now?”

The ships hung in the sky in much the same way that bricks don’t.

For a moment, nothing happened. Then, after a second or so, nothing continued to happen.

“Space,” [The Guide] says, “is big. Really big. You just won’t believe how vastly, hugely, mindbogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to space, listen…”

He attacked everything in life with a mix of extraordinary genius and naive incompetence, and it was often difficult to tell which was which.

He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it.


The Restaurant at the End of the Universe

The Restaurant at the End of the Universe

It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.

Reality is frequently inaccurate.

Life is wasted on the living.


Life, The Universe and Everything

Life, the Universe, and Everything

The Hitchhiker’s Guide to the Galaxy has this to say on the subject of flying. There is an art, it says, or rather, a knack to flying. The knack lies in learning how to throw yourself at the ground and miss.

(It goes on for quite a while after this—and I love every bit of it.)

“One of the interesting things about space,” Arthur heard Slartibartfast saying . . . “is how dull it is?”

“Dull?” . . .

“Yes,” said Slartibartfast, “staggeringly dull. Bewilderingly so. You see, there’s so much of it and so little in it.”


So Long, and Thanks For All The Fish

So Long, and Thanks for All the Fish

Of course, one never has the slightest notion what size or shape different species are going to turn out to be, but if you were to take the findings of the latest Mid-Galactic Census report as any kind of accurate guide to statistical averages you would probably guess that the craft would hold about six people, and you would be right. You’d probably guessed that anyway. The Census report, like most such surveys, had cost an awful lot of money and told nobody anything they didn’t already know—except that every single person in the Galaxy had 2.4 legs and owned a hyena. Since this was clearly not true the whole thing eventually had to be scrapped.

Here was something that Ford felt he could speak about with authority. “Life,” he said, “is like a grapefruit.”

“Er, how so?”

“Well, it’s sort of orangy-yellow and dimpled on the outside, wet and squidgy in the middle. It’s got pips inside, too. Oh, and some people have half a one for breakfast.”

“Is there anyone else out there I can talk to?”

Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her. “Why’s this fish so bloody good?” he demanded, angrily.

“Please excuse my friend,” said Fenchurch to the startled waitress. “I think he’s having a nice day at last.”


Mostly Harmless

Mostly Harmless

A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.

Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyways, so their opinion can and should be discounted.


Dirk Gently's Holistic Detective Agency

Dirk Gently’s Holistic Detective Agency

There is no point in using the word ‘impossible’ to describe something that has clearly happened.

If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands.

Let’s think the unthinkable, let’s do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.

Sherlock Holmes observed that once you have eliminated the impossible then whatever remains, however improbable, must be the answer. I, however, do not like to eliminate the impossible.

(I’ve often been tempted to get a tattoo of this)


The Long Dark Tea-Time of the Soul

The Long Dark Tea-Time of the Soul

There are some people you like immediately, some whom you think you might learn to like in the fullness of time, and some that you simply want to push away from you with a sharp stick.

It can hardly be a coincidence that no language on earth has ever produced the expression, ‘As pretty as an airport.’

The impossible often has a kind of integrity to it which the merely improbable lacks.

She stared at them with the worried frown of a drunk trying to work out why the door is dancing.

It was his subconscious which told him this—that infuriating part of a person’s brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing.

As she lay beneath a pile of rubble, in pain, darkness, and choking dust, trying to find sensation in her limbs, she was at least relieved to be able to think that she hadn’t merely been imagining that this was a bad day. So thinking, she passed out.


The Last Chance to See

The Last Chance to See

“So what do we do if we get bitten by something deadly?” I asked.

He looked at me as if I were stupid. “You die, of course. That’s what deadly means.”

I’ve never understood all this fuss people make about the dawn. I’ve seen a few and they’re never as good as the photographs, which have the additional advantage of being things you can look at when you’re in the right frame of mind, which is usually around lunchtime.

I have the instinctive reaction of a Western man when confronted with the sublimely incomprehensible. I grab my camera and start to photograph it.

Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.

The aye-aye is a nocturnal lemur. It is a very strange-looking creature that seems to have been assembled from bits of other animals. It looks a little like a large cat with a bat’s ears, a beaver’s teeth, a tail like a large ostrich feather, a middle finger like a long dead twig and enormous eyes that seem to peer past you into a totally different world which exists just over your left shoulder.

One of the characteristics that laymen find most odd about zoologists is their insatiable enthusiasm for animal droppings. I can understand, of course, that the droppings yield a great deal of information about the habits and diets of the animals concerned, but nothing quite explains the sheer glee that the actual objects seem to inspire.

I mean, animals may not be intelligent, but they’re not as stupid as a lot of human beings.


The Salmon of Doubt

The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

We are stuck with technology when what we really want is just stuff that works.

I’ve come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you’re thirty-five is against the natural order of things.

The fact that we live at the bottom of a deep gravity well, on the surface of a gas covered planet going around a nuclear fireball 90 million miles away and think this to be normal is obviously some indication of how skewed our perspective tends to be.


And a couple of lines I’ve seen in assorted places, articles, books, and whatnot

I love deadlines. I love the whooshing noise they make as they go by.

A learning experience is one of those things that says, “You know that thing you just did? Don’t do that.”

The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.

Solutions nearly always come from the direction you least expect, which means there’s no point trying to look in that direction because it won’t be coming from there.

Don't Panic

Towel Day ’26: Scattered Thoughts about Reading The Hitchhiker’s Guide to the Galaxy Trilogy

(updated and revised this 5/25/26)

A Blue towel with the words Towel Day on it
I’ve been trying for a few years now to come up with a tribute to Adams. This isn’t quite what I had in mind, but it’s a start. In my mind, this is a work in progress (a multiple-year project), but I’m posting it anyway. Next year’s version will be better—or at least more complete.


Some time in 7th or 8th grade (I believe), I was at a friend’s house, and his brother let us try his copy of the text-based Hitchhiker’s Guide game, and we were no good at it at all. Really, it was embarrassing. However, his brother had a copy of the first novel, and we all figured that the novel held the keys we needed for success with the game (alas, it did not help us one whit). My friends all decided that I’d be the one to read the book and come back in a few days as an expert.

I fell in love with the book almost instantly, and I quickly forgot about the game. Adams’ irreverent style rocked my world—could people actually get away with saying some of these things? His skewed take on the world, his style, his humor…and a depressed robot, too! It was truly love at first read. As I recall, I started re-reading it as soon as I finished it—the only time in my life I’ve done that sort of thing.

Also, I finally understood that song, “Marvin, I Love You,” that I kept hearing on Dr. Demento.

It was one of those experiences that, looking back, I can say shaped my reading and thinking for the rest of my life (make of that what you will). Were my life the subject of a Doctor Who or Legends of Tomorrow episode, it’d be one of those immutable fixed points. I got my hands on the next three books as quickly as I could (the idea of a four-volume trilogy was one of the funniest ideas I’d encountered up to that point in my life), and devoured them. I do know that I didn’t understand all of the humor, several of the references shot past me at the speed of light, and I couldn’t appreciate everything that was being satirized. But what I did understand, I thought was brilliant. Not only did I find it funny, the series taught me about comedy—how to construct a joke, how to twist it in ways a reader wouldn’t always expect, and when not to twist but to go for the obviously funny idea. The trilogy also helped me to learn to see the absurdity in life.

One of the big lessons that HHGTTG taught me was something I didn’t realize for quite some time- I noticed and talked about it, but I didn’t really realize what was going on. Whether in the game, the novel, the TV show, or the radio show (my local library getting those tapes was a revelation)–Adams took several key scenes and put them in different order, almost completely intact (although with some different jokes sometimes). Each time he did that, it was to play to the strength of the various media. I learned later that he did this for a couple of other versions, and then the movie. When it comes to story–you can keep the big items and play with them to get them to serve your aim, without doing any real damage to the core of your story/point. Like I said, it took a while for me to get the vocabulary to describe that–or to spend any time thinking about it beyond, “hey, that’s cool how he did that.” It’s just one of those things that stuck deep in my mind.

Outside of one family member–HHGTTG was my first exposure to an atheist. I mean, I knew they existed–the way I knew Australia existed. I’d read about it in books, maybe seen it on a TV show or something (hey, I was a kid from a small town in Southern Idaho in the 80s). But here was a guy wearing that on his sleeve–but he made a joke about it. Well, he made a few jokes–several by the end of the trilogy (including at least one that undercut them all). I didn’t threaten my young faith or rattle me, it was more of a “huh, so that’s what they’re like.” Nothing scary, just silly. I also have to say–again, sheltered kid from Idaho pre-Internet–that one of those jokes involved someone getting killed at a zebra crossing. It wasn’t until a few reads in that I started to wonder if that was actually a thing, and not another of his Adams’ jokes about a special road crossing for those particular animals. It was a learning experience for me in many ways.

Years later, when the final volume (by Adams) was released, I’d already cemented what I thought about the books from these frequent re-reads. I’m not sure that Mostly Harmless changed things much (except for making me think for the first time that maybe I didn’t want him to write more in this series). His non-Hitchhiker’s work illustrated that he was capable of making you see things in a new light–either with a smile or a sense of regret—even when he wasn’t writing the trilogy, even when he was writing non-fiction. It was never the setting or the genre—it was Adams.

But here on Towel Day—as with most of the time I talk about Adams (but I need to change that), it comes down to where I started—the Trilogy. I read the books (particularly the first) so many times that I can quote significant portions of them, and frequently do so without noticing that I’m doing that. I have (at this time) two literary-inspired tattoos, one of which is the planet logo* featured on the original US covers. In essence, I’m saying that Adams and the series that made him famous have had an outsized influence on my life and are probably my biggest enduring fandom. If carrying around a (massively useful) piece of cloth for a day in some small way honors his memory? Sure, I’m in.

So, Happy Towel Day, You Hoopy Froods.

* I didn’t know it at the time, but Adams didn’t like that guy. Whoops.

Don't Panic

Towel Day ’26: Do You Know Where Your Towel Is?

(updated and revised this 5/25/26)

A Blue towel with the words Towel Day on it

The Hitchhiker’s Guide to the Galaxy has a few things to say on the subject of towels.

A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-bogglingly stupid animal, it assumes that if you can’t see it, it can’t see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have “lost”. What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.

Hence a phrase that has passed into hitchhiking slang, as in “Hey, you sass that hoopy Ford Prefect? There’s a frood who really knows where his towel is.” (Sass: know, be aware of, meet, have sex with; hoopy: really together guy; frood: really amazingly together guy.)

Towel Day, for the few who don’t know, is the annual celebration of Douglas Adams’ life and work. It was first held two weeks after his death, fans were to carry a towel with them for the day to use as a talking point to encourage those who have never read HHGTTG to do so, or to just converse with someone about Adams. Adams is one of that handful of authors that I can’t imagine I’d be the same without having encountered/read/re-read/re-re-re-re-read, and so I do my best to pay a little tribute to him each year, even if it’s just carrying around a towel. TowelDay.org is the best collection of resources on the day.

In commemoration of this date, here’s most of what I’ve written about Adams. I’ve struggled to come up with new material to share for Towel Day over the years, mostly sticking with updating and revising existing posts. And, this year is no exception. A few years back, I did a re-read of all of Adams’ (completed) fiction. For reasons beyond my ken (or recollection), I didn’t get around to blogging about the Dirk Gently books, but I did do the Hitchhiker’s Trilogy:
bullet The Hitchhiker’s Guide to the Galaxy
bullet The Restaurant at the End of the Universe
bullet Life, The Universe and Everything
bullet So Long, and Thanks For All The Fish
bullet Mostly Harmless
bullet I had a thing or two to say about the 40th Anniversary of The Hitchhiker’s Guide to the Galaxy
bullet I took a look at the 42nd Anniversary Illustrated Edition of The Hitchhiker’s Guide to the Galaxy

I should also point to a posts I wrote about Douglas Adams’ London by Yvette Keller and 42: The Wildly Improbable Ideas of Douglas Adams edited by Kevin Jon Davies—both are great ways of filling out one’s understanding of Adams and his work. I have to mention the one book that Adams/Hitchhiker’s aficionado needs to read is Don’t Panic by Neil Gaiman, David K. Dickson and MJ Simpson.

If you’re more in the mood for a podcast, I’d suggest The Waterstones Podcast How We Made: The Hitchhiker’s Guide to the Galaxy—I’ve listened to several podcast episodes about this book, and generally roll my eyes at them. But this is just fantastic. Were it available, I’d listen to a Peter Jackson-length version of the episode.

I’ve only been able to get one of my sons into Adams, he’s the taller, thinner one in the picture from a few several years ago.

I’m trying to pass this on to the next generation as well. Here’s his son, the Grand-critter, from 2 years ago:

You really need to check out this comic from Sheldon Comics—part of the Anatomy of Authors series: The Anatomy of Douglas Adams.

Lit in a Nutshell gives this quick explanation of The Hitchiiker’s Guide:

One of my favorite posts there is this pretty cool video, shot on the ISS by astronaut Samantha Cristoforetti.

Even better—here’s an appearance by Douglas Adams himself from the old Letterman show—I’m so glad someone preserved this:

Love the anecdote (Also, I want this tie.)

Don't Panic

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