Category: Fiction Page 22 of 342

Pub Day Post: The Blue Horse by Bruce Borgos: Love (and Murder, mostly Murder) in the Time of COVID

Cover of The Blue Horse by Bruce BorgosThe Blue Horse

by Bruce Borgos

DETAILS:
Series: Porter Beck, #3
Publication Date: July 8, 2025
Format: eARC
Length: 368 pg.
Read Date: June 24-27, 2025
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What’s The Blue Horse About?

For Porter Beck and the Lincoln Sheriff’s Department, change—and a pandemic—are in the air. But we’ll talk about that later. The main thing that they all have to focus on is a controversial wild horse roundup.

It’s a Federal mandate that it occurs, and there are plenty of good wildlife management and other environmental arguments in favor of it. There are also plenty of traditional, environmental, or animal rights arguments against it. Naturally, the event faces protests both large and small—even in the middle of a pandemic. So Beck and his team are providing some security.

Because of that security, Beck and Tuffy are around to witness a helicopter involved in the roundup crash. Thanks to them, it’s not written off as human error or some other accident—they know it was murder (a difficult one to perpetrate, mind you).

The easy answer seems to be that it’s someone associated with the protests, but Beck’s not satisfied with that. And despite what the FBI wants to focus on, he starts assembling evidence to buttress his hunch. Then another, grisly murder happens. And all signs point to something worse on the horizon. The Feds want a quick resolution, Beck wants the truth.

Brinley and Rafa

So, while all this is going on, Beck can’t rely on his sister to pitch in. As a follow-up to the volunteering she did in Shades of Mercy with the “at risk” youth of the area, she’s off with a handful of these teens on a wilderness retreat. Rafa, in particular, is one she can identify with and really wants to help. He, on the other hand, wants no one’s help. He’s learned that he can only rely on himself and what his own strength, temper, and brutality can provide for him.

One night, after Brinley had already started to think he’d run off, he does just that. Annoyed at herself for letting her guard down enough to let that happen, and assured of her superior ability to track compared to the other adults in the group, she takes off on her own to track him down. As it’s Brinley that we’re talking about, she’d normally be right—but with COVID symptoms kicking in, are her stamina and clarity of mind up to the task? And what will she do if/when she finds him?

Sometimes, it can be a critique for a reader to note that a subplot like this one is frequently more interesting and engaging than the primary story. Early on, I was mildly irritated every time we cut from this back to the murder investigation. I really enjoy Brinley and Rafa is both a good character by himself, as a foil for Brinley? He’s perfect. Together, it’s a great combination.

I eventually came around on the murder investigation—it was more of a slow-burn for me, but by the end, I was equally invested in both storylines.

COVID-19

I thought it was gutsy for Borgos to tackle COVID and the reaction to both the virus and the social reactions to it. Especially in places like Beck’s part of Nevada, you’re not going to get a lot of people reacting to either of them the same way as you would in L.A. or NYC. (I think this is going to be the case for readers drawn to the series, too)

Borgos dealt with it as well as you could hope—Beck didn’t seem to take a firm stand on things like masking or hand-shaking himself—he basically matched the environment he was in (somewhat begrudglingly at times). And his deputies clearly saw it as overblown—particularly one deputy who showed clear signs of it. The clinic is full, and the disease shows up in several ways—some that hit too close to home for Beck, too.

At the same time—the impact of the virus itself was clearly shown. Whether it was a temporary, minor obstacle or a life-altering disease (or points in between) for the characters—COVID made its presence felt. Beck doesn’t have an overabundance of deputies for his large county on the best day. You force them to deal with murder cases like this—plus the security they need to provide for the roundup—with deputies out sick? That’s going to have a major impact on their ability to do any of their jobs effectively.

More than a gutsy move by Borgos for the social observation, it’s a smart move for narrative tension.

All the Personal Stuff

I was relieved to see Charlie Blue Horse back again—not only was she a good addition to the cast in Shades of Mercy, but I really didn’t like the idea of Beck having a new romantic interest/dalliance in every book. I’d have been perfectly content to have a few books without one, too—but a returning romantic interest is a good way to go, too.

I did think that Beck was a bit too clueless in the beginning—you can tell how he got to his age still single—but that’s a tangent.

There’s a lot more going on for Beck outside the case—his father’s health continues to deteriorate, there are big changes looming for the Sheriff’s office as we learn early on. Basically, these murders come along at a juncture for our Sheriff and serve as a welcome distraction as much as they could interfere and possibly derail his plans.

Deputy Frank Columbo

Bo may have been a two-time washout from the K-9 academy, but he’s a good, loyal companion for Beck—and he shows signs of being a good seeing-eye dog in the future. Who doesn’t want a good dog along for a story like this?

But honestly, he just seemed to be a nice little flavoring—something to add to the Western/Sheriff setting. Like Spener’s Pearls, Joe Pickett’s dogs, Max Boucher’s Russ, Ballard’s Lola, and didn’t Quinn Colson have one? They’re there, they’re fun to see, but they’re not a major player in the story.

But by the end The Blue Horse, he’s that and more. He’s not quite as remarkable as Longmire’s Dog, or Sharp’s Winnie, (definitely not in Chet Little’s league). But he’s on the way—this will come as no shock to anyone who’s read me, I loved Bo’s moments of glory (even if they weren’t appreciated at the time). I don’t need this series to become the Beck and Bo show, but I hope he gets more chances to shine.

Then again, would the Beck and Bo show be a bad thing?

So, what did I think about The Blue Horse?

We’re only on book three of this series, but we’ve got a strong recurring cast already (with promises of more). There’s the FBI Agent that Beck didn’t really get along with last time (and he continues to not really get along with now), there’s our friendly hacker doing the things Beck and Charlie can’t—but legally (probably), all the great characters in the Lincoln County Sheriff’s office, and even X Files. Yes, he’s back again—and I loved the way he get’s involved with this one. There’s more to this guy than paranoia and delusion. The characters—suspects, witnesses, standers-by, and more—are up to the same standards, and you’ll end up hoping that those who live and aren’t serving time come back sometime soon.

Three books in, one thing that Borgos has clearly shown us all is that he can people his novels with compelling characters. What about the story? I don’t know that anything will (or can) live up to The Bitter Past, but this is as good as you can ask for next to that. The storyline involving the murders is really well-paced and plotted—the herrings are the perfect shade of red—and Beck’s atypical approach to policing really helps here. Aside from my own impatience early on, there’s nothing to complain about here.

Mild-spoliery thoughts—feel free to skip this paragraph. I do wonder a little about Chapter Two—it takes away some of the mystery, you’ll know that the murders likely tie into it at some point, and you might not bite on some of the bait Borgos wants to tempt you with because of it (at least not as hard as you might otherwise). But it also makes a twist or two seem like they don’t come out of nowhere. I can argue both sides of it convincingly to myself. The more I think of it, I think Borgos made the smart move. But I instinctively disagree and think he should’ve skipped it. I’d love to hear what others think.

Maybe other readers feel this way when they read about the Mexicantown in August Snow’s Detroit, or about Ballard/Bosch’s LA, the racial tensions in the LAPD that Trevor Finnegan navigates, the gang-culture in Eve Ronin’s LACSD, or the changes in the Edinburgh police that Rebus has witnessed (and felt)—but the society/politics that Borgos shows hit close to home. The former are interesting to read about, but Borgos hits close to home (C.J. Box does, too). Lincoln County, NV could easily be 20-30 minutes south of my house, rather than the 8+ hours it really is. Borgos reflects the attitudes of the area so well—it feels easy at a distance to take issue with the gangs Ronin faces, but there’s a way for locals to understand both sides of something like the roundup that I just can’t with the others. I know and trust people on every side of that issue, and sympathize with them. For every hint that Borgos gives you about his (or Beck’s) opinion—he provides one that might disprove it. I fully expect readers from Scotland or New York to roll their eyes at one group or another that Borgos shows us. But I can’t—they’re my neighbors, are married to my coworkers, and share a pew with me on Sundays. I love how well Borgos does that. A good Crime Novel talks about society without getting on a soapbox, and Borgos excels at it.

Setting that aside, let’s focus on the experience of reading The Blue HorseYour heart will be in your throat in at least two occasions, you will be horrified at man’s inhumanity at least once (it’s comparable to the opening of The Bitter Past), you’ll feel sadness, relief, and even joy throughout. I wasn’t looking for another Western-set mystery series to become addicted to, but Bruce Borgos has made me a die-hard anyway. Jump on the bandwagon!! We’ll make room.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Dogged Pursuit by David Rosenfelt: An Origin Story

Cover of Dogged Pursuit by David RosenfeltDogged Pursuit

by David Rosenfelt

DETAILS:
Series: Andy Carpenter, #32
Publisher: Minotaur Books
Publication Date: July 1, 2025
Format: eARC
Length: 288 pg.
Read Date: July 3-4, 2025
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What’s Dogged Pursuit About?

Andy Carpenter has recently left the Prosecutor’s Office to become a defense lawyer. He’s rented an office, helped one client, and…well, that’s it. His wife is leaning on him to take a job as a corporate lawyer (and her father can get him such a position), but his heart isn’t in it.

He has decided it’s past time for him to get a dog after years of wanting one—so he goes to a shelter, falls head over heels with one, and adopts her. The shelter tells him that his new dog (Carpenter fans know Tara very well at his point) has bonded with the dog she shared a run with. So he offers to adopt her, too. That can’t happen because her owner is in jail awaiting trial. They assure him that if he can get a release from the owner, he can take the dog.

Carpenter fans know at this point that this will be Andy’s first client. People new to the series will probably know this, too. Rosenfelt isn’t playing his cards close to his chest here.

And, hey, what do you know? That’s exactly what happens. The trick is that Andy’s new client is charged with multiple murders—that of his old friend and boss who fired him two weeks previously, and the two people he was giving a ride home to (so they wouldn’t drive after drinking at a corporate party).

The circumstantial case is pretty strong—almost too strong. No one that Andy talks to at his client’s old company could believe he’d be capable of such a thing. And he really seems to care about his dog. Which is enough for Andy to dive in.

He just needs evidence on his side, an investigator to do some work for him, and a clue about how to defend this particular client. But that’ll come, right?

The Prequel-ness

I was surprised when I saw this was a prequel. I don’t know that I ever stopped and wondered, “How did Andy get started in the business?” Particularly as early in his career that book one, Open and Shut, isn’t that far into his career and really serves just as well as an origin story.

That said…this is a really good novel, a solid prequel, and a treat for fans of the series. Let’s take a quick glance at some of the series regulars we meet here:

bullet Tara. You don’t have an Andy Carpenter book without his best friend. Their meeting goes beyond a meet-cute, and watching their relationship blossom is great. Honestly, the rest of this list isn’t necessary, as long as Rosenfelt nailed this one, and it’s no surprise that he did.
bullet Sam. Sam gets a little more “screen time” here than he typically does. This is a-ok with me, Sam’s great. We get some seeds planted for a lot of what we see from this accountant/hacker in the future. What we don’t get—and this is the biggest problem with this book—is the song talking. I get that he and Andy have grown out of it by later books (as odd as it is to think of Andy maturing). I miss it, but I can cope (as well as grumble about it). But they’re not there yet. Something that so characterizes their relationship in the first few books should be here now.
bullet Laurie. Andy meets and hires Laurie here, a wonderful decision on his part. It’s totally platonic, Rosenfelt shows us that Andy is a stand-up guy on that front (as he continues to be). Given where their relationship ends up, I have to give Rosenfelt a lot of credit for keeping it professional. Laurie struggles some (as I think she continues to do for quite a bit) with working for the defense—not as much as say, Harry Bosch does (although she wasn’t working for the PD as long as Bosch did). And that’s good to see, but her adaptability and smarts are on full display.
bullet Pete. Pete and Andy aren’t as friendly as they will one day be. It’s actually nice to see them approach bonding, and the beginning of Andy picking up Pete’s tab.
bullet Nelson Carpenter. We don’t get to see a lot of Andy’s father before his death, so it was really nice to see the healthy relationship here. It’s hard not to like this guy, and you can see why he was such a legend in the legal community in the area.
bullet Edna. Andy hasn’t hired—much less met—Edna at this point, but she’s mentioned to him a few times as someone he should hire. Reading what Andy is told about her, and what we know about her, is one of the best chuckle-generators of this novel.
bullet Nicole. This has to be the trickiest one in the book—the relationship is doomed, we all know this. But neither Andy nor Nicole is ready for it to end. Rosenfelt has to show the crumbling, without showing the last straws—as those straws are still to come. And man…I liked Nicole. I enjoyed seeing her bond with Tara. I liked seeing her interact with Andy; she seems like a pretty good match for him.

Marcus

In a couple of the more recent books, I’ve wondered if Marcus is losing a bit of what made him such a fun character for the readers because we’ve learned more about him. Is the mystique gone? Is he on the verge of becoming just another member of Andy’s circle?

That question gets set on the back burner for a while—phew—because in this prequel, Marcus is all mystique. Nothing but mystique and mystery.

So, what did I think about Dogged Pursuit?

Okay, let’s set aside all the fun of the prequel stuff. How’s the mystery, the case, the resolution?

Those are just what you want. Andy’s not the cocky, flashy trial lawyer he will become. But you can see it on the horizon. He’s nervous—in and out of the courtroom. He’s not prepared to meet with some of the truly nasty characters he needs to—or the threat they can represent.

There are plenty of twists and a revelation or two at the end that are just satisfying.

There’s not a huge conspiracy with international implications afoot. There’s some criminal activity around the murders that Andy runs across—but it’s not at the heart of the book.

There are some truly good lines (particularly involving Andy’s cowardice and lack of ability to defend himself—always a good place for Rosenfelt to return to). The momentum carries you right along, right up to the surprises at the end.

Throw in Andy and Tara’s relationship? You’ve got a solid book.

I strongly recommend this book to people who’ve read Andy Carpenter in the past (even if you’ve taken a break for whatever reason). If people have seen my glowing posts in the back and haven’t wanted to dive into a series of 30 mid-stream, this is a great place to jump on board. If people have never seen a thing I’ve written about this series before—this is a great place to jump on board, too. Really, there’s no one that I wouldn’t recommend this book to. I thoroughly enjoyed myself, and I think you will, too.

Disclaimer: I received a copy of this book from St. Martin’s Press via NetGalley—thanks to both for this. I apologize for the tardiness.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Promise by Christi Nogle: Wonderfully Weird, Unequivocally Unnerving

Cover of Promise by Christi NoglePromise

by Christi Nogle

DETAILS:
Publisher: Flame Tree Press
Publication Date: September 12, 2023
Format: Paperback
Length: 208 pg.
Read Date: February 1-10, 2025
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What’s Promise?

This is a collection of 21 short stories. The cover calls them “weird Science Fiction” stories—this is true. When Nogle described herself in a Q&A here last year, she described herself as “focusing on horror and horror-adjacent work.” I’d say most of these qualified as Horror-adjacent; there’s just something unnerving about just about every one of these. Now, I grant you that my tolerance/acceptance of Horror is pretty low, so while I might call these Horror-adjacent, real Horror fans might roll their eyes. That’s fine, I get it. But some of these are really unnerving/creepifying.

When trying to come up with a good way to describe this collection, I saw the back of the cover blurb and decided that I couldn’t do better.

A young woman confronts her digital doppelganger at a creepy academy. A mother and daughter struggle underground, finishing robots the rich will use. A loving couple find that their mirrors are very different than mirrors used to be. You can order a headset to speak with your dog, and your devices sometimes connect not just to the web but to the afterlife.

Be prepared for strangeness here. We have several types of aliens, cults devoted to contacting alternate dimensions, virtual-reality writing retreats, time-travel games and timetravel tragedies, augmented consciousness, cosmic artforms and living paintings, haunted Zoom meetings, giant worms, and guesthouses for the dead. These stories reflect the weird and unknowable future. They are often bizarre and dreadful, but they also veer towards themes of hope, potential…and promise.

I Have So Many Questions…

A little over halfway through my notes, I wrote, “I have so many questions about her process.” I can’t tell you exactly what prompted that, but I’m pretty sure the question had been building. And I’d still like to ask a few now that I’ve been prompted.

Sure, there’s the old chestnut of “where do you get your ideas?” I know authors hate that question (and I get it), but…just how does someone come up with these? And beyond the generic planner v. pantser, I really wonder how much of these strange worlds she has worked out before she starts to tell a story in them, and how much she figures out along the way.

But also—what does the first draft look like compared to the final? Does she write everything and then pare it down to just the essentials? How does she choose the starting point for these? I know my reflex would be to start most of these stories about 8 paragraphs of story earlier than she does (and generally to give another few paragraphs at the end). How does she choose the twist/reveal/whatever it is that clues the reader into everything that’s going on?

I guess I’m just looking for a DVD commentary on each of these. Something about Nogle’s construction makes me more curious about her approach than I usually am.

So, what did I think about Promise?

So, two of these stories did nothing for me (2 out of 21 is a great number). Several I’d just qualify as “good,” but a handful wowed me. There are a couple I’m still thinking about all these months later (not steadily, mind you, but every now and then the mind will wander a bit—or I’ll see this cover, and…pow, I’m back in it).

I love Nogle’s prose and approach to storytelling. There’s some variation because no two stories have the same voice—but generally, I can say she gives you just enough to know what’s going on, but you have to use your imagination and think about it to really understand the story. There’s no spoon-feeding here, but nothing so cryptic or ambivalent as to be obscure or oblique.

Was I satisfied with the conclusion of every story? No—but I’m pretty sure I wasn’t supposed to be. Particularly the couple that really don’t conclude, but just end.

Creepy, mind-bendy, the kind of short story you can vanish into and leave the world behind. These stories will leave you feeling the way that the Black Mirror or The Twilight Zone episodes do. I rather enjoyed almost all of these and think you will, too. (and many of you will really get into the ones that left me cold, and won’t be wigged out by those that got me…we can compare lists later)


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.


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The Medusa Protocol by Rob Hart: Adversity Truly Introduces Us To Ourselves

Cover of The Medusa Protocol by Rob HartThe Medusa Protocol

by Rob Hart

DETAILS:
Series: Assassins Anonymous, #2
Publisher: G.P. Putnam's Sons
Publication Date: June 24, 2025
Format: eARC
Length: 320
Read Date: June 19-20, 2025
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What’s The Medusa Protocol About?

I’d written about half of this section, and wasn’t quite satisfied with it, and took a quick glance at the Publisher’s Description and realized that 1. I was echoing it in an unnerving way, and 2. It was better than i could deliver. So, I’ll borrow it and save myself from plagiarism accusations:

When Astrid, known in her assassin days as Azrael, stopped showing up to Assassins Anonymous, the group assumed her past had caught up with her. Only her sponsor Mark, formerly the deadliest killer in the world, holds out hope that she’s okay. Then, during a meeting, the group gets a sign, or rather, a pizza delivery. Is there another psychopath out there who actually likes olives on their pizza, or is Astrid trying to send Mark a message?

Meanwhile, Astrid wakes up in the cell of a black site prison, on a remote island. A doctor subjects her to mysterious experiments, plumbing the depths of her memory and looking for a vital clue from her past. She’ll do anything to escape, except…killing anyone. Hmm. Turns out it’s not easy to blow this joint without blowing anything, or anyone up.

Looking for Astrid

The group at the meeting splits into two groups—some head for safety, just in case someone’s coming for someone in addition to Astrid. Mark and Booker take the sign of the disgusting pizza as a signal to go looking for Astrid.

This is where you get your thirst for adventure slaked. They take a globe-trekking route while hunting for clues, pick up an ally or two along the way, go up against some pretty lethal guys—and really lethal snakes.

They do this with aplomb, nerve, and some really bad jokes.

Astrid’s Story

Meanwhile, Astrid faces two challenges—figuring out where she is, why she’s there, and how to make the best of the situation until she can find a weakness to exploit and get out of there. None of that will be easy.

But also, whatever this doctor is doing to her causes her to relive some of the bigger moments in her life—things she’s never really put behind her, but she has to look at them anew, and maybe a bit more intensely than she usually does.

The stakes are high (higher than she realizes), and without support, she has to rely on what she’s picked up from the meetings and her own grit to make it through each day.

Sobriety

While Assassins Anonymous showed the meetings, Mark hitting rock bottom, and choices to pursue this group’s particular expression of sobriety, The Medusa Protocol focuses on taking responsibility for your actions, making amends, and maintaining one’s sobriety. While none of the 12 Steps seem particularly easy, these things seem like harder work to me—and it’s good to see that reflected honestly.

(There’s some other things along these lines, but we can talk about that after you’ve read this book.)

The decision to stay sober—especially in the circumstances these characters find themselves, fighting for their lives against people who don’t have any problem taking a life, when a lifetime of reflexes tells them to do something else—takes a monumental effort. It takes monumental effort for more “traditional” 12-Step program attendees, too. But this makes for more exciting reading—it should, however, remind the reader what their friends/acquaintances go through on a daily basis.

I really admire Hart for this focus in these books, and hope these keep coming if only for it.

So, what did I think about The Medusa Protocol?

There’s part of me that wants to copy and paste most of what I said about Assassins Anonymous last year here. There’s also part of me that wishes I’d re-read or listened to it before this—not because I need the refresher, I just had fun with it. Yet…I think this is a better novel. It’s not quite as fun—Astrid’s POV is too prevalent for that and her sense of humor isn’t what Mark’s is (this is a good thing)—but the story is more emotionally developed, Astrid’s trauma is deeper-seated, and that comes through in the flashbacks (obviously).

Also, the Big Bad of the first book is a pretty standard kind of bad guy for the genre. The person responsible for Astrid’s plight, on the other hand, is just evil. Like a gut-twisting, I don’t want to think there are people like this in the world, kind of evil—sadly, it’s probably the most realistic part of this book.

I’m afraid I might give the impression that this book is so heavy on the trauma, the emotions, the recovery struggles, and so on that it’s not a Thriller. Sorry if I did. This is a rollicking, rocking Thriller that will keep you on the edge of your seat with the kind of action you expect in a Thriller about a group of former (and current) assassins. If you liked the action, the humor, the pacing, and all the thriller aspects of the last book, don’t fear—it’s still there. It’s just the percentages of the book devoted to each are a little different. Mark is still a prominent character, and you can’t get away from his sarcasm, his humor, and his efficiency in a fight scene. That goes for the other people in the program, too. And when Astrid gets to do her thing, either in the present or in flashback—I’m telling you, it’s good stuff.

I had a blast with this, enjoying the opportunity to reconnect with characters like Mark, Astrid, Valencia, Booker, and so on. The one new face (at least) that will recur? Oh, I’m looking forward to getting to know them a lot more. The new characters we meet that we definitely won’t be seeing again? They’re as good as you want them to be.

Oh, and the titular Medusa Protocol itself? That was really cool.

There’s no reason not to pick this up if you’re in the mood for a thriller that embraces and yet puts a twist on the conventions. Would it help to have read Assassins Anonymous first? Yeah, but you’ll get in the groove pretty quickly if you haven’t.

Disclaimer: I received a copy of this book from Putnam Books via NetGalley—thanks to both for this. Sorry that it’s up late.


4 1/2 Stars
This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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20 Books of Summer 2025: June Check-In

20 Books of Summer 2025 logo
A quick check-in for this Reading Challenge hosted by Emma of Words and Peace and Annabel from AnnaBookBel (you can read more about it here). I don’t typically like to do this kind of thing until the first of the next month, but since I doubt that I’ll read 500 pages today, I figured I might as well get this up since I won’t be able to finish the post I initially planned for today. So, I’ve read 1 1/6 books for this challenge (hopefully 1 1/2 by the end of the day). It’s not the most auspicious start, but I’ll take it (and I’ve had worse starts).

So here’s the list:

1. The Lords of the West End by Peter Blaisdell
✔ 2. King of Ashes by S. A. Cosby
3. Mississippi Blue 42 by Eli Cranor
4. Guard in the Garden by Z. S. Diamanti
5. Mushroom Blues by Adrian M. Gibson
6. The Bright Sword by Lev Grossman
7. Everybody Knows by Jordan Harper
8. Interstellar MegaChef by Lavanya Lakshminarayan
9. Sabriel by Garth Nix
10. Lirael by Garth Nix
11. Abhorsen by Garth Nix
12. Welcome to Pawnee: Stories of Friendship, Waffles, and Parks and Recreation by Jim O’Heir
13. Futuristic Violence and Fancy Suits by Jason Pargin
14. Men at Arms by Terry Pratchett
15. A Tail of Mystery by Paul Regnier
16. Samurai! by Saburo Sakai with Martin Caiden and Fred Saito
17. The Crew by Sadir S. Samir
18. When the Moon Hits Your Eye by John Scalzi
19. Remarkably Bright Creatures: Shelby Van Pelt
20. Leveled Up Love by Tao Wong & A. G. Marshall

(subject to change, as is allowed, but I’m going to resist the impulse to tweak as much as I can).

On the other hand, I’m doing pretty well with my Books on My Summer 2025 to-Read List (That Aren’t on My 20 Books Challenge)

1. Stone and Sky by Ben Aaronovitch
2. Algospeak: How Social Media Is Transforming the Future of Language by Adam Aleksic
3. Light From Uncommon Stars by Ryka Aoki
✔ 4. The Blue Horse by Bruce Borgos
5. Five Broken Blades by Mai Corland
6. This Is How You Lose the Time War by Amal El-Mohtar, Max Gladstone
✔ 7. The Medusa Protocol by Rob Hart
✔ 8. Station Eleven by Emily St. John Mandel
9. Mrs. Plansky Goes Rogue by Spencer Quinn
10. Dogged Pursuit by David Rosenfelt

Okay, if you think it as a percentage, I’ve read 14% of the books I called my shot on for the summer. Again, inauspicious. July promises to be a good one for reading—I hope/expect that I’ll be looking better in 31 days.

(and no, I don’t see a conflict between this and the Orangutan Librarian’s recent post about competitive reading. This is me comparing myself with my goals, or my past self, or—worst of all—my expectations.

20 Books of Summer '25 Chart June Update

The Great Divorce by C.S. Lewis: Do you listen to the angels on the outskirts?

Further Up and Further In A Year with C.S.Lewis


Cover of The Great Divorce by C.S. LewisThe Great Divorce

by C. S. Lewis

DETAILS:
Publisher: Macmillan Publishing Company
Publication Date: 1946
Format: Paperback
Length: 128
Read Date: June 22, 2025
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“Then those people are right who say tht Heaven and Hell are only states of mind?”

“Hush,” said he sternly. “Do not blaspheme. Hell is a state of mind—ye never said a truer word, And every state of mind, left to itself, every shutting up of the creature within the dungeon of its own mind—is, in the end, Hell. But Heaven is not a state of mind. Heaven is reality itself. All that is fully real is Heavenly. For all that can be shaken will be shaken and only the unshakable remains.”

Sixpence None the Richer’s “Soul”

Since 1994 (two or three years after I read this for the first time) I haven’t been able to think about, much less read, this book without thinking of this song. So why not let you have it run through your head as you read this?

What’s The Great Divorce About?

The conceit of this book is that C.S. Lewis is granted a vision in a dream of the afterlife. He starts out in a miserable place, full of people that could best be described as miserable (although that might be being too kind). He sees a bunch of them waiting for a bus, and since that’s pretty much the only people he can see around, he joins the queue. Before he knows it, he gets one of the last remaining seats.

After a couple of really unpleasant interactions with fellow passengers, the bus comes to a stop and everyone disembarks. They’re near some trees, but mostly there’s a large amount of grassy land near a cliff. Everyone kind of separates and walks around, while others come from a distance toward them. The best way that Lewis can come up with to describe these people is “Bright Ones” or “Solid People.”

They seem more solid and bright than anyone else—who now pretty much seem like disembodied ghosts to Lewis. Meanwhile, the grass is intensely hard and sharp; the trees and rocks are similarly “more real.” Once the Bright Ones arrive, they all head off to talk to individual ghosts—and the interactions that Lewis watches/overhears, the interactions aren’t all that pleasant.

The Bright Ones, it should be stressed, aren’t the problems. They’re patient, kind, and entirely honest. The Ghosts, on the other hand, are nasty, defensive, selfish, and seem to go out of their way to twist the words of the Bright Ones. The Bright Ones are trying to convince the Ghosts to leave these problems—and so many others behind, so they can find true happiness and forgiveness in the City.

Lewis watches some of these, and then is met by his own Bright One, who answers some questions for him about what’s going on.

Okay, that’s more of a summary than I typically give—but the meat of the book isn’t in that outline, it’s in the individual interactions between Bright Ones and the Ghosts.

“The Transmortal Conditions”

In his Preface, Lewis stresses that this book is a Fantasy, sure, it’s one with a moral—but it’s Fantasy. “The transmortal conditions are solely an imaginative supposal; they are not even a guess or a speculation of what may actually await us.”

That’s for the best because there are many problems with his vision of the realms—but at the same time, he does a wonderful job of depicting them

The loneliness of Hell/Purgatory* and how the denizens exacerbate the problem continuously to their own detriment is utterly fantastic. Even better is the hyper reality of the outskirts of the City and the Bright Ones. Lewis said he got the idea from some article he read by an American whose name he’d forgotten years before.

Between this book and Perelandra, I’m starting to come to the conclusion that Lewis’ best writing is reserved for him trying to capture Paradise and relate it to his readers. He falls short, obviously, but the way he does communicate either the area around Heaven or a Pre-Fall Venus are so fantastic that I find myself trying to describe the ineffable.

* It’s Hell for those who don’t take the opportunity to repent, Purgatory for those who do. An intriguing way to be able to placate either the Roman Catholic or Protestant in his readership.

George MacDonald

On one of the rocks sat a very tall man, almost a giant, with a flowing beard. I had not yet looked one of the Solid People in the face. Now, when I did so, I discovered that one sees them with a kind of double vision. Here was an enthroned and shining god, whose ageless spirit weighed upon mine like a burden of solid gold: and yet, at the very same moment, here was an old weather-beaten man, one who might have been a shepherd—such a man as tourists think simple because he is honest and neighbours think “deep” for the same reason. His eyes had the farseeing look of one who has lived long in open, solitary places; and somehow I divined the network of wrinkles which must have surrounded them before re-birth had washed him in immortality.

Among the many things I forgot about this book is the way that MacDonald serves as Virgil, guiding Lewis around the area, answering many of the questions he has about what he’s seeing and experiencing. Having read Surprised by Joy pretty recently, when he goes into what kind of impact MacDonald made on him really helped underline this part for me.

When so many of the other Ghosts had Bright Spirits appear to them that were someone important to them—mostly family members, Lewis (who isn’t quite a Ghost, but is largely treated as one) gets an author who was instrumental in laying the groundwork for his conversion. A great choice, and a very honest/self-revelatory one.

So, what did I think about The Great Divorce?

Never fear. There are only two kinds of people in the end: those who say to God, “Thy will be done,” and those to whom God says, in the end, “Thy will be done.” All that are in Hell, choose it. Without that self-choice there could be no Hell. No soul that seriously and constantly desires joy will ever miss it. Those who seek find. To those who knock it is opened

I absolutely loved this. I remembered liking it, but I was just blown away this read-through.

Yes, I’d quibble with some of the theology here—Lewis and I aren’t going to see eye-to-eye on many things until we both arrive in the City to be corrected (and neither of us will care about that then). But this isn’t a systematic theology, it’s a Fantasy story with apologetic aims. As such, it’s wonderful. And, I’m never going to sneeze at the chance to read Lewis describing a paradise.

And this is not an apologetic work in the way most of his are—he’s not trying to make a case for the thoughtfulness of Christianity, the reasonableness in the belief in miracles, or anything like that. He’s looking at the core of people, how they think; how they react; how in every thought, word, and deed they are selfish; it’s all about self-interest, self-importance, self-worth. They may try to dress it up somehow, but eventually—even if it’s just for a moment, it’s about them. Seeing myself in these ghosts—I assume that most readers do—is not unlike seeing yourself in the words of advice that Screwtape gives to his nephew. Neither is a pleasant experience, but the mirror that Lewis holds before his readers is pretty clear.

Of the works by Lewis that I’ve read this year, this is his best writing, his most subtle thinking, his most heart-opening thoughts. I heartily encourage this one to those who are curious—even if just for the Fantasy of it all.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BOOK SPOTLIGHT: The Fall is All There Is by C.M. Caplan

I’m very pleased today to welcome The Write Reads Blog Tour for C.M. Caplan’s, The Fall is All There Is! If you take a look at the feed for https://twitter.com/WriteReadsTours over the next few days, you’ll see a lot of bloggers who, unlike me, had the time to read it and write interesting things about it. The Fall is All There Is was the 6th Place Finalist for the 2024 Book Blogger’s Novel of the Year Award, so you know there’s a lot of good to be said about it–but before getting to this Spotlight, let’s start with a word about BBNYA.

BBNYA:

BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists (16 in 2024) and one overall winner.

BBNYA Finalist Badge 2024

If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official. BBNYA is brought to you in association with the @Foliosociety (if you love beautiful books, you NEED to check out their website!) and the book blogger support group @The_WriteReads.

The Fall is All There Is Banner

Book Details:

Title: The Fall is All There Is
Genre: Fantasy, Science Fiction
Age Category: Adult
Format: Paperback/Ebook/Audiobook
Length: 415 pages
Publication Date: November 7, 2022
The Nameless by C.M. Caplan Cover

About the Book:

All Petre Mercy wanted was a good old-fashioned dramatic exit from his life as a prince. But it’s been five years since he fled home on a cyborg horse. Now the King – his Dad – is dead – and Petre has to decide which heir to pledge his thyroid-powered sword to.

As the youngest in a set of quadruplets, he’s all too aware that the line of succession is murky. His siblings are on the precipice of power grabs, and each of them want him to pick their side.

If Petre has any hope of preventing civil war, he’ll have to avoid one sibling who wants to take him hostage, win back another’s trust after years of rivalry and resentment, and get an audience with a sister he’s been avoiding for five years.

Before he knows it, he’s plunged himself into a web of intrigue and a world of strange, unnatural inventions just to get to her doorstep.

Family reunions can be a special form of torture.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

C.M. CaplanC.M. Caplan is the author of the SPFBO 9, BBNYA, and Indie Ink Awards Finalist, The Fall Is All There Is. He’s a quadruplet (yes, really), autistic, and has a degree in creative writing. If you enjoy his books, you can rate them on Goodreads and Amazon.

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My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

I See You’ve Called in Dead (Audiobook) by John Kenny, Sean Patrick Hopkins: Friendship and Funerals

Cover of I See You've Called in Dead by John KenneyI See You’ve Called in Dead

by John Kenney, read by Sean Patrick Hopkins

DETAILS:
Publisher: Zibby Publishing    
Publication Date: April 1, 2025
Format: Unabridged Audiobook
Length: 7 hrs., 33 min.
Read Date: June 6-9, 2025
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What’s I See You’ve Called in Dead About?

One night after a disastrous blind date (oh, and the word disastrous seems inadequate), obituary writer Bud Stanley gets drunk and accidentally publishes his own obituary. This earns him a suspension (once you get to the part where it’s revealed why he can’t be fired, you’ll roll).

During this suspension, he’s inspired to attend the funerals of strangers. He drags his close friend with him to these, and the two of them gain some new perspectives, new insights, etc.

I should add—before the drunken mistake, during the date itself, is when I decided I liked Bud and couldn’t wait to spend seven hours and change with him.

It’s, of course, after he published the greatly exaggerated reports of his own death that Bud finally has the opportunity to learn how to live. Will he take advantage of it?

Is He Maybe Too Perfect?

I’m not talking about Bud here. No one is going to spend more than a half a paragraph before they start finding flaws with him (love the guy…but man, is he a work in progress). But his landlord/friend, Tim, just might be too perfect.

He’s kind. He’s generous. He’s wise. He’s…well, really, you’re going to have to look long and hard for a problem with the character. And that, of course, is hard to swallow for a primary character in a work of fiction. As in life, so in fiction, pobody’s nerfect.

But…and here’s the thing that applies to a lot of Mary/Marty Sues (and I don’t think Tim is one, but he might be their first cousin)—he’s so fun that you get over it. He works as Bud’s Jiminy Cricket as well as the guy he can joke around with. It’s likely that Bud just doesn’t give us a lot of Tim’s flaws in his narration, because he doesn’t see them.

Friendship

Which leads us to one thing (there are others, but this dominates the novel) that Bud seems to be pretty good at, friendship. Sure, frequently being a selfish jackwagon, he’s not great at being a friend—but the bonds he’s made are strong enough that they can take it.

There’s Tim, Bud’s office-mate (a strange friendship, but one that’s deeper than one might think), the friendship between Bud and his editor/boss, and then a sweet friendship with a lonely and eccentric little boy* who lives nearby. Bud may not have figured out how to successfully adult, but he’s assembled a great group of friends to help him navigate through it.

I’ve read/listened to a lot of people (in fiction/non-fiction) talk about how close male friendship has really taken a hit in the current culture—it’s not emphasized, it’s not modeled, and almost never discussed after a certain age. Take or leave that argument, it’s rare enough to see a decent portrayal. Bud has four of them—of various strengths and circumstances. But all are wonderful to watch.

* That kid (his name escapes me, and that bothers me) deserves a book of his own. I need someone like Wesley King, Victoria Willimason, or R.J. Palacio to buy the rights.

What did I think about the narration?

Well, there were a couple of location names that I wondered if Hopkins was pronouncing correctly (he probably was). But beyond that, he nailed the work. He got the humor, he got the heart, he got the…strange mental place that Bud spent most of the book in.

I don’t believe I’ve heard him in action before, but I’d like to.

So, what did I think about I See You’ve Called in Dead?

I assumed this would be a fun read from the premise. I wasn’t prepared for something that would make me care so much.

I did think the humor around the millennial HR employee felt overplayed, and that Kenney should’ve dropped it (or skipped it entirely). There might have been one or two other jokes that he could’ve skipped—but on the whole? Some of the best comedy I’ve encountered this year—and some of the dumbest, too. Bud, Tim, and Tuan (his office-mate) don’t seem to think there’s a joke to dumb to make. I don’t disagree, but I figure I should warn you. They also aren’t afraid of being awfully clever in their jokes as well.

There’s an extended bit in a Greek funeral that Tim and Bud attend, for example, that will make you roll your eyes—and then you’ll end up really loving as it continues.

I haven’t talked about the strange friendship/romance at all between Bud and the woman who starts him attending the funerals of strangers. It’s the kind of quirky thing that filmmakers used to give Zach Braff, Michael Cera, Joseph Gordon-Levitt, and the like. But it rarely feels forced, and she’s definitely not manic. I don’t think her storyline is nearly as well-done as the others, but it’s satisfying enough that I’m not going to complain.

And of course—we need to talk about death and life. Bud and his circle spend a lot of time witnessing death and grief—and how it looks for various people. And from that, they all take different lessons about death and what can—and should—come before. Sometimes it feels a little heavy-handed, or rather, it feels like it’s going to be—you can feel the “special episode” atmosphere building. But it typically is delivered subtly and almost seamlessly. Kenney does it the right way.

This is a funny, wise, and heartfelt book—affirming, challenging, and downright entertaining. What’s not to like?

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Amazing Twin Chicken Freedom Fighters by Zephaniah Sole: The Revolution Will Not Be Pasteurized

I’m incredibly dissatisfied with this post. But I don’t think I’m possible of doing better. I want to, the book deserves better than this. But I’m punching above my weight-class with this. Give me a couple of weeks doing nothing else, 15-20 pages, and a few consultations with one of my old university professors, and I might come up with something I liked. Since that’s not going to happen, I’ll just go with this.


Cover of The Amazing Twin Chicken Freedom Fighters by Zephaniah SoleThe Amazing Twin Chicken Freedom Fighters

by Zephaniah Sole

DETAILS:
Series: The Amazing Twin Chicken Freedom Fighters, Book 1
Publisher: Run Amok Crime
Publication Date: May 5, 2025
Format: ARC
Length: 204 pg.
Read Date: June 7-9, 2025
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A Couple of Content Warnings

I don’t normally do these kind of things, but it seemed like a good idea for this book. First, there’s some active suicidal ideation at the beginning of the book. It’s (first chapter, so not a spoiler) not effective. Also, it’s rapidly moved on from, and if the characters bring it up again, it’s briefly (I don’t think they do, but I failed to track it). In some books, the way the characters leave it behind would be a problem, and worthy of some discussion. But here? It works.

Secondly, Sole gets pretty close to sacrilege with a number of religious figures—Christian, Jewish, Muslim, and Buddhist (and likely some others). Particularly with a certain Tibetan Buddhist. I tend to have a hair trigger on this kind of thing, but I think Sole landed pretty firmly on the right side of the line. If for no other reason than his depictions of the persons in question are so far from the way the religions think about them or they’re depicted in their texts, it’s hard to take the identification seriously.

(except for that Tibetan Buddhist, but even there, it’s a stretch)

What’s The Amazing Twin Chicken Freedom Fighters About?

Jake and Joy meet one night under poor circumstances and do not get along at all. But then they find themselves in an unfamiliar and possibly hostile situation dressed in chicken suits (that not everyone sees but also they can’t get out of).

Before they can fully wrap their heads around that, they find themselves running for their lives and involved in a cosmic struggle for the fate of humanity. As they were prophesied to be.

No, really. That’s the plot.

Jake, Joy, and their new mentors/companions vs. Hip Gnosis* and his bickering subordinates. What follows is zany, action-filled, profound entertainment.

* Readers of Justice League comics of the late 80s may be interested to know that Gnosis reminds me of Lord Manga Khan, and his associate, Madelyn has a certain L-Ron quality to her, too.

The Book’s Humor

This book is hilarious—it’s more than that, but let’s start with that. But what kind of humor is it?

There’s word play—some very clever and sophisticated, and some painful puns. There’s some scatological humor (including one of the all-time greatest scatological jokes). There’s philosophical humor. There’s some jokes that are fit for an elementary school playground. There are some that are fit for a New Yorker cartoon.

Basically, the humor is all over the place. I mean that as a compliment and a description—definitely not a criticism. Primarily because every, and I stress every joke* lands. The book was so funny that you could miss everything else going on (and you shouldn’t) and you’d have a wonderful time.

* I should probably note that I may have mistaken a few lines for jokes that weren’t (but I laughed anyway), and I may have missed a few (which annoys me to admit).

That Hideous Strength

Somewhere along the way…either in the last two-thirds of the book, or maybe when I was finished (I can’t tell from my notes, and I can’t remember), it struck me that this book is a strange, non-Christian version of C.S. Lewis’ That Hideous Strength.

That’s not a spoiler—because Sole doesn’t resolve things in a way that resembles Lewis at all (and frankly, I think Sole’s is more narratively satisfying, which is odd for a book that is so messy). This isn’t a hill that I’d fight to possess, but I think the parallels are clear. In essence, you’ve got the same two opposing forces and similar groups to take action on Earth—for very similar ends. I’d be more specific, but you need to read the book to appreciate it. Do that and come back, and we can talk.

Maybe it’s That Hideous Strength mixed with Dirk Gentley’s Holistic Detective Agency. I should take a day or two to develop that idea into a few paragraphs, but I won’t.

So, what did I think about The Amazing Twin Chicken Freedom Fighters?

This book is just absurd—and I mean that in both the technical and the vernacular uses. I’m struggling to find words to describe it beyond that.

By page three, I was smitten with this book. By page 60, I wrote that, “This is either brilliant or the ravings of a madman. Possibly both.” And stuck with both of those reactions until the last sentence.

I talked about the humor above—and that would be enough to get me to recommend this book. But there’s so much more going on in these 204 pages. Things I haven’t begun to fully unpack yet. Things I’d probably need three or four reads to glimpse.

Sole doesn’t just play with narrative rules here. Nor does he simply experiment with them. He ties them up, tosses them in the trunk of his sedan, and goes for a joy ride. Less violently, you could say that Sole treats them as if he were Bugs Bunny after too many espressos and they were Elmer Fudd.

Then you throw in the prophecies, the philosophy, the semi-spirituality discussions, the action, the whale, teleporting via bathrooms/port-a-potties, the…I don’t know how to finish this sentence.

The plot is solid and interesting—but only somewhat important. The primary characters are three-dimensional, but only by the skin of their teeth. It’s not that important that they’re incredibly well-developed (as much as I hate to say something like that, it’s true here). What’s important is why things are happening and how Sole describes it.

Toss your suspension of disbelief in the trunk with Sole’s narrative rules, and dive in. You’ll be glad you did.

People who’ve read this site much know that I’m a huge Jo Perry fan. After I read the book, I noticed she’d provided a quote for the Publisher about it. As I’d fully expect, she put everything so wonderfully. I can’t match it, so I’m just going to close with what she said.

The Amazing Twin Chicken Freedom Fighters is the deep, learned, bookish, illogical, profound, effervescent, scatological, otherworldly, etymological and hilarious history of a shift in Joy’s and Jake’s (not their real names) ways of being and ours after they leap as one from a bridge and become heroic, pizza-eating—not just any pizza, but The Pizza Eternal-soul-yoked chickens. Enchanters, clicking and singing cetacean metaphors, the-down-and-out, lambs, assassins, the sorrowful, the faceless, the brain-on-fire, the ego-mad, the blind and seers inhabit Sole’s audacious and ambitious soul-adventure. This is a wild novel as sweet and hot as a from-the-oven lemon rosemary scone. Onward to Book Two.

Disclaimer: I received this ARC from the Publisher in exchange for my honest opinion and this post. They got short-changed in this deal.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Great Gatsby: Alphabetised Centennial Edition by F. Scott Fitzgerald, edited by Chris McVeigh: A Classic Reorganized

Cover of The Great Gatsby: Alphabetised Centennial Edition by F. Scott Fitzgerald, edited by Chris McVeighThe Great Gatsby: Alphabetised Centennial Edition

by F. Scott Fitzgerald; edited, with an introduction by Chris McVeigh

DETAILS:
Publisher: Fahrenheit Press
Publication Date: May 14, 2025 
Format: Paperback
Length: 197 pg.

What’s the Deal with The Great Gatsby: Alphabetised Centennial Edition?

I could (should?) save myself a bunch of time and just point you to The Publisher’s Explanation of the book and its background. Seriously, skip most of what I write here and just read it.

But because I feel compelled to say something about this unique offering, I’m going to plow on.

Inspired by Concrete Poetry (which is something I don’t think I’d heard of until I read the above from Fahrenheit Press) and the centennial of The Great Gatsby, Chris McVeigh has taken the classic, and as you should assume from the subtitle, alphabetized it.

As McVeigh writes in the introduction:

…this alphabetised edition of The Great Gatsby is not a puzzle to be solved, or a parody to provoke. It is rather, a re-seeing of language in the raw – a confrontation with the building blocks of a story we think we know.

Removed from their narrative scaffolding, Gatsby’s words fall into new patterns, unexpected rhythms, and visual clusters. “Daisy” “dream” and “death” no longer emerge from plot, but jostle for position in a flattened, democratic field. The result is a text not about the American Dream, but made of it—its’ language laid bare, its’ seductions and emptiness exposed with surgical neutrality.

What would T.G. Eckleberg have to say?

Who knows, but those giant eyes of his would probably enjoy taking this in.

You really don’t even have to read the words, you can just open any page and take in the visual impact, the shapes that emerge from just bare words—limited punctuation (mostly apostrophes), no paragraphs, just a word-space-word-space-word sequence for 197 pages.

It’s striking, mesmerizing, and can even evoke an emotional response somehow.

So, what did I think about The Great Gatsby: Alphabetised Centennial Edition?

I honestly don’t know. But I can say I’ve thought about it a lot since getting it.

McVeigh asks:

Is story found only in sequence? Can meaning survive fragmentation? Might new meanings emerge—accidental, ambient, and poetic—from the ruins of arrangement?

At this moment, my answers are: Yes. Possibly? (pronounced with a heavy question mark) Yes, just don’t ask me what any of them are.

I’ve picked this up and read through a few pages several times in the week or so since I got this, and each time I start to think I’m getting something. Like Dirk Gentley said, I felt like I could “grapple with the ineffable itself, and see if we may not eff it after all.” But I’ve fallen short each time, but I’m going to keep trying.

But this is not a book for everyone, I should stress. For example, I showed this to my wife, who I thought might appreciate the idea. She looked through it and gave me one of those looks and asked, “You spent money on this?”

Yes, I did. Happily so—and am still glad I did. Not just for the novelty (which probably drove the purchase, to be frank), but because it’s giving me the opportunity to ask those questions I started this section with. This might not be much of a review, but I think it’s the heartiest endorsement I could give of the project.

I spent money on this, you should consider doing the same.

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