Category: Fiction Page 221 of 346

Born to the Blade 1.5: Trade Deal by Malka Ann Older: Tying up loose ends and loosening some new ones

On May 18, 2018

Trade Deal

by Malka Ann Older
Series: Born to the Blade, #1.5

Kindle Edition, 25 pg.
Serial Box, 2018

Read: May 17, 2018

After all the excitement last week, we get a little bit of a breather here as we see some of the fallout from what happened in Kris’ trials. Michiko has to answer to Lavinia for the way things went against Kris and she finally updates her ancestors on the same events. Not for the first time, I wondered if the advice and counsel she’s able to draw upon from her ancestors is really more of a curse and burden than a gift and help. Still, between her own self-doubt and the scrutiny of just about every authority figure in her life, Michikio seems to be reconsidering things and maybe making some positive steps. I have high hopes for her as a character.

While Michiko is under the microscope, Kris is could maybe use a little scrutiny. Between becoming a Warder and completing is first acts as one Kris is starting to settle in. It’s a lot of fun watching the new reality settle in. There’s a sense in which Kris didn’t give a lot of thought to how things were going to be after the trials. I can’t tell if that’s because no one really thought it’d happen, or Kris needed to focus on the immediate challenge first. I’m not sure that Kris has been as interesting before — showing questionable judgement, and an impressively growing awareness of what the future can be.

There’s a little bit of action that’s not really fallout from the gauntlet, but is what we’ve been waiting for, pretty much centering on the person of Ojo. Kris and Ojo finalize the trade deal they promised to make, and then the final shoe drops with what’s been going on with Penelope. While this is happening Ojo gets some news from home that colors everything he does. He’s still the character that interests me the most, even as I’m sure the series really wants me to focus on Kris and Michiko.

This installment isn’t just wrapping up what was left dangling after episode 4, it sets up the stories the series will be focusing on next. This isn’t going to be your typical fantasy series, and will a lot of fun to see what it ends up being — although reading the characters and plots will be better. Given the last paragraph, it’s going to get exciting soon.

For me, the character of Takeshi stole this episode. I liked watching him at work in Episode 4, but honestly, I didn’t pay all that much attention to him before. But between his attitude, his secrets, and his non-Warder activities, he really seems like quite the guy (watching the reactions of the younger Warders running into the concept of non-Warder activities was great, by the way.).

While there wasn’t much transpiring in this episode, I really appreciated it for the character moments, and what it seems to be setting up for the future. I’m feeling better about Born to the Blade as a whole, too. In short, this was good stuff.

—–

3 Stars

The Assassin of Oz by Nicky Peacock: A Fast, Strange and Violent Sequel that Tops its Predecessor

By HCNewton

On May 17, 2018

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, YA/MG/Children's Books

The Assassin of Oz

by Nicky Peacock
Series: The Twisted and The Brave, #1

PDF, 180 pg.
Evernight Teen, 2018
Read: May 14 – 15, 2018
I’m not sure what it says about me/the books I read/the world in general, that given the strangeness of the world depicted in this series — the serial killer, vigilante organization, imaginary friend that’s not that imaginary, Native American legendary creature that’s going around killing people — and the even stranger stuff on the horizon of this book, that the hardest thing for me to swallow came in these opening pages. The Prime Minister imposes mandatory capital punishment for murder? That’s just so hard to believe. All the outlandish supernatural stuff just around the corner of that moment seems routine and blasé in comparison.

It takes awhile for this novel to show how it’s related to Lost in Wonderland, although it shares a sensibility and style from the get-go. Because of a couple of references and a news story, you know that this happens in the same world, but the characters are all new for the first two-thirds or so of this book. So when some of the characters from Lost in show up, it almost feels like they’re guest stars.

A 17-year old orphan named Halo is living with her horrible step-father who uses her for a punching bag and a cover for him as he sells drugs, she’s just not sure how to get out of this life when someone calling himself the Wizard shows up to recruit her for his club — Oz. The members of this little club are all murderers, many are technically serial killers at least partially responsible for the re-imposition of capital punishment.

Gavin is a police detective from the States, working with the British police to stop some of these serial killers — apparently Britain is recruiting police officers from around the globe to help slow their slide into dystopia. Gavin and his partner are on the hunt for a killer they call Valentine — who takes the hearts of his victims. A reporter is also trying to get him on board his personal crusade to help exonerate a convicted murder before he’s the first execution in decades.

These actually have more in common than you’d expect — a whole lot more than they’d ever expect or guess. Both end up immersed in the activities of Oz. Which is really about all I can say without ruining everything.

The prose is sharp and sparse — there’s hardly a wasted word. I mean this as a description, not a criticism, but frequently this reads more like an extended outline than a completed draft. It’s a gamble to try it — but Peacock makes that kind of writing work for her.

Fast-paced, focused, imaginative, action-packed and strange. This is an entertaining read — The Assassin of Oz novel delivers what it promises, a genre-mashup full of excitement. This is a solid sequel and does a nice job of setting up the next installment which seems like it’ll be another fun one.

Disclaimer: I received a copy of this novel from the author in exchange for my honest opinions.

—–

3.5 Stars

The Fairies of Sadieville by Alex Bledsoe: I hate to say good-bye to the Tufa, but this is the way to do it.

By HCNewton

On May 15, 2018

In Alex Bledsoe, Fantasy, Fiction, Tufa

I’ve got to stop doing this. I had most of a post written about this book for yesterday, didn’t like it and trashed the whole thing. This isn’t as analytical as I wanted to be, but it does a better job capturing what I felt about the experience, and I think I happier about that than I’d have been with my planned post.

The Fairies of Sadieville

by Alex Bledsoe
Series: Tufa, #6

Kindle Edition, 368 pg.
Tor Books, 2018

Read: May 9 – 11, 2018

For many years [the Tufa] were on the wrong side of the South’s color line, and suffered for it. Their secretive ways and legendary musical aptitude spawned rumor and legend, which in turn prompted more and more withdrawal.

But now the twenty-first century, with its pervasive interconnectedness, pushed against this isolation. More and more Tufa risked the consequences of leaving and sought their way in the world. They all knew they would someday have to come back, since all Tufa were inextricably tied to Needsville. But they also knew that the seclusion of the past was no longer practical. Like it or not, the world now knocked on their door.

Such a depressing thought, but a pretty good summary of the State of the Tufa.

I still remember some of the reactions I had back in 2011 during my first read of The Hum and the Shiver and met the Tufa. There was something otherworldly, ethereal and haunting — and yet, very human, and even fun. It was, in short, magic. I thought the same when I re-read it before the sequel, and maybe it impressed me more that time. Each book since has felt the same — not all have them as successful as the first, but they’ve all had that same core magic.

When it was announced a couple of months ago that this was going to be the final novel in the series I was struck by two thoughts — the first, and strongest, was lament. The second was, “how?” There’s not an overarching narrative that needs tieing up, a goal to meet or anything. Partway through this book, I started to understand how Bledsoe was wrapping things up and concluding the series — and it felt perfect. I should add at this point that I was wrong about what he was doing, and that the reality was better than my guess.

As it’s the final book, all bets are off — the first novel contained many hints about the nature of the Tufa, but the successive books were less and less subtle in that regard, and ended up telling more than the previous. At this point, there’s no hinting, no suggesting — not only that, Bledsoe answers many questions readers have had since the beginning, and probably a few we should’ve had. And he does so in a way that enriches the series and the Tufa, not just something that reveals. There were so many little tidbits that came out that just made me smile or utter a quiet “Ah ha!”

I actually haven’t talked much about the plot yet — how odd. There are a couple of graduate students from a university in Tennessee — one in psychology (would be parapsychology if she could get away with it) and one in English with a focus in folk music as a way to improve his own music (minor spoiler: I spent a few pages waiting for him to be revealed to be a Tufa — nope, just a kindred spirit). These two have come across an old film — silent film old — shot near Needsville, showing a young woman losing her glamour and flying off on wings. There’s no way that it could be silent film quality FX, it’s a woman with wings. This town it was filmed in, Sadiesville, disappeared shortly afterwards. The two want to find this town and explore what happened to it.

Which brings them into contact with the people of Needsville — and the night winds have instructed them to help these two find what they’re looking for, despite the fact that no one in Needsville has a clue about the town. For readers, the idea that Tufa have forgotten anything that happened in their area is pretty astounding the kind of thing that piques your curiosity.

What happens next is wonderful, and horrible, and beautiful — awful in every sense, archaic and otherwise. I loved it and hated it while admiring how Bledsoe played this out. Structurally, tonally, thematically different from the rest (as each book in this series has been), yet undeniably part of the series. I loved seeing friends who’ve been around since The Hum and the Shiver or those as fresh as Gather Her Round just one last time (not that the new characters are slouches. For example, Veronica, our aspiring parapsychologist, is someone I’d hope to see if there was going to be a book 7).

There are a million little touches here — none of which I can talk about without ruining something, that make this good-bye the best installment of this series since The Hum and the Shiver. This is a must for Tufa fans (not that they need me to say it), and one more chance for me to suggest that people who haven’t started the series yet get on it. I don’t believe in actual magic — but Bledsoe’s series make me want to, especially if it looked like this. I hate to say good-bye to this series, but this is the way to do it.

Bravo.

—–

5 Stars

Not Talking Italics by Russell Day: This Short Story contains enough entertainment value to carry a novel.

By HCNewton

On May 14, 2018

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller, Russell Day

Not Talking Italics

by Russell Day
Series: Doc Slidesmith

Kindle Edition
2018, Fahrenheit Press
Read: May 7, 2018
In a couple of months, I’ll be taking part in a book tour for Russell Day’s debut novel, Needle Song, and I’m really looking forward to that (and am having a hard time not reading it now). But today, we’re going to look at a short story featuring the protagonist of the book, Dr. James Slidesmith. A little something to whet our collective appetities.

I know very little about Slidesmith after reading this short story, and I can’t wait to find out more. Here’s what I do know — 1. He has a PhD in Psychology, and is touchy about those who don’t consider him to be a “real” doctor; 2. He owns and runs a tattoo parlor/shop; 3. he plays poker; 4. He’s very smart; 5. He has the gift of gab.

All five of these are important, but in this short story, that last one is essential. Everything in this is dialogue — no dialogue tags, no narrative, no descriptive passages — just characters talking. Which will involve all that other stuff, but that’s not how the story is told. It takes place in a police interrogation room — you’ve got a Detective Constable, a Detective Sergeant and Dr. Slidesmith talking about an incident at a poker game earlier that night. Things got nasty and two men died, given the small number of people at the game, the Police are looking to quickly identify the killer(s) and wrap this up quickly.

But first they’ve got to get past the silver-tongued Slidesmith. That won’t be easy. He offers a detailed explanation of the night’s events — including doing some educating on Texas Hold-’em, the ins and outs of betting in the game (and how to manipulate betting). There are a couple of characters that we only learn about from questions and answers in the interrogation, and I feel like I ahve a pretty good handle on them, without seeing them speak for themselves. That’s a nice move.

As it’s just dialogue — and well-written dialogue, at that — this is a fast, breezy read (so fast, you might miss a thing or two the first time through). It’s not so much a book that you read, it’s one you hear with your eyes. I’m not certain that makes a lot of sense, but it’s the best way I can put it. These are fast-moving conversations, they have a certain rhythm, a certain feel — and you just want to keep reading more and more of it. This could’ve been twice as long and I don’t think my attention would’ve wavered an iota. Imagine your favorite scene written by Aaron Sorkin, then imagine it changing into an interrogation in a British Police Station — that’s what this story is.

This is good stuff, my friends — better than good. There’s an extent to which the reveal seems “oh, sure, I should’ve seen that coming” — and it wouldn’t surprise me if many readers get there before Day wants you to (I was not one of them) — but it’s so satisfying, so well-executed, I can’t imagine a soul complaining about it. If Needle Song is anything like this, I’m going to have to go down to the superlative store this weekend to stock up before I write anything about it.

Stop whatever you’re doing — including reading this — and click the links at the top of the page to go get this story. You’re welcome.

—–

5 Stars

Gables Court by Alan S. Kessler: A Character Looking for Love, a Novel Looking for a Plot

By HCNewton

On May 11, 2018

In 2018 First Reads Challenge, 2018 Indie-Fever Challenge, Fiction, General Fiction/Literature

Gables Court

by Alan S. Kessler

Kindle Edition, 268 pg.
Black Rose Writing, 2018
Read: May 8 – 9, 2018

Ugh. Just…ugh. Why? Why would anyone bother publishing this?

I like liking things. I want to enjoy books. But every now and then, too often lately, I come across a book that I can’t find a redeeming feature in. This is one of those.

It is impossible, simply impossible, for someone to get through Law School (and the requisite undergrad program) and come out as naive as Samuel Baas. I would think that’d be particularly true in the 1960’s. If, if Baas had been sheltered his entire life and escaped/was released at age 24, many of his conversations would have been appropriate. But for someone with his education? Nope. Conversations at any age, on personal or professional topics.

I use the word “conversation” loosely — primarily, his conversations are monologues with a little bit of interaction between those involved tagged on.

There are several attempts at plot lines, but Kessler doesn’t seem to commit to them wholly — or for long. The novel seems listless, bouncing around from idea to idea, trying out this thing and then another and another — like a college freshman deciding on a major. I’m not suggesting any of these ideas were interesting or well-executed, but there were a lot of them.

There’s no ending to this book, it just stops. Baas has learned nothing — any epiphanies he’s had or changes he’s made evaporate faster than dew in the desert. To say I was frustrated by the ending is an understatement.

There’s part of me that wants to go on and pick this apart — but why? No one wants to read that — maybe if I was more annoyed by it and mustered up some funny comments, but I just don’t care enough to. This book induced apathy and a general sense of ennui. Gables Court was aimless, listlessly written, dull and an utter waste of time.

Disclaimer: I received a copy of this book from the author, clearly my opinion wasn’t influenced by that.

—–

Born to the Blade 1.4: The Gauntlet by Michael Underwood: Kris’ opportunity finally knocks in the most satisfying episode yet.

By HCNewton

On May 11, 2018

In Born to the Blade, Fantasy, Fiction, Michael R. Underwood

The Gauntlet

by Michael R. Underwood
Series: Born to the Blade, #1.4

Kindle Edition, 53 pg.
Serial Box, 2018
Read: May 10, 2018
Since Episode One, we’ve been waiting for this: Kris Denn of Rumika facing the gauntlet. A series of 6 duels against the members of the Warders Circle of Twaa-Fei to gain a seat at the table for Rumika. Failure here means a decade (or so) before the next potential warder from Rumika has an opportunity. That’s pretty much the whole episode in a nutshell — can Kris make it?

Ultimately, I don’t think anyone will be shocked at the outcome — it’s about the journey, how the outcome is reached. Underwood nails it. A couple of weeks ago, I linked to a piece he wrote about how fight scenes can reveal character (he also tweeted about it this week), and this episode is him displaying that theory in practice. It really works — not only do we get a better idea about who Kris is, but we get a better understanding of the other Warders. Sure, we may not actually learn anything about Lavinia and Ojo — we just get more evidence of what we already know — but there are other duels.

This is longer than the previous two episodes — and it helped. The extra length gave things a chance to happen. I assume that’s not something we’ll see next week, but I can hope, right?

I’ve liked the previous episodes enough to justify the purchase of the season and to keep going, but I just flat-out liked this one. Good fight scenes, good character moments and the plot moves ahead. Where this goes next, I’m not sure, but having concluded this initial arc, I’m ready to see it. These authors took their time establishing this world, and carefully built up to this point and what lies beyond. I’m looking forward to see what else comes on this foundation.

—–

4 Stars

Born to the Blade 1.3: Baby Shower by Cassandra Khaw: Yup. Baby Shower. A literal baby shower, just what every fantasy series needs(?)

By HCNewton

On May 10, 2018

In Born to the Blade, Fantasy, Fiction

Baby Shower

by Cassandra Khaw
Series: Born to the Blade, #1.3

Kindle Edition, 35 pg.
Serial Box, 2018

Read: May 4, 2018

Huh. I’m still trying to figure out this series, I admit, but the one thing I didn’t figure was that one episode would feature a party soaked in political intrigue. But it works — it really, really works.

Yeah, there’s plenty of magic and swordplay in this series. But there’s almost as much going on when it comes to diplomacy and politics. It’s subtle, it’s harder to follow in this world than you might be used to (but it’s getting easier the more time we spend in this series) — but it’s rewarding. This episode’s focal event is the perfect setting to focus on the subtle games and moves going on with these characters.

Michiko seems to take a step in a constructive direction — and if this goes like I think it will, I might actually like her as a character. Ojo’s still the most interesting character in this series (with the possible exception of Michiko’s secret relative, but he’s interesting for completely different reasons), and I continue to like how he’s being used. I think I might like Kris a bit more now than I have soon.

One thing the series seems clear about is that Lavinia is a bad person — good warrior, savvy at her job, but she’s a bad person. Maybe not King Joffrey bad, but someone in that vein. Which is odd, it seems that the series is going out of its way to show you things from (for example) Ojo’s point of view, but also what Penelope, Kris and Michiko think of him and his actions. The same goes for everyone but for Lavinia. There’s only one perspective presented for her. Now, honestly, I’m not sure I want to look too far into her head — so I’m not sure this is a bad thing, but it just strikes me as odd.

This has a great closing line — it definitely made me want to read on. The episode on the whole does that, too — by the end, I probably feel more settled in this world than I have before and I can start to enjoy things. I wouldn’t appreciate a novel taking this long to get me into the story, but given the starts and stops of these episodes, I’m much more willing to go along with it and three episodes doesn’t seem as big an investment.If you haven’t decided to take the plunge, this might be the time.

—–

3 Stars

Born to the Blade 1.2: Fault Lines by Marie Brennan: I’m still feeling the promise of the series, but want more.

By HCNewton

On May 10, 2018

In Born to the Blade, Fantasy, Fiction

My intent has been to comment on these the week of release, but I just haven’t been able to keep up with everything — today I try to fix that (or get closer, anyway).

Fault Lines

by Marie Brennan
Series: Born to the Blade, #1.2

Kindle Edition, 44 pg.
Serial Box, 2018

Read: May 1, 2018
So straight out of the gate, this makes me happy: there’s a “previously on” section — which is great, and something we need to see more of) — and a Dramatis Personae (with a cast this big, a major plus).

The question is, can episode 2 build on the goodwill that the ending of 1 caused? Ehhh…sorta? We get to know the island this takes place on a little better, the culture there — and some more about the nations represented (and those representing them). There’s some revealing interaction with Kris and Michiko, and it’s clear that’s where our focus should be. but I sorta want more time with Ojo than with them. That’s more about Ojo being interesting than the other two annoying me by their actions at the end of the episode. But not much.

For a fantasy world, I like the strange governmental structure — a mix of diplomacy and single combat — that they’ve developed for this series. In reality, ugh. But this is fantasy. so sure, why not? But I’m not sure that I’m buying it. There’s a seeming lack of advisors for these diplomats, which is hard to swallow (though narratively neater), especially with Michiko and Kris there’s a naiveté that screams that these people shouldn’t be left to their own devices. They’re like college students out on their own. Yeah, they might be capable, but they need some more wisdom. Letting an entire people’s futures to be determined by what a young, untried warrior (no matter how talented) who’s easily swayed by elders and friendliness is . . . suggestive of problems.

I think I like this series, but I’m not sure. Goodwill toward a couple of the authors will carry you for a bit, I’m just not sure how long it’ll last without the series doing a better job of entertaining me. I’m not saying it’s bad, I’m just not totally sold. This many pages in, I should be. I want to be — but I don’t think I am yet. I still assume it’s coming.

—–

3 Stars

Reluctant Courage by Rica Newbery: I just can’t muster the energy to excoriate this

By HCNewton

On May 8, 2018

In 2018 First Reads Challenge, 2018 Indie-Fever Challenge, Fiction, General Fiction/Literature

Reluctant Courage

by Rica Newbery

eARC, 234 pg.
BookVenture, 2017

Read: May 5 – 7, 2018

When I don’t like a book (yes, it’s going to be one of those posts), sometimes I’m tempted to describe all the problems I had with the book. And some deserve it. But generally, I don’t want to do that — it seems mean, a lot of this is subjective anyway, and someone poured themselves into their book and why kick them?

So I’ll keep this short and vague.

We’re in Oslo, two years into the Nazi occupation. One thing that’s easy to forget is that even under oppressive governments, life goes on — people love, get married, have kids, go to school, have affairs, abuse substances, and whatnot. Sure, you’ve got to be careful about it — you don’t want to attract the attention of the oppressors or anything, but hey, into each life family turmoil must fall.

Maria and her three daughters (and sometimes her husband) spend so much time bickering and fighting with, or just hurting, each other that it’s almost like they forgot there are Nazi soldiers walking the streets. Sadly, throughout, the antagonism and outbreaks of anger, or sadness, or what have you, don’t feel organic, but rather the results of authorial need. Their lives are filled with poverty, hardship, disease and bitterness — and more than a few attitudes that don’t seem genuine for anyone living tat that point in history (with or without Nazi soldiers on the streets).

I do want to stress that everything that happens is plausible, is possibly based on fact — I’m not commenting on that. It’s the frequently melodramatic way this novel depicts it — it’s just not well-written. Shallow characterization, poor pacing, and strange organization are what dooms this.

There’s one scene that comes out of nowhere that gave me a little hope for the book when someone (who’d basically be depicted as a horrible person) risks life and career to save some Jewish families from arrest. It’s a long time before anything comes from that one scene. I didn’t dislike and/or get put off by the whole book, there was a point that I breathed a sigh of relief — something interesting was finally happening. It was page 148 when I noted that. Sadly, most of what followed (at least the parts that had to do with that event) was hard to believe — and was shoehorned in with a few other storylines for the last 80 pages.

Dull, cliche-filled, aimless, and difficult to believe. Don’t waste your time on this.

Disclaimer: I was given a copy of this book in exchange for my honest opinion.

—–

1 1/2 Stars

The Hike (Audiobook) by Drew Magary, Christopher Lane: Well-written adventure that did absolutely nothing for me

By HCNewton

On May 7, 2018

In Audiobook, Fiction

The Hike

by Drew Magary, Christopher Lane (Narrator)

Unabridged Audiobook, 8 hrs., 4 min.
Brilliance Audio, 2016
Read: April 25 – 26, 2018
This is one of the more creative, inventive, unpredictable books I’ve come across in a long while. Ben takes a business trip to Pennsylvania, and goes for a hike in the afternoon before his big diner meeting. Somehow, while hiking he runs into … well some creatures that I won’t describe because you should read that for yourself, and realizes that reality has turned off and he’s in a very strange place. Eventually he learns that he needs to stay on the Path (not a yellow-brick road, but might as well be) until he finds the Producer. So he sets out to do just that — and ends up walking a lot further than he imagined possible, doing things he’d never imagined and almost befriending a talking snow crab that curses like a sailor.

I was so annoyed last week when I showed my wife the paperback version of this book — “hey, this is the strange book I was telling you about…” when I saw a blurb on the back from Wired comparing this to The Phantom Tollbooth, because that was almost all the insight I had into this — some (I feared and now know) obvious comparison to the Juster classic, but for adults. But really, that’s the best way to put it — the Adult Phantom Tollbooth, but without the wordplay (or charm, or heart, or . . . ).

The thing just left me cold. I never, ever, ever cared for the protagonist or his plight. I kept looking for the point to all this and never got there (even the thing at the end which came close to giving us the point, didn’t really). I appreciated the skill, the imagination, etc. I quite enjoyed crab. But I just never cared about any of it.

The ending? I’m talking the last paragraph or two (hard to guess on audio) — so the very end ending? That earned .5 – 1 star from me. It didn’t make me care any more, but it floored me. I want to give this 2 stars, that’s how little I liked it, but the talent and skill displayed keep me from it — not to mention that killer ending.

—–

3 Stars