Category: Fiction Page 233 of 341

Miss Kopp’s Midnight Confessions by Amy Stewart

Miss Kopp's Midnight ConfessionsMiss Kopp’s Midnight Confessions

by Amy Stewart
Series: The Kopp Sisters, #3

eARC, 384 pg.
Houghton Mifflin Harcourt, 2017

Read: August 15 – 16, 2017


Without meaning to slight Girl Waits with Gun or Lady Cop makes Trouble, this is the best constructed novel in this series. There’s a unity of theme, stories that complement each other, and a level of (honest) introspection from the characters that we haven’t seen before. That said, I don’t think I enjoyed it nearly as much as I did the others. So it’s a little bit of a trade-off.

We are treated to three stories of young women, one sixteen year-old and two eighteen year-olds, who leave home for various reasons. They all want something more than they can have at home — meaning, a job, excitement, freedom, and maybe something more. One girl did everything right, but sill was arrested for waywardness. One was pretty foolish, and did some illegal things, but was really arrested for the foolish mistake. The third was Constance’s little sister, Fleurette. Constance went to bat for all three — interceding with the law (when applicable), with family (when she could), trying to give them the ability to live the life they wanted to — and each of them pressed Constance’s ability, job and standing as she did so.

While this is going on, Constance is making headlines across the nation — making her both a distraction to her friend the Sheriff, as well as a voice for social change. I know she regrets the former, and I’m not convinced she relishes the latter. If she had her druthers, I think Constance would prefer just to do her job and be left alone. But she is learning how to use her notoriety — or at least her relationship with members of The Press — to help her accomplish her goals.

Constance begins to come to terms with some very unfortunate realities of her life, and begins to grasp what the future may hold for her, both professionally and personally. In some way (I think), she thought she could keep the life she had and just add on her job on top of it. But between her fame, the time she spends away from the home, Fleurette’s aging and getting ready to leave the nest, and everything else going on around the sisters, that’s no longer possible. Her old life is gone, and the new one is too in flux for her to get a handle on it. Assuming that there are more Kopp Sister novels to come, watching Constance figure out what her life will be — and hopefully she gets a hand in shaping it — will be the key to the series as it progresses.

On the whole, this one didn’t work as well for me as the previous books did. But several of the individual elements I found compelling and wanted more of — I wish we got more of the story about Edna Heustis (I don’t need to know what happened over the rest of her life, I just want a clearer picture of the next few months) or her roommate. I’d have liked more interaction between Constance and her boss — we just didn’t get enough of them — and an honest conversation about the future would’ve been nice. I did think the ending of the Fleurette story was handled perfectly — I don’t think I’d change a thing about that whole storyline, really. Still, this novel was somehow less than the sum of its parts, for me — but I can easily see where I’ll be in the minority for thinking that. I’m not saying I didn’t enjoy it, I just should’ve enjoyed it more.

Strong characters, some strong themes (ones you usually don’t see in Detective fiction), and a tumultuous time period (for several reasons) combine to deliver another satisfying entry in this series that’ll please existing fans and probably pick up a few more.

Disclaimer: I received this eARC from Houghton Mifflin Harcourt via NetGalley in exchange for this post — thanks to both for this.

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3.5 Stars

The Blinds by Adam Sternbergh

The BlindsThe Blinds

by Adam Sternbergh

Hardcover, 382 pg.
Ecco, 2017

Read: August 17 – 19, 2017


I just finished this and am not sure how to talk about it. I don’t know what I can say without ruining things, so I’m just going to copy and paste from Sternbergh’s page:

Welcome to Caesura, Tx, aka The Blinds, a dusty town in the Texas Panhandle cut off from the outside world and populated entirely by former criminals and witnesses put in protective custody. The twist: None of these people know who they are, because all of them have had their memories of their pasts erased. All the better to give them a fresh start and a second chance. But one thing is clear to them: If they leave the Blinds, they will end up dead.

For eight years, Sheriff Calvin Cooper has kept an uneasy peace—but after a suicide and a murder in quick succession, the town’s residents revolt. Cooper has his own secrets to protect, so when his new deputy starts digging, he needs to keep one step ahead of her—and the mysterious outsiders who threaten to tear the whole place down. The more he learns, the more the hard truth is revealed: The Blinds is no sleepy hideaway. It’s simmering with violence and deception, aching heartbreak and dark betrayals.

If I say one more thing about the plot/premise I’m afraid that I’ll ruin things for you. The book starts off with a whole lot of exposition, setting up the world (well, town, to be accurate) it takes place in — but Sternberg works that in well with the plot, so it doesn’t get bogged down with the exposition. Then once the dominoes are all set up, he knocks them down and you just sit back and watch.

But you don’t actually sit back — you lean forward in your seat and turn the pages quickly. At one point there are four or five conflicting plans at work, and it’s a footrace to see which will get accomplished first (and hopefully not get supplanted by another). At times it seems like any of them will end up working out — they’re all plausible.

It’s just so great. So compelling. Such a fun ride.

Yeah, the characters could be a bit more fully-developed, but that’s hard when part of their history, part of their personality — part of them — has been deleted. So, I’m not sure I can actually complain about that. We do get plenty about who the characters are in the here and now — definitely enough to get you invested in them.

In this driving plot, there’s some exploration of the nature of memory, of personality, of the nature of man, of evil. There’s some moments of triumph, of despair, heartbreak, and more than a couple of instances of “what??” You will learn a Russian phrase that will chill you to your bone and you will be ever so happy that Sternberg found gainful employment in journalism rather than turning to a life of crime.

On page 119, I wrote, “I’m either going to hate this ending or I’m going to be recommending this book for months.” And I didn’t hate it — Sternberg’s got another winner here. If his Shovel Ready wasn’t your thing, this is different enough that you should give it a shot. He’s got a strong voice, a twisted imagination and a knack for story telling — this book as secured him a place on my “auto-read” list.

Just go read the thing, I’m going to stop before I ruin something.

—–

4 1/2 Stars
2017 Library Love Challenge

Skyfarer by Joseph Brassey

SkyfarerSkyfarer

by Joseph Brassey
Series: Drifting Lands, #1

eARC, 352 pg.
Angry Robot Books, 2017

Read: August 11 – 14, 2017


I’ve read a few interesting mergers of SF and Fantasy this year — some that were just that, interesting, some that were good — a couple that were more than good. Thankfully, Brassey’s Skyfarer was in that latter camp. Even in those early chapters where I was still trying to figure out the world, remember which name lined up with what character, and get a handle on the plot, I had a sense that this was going to be one of those books I talked about very positively — and very often. That sense just only got stronger as the book went on.

I feel like could go on for pages about this book — but won’t let myself (so I can avoid the wrath of Angry Robot and you can actually get something out of reading it yourself — which you have to go do as soon as it comes out).

So you’ve got this group called the Eternal Order — a group committed to death, destruction, power, and plunder. When it comes to numbers, they can’t stand up to the civilizations around them, at least when they ally themselves against the Order. But when they (rarely, it seems) can come in with a quick strike against one people they can wreak much havoc. Which is exactly what they do here — they come in and demand that the rulers of Port Providence hand over the Axiom Diamond, or they will wipe them out — and it’s clear that Lord Azrael, the commander, isn’t being hyperbolic. The royal family responds with armed resistance, which has some measure of success, but is primarily fighting losing battles.

Into the midst of this looming genocide comes a wayward spacecraft, the Elysium. The Elysium is a small carrier with more weapons than one should expect (we’re initially told this, anyway). The crew has just welcomed an apprentice mage, fresh from the academy, to complete her studies with her mentor/professor. Aimee de Laurent has been pushing herself for years to excel, to be the best — if there’s a sacrifice to be made for her studies, she’s made it. All leading up to this day, where her professor, Harkon Bright has taken her as an apprentice on his exploration ship to complete her education. She joins a crew that’s been together for years and is eager to find her place within them.

When the Elysium arrives in the middle of this, it doesn’t take anything approaching calculus for them to figure out what this particular crew is going to do. There’s The Eternal Order on one side, civilians and the remnants of the military on the other. There’s a ravaged civilization on one side and the ravagers on the other. There’s a group trying to prevent The Eternal Order from getting something they want and there’s, well, The Eternal Order. So our band of adventurers tell the remnants of the royal family that they’ll hunt down the Axiom and protect it.

This isn’t exactly a revolutionary idea for a story — but man, it doesn’t matter. There’s a reason everyone and their brother has tried this — it’s a good story. Especially when it’s told well. And, I’m here to tell you that Joseph Brassey tells it really well. Not just because of his hybridization of SF and Fantasy, but because he can take a story that everyone’s taken a shot at and make it seem fresh, he can deliver the excitement, he can deliver the emotion. There is some horrible stuff depicted — either in the present or in flashbacks; there’s some pretty tragic stuff; and yet this is a fun read — the pacing, the tone, everything makes this feel like the adventure films and books that I grew up on. You want to read it — not just to find out what’s going to happen next, but because it’s written in such a way that you just want to be reading the book, like a having a glass of iced tea on a summer’s day.

The characters could uniformly use a little more fleshing out — which isn’t a weakness in the writing. Brassey pretty much points at the places where the reader will more details (especially when it comes to Aimee and Harkon), making us want more than he’s giving us. What we’re given, though, is enough to make you root for or against them, hope that they survive (or are subjected to painful and humiliating defeat), or simply enjoy the camaraderie. The good news is, that there’s more to learn about everyone — about their past and their present — and how those shape their future.

You’ve got magic — various schools of magic, too, each with its own understanding of what magic is and how it can be used; you’ve got swords and lasers (and similar kinds of weapons); you’ve got space ships running of magic (not just hyperspace drives that act like magic); objects and persons of prophecy; beings and intelligences that aren’t explicable — tell me why you wouldn’t want to read this? Especially when you throw in epic sword fights, magic duels, and spacecraft action all written by someone who writes like a seasoned pro. Sign me up for the sequel!

Disclaimer: I received this eARC from Angry Robot Books via NetGalley in exchange for this post — thanks to both for this.

—–

4 1/2 Stars

Let it Bleed by Ian Rankin

Let it BleedLet it Bleed

by Ian Rankin
Series: John Rebus, #7

Hardcover, 287 pg.
Simon & Schuster, 1996

Read: August 9 – 10, 2017

He stood there shivering after the warmth of the pub and his car. He was a few yards from where the boys had jumped. The area was cordoned off with metal barriers, anchored by sandbags. Two yellow metal lamps marked off the danger area. Someone had climbed over the barriers and laid a small wreath next to the broken rail, weighing it down with a rock so it wouldn’t be blown away. He looked up at the nearest of the two vast supports, red lights blinking at its summit as a warning to aircraft. He didn’t really feel very much, except a bit lonely and sorry for himself. The Forth was down there, as judgmental as Pilate. It was funny the things that could kill you: water, a ship’s hull, steel pellets from a plastic case. It was funny that some people actually chose to die.

“I could never do it,” Rebus said out loud. “I couldn’t kill myself.”

Which didn’t mean he hadn’t thought of it. It was funny the things you thought about some nights. It was all so funny, he felt a lump forming in his throat. It’s only the drink, he thought. It’s the drink makes me maudlin. It’s only the drink.

Yeah, right.

Before we get to this moment of self-deception (or self-mockery, it could go either way with his sense of humor), we’re treated to what’s quite possibly the most action-packed few pages in the series thus far — more happens in the first 6 pages of this novel than can happen in chapters of Rebus novels. Two suspected kidnappers are leading the police on a high-speed chase, and no one’s relishing it more than Chief Inspector Frank Lauderdale. No one’s hating it more than Inspector John Rebus. Things go really bad from there, but not in the way that anyone expects (least of all the reader, as jaded as we might be from too many crime novels).

While the police are still trying to sort out what exactly happened there, a man walks into a (poorly attended) public meeting with a Councilman and shoots himself in front of the Councilman. Once Rebus visits the widow, something starts bugging him. There’s just something wrong with that suicide (more than just what has to be wrong to lead to a suicide). Rebus starts asking some questions. Before he realizes it, he’s investigating two incidents of suicide connected to two Councilmen.

And then pressure comes down on Rebus to stop. Which works about as well as you’d think. He’s “encouraged” to take a few days of leave, which he uses to dive in without restraints to get his answers. This series as dabbled in political intrigue, power brokering and the like before, Let it Bleed takes it up a notch. What can happen to Rebus if he falters — or what can happen to him if he makes all the right people happy — shows that he’s in a whole other league now.

And then after all the action at the beginning of the novel, Rankin gives us an incredibly talky ending. And it works. Not many novels about police officers or detectives end with as much dialogue, as many meetings, as this does, but it’s entirely satisfying. No one’ll be sitting there for the last couple of chapters just wishing for a car chase, a gun fight, or anything like that. Rebus being smarter, wilier, and unwilling to bend is what makes this ending not only inevitable, but just what the reader needs.

There are a lot of criminals in this novel, but most of them aren’t your typical mystery novel “bad guys.” They’re guys who take advantage of the system, manipulate the system, and then try to protect their assets (that last one is the most problematic). There are textbook villains — and not all of them pay for it — but with Rebus around, you know that some justice will be meted out.

Our favorites are back — so is Patience — Rebus’ daughter’s back in Edinburgh, on her own now. Siobhan Clarke, Farmer Watson, Gill Templer, and Brian Holmes all are involved. Clarke is the most interesting, yet again, her determinism and ability to stay (pretty much) in line with her superiors while helping Rebus make her a fun character to spend time with. She’s more involved in these cases than she has been in the past — and it’s good to see Rebus having someone allied with him. Thankfully, she’s a good police officer, too. Because, honestly, Rebus is a horrible police detective. He’s just too much of a lone wolf, too intuitive, not the kind of detective you want building a case for you. With Templer, Farmer and Clarke around, at least he’s got some good, capable help.

A gripping, tense, intriguing, and frequently funny, novel. Let it Bleed is just a great book. This series has been growing on me, little by little for seven books now, that’s pretty clear. Let it Bleed is above and beyond the best of the bunch, and I am looking forward to what’s coming up.

—–

4 1/2 Stars

2017 Library Love Challenge

Whispers Under Ground (Audiobook) by Ben Aaronovitch, Kobna Holdbrook-Smith

Whispers Under Ground (Audiobook)Whispers Under Ground

by Ben Aaronovitch, Kobna Holdbrook-Smith (Narrator)
Series: The Rivers of London, #3

Unabridged Audioboook, 10 hrs., 17 min.
Tantor Media, 2012

Read: July 24 – August 5, 2017


Okay . . . man, how to sum this one up. Peter, Lesley and Abigail Kamara (a teen-aged neighbor of Peter’s parents) go down into the tunnels of the Underground to look for ghosts, and find one. What we learn here will be important come The Furthest Station. This is a fun little foray into the wider supernatural world of this series.

And then we get back to police work — a man is stabbed at the Baker Street tube and there’s enough for Stephanopoulis to bring in Peter just to rule out magic. Which he can’t do. It turns out that the victim is an American, which makes everything unnecessarily complicated. And then it turns out that he’s the son of a US Senator, and things get worse. The FBI sends an agent — Kimberly Reynolds — over to help out/observe/get in the way. So Peter has to handle to non-normal side of the investigation, keep Seawoll from having to hear about magic (because it interferes with actual police work in his mind), and not let Reynolds know that there’s anything not run-of-the-mill about Peter and the investigation. All at the same time.

Very quickly, it seems clear that there’s something going on that Peter and the rest just don’t get. Yeah, magic was involved in the killing, but there’s no real trace of it in the victim’s life — not with him, his school, his friends, his enemies, or anything. So where’s that come into play? The answer comes when it’s least expected and in a direction that was impossible to predict.

Aaronovich really pulled a rabbit out of his hat this time. Sure, he made both the rabbit and the hat, so it’s to be expected that he’d do that. But, there’s just something about the way he did this one — police procedural that accidentally turns up the answers and leads to something bigger than anyone expected. A great balance of UF and Procedural (the last one was a bit too light on the procedural for me).

Guleed doesn’t get enough to do, but I liked her presence. Lesley really gets to shine a bit here, and her inability to be a regular part of the police force is underlined here for her and Peter — and just how horrible that is emphasized throughout. When Stephanopoulis is the rational, supportive authority figure for Peter (other than Nightingale), you know that Seawoll is a little over the top in his antagonism to all things Folly. But mostly, this was about characters we know and like getting to do things to keep us liking them, and probably liking them more while introducing some new figures for us to enjoy.

Really, the main take away I had from this audio production was a bit of joy over the fact that Holdbrook-Smith isn’t perfect. His Agent Reynolds was just bad. At least the American accent part of it. I enjoyed his flubbing of that more than I should have. Meanwhile, everything else he did was just fantastic — especially Lesley. The range of emotion, sarcasm, etc. that he can put into her voice while still accounting for her lack of face is just incredible. Also, Zach Palmer — the roommate of the murder victim — was just hilarious. I know a lot of that was in the text, but the way Holdbrook-Smith brought him to life was wonderful.

As impressed as I was with the way that Aaronvich did everything he did, something about this one didn’t work for me as much as others in the series do (either in this re-read or originally). I’m not sure why. Still, this was a good, entertaining book that anyone who likes the concept of a Police Officer/Wizard in training should enjoy.

—–

3.5 Stars

Release Day Blitz: Avishi by Saiswaroopa Iyer

~ Release Day Blitz ~
Avishi by Saiswaroopa Iyer
12th August, 2017
Long before the times of Draupadi and Sita
Immortalised in the hymns of the Rig Veda
But largely forgotten to the memory of India
Is the Warrior Queen with an iron leg, Vishpala
Brought up in the pristine forest school of Naimisha, Avishi reaches the republic of Ashtagani in search of her destiny. When Khela, the oppressive King of the neighbouring Vrishabhavati begins to overwhelm and invade Ashtagani, Avishi rises to protect her settlement. But peril pursues her everywhere.
Separated from her love, her settlement broken, with a brutal injury needing amputation of her leg, can Avishi overcome Khela?
Read an Excerpt
“I am the Queen! This will be my throne!” The seven-year-old chirped leaping from the middle of the porch towards the broken mortar which served as a mock throne. “You will be my guard!”
“Guard?” the man pondered scratching his unkempt beard.
“No.” He shook his head and smiled seeing her indignant eyes. “I will be the Queen’s elephant.” He beamed.
Sukratu stepped out of the house to see his daughter in action, perching herself on the tramp Loha’s back, pretending in all earnestness that he was her elephant. He smiled and was about to set out for his duty as the night guard of the King. A sudden lightning appeared in the eastern skies. Sukratu had barely walked a few paces when a deafening thunder made him instinctively turn towards home. He heaved a sigh, finding Loha shielding the girl as if he would, his own child.
“Father, don’t go.” The girl pleaded.
Sukratu smiled and shifted his gaze towards the sky. He saw dark clouds loom over the city. The monsoon winds had started to make their presence felt. He had to reach the palace soon. “Isn’t my little Queen brave?” He called out.
The girl nodded. He saw the fear fade. From her eyes. From her heart. She knew she was the queen! Pride filled his heart. His mind ached to stay home but duty beckoned. Tearing his gaze away from the one he treasured the most in his life, braving the drizzle that would soon turn into a storm, he unwillingly walked towards the King’s residence. Sukratu’s house was in the third ring of the concentric structure of Vrishabhavati. In the centre, was the structure, that served as the residence of the king and as the centre of all trade activity of the city. Here no wealth or goods could change hands without the king’s knowledge and approval. The residences of the noblemen formed the two rings around it. The guards and soldiers forming the outermost circle with the citizens living around them.
As per the protocol, Sukratu approached General Ugra’s residence quite ahead of his reporting time— an hour before the moonrise. He walked into the empty courtyard. But the rain made it impossible for him to stand there any longer. He knocked at the giant wooden door fervently. The doors creaked as a strange woman clad in a dark indigo garment opened them and glared at him with a frown on her forehead.
General Ugra, Sukratu knew was never faithful to one woman. His superior’s romantic exploits were not his concern either. But something about the woman at the door disconcerted him. “Please let General Ugra know that…”
“He has already left for the palace!” The woman frowned before attempting to shut the door.
“What? How ca…” Sukratu’s words hung in air as the door slammed on his face and the woman disappeared from his line of vision all of a sudden. Something did not feel right. He knocked at the door again. Firmly this time, as though seeking answers. Any change in the reporting time would have been announced the day before and he remembered that nothing of the sort had happened. His knocks went unanswered. Frowning and muttering under his breath, Sukratu hurried towards an empty cowshed three houses away from Ugra’s place hoping to catch his companions who he knew would be equally surprised.
The first to arrive was Khela, the eighteen-year-old guard, holding a metal shield above his head. The newest addition to the King’s guard, Khela was related to General Ugra and Sukratu felt that his position in the King’s guard was largely a result of undue favours that Ugra showered upon an otherwise impudent boy.
“Sukratu! By the great Varuna, I should have come to you earlier!” Khela hurried towards him. Pausing for breath, he added. “Our platoon has been given a relief tonight! It was a sudden decision and I personally informed all the others.”
“Relief for tonight? That happens only when…”
“Our guarding hours change from night to day!” Khela completed in a hurry. “Now, come with me.” He turned towards the western direction and the javelin he held started to sway dangerously and came close to grazing Sukratu’s arm.
The older guard’s instincts made him dodge the cut. “Where?” Sukratu hissed, visibly annoyed, first with the fact that he was kept in dark about the change in guarding hours and then about Khela’s irreverent behaviour. “And watch who your weapon hurts, boy.”
Khela shrugged and changed the position of his weapon. “We are now going to the place.” He winked, stretching his hand in the direction. “Follow me, this is the only night we get to have some fun.”
Sukratu did not move. The place he knew implied the tavern where wine was served. “We cannot drink tonight, Khela. When do we have to report tomorrow? By sunrise?”
“You ask too many questions. The rest of us are there too!”
“That does not answer my question.”
“Well, I don’t know, and I don’t care to. The palace is paying for the wine. Are you coming or not?”
The last sentence sounded more like a threat than an invite. Sukratu had all the mind to give the youth a piece of his mind and storm back home. His daughter would be overjoyed to see him before she went to sleep. It gnawed at Sukratu’s heart every day to leave her under the care of Loha— the tramp who had begged him for shelter about six months ago and then became a part of his life. The girl liked him instantly and had begged Sukratu to let Loha live with them and he, despite his misgivings about the tramp’s origins and his unkempt appearance, could not refuse his only daughter. Over time, Sukratu felt grateful for Loha’s company. Now his daughter did not have to be all by herself every night. The guard’s home would have been unguarded if not for that stranger. Sukratu brushed aside these thoughts and had almost decided to go home when the thought of meeting other senior guards and clarifying the confusion struck him. He followed Khela’s lead, making no attempt to hide his displeasure.
When they reached the tavern, Sukratu to his dismay, found many of his brothers in arms deeply drunk. “When did they reach here and when did they…”
“Quite some time before. I just forgot to tell you in advance!”
Sukratu’s eyes scrutinized the men and women of the tavern who were serving wine to the guards. There were no other citizens or travellers in the tavern.
“Just for us, the whole night!” Khela said as if reading his thoughts, bringing him an earthen goblet.
The older guard accepted the goblet taking his first sip with a sense of foreboding.
“Where were you all the time, old friend?” The voice belonged to Tunga one of the senior guards in the platoon.
The grin on his friend’s face brought a smile to Sukratu’s lips. “Tunga, what is this about the sudden change in our guarding hours?”
“The King… that imbecile, has finally remembered that we are human too!” Tunga guffawed, emptying his goblet, waving vigorously at a woman of the tavern who obliged with a seductive wink.
She approached them, skilfully distributing her attention between both the men, winking at Tunga and pouting her lips at Sukratu. Her brows rose at Sukratu’s filled cup. “Don’t keep the Sura nor this Sundari waiting, my love…” Serving Tunga his wine, she placed her fingers upon Sukratu’s shoulders, digging her nails into his skin for a moment locking her gaze with his and turned around swiftly, letting her light upper garment rest on his face for a fleeting moment.
It was a wilful invitation and Sukratu knew it. His attention though was caught by the colour of the garment. The Indigo hued garment! All the women of the tavern wore clothes of the same colour. So did the woman he saw in General Ugra’s house! Was Ugra at home while the woman lied that he was at the palace? If the General and the whole platoon of the night guard were lying down drunk, who was minding the security of the King? Sukratu looked at the rest of the guards. No one seemed sober enough to talk. The only sober man Khela had disappeared!
“By the great Varuna!” Sukratu exclaimed aloud and rushed out, pushing the woman who tried to stop him away.
He raced to the King’s residence, as fast as his legs could carry him. The huge wooden gates of the structure were closed and secured from inside. The rain lashed drowning his cries. Misgivings regarding the King’s welfare made him shudder. He had to meet General Ugra. Something told him that the General had his own reasons to send the whole platoon of guards to enjoy a drunk night. He was a guard who had sworn to protect the King with his life. The general owed him an answer. Sukratu rushed to General Ugra’s house determined to confront him.
That, Sukratu realized was the biggest mistake of his life.
At the gates of the general’s residence he saw a familiar figure hurrying out of his house, a heavy bundle on his shoulders. “General Ugra!” he called out, feeling relieved.
The figure started, and the bundle fell to the ground. Sukratu came to a sudden halt as he realized it wasn’t a bundle after all, but a blood-drenched corpse. A stroke of lightning from the sky revealed the face and the very familiar greying curls. Sukratu froze for a long moment before he could speak.
 “K… King…”
Something hit him on the head even before he could utter the name. Sukratu staggered, reeling at the impact, clutching at his long sword in a vain attempt to defend the next move.
“Finish him!” The General shout behind him.
Before he turned around, Sukratu felt the cold metal tear into his back. Lightning struck revealing the contours of the person. Khela! The javelin stabbed him again. Thunder drowned his screams. Falling to the ground with the weapon still stuck to his back, Sukratu lifted his sword and managed to slash Khela’s palm though the latter, unlike him was vigilant and alert. Crawling away from the menacing duo, knowing very well that he could not last more than a few moments, Sukratu’s thoughts, went to his innocent daughter. She would now languish as an orphan remaining in dark about the monsters who killed her father. Or would they kill her too?
Sukratu would never know.
About the Author:
Saiswaroopa is an IITian and a former investment analyst turned author. Her keen interest in ancient Indian history, literature and culture made her take to writing. Her debut novel Abhaya, set in the times of Mahabharata was published in 2015. Avishi, her second novel set in Vedic India explores the legend of India’s first mentioned female warrior queen Vishpala.
She holds a certificate in Puranas from Oxford Centre for Hindu Studies. She is also trained in Carnatic Classical music and has won a state level gold medal from Tirumala Tirupati Devasthanams.

The Brothers Three by Layton Green

The Brothers ThreeThe Brothers Three

by Layton Green
Series: The Blackwood Saga, #1

Kindle Edition, 332 pg.
Cloaked Traveler Press, 2017

Read: August 4 – 8, 2017


Ever since Edmund, Lucy and Eustace got sucked into that tacky painting and into the sea in Narnia, I’ve been a sucker for a good portal fantasy*. Which is exactly what Layton Green has given us here.

Will Blackwood works for a general contractor, with the occasional shift at a medieval-themed family restaurant where he will engage in stage fighting, and spends a lot of time reading fantasy novels. He’s suffered from panic attacks since childhood and that’s kept him from much more. His buddy, Lance, a New Orleans police officer will occasionally take him on ride-alongs, but he’s just not up for much more excitement. His older brother Caleb, is a bartender and perpetual adolescent (given time and opportunity, I’d have liked to see that explored more, because I suspect there’s more to it than meets the eye). The oldest, Val, is a corporate lawyer in New York who has served as self-appointed guardian to his brothers since their father’s death while they were children.

Until one day, things get a little strange: Will and Lance run into a zombie Rottweiler and the weird guy who controls it. Lance explains it away, but Will can’t. He knows what he saw, and apparently has a willingness to be flexible with his presuppositions about what may be real. Not long after this, the Blackwood’s godfather shows up, tells them that their father was a wizard, gives them some magical weapons and then gets kidnapped by the guy who had the Rottweiler (it was a pretty eventful conversation). Before they can wrap their minds around this, a stranger claiming to be a wizard shows up and talks to Will, telling him that Zedock is the name of the man who kidnapped Charlie — he’s a necromancer from a parallel universe where magic rules, not science.

Not only that, he’s arranged for the brothers to go to that parallel universe to learn a little about magic, their weapons and maybe find a way to defeat Zedock. Will is game, but he knows that he’s not going to be able to convince his brothers that this is a possibility. They’ve managed to convince themselves that they didn’t see anything magical and that there’s a reasonable explanation for everything going on (except Charlie’s statements) — they’re not quite at the level of the explanations that Tommy Lee Jones uses in Men in Black, but they’re close. So Will tricks them into triggering the portal to the other world with him (and Lance gets sucked through it, too).

Even in a world clearly not our reality — with swords, magical creatures, and different looking streets in New Orleans — it takes time for those who aren’t Will to accept what’s going on. But they eventually do, and hire some locals to help them get to a fortress where they should be able to find something they can use to challenge Zedock. I seem to be talking about the willingness of Val, Caleb and Lance to accept what they’ve seen and experience — but that’s a pretty big plot point. I like the way they struggle with this, unlike what goes on with kids in portal fantasies who seem to swallow the whole concept in seconds

The travel isn’t easy — it’s not long before all of them get to learn how to fight with pre-modern weapons. Val shows some signs of magical ability and begins training in its use, while Will learns how to use a sword in a fight that doesn’t happen on a stage, and Caleb picks up a trick or two from a thief. They don’t just train and travel — they see and fight creatures straight out of a D & D manual. A lot more happens, of course, but I don’t want to give it all away — so I’ll just sum up by talking about how the adventurers they travel with are a great collection of characters, pretty compelling, and just what’s needed to keep the story move forward and acclimate the dimension-jumpers to this world.

There is real peril — as demonstrated by enough deaths to satisfy the grimdark fans while not really being a grimdark world. Sure, there were a couple of Red Shirt deaths (Red Tunic deaths?), but characters you assume are safe turn out not to be after all. I read one paragraph a few times just to convince myself that I read about the gruesome death of a major character actually happened. Even without that, the way this story is told isn’t what you expect — there are secrets, ulterior motives, and barrels of denial everywhere. It’s very compellingly and interestingly put together.

The Brothers Three is well-written, skillfully structured, and well-paced — there are some nice turns of phrase throughout the novel, too. Green is the real thing, giving the readers a good story, great characters, an interesting world (or pair of them), in a well-written package. Book 2 comes out next month and it’s on my TBR. I’m resisting the impulse to move it higher, but it’s not easy.


* Yeah, I read The Voyage of the Dawn Treader first — I read series out of order in my childhood. As a kid, I was practically feral, it seems.

Disclaimer: I was provided with this copy for an honest review by the author.

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4 Stars

Miles Morales (Audiobook) by Jason Reynolds, Guy Lockard

Miles MoralesMiles Morales

by Jason Reynolds, Guy Lockard (Narrator)

Unabridged Audiobook, 6 hrs. 53 min.
Listening Library, 2017

Read: August 7 – 8, 2017


It was Bendis/Bagley’s Ultimate Spider-Man that brought me back to comics after a decade-plus break, and no matter what else I read, it was one of my Top 2 titles on my pull-list. Financial concerns got me to stop reading/collecting about a year before Miles Morales showed up. I was able to deal with letting everything else go, but USM was tough — especially when I heard about this new kid. I never learned much about him, I know he’s Afro-Hispanic, that his uniform is the best one since Ditko’s original, I heard they did a good job showing Miles and his parents going through a Charter School lottery, I know he’s popular enough they brought him over from the Ultimate universe.

Still, I saw this cover floating around Twitter last week and thought it looked pretty cool, so grabbed it when I had a moment. There’s a lot of Miles, his family and his school, not a lot of Web Head. But when he shows up, it counts.

Miles is having some Spidey Sense problems, which is leading to problems at school — a suspension and some trouble with his History teacher. He’s not sleeping well — tormented by nightmares about his uncle’s death. Miles starts to wonder if people like him — descendants of criminals –should have super-powers, if he should be a super-hero. It’s hard to describe the threat that Miles and his alter-ego face, really it unveils itself slowly throughout the book. But it’s a doozy, and it’s not what it seems to be early on.

I think Miles is a great character, he’s Peter Parker-esque in the best sense of the word, while being his own guy. His parents are fun, his dad in particular is a wonderful character — a great dad, it seems. Miles’ best friend and roommate, Ganke is a hoot. There’s a girl, of course, because he’s 16. I don’t know if Alicia’s a fixture in the comic or not, but it’d be interesting to see how she is outside of this.

Oh, Miles having camouflage powers? That’s just cool.

I think Lockard went over the top occasionally with his narration. Maybe part of that is pandering to the 11-13 year-old audience that Audible tells me this is directed toward. Maybe he and the director are just excitable and/or excited. It didn’t detract from anything, it was just occasionally too much. By and large, his energy kept things moving, lively — just the way a Spider-Man story should be.

This isn’t for everyone, but for those who like the idea of a Spider-Man novel, for fans of Miles Morales, or those who are just curious about him — this’ll entertain. I won’t say I’ve read every Spider-Man novel printed in the last couple of decades — but I’m willing to be my percentage is pretty high. Miles Morales is among the best.

—–

3.5 Stars

Pub Day Repost: Fox Hunter by Zoë Sharp

Fox HunterFox Hunter

by Zoë Sharp
Series: Charlie Fox, #11
eARC, 400 pg.
Pegasus Books, 2017
Read: May 22 -24, 2017

I honestly had given up on seeing another Charlie Fox novel — which was a cryin’ shame, but I get that authors have to move on sometimes. But then a couple of weeks ago, when I logged onto NetGalley to take care of something, there it was on the front page — and I jumped to request it (despite promising myself I was taking a NetGalley break to catch up on other things).

“You were a soldier, Miss Fox , and you are now a bodyguard. There is an old saying that is true in both cases : To survive—to protect a life— you have to be lucky every day. But your enemies, they have to be lucky only once.”

Following his near-miraculous recovery from the injuries no one expected him to survive, Charlie Fox’s love/boss, Sean, hasn’t been the same. Now, it looks like he’s settling old debts — not necessarily his own. The fact that he’s doing that is bad enough — it’s not quite de rigueur for someone in his position to go around exacting vengeance. But the way these debts are being settled (if that’s what’s happening) speaks to someone not in full control. Charlie fights for the opportunity to do the boots-on-the-ground investigation to prove that it’s not Sean’s handiwork.

This ground is Kuwait and Iraq, and before she knows it, Charlie is dealing with soldiers/mercs that she’s annoyed in the past, Russians with a grudge, Iraqis trying to defend cultural artifacts and certain three-letter agencies mucking around in it all — and every sign is that Sean’s up to exactly what Charlie is convinced he’s not doing. Before the book ends, she’ll come face to face with multiple faces from her past (none of which she ever wanted to encounter again) and will be forced to reassess some of the most formative events of her past and career.

For those new to Charlie Fox — this would make a pretty good entry point, by the way — she’s former British Army, who received some special forces training, before her career was derailed. Since then she’s done plenty of work as a bodyguard and worked other types of security. She’s stubborn, loyal, inventive and tenacious. And deadly — it eats away at her, but when push comes to shove, Charlie’s as lethal as you can find.

Killing because your life—or that of another—is in immediate danger is one thing. I’d been trained to accept that possibility right from the start of my army career. But appointing yourself judge, jury, and executioner is quite another. As is doing it anyway, only to discover that it doesn’t trouble your conscience nearly as much as it should.

Sharp has given Charlie a strong voice — one you can believe can accomplish all she needs to, yet one that’s entirely human.

The new characters are well developed — and we see plenty of old faces, too. One unexpected antagonist is almost too evil to be believable (but, sadly, I imagine that plenty of Armed Forces have people just like him). There’s one death that was a real gut-punch for the reader (or at least this one) — that’s a testimony to Sharp’s skill that she can create someone like that in a brief period.

I don’t remember any of the previous novels being all that tied to current events, but Fox Hunter clearly took place post-Brexit and during the Trump administration. I’m not saying that’s bad, but oddly specific — and changes when the rest of the books happened as well, because this didn’t take place long after Die Easy despite the 5 years between the novels — I’d have had an easier time swallowing the book without that specificity, but not much — I note it because I found it strange.

That aside, this is exactly what Charlie Fox readers have come to expect from her — she takes the proverbial licking and keeps on ticking, and kicking, swinging and everything else. Best of all, she thinks — she plots, she improvises, she keeps on trying. Not to sound cliché, but this damsel finds herself in plenty of distress — and gets herself out of it (occasionally with help — but not in a Nell Fenwick sort of way; more like Lt. Templeton Peck way). Plenty of action, plenty of violence, plenty of suspense — all with some character development, moving ongoing story arcs forward (while re-evaluating everything before).

Not much else to ask for — except another volume soon.

Disclaimer: I received this eARC from W. W. Norton & Company via NetGalley in exchange for this post — thanks to both for this.
N.B.: As this was an ARC, any quotations above may be changed in the published work — I will endeavor to verify them as soon as possible.

—–

4 Stars

Dead is Good by Jo Perry

Dead is GoodDead is Good

by Jo Perry
Series: Charlie & Rose Investigate, #3

Kindle Edition, 282 pg.
Fahrenheit Press, 2017

Read: August 3, 2017

Oh, and after all this time I learned something else about being dead.

Death is failure.

Death is loss.

Everything—who you are, what you know—goes.

Whoever you thought you were, you weren’t and you’re not.

When he was alive, Charlie Stone was married multiple times to pretty horrible women (if we’re to believe him — and we might as well, he seems pretty upfront and honest about this kind of thing), not that he was any catch, either. But he really only loved one person, Grace Morgan. Grace broke things off with Charlie and moved on with her life, but apparently after hearing about his murder, she was moved to change her approach to art — deciding to challenge the audience, forcing them to realize how close to death they are.

Yeah, it sounds pretty silly and pretentious to me, but hey…that’s not the important part of the story. Maybe if we got more examples of her art, I’d care more and maybe even understand. What is important about Grace, for our purposes, is that her life is in danger, it’s because of this danger that Charlie and Rose have been brought from their afterlife-limbo back to Earth.

The book opens with one of the more blatant suicide-by-cop scenes you’ve ever read, which is intended to serve as protection for Grace. It doesn’t work out, or the book would be really short. Powerless to do anything but watch and hope things turn out okay, Charlie and Rose travel around L.A. discovering for themselves what it was that endangered Grace in the first place — which brings them into a world of drugs, sweatshop workers, deceptive piñatas, and smuggled birds.

This is a very tangled story, it takes Charlie quite a while to put the pieces together — Rose has her own priorities in this mess and spends some time away from Charlie, unwilling to turn her focus on his behalf. The way that this criminal enterprise is eventually revealed to work not only seems like something that really exists, but is revealed in a way that is narratively satisfying.

Charlie will tell his readers over and over that there’s no character growth in death — that’s nonsense. Post-mortem Charlie is a much more emotionally mature and self-sacrificing kind of guy than pre-mortem Charlie was. In this book we see him come to — or at least acknowledge — a greater and deeper understanding of what love is, and what he allowed his previous relationship to become. It may not do him any good in the afterlife, but Charlie is better for it, and in someway we can hope that Grace is better off having gone through all this, so that whatever life has in store for her can be tackled face-on.

I love these characters — even while we readers don’t fully understand their circumstances, how they know where to go, what brings them to this world at certain times. Even while they don’t have much better of an idea than we do (at least Charlie doesn’t). I love how while they can’t interact with their environment, the people they see and events they watch unfold, they are driven to find answers, driven to care about what’s happening. There’s something about that compulsion — and success they have in figuring things out — that matters more than when Bosch or Spenser or Chin and Smith put all the pieces together to thwart someone.

This wasn’t as amusing as previous installments, but it was just as satisfying — maybe more so. For a good mystery with oddly compelling characters, once again, look no further than Jo Perry.

The L.A. County Department of Medical Examiner-Coroner has a gift shop?? Why isn’t anyone investigating this? It may be real, it may be popular and legal. But surely that’s a crime against tact, right?

—–

4 Stars

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