Category: Fiction Page 238 of 348

Wonder Woman: Warbringer (Audiobook) by Leigh Bardugo, Mozhan Marno

Wonder Woman: Warbringer Wonder Woman: Warbringer

by Leigh Bardugo, Mozhan Marno (Narrator)
Series: DC Icons, #1

Unabridged Audiobook, 11 hrs. and 55 mins.
Listening Library, 2017

Read: September 12 – 15, 2017


So this YA Wonder Woman novel starts off on Themyscira, where 17-ish year-old Diana is struggling to find her identity in the shadow of her mother. In this novel, Themyscira is populated by more than just ancient Amazons, they’ve been augmented by women throughout history who, while dying in battle, call upon a female god. They are then transplanted to Themyscira as a sort of feminist Valhalla.

Diana rescues a young woman from a boat explosion she witnesses, bringing her to the island (but not letting anyone know about her). This starts to destroy the island and the women who live there — and Diana receives quite the prophetic word about this girl. She’s a descendant of Helen of Troy, and like her ancestor, her mere existence promises to bring war throughout the Earth. Unless Diana can bring her to a certain place in the next few days. So Diana grabs a certain lasso, a couple of bracelets and takes off.

Basically, what ensues is a Rick Riordan-esque journey to get Alia to the goal. Sure, they start with a heck of a detour to New York City — which is pretty fun detour for the reader. While in NYC, they pick up a little entourage to accompany them. There are people who are trying to kill the Warbringer (not realizing there’s a way to cure her) before World War III erupts and a few minor figures from Greek mythology show up to make things more difficult.

There’s some really good interaction between Diana, Alia and Alia’s BFF (name escapes me). The action scenes are pretty good. The big twisty reveal wasn’t. There seemed to be some inconsistency about how familiar Diana was with things in the modern world, but on the whole, the book worked well enough I could ignore that. What worked in this book, worked really well. The things that didn’t work, also didn’t ruin anything

As far as the audiobook part goes — Marno does a fine job. Initially, I thought she sounded too much like Hillary Huber, but the more I listened the more I decided I was silly for thinking that. I do think that she could put a little more excitement in her voice during the combat or chase scenes (see the aforementioned Huber for an example), it really didn’t seem matter what was going on in the scene, her reading was the same. But aside from that, I had no complaints.

I’m not saying that i loved it, but I’d absolutely read/listen to the sequel that’s hinted at in the last chapter. Good story, interesting characters, and a pretty good narrator. All the elements for an entertaining 12 hours are there — a good way to spend some time, and a promising beginning to this new series. Although, the next is Batman, and so you have to guess that the third will be everyone’s favorite Kryptonian Boy Scout — hopefully they move beyond DC’s Trinity soon, I’d quite enjoy something like this about The Flash, Green Lantern, etc.

—–

3.5 Stars

IQ by Joe Ide

IQIQ

by Joe Ide
Series: IQ, #1

Hardcover, 321 pg.
Mulholland Books, 2016

Read: September 18 – 19, 2017


The book opens with a criminal in the making, and a very slapstick-y incident. But even while grinning about that, you get the sense that this character isn’t going to be good for more laughs. He’s not — but thankfully, we don’t have to spend a lot of time on him, because Isaiah Quintabe (a.k.a. IQ) finishes his blossoming criminal career. Which is very effective way to introduce Isaiah, the unlicensed investigator, and his world to readers.

After this, we spend some more time with our modern-day Sherlock of South Central LA. He needs money, not another case that he takes on in return for some homemade cookies or something, he’s got a couple of big bills heading his way and requires cash to take care of things. His need for an infusion of cash forces him to align himself with a former friend (there’s a very good reason for that “former”) with a tie to a well-paying client. The client is a famous rapper who is convinced that someone is trying to kill him — he happens to be right, I should add, which makes the book a lot more interesting. (obviously, an investigator looking into a paranoid delusion isn’t going to be as action-packed as one looking into a person actually trying to kill someone). This investigation will bring Isaiah and Dodson into the not-as-lucrative-as-it-used-to-be music industry, into marital problems, petty jealousies, and a whole lot closer to pit bulls than at least one of them wants to be. The case is at once a showcase for Isaiah’s talents and something almost too complex for him.

We also get a series of flashbacks to the events that set Isaiah on this path, how he honed his natural abilities and inclinations to become the man he his — an unlicensed PI that helps out people in his neighborhood, many of whom wouldn’t turn to the authorities. So often with a Sherlock-type character, we just get the finished product — the Great Detective at the height of his powers, knowing all sorts of arcane information. But Ide shows us how Isaiah gets this information, how he earned it, improved his reasoning and observation skills. Also the why behind it all — why didn’t Isaiah take his genius into something that would make him more money? Why does he stay where he is? The flashbacks also show us Dodson and Isaiah meeting and falling out.

The two stories intertwine and are pretty equally intriguing, which is a real bonus.

There’s what seems to be an authenticity to the world Ide portrays — honestly, what do I know about the realities of LA? But it sure feels real, so either way, I guess Ide did his job. The characters — all of them, the good, the bad, the creepy, the slimy and everyone else are wonderfully conceived and executed. The crimes depicted are varied sophisticated (making them worth Isaiah’s time) — and at least one method of assassination is something I’ve never seen before. Ide does a great job of balancing the moods at work, the grim, the hopeful, the silly and all points in between.

There’s a passage in this book that is one of the best brief pieces of writing I’ve read this year, period. As I reread it (at least 5 times), I kept thinking of the Fiction Writing professors I had in college that would’ve made us study it for at least one class session. It’s during the “origin” portion, where Isaiah’s Geometry teacher is explaining inductive reasoning — these four paragraphs give you a strong character, setting, tone, a minor character (and even a brief storyline), a good idea what she looks like, her past, her relationship with her husband — and you get a good working definition of inductive reasoning, too! It’s really great.

This year (most recently, last week), I’ve also talked about another modern Sherlock — Victor Locke. How would I compare the two of these? There’s some similarities, and more than a few differences. At the end of the day, Victor Locke is a lot more amusing and entertaining. Isaiah, on the other hand, I could believe was real (I know he’s not, don’t worry). Isaiah is driven, he’s brilliant, he’s proud, he’s haunted, he has no obvious addictions (phew! wonderful change), he’s a bit more grounded than your typical Holmes-type. Dodson is the least John Watson-y Watson-figure you’ve ever seen, more of a hindrance than an assistant. Thankfully, also he’s not a narrator, and I’m not sure I could’ve handled a book from his point-of-view. It’s hard to summarize, but he works really well in this role.

I thoroughly enjoyed this book from beginning to end, with not a dull moment in between. Isaiah Quintabe is a keeper, and I’m already counting the days until his next book.

—–

4 Stars
2017 Library Love Challenge

The Western Star by Craig Johnson

The Western StarThe Western Star

by Craig Johnson
Series: Walt Longmire, #13

Hardcover, 295 pg.
Viking, 2017

Read: September 15 – 16, 2017


In the last novel, An Obvious Fact, Johnson plays with lines and themes from Sherlock Holmes while letting us get to know that very important woman in Henry Standing Bear’s life while Walt solves a murder. In this book, Johnson plays with Murder on the Orient Express while letting us get to know that very important woman in Walt’s life while Walt solves a murder. It struck me while reading that as large a shadow that Martha Longmire cast over the books (particularly the first few), we really don’t know much about her. We don’t learn that much about her, really, but we see her interact with Walt and Henry — and you walk away with a much better sense of her as a person, not her as the giant hole in Walt’s life.

How do we get this sense? Half of the novel takes place shortly after Walt returns to the States after his time in the Marines, and he’s been employed by Lucian as a deputy for a couple of weeks. Lucian is attending the annual meeting of the Wyoming Sheriff’s Association, and he brings Walt along. This meeting takes place on The Western Star, a passenger train. Shortly after boarding, Walt meets one Sheriff who is convinced that one (or more) of his fellows is murdering people across the state (sort of a Dexter-vibe to the motive), and he needs someone with fresh eyes and a lack of knowledge of the Sheriffs to help with his investigation. This would be Walt, naturally.

Meanwhile, in alternating passages/chapters set in the present, Walt is in Cheyenne for a highly politicized parole hearing (that becomes something a little different) to keep this particular killer behind bars. Johnson’s very good about not tipping his hand about the killer’s identity until Walt uncovers it. While doing so, he stays with Cady and his granddaughter, and annoys some pretty powerful people in the state.

I found the Walt on a Train story entertaining more than intriguing, but the final reveal was well done and made me appreciate it all the more. But while I wasn’t that into the mystery, I really enjoyed watching Deputy Walt and Sheriff Lucian do their thing. It was sad watching Walt’s idealism surrounding the societal/cultural changes that the 60’s promised come into contact with the cold reality that humans take awhile to change. I was really intrigued by the present day story, on the other hand, and wished they could get into more of the details about the case, but it’d have been hard to do while keeping the identity of the killer under wraps.

The events that are revealed after the reveal (in both timelines) will leave fans unsure what to do with themselves until Walt Longmire #14 comes out. I have some thoughts about what that book will end up being, but I’ll hold on to them for now. But it’s going to be something we haven’t seen before.

But this book? Very entertaining, illuminating and the whole time, it slowly but surely reels you in and sets you up for the biggest emotional moments that Johnson has penned to date. Johnson earned the 5th star for me in the last 13 pages.

—–

5 Stars
2017 Library Love Challenge

COVER REVEAL: A Star-Reckoner’s Lot by Darrell Drake

How is this a cover reveal? Readers who pay far too close attention will recall that this book made my Top 10 of 2016. Well, Drake has repackaged it and re-released it last week as Part One of a trilogy. I love this cover, if I had an office, I’d have a print of it hanging next to some of Chris McGrath’s work. Anyway, here it is (new blurb for the book below, too).

Ashtadukht is a star-reckoner. The worst there’s ever been.

She commands the might of the constellations… though her magic is as unpredictable as the die rolls that decide its fate. But star-reckoners are humanity’s first defense against divs, so if Ashtadukht is to fulfill her duty, she must use every trick at her disposal—risks be damned.

An excuse. A lie she tells herself. All that remains of a life she should have had. She travels the empire to hunt down the div that brought her world to ruin. The longer her pursuit, the more her memories threaten to consume her. The darker her obsession becomes.

Every spell is a catastrophe waiting to happen, every div a tale of its own, every tale a thread in her tapestry of vengeance. This is the story of her path… a warning to those who would follow in her footsteps.

Ashtadukht is a star-reckoner. The worst there’s ever been. Hers is no hero’s journey.

• • •

A tale of loss and misadventure in a fantasy setting inspired by the history and culture of 6th-century Sasanian Iran.

Want more information? Here’s my original post about the book; the Q & A I did with the author, Darrel Drake; Marian L. Thorpe’s review; and one on Sci-Fi and Fantasy Reviews, too (both of those mentioned things I wish I did). Also, it should be noted that the book is mentioned on Reddit r/Fantasy 2017 Underread/Underrated Novel list.

Or just go buy the book, already.

The Blackwood Saga Books on Sale September 15-22

So yesterday I blogged about the 2nd book in The Blackwood Saga, The Spirit Mage. To commemorate the release, Layton Green is selling the first two volumes in the series for $2.99 each. If you’ve been thinking of trying the series (and you should), it’s a good time to try.

If you want to see what I said about the two, you can look here: The Brothers Three and The Spirit Mage.

The Song of The Swan by Michael RN Jones

The Song of The SwanThe Song of The Swan

by Michael RN Jones
Series: The Victor Locke Chronicles, #2

Kindle Edition, 306 pg.
Fahrenheit Press, 2017

Read: September 13 – 14, 2017

On ending the sentence, his face dropped. “Oh,” he exhaled, “that’s it. I’ve just had one of those TV detective moments.”

“What d’you mean?”

“You know. When some tiny and unrelated fact, like a car door slamming or an answerphone machine flicking on, makes the whole case drop into place. It happens to Jonathan Creek and Adrian Monk all the time…”

In The Accidental Detective, we met Victor Locke and his court-appointed psychologist, Dr. Jonathan Doyle — a modern-day Holmes and Watson in a collection of stories that were partially a tribute, partially a pastiche, partially an update and entirely entertaining. This second episodic novel/short story collection continues in that vein.

This book opens with Doyle and Locke being arrested for bank robbery, which is not really what I’d expected. It’s, as is the case with many of the stories in this book, a chance for Doyle to stretch his investigatory skills and do a lot of the work. The two are not equal partners in any sense, but it’s nice to see that Doyle is more than just the sidekick (see Archie Goodwin and Joan Watson for other examples of this kind of relationship).

Not only is Doyle on his way to becoming a proper investigator, his write-ups of the cases are gaining him a greater degree of notoriety. I particularly enjoyed watching various characters go out of their way to fawn over him — or try to work their way into his writings.

At the same time, Doyle is wondering how well he actually knows his friend — and frequently discovers the answer is, “not that well.” At the same time, everyone (including Locke himself) regards him as the world’s expert on Victor Locke. Locke is just fun to watch in the varied situations he places himself in. As much as I appreciated Doyle’s larger role in things, I missed Locke when he wasn’t “on screen.” There’s a greater depth to the character than we’ve seen previously (or maybe I just missed it last time — that’s possible)

I’ve talked a lot about the characters and not much about the cases — there are two reasons for this, primarily, you read things like this for the characters. Secondly, Jones can tell you about the cases in a much more interesting way than I can. I’ll just say that they’re clever, enjoyable and Holmesian (in the best sense).

I’ve gotta say, I didn’t like the ending. I thought it was well done, it flowed organically from the events leading up to it, it fit the characters, it was earned — and so on. I just didn’t like it.

I enjoyed The Accidental Detective and if The Song of the Swan had been more of the same, I’d have been satisfied. But, Jones kicked everything up a notch — Locke was stranger, more clever, and funnier; Doyle was a better version of the guy we’d met previously, and the crimes were more interesting. All in all, a fun read, a great way to spend a few hours and one of those sequels that delivers on the promise of the first. Heartily recommended.

—–

4 Stars

The Spirit Mage by Layton Green

The Spirit MageThe Spirit Mage

by Layton Green
Series: The Blackwood Saga, #2

eARC, 386 pg.
Cloaked Traveler Press, 2017

Read: September 9 – 12, 2017


Picking up so soon after the end of The Brothers Three that it might as well just be the next chapter, The Spirit Mage continues the story of The Blackwood brothers and their companions (most of them, anyway).

There are essentially four storylines at work in these pages. There’s one focusing on the villains here — the wizards running the campaign against the rebels, the Romani, the “common born” who aren’t content to stay that way — and a spirit creature invoked to find the sword that Will’s been carrying.

Speaking of Will, he and Caleb find themselves — and Caleb’s ex, Yasmina — in the necromancer’s castle. Will and Caleb are set on returning to New Victoria to try to find a way home. Meanwhile, they have to convince Yasmina that this very strange dream is real. Soon after they set out, they are captured by slavers and are headed towards mines that no one has ever escaped from.

Meanwhile, their brother Val was escorted back to Urfe where things got immediately interesting — just in case the reader might be tempted to think that his story was going to be a repeat of The Brothers Three, Green establishes right off that such will not be the case. Anyway, the only way that Val can determine to find his brothers is to actually figure out how to use the magic he’s been trying to master. So he enrolls in the Abbey — a wizarding training college. He befriends a few wizards, gets involved in some pretty serious extra-curricular activities.

Mala disappeared during their party’s assault on the castle with a majitsu — her story is easily the least predictable, and hardest to summarize without spoiling. It’s not as interesting on the whole (primarily because we’re used to focusing on the brothers), but man, when it gets weird, it gets weird.

The Brothers Three was your basic Portal Fantasy — a little different, because most of those feature much younger characters (or at least most that I’ve read). This book was more of your typical fantasy novel — wizard in training, heroes on a quest that goes awry. It’s that the central characters don’t belong in the world. I didn’t like Val as much has his brothers last time out, but I really enjoyed his story (as stupid as he frequently was). Will and Caleb I enjoyed as much as before — maybe more. I thought Yasmina was a great addition to the series, and the way she fits into the world was a big plus.

Mala’s story didn’t end the way I thought it would, but really it had to end the way it did. The same could be said for Val’s, actually. Will and Caleb’s ended like I expected (phew! I’m one for three). Thankfully, they were all brought to satisfying points — in one case, as satisfying as a cliffhanger can be. At this point I’m pretty sure I know how things will end up, but I have no clue how Green will pull it off. I can’t wait to see, though.

It’s hard to think of this as a separate book than The Brothers Three, really. By the time book 3 comes out, I’m not sure I’ll be able to tell you the difference between the two (okay, that’s not totally true — but it seems like it). Which makes it a little difficult to evaluate differently than its predecessor. Basically, if you liked the first book in the series, you’ll like this one. If not, well, this won’t change your mind. If you haven’t read The Brothers Three, you really should.

It’s honestly a little frustrating to me that I can’t think of much to say about this — but it’s so consistent with the last book that I’m going to sum things up in this post the same way I did with the other book: The Spirit Mageis well-written, skillfully structured, and well-paced — there are some nice turns of phrase throughout the novel, too. Green is the real thing, giving the readers a good story, great characters, an interesting world (or pair of them), in a well-written package. After these two books, I think I can say that this is going to turn out to be one of my favorite fantasy series in a while.

Disclaimer: I was provided with this copy for an honest review by the author.

—–

4 Stars

Book Spotlight: BLACKOUT by Lawrence Johnson Sr.

Book Details:

Book Title: Blackout by Lawrence Johnson Sr.
​Category: Adult Fiction; 126 pages
​Genre: Mystery, Crime, Detective
Publisher: Self-published
Release date: March 2011
Tour dates: Sept 11 to 22, 2017
Content Rating: PG

Audiobook Details:

Release Date:07-13-17
Publisher: Lawrence Johnson Sr.
Written by: Lawrence Johnson Sr.
Narrated by: Alistair Dryburgh
Length: 4 hrs and 9 mins
Series: Alexander Steele Mysteries, Book 1
Unabridged Audiobook

Book Description:

Alexander Steele is a private detective turned night club owner in the city of Philadelphia. Steele and his longtime girlfriend Shakia’s plans for him to retire are derailed when his cousin brings him an encrypted travel drive. The drive is opened by Steele’s hacker friend Stan. A few days earlier every transformer in Canada had been shut down by the terrorist. The drive in Steele’s possession gave details as to how the event would happen. What made it even more frightening was that the documents on the drive were created 3 months before the actual event; Steele finds himself drawn into the well-crafted mind games of a madman known as Chameleon an American terrorist.

His goal is to shut down the country by collapsing the economy of the United States. From the snow cover streets of Montreal to the tropical beaches of Nassau Steele follows a trail of clues and dead bodies. As he gathers more puzzle pieces Steele inches closer hoping to reveal and thwart the plot to bring down the U S government. He finds himself narrowly surviving constant attempts on his life. The dramatic face-off between Steele and Chameleon takes place in downtown Philadelphia. How will it end? Find out in Blackout, now on Audible.

Buy the Book:


​Watch the Trailer:

Meet the Author:
Born and raised in the city of Brotherly Love I have been writing for nearly 10 years. I am the author of the 2012 scifi novel Escape 2 Earth. In early 2009 I completed the second installment in the the Escape 2 Earth trilogy called Return 2 Earth also several short stories including a fantasy story titled Dimensions in Time and a sci fi story titled Planet of Doom.
In 2011 I completed my first detective novel called Blackout. Before writing Escape 2 Earth I began putting together a collection of inspirational and motivational quotes titled Observations from the Edge of Society. I am currently working on the final book in the Escape 2 Earth series called Earth 2, Redemption which will be completed in 2017.
Connect with the author:Website ~ Twitter ~  Facebook  ~ Instagram 
Ends Sept 30

Pub Day Repost: The Hangman’s Sonnet by Reed Farrel Coleman

The Hangman's Sonnet Robert B. Parker’s The Hangman’s Sonnet

by Reed Farrel Coleman
Series: Jesse Stone, #16
eARC, 352 pg.
G.P. Putnam’s Sons, 2017
Read: July 3 – 5, 2017

On the one hand, I know that Coleman is a pro, and that he’s going to approach each series, each character from a different angle. But he’s so effective at writing a broken, grieving Gus Murphy, that you have to expect a grieving Jesse Stone to be written as effectively and with a similar depth. Which gave me a little pause when it came to cracking this one open — how much of a mess would Jesse be?

Big. A big mess.

Still, I was chuckling within a few pages — Jesse’s pursuing a path to self-destruction unlike any he’s had before, even that which cost him his career with the LAPD, but at his core he’s still the same guy we’ve been reading for 20 years. He may not care about himself (or at least he wants to punish himself), but Suit, Molly, and the rest of Paradise. When push comes to shove, he’ll do what he has to do. Some times he might need prompting, however.

But let’s set that aside for the moment — there are essentially two stories involving Jesse and the PPD. There’s the titular sonnet — a reference to a legendary lost recording by Massachusetts’ answer to Bob Dylan, Terry Jester. Sometime after this recording, Jester pulled a J. D. Salinger and disappeared from the public eye. Jester is about to turn 75, and a large birthday gala is being planned on Stiles Island. Jesse has to consult with Jester’s manager, PR agent and the chief of security for the island. Jesse can’t stand this idea — he can’t stand much to do with Stiles Island — he just doesn’t want to put up with the hassle, the celebrities, the distraction from the typical duties of PPD. But he doesn’t have much choice — for one, there will need to be something done to deal with the traffic, celebrities, and what not; but Jesse also has to deal with the mayor’s political aspirations. And you don’t get very far without the support (and money) of celebrities and the positive media coverage that kind of thing should bring.

On the other end of the spectrum, an elderly woman has been found dead in her bed, but under suspicious circumstances. She has deep ties to the history of Paradise, causing her death to grab more headlines than it might otherwise. Did I mention the mayor’s political aspirations? Well, the last thing she needs is an unsolved murder when she’s trying to cash in on the media attention that Jester’s celebration will bring. So she starts applying pressure to Jesse. When Jesse starts to think there’s a link between her death and the hunt for The Hangman’s Sonnet master recording, the pressure — and the urge to drink — increases for Paradise’s Police Chief. Thanks to the Law of Interconnected Monkey Business, the reader knew there was likely a link all along, so I don’t think I gave away too much there.

That right there would be enough to get me to read and probably recommend. But you add Coleman’s writing into the mix and you’ve got yourself a winner. There’s a wonderful passage where Jesse meditates on the beauty of the accessories to his drinking — the different glasses, the bottles, the rituals. The mystery was solid work — and I was close to figuring everything out, but not close enough. When the final reveal was made, I felt pretty stupid, all the pieces were there I just didn’t assemble them correctly. There were a couple of “red shirt” criminals early on that were so well written, that even when you know they’re not going to stick around too long, you get invested in them (one of them had a death scene fairly early that most writers would let be predictable — and the death was — but the way that Coleman wrote it got me highlighting and making notes). Coleman even does something that Parker said he couldn’t do.

I won’t say that everything that happened during Debt to Pay has been dealt with thoroughly — it hasn’t. But, most of the characters have been able to get a degree of resolution and closure that means they can move forward. Not perfectly, perhaps, but honestly. Jesse, in particular, might come back for book 17 in a significantly better place (or at least significantly different) — but the core will be there, and woe on any criminal that steps foot into Paradise.

Great character moments; slow, organic development; and top-notch writing. Coleman delivers again, continuing to take the foundation laid by Parker and building on it in a way that’s true to the spirit of the world Parker created, but brought to us with a newfound depth.

Disclaimer: I received this eARC from Putnam Books via NetGalley in exchange for this post — thanks to both for this.

—–

4 1/2 Stars

The Brightest Fell by Seanan McGuire

The Brightest FellThe Brightest Fell

by Seanan McGuire
Series: Toby Daye, #11

Hardcover, 289 pg.
DAW, 2017

Read: September 6 – 7, 2017

I still couldn’t see anything, which was unusual. Fae have excellent night vision. We’re like cats, able to see in the slightest trace of light. For it to be this dark, there had to be no light at all-that, or something had been done to my eyes. The thought caused a brief spike of panic, until I blinked several times and confirmed that I could still feel my eyes. No one had removed them or sealed my eyelids shut.

It says something about my life that this was a concern.

Surely, at some point, Toby will stop being lulled into a sense that everything is okay with the world — she starts this book by enjoying life, and a night out with her friends. Which is one of the surest signs that things are going to go horribly awry for her. And they do, before she can finish unwinding after the night out, there’s a knock on her door. Amandine, her mother, has stopped by for a visit.

Well, not really a visit. She wants to hire Toby to go find her older daughter, August. Toby’s never met her sister and really doesn’t want to get mixed up with anything involving August (who’s been missing for over a century) or her mother. Amandine has never been one to take no for an answer, instead, she takes hostages.

So, Toby’s off to find her sister August — which makes preventing war (like she’s been doing lately) look positively run-of-the-mill. I’m going to leave the plot summary at that. Because, like others, I don’t know how to talk about this without spoiling things that shouldn’t be. There are a couple of quotations (one from Toby, one from someone else) that illustrate what’s going on beyond this missing person hunt:

All my chickens were coming home to roost, and while I didn’t want them, I had earned them. I had earned them, every one.

“We are the sum of our actions . . . When desperation sets our course, those actions can blacken with remarkable speed.”

If that doesn’t describe the last couple of Iron Druid Chronicles, Dresden Files, and pretty much every Alex Verus book, I don’t know what does. The best of Urban Fantasy ultimately puts their protagonists in this situation — Toby’s been close to it before, but she’s dancing closer to the line here, sacrificing (or at least being prepared to sacrifice) so much to find her sister — and the number of things she won’t sacrifice is pretty small.

There’s not a whole lot of character growth and development here, there’s no time. We do see many of our old friends and acquaintances being themselves — maybe turned up to 11. One character, who will remain nameless, displays a degree of depth that we haven’t seen before. Toby grows a bit through this experience, if only to find out what extremes she’ll go to. She finds herself capable of changing her mind about someone –not easy for her to do (like most of us).

People are complicated. That’s the problem with people. lt would be so much easier if they could all be put into easy little boxes and left there, never changing, never challenging the things I decided about them.

This was a great read — in more than just the story, or characters — there are just some books where the whole is greater than the sum of its parts. This is one of them (though the sum of its parts was pretty good) — everything just clicked. McGuire drew me in and kept me there between the voice, the fact that we have 10 books of history with these characters, and the drama (and little bit of comedy). There was one point, where Toby does something brave, reckless and potentially stupid (especially if it came back to bite her), where I found myself muttering, “Oh, oak and ash! No!” I figure any book that has you under its spell enough that you end up borrowing oaths and curses from the protagonist is a pretty engrossing read. She didn’t listen to me, and she sure should have.

From the fun as all get out opening scene, to the ominous final sentence that should fill every Toby fan with dread (although it promises some great books), McGuire was firing on all cylinders here. Yeah, plenty came home to roost in The Brightest Fell, and it meant that those closest to Toby suffered, but she found a way to be Toby throughout — she didn’t surrender who she was, and she got things done the best she could. All the while bringing the reader along through her highs and lows with her. Can’t ask for more than that. (well..I guess you could, but why?)

—–

5 Stars

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