Category: Fiction Page 252 of 351

Tooth and Nail by Ian Rankin

Tooth and Nail Tooth and Nail

by Ian Rankin
Series: John Rebus, #3

Paperback, 293 pg.
St. Martin’s Paperbacks, 1996 (first published 1992)

Read: April 14 – 15, 2017

She drives home the knife.

The moment, she knows from past experience, is a very intimate one. Her hand is gripped around the knife’s
cool handle and the thrust takes the blade into the throat up to the hilt until her hand meets the throat itself. Flesh upon flesh. Jacket first, or woollen jersey, cotton shirt or T-shirt, then flesh. Now rent. The knife is writhing, like an animal sniffing. Warm blood covering hilt and hand. (The other hand covers the mouth, stifling screams.) The moment is complete. A meeting. Touching. The body is hot, gaping, warm with blood. Seething inside, as insides become outsides. Boiling. The moment is coming to an end all too soon.

And still she feels hungry. It isn’t right, isn’t usual but she does. She removes some of the clothing; in fact, removes quite a lot of it, removes more, perhaps, than is necessary. And she does what she must do, the knife squirming again. She keeps her eyes screwed tightly shut. She does not like this part. She has never liked this part, not then, not now. But especially not then.

Clearly, this is someone who needs to be stopped. And The Powers That Be have brought John Rebus from Edinburgh to London to help the hunt for the Wolfman (yeah, those who tagged the killer with that moniker may have made some assumptions). Thanks to the events in Knots & Crosses, many (who don’t know all the details) believe that Rebus is somewhat of an expert in Serial Killers. He knows he’s not, but no one asked him — he was just told to show up. It’s not long before this case gets under Rebus’ skin and he’s no longer in London to kill a couple of days as a show of support for the local police, but he’s off to catch a killer.

George Flight is the detective who’s serving as Rebus’ contact — and is leading the investigation. Rebus notes that he’s a better policeman than he is — meticulous, detailed, going through things step by step. Which isn’t doing him a lot of good at the moment, he needs something more. Enter Rebus. By and large, Flight’s the only one that wants Rebus’ help — his superior, another detective on the case, and the press liaison are pretty united in their lack of interest in bringing in someone from “Jockland” to meddle in the crimes of the big city.

As Rebus arrives in London, another body is discovered, so he shows up at the crime scene with his luggage, from there, they head to an autopsy — rushed, no doubt given the likelihood that this is another Wolfman victim. The autopsy scene — the sights, sounds and smells — is one of the best (possibly the best) that I’ve seen along these lines. It felt real, it felt disgusting, it felt sad. Between this and the opening paragraphs (quoted above), I’m again reminded that Rankin knows what he’s doing when it comes to writing. He nails this stuff.

While he’s in town, Rebus visits his ex-wife and daughter — things go poorly there, as one would expect. Things go worse when his daughter’s boyfriend comes around. When Rebus is able to connect said boyfriend to a career criminal . . .

I’m no expert on this, but I’ve read more than a few serial killer novels, it strikes me that 1992 was still pretty early in serial killer fiction-terms, and it shows. Both in Rebus’ attempts to draw the killer out, as well as Flight’s attempts to catch him. We also get to see both detectives trying to understand the serial killer — or at least how to apprehend one. Flight’s more old-school in his approach and is pretty disdainful of Rebus’ efforts to get inside the head of a serial killer. Which is not to say that this particular killer isn’t destructive, sick and really creepy.

Rebus is spurred on to this track because of who he is — but the attractive psychologist, Lisa Frazer, who wants to help him out certainly doesn’t hurt. It could be argued by some (including some characters in the book) that Rebus is far more interested in pursuing her than the Wolfman.

Rebus mostly stumbles around, indulging his infatuation with Frazer, looking for his daughter’s boyfriend, and occasionally chatting with Flight about the case. Now eventually, enough things happened that allow Rebus to put things together and figure out the identity of the Wolfman (sorta like when Wilson made a stray comment to Dr. House that got him to make the right diagnosis). Sure, it was clever, but hard to believe.

Early on, I thought this might be the book that turned me into a Rankin fan, not just some guy reading these. It came close, but I just couldn’t totally buy the ending and the way Rebus solved the case. But man, Rankin can write. I’m not totally sold on what he’s writing, but I’m really enjoying the craft. I was hooked throughout, but that ending just didn’t work.

—–

3.5 Stars

2017 Library Love Challenge

Black Fall by D. J. Bodden

Honestly? I really wasn’t that interested in this book — Bodden followed me on Twitter, and I followed back — I saw that he had a link to NetGalley for this book, so I clicked and checked it out. It seemed like a perfectly nice book and one that probably had an interesting take on teenaged vampires, but I really wasn’t in the mood for that, so I closed the window. Or so I remember it. The next day, I got an email saying that I’d been approved for the book. Not wanting my NetGalley percentage to take a hit, I threw it on to the Kindle and made room on the schedule. So, let the fact that I wasn’t all that interested in this book in the first place put a certain spin on what I’m going to say here.
—

Black FallBlack Fall

by D. J. Bodden
Series: The Black Year, #1

eARC, 294 pg.
2015

Read: April 12 – 13, 2017


Jonas Black is a typical sixteen year-old, with a very driven girlfriend (who’s pretty much mapped out the next few years of their lives), a decent home life, a couple of invested parents, and so on in NYC. Which makes him not that typical, I guess — but he’s the kind of kid people think of as “typical.” When we meet him, however, he’s reeling from the unexpected death of his father, and his mother doesn’t seem to be acting all that normal at the funeral.

Not long after that, strange things start happening to Jonas — he blacks out unexpectedly, his mother’s behavior gets even stranger, lastly he and his mother are attacked at home, and rescued by someone unlikely (leading to 2 very large men escorting him to school). He’s able to pin his mother down and she explains to him that she’s a vampire, as was his father — and he is, too. There was a problem with my download and so the conversation where his mother describes the experiment that made him into the vampire he is (born, not made) and whatnot. Thankfully, I don’t want to get into details anyway, because I’d probably get it wrong. I really appreciate that Jonas isn’t a Chosen One kind of character — more of an Engineered One. But even at that, I don’t think anyone planned on him tackling things that he did at this stage of his life (I’m semi-prepared to be proven wrong in future books).

So, while juggling school and his girlfriend, Jonas is basically enrolled in a self-defense course for vampires (there’s more to it than that, but . . . ) where he meets some other vampires and a reticent werewolf. He befriends/is befriended by a vampire, Eve, about the same age — but who knows what she’s doing — and wants to get to know the werewolf, Kieran. While I’m largely on the fence about the older vampires Jonas meets — I really like Eve. Kieran and the other werewolves are cool — and not just because I prefer lycanthropes to vamps. Before long the three of them — and a small army of others — find themselves in the middle of an effort to put a stop to a demon’s schemes.

Bodden’s vampires are pretty interesting — I like some of the tweaks he makes to the standard profile. Ditto for his werewolves. His entire supernatural taxonomy and how it relates to the world is pretty well-realized and elaborate. I was pretty impressed by it, and am curious about it as well. I’m not saying they’re drastically different (vampires don’t glow or anything), but Bodden’s vamps aren’t the same as Hunters’s, Butcher’s, Briggs’, etc.

A word of warning: There’s. Just. So. Much. Exposition. I get it, really — Jonas needed to be introduced to this world, and acclimatized really soon for his own safety. Which was mighty convenient, because it helped the reader learn about The Black Year’s take on vampires, werewolves, lichs (is that the proper plural form? lichen doesn’t seem right), specters, hunters, etc. On the whole, Bodden did a decent job blending character moments and infodumps, merging what we need to learn with keeping things moving. Still, it frequently felt like this was a guide to the supernatural world more than a novel — he might as well have named a couple of characters Ryan and Esposito.

I was engaged enough to keep going, but at a certain point, I’d just about given up hope of really enjoying the book, and just put my head down to plow though and get it over with so I could move on. I was surprised a little later to find out that I was invested in the fate of these characters, and was really getting a kick out of Bodden’s work. I can’t point to what it was that got me there, but it probably had something to do with Kieran. I do want to stress that it was after the 50% mark, so stick with it if your experience is like mine. By the time I was finished, I was ready for book #2 (…and probably 3….and most likely 4).

I will not say that this is the best thing since sliced bread, but it’s a fresh take on many UF staples from a YA point-of-view, with compelling characters, a well-built world, and a solid plot (especially when it gets around to moving).

Disclaimer: I received this eARC from the author via NetGalley in exchange for this post — I appreciate the read.

—–

3.5 Stars

Taran Wanderer (Audiobook) by Lloyd Alexander, James Langton

Taran WandererTaran Wanderer

by Lloyd Alexander, James Langton (Narrator)
Series: Chronicles of Prydain, #4
Unabridged Audiobook, 6 hrs, 22 min.
Listening Library, 2005

Read: March 28, 2017


The one question that’s plagued Taran all his life is just who is he? Who is his family? Is there any chance at all that his family is some sort of nobility? This last question has taken on a new level of importance to him as he has realized that he’s in love with a princess and can’t do anything about it without that nobility.

Dallben can’t answer the question for him — but he allows Taran leave to go try to find the answer himself. I’ve never understood just how Taran can pull this off — there’s practically no birth records in Prydain (I can’t imagine), it’s not like he can get blood tests done — and he doesn’t really interview anyone, just meanders around.

Still, he visits various corners of the kingdom — visiting friends old and new, dipping his toe in all sorts of trades and vocations. He renders aid, and gets aid. Fflewddur Fflam shows up and spends a good portion of the novel traveling with him (Gurgi remains a constant companion). There’s a confrontation with a wizard, a regional armed conflict to try to settle, a mercenary band to deal with — as well as other woes.

He learns a lot, he matures a lot, and maybe even gets a dose of wisdom. It’s not your traditional fantasy novel by any sense, but it’s a good one.

As for the audiobook? Everything I’ve said about the other books in the series — Alexander’s introduction and Langton’s performance — holds true for this one.

The most emotionally rich of the books, the most thoughtful — particularly for those of the target age. Good, good stuff.

—–

4 Stars

Heroine Complex by Sarah Kuhn

Heroine ComplexHeroine Complex

by Sarah Kuhn
Series: Heroine Complex, #1

Paperback, 375 pg.
DAW, 2016

Read: April 6 – 8, 2017


A few years back, the city of San Francisco was visited by trans-dimensional demons — they were unable to stay long before being driven back, but in their wake certain individuals were left with superpowers. Some powers were impressive, others were . . . well, let’s just say less-so. Most didn’t use their powers much, but some heeded the call of Ben Parker and used their abilities to serve the common good. Chief among them was Aveda Jupiter — who spends her days defending SF from further demon incursions as well as more mundane menaces.

Aveda is helped in her quest for justice (and good PR) by a fighting coach, a scientist studying demons and a PA. Her PA, Evie Tanaka, is her childhood best-friend and the only one who can weather her mood swings, demands for affirmation and schedule with good humor and grace (at least externally).

Events transpire, and Evie has to pose as Aveda at an event — and things go awry in a pretty significant way. Demons attack (while displaying some new characteristics that require a new long-term strategy for battling them) and Evie demonstrates a super-power of her own. In the next few weeks, Evie has to continue the ruse while learning how to use (and hopefully lose) her own power and learning how to adjust to a newfound confidence, level of esteem, a change in her friendship with Aveda, and even a love life — while trying to beat back the invasion force once and for all.

I’ll be honest — the plot was okay, but almost entirely predictable by page 50 or so. But name the super-hero story that’s not, right? Especially origin stories. What matters is how Kuhn told the story — with heart, charm, and wit. So that you aren’t getting to various story beats saying, “Yup, right on time,” (or whatever unintentionally pompous thing you say to yourself when you get to a point in a book like this), rather you’re saying, “Oh, I like how she did that,” or “that’s a great take on X.”

The characters and the relationships between them are the key to this — none of them act their best, none of them are really hero-material, all of them ring true. These could be your friends (not my friends, mind you — there’s not enough book talk, and a whole lot of things that happen outside of a house), or at least the friends of someone you know. If, you know, your friends are known for dressing in leather, beating up inanimate objects inhabited by pan-dimensional beings, and fending off the prying and gossiping eyes of a fashion/lifestyle blogger.

I don’t think I’ve done the best sales job on this, but I’m not sure what else to say. Heroine Complex is light, breezy and fun — a quick and enjoyable read with characters you want to spend time with. A great way to kill a couple of hours — I’m looking forward to Book 2.

—–

3 Stars

2017 Library Love Challenge

Deep Down Dead by Steph Broadribb

Deep Down DeadDeep Down Dead

by Steph Broadribb
Series: Lori Anderson, #1

eARC, 350 pg.
Orenda Books, 2017

Read: April 4 – 5, 2017


Crime Fiction blogger turned novelist, Steph Broadribb’s debut novel, Deep Down Dead is the story of a bail enforcement agent (bounty hunter) making a pickup that will change her life in a fairly dramatic way. Lori Anderson couldn’t be in worse financial straits — her daughter’s medical bills from Leukemia (currently in remission) treatment are so far past due that future treatment is in jeopardy, and they’re about to get evicted from their home. So when the bondsman she works for offers her the largest amount she’s ever been offered for a job, she has to jump at it.

It’s supposed to be a simple midnight run, go pick up the fugitive from another agent not licensed in Florida (or he’d drop off the fugitive himself) and deliver him to the police herself. Almost immediately, problems start (none that deter Lori from the cash reward waiting) — her sitter has plans, so she has to take her daughter, Dakota, with her. Secondly, the fugitive in question is her former mentor, JT — the one who taught her everything she knows, who’s inexplicably got a criminal record now. Then when she arrives at the pickup, the agent she expects isn’t there — instead three very aggressive ruffians (best word I can think of) are there and decide to rough her up a little.

Things really go downhill from there — before Lori knows it, she’s got bigger problems than getting her money. She has to deal with a criminal enterprise running from one of the state’s largest amusement parks; a mob with a long-standing grudge; corrupt law enforcement officials; and being a suspect in violent crimes. This is intertwined with the story of Lori and JT’s past association, how he saved her life and set her on the path that she’s on now.

By the time I got to a whopping 12% my notes started using the word “brutal.” This was like if Pierce Brown took a crack at writing Stephanie Plum. Most of the time the violence (gun play or hand-to-hand) was brtual, but not overwhelming — just heightened enough to fit a crime novel.

You like Laurie almost instantly, Dakota will charm you and grab your heart, and you’ll even appreciate JT (maybe more . . . ) and his crusade — at the very least, you’ll get the connection between he and Laurie. The villains are evil, no two ways about it — but not in the mustache-twirling way, just in the kind of evil that we like to pretend doesn’t exist in this world.

It’s not just in her characterization, but it’s in her plotting, pacing and interweaving the stories of present and past that Broadribb displays more skill than your typical debut novelist. This lived up to every expectation I had from the interviews, reviews, etc. that I’ve heard and read, which was a relief. I sorta feel like I’ve been giving too many 4 Stars lately, like I’ve been overly generous, so I tried to rate this lower. But I just can’t — this is a 4 Star book, easy — and with a little more experience under her belt, Broadribb (and Anderson) will be knocking out 5 Star reads regularly. I can’t wait to see what’s next.

Disclaimer: I received this eARC from Trafalgar Square Publishing via NetGalley in exchange for this post — thanks to both for this entertaining and almost traumatic experience.

—–

4 Stars

Remnants by Carolyn Arnold

RemnantsRemnants

by Carolyn Arnold
Series: Brandon Fisher FBI, #8

eARC, 260 pg.
Hibbert & Stiles Publishing Inc., 2017

Read: April 4, 2017


After some strong storms go through the area, some dismembered body parts are discovered in and near the Little Ogeechee River in Savannah, Georgia. While the local law enforcement is unable to quickly identify who the parts belonged to, it was clear that multiple victims were involved, and a FBI team is called in to investigate. The limbs don’t come with any identifying marks outside of DNA, making it incredibly difficult to identify the victims — which increases the difficulty in determining why they were chosen, and therefore who might be doing the dismembering.

It’s going to take some out-of-the-box thinking, and no little bit of luck, for profiler Brandon Fisher and the rest of his team to come up with suspects before the killer strikes again.

Once a theory of the crime is starting to develop, one team member displays a fairly detailed and technical understanding of a fairly esoteric subject. Which was convenient in that it helped flush out the theory, but was a little hard to swallow. Something we learn later about that character (long-time readers probably know it already) makes it a little easier to accept, but not totally (at least for me). It’s a minor thing, and it didn’t detract from anything — just made me roll my eyes.

The one complaint I have with the writing is the voice — it doesn’t change whether the chapter is in the first person (as Brandon) or third person (focusing on other agents or the killer). Other than that, the pacing is good, the twists come at the right moments and the plotting is strong, Arnold’s a good storyteller.

I’m not sure if it’s typical for Agent Paige Dawson, but she really connected with the victim’s families. It’s not often — or at least not often enough — that this kind of attention is given to those characters. That was a nice touch. I’d like to spend more time with all these characters, Paige probably most of all.

There are a few nuances I missed since I haven’t read the previous 7 books in the series, but only nuances. There’s nothing keeping someone new to the series — or someone looking for a standalone — from getting everything you need to from this book. Arnold’s kept this very newbie-friendly, which is nice.

This isn’t the most exciting or revolutionary – or, thankfully, most disturbing — serial killer novel you’ll find. It is a solid procedural with believable characters (on either side of the law), an interesting solution, and some credible emotional beats. This is an entertaining read and if the rest of this series is of similar quality, it’s worth your time to check out the others, too.

Disclaimer: I received a copy of this book from Hibbert & Stiles Publishing in exchange for this post. I appreciate the opportunity to read this book.

—–

3 Stars

The Weed That Strings the Hangman’s Bag (Audiobook) by Alan Bradley, Jayne Entwistle

The Weed That Strings the Hangman's BagThe Weed That Strings the Hangman’s Bag

by Alan Bradley, Jayne Entwistle (Narrator)
Series: Flavia de Luce, #2

Unabridged Audiobook, 9 hrs., 49 min.
Random House Audio, 2010

Read: March 21 – 27, 2017

I think I’d have phrased things a bit differently, but in the interest of time, I’m just going to copy and paste from my thoughts when I read the book a couple of years ago and add in a bit for the audiobook:
The plucky young chemist with a nascent obsession with death is back in action. The case is a little less personal for Flavia de Luce this time, but that doesn’t stop her from jumping in whole hog to get to the bottom of it.

Flavia runs into a couple of traveling performers with some car trouble and before you know it, she’s got them some help–and a gig. While she hangs around the TV star and his assistant, she finds herself surrounded by some of her town’s darker history and then face to face with a murder. And Flavia being Flavia, she can’t resist sticking her nose in and making sure all the knots are untangled–particularly the ones adults are ignoring, despite them being painfully obvious to her.

We get less of Flavia’s sisters (and the rest of the household, come to think of it) in this installment–but when they’re around, their impact is greater. Clearly, as this series continues, there’s going to be some serious drama on the homefront with some major implications for the de Luce family, I hope Bradley tackles that quickly, the foreshadowing’s getting old quickly.

Unlike with so many other amateur sleuths (particularly juveniles), it’s nice to see that her reputation and track record are acknowledged by some in the community — which is both a help and a hindrance, I hope to see more of that in the future.

Entwistle really impressed me again with her narration. Not just the way she nails Flavia — both the good and the bad aspects of her personality. But her work on the rest of the characters — the TV star’s assistant in particular — really won me over, showing a little more range than we got to see, er, hear last time.

My only major quibble with this installment is that it takes far too long to set the main action of the novel up–in a 348 page mystery novel, you’d better get to the central crime before page 150 or so. Unless you’ve got a heroine like Flavia to focus on, I can’t imagine being patient enough to wait that long to get the ball rolling. Entwistle’s performance helps, but, man, it drags on awhile before Bradley’s done setting things up and gets things moving.

Another fun (occasionally hilarious) read, with a mystery satisfyingly twisty, with just enough red herrings to get you through it.

—–

3.5 Stars

Not a Drill (Audiobook) by Lee Child, Dick Hill

Not a DrillNot a Drill

by Lee Child, Dick Hill (Narrator)
Series: Jack Reacher, #18.5
Unabridged Audiobook, 1 hr., 27 min.
Random House Audio, 2014

Read: March 14, 2017


Reacher sets out for the Canadian border, to make it as far north on this Interstate as possible, just because. Not too far south from there, he stops in a tourist-y town, a haven for backpackers, hikers, wilderness types in general. Before he leaves, a whole lot of military types show up and block access to the forest from the town (well, they try to — the forest is pretty big, it’s impossible to block access to the whole thing).

This gets Reacher’s curiosity piqued and he starts poking around to see if he can understand why.

I don’t want to sound bloodthirsty here, but not a single fight. No threat of violence breaking out. Mostly, it’s Reacher walking around and observing things before making a heck of a guess/deduction that proved to be right.

Dark, cynical ending — one of Child’s more political statements.

Hill was okay, not terribly interesting, but I think that’s Child’s fault this time.

It’s not bad. It’s just disappointing, short and . . . bleh. Proof that they can’t all be winners, I guess.

—–

2 1/2 Stars

The Castle of Llyr (Audiobook) by Lloyd Alexander, James Langton

The Castle of LlyrThe Castle of Llyr

by Lloyd Alexander, James Langton (Narrator)
Series: Chronicles of Prydain, #3
Unabridged Audiobook, 4 hrs, 36 min.
Listening Library, 2004

Read: March 20, 2017


Taran is tasked with escorting Princess Eilonwy to the Isle of Mona, where she’ll be taken in by distant relatives — the king and queen, who will help her learn how to be a proper young lady (an idea she finds ridiculous). They sail there on a ship “captained” by the island’s Prince Rhun.

Once they reach the island, Taran runs into Fflewddur Fflam, who’s enjoying barding again — even if the castle’s steward, Magg, has an intense dislike of his music. Shortly after that, Taran discovers there’s a threat to Eilonwy in the castle and tries to save her from it without letting her know she’s in danger. That goes poorly and he joins the rescue effort instead (also led by Rhun — or at least Rhun thinks so).

The companions also meet the world’s littlest giant (why does that sound like it belongs more in The Phantom Tollbooth than here?) and a mountain cat that we’ll get to spend a lot of time with. There’s a lot of links to the first book as well as the last book in the series here.

The introduction by Alexander was great — I wish I could hear more of his own takes on the books. Langton was solid. Again, I think he could talk a little faster — but that’s minor. His Prince Rhun’s “Hullo”s are just what I’ve heard in my head all these decades.

This is probably the most entertaining of the lot — there’s some really good comedy here. Taran grows up a lot more here than he does in other books, I think, which adds something more than just entertainment to this book. It’s possible that this is the one in the series I read the most as a kid. The story isn’t as rich as I remember, but factoring in the growth in characters and the entertainment factor, the experience as a whole was pretty satisfying — and I’ll take that.

—–

3.5 Stars

The Magician’s Workshop, Volume One by Christopher Hansen, J.R. Fehr

The Magician’s Workshop, Volume OneThe Magician’s Workshop, Volume One

by Christopher Hansen, J.R. Fehr
Series: The Magician’s Workshop, #1

Kindle Edition, 290 pg.
Wondertale Press, 2014

Read: Mach 22 – 24, 2017


I’m sick and tired of these books that introduce you to a character and their problems/goals and then abandon them for another storyline or two with no relation to the first for over 50% of the book. I get that this is a thing that people do all over the place (I read a couple of books last year that never returned to the people in the introductory chapter or really explained why we spent time with them), but it drives me crazy. Fine, multiple point-of-view characters, multiple storylines, but don’t dump one for 150 pages or so after introducing them.

That’s probably not the best way to start this post, but hey, if they can start the book awkwardly, I can start my post about it awkwardly, too.

There was some great worldbuilding at work here — Hansen and Fehr did yeoman’s work there. But they failed at translating it into a setting for stories. They wisely didn’t dump everything on the reader in the first chapter — but they way they went about doling out the explanation of what’s going on, why the world/magic/society works the way it does was way too slow. I can’t imagine that all too many readers in their target audience (12 and up) are going to have the patience to wade through it all.

Part of the magic system is another one of my pet peeves — everyone has magical powers. This can work, but usually it doesn’t — as even Dash Parr can tell you, everyone being special (or having magic) “is another way of saying no one is.” I’m not sure why that’s considered magic in this world. For underage people, they can only use their magic for training in controlled circumstances. When they get older, they’re tested and part of the test (that makes no sense to me) will reveal whether the user is qualified to be a magician — one of the elite professional magicians, as opposed to those who are limited in their use of magic — by some standard I can’t explain.

The novel focuses on a handful of youth — some who know each other, some that don’t — as they finish preparation of the day of testing. Some have lofty goals, some have small, but important goals, some have dark backstories, others are trying to be the first in their family to join the elite ranks.

Here’s my biggest beef with this book: there’s no story here. It’s all set-up. It’s The Fellowship of the Ring that stops when they get to Rivendell and the Council starts, or any Spider-Man story that stops after the death of Uncle Ben these characters get to (and in some cases, start) the testing and the book ends. Yeah, sure, the notes at the front of the book say this is to be read with Vol. 2 — but, sorry, that doesn’t cut it. There’s not a story here, there are no complete arcs — it’s part of a book.

There’s some not unclever commentary on media culture, critique, fans and whatnot throughout this book — especially later on. Also, there’s a strong “hey, the real world is just as fantastic as the ones we create” message that I really appreciated. Some good stuff for younger readers to read.

This is a swing and a miss — there’s a lot to be commended here, but the flaws are too much to overlook. I want to give this a 3, but I just don’t think I can justify it.

Disclaimer: I received this book from the publisher in exchange for this post and my honest opinion. Sorry.

—–

2 Stars

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