Category: Fiction Page 254 of 348

Storm Clouds Gathering by Gibson Michaels

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On February 14, 2017

In Fiction

Storm Clouds GatheringStorm Clouds Gathering

by Gibson Michaels
Series: The Sentience Trilogy, #1

Kindle Edition, 366 pg.
Arc Flash Publishing, 2014

Read: January 28 – 30, 2017


There’s a sentient, autonomous AI running around the computers that run (essentially) the State and Defense Department for the United Stellar Alliance. It’s trying to learn how to act more like humans while carrying out its duties — both official and unofficial. The unofficial duties include caring for (and learning from) the descendant of its creator — someone who wouldn’t be allowed access to the AI by anyone other the AI. There are some officers in the Intelligence wings of the Fleet who think that there might be something going on with the AI running FALCON, and set out to find it (if such is a thing).

Meanwhile, long-term stresses and problems within the United Stellar Alliance are coming to a head and the planets that make up the alliance are on the verge of declaring war on each other. The moves that the various entities make — and the politics behind the moves — fed into my political and historical interests (and other readers will resonate with them, too, I expect).

But here’s the best part — as interesting as all these things are — it’s not the main story. The main story involves an alien race, the Raknii. The Raknii are a warrior/hunter society, one who conquers pretty much everything they encounter — without mercy, without pity, without consideration for anything other than victory. But many of the leaders of this race are questioning this — and fear that the culture has gone astray. About this time, they discover a new race in the galaxy — one that will prove to be the ultimate test for the Raknii, which may help their culture get back on track. That race, of course, is humanity.

Each storyline worked for me in just the right way — the Civil War story was good, the parallels to the US Civil War were maybe overplayed, but they were used well enough that I’m not going to complain too loudly. The story of the AI learning about human cultures was nothing but fun — ditto for the efforts of Fleet Intelligence to get to the bottom of things. All this going on with a large-scale alien invasion looming unbeknownst to any human was a great touch — any of these would keep me reading, mixing them the way that Gibson did was icing on the cake.

The cast of characters in this is so extensive that I can’t really comment on them all — let’s just say that I liked just about ever character — no matte how they threaten the fate of humanity. About the only people I didn’t like were those from the Consortium (a group of businessmen that have more of an impact on the USA’s government than anyone appreciates) — and there’s just nothing redeemable about them (or frightfully interesting outside of their role as antagonists).

Michaels writes with heart, humor, hope and a pretty good attention to detail. There are plenty of infodumps throughout — especially concerning the Raknii, but also getting the reader brought up to speed with humanity’s politics/technology — but these are almost always woven in well with character moments and the over all narrative. I just had a blast reading this.

This is the first entry of a trilogy, and is one of those that doesn’t come to any real resolution as such. It’s more of a pause in the action before jumping into the next volume. I’m not crazy about those kind of books, but I get the thinking — the point is to move on to the next two books. Besides, I enjoyed this enough that all I want to do is move on, I can live without that temporary resolution. I’m giving this a 3-Star Rating, but do so in the expectation that the following entries will be ranked higher.

Disclaimer: I received this novel from the author in exchange for this post — thanks Mr. Michaels.

—–

3 Stars

Knots & Crosses by Ian Rankin

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On February 13, 2017

In Ian Rankin, John Rebus

Knots & CrossesKnots & Crosses

by Ian Rankin
Series: John Rebus, #1

Hardcover, 256 pg.
Minotaur Books, 1987

Read: February 1 – 4, 2016

Yet there had to be clues. There had to be. Rebus drank his coffee and felt his head spin. He was feeling like a detective in a cheap thriller, and wished that he could turn to the last page and stop all his confusion, all the death and the madness and the spinning in his ears.

After 21 novels and 30 years of being in print, I finally decided to give DS John Rebus and his author Ian Rankin a shot, it looks like they might stick around for a bit. Seriously, I’ve seen the names a lot over the last few years, and despite being unimpressed with his appearance in the Face/Off collection a couple of years ago (I’m sure I’ll change my opinion once I get to know Rebus a bit), when I needed a new mystery series to sink my teeth into, this looked like a good candidate.

In Knots & Crosses we meet DS John Rebus, a former SAS officer, now a Detective Sergeant in Edinburgh. He’s scraping by, he has an ex-wife and daughter; a small, dusty apartment; stacks of books; a pretty successful brother that he really has no relationship with; a large capacity for drinking; a surly attitude; and a not-that-successful program to limit his smoking. On the whole, that sounds a lot like many other fictional detectives (police and otherwise) — but there’s something about him that doesn’t seem that cookie-cutter when you read him. Maybe it’s just Rankin’s writing, maybe there’s something else — I’m not sure yet, I’ll have a better idea in a book or two (which will also give Rankin the time to distinguish Rebus). There is one other thing that separates him, but that’s the crux of this book, so I won’t get into it.

There’s a serial killer at loose in Edinburgh, killing girls and sending little notes to Rebus, taunting him about it. Sadly, Rebus doesn’t realize that for quite some time. Whoops. Not that there’s any reason for him to have seen the link, really — the killer was really more clever than he needed to be on that front. Rebus is part of the army of police working on his case, while dealing with some personal demons of his own — hopefully, the latter doesn’t prevent him from doing his part to help with the former.

The best part of the book for me was Rankin’s writing — the book is full of great sentences. Not so much that it distracts from the characters or story, but enough that you can admire his prose while enjoying the rest. This book wasn’t intended to be the beginning of a series, and doesn’t really feel like one — it’s a character study (probably a couple of characters, really), but one that’s rich enough that Rankin could come back to Rebus and build. There’s no way that future cases will be solved the way that this one was, this isn’t a prototype for Rebus’ methods, but an introduction to the detective and his world.

I liked Rebus — well, not “liked,” really. But as a character, he’s someone I want to spend more time with. Like Harry Bosch, he doesn’t seem to be a likable person, but frequently, those are the kind of guys you like reading about. I also liked that he wasn’t some sort of super cop. At one point, he’s described as not “a very good” cop, merely “a good one” (or something quite like that, I don’t have the book on me to get the exact wording). I imagine that over another 20 novels, he’ll get better — and I look forward to seeing that growth.

I really wish I’d known what “Noughts and Crosses” was before the killer mentioned it late in the book, sending me to google. I’m not sure it would’ve improved the book much for me, but I’d have appreciated aspects more and when I should’ve. Stupid “two countries separated by the same language”-thing….

Anyway, a solid beginning to the series, and more importantly, a good read for those who like police procedurals. I’ve already got the sequel on my shelf and will be getting to it in a week or so.

—–

3 Stars

2017 Library Love Challenge

Serengeti by J.B. Rockwell

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On February 9, 2017

In Fiction, Science Fiction

SerengetiSerengeti

by J.B. Rockwell
Series: Serengeti, #1

Kindle Edition, 288 pg.
Severed Press, 2016

Read: February 7 – 8, 2016


Serengeti is the AI that runs/inhabits a Valkyrie class warship. She and the rest of the fleet of the Meridian Alliance are hunting for ships belonging to the Dark Star Revolution. Sadly, the hunt finds them — but the DSR ships were waiting for them. The ensuing battle doesn’t go well for the Alliance — and Serengeti barely survives, and the crew aboard her is decimated.

They escape the scene of the battle, but don’t end up where they’re supposed to be — and so Serengeti begins her trek to return to the fleet, limping along while hoping her remaining crew in the lifeboat will make it. She and a couple of repair robots make the long, limping journey alone — relying only on each other, some surprising ingenuity and hope to make it.

To help her — both for companionship and because she needs some better help, Serengeti upgrades a robot friend and the two quickly learn to rely on each other for moral support, encouragement and basic needs. It’s a pretty cool story in that way, and not one I can remember seeing anything like before. It’s like the Firefly episode, “Out of Gas,” starring a non-bickering C3-PO and R2-D2. But not at all, really.

There’s some humor, a lot of heart, and some good SF action to be found in these pages. I’m not sure what else to say without spoiling it, so I’ll keep this brief. This is a solid SF adventure with some surprisingly sympathetic AI protagonists. It’s the first of a duology — and I fully intended on getting my hands on part two pronto.

Disclaimer: I received this book from the author in exchange for this post — I appreciate it.

—–

3 Stars

Say Nothing by Brad Parks

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On February 8, 2017

In Brad Parks, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

Say NothingSay Nothing

by Brad Parks

eARC, 448 pg.
Dutton Books, 2017

Read: January 19 – 21, 2016


Since his debut novel, Faces of the Gone in 2009, I’ve considered myself a Brad Parks fan — but when I heard that he was going to step away from his series for a stand-alone, I got a little nervous. Maybe I wasn’t a Brad Parks fan — maybe I was just a Carter Ross fan. Honestly, the parts of the Carter Ross novels that he doesn’t narrate aren’t my favorite. Also, we all know all too well that for every Suspect or Mystic River, series writers can give us a The Two Minute Rule or Shutter Island — maybe grabbing this book was going to be a mistake.

Thankfully, it wasn’t.

While working on this post, I saw this from Sue Grafton talking about Say Nothing: “Terrific book. Truly terrific. Tension throughout and tears at the end. What could be better than that?” I’m a little annoyed by this, honestly. That’s pretty much how I was going to sum up things for this post. Frankly, I wish Grafton would focus her efforts on finding another 5 letters between X and Z rather than preemptively stealing my lines.

We meet Judge Scott Sampson a few minutes after the biggest crisis of his life has started — and a few minutes before he leans about it. Once you get to learn Sampson a little, you’ll see that the bar for biggest crisis for him is set a little higher than for most. He’s informed that his twin children have been kidnapped and is provided some pretty compelling reasons to believe that he’s under surveillance (and will soon be given even more reason to believe that). Basically, the message he gets is this: if you want to see you children alive and well, you will do what we tell you to with a case. There are a few tests he has to pass to demonstrate his compliance — tests that may do lasting damage to his career. But Sampson is eager to prove that he will do whatever he’s asked for his children, consequences notwithstanding.

This isn’t going to be an overnight escapade — in fact, for Sampson and his wife (how have I failed to mention Allison?), this is an ordeal of indefinite duration. The stress, the worry, the intense reaction to this situation begins taking its toll almost immediately. These pressures test their individual ethics, bring secrets to light, expose and exacerbate problems in their marriage, and generally bring them both to the breaking point. They are also both driven to discover their inner-Liam Neeson in order to get their daughter (and son) back — neither, really possess a particular set of skills fitting this goal, sadly. These attempts just make their personal and interpersonal woes worse — and their lives continue spinning out of their control.

There is a relentlessness to the pace that’s a pleasure — and a drain. Jack Reacher gets a good night’s sleep and enjoys coffee (and the less than occasional romantic interlude), Harry Bosch has jazz to relax him, Elvis Cole has that cat and Tai Chi — as intense as things may get, by and large these guys get a break. But for Scott and Allison — their children don’t stop being kidnapped, and whatever solace they might find in alcohol, sleep or family — it’s a temporary band-aid at best.

This doesn’t mean that it’s not an enjoyable read — Scott is a charming character and you will like him as you learn more about his life and family. You will not approve of every move he makes here (I guess you might, but I hope you don’t), but on the whole you will understand why he makes them and won’t judge him too harshly. Whoops, I was talking about tone here — I had fun with this, even as I was feeling a shadow of the pressure Scott and Allison are under, I even laughed once. There’s a real sense of peril when the narration focuses on the children — but it never feels exploitative.

Like most readers will, I had a couple of pretty compelling theories about who was behind everything (and why), and focused on the correct one pretty early on. Which didn’t stop me from being taken aback when it Parks revealed it — he really handled that well. Another weakness comes in the last couple of pages where Parks ties up a few loose ends, and a couple of them feel too tidy. But it’s instantly forgivable, and you want these characters to have something tidy after all they’ve gone through. On the whole, however, the characters and situations are complex and real (if heightened) — Parks nailed this whole thing. I think this will hold up to at least one repeat reading — the second read might even be more rewarding since you can appreciate what Parks is doing without being distracted by wondering what’ll happen.

The tears that Grafton mentioned? Yeah, she got that part right, too.

This is a thriller filled with real people and situations that you can believe. You’ll run the emotional gamut a time or two while reading this and will wish you could read faster just so you can make sure these kids make it home. I think I like the Carter Ross books more than this, but it’s in Say Nothing that Parks finds his stride as a crime fiction writer. Really well done.

By the way, It turns out that I am a fan of Brad Parks. Phew.

Disclaimer: I received this eARC from Dutton via NetGalley in exchange for this post — thanks to both for this, although my Primary Care Physician probably isn’t crazy about what it did to my blood pressure.

—–

4 1/2 Stars

Pub Day Repost: What You Break by Reed Farrel Coleman

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On February 7, 2017

In Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

This is one of those I spent a couple of days futzing around with — not sure I made it better (or worse) by doing so — I re-arranged a lot, that’s the best I can say. Both Murphy novels are tough to talk about in the abstract, which I think is a pretty good thing. There’s not a lot of fat on them — just good lean prose.

What You BreakWhat You Break

by Reed Farrel Coleman
Series: Gus Murphy, #2
eARC, 368 pg.
G.P. Putnam’s Sons, 2017
Read: December 1 – 5, 2016

Why? It’s three letters that permeate this novel. We’re all familiar with the need for an answer to that question. From the time that a toddler starts ever so persistently asking that question until the end, we keep wondering, “why?” Few need the answer as much as someone who has to deal with the unexpected death of a younger family member. In Where It Hurts, we saw just what the lack of an answer did to Gus Murphy and his life. So when a grandfather comes to Gus for help finding out why his granddaughter was brutally murdered, there’s no way that he can turn his back on the request. Especially given the inducements being offered.

He wasn’t recruited to solve the murder — the police have a man awaiting sentencing for the crime. But he won’t tell anyone anything about the crime or his relationship (or lack thereof) to the victim. The grandfather, Micah Spears, rubs Gus wrong from the get-go — if it weren’t for Father Bill’s endorsement, and his understanding of Spears’ deep need to know, Gus would’ve walked. It probably would’ve been better for him if he had. Almost no one — especially her family, the police (many of whom are still angry for what Gus turned up in the last book) — wants him to pursue this. The more Gus learns about Linh Trang (she preferred “LT”), the more he becomes convinced that there’s no reason for the killer to want her dead, which just makes the “Why?” even more pressing.

Before he can really start to work for Spears, Gus has a few other why’s to answer — why did his friend/co-worker, Slava, just drive off with the mysterious new guest at the hotel? Why did a Russian gangster get assassinated before Gus’ eyes shortly after Slava and the guest talk to him? Why is there a very formidable Russian running around Long Island looking for Slava? The focus of the novel is on the Spears case, but this storyline casts a shadow over everything. I didn’t really spend too much time in Where It Hurts worried about what would happen to anyone, and the Spears case is more of a puzzle than anything — but there’s peril to this Russian story, and the reader will become convinced that whatever happens in it, will have a large impact on Gus (and not just because of Slava’s involvement).

Gus has grown a bit, made some steps toward health since we last saw him, but he has a lot of work to do. Things with his ex- are about where they were previously, but with less anger (mutually), his romance is progressing with Maggie, and so on. Basically, Gus is becoming someone different from just the ex-cop with a dead son. That sill the core of his being, but there’s something more to it than that — maybe even some room for happiness. It’s hard to discuss briefly, but simply: Gus was better off by the end of Where it Hurts than he was at the beginning, and at the start of this novel, he was better off yet. As for the ending of this book? Well, read it and decide for yourself.

This book deals with some pretty potent things — as Coleman did when we met Gus — there’s love, friendship, loss, grief, confusion and resentment, to name a few of the ingredients in the emotional cauldron everything in the novel is steeping in. Not just from Gus, Slava and Spears — but everyone in the book is dealing with things that no one should have to, but most of us do. I’d like (but cannot expect) to circle back around and see how LT’s friends are doing in a couple of years, ditto for her sister and ex-step-grandmother. I’d like a lot more time with a judge that Gus interviews, as well as Gus’ lawyer. I expect the latter, at least, will be granted to me.

Spears and Gus do get some answers as to why LT was killed — but, as is so often the case, really those answers don’t satisfy much and lead to further questions. No tidy bows here for anything — which isn’t to say the concluding scenes of the novel won’t satisfy the reader, just that there’s no pat endings or rides off into the sunset. Just survivors (not saying how many of them there’ll be) moving on. The Epilogue will stay with you. That’s really all I can say.

This book put me through the wringer — not as much as Gus and Slava were, but still — Coleman has really topped himself from Where it Hurts, we know these people better now, so he can push them further. I lost sleep with this one, which isn’t that unusual, but I lost more sleep staying up to get through this than I have in a long time. There’s a darkness, an emptiness throughout that wasn’t there in our first encounter with Gus — or if it was, it’s changed in source and intensity. I’m not sure many readers will like where Gus is by the time we get to book 3 or 4 (including me) — but I’ll understand it. Coleman’s making sure his writing and characterization is honest, as real as fiction can get.

Once again, he delivers a crime novel that could be mistaken for a non-genre novel (as if such a thing exists), suitable for thoughtful crime readers or those who don’t mind crime to show up in a novel about a parent redefining himself after the death of a child.

Disclaimer: I received this eARC from G.P. Putnam’s Sons via NetGalley in exchange for this post — thanks to both for this. It didn’t change my opinions on the book, I was simply able to form them a couple of months early.

—–

4 1/2 Stars

Pub Day Repost: All Our Wrong Todays by Elan Mastai

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On February 7, 2017

In Fiction, General Fiction/Literature

All Our Wrong TodaysAll Our Wrong Todays

by Elan Mastai
eARC, 384 pg.
Dutton, 2017

Read: November 21 – 23, 2016

Avery Brooks famously asked, “Where are the flying cars? I was promised flying cars! I don’t see any flying cars! Why? Why? Why?” Elan Mastai’s book finally provides the answer. Simply put: we had it — flying cars, routine space flights, robots/other tech dressing us, feeding us, doing the everyday jobs that need to be done so that humans can focus on working in labs to make the world an even better place, to make the next technological leap forward. Essentially, everything that Science Fiction of the 1950’s told us to expect, we lived in George Jetson’s world.

Until July 11, 2016 when the first time machine was turned on and things went wrong, resulting in 40 years of history being rewritten and one man — Tom Barren — was the only one to know that we are now living in a dystopia. It’s a dystopia for everyone on Earth, but Tom, that is — his life in the 2016 that we know is much better than it was in the “original” 2016. So now Tom has to decide, does he try to restore the timeline (if he can even figure out how to do so), or does he keep things the way they are?

That’s less than you can see on Goodreads/Mastai’s site/Web retailers — and yet I think I gave away too much. But really, that’s barely scratching the surface.

There’s a great mix of detail to the science (at least the ideas and theories behind it), yet keeping it at the level where we don’t get bogged down in technicalities (and kept Mastai from having to work them out) — he gets away with it by comparing it to the way that we don’t really understand how hydroelectric dams or incandescent light bulbs work.

There’s the literary equivalent to that scene from The Wire‘s 4th episode — it’s a mixture of genius and profanity and poetry. Mostly profanity.

We’re going to be talking about Elan Mastai the way we recently talked about Ernest Cline or Andy Weir next year (assuming I can predict anything) — and he deserves it. The voice grabs you right away from the humor, the honesty — the trouble with time travel grammar. I really wish that Jonathan Tropper’s endorsement of the book wasn’t right there on the front cover, because it feels like a cheat to compare Mastai to him now, but I want to. He’s got the same mix of humor, heart, drama, inspiration as Tropper, he just blends science fiction themes in with those.

Tom Barren’s a great character (a questionable person, but a great character) that you’ll love spending time with. There are really a lot of great characters here, but he’s the only one I feel safe discussing. There are characters with warts, strengths, weaknesses, courage, bravery, humanity in all shapes and sizes — some noble, some despicable, some pathetic. As is frequently the case, seeing multiple versions of the same characters in the various timelines tells you a lot about the people and/or worlds they live in.

Tom’s father, the one who developed the time machine — has some fantastic theories about time travel — it’s not just about time, it’s about space (between the earth’s rotation, movement through space, etc.), and for time travel to be really possible, both have to be addressed. Not only does it clear the TARDIS from every critique of time travelers/machines mentioned in the book, but it’s a really, really good point.

It’s one of those magic books that you don’t want to end, because you’ll have to leave the characters and world — but that you can’t get through fast enough because you just have to know how it turns out.
Is it flawless? No, I’m sure it’s not, but unlike ever other book I’ve read this year (including the ones I’ve loved), I can’t think of a single problem. That says a lot to me.

I have not been able to stop talking about this book for a week now — I think my wife and kids have started ignoring me when I bring it up. All Our Wrong Todays is a book that practically demands over-hyping — it’s only a huge amount of restraint that keeps me from spilling everything. I have a list of people I want to buy this for (started compiling it when I was about 10% finished), and the list is currently long enough now that I wouldn’t be able to buy any books for myself until June 2017 — so, sorry everyone, buy your own.

I don’t know if I’ll be able to watch/read more time travel again — especially time travel involving love stories — but man, it’s absolutely worth it if this was my last. Pre-order this one now so that you can dive into it as soon as possible.

—–

5 Stars

Disclaimer: I received this eARC from Dutton via NetGalley in exchange for this post — thanks to both for this.

Chameleon by Zoe Kalo

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On February 2, 2017

In Fiction, YA/MG/Children's Books

ChameleonChameleon

by Zoe Kalo

Kindle Edition
Zoe Kalo, 2017

Read: January 27 – 28, 2016


Paloma is a few months shy of turning 18, graduating high school, and moving on with her life when people at her old school have had enough — she’s expelled from school and home. Her mother and step-father deposit her in a convent school with a mix of the privileged and orphans. Isolated, rejected, and defiant, Paloma determines that she’ll endure the experience no matter what it takes.

At that time however, she hadn’t considered the types of nuns she’ll meet, the kind of peers she has — and the very real possibility that she’ll meet a ghost (and maybe more than one). The nuns are a mix of judgmental and prejudiced against her; and welcoming and encouraging Her peers are largely a different assortment — some seem to be conscientious and studious, spiritual and compassionate, or spiteful and catty; most turn out to be everything they seem not to be. Paloma quickly (and despite herself becomes part of a group and finds that to be both a comfort and a source of distress. The ghost seems to be . . . well, that would be telling, wouldn’t it?

Paloma’s life up to this point hasn’t been that easy — there are some dark things in her past, and your idea of what some of those are is constantly evolving and you understand her better and she reveals more about herself. As you learn about her, she learns about her friends and “friends.” There’s more going on at the convent than many would guess, and many of those things will be exposed in one way or another before the reader finishes Chameleon.

My wife and kids have been watching a lot of Chopped lately, so you’ll have to forgive me for this metaphor: but Chameleon does a good job of using all the ingredients in the basket — paranormal elements (or are they?); complex female characters; even more complex relationships between them; a handful of mysteries; complicated family dynamics; and so on — combines them in some interesting ways, but the end result is a little undercooked. Yeah, it’s a stretch, but as I’ve thought about this book the last few days, that’s what kept coming to mind — if Kalo had given this another revision or two to smooth out some of the rough spots, better develop a few scenes, characters and relationships, this could’ve been much better. It’s a good, enjoyable book — but it’s not as good as it could have been.

I’m not sure what the point of setting the story in 1973 was — other than it being safely on the other side of PCs, the Internet, etc., I guess. It doesn’t hurt or help the story — I just think that for a setting as specific as that, there should be a clear advantage.

It’s a touch melodramatic for me with characters that need a little more time in the oven — but it did what it set out to do. Chameleon tells the story of this group of girls in a way that keeps you guessing, on your toes and turning pages. I anticipate the target audience will respond to things I didn’t here, but even for those of us a couple of decades past that target, this is an enjoyable read.

Disclaimer: I received this novel from the author in exchange for this post — thanks Ms. Kalo.

—–

3 Stars

The Innocent (Audiobook) by Taylor Stevens, Hilary Huber

By

On February 1, 2017

In Audiobook, Fiction, Mystery/Detective Fiction/Crime Fiction/Thriller

The Innocent (Audiobook) The Innocent

by Taylor Stevens, Hillary Huber (Narrator)
Series: Vanessa Michael Munroe, #2

Unabridged Audiobook, 12 hrs, 30 min.
Random House Audio, 2011
Read: January 23 – 30, 2016


Michael Monroe’s best friend and most trusted ally, Logan needs help — he was raised by a cult as were most of his close friends, and despite being free of them for all of his adult life, he’s not been able to truly put The Chosen behind him. His friend, Charity, is possibly the only one closer to him than Michael, she grew up in the same cult and also left when she was old enough to make it on her own. Eight years before this book, her daughter was kidnapped by a member of The Chosen and taken somewhere to South America . Now, after years of searching, and her being moved from location to location, they have located her. There’s only one person that Logan trusts to bring Hannah home.

Locating one girl in the city of Buenos Aires is no easy feat. Extricating he from a controlling atmosphere without harming anyone isn’t much easier. Getting her out of the country and back into the US? More difficult yet. Throw in some donors and allies to The Chosen that aren’t who you’d expect — and aren’t nearly as pacifistic as the cultists — and you’ve got yourself a thriller.

Ever since the events of The Informationist, some months earlier, Michael’s been haunted by the deaths she’s caused — and is experiencing some kind of night terrors that keeps her chasing danger. Her own subconscious might be the biggest opponent that Michael has to deal with.

Frankly, for the first third or so (probably less), I had to force myself to stay with it, trusting that Stevens knew what she was doing — the way that Michael’s internal conflict was presented — as well as the way that Logan approached things, just didn’t work for me. I’m not sure if it was the way Stevens wrote the problems/solutions. But it wasn’t until the Michael got to Argentina that things really got me interested.

Hubner’s narration was capable and engaging — it wasn’t dazzling, but it delivered everything you want.

Despite a rocky start, once things got moving, this proved to be another satisfying thriller with Michael Monroe — and demonstrates what this series can be. I’ll be back for more soon.

—–

3 Stars

Rivers of London: Night Witch by Ben Aaronovitch, Andrew Cartmel, Lee Sullivan

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On January 31, 2017

In Ben Aaronovitch, Comics, Fiction, Rivers of London (Peter Grant), Urban Fantasy

Rivers of London: Night WitchRivers of London: Night Witch

by Ben Aaronovitch, Andrew Cartmel, Lee Sullivan (Artist)
Series: Rivers of London Comics, #2

Trade Paperback, 128 pg.
Titan Comics, 2016
Read: January 21, 2017


I enjoyed the first collection of Rivers of London comics, Body Work, but it felt like something was missing — I’m not sure what. Night Witch, on the other hand, built on that good foundation and topped it. This one felt whole, complete — there wasn’t anything lacking here.

Some Russian bigwig’s child has been taken — his wife is certain it’s by someone/something supernatural. They try to take care of it on their own, recruiting Varvara Sidorovna — well, trying to. She tells them to get the police involved, specifying they request Nightingale’s involvement. It’s not that easy to sell official police involvement on this couple. The way they go about doing so isn’t really that typical, either.

Still, Peter and Nightingale get into things and start turning up all sorts of interesting magical things — including The Faceless Man and Lesley. Speaking of which — comics-Lesley? Perfectly creepy.

The story feels a little scattered, but when it’s all told, you can reflect on things and get all the pieces to fit into place nicely — moreso than you can when reading from front-to-back. But it’s easy to forgive that because the story is so strong — and the little character beats are great.

The art is good — it’s great to see the magic –as well as the characters — in these stories brought to life.

Bev’s way of dealing with a home invasion crew of Russian mobsters made me laugh out loud — I don’t know if Aaronovitch could’ve pulled it off in a novel, or if that’s something he only could’ve accomplished with the help of an art team. Either way, I’m glad I got to read it.

There’s not much more to say, a good story with some real enjoyable moments with these characters we want to spend time with. Sure, more novels would be nicer, but these do a good enough job helping to fill the time between them.

—–

3 Stars

The Day My Fart Followed Me To Hockey by Sam Lawrence & Ben Jackson, Danko Herrera

By

On January 31, 2017

In Fiction, YA/MG/Children's Books

The Day My Fart Followed Me To HockeyThe Day My Fart Followed Me To Hockey

by Sam Lawrence & Ben Jackson, Danko Herrera (Illustrator)
Series: Little Fart, #2

PDF, 27 pg.
Indie Publishing Group, 2016

Read: January 21, 2016


Timmy’s a pretty big hockey fan and it’s the day of his first hockey tryouts. Nerves are getting to him — he rejects some good advice, pushes his friend, Little Fart, away (which is pretty understandable — I mean, who wants their fart that close to them during a tryout?). Sadly, his nerves start to cancel out his ability — and his fun.

Thankfully, Little Fart is a better friend to Timmy than Timmy was to him — but can he save the day?

Timmy’s a pretty standard little kid character — someone easily identifiable, and maybe moderately annoying to parents who read it but someone that a child will imprint on.

Little Fart is cute, loyal, supportive and fun — the ideal not-so-Imaginary Friend. Just the kind of character you hope will linger around. (sorry, I just had to…)

Herrea’s illustrations are adorable — not a word I use frequently, I know — they grab your eye and hold your attention, doing a pretty good job of telling the story by themselves. Just what a kid would want to go with the words they’re reading — or to keep their attention while being read to.

The story is pretty basic — the lesson is tried and true, but cleverly and charmingly delivered. Just what a younger reader is going to want. Rather, the lesson and the way it’ll get into a kid’s head is just what a parent is going to want, the humor and art is what the young reader will want. I enjoyed it — and my kids are too old for this. A sure thing, for parents and kids alike.

Disclaimer: I received this book from the authors in exchange for this post — I appreciate it.

—–

3 Stars

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