Category: Fiction Page 274 of 348

We’re All Damaged by Matthew Norman

We're All DamagedWe’re All Damaged

by Matthew Norman

Paperback, 268 pg.
Little A, 2016

Read: June 8 – 9, 2016

It’s a cruel fact that if your wife cheats on you, the guy will have a name like Tyler. Something cool–something your parents never would have had the guts to name you.

This particular Tyler is involved in Andy Carter’s wife leaving him (he’s not the cause, as Harry Burns’ buddy, Jess, would remind us, “Marriages don’t break up on account of infidelity. It’s just a symptom that something else is wrong.”). Karen uses the symptom as an excuse to dump Andy at an Applebee’s in the funniest and most tragic first chapter since Tropper’s This Is Where I Leave You.

Actually, there are several similarities between this book and This Is Where I Leave You — which is not to say that Norman’s ripping Tropper off or anything (although, it’d be a good book to steal from). It deals with some similar themes in a similar tone with similar heart. A few times Norman made me think of Tropper (I bet next time that the next time I re-read Tropper’s book, I’ll think of Norman’s).

Following the Applebee’s disaster, Andy sort of fell apart, I’ll spare you the details because Norman does a much more entertaining job of relating them than I could. But long story short, he quits his nice job and moves to from Omaha to New York and becomes a bartender, and is sort of adopted by a stray cat named Jeter (as has been well established, I’m not a cat person, but I liked Andy’s relationship — for lack of a better term — with Jeter). While licking his wounds — or whatever — he pretty much cuts off communication with his family and friends. Not out of spite or anything, but it just seems to take too much energy.

For a while now, I’ve had to keep reminding myself that I’m a nice person. Like, nice nice. Midwestern nice. Half the people who signed my high school yearbook told me so–it’s documented. A few of them even mentioned that I should never change, never ever. I once helped a blind lady walk across a grocery store parking lot in the rain. I used to run 5Ks on Saturday mornings to fight cancer and juvenile diabetes and all of that horrible shit.

Time moves on, as it tends to outside of SF novels, anyway. Before he knows it, Andy’s being stood up for a blind date and he gets a call that his grandfather is about to die. A grandfather that Andy’s pretty much ignored for over a year. So Andy goes home, after promising his boss/friend that he won’t have anything to do with Karen.

Want to bet he keeps that promise? Yeah, me neither.

He doesn’t recognize his parents, the kind of house they live in, or the notoriety his mother (a conservative radio talk show host) is enjoying. His grandfather, suffering from dementia (amongst many other things), doesn’t recognize him, either. Andy is recognized by his former best-friend/ex-brother-in-law, his brother, his parents, his ex-father-in-law, a few people he’s never met. Including someone claiming to be his sister. Oh, and Tyler.

She calls herself Daisy, “smeller of books and a marker-upper of books,” and actually has a pretty good reason to calling herself his sister. But she has other plans for him — inspired by the stories his grandfather’s been telling her, Daisy has decided to fix Andy. She sports multiple tattoos, has no discernible source of income, and marks up books. Really, not the kind of person a respectable young man should be associated with — even a formerly respectable young man. But man, I really, really liked Daisy (marking up books notwithstanding), I can almost guarantee you will, too.

You’ll probably like Andy, his grandfather, father, niece and ex-friend, too. Forget about liking Tyler, just not going to happen. I’m not sure where you’ll come down on Mom. I’m not sure where I come down on mom, either.

I’m not sure you’re supposed to have a firm opinion about her, either. My one complaint with the book has to do with Mom. The novel takes place in the weeks leading up to the
Obergefell v. Hodge
decision, and since Mom’s a conservative talk show host on the verge of nationwide fame, the case is mentioned a lot. No one, on either side of the issue, deals with it in a substantive manner — it’s all sound-bites and bumperstickers. Frankly, something so important should’ve been dealt with gravitas, not in sloganeering and cartoonish representatives. Sadly, by and large that’s all that the Internet, TV and radio gave us — so that really Mom (and her vocal opponents) were realistic representations of a lot of our country. Not the best part of it, sadly, just a large part. I can’t fault Norman for focusing on them just because they were realistic just because I wish they weren’t.

So, while maybe coming out of the ruins he’s made of his life and personality, Andy mends some fences, further ruins some more, connects with his father in a way he hadn’t in a long time, and maybe even gets a little closure. He also makes a fool out of himself, gets punched, and has to attend his grandfather’s funeral. Thanks to Daisy’s pushing, he may not be living a good life — but it’s one a lot more interesting than just wallowing in the past.

At a certain point, you pretty much figure out exactly how things are going to go in the book — and you’ll be right (except for the once or twice where you’ll be really wrong). But it doesn’t matter, because things work out the way they should, and Norman works them out in a pleasant, engaging style.

I liked Andy’s ambivalent relationship to technology — the imaginary conversations he has with Siri made me grin. And then there’s his first brush in months with Facebook.

I’ve given it some thought, and, seriously, there’s just no way Facebook can be good for you. I’m sure there have been studies, so this probably isn’t some brilliant revelation, but I’ll say it anyway. On the surface, it’s harmless enough, I guess. How bad can it really be with its endless baby posts, food pictures, and beachy foot selfies? But it’s not that simple. Mixed in with all of its silly bullshit, Facebook is the literal manifestation of all our regrets, looping and looping, for free, on our computers and phones. People who should be gone and safely out of forever are there again, one cryptic little glimpse at a time, reminding us of all the things we should or shouldn’t have done.

Seriously, Norman deserves some sort of literary prize for the “literal manifestation of all our regrets” line, right?

There’s also a cameo in here that was such a nice touch.

This was a very amusing book — frequently funny. This was also a touching book — I might have gotten misty once or twice. More than anything else, this was engaging — I was right there with Andy the whole time, cringing when he was being stupid, grinning when he was being charming or mature. I enjoyed this one so much that I can’t quite figure out how to say it. Norman belongs up there with Nick Hornby, Jonathan Tropper, Rainbow Rowell and Jennifer Weiner — he can make you laugh, make you cry, make you feel, all while telling a pretty good story. I should go back and re-read his other novel, just to be able to prove this. But until I do, just take my word for it and give this a shot.

—–

5 Stars

Reread Project: So Long, and Thanks For All The Fish by Douglas Adams

So Long, and Thanks For All The FishSo Long, and Thanks For All The Fish

by Douglas Adams
Series: The Hitchhiker’s Guide to the Galaxy Trilogy, #4

Mass Market Paperback, 214 pg.
Del Rey, 1999
Read: June 14, 2016

Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her.

“Why’s this fish so bloody good?” he demanded, angrily.

“Please excuse my friend,” said Fenchurch to the startled waitress. “I think he’s having a nice day at last.”

I’ve said it before, I’ll say it again: this is my favorite Douglas Adams novel. Sure, The Hitchhiker’s Guide is fantastic and I love it and you can make a strong case that at least one of the Dirk Gently novels is his best (I expect I’ll be doing so in a couple of months) — but this is the one that does it for me.

Unlike the previous three, there is an actual narrative here — it’s not a collection of scenes, jokes, and vignettes loosely tied together. Arthur Dent arrives on Earth (no, really) after traipsing from one end of the galaxy to the next; from the end of the universe, to the beginnings of life on Earth; basically all throughout time and space (sadly, without the blue box). And now he’s trying to re-acclimate to life at home. Which has somehow not been destroyed, neither has his house. In fact, everything’s pretty much like it was before.

Just with everyone convinced that the Vogon Constructor Fleet was a CIA-induced Mass Hallucination. Not everyone believes it, but most do. Two people who don’t believe that are a man named Wonko the Sane and Fenchurch. Both of whom are pretty cool characters.

I’ll skip Wonko, because the name says everything. Fenchurch, on the other hand, is perfect. She’s everything that Trillian never got the chance to be (except in the semi-disastrous final chapters of Life, the Universe, and Everything. She’s funny, smart, sexy — just what Arthur needs. I’d happily read a book just about her.

There’s a mention of Zaphod — briefly — but that’s it. So the zaniness fell into Ford’s capable lap. I’ve always liked Ford better, anyway. And he’s able (as always) to pull off the zaniness, the comedy, the . . . everything without being quite the obnoxious twit that Zaphod is.

Ford’s his usual delusional, clueless, charming, drunken self.

Here was something that Ford felt he could speak about with authority.

“Life,” he said, “is like a grapefruit.”

“Er, how so?”

Well, it’s sort of orangy-yellow and dimpled on the outside, wet and squidgy the middle. It’s got pips inside, too. Oh, and some people have half a one for breakfast.”

“Is there anyone else out there I can talk to?”

Arthur comes out of this one looking pretty good, too. He’s not whining, he’s not just getting pulled around by his dressing gown wherever whim strikes Ford (or Zaphod). He’s mature, capable, witty. He sees a problem or two and solves them (even if one of those problems is just “who was that girl I almost met the other day”?). He’s almost a wholly different guy when he’s home. Which makes him a lot like the rest of us — which is sort of the point of Arthur since we first met him.

One of the highlights of the last book was the section about flying, I’m pretty sure I said that. The section here about flying is better — Arthur teaching Fenchurch, Arthur remembering how to do it in the first place — and then the two of them flying around. It’s just about perfect.

And, of course, there are little bits like:

Of course, one never has the slightest notion what size or shape different species are going to turn out to be, but if you were to take the findings of the latest Mid-Galactic Census report as any kind of accurate guide to statistical averages you would probably guess that the craft would hold about six people, and you would be right.

You’d probably guessed that anyway. The Census report, like most such surveys, had cost an awful lot of money and told nobody anything they didn’t already know — except that every single person in the Galaxy had 2.4 legs and owned a hyena. Since this was clearly not true the whole thing eventually had to be scrapped.

    There’s a few things I’d love to go on and on about, but no one wants to read me gushing and gushing and gushing, so here are the assorted highlights:

  • The zig at the end of the Prologue.
  • Arthur’s biscuit/train station story. Seriously, I just love this.
  • Rob Mckenna
  • Wonko the Sane naming the world The Asylum and his house Outside the Asylum.
  • Wonko the Sane’s name.
  • All the California jokes. Clearly, he’d been vacationing there too much.
  • The whole thing about the lizard government and democracy is both funny and relevant.
  • Chapter 25 is just dandy.

The last chapter or two are a little weak, pretty close to the older books in tone and style. But they work, they are tied into the narrative and star Marvin. So who’s going to complain? Not me.

Really, I’ve got nothing but positive things to say about this. I love it. One of the easiest 5-star ratings I’ve ever given.

—–

5 Stars

Coming Attraction: Let There Be Linda by Rich Leder

Coming July 28th:


Laugh Riot Press is bringing the Book Tour for Rich Leder‘s Let There Be Linda to our humble patch of cyberspace.

This black comedy is a hoot, you’ll want to be sure to stop by to learn more about this book and author (and maybe even pick up a free book). Frankly, I have no idea how I can talk about this book without ruining everything — but it’ll be fun trying to figure that out, and possibly a disaster if I can’t.

United States of Books – To Kill a Mockingbird by Harper Lee

It’s just not fair (and probably fixed) that the organizer of this little project got to read To Kill a Mockingbird, easily one of my favorite 2 novels of all time. I just checked, and over 3% of the posts here reference Harper Lee in some way — given the number of authors I’ve mentioned at least in passing, that’s saying something. So to have someone else write the first full-length post on this book here bothers me (and makes me wonder just what I’ve been doing the last few years that I haven’t posted about it yet). But anyway, enough of the jealous ranting — on to Laura’s post!
Welcome to the halfway point of the United States of Books! We have now reached review number twenty-five and six months of reviews. I can’t thank the team of reviewers enough and our fantastic readers. To say thanks to you all, we are giving away a $25.00 Amazon gift card for 1st place and then a copy of any of the US of Books books (winners choice) Kindle or physical copy (INT) as long as Book Depository delivers, for 2nd place.

Click here to enter

To Kill a MockingbirdTo Kill a Mockingbird

by Harper Lee

Author: Laura at 125Pages.com

4 1/2 Stars

Synopsis

Harper Lee’s Pulitzer prize-winning masterwork of honor and injustice in the deep south—and the heroism of one man in the face of blind and violent hatred.

One of the best-loved stories of all time, To Kill a Mockingbird has been translated into more than forty languages, sold more than thirty million copies worldwide, served as the basis for an enormously popular motion picture, and was voted one of the best novels of the twentieth century by librarians across the country. A gripping, heart-wrenching, and wholly remarkable tale of coming-of-age in a South poisoned by virulent prejudice, it views a world of great beauty and savage inequities through the eyes of a young girl, as her father-a crusading local lawyer-risks everything to defend a black man unjustly accused of a terrible crime.

Review

This week takes us to Alabama with To Kill A Mockingbird by Harper Lee. EW says – “Forget the dubious sequel. Lee’s exceptional work is a perfectly contained miracle about the struggle for justice in a system built to destroy it. From Birmingham to Tuskegee, Alabama was a burning center of racial conflict, and this novel takes place right on the outskirts of that crucible.”

To Kill A Mockingbird by Harper Lee is one of the first “grown-up” books I remember reading. It was the summer before 7th grade and I was a precocious twelve-year-old. I loved that the person telling the story was a smart young girl and that she was so very different from other book narrators that I had been exposed to. I read it at least once a year and loved when it was on the book list in sophomore year, as it made the book report easy to do. As I got older, I stopped reading it as often, and as I picked it up this time realized it had been at least ten years since I had last picked it up. As I cracked the cover on my old worn copy, it was like stepping back in time to a period in my life that had long since passed.

I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin, but you begin anyway and see it through no matter what.

To Kill A Mockingbird is a complex story of a young girl, six-year-old Jean Louise Finch (Scout), who lives with her lawyer and widower father Atticus and her older brother Jem. Scout and Jem, together with the neighbor boy Dill, are fascinated with their reclusive neighbor “Boo” Radley, a recluse that is never seen. They begin to spin tales about him and try to entice him outside. Meanwhile their father is assigned a case defending a black man, Tom Robinson, who has been accused of raping a young white woman. The two stories weave together in a powerful tale of race relations in a small southern town coming out of the Depression. Harper Lee crafted a tale of morality and family that still resonates today.

As you grow older, you’ll see white men cheat black men every day of your life, but let me tell you something and don’t you forget it—whenever a white man does that to a black man, no matter who he is, how rich he is, or how fine a family he comes from, that white man is trash.

Love and murder, racism and redemption, all combine to make To Kill A Mockingbird a classic that will remain read for years to come. The way that Harper Lee combined wide-eyed youthful curiosity with the recollections of a grown woman make this a very interesting read. The style of the story telling is unique and matches the very detailed plot. The world created and described by Scout is vivid and real, and I could picture the scenes unfolding quite clearly.

Now that I have rediscovered Lee and Mockingbird, I regret ever leaving her world. A Pulitzer Prize winner, To Kill A Mockingbird is a book that well deserves its accolades as well as its criticisms. It does feature many difficult topics and language that in today’s world is considered unacceptable. I believe stories such as this still need to be told as we need to remember what used to be commonplace. I will now try to plan an annual re-read to return to this fascinating world. And, as said so well by Scout, “Until I feared I would lose it, I never loved to read. One does not love breathing.”

NYPD Red by James Patterson, Marshall Karp, Edoardo Ballerini, Jay Snyder

NYPD RedNYPD Red

by James Patterson, Marshall Karp, Edoardo Ballerini (Narrator), Jay Snyder (Narrator)
Series: NYPD Red, #1

Unabridged Audiobook, 7 hrs 7 min.
Hachette Audio, 2012

Read: May 24 -25, 2016


I am a huge, unabashed Marshall Karp fan. His Lomax and Briggs books are long-time favorites of mine (the best part of writing this post is that I learned that a month and a half ago, he self-published a new one! The fact that I haven’t dropped everything — including this post — to go read it is somewhat of a shock to me). They have humor, heart, clever stories, great characters, and a crackling good voice.

I have read several James Patterson novels. They are complex, tightly written, and move at a good pace (until they get to the point where they’re a little long). Yeah, I think he plays the super-smart psycho villain a bit too frequently, and that he enjoys the torture/violent aspects a bit too much. On the other hand, he sells books like almost no one else alive. So what do I know?

So when you put the two of these together, what do you get? Well, you get something that sells pretty well.

The NYPD has special task force to deal with high-profile cases, cases involving the rich, powerful and famous — particularly with the entertainment industry (and the money it brings in). This task force is nicknamed NYPD Red (as in red carpet, get it?). It’s a cushy, elite post for the crème de la crème. The crème-iest is Det. Zach Jordan, who’s getting a new partner (probably temporarily), Det. Kylie MacDonald. Kylie MacDonald is smart, ambitious and gorgeous (a word that describes pretty much every woman in this book) — and she dated Zach for a bit before she got married. Getting over Kylie has been on his To-Do List ever since.

NYC is in the middle of a big week hosting Hollywood’s best and brightest, trying to get more movies and TV made there. But some whack-job has started killing bigwigs in a very public, very noteworthy way. So it’s up to Jordan and MacDonald to stop them.

I have got to admit, most of the murders are pretty clever, if unnecessarily elaborate.

It was okay, well constructed, moved things well — there’s a little personal stuff mixed in, too. The killer’s a very Patterson-esque killer. The cops are a watered down Karp type. I’m not chomping at the bit to get to the next one, but I’m not opposed to it, either. So, yeah, I didn’t dislike it. Let’s go with that.

The narration was capable, it didn’t add anything to the experience — and maybe detracted a bit once or twice. Like the book as a whole, the narrators got the job done.

—–

2 1/2 Stars

In Medias Res: The Asset by Shane Kuhn

as the title implies, I’m in the middle of this book, so this is not a review, just some thoughts mid-way through.

—–

The Asset
The Asset

by Shane Kuhn

This is not the Shane Kuhn you know. Well, sort of. This is a standalone thriller about Airport/Airplane Security, Terrorism, and the USA’s efforts to keep the friendly skies, well, friendly. It’s not as fun and funny as The Intern’s Handbook or Hostile Takeover (or whatever they’re called in your part of the world). BUT it is just as well-written and suspenseful — and a little easier to believe, actually.

There are hints, suggestions, indicators, and other things pointing to an immanent terrorist attack on the U.S., and not enough people are taking the situation seriously. At least, least that’s the point of view of Kennedy, the security expert and protagonist, who is taking it very seriously. Taking place over 64 days (not a spoiler, that’s literally the 2nd line — although, there could be some action that takes place after that). Will Kennedy be in time to stop it? How will he? this is a pulse-pounder, a nail-biter, a “oh, crud — do I really have to go to work tomorrow? Do I actually need to sleep before then?” kind of book.

I think I’d prefer it to be harder to believe than the other two books, come to think of it.

I’m almost at the mid-way point of the ARC (with thanks to Simon & Schuster and Shane Kuhn) and I’m telling you now, you want to pre-order this, get on your library’s wait-list, or whatever (legal) thing you do to get your hands on a book. It comes out on July 12, you want to be ready for it.

A Nifty Surprise from Pocket Books!

When I got home from work today, a package containing this letter was waiting for me:

For those who can’t make it out, it reads:
Dear Reader,

You are receiving this package because you have recently been identified as a “superfan” of Kim Harrison! Enclosed here are two paperback copies of The Drafter, one for you and one for a friend. Please read, enjoy and share your thoughts with friends and family.

The next novel in the Peri Reed Chronicles, The Operator, goes on sale this November. Upon publication, we will happily send you a copy of The Operator to read, review, and share with friends.
Thank you for your continued enthusiasm for Kim Harrison’s work! Happy Reading!

With best wishes,

Now, this is coolest surprise I’ve received in quite a while. I’ve already got a copy of The Drafter, so I guess I have two for friends. I’ll figure out how I’m going to give these away soon (feel free to leave suggestions in the Comments below). As far as sharing my thoughts on it? I’ve done a bit of that already (here, here, and a little bit here)– but in essence, it’s the best thing I’ve read by Harrison, ever. And as a newly official Kim Harrison Superfan, when I say it’s the best, that means something 🙂 (or maybe, as a superfan, I’m too biased to pay attention to, but let’s ignore that possibility)

And getting a copy of The Operator? Suh-weet!

Here’s my question, though: How the grawlix did they get my address?!?!

Steel Victory by J. L. Gribble

Steel Victory Steel Victory

by J. L. Gribble
Series: Steel Empires, Book 1

Kindle Edition, 216 pg.
Dog Star Books, 2015

Read: June 10 – 11, 2016


This is a doozy to know how to categorize — it’s Post-Apocalyptic (but not really dystopian), it’s Futuristic (but little tech and everyone uses swords), it’s Urban Fantasy (but, pretty different from what you’ve seen before). Basically, this is the kind of thing that
Mike Underwood has been talking about
, the kind of thing that Angry Robot does so well when they list 3 or 4 sub-genres on the back of a book. So, you’ll have to settle for me saying it’s a good story about vampires, weres of various stripes, mages, mercenaries, humans, elves, Romans, and Brits.

The first thing to talk about is the world building — it’s great. Gribble doesn’t get bogged down in the details of the world, but you get the sense that they’re present. And what you are given demonstrate a fleshed-out reality — the magic system, the political structures (within the city and internationally), the races, the history (personal and global) — really she has it all together here. Better yet, she (mostly) explains it bit by bit in a way that serves the story, not bringing it to a halt to give us a lesson.

I’ve started — and deleted — a few versions of a couple of paragraphs talking about the characters and plotlines — they’ve been too detailed/spoilery/boring or vague/confusing/boring. And it’s not her, it’s me — this is an interesting book full of characters you want more of in situations that push them to be their best. I feel really bad that I can’t come up with anything here that works. So let me borrow the official cover copy:

One hundred years ago, the vampire Victory retired from a centuries-long mercenary career. She settled in Limani, the independent city-state acting as a neutral zone between the British and Roman colonies on the New Continent.

Twenty years ago, Victory adopted a human baby girl, who soon showed signs of magical ability.

Today, Victory is a city councilwoman, balancing the human and supernatural populations within Limani. Her daughter Toria is a warrior-mage, balancing life as an apprentice mercenary with college chemistry courses.

Tomorrow, the Roman Empire invades.

The last portion of the book wasn’t entirely satisfying — I liked the way the main storylines wrapped up, and appreciated that by and large you don’t have to come back for a sequel or two for some real closure. But things felt a bit rushed, and I had a couple of other little hangups. There was one character that seemed to get dropped partway through (I don’t think that’s what happened, but felt that way), which was troublesome. About the same time, a cultural movement seemed to peter out a little too quickly. But that could be explained by a focus (both in the narrative and in the city) on the military action. Still, a bit rushed is better than very rushed, or abruptly paused to set up a second book.

From the action of the beginning, to the political intrigue, to the action-filled end this was a pretty entertaining read. I liked this one, I look forward to getting back to this world and characters, and do think that anyone open to reading this genre-mix would appreciate it.

Disclaimer: The author provided me with a copy of this book in exchange for my honest review.

—–

3.5 Stars

United States of Books – The Betsy-Tacy Treasury by Maud Hart Lovelace

The Betsy-Tacy Treasury The Betsy-Tacy Treasury

by Maud Hart Lovelace

Author: Serena Agusto-Cox at Savvy Verse & Wit

The Betsy-Tacy Treasury by Maud Hart Lovelace, which is the first four books in this 10 book series, was praised by Entertainment Weekly as “a rosy remembrance of a region already known for its niceness.” My daughter and I read these together over many weeks, reading little more than a chapter every couple of evenings.

Betsy-Tacy is the first book in the series, and young readers are introduced to five-year-old Betsy who lives in Deep Valley, Minnesota. She lives in a small mill town at the end of Hill Street, but she’s soon to have a new neighbor, as a new family moves into the house across the street. My daughter was thrilled to hear about a girl her age, and she was even more excited when I told her that there were pencil-like sketches inside for her to visualize what we were reading. Transitioning from only picture books to chapter books can be hard, especially for kids who love visuals. Betsy soon has a new friend, Tacy, and they share big imaginary adventures together before her baby sister arrives and before they even meet Tib, whose family is from Milwaukee and live in the chocolate-colored house they covet. Entertainment Weekly‘s assessment of a “rosy” picture of a “nice” little town is highly accurate, and it’s clear that this story takes place some time ago before many worried about strangers, criminals, or had cars, cellphones, and televisions. Imagination was a commodity that children needed in large supply. This is not to say that Betsy, Tacy, and Tib do not get into trouble.

Rating: Cinquain

Betsy-Tacy and Tib is the second book, and the girls are now eight years old. It becomes clear that even though these books were written during a time when women were supposed to be mothers and wives, these girls have bigger dreams. Betsy is a storyteller and she seems to have dreams of writing books, while Tacy wants to be a mother to a number of kids, just as her mother is. Tib is torn. To be an architect/engineer, mother, dancer, or something else. When kids think about what they want to be when they grow up, their dreams are big and seem to be out of reach. They are fantasies, like many of the stories these girls create in this book for Tib’s Aunt Dolly and themselves. My daughter is riveted by these books and the fun and trouble these girls get into, from visiting the Mirror Palace to cutting chunks of their hair off to put in lockets. These books remind me of the good old days when dreams were interchangeable and wonderful.

Rating: Cinquain

Betsy and Tacy Go Over the Big Hill is the third book and the girls are now age 10. It’s great how accurate Maud Hart Lovelace captures the competition between young kids when it comes to celebrating birthdays and feeling left out when others have birthday parties and they do not. But, ultimately, everything turns out well between Betsy, Tacy, and Tib, only to have a quarrel between Betsy and Tacy and their older sisters over who will become queen. This book has a lot in it about conflict resolution, which younger kids can definitely use as friendships grow and change, as well as in their relationships with siblings. My daughter enjoyed this one, but was a little unsure of the hubbub about kings and queens, even though she is an avid fan of princesses. I liked the historical details about the Syrian immigrants and foreign affairs involving the King of Spain, as well as a tidbit about the current president being Theodore Roosevelt. However, there are some “old-fashioned” ideas about immigrants and other cultures here that might need further explanation.

Rating: Quatrain

Betsy and Tacy Go Downtown is the fourth book, and at age 12, Betsy, Tacy, and Tib are a little too old for my daughter. She lost interest in this book series with this book, as their adventures downtown and their prodding of Winona to take them to see the play Uncle Tom’s Cabin did not resonate with her. She’s more interested in make-believe games and stories, and while these girls act as girls probably do at this age, manipulating a classmate is not a lesson I’d like my daughter to learn. It’s also interesting from an adult perspective to see how times have changed — a prized possession for one of the girls is a beer calendar! But here, we also see Betsy grow up and take an adventure to the new library on her own. While she apprehensive, she’s happy to be on her own and she thrives in the books she finds and reads, but also in the attention she seems to receive from others about her own writing. It’s wonderful to see her parents support her writing/art. It’s a lesson that is often not passed on today, as kids are tested and too focused on subjects that will net them lucrative careers.

Rating: Tercet

Average rating for all 4 books: 4.25

Cheap Shot (Audiobook) by Ace Atkins, Joe Mantegna

Cheap Shot (Audiobook)Robert B. Parker’s Cheap Shot

by Ace Atkins, Joe Mantegna (Narrator)
Series: Spenser, #42

Unabridged Audio, 7 Hours and 30 Minutes

Random House Audio, 2014
Read: June 7 – 9, 2016


This is a very mixed bag of an audiobook. I loved the novel 3 years ago, and enjoyed reliving it. But man, the narration was just not my thing. But I’ll get back to that in a bit.

I stand by pretty much everything that I said 3 years ago (although, I seem to have missed/underrated one plot point last time — I totally bought it this time). Here’s some of what I said before that still applies:

On the one hand, this is not Atkins’ best Spenser. But it’s the one that feels like Parker more than the rest (make of that what you will). The banter, the poking around and stirring things up until you get a break, the fisticuffs, the donuts, the gun fight, the needling of underworld players, and so on — he captures Parker’s voice and pacing better here than he’d managed before (yet doesn’t come across as pastiche). Spenser’s sniffing around the big money and big boys (and a few men) in sports, which serve as a good place for Spenser to reflect how men are to act. Parker did this Mortal Stakes and Playmates (and to lesser extents elsewhere — like Early Autumn), and Atkins is able to do that here (arguably he does so with a subtlety that Parker didn’t achieve).

Kinjo Heywood’s a fun character — slightly more grounded than Mortal Stakes‘ Marty Rabb, far more mature and grounded than Playmates‘ Dwayne Woodcock. One advantage Heywood has is his son, Akira (who’s plenty of fun on his own) — he has someone to provide a good example to, and he strives to. Heywood also seems to have thought ore about life and how one should live it. Marty seemed to think only about Linda (his wife) and baseball, Dwayne was all about his girlfriend (Chantel) and basketball, too — but with less self-examination, it’s just that’s all he had the chance to think about (although Chantel would see that changed, and his horizons broadened if she had anything to say about it). Heywood’s got a kid, he’s been through a divorce, and is fully aware of his place in the limelight (including social media) and his own shortcomings. This alone saves the book from being a reworking of Parker.

I should add that Sixkill has a lot of perspective here (with the assistance of Atkins’ own background in football) — he was close to Heywood’s level, and if he’d made one or two better choices, he would’ve been at this level. He has a better idea what’s going on in Heywood’s mind than Spenser and his brief stint in the boxing world would.

The book begins with Spenser doing bodyguard duty — and as always (Stardust, Looking For Rachel Wallace, A Savage Place, Rough Weather) things don’t go well. You’d think people’d stop hiring him for this kind of work. Spenser turns to investigating — and unearthing lie after lie from his client — while getting Hawk and Sixkill to pitch in on the bodyguard front.

In addition to the main characters, Hawk, Susan, Sixkill, Tony Marcus, and so on; Atkins continues to show a command and familiarity with the impressive gallery of supporting characters in the Spenser-verse. And the new characters fit into the ‘verse just fine, nothing that Parker wouldn’t have created.

Not only did Atkins give us a good story this time, he appeared to be planting and/or watering seeds for future books at the same time — something Parker never bothered with, but I’m glad to see.

About the only thing I’d like to add on this front is that I think I liked the story more this time around.

So much for the lovefest. I just didn’t like Mantegna’s work. I know, I know — he’s done many, many of the Spenser Audiobooks; Parker loved his work with Spenser (even getting him cast in those semi-regrettable movies); and he’s Joe bleepin’ Mantegna. Still, it didn’t work for me. When he was reading the narrative parts — Spenser describing what he was doing, what he was seeing, etc., even making smart aleck asides — I dug it. He did a perfectly entertaining job — maybe even more.

But the strength of Parker’s work was his dialogue, and Mantegna fell flat (at best) on this front. Spenser sounds like Fat Tony, which just should not be. Ever. Kinjo sounds like a stereotypical old blues man, not a young NFL linebacker. Hawk sounds like a slightly younger blues man. And don’t get me started on Zee. That was just embarrassing. Most of the other characters were pretty poorly done, as well. And when the book is so reliant on dialogue, so reliant on the charm of the characters, that missing with just about all of them hurts.

So, like I said, great writing, mediocre (when not disappointing) narration. Please note this rating is for the Audiobook — the whole experience, the narration as well as the writing — still love the book, and would recommend the novel in a heartbeat. This? Eh. It was entertaining enough, but that’s it. Still, any time with Spenser is time well spent.

—–

3 Stars

Page 274 of 348

Powered by WordPress & Theme by Anders Norén