Category: Fiction Page 29 of 314

An Inheritance of Magic by Benedict Jacka: I Cannot Recall the Last Time I was This Excited about a New UF Series

An Inheritance of MagicAn Inheritance of Magic

by Benedict Jacka

DETAILS:
Series: Stephen Oakwood, #1
Publisher: Ace Books
Publication Date: October 10, 2023
Format: eARC
Length: 384 pg.
Read Date: September 22-26, 2023
Buy from Bookshop.org Support Indie Bookstores

This is Hard

I want to limit my comparisons between this new series and Jacka’s previous series to just one section—but that’s not going to happen. It makes sense, I suppose. It’s Jacka’s first non-Alex Verus book (other than the two hard-to-find children’s novels), so comparisons are inevitable, but I don’t want to turn this into an X vs. Y situation.

I will say at the outset, that if it wasn’t for the name on the cover, I don’t know that I’d have known they had the same author—so that tells you something about the comparisons. (except in quality—this is definitely up to the standards Jacka has established)

What’s An Inheritance of Magic About?

This is tricky. The Author’s Note at the beginning of the book tells us that this book is an introduction to the series. We are introduced to the world, the characters, the magic, and so on. Yes, there is a plot—a handful, actually—but the main point is for us to get oriented.

Basically, we meet Stephen—he’s roughly 20 and is fairly aimless. He doesn’t have the money (or, really, ambition) to go to University. He bounces from temp job to temp job, hangs out at his local with his friends regularly, takes care of his cat, and works on his magic in his spare time. It’s his real passion, but he doesn’t do much with it.

Then one day, some distant relatives that he’s never heard of come into his life (it’d be too complicated to list the reasons they give, and I think they’re half-truths at best, anyway). Suddenly, Stephen is thrown into a dangerous, high-stakes world of money and power—and he’s just a pawn to be used in the games of his “family” (and by family, I mean people that 23andMe would identify as relatives, but he’s never been in contact with or aware of for his entire existence). He’s a relatively unimportant pawn at that. He’s sort of grateful for that as he realizes it—but he’d have been happier if they never bothered him in the first place. Happier and with significantly fewer bruises.

However, through their machinations, he’s introduced to new levels of magic society and ways that the magic in this world works. Best of all he finds ways that he can be employed and use his magic—the best of both worlds. Sure, his friends don’t get it (not that he tells many of them, because he prefers that they think he’s sane), but he’s bringing in enough money to live and he’s getting stronger and more capable.

The World and Its Magic System

So, where the Alex Verus series was about one man and his friends/allies trying to navigate (and survive) the politics and power of the magical society in England (largely), at this point the Stephen Oakwood series appears to be about one man making his way (and hopefully surviving) the money and power of a different sort magical society—and it’s intersection with the non-magical world. We’re not just talking Econ 101 kind of stuff here—Stephen’s family appears to be some of the 1% of the 1% and there are huge multi-national corporations involved here with defense contracts to governments all over the world.

Basically, Alex had an easier place to navigate.

Most of the magic that’s used in this world comes from sigils—physical objects created from various kinds of energy wells (earth magic, life magic, light magic, and so on) to do particular tasks (shine a light, augment strength, heal minor wounds, etc.). There are likely bigger and better things along those lines (hence defense contracts), but that should give you an idea. The overwhelming number of these sigils are pumped out by some sort of industrial companies and are only good for a limited amount of time.

Stephen was taught (by his father, and by himself) to make sigils on his own—his are individualized, artisanal kinds of things. Think of a sweater you get from some hobbyist off of Etsy vs. the kind of thing you can get for much less at Walmart or on Wish—quality that lasts vs. cheap and disposable. He also reverse engineers almost all of his sigils—he sees something in a catalog (no, really, this is how people get their sigils for personal use) or in use and tries to figure out how such a thing will work and then sets out to create one.

I don’t know where Jacka is going to go with all of this, obviously. But I love this setup.

Alex and Stephen

It wasn’t until I was just about done with the book that I finally figured out what Alex and Stephen had in common—which is odd, it was staring me in the face for most of the novel. But before that, I really wouldn’t have said they had much in common at all.

Stephen is our entry point to this world, and he only knows a little bit about it so as he learns, so does the reader. Alex pretty much knew everything that was going on in his world, so he had to catch the reader up—or he could help Luna understand something (and make it easier for the reader to learn that way). Stephen has to learn almost everything by getting someone to teach him, or through trial and error—either way, the reader is along for the ride and learns with him.

Similarly, Stephen’s really just starting to get the knack of his abilities where Alex was already a pro—sure he had more to learn (and his power increased), but Stephen’s not even a rookie, really when things get going.

Stephen had a loving and supportive father growing up, a strong group of friends, and experience outside the area of magic users—something we never got a strong idea that Alex ever had. Alex had trauma and hardships behind him—Stephen doesn’t. So their personalities, outlooks, etc. are very different from the outset.

It’s not really that shocking that the protagonists of two different series wouldn’t be that similar. And yet…we’ve all read a second or third series from an author with a protagonist that’s just a variation of their initial breakout character. So it’s good to see that Jacka’s able to make that transition between his two series—it gives you hope for what he’s going to do in the future.

Oh, what did I finally realize the two characters shared? They watch and learn. Alex does it because that’s essentially what his abilities were—he could sift through the various futures and decide what to do based on that. Stephen just doesn’t know enough about anything so he has to sit and observe—and from there he can decide how to act. But where others will try to think first and act second, Stephen and Alex watch first—and for a long time—before they think and then act. It’s something not enough characters (especially in Urban Fantasy) seem to spend much time doing. So I’m glad to see it.

So, what did I think about An Inheritance of Magic?

I am just so excited about this series. I didn’t know how Jacka could successfully follow up the Verus series. I trusted he would, because he’s earned that over the last decade—but, I didn’t expect that I’d respond so positively so soon.

We need to start with Stephen’s spunky attitude—with a little bit of a chip on his shoulder due to his circumstances in life (that grows to a degree as he learns how much he and his father missed out on and starts to guess why)—is a real winner. He’s got a gritty (in an Angela Duckworth sense, not Raymond Chandler or William Gibson sense) outlook, is generally optimistic—and can even be funny—all the attributes you want in an underdog.

Then there’s the world-building that I tried to sketch out above—and did a not-wholly-inadequate job of. I want to know more about it—and figure increased familiarity is just going to make me more curious.

I have so many questions about the family members who’ve inserted themselves in Stephen’s life related to their motivations, trustworthiness (I suspect at least one will turn out to be an ally, however temporary), goals, and abilities. I have those questions about Stephen’s guides and allies—and think at least one of them is going to turn on him in a devastating way (thankfully, he doesn’t trust most of them completely). There’s also this priest who keeps assigning him theological work to study. Some good theology, too. I don’t fully know where this is going—but I’m dying to find out.

Are we going to get a Big Bad—or several—for Stephen to face off against? Or is this simply going to be about a series of obstacles Stephen has to overcome until he can carve out an okay existence for himself? Is this about Stephen becoming one of those 1% and the corruption of his character that will necessitate?

I’m not giving this a full 5 stars mostly because of the introductory nature of the book—also because I want to be able to say that book 2 or 3 is an improvement over this (which I fully expect). But that says more about me and my fussy standards than it does about this book. I loved it, and am filled with nothing but anticipation for the sequel/rest of the series. It’s entirely likely that as this series wraps up that we’re going to talk about the Alex Verus series as Jacka with his training wheels on.

I’m now in danger of over-hyping. Also, I’m going to just start repeating laudatory ideas. Urban Fantasy readers need to get on this now.

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

COVER REVEAL: Midsummer Night’s Curse by Anca Antoci

I’m very pleased to welcome the Cover Reveal for Anca Antoci’s Midsummer Night’s Curse to The Irresponsible Reader this morning! This novel is an an urban fantasy (with a romantic subplot) focused on Romanian mythology (by a Romanian), if you’re like me, that alone will pique your curiosity. The blurb will crank that up for you. Before we get to revealing the cover, let’s learn a little bit about the book and author, shall we? It’ll just take a moment, and then we can all feast on the cover.

Book Details:

Book Title: Midsummer Night’s Curse by Anca Antoci
Series: Paranormal Misadventures, Book 1
Genre: Paranormal Mystery, Urban Fantasy
Length: 342 pages
Release date: October 20th, 2023
Preorder: Yes

About the Book

Amidst the misty hills and ancient forests of Transylvania, Ella Martin thought she found a perfect place to escape from her old life. She’s a witch on the run from her coven and no one would think to seek her amid vampires at Count Dracula Inn. What could go wrong?

But locals don’t take kindly to outsiders, so when a teenage girl goes missing on the midsummer night at the inn, the villagers point their fingers at Ella. But then the handsome Inspector Felix Goia starts digging into her past, suspecting she must be hiding something. And the witch knows she must find the missing girl to get everyone off her back. If she fails, she has to flee before everyone finds out she’s a witch and they turn on her.

Adding to the chaos, the recently appointed police captain, Radu Lupu, dove into the fray. Beneath his charming exterior lies a ruthless streak that few people have seen. They reluctantly work together to solve the case of the missing girl, and the jaw-dropping discovery they make leaves everyone speechless. Faced with magic, they resort to mischief to save the girl. But can they succeed in their paranormal misadventure?

Book Links

Amazon ~ Goodreads

About the Author

Anca AntociAnca’s overactive imagination pours into her stories bringing otherworldly creatures to life. Her debut novel, Forget Me Not, is the first part of a trilogy published in 2020.

Before starting her writing journey, Anca was active in the blogging community as a fantasy book reviewer. The fanfiction stories she wrote long before she dreamed of being a writer are still popular and available on her blog. Although not as often, she still posts book reviews and book recommendations on her blog www.summonfantasy.com.

Living in Romania, Anca speaks English as a second language and is quite self-conscious about her accent, which is why she never speaks in her videos on TikTok. She loves taking long walks through the parks to recharge her batteries before a writing sprint. Anca loves cooking and can often be found in the kitchen trying out a new recipe while an audiobook keeps her entertained.

Website ~ Facebook ~ Twitter ~ Instagram ~ Pinterest ~ Medium ~ Mastodon

and now…

The Cover

Midsummmer Night's Curse Cover

That’s one sharp-looking cover right there.

Irresponsible Reader Pilcrow Icon

COVER REVEAL: Traitor’s Tome by Emma L. Adams

Traitor’s Tome  Cover Reveal Banner

I’m very pleased to welcome the Escapist Book Tour’s Cover Reveal for Emma L. Adams’ Traitor’s Tome to The Irresponsible Reader this morning! Before we get to revealing the cover, let’s learn a little bit about the book and author, shall we? It’ll just take a moment, and then we can all feast on the cover.

Book Details:

Book Title: Traitor’s Tome by Emma L. Adams
Series: Death’s Disciple
Genre: Dark Epic Fantasy
Intended Age Group: Adult
Length: approx. 450 pages
Release date: Kickstarter October 10 – October 26, retail release Feb. 2024
Publisher: Self-Published

About the Book

Several weeks have passed since the capital of Laria narrowly escaped destruction at the hands of the god of death and His followers. Former Captain Yala Palathar is attempting to lie low, but the dead no longer rest easily in their graves, and her role in the battle has drawn attention from potential allies and foes alike.

Niema, too, has been irrecoverably changed by the choices she made during the battle of Dalathar, and journeying home to the Disciples of Life reveals the devastating consequences of her actions. Niema grapples with her desire to protect Yala’s secrets, but when monsters start appearing in the forest, she fears that she’s brought doom upon her own people.

When the Disciples of the Flame come to Yala with the news that a dangerous book used by the god of death’s followers has gone missing, Yala is compelled to seek it out to avert further disaster. Her quest takes her to Setemar, home of the Disciples of the Earth, where her path soon crosses with Kelan and the Disciples of the Sky. It isn’t long before Kelan’s alliance with Yala puts him at odds with his fellow Disciples, and the closer Yala treads to the domain of the god of death, the louder Mekan’s voice whispers in her own ear.

With threats stirring above and below ground, ally is set against ally, and not everyone will survive the calamity that will follow…

Book Links

Kickstarter ~ Goodreads

About the Author

Emma L. AdamsEmma L. Adams spent her childhood creating imaginary worlds to compensate for a disappointingly average reality, so it was probably inevitable that she ended up writing fantasy novels. She has a BA in English Literature with Creative Writing from Lancaster University, where she spent three years exploring the Lake District and penning strange fantastical adventures.

Now, Emma lives in the middle of England and is the international bestselling author of over 50 novels including the world-hopping Alliance series, the urban fantasy Changeling Chronicles series, and the fantasy adventure Relics of Power trilogy. When she’s not immersed in her own fictional universes, Emma can be found with her head in a book, playing video games, or wandering around the world in search of adventure.

Website ~ Facebook ~ Twitter ~ Instagram

and now…

The Cover

Traitor's Tome Cover

That’s a heckuva cover right there. The Kickstarter gets underway soon, so Adams can put that cover on a hardcover book to make your shelves all the prettier. Be sure to kick some start next week!



My thanks to Escapist Book Tours for the invitation to participate in this tour and the materials they provided. The opinions expressed by me are honest and my own.

Escapist Book Tours

PUB DAY REPOST: Godzilla and Godzilla Raids Again by Shigeru Kayama, Jeffrey Angles (Translator): Obliterating Everything, Incinerate a Renegade

Godzilla and Godzilla Raids AgainGodzilla and Godzilla Raids Again

by Shigeru Kayama, Jeffrey Angles (Translator)

DETAILS:
Publisher: University of Minnesota Press
Publication Date: October 03, 2023
Format: eARC
Length: 256 pg.
Read Date:  September 18-20, 2023
Buy from Bookshop.org Support Indie Bookstores

The Background of Godzilla and Godzilla Raids Again

The movie producer, Tomoyuki Tanaka, brought some ideas (largely adopted from a Ray Bradbury story) to the novelist, Shigeru Kayama, and asked him to turn them into a story for a film. This story, in turn, was developed into a screenplay by Ishirō Honda and Takeo Murata (the director and assistant director) and became the movie Godzilla.

Godzilla was such a success that Tanaka had Kayama come up with a follow-up story, that became Godzilla Raids Again (although Godzilla Counterattacks is a better translation, that’s not what the movie’s title was originally titled in English).

About that time, Kayama was done with the movies and what they were doing to his idea about the monster—but he was helping to launch a series of books for young adult readers and adapted his original ideas for the movies into novellas for that series. These novellas came out around the time of the second movie’s release. Now, they’re being translated into English for the first time.

What’s Godzilla About?

The testing of some nuclear weapons in the Pacific Ocean has disturbed a long-dormant dinosaur/monster. Not only is it now awake, it may have mutated by the bomb(s). Angry and confused, it stumbles onto the Japanese islands and wreaks havoc on the people and cities it encounters.

The beast kills and destroys multitudes and seems invincible to every weapon that the nation has access to. But one scientist has been developing a new kind of weapon, that he doesn’t trust any government to have access to—but he might be forced to unveil it to stop Godzilla.

What’s Godzilla Raids Again About?

It was theorized when Godzilla showed up in the first novella that he might not be the sole monster/dinosaur/kaiju to have been awakened by the tests. A pair of pilots* working for a fishing company stumble upon another Godzilla on an island near Japan—while they’re trying to escape from that Godzilla, it’s attacked by another monster/dinosaur/kaiju, later identified as an Anguirus. The two pilots manage to escape following the fight between the two monsters.

* One of those pilots is named Kobayashi, and any good Star Trek fan knows bad things are about to happen as soon as that name is seen.

They rush back to warn the Anti-Godzilla Task Force who begin to strategize a defense against the monster—they cannot access the same weapon used last time, so they’re going to have to come up with something better, and quickly.

The Supplementary Materials

In addition to the novellas, the book has some additional material—the first (and most useful) is an Afterword, “Translating an Icon,” by the translator (obviously). These 30± pages contained answers to almost every question I had while reading—including a few things that I think would’ve been helpful knowing going into the book (the relation of the novellas to the films, the extent of Kayama’s involvement with the creation of Godzilla, why he published the novellas, etc.).

But there’s a lot of information that I’m glad I didn’t know going in—the critique of the U.S. nuclear testing, why it had to be so subtle, why the films didn’t include it as much as the novellas did, where (and why, sometimes) the films and novellas diverge, and the meaning of some of the more emotional moments. There were points where it was clear that something important or meaningful had happened, but I wasn’t sure exactly what it was—Angles helped a lot.

I guess what I’m trying to say is that in a perfect world (at least perfect for me), we’d have gotten a foreword as well the afterword—but like just about every writer out there, Angles wasn’t writing to satisfy my whims. And as an Afterword, he could really get into spoilers and things it’s best to have explained after the text.

The whole thing was so interesting I could’ve easily read something twice the length (and something tells me that Angles could’ve done that without much effort, it was probably harder for him to leave out ideas and details). The part I enjoyed the most was his discussion of a few translation issues, for example, the excessive (for a contemporary English reader, anyway) use of onomatopoeias throughout the book—but particularly in the battle scenes, or scenes when Godzilla is angry and taking it out on human structures and devices. Those pages read like the Batman TV series from 1966—full of Bams, Pows, and the like. And Angles describes how he cut many of them by translating them somewhat differently. He also discussed how he chose to spell the roars of Godzilla and Anguirus, and I really enjoyed that.

There were some things that he wanted to do a more accurate job of translating, but given the history fans have with the films, etc. he chose to stay consistent with the films, so he wouldn’t have to fend off accusations of bad work from those fans. I absolutely get why he’d make that choice, and feel so bad for him that he had to make it.

I’d noticed that there was a Glossary of Names, Places, and Ideas at the end of the book, but completely forgot to use it while reading the novellas. I don’t know that using it would’ve helped me too much during the reading—almost always the context was clear enough to get the meaning across. But reading it afterward helped clarify a thing or two, but by and large, those were minor details that not knowing them didn’t detract much from the text. The things I really needed (and some I could’ve guessed at) were in the handful of footnotes throughout the novellas. The Glossary was pretty interesting to read, I should note.

So, what did I think about Godzilla and Godzilla Raids Again?

Before I get into this, I want to take a moment to say how cool it was to get to read a book about Godzilla. From the time I can remember this monster has been something I’ve been aware of in some way. The old movies, cartoons about him (and his goofy nephew, Godzooky), the toys, the newer movies, and everything in between. He’s just been one of the coolest creatures in my pop culture awareness—there’ve been few times that I’ve clicked on “Request” so hard on NetGalley. Now, I do have to admit, it’s been decades since I watched the original films—I’m much more familiar with the Gamera movies than Godzilla. So I had to wait until the Afterword to know what was different between what I was reading and what audiences saw in the 50s (it was certainly different enough from the Emmerich movie from 1998, that I remember more of than I want to).

I did think some of the dialogue was pretty stilted, and some of the character reactions seemed overwrought (and some underwrought). It actually reminded me a lot of the Gamera films and other English-dubbed live-action shows/movies I’ve watched—and while reading the book, I frequently thought that I owed those who wrote the scripts for the dubbing an apology—their work felt a lot like Angles’ translation. I don’t think that the dialogue or characterizations damaged my appreciation of the work, it just underlined for me that this is the work of another culture (and another time). So they’d better not sound like native English speakers, and should probably act/react in ways that don’t seem particularly American. What might be slightly off-putting at first quickly becomes part of the charm of the novellas.

The intended audience for these novellas were young adults, and throughout Kayama would insert asides “You may not understand…” or “You’ve probably seen something like…” to help his reader understand what’s going on, or perhaps the feeling behind it. The first time it happened, it was entirely unexpected, but I enjoyed the idea. I liked each successive one more than the last and was disappointed that we didn’t get nearly as many as I’d hoped. I don’t know if this was characteristic of his writing (I suspect it wasn’t), but for these novellas, it really worked.

We don’t see Godzilla right away, and Kayama did a great job of building the tension until we do—he’s there, doing damage and terrifying people, but the reader doesn’t get an idea of what they’re seeing until we’re about one-third of the way through the first novella. As impatient as I was to see the monster myself, I wish he’d been able to hold out a little longer. Now in the second book, we know what Godzilla looks like, so we can skip the build-up and throw him in right away—and then add Anguirus just a couple of pages later.

I found everything about Godzilla more satisfying than Godzilla Raids Again, but the latter was more fun and action-packed. I can see where some might be put off by the not-at-all-subtle messaging of Godzilla, but I thought it fit the story and the need at the time.

The Afterword and Glossary added a lot to my understanding and appreciation of what Kayama was seeking to accomplish and say, lifting the impact of the book as a whole. The novellas on their own would’ve been entertaining and satisfying, mostly as an artifact of another era (see what I said about the dialogue and characterizations)—but the supplementary material added the necessary context and definition to the novellas so that I walked away with a better understanding and appreciation for the book. Don’t skip those bits.

I’ve said a lot more than I expected to—and have only scratched the surface of what I’d hoped to say. So let me cut to the chase—I really enjoyed this experience—fun novellas, a deeper understanding of the creature and the themes the original movie was trying to explore, and a glimpse into Japan of the 1950s. And, once again, it’s a book about Godzilla, do you really need me to say more? I heartily encourage you to check this book up. Now, I’ve got to go track down some black-and-white films.

Disclaimer: I received this eARC from University of Minnesota Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

BOOK SPOTLIGHT: Feast of Ashes by Victoria Williamson

This morning, I’m very pleased to welcome The Write Reads Ultimate Blog Tour for Victoria Williamson’s Feast of Ashes. This is yet one more book that I didn’t have time to read, but wanted to point you to, because you and I should think about fitting it into our upcoming reads. It’s Day One of the Tour, so I can’t point you to much that’s been said about the book, but I’ve seen a little about what some of the bloggers are saying about it, so I want to point you to the X/Twitter feed: https://twitter.com/WriteReadsTours so you can watch what’s being said over the next few days, it appears that people like it and should be saying things that’ll incline you to read it. The book releases October 5—so you might as well go order it now, right?

Feast of Ashes Tour Banner

Book Details:

Title: Feast of Ashes by Victoria Williamson
Genre: YA, Dystopian Fantasy
Publisher: Neem Tree Press
Release date: October 5, 2023
Format: Paperback
Length: 334 pages
Feast of Ashes Cover

About the Book:

The Earth’s ecosystems have collapsed and only ashes remain. Is one girl’s courage enough to keep hope alive in the wastelands?

It’s the year 2123, and sixteen-year-old Adina has just accidentally killed fourteen thousand seven hundred and fifty-six people. Raised in the eco-bubble of Eden Five, Adina has always believed that the Amonston Corporation’s giant greenhouse would keep her safe forever. But when her own careless mistake leads to an explosion that incinerates Eden Five, she and a small group of survivors must brave the barren wastelands outside the ruined Dome to reach the Sanctuary before their biofilters give out and their DNA threatens to mutate in the toxic air.

They soon discover that the outside isn’t as deserted as they were made to believe, and the truth is unearthed on their dangerous expedition. As time runs out, Adina must tackle her guilty conscience and find the courage to get everyone to safety. Will she make it alive, or will the Nomalies get to her first?

Book Links:

Amazon UK ~ Goodreads

About the Author:

Victoria WilliamsonVictoria Williamson is an award-winning author who grew up in Scotland surrounded by hills, books, and an historical farm estate which inspired many of her early adventure stories and spooky tales. After studying Physics at the University of Glasgow, she set out on her own real-life adventures, which included teaching maths and science in Cameroon, training teachers in Malawi, teaching English in China and working with children with additional support needs in the UK. Victoria currently works part time writing KS2 books for the education company Twinkl and spends the rest of her time writing novels, and visiting schools, libraries and literary festivals to give author talks and run creative writing workshops.

Victoria’s previous novels include The Fox Girl and the White Gazelle, The Boy with the Butterfly Mind, Hag Storm, and War of the Wind. She has won the Bolton Children’s Fiction Award 2020/2021, The YA-aldi Glasgow Secondary School Libraries Book Award 2023, and has been shortlisted for the Week Junior Book Awards 2023, The Leeds Book Awards 2023, the Red Book Award 2023, the James Reckitt Hull Book Awards 2021, The Trinity School Book Awards 2021, and longlisted for the ABA South Coast Book Awards 2023, the Waterstones Children’s Book Prize 2020, and the Branford Boase Award 2019.

Her latest novel, The Pawnshop of Stolen Dreams, is a middle grade fantasy inspired by classic folklore. Twenty percent of the author royalties for this book are donated to CharChar Literacy, an organisation working to improve children’s literacy levels in Malawi.

You can find out more about Victoria’s books, school visits and free resources for schools on her website: www.strangelymagical.com.

Author Links:

Website ~ Twitter

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Bone Carnival by Megan Lynch: Mysterious and Spooky, (Almost) Altogether Ooky

Bone CarnivalBone Carnival

by Megan Lynch

DETAILS:
Publisher: Orange Blossom Publishing
Publication Date: October 31, 2023
Format: PDF
Length: 224 pg.
Read Date: September 27-28, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Bone Carnival About?

Mia Wallace’s parents are professors who’ve taken temporary posts at a university in Rome and have brought the twelve-year-old and her older brother, Enzo, with them. Enzo speaks a little Italian and is fairly independent as 17-year-olds tend to be, but Mia has only a small handful of phrases and is as dependent on her parents as a preteen is forced to be, so her options for the time are pretty limited.

Mia has a reputation (largely earned) for being a troublemaker, a teller of tall tales, and overall ne’er-do-well. It doesn’t seem like she’s leaving a lot of friends behind in the States, and she’s not expecting to change that in Rome, no matter how many resolutions she makes about reform. There’s a girl her age, Grace, who might be a candidate for friendship, but they don’t get off to a good start. Still, Grace’s mother is a colleague of Mia’s mother, so they’re likely to end up spending time together.

There’s a stray cat who lives near their apartment that Mia has started to spend time with. On the first day that their parents have to go to work, Mia slips out of the classroom she, Enzo, and Grace are stuck in all day to go get something from a nearby bakery (her excuse is that Grace hasn’t eaten breakfast and her stomach is too loud). On the way to the cafe, Mila sees “her” cat and follows it. Unbeknownst to her, Grace has followed Mia.

The cat leads them to a street carnival—there’s something about it that both unnerves Mia and appeals to her, too (she can’t describe what elicits either reaction). Grace is more unnerved than anything, but can’t get Mia to leave. There are shades of Pleasure Island (from Disney’s version of Pinocchio) to the carnival—but without the anarchy and transformation into a beast of burden. Honestly, I think what Mia’s in for is worse—but you can decide for yourself.

During part of a puppet show (which is probably not what made me think of Pinocchio), Grace volunteers to participate. She’s awarded a bone of a sorcerer to carry around in a velvet pouch. Supposedly, this will bring her good luck for a day—a lifetime’s worth of good luck in a day.

Grace doesn’t like any of this, and Mia’s a little creeped out by the idea of a finger (no matter that it’s surely just a prop). So they throw it in a nearby dumpster.

Before she knows it good things are starting to happen to the pair—and, yup, the pouch is tied around Mia’s neck. What has she gotten the two of them into? And what’s the fine print?

The Worst Parents in the World?

A tricky thing that authors have to address when it comes to kids and adventure novels is how to get the parents out of the way to let the kids have an adventure. Are they dead? Are they away from home/the kid is away from home? Are they missing/kidnapped? Or do the kids sneak off—and then why do they do that and how do the parents not notice? Once that’s dealt with, and how, then the reader can settle in and see what the kid gets up to.

Lynch solves this by giving Mia (and to a lesser extent, Grace) some of the worst parents around, who largely are unaware of what Mia is up to. I’m resisting the impulse to list off all their faults, deficiencies, and sins here—you really need to see them for yourself to draw your own conclusions. I’m typically inclined to see the parent’s/guardian’s perspective and to cut them some slack–I can defend (half-heartedly, I admit) Uncle Vernon and Aunt Petunia, for example. But I’ve got nothing for Mia’s parents. I quickly decided that it wasn’t just Mia’s perspective, either. At a quick glance, half of my notes about this book involve what miserable excuses for parents these two are.

Obviously, parents who abuse, exploit, and/or deprive their children are worse than these parents. Mia, Ezra, and Grace are fed, educated, clothed, and so on. They’re even cared about and for in some manner. But…

The actual trauma they’re inflicting, the emotional abuse they aren’t knowingly inflicting, and the long-term trust issues they’re creating for their children are real, even if they’re unaware they’re doing it (or, worse, unconcerned about it). For the longest time, I’ve considered Betty Draper to be the worst parent I’ve seen in fiction. Mia’s parents (particularly her mother) gives her a run for her money.

So, what did I think about Bone Carnival?

I started off quite unimpressed with Mia and was hoping this book was going to be about her getting her comeuppance and/or growing up. I was more than a little afraid I was going to have to endure 200 pages of an insufferable protagonist’s antics. There is some growing up involved, thankfully, but I think there’s a healthy dose of the reader understanding Mia better, too. It doesn’t take too long (sometime before the carnival, for sure) for the reader to learn more about Mia and she becomes a bit more than just an irritating character. Once the carnival appears—definitely before it disappears, you’ll become invested in her and what happens.

There were several times I thought I saw Lynch heading toward a moral, or a cheesy personal transformation on someone’s part to give everyone a happy ending. She did not do that, thankfully. She dodged both of those things every time it looked likely, and I was relieved and impressed each time. I’m not saying what kind of ending we get, but I do want to assure you that there’s character development and growth—but it’s earned and deserved, and not saccharine in any way. And yes, I do think readers can/should take away life lessons (especially parents in a “don’t be like this” way)—but it’s not what you might expect, and not in a “Here’s a Message for You” kind of way.

It has been years since I’ve been this worried about the stakes in an MG novel—not just the stakes, but the potential life and death (fictional) outcomes for the characters involved. It’s been even longer since an author introduced them as effectively (Riordan and Mull came close—and even killed characters, but I don’t think they made me as apprehensive as Lynch). I could probably point to a few YA books that don’t do it as well as Lynch did. I remember occasionally stumbling across a book that did this when I was this age—John Bellairs for example—but it seems harder to find now*. This is in that neck of the woods.

* Maybe I just need to read better MG books.

This book really spooked me, and was disturbing in all the right ways—the character development was believable (not easy given the short time frame depicted), and I thought the characters as a whole were believable and well-drawn. It might be too much for some MG readers—so parents should exercise discretion*. Although I honestly think it’d be good for some readers to read a book that’s too much for them, it’s a great way to create an appreciation for a certain kind of story.

* Parents should be doing that all of the time, come to think of it.

My main point about Bone Carnival is this: It should be read by many. Maybe even you.

Disclaimer: I received this ARC from Tonya Spitler Orange Blossom Publishing in exchange for this post and my honest opinion—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

The Ballad of Bonaduke—Episode 36: Roadside Assistance by R. T. Slaywood: Don’t Make Him Angry, You Wouldn’t Like Him When He’s Angry


The Ballad of BonadukeThe Ballad of Bonaduke—
Episode 36: Roadside Assistance

by R.T. Slaywood

DETAILS:
Series: The Ballad of Bonaduke, #36
Format: Kindle Vella Story
Read Date: September 29, 2023

A part of me, the grifter, knew it was a trick. That the face twisted in pain was a mask that was stolen from my memories…But it didn’t matter. The part of me that wished and longed to see her alive one last time won the moment he changed his face.

The Story So Far…

A drunken Michael Bonaduke decides to use a grift (with maybe some sort of magic/magic-like “help”) to win on a scratch-off lottery ticket so he has money to buy more to drink. He pulls off whatever he did, gets his money and some booze and stumbles off into the darkness to drink himself into oblivion so he can start again the next day. He’s hit by dark memories (probably what’s driving him to the drinking) of fire, pleading, and screaming. There’s going to be a price to pay for his grift, and he’s trying to be ready.

He’s abducted by some representatives of a mysterious group who subject him to a test—if he passes, everything will be explained to him (and hopefully the reader, too). He passes—and is brought somewhere for answers, or maybe training, or maybe another test. Time will tell (or things are going to get really annoying). Answers aren’t quick to come—but the mysteries and questions keep piling up.

Things get hairy and Bonaduke leaves and finds himself back in the neighborhood he started from. He takes refuge in a homeless encampment shortly before a police raid. He’s apprehended and finds himself an interrogation room and shortly escapes after using his grift (but with results he didn’t quite intend). He finds himself by a group of squatters who seem to have strapped a woman to a chair for reasons that can’t be good. He attempts to rescue her before he even realizes what he’s doing, and seems to have succeeded—well, the two of them got away from the group anyway—breathing but bruised. They make their way to a fast-food taco joint and Bonaduke really needs to refuel to keep going. He tries, but fails to get food because he keeps passing out. Thankfully, the clerk is the same guy from the liquor store and he both recognizes him and gives him first aid. The woman (Zero) wakes up and shows some abilities of her on as she helps them escape from her captors who’ve tracked her down. One thing leads to another—Zero and Bonaduke’s magics don’t mix well (at least until they understand what each other can do?), and they end up in a video-game race against the squatters in a tricked-out version of Eric (the clerk’s) car. Note, I said video-game race, not a video-game-style race. They’re actually in one. When dumped back into reality, he’s surrounded by bruised and broken bodies (of people and cars).

What’s Roadside Assistance About?

So…yeah. Bonaduke is looking at his beloved’s face. He knows it’s not her–but, oh, he wants it to be. This sets off a flashback for him (and the reader) surrounding Francine’s death.

Once he’s able to wrest his mind back to the present, Bonaduke lets his anger out–the anger about having to deal with this again, anger for his own role in her death, and anger about who knows what else. The results promise not to be pretty, but it’ll be the next episode before we know exactly what all that might be.

So, what did I think about Roadside Assistance?

We run, once again, into my biggest problem with this story. Part of it has to do with the brief episodic nature that it’s told in, and part of it is Slaywood’s style. I wonder how this would read as a novel/novella, then I’d know for sure. Frequently episodes like this one feel like a half-developed outline more than a narrative. This is seen best when Bonaduke uses his grift, but it’s also in the flashback (although I think that’s more purposeful, so I’m not complaining)–it seems to me that Slaywood is trying for the text come across as mysterious or enigmatic, but lands as abstruse, incomplete, and unclear.

That said, Slaywood’s really able to convey Bonaduke’s grief and anger here–this is the most honest emotional reaction we’ve seen from him, and the power of it clear. It’s probably the closest the reader’s really been able to come to understand Bonaduke yet.

A mixed bag, to be sure, but one that pushes the reader on to the next episode.


3 Stars

Malibu Burning by Lee Goldberg: Two Great Tastes That Taste Great Together

Malibu BurningMalibu Burning

by Lee Goldberg

DETAILS:
Series: Sharpe & Walker, Book 1
Publisher: Thomas & Mercer
Publication Date: September 1, 2023
Format: eBook
Length: 304 pg.
Read Date: September 12-13, 2023
Buy from Bookshop.org Support Indie Bookstores

Walker thought, police work for Sharpe was an intellectual pursuit, a mind game, analyzing the clues to get to the bad guy. It wasn’t about the chase. It was about being smarter than his quarry and everybody else.

For Walker, police work was all about the hunt, and the risk that came with it. As long as he was wearing a badge and carrying a gun, there was no way to truly mitigate the risk that came with a job in law enforcement, which was something Carly either didn’t understand or didn’t want to.

What’s Malibu Burning About?

There are essentially two stories in this novel charging full-steam ahead until they inevitably collide. The first is a heist story—with a good revenge motivation in addition to the “let’s steal gobs and gobs of money” angle. The second is about an unlikely partnership between an experienced arson investigator and a rookie investigator (but former US Marshal, so he’s not that green and has habits to unlearn). It’s not a spoiler for me to say that these stories will converge—for one, what’s the point of them not? Secondly, that’s not the way Goldberg works—there’s no way his robbers aren’t going to be chased by some cops.

The Robbers

Let’s start off, like the novel does, with Danny Cole. If you’re familiar with Goldberg’s oeuvre, think of Nick Fox—only not as outlandish, and you’re pretty much there. If you’re not that familiar, Cole is a con man/thief—he has a few specialists (hackers, hitters, etc.) that he works with to pull off his heists and con jobs.

In the beginning of the book, we see him alllllmost get away with something—and if he hadn’t been forced into a good deed,* he just might have. Instead, he’s arrested, tried, and convicted. He gets his lawyer to push for him to serve his time in one of the convict firefighters’ programs. He spends years fighting fires for the State, forming bonds with others on the front lines, and starting to begrudge the state for how they treat those convicts. Also, he gets to case a few luxury homes while serving his time.

* How much was Cole trying to do a good deed and how much was him trying to avoid being charged with a more serious crime is up for debate—and Cole’s lawyer is ready for that debate.

One of his teammates dies because of State policies and one of those luxury homeowners throwing his money and power around. When his sentence is complete, Cole sets out to get revenge on the convict firefighter system, and that homeowner—all the while enriching himself. I mean, the money’s right there, he might as well. To do so, he and his team have to pull off one of the most audacious—and destructive—heists imaginable. The fact that his plan is actually feasible frightens me more than any horror or serial killer novel ever has.

The Cops

“You’ve shot seventeen men.”

“Is that a lot?”
“I’ve never shot anybody in over twenty years in the department.”

That was hard for Walker to believe. “Not even a little?”

“Is it possible to shoot someone only a little?”

“I’m working on it,” Walker said.

Let’s turn our attention to the good guys now.

Los Angeles County Sheriff’s Detective Walter Sharpe is a detective in his fifties—he’s got plenty of experience and is good at his job. He’s not so great with people—particularly those he works with. He’s rarely satisfied with the easy answer, and will find reasons to think arson when no one else does (he’s also good at finding “accident” when the easy explanation points to arson). It’s not (just) that he’s a contrarian, he just cares more about evidence and understanding fire than anything else. This also applies to firefighters.

“Aren’t firefighters the experts on fire?”

“They are the experts on water.”

Pesky firefighters with all that water, washing away evidence. What are their priorities? Saving lives and buildings? In the end, Sharpe says:

Firefighters are the best friends an arsonist can have.

Against his will, Sharpe has been assigned a new partner. One with zero experience in investigating arson—he’s going to have to build him from the ground up. Former US Marshal Andrew Walker’s wife is pregnant and she’s put her foot down—his job is too dangerous, he needs to decide—her or the job. So instead of chasing down criminals (like Danny Cole), he’s now on the safer end of law enforcement—coming along after the crime is committed.

If you ever wondered what TV’s Raylan Givens would be if he prioritized Winona and Willa over Boyd Crowder, you’d get something a lot like Walker. Incidentally, Carly Walker is an entertaining character, and while I doubt the series will ever focus on her too much, I look forward to spending more time with her. The scenes between the couple feature an interaction that we don’t see a lot in Goldberg.

Anyway, Walker has a lot to learn about arson investigation, and Sharpe is just the right guy to teach him. They get along well enough, but both can see that their styles and personalities don’t necessarily mesh. The above glimpse of their first conversation illustrates some of that. But the higher-ups have spoken, so they work a couple of open and shut investigations together. Then they look around the starting point of a couple of wildfires in the area so Sharpe can show his trainee what to look for and what a natural/accidental fire looks like.

But between Walker asking beginning-investigator questions and some of Sharpe’s observations…these wildfires start to look planned. But why would someone put so many lives and so much property at stake?

So, what did I think about Malibu Burning?

Sharpe took out his phone. “Ill start with the front seat and the body, you shoot everything else. With your camera, not your gun.”

“That’s obvious.”

“Maybe to most people,” Sharpe said. “I’m not convinced it’s true for you.”

Oh, I just had so much fun with this. I realize it’s not that shocking for me to say about a Lee Goldberg book—but when he writes things like this, how am I supposed to react differently?

Danny Cole is such a great character—I don’t know if I could take a frequent diet of him and his antics, but a prequel or two to this with him? Shut up and take my money. Between the (arguable) good deeds he performs and the targets of his cons, it’s hard to see him as a real villain—yes, he seems to commit more felonies by breakfast than most people do all day, but in a Robin Hood sort of way.

Then again…when you think of what he does in this book, and the collateral damage he (seemingly) unthinkingly inflicts, it’s hard to maintain any kind of sympathy.

His targets are harder to work up any kind of sympathy or empathy for. Some are criminals, some are just…rich, entitled slimeballs. It is so satisfying to see bad things happen to them. Another target is the convict firefighting system—assuming Goldberg matched the realities of the system to what it promises the participants (and there’s no reason to think he doesn’t come close), something there needs to be addressed.

But the real star of the show is the partnership between Sharpe and Walker—they’re interesting enough characters on their own, sure—but watching them start to figure out how to work together is the best part of the book. I hope Goldberg doesn’t rush (I don’t think he will, because he’s a better writer than that, but I just want to say it)

Also, arson investigation is one of those things that long-running series dip into from time to time, but I don’t remember seeing a series try to tackle that regularly. I felt like I learned so much just from watching Sharpe work a scene and explain things to Walker. It was like watching Gideon Oliver explain something to John Lau or whatever local law enforcement officer he was dazzling. I’ll read that kind of thing any time.

So, great characters—on both sides of the law—an atypical angle for a procedural, interesting ethical questions, a mismatched partnership that will provide dividends both comedically and narratively for a good while to come, and Goldberg’s knack for making almost anything entertaining? What’s not to like about Malibu Burning? Go get it now, so you can say you got in on the ground floor.

The next book in this series is going to be a cross-over with Eve Ronin, apparently. It’s bound to happen—they all work for the same Sheriff’s Department, after all—might as well get to it early. It’s going to be great—if only to see Sharpe and Duncan together, that dynamic is going to be fun to see.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Irresponsible Reader Pilcrow Icon

‘Twas the Bite Before Christmas by David Rosenfelt: All Through the Courthouse, Andy Carpenter Was Stirring

'Twas the Bite Before Christmas‘Twas the Bite Before Christmas

by David Rosenfelt

DETAILS:
Andy Carpenter, #28
Publisher: Minotaur Books
Publication Date: October 10, 2023
Format: eARC
Length: 304 pg.
Read Date: September 20-21, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s ‘Twas the Bite Before Christmas About?

On the night of the Tara Foundation’s holiday party, Andy’s friend Pete Stanton, of the homicide department, calls him to ask Andy to bring one of his volunteers outside, so the police don’t have to cause a scene. Andy does so and immediately steps into the role of the volunteer’s attorney. He doesn’t know Derek Moore very well, but he likes Derek—and Derek’s dogs (more importantly), and wants to protect him at least until they both know what’s going on.

Andy quickly learns something about Derek—as he’s arrested, it’s revealed that his real name is Robert Klaster. Up until a couple of years ago, Bobby was in a gang in South Jersey. It was growing more and more violent, up to the point that Bobby was the wheelman for a murder. He went to the cops and turned in the men he drove—after their conviction, the state witness protection program moved him to Patterson with a new name.

Bobby’s made the most of this second chance and has become an upstanding citizen and moderately successful business owner—in addition to a great dog shelter volunteer. But now one of the leaders of his old gang has been killed in Patterson, and a tip led Stanton’s men straight to Bobby—with just enough evidence for them to make an arrest. The case is strong, but not air-tight. The question in front of Andy is can he take advantage of the weaknesses while finding the real killer?

And just why would someone bother setting Bobby up now?

The Recurring Cast

Almost the whole (and continually expanding) cast of regulars is around. Edna’s traveling, but we still get a couple of jokes about her work habits. Eddie shows up, but barely gets any dialogue—and not one sports cliché!—I really enjoyed those (see also: Sam’s song-talking), but the rest are about in their typical form.

Which is important—as much as these books are about the mystery/mysteries surrounding Andy’s case, it’s Andy and the crew we come back to spend time with. Including Tara, Sebastian, and Hunter—Sebastian particularly has some good moments in this book.

I do wonder if the supporting cast is getting too large, which is why Edna and Eddie get barely more than mentions. This makes sense, and it’d be good for Rosenfelt to rotate some of these in and out from book to book. It’d be better than cutting any of these for whatever reason—and better than just a token mention.

That said, Rosenfelt gave us some more than typical reflection on members of the cast. It was good to see Andy explain the specialization of work in his firm and for Andy to bring up the ethics of what he gets Sam to do in his narration. Cory’s been good about that in the companion series, but it’s not that frequent in this series.

I’m not sure if I had a point when I started this section, it’s basically turned into “assorted thoughts on the use of the supporting characters.” So let’s see if I can summarize my take on them for this novel—I enjoyed seeing them all, and am glad we got to spend time with them. I do wonder, however, if more judicious use of some of them per book rather than all of them each time, would be a better experience for the reader.

The Holiday-ness of It

So, this is the holiday-themed release for the series this year, as the title and cover image tell you. Very little in the book tells you that, however.

We don’t even get the typical (and always enjoyable) rant about Laurie’s months-long commemoration of Christmas. He gives a compressed version, but it’s not the same. In its place, we get Andy’s extended (and not favorable) review of egg nog. There are a few references to Christmas and a couple of the following holidays—but it’s not focused on too much. Honestly, we spend more time on Ricky’s soccer-fandom* than on any Federal or religious holiday.

* That was great to read about. Poor Andy. I get the same feeling when my kids prefer other SF franchises to Star Trek.

Do I care? Nope. I’ll take any excuse to hang with Andy and the gang. But I figure since it’s part of the theme of the book I should nod in it’s direction.

So, what did I think about ‘Twas the Bite Before Christmas?

This has nothing to do with anything, but Andy references the case in Flop Dead Gorgeous at one point in the book. It’s been a long time since he’s mentioned a previous case (outside of Willie Miller’s, which gets mentioned from time to time). It’s a nice touch to keep the series building on itself.

There were a couple of other things that stood out to me about this book compared to the rest of the series: Bobby’s about as close to an unsympathetic client as Rosenfelt gives us anymore (maybe ever—this is the twenty-eighth book in the series, I don’t remember the client in every one). And it’s good that Rosenfelt gives us some characters that are hard to root for—although a reformed criminal is pretty easy to root for, come to think of it.

Secondly, Andy slips up (at least in his mind, although Laurie disagrees) and it leads to some tragic consequences. Now, no one’s out there thinking that Andy’s infallible by any means, but it’s rare that a move on his part has such an obvious negative consequence. I’m not suggesting that we need to see major mistakes from our hero in every novel—but it’s good to see that just because Andy Carpenter gets involved, not everything is going to be sunshine and roses.

That said, he’s definitely at the point where I have to wonder why the DA keeps taking Andy’s clients to trial—when will they learn? Also, Pete sounds far too convinced that Andy’s client is guilty, you’d think he, in particular, would have more faith in his friend. This is a question countless readers have asked about Hamilton Burger and Lt. Tragg, as well, and the answer is simply: we wouldn’t get to see Andy or Perry Mason do their thing otherwise.

‘Twas the Bite Before Christmas delivered just what I expected—a good time with characters I enjoy, a clever whodunit, some fun moments with fictional dogs, and a satisfying resolution. Rosenfelt delivers that and more—there’s a sweet bonus moment to the resolution that adds a little holiday glow to the book (that works equally well in mid-September as it will closer to the holiday, or at any point in the calendar year that you happen to read this in). You’d do well to pick it up, whether you’re new to the series or a die-hard fan.

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Opening Lines: Nasty, Brutish, and Short by Scott Hershovitz

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here. This one grabbed me with the voice and the humor–this was not going to be your typical book about philosophy.

from Nasty, Brutish, and Short: Adventures in Philosophy with My Kids by Scott Hershovitz:

“I nee a philosopher.” Hank was standing in the bathroom, half-naked.

“What?” Julie asked.

“I nee a philosopher.”

“Did you rinse?”

“I nee a philosopher,” Hank said, getting more agitated.

“You need to rinse. Go back to the sink.”

“I nee a philosopher!” Hank demanded.

“Scott!” Julie shouted. “Hank needs a philosopher.”

I am a philosopher. And no one has ever needed me. I rushed to the bathroom. “Hank, Hank! I’m a philosopher. What do you need?”

He looked puzzled. “You are not a philosopher,” he said sharply.

“Hank, I am a philosopher. That’s my job. What’s bothering you?”

He opened his mouth but didn’t say anything. “Hank, what’s bothering you?”

“DER’S FOMETHING FUCK IN MY FEETH.”

A flosser. Hank needed a flosser—one of those forked pieces of plastic with dental floss strung across it. In retrospect, that makes sense. A flosser is something you could need, especially if you are two and your purpose in life is to pack landfills with cheap pieces of plastic that provided a temporary diversion. A philosopher is not something that people need. People like to point that out to philosophers.

Opening Lines Logo

Page 29 of 314

Powered by WordPress & Theme by Anders Norén