Category: Science Fiction Page 19 of 34

BOOK SPOTLIGHT: Weatherman by Price Doom

I just don’t have time to read every book that comes my way, but I’d like to do my part to expose them to as many eyeballs as I can. So, from time to time, I’ll post a Spotlight to lend a hand. If this looks like it’s up your alley, you should jump on it.


Book Details:

Book Title: Can You See My Scars by Samuel Moore-Sobel
Release date: September 1, 2020
Format: Mobi/ePub
Length: 84 pages

Book Blurb:

Heart and her father are on the run from God. At least, that’s what her father, Sonny, tells her. Young Heart believes Sonny’s stories of dying suns and scientists with tranquilizer guns, parachuting out of planes in pursuit of them. Sonny believes only the elements in his body can save the sun, and Heart grows up in fear of the boogeymen from Sonny’s stories—and Sonny himself. After years without proof and questions about Sonny’s mental stability, Heart makes her escape.

About the Author:

Special Education Teacher by day, writer by night, full time dad every night and day.

Social Media

Twitter ~ Facebook

Purchase Links

Amazon ~ Goodreads

A Quick Look at the Wonderful The Hitchhiker’s Guide to the Galaxy: The Illustrated Edition by Douglas Adams, Chris Riddell (Illustrator)

The Hitchhiker's Guide to the Galaxy

The Hitchhiker’s Guide to the Galaxy:
The Illustrated Edition

by Douglas Adams, Chris Riddell (Illustrator)

Hardcover, 291 pg.
Del Rey, 2021

Grab a copy from your local indie bookstore!

As soon as I picked up this book this weekend, I just knew that I had to talk about it today on Towel Day. And then I sat down to write about this—and I’m not really sure what to say. Anyone who’s read this site much knows how bad I am at describing art. But, what else am I going to talk about today?

For the 42nd Anniversary of the publication of the novel The Hitchhiker’s Guide to the Galaxy, the publishers commissioned noted illustrator and political cartoonist Chris Riddell to tackle this classic. And wow, what a great choice.

Contents

The book starts off with “A Guide to the Guide” a short piece Adams wrote about the series in its various forms shortly after the release of So Long, and Thanks for All the Fish. Then we get the text of the novel—attractively laid out, with illustrations scattered throughout.

One of the best things included in this edition is a large, full-color illustration on the inside cover—it’s a collection of some of the more obscure characters mentioned (largely in passing) throughout the novel—and the book ends with a key to that illustration. Which is just great, I’ll be the first to admit that I didn’t give almost any of these any thought. And now I don’t have to, Chris Riddell did it for me.

Some of the Characters and Scenes Depicted

By and large, the illustrations don’t really match what I had in my head (although the Ravenous Bugblatter Beast of Traal was pretty close), but almost every time I look at one, my reaction is “yeah, he’s nailed it, that’s what _____ should look like.”

I’m not going to go over all of them, but I’ve had a blast flipping back and forth through the book looking at the pictures. The small furry creature from Alpha Centauri (a real one) was adorable, Slartibartfast was…perfect, Marvin looks nothing like the TV show or movie—thankfully. Eddie the Shipboard Computer is odd, but I can buy it. Eccentrica Gallumbits looks, well, you know. Trillian’s mice and (particularly in their native universe) and The Heart of Gold was just great. Deep Thought was another surprise but absolutely worked. Gag Halfrunt looks just like a private brain-case specialist should look. Last, but not least, the falling sperm whale and the poor bowl of petunias got a two-page spread, and I’d absolutely love to have a print on my wall of it.

Trillian

My biggest beef about the book is the small number of illustrations of the core characters—I liked what I saw, but we really only got more than one illustration of Trillian (although Zaphod, or should I say…Phil? is in the background).

I’m sure most of us can figure out why they’d include another picture of the attractive mathematician and astrophysicist, rather than the bumbling human, the two-headed egomaniac, the oddball researcher, or the morose android.

Some examples

So, I wasn’t really sure what I could get away with as far as showing samples from the book, so I didn’t want to just take some pictures of a few of the illustrations (besides, it’s clear that my photographic ability isn’t that great). But I was able to find this drawing for some original art to celebrate the publication. The art shown isn’t exactly what you find in the book (the book version of Prostetnic Vogon Jeltz, for example, is far more disgusting), but these sketches give you an idea of what you’ll find here. That’s about the best I can do.

It’d take a lot for me not to like an edition of this novel, I realize, but I absolutely love Riddell’s work on this. Which is great for me—if I’m going to bring another edition into my house, it’d better be great. It is, the illustrations capture the feel and flavor of the novel, and make it feel fresher. I strongly recommend it for fans new, old as well as those who are still on the verge of being fans.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Towel Day ’21: Some of my favorite Adams lines . . .

(updated 5/25/21)

There’s a great temptation here for me to go crazy. I’ll refrain from that and just list some of his best lines . . .*

* The fact that this list keeps expanding from year to year says something about my position on flirting with temptation

The Hitchhiker’s Guide to the Galaxy

bullet Time is an illusion. Lunchtime doubly so.
bullet This must be Thursday. . . I never could get the hang of Thursdays.
bullet “You’d better be prepared for the jump into hyperspace. It’s unpleasantly like being drunk.”

“What’s so unpleasant about being drunk?”

“You ask a glass of water.”
(I’m not sure why, but this has always made me chuckle, if not actually laugh out loud. It’s just never not funny. It’s possibly the line that made me a fan of Adams)
bullet He had found a Nutri-Matic machine which had provided him with a plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea.
bullet In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centuari. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before . . .
bullet “Look,” said Arthur, “would it save you a lot of time if I just gave up and went mad now?”
bullet The ships hung in the sky in much the same way that bricks don’t.
bullet For a moment, nothing happened. Then, after a second or so, nothing continued to happen.
bullet He attacked everything in life with a mix of extraordinary genius and naive incompetence, and it was often difficult to tell which was which.

The Restaurant at the End of the Universe

bullet It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.
bullet Reality is frequently inaccurate.
bullet Life is wasted on the living.

Life, the Universe, and Everything

bullet The Hitchhiker’s Guide to the Galaxy has this to say on the subject of flying. There is an art, it says, or rather, a knack to flying. The knack lies in learning how to throw yourself at the ground and miss.

(It goes on for quite a while after this—and I love every bit of it.)

bullet “One of the interesting things about space,” Arthur heard Slartibartfast saying . . . “is how dull it is?”

“Dull?” . . .

“Yes,” said Slartibartfast, “staggeringly dull. Bewilderingly so. You see, there’s so much of it and so little in it.”

So Long, and Thanks for All the Fish

bullet Of course, one never has the slightest notion what size or shape different species are going to turn out to be, but if you were to take the findings of the latest Mid-Galactic Census report as any kind of accurate guide to statistical averages you would probably guess that the craft would hold about six people, and you would be right. You’d probably guessed that anyway. The Census report, like most such surveys, had cost an awful lot of money and told nobody anything they didn’t already knowexcept that every single person in the Galaxy had 2.4 legs and owned a hyena. Since this was clearly not true the whole thing eventually had to be scrapped.
bullet Here was something that Ford felt he could speak about with authority. “Life,” he said, “is like a grapefruit.”

“Er, how so?”

“Well, it’s sort of orangy-yellow and dimpled on the outside, wet and squidgy the middle. It’s got pips inside, too. Oh, and some people have half a one for breakfast.”

“Is there anyone else out there I can talk to?”
bullet Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her.”Why’s this fish so bloody good?” he demanded, angrily.

“Please excuse my friend,” said Fenchurch to the startled waitress. “I think he’s having a nice day at last.”

Mostly Harmless

bullet A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.
bullet Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyways, so their opinion can and should be discounted.

Dirk Gently’s Holistic Detective Agency

bullet There is no point in using the word ‘impossible’ to describe something that has clearly happened.
bullet If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands.
bullet Let’s think the unthinkable, let’s do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.

(I’ve often been tempted to get a tattoo of this)

The Long Dark Tea-Time of the Soul

bullet There are some people you like immediately, some whom you think you might learn to like in the fullness of time, and some that you simply want to push away from you with a sharp stick.
bullet It can hardly be a coincidence that no language on earth has ever produced the expression, ‘As pretty as an airport.’
bullet The impossible often has a kind of integrity to it which the merely improbable lacks.
bullet She stared at them with the worried frown of a drunk trying to work out why the door is dancing.
bullet It was his subconscious which told him thisthat infuriating part of a person’s brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing.
bullet As she lay beneath a pile of rubble, in pain, darkness, and choking dust, trying to find sensation in her limbs, she was at least relieved to be able to think that she hadn’t merely been imagining that this was a bad day. So thinking, she passed out.

The Last Chance to See

bullet “So what do we do if we get bitten by something deadly?” I asked.

He looked at me as if I were stupid.”You die, of course. That’s what deadly means.”
bullet I’ve never understood all this fuss people make about the dawn. I’ve seen a few and they’re never as good as the photographs, which have the additional advantage of being things you can look at when you’re in the right frame of mind, which is usually around lunchtime.
bullet I have the instinctive reaction of a Western man when confronted with sublimely incomprehensible. I grab my camera and start to photograph it.
bullet Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.
bullet The aye-aye is a nocturnal lemur. It is a very strange-looking creature that seems to have been assembled from bits of other animals. It looks a little like a large cat with a bat’s ears, a beaver’s teeth, a tail like a large ostrich feather, a middle finger like a long dead twig and enormous eyes that seem to peer past you into a totally different world which exists just over your left shoulder.
bullet One of the characteristics that laymen find most odd about zoologists is their insatiable enthusiasm for animal droppings. I can understand, of course, that the droppings yield a great deal of information about the habits and diets of the animals concerned, but nothing quite explains the sheer glee that the actual objects seem to inspire.
bullet I mean, animals may not be intelligent, but they’re not as stupid as a lot of human beings.

The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

bullet I’ve come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you’re thirty-five is against the natural order of things.

And a couple of lines I’ve seen in assorted places, articles, books, and whatnot

bullet I love deadlines. I love the whooshing noise they make as they go by.
bullet A learning experience is one of those things that says, “You know that thing you just did? Don’t do that.”
bullet The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
bullet Solutions nearly always come from the direction you least expect, which means there’s no point trying to look in that direction because it won’t be coming from there.

Towel Day ’21: Do You Know Where Your Towel Is?

(actually updated and slightly revised this 5/25/20!)

The Hitchhiker’s Guide to the Galaxy has a few things to say on the subject of towels.

A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-bogglingly stupid animal, it assumes that if you can’t see it, it can’t see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have “lost”. What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.

Hence a phrase that has passed into hitchhiking slang, as in “Hey, you sass that hoopy Ford Prefect? There’s a frood who really knows where his towel is.” (Sass: know, be aware of, meet, have sex with; hoopy: really together guy; frood: really amazingly together guy.)

Towel Day, for the few of who don’t know, is the annual celebration of Douglas Adams’ life and work. It was first held two weeks after his death, fans were to carry a towel with them for the day to use as a talking point to encourage those who have never read HHGTTG to do so, or to just converse with someone about Adams. Adams is one of that handful of authors that I can’t imagine I’d be the same without having encountered/read/re-read/re-re-re-re-read, and so I do my best to pay a little tribute to him each year, even if it’s just carrying around a towel.

Some time in 7th or 8th grade (I believe), I was at a friend’s house—his brother let us try his copy of the text-based Hitchhiker’s Guide game, and we were no good at it at all. His brother had a copy of the novel, however, and we all figured that the novel held the keys we needed for success with the game (it did not). It was decided that I’d be the one to read the book and come back in a few days as an expert. Adams’ irreverent style rocked my world—could people actually get away with saying some of these things? His skewed take on the world, his style, his humor…and a depressed robot, too! It was love at first read. One of those experiences that, looking back, I can say shaped my reading and thinking for the rest of my life (make of that what you will). If carrying around a (massively useful) piece of cloth for a day honors his memory? Sure, I’m in.

One of my long-delayed goals is to write up a good all-purpose Tribute to Douglas Adams post, and another Towel Day has come without me doing so. Belgium.

Next year . . . or later. (he says for at least the 7th straight year, a work ethic I like to believe Adams would recognize).

In the meantime, here’s some of what I’ve written about Adams. A couple of years back, I did a re-read of all of Adams’ (completed) fiction. For reasons beyond my ken (or recollection), I didn’t get around to blogging about the Dirk Gently books, but I did do the Hitchhiker’s Trilogy:
bullet The Hitchhiker’s Guide to the Galaxy
bullet The Restaurant at the End of the Universe
bullet Life, The Universe and Everything
bullet So Long, and Thanks For All The Fish
bullet Mostly Harmless
bullet I had a thing or two to say about the 40th Anniversary of The Hitchhiker’s Guide to the Galaxy
bullet (this link will go live later in the morning of 5/25/21) I took a look at the 42nd Anniversary Illustrated Edition of The Hitchhiker’s Guide to the Galaxy
Also, I should mention the one book Adams/Hitchhiker’s aficionado needs to read is Don’t Panic by Neil Gaiman, David K. Dickson and MJ Simpson. If you’re more in the mood for a podcast, I’d suggest The Waterstones Podcast How We Made: The Hitchhiker’s Guide to the Galaxy—I’ve listened to several podcast episodes about this book, and generally roll my eyes at them. But this is just fantastic. Were it available, I’d listen to a Peter Jackson-length version of the episode.

I’ve only been able to get one of my sons into Adams, he’s the taller, thinner one in the picture from a few years ago.

TowelDay.org is the best collection of resources on the day, recently posted this pretty cool video, shot on the ISS by astronaut Samantha Cristoforetti.

Even better—here’s an appearance by Douglas Adams himself from the old Letterman show—so glad someone preserved this:

Love the anecdote (Also, I want this tie.)

A Few Quick Questions with…Jonathan Nevair

Earlier this morning, I posted my take on the novel Goodbye to the Sun–out today, I should add. Now, I get to present this Q&A the author was gracious enough to participate in with me. There are some great answers here (at least I think there are), hope you enjoy.


Describe your path to publication with this.
Goodbye to the Sun was the second novel I wrote. The first will never see the light of day and I now understand that it was more a personal exercise in getting my “literary legs” than a book to be shared with readers. I’d written academic essays, etc. for years but fiction was an entirely new language. One important piece of feedback I got from an agent on the first book was that while they enjoyed it, especially the world-building and prose, they wanted more investment in the main character – more emotional connection.

I took that to heart and Goodbye to the Sun was the result. I did a good deal of research on how to write characters that are emotionally charged and how to increase empathy and investment in a reader’s relationship to a protagonist. When it came time to construct the plot for Goodbye to the Sun, I decided to model the story off of one of the most heavy-hitting examples I could find – the tragedy. It had everything I needed to ground the story in a rollercoaster of emotional transformations, struggle, and hardship.

After an early structural edit and feedback from a sensitivity reader, Goodbye to the Sun was sent out into the literary agent ether, and then, someone I follow on twitter posted a call for submissions to a small indie press specializing in SFF and horror, Shadow Spark Publishing. They were closing to submissions the next day – talk about luck… I whisked off a query letter (an improvised one, not the official one I’d been using for agents) and got a response back and a request for a partial manuscript. From there a full request followed, and after some back and forth, I signed a three-book deal.

I knew I was in the right place for the series when I read the mission statement that Jessica Moon and Mandy Russell had on the publishing house website. It made clear that they were seeking authors whose works tested boundaries and experimented with approaches – they wanted fiction that pushed in new directions. The POV structure of Goodbye to the Sun is a bit unorthodox and I was thrilled when they read the manuscript and responded positively to the story and my writing. From there, it’s been the usual publication process – editing rounds, proofs, cover designs, etc.

All authors have more ideas running around in their head than they can possibly develop—what was it about this idea that made you commit to it?
This is a great question because I don’t usually stop and reflect on the process of literary invention. As an art historian and educator, much of my recent focus has been on ethics. At the time I was writing Goodbye to the Sun, I was teaching and writing academically about ethics in art and that spirit translated into the Wind Tide universe. One thing I am starting to understand is that while I may not consciously know it, I have something to say in my fiction writing – whether it’s human themes, issues relating to ecology, or just wanting to share an appreciation of the wonders of the imagination (often visual) with others through the written and spoken word (that’s one of the reasons I love my job as an educator – putting visual experience into words and sharing my perspective with others, and engaging in a back-and-forth with others about their impressions, is one of the best parts of being an art historian).

What really made me stick with this story is the characters. Razor and Keen became intimate and close companions and something about them forced me to commit to their journeys and see them through to a narrative resolution. I didn’t grasp it until I’d written Goodbye to the Sun, but I’m a character-driven writer. I adore world-building, both settings and cultures, but when it comes down to it, I build them to put characters into the settings – to live with them in those worlds and experience what they experience, struggle alongside them, and revel in their growth and evolutions.

Clearly, you put a lot of time and effort into the world/culture-building for the novel—were there historical analogues for some/all of these groups? What kind of research did you do for this?
This is one of the reasons why I am enjoying writing science fiction – it presents a whole new, expanded set of research experiences necessary to build convincing and interesting secondary worlds. I spent time reading about tidal cycles, wind, and tropical weather to construct the two main planetary settings for Goodbye to the Sun. Some other random world-building research tangents arose like the nature of cave systems, bioluminescence, and a very intimate reading on trees (Wohlleben’s The Hidden Life of Trees) to help develop not only the famed cantinool trees on Heroon but also a broader ecological philosophy emphasizing a hidden biological communication network tied to a cause-and-effect system of human interaction with terraforming, etc.

It was also the time when the most recent cycle of Star Wars movies hit theaters and as a big fan from my childhood, the films drove me to fantasize about living in a similar secondary fictional world. Rogue One was especially inspirational to me. The rebellion, as well as the very complicated set of players mixed up between opposing sides (and the emphasis on family vs. state that related to other important sources like Antigone), played an important role as a precedent. The Motes are indebted to that source as well as giving a nod to the Fremen in Frank Herbert’s Dune.

As a middle-aged person, I’m drawn to stories of people who’ve been pushed back into circumstances of their youthful years, and I’d read Legend by David Gemmell not too long before writing Goodbye to the Sun – Keen Draden probably has some Druss “qualities” sprinkled on him. I’ve also had a lifelong interest in martial philosophy and many texts written over the centuries provided source material for Keen’s warrior philosophy and the fighting scenes. Razor’s voice and tone were strongly influenced by some other writing research I did on character voicing. Although not written in the same POV, I was strongly affected as a writer by Essun in N.K. Jemisin’s The Fifth Season.

What was the biggest surprise about the writing of Goodbye to the Sun itself? Either, “I can’t believe X is so easy!” or “If I had known Y was going to be so hard, I’d have skipped this and watched more TV”
Oh, this one is easy! And I’ll take the, “I’d have skipped this and watched more TV for 200$, please.” Even though I set up plot points and had an outline, as well as a close sense of how this narrative would adapt a tragedy model, I got bogged down at ACT III – halted in my writing tracks. It took a month of talking to myself (out loud on walks with my dog, in my head, and many scribbles that were scrunched up and tossed in the trash) to find my way out. I learned two things from this: first, I needed to be open to change and surprises in writing, but have a general plan and an “arc” for the entire plot, and second, sometimes you need to just sit down and write to get out of a rut. These are, of course, personal reflections and not advice to anyone else writing fiction. I heeded my own words for the second book in the Wind Tide series, Jati’s Wager, and that one went much better with no torturous plot crises.

Let’s play “Online Bookstore Algorithm” (a game I’ve recently invented). What are 3-5 books whose readers may like Goodbye to the Sun?
Gareth Powell, Embers of War
Essa Hansen, Nophek Gloss
James S.A. Corey, The Expanse
Becky Chambers, A Long Way to a Small Angry Planet
Frank Herbert, Dune

Thanks for your time—and thanks for Goodbye to the Sun, and I hope you have plenty of success with it.


PUB DAY POST: Goodbye to the Sun by Jonathan Nevair: Broken People and Broken Worlds Hope for a Better Future

Goodbye to the Sun

Goodbye to the Sun

by Jonathan Nevair
Series: The Wind Tides, #1

eARC, 307 pg.
Shadow Spark Publishing, 2021

Read: April 27-May 3, 2021

What’s Goodbye to the Sun About?

Several years ago, Keen Draden served as a Legion soldier on Heroon. He left the planet a changed man, a damaged man who found the numbing he needed to get by in a bottle. Now a diplomat, he finds himself on a different planet—one with some parallels to Heroon, however. While in transit on the planet, his transport is attacked and he’s taken hostage by the losing side in a civil war in a truly desperate move.

When this scheme doesn’t work the way they expected, Razor (his captor) comes up with a new plan to get some value from Draden. He sees this as an opportunity to do some good, and achieve some personal goals (the latter are far more important to him than the good). The two leave the planet and begin traveling with Jati, another former Legion soldier—one who isn’t quite as far gone as Draden.

Jati has business that takes him to Heroon, Draden’s personal affairs take him there—and he needs to confront some ghosts from his past, as well; and Razor hopes—almost against hope—that Heroon holds the key for her people’s survival.

Sure, but What’s it Really About?

So that’s the plot—at least the beginning of it—but the novel is ultimately the story of someone (or multiple someones) rebuilding themselves. Not by casting aside the mistakes and tragedies of the past, but by absorbing the lessons learned from calamity, embracing what they meant, and doing when they could to turn the hardships into something for the greater good.

When the novels leans into that, it’s at its best and is the kind of thing I relish and enjoy pressing others to read. I’m not sure it stays that kind of novel long enough to justify enthusiasm, however—but I’ll get into that later.

In addition to that, this book is about family—natural as well as found family. Religion. Power. The obligation of the power to act on behalf of the powerless.

Worldbuilding

This is one of those SFF novels that makes it obvious and plain that there was a lot of detailed worldbuilding done before the book really even started being written (or so it seems). THere’s a complex history behind Draden’s time on Heroon, there are elaborate cultural practices, expansive technology, and layers of political realities and bodies.

You don’t have to read much of the novel to get an idea about the detailed nature of the worldbuilding—and it’s one of those aspects that’s in your face at every step, and you’re still learning about the world as the novel ends—with more that needs understanding. THere’s something very attractive about that.

There’s something maddening about it, too—there are so many, many things I just don’t understand about this fictional world. While I don’t need to have an exhaustive knowledge of everything mentioned in the novel, I also shouldn’t have to shrug my shoulders and move on when I have no idea exactly what’s being talked about and am pretty sure I’ll never get an explanation for it.

For example, I have a very clear and detailed understanding of the dominant culture’s protocols to communicating gender identification when meeting someone by different means (there were frequent mentions of it), but I’m not sure if Draden was actually drinking mercury, or if Quicksilver was a brand name, a category of potent potables, or what. It’s a somewhat unimportant example, but it’s illustrative. (I could’ve used military, political or religious examples there, but this is the most concise and easily explained one).

Antigone

The novel is described as “a space opera inspired by the Greek tragedy, Antigone.” I read the Sophocles play back in High School and in College—I remember it being one of my favorites, and so I was excited to see how Nevair tackled it.

Sadly, it turns out I remember practically nothing about the play, much to my chagrin (I really thought I did), so I can’t comment on how the novel reflects the play. But I thought I’d mention it for those who read this blog and might be interested by the notion.

Plotting and Prose

When an author is painstakingly careful with every word, every phrase in his prose it takes two forms (broadly speaking, at least): the first is that it comes across as fantastically smooth, and feels effortless (think Eames or David). The other form almost seems to boast in the care used, the text beats you over the head with the amount of care exercised in selecting each word (think Jemisen or Rothfuss).

His book seems to fall into the latter category. I, obviously, can’t describe the amount of labor Nevair poured into the text, but it feels like each word in the final version was the result of rewrite after rewrite after rewrite to get it precisely the way that Nevair wanted it. This amount of care draws attention to itself in much the same way as the worldbuilding in this novel does.

Despite the clear labor over the words, it really seems (stress on “seems”) that the same level of planning wasn’t used for the story—it feels like there were multiple novels started in this book, and after a few false starts, the book finally had an arc that it stuck with through to the end. I didn’t get the sense that we’re going to take these two (and eventually three) characters on a journey from A to B via C, D, and E. It felt more like a journey from A to B via C—well, no, maybe D? On second thought, E.

I know that’s not how Nevair actually approached this. It just felt that way to me. I’d also say that story and character took a back seat to the themes Nevair wanted to explore and the worldbuilding. I’m all for expansive worldbuilding and overarching themes, but not at the expense of characters or plot.

So, what did I think about Goodbye to the Sun?

I don’t know. I respect and admire the obvious craft and care seen in these pages, I think most of what he tried to accomplish is well-worth exploring. I just think it could’ve been more effective. I think the care undercut itself.

But I don’t really want to say anything negative about the book because there were so many technical aspects, so much technique displayed, and all of that is commendable and well done. But I can’t bring myself to be entirely positive, either.

In the end, I think I’d encourage people to try it for the experience, but to go into it with the right perspective. And then I’d ask people to come back and talk about it. Maybe you can convince me one way or another.

Disclaimer: I received a copy of this from the author in exchange for my honest opinion.

A Big Ship at the Edge of the Universe by Alex White was A Pretty Decent Space Opera That I Should’ve Liked More Than I Did

A Big Ship at the Edge of the Universe

A Big Ship at the Edge of the Universe

by Alex White
Series: The Salvagers, #1

Trade Paperback, 440 pg.
Oribt, 2018

Read: April 16-22, 2021
Grab a copy from your local indie bookstore!

“If we separate, our odds of survival go down, and make no mistake, I know odds better than anyone you ll ever meet.”

She tongued the inside of her cheek as she thought it over. ‘Interesting …1 figured you’d be happier with me dead.”

“Oh, I might. But I should also point out that your presence seduces the chance I’ll be shot first. So do we have a deal?”

He snatched up her whiskey bottle and tipped the neck slightly toward her. She clinked her tumbler against it.

“All right. Until we salvage the Harrow, consider me part of the crew.”

What’s A Big Ship at the Edge of the Universe About?

To really explain the set-up to this novel would take more time than I have to write, and more time to read than you want to give—that’s not an insult, if you’re going to spend time reading the elaborate set-up, you’d be better off with White’s prose than mine. But let’s see if I can give a very sketchy version.

This is a Space Opera with a pretty elaborate magic system—almost every person is born with an innate ability. An ability to augment their electronics/engineering capability; their medical abilities; their marksmanship; and so on. A small, pitiable few have no magical ability.

One such person is one of our protagonists, Elizabeth “Boots” Elsworth, is one. Despite her lack of magic, she was a fantastic combat pilot. After the war, she gained some fame (and not that much money) hunting for a treasure on a reality show. Since then, she’s eked out a living selling the equivalent of treasure maps for other would-be treasure hunters—many of which contain actual, verifiable information.

The other protagonist is Nilah Brio, one of the greatest living race drivers—she’s on the cusp of winning the Pan-Galactic Racing Federation’s Driver’s Crown, when mid-race a magic-user of great ability interrupts things, kills another driver, and frames her for it.

Both of these women have somehow become the targets of a secret conspiracy that’s tied to the Harrow. The Harrow is a space ship of tremendous power and as likely to exist as Atlantis. They’ve also found themselves on board the Capricious, the ship Boots served on during the war—still Captained by the same man, with a new crew and purpose. They’re salvagers and the victims of one of Boots’ faux-maps.

Boots is able to convince the crew to join her on the hunt for the Harrow to square her debt (and then some) and Nilah is along for the ride for various and sundry reasons.

This Novel Reminds Me Of…

There’s the dark conspiracy of The Expanse, the found family feel of Chambers’ The Long Way to a Small, Angry Planet, a magic system reminiscent of The Codex Alera (without the abilities having personalities…) mixed with that of the Alex Verus series*, and a tone that’s in the same neighborhood as Kings of the Wyld. All of which makes for an entertaining read that should appeal to many SF readers.

* Not really, but it’s the best I can come up with at the moment.

“…Hunter One and Two, standing by for orders.”

Those were the code names they’d been given. A few months ago, basking in the luxury of a PGRE hospitality suite, Nilah would’ve thought a code name was cool. Now, it just meant she was doing something stupid. Worse still, she was Hunter Two, and she had a pathological hatred of being second.

So, what did I think about A Big Ship at the Edge of the Universe?

It was pretty good. In theory, this is exactly the kind of read that should appeal to me—this isn’t just in my wheelhouse, it is my SF wheelhouse. I had a lot of fun reading it, I liked the characters, I thought White did the battle scenes right (no mean feat), and I thought the whole thing was pretty exciting.

But I didn’t click with it. I can see much/most of what White was trying to do, and think he pulled it off. I can see where people would really dig this and want to go immediately scrambling for the rest of the trilogy. But it just didn’t resonate with me. I’ll likely get around to the rest of the trilogy soon—and I may end up a die-hard fan. But for the moment, the best I can say is, “yeah, it’s all right.”

This is a well-written novel full of all the things I listed above and should have a cadre of die-hard fans. I’m missing out on something that I’m not one of them—but you likely could be. If any of this seemed interesting to you, I’d recommend giving it a shot. If you do, come back and tell me what I missed, would you?


3 Stars

2021 Library Love Challenge

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

Prodigal Storm by Kate Sheeran Swed: The Toccata System Trilogy Wraps Things Up Satisfactorily and Entertainingly

Progigal Storm

Prodigal Storm

by Kate Sheeran Swed
Series: Toccata System, #3

Paperback, 179 pg.
Spells & Spaceships Press, 2019

Read: April 5, 2021
Grab a copy from your local indie bookstore!

If you’ve read what I had to say about the first two books in this trilogy and have yet to make up your mind about starting them, skip down to the “What did I think” heading, because there’s just no way to explain the setup to this without ruining the first book for you (and possibly the second).

What’s Prodigal Storm About?

A little over two weeks ago, Astra, the assassin raised by the revenge-driven AI, SATIS, had failed to carry out her mission to kill Conor. Conor is the child of the man who broke SATIS’s heart (after giving her the ability to have a broken heart). But because SATIS was careful, she had a large number of assassins as backups—including the woman acting as Conor’s bodyguard.

LJ (known to Astra and Conor as Laura), had carried out the mission, even though she loved Conor. She’s now holed up in a bar, trying to move on with her life. Her closest friend is Viv, SATIS’s liaison to humanity, who’d been a person of contact for nearly all the assassins. Now, Viv is trying to bring them to the bar she manages so they can get help in getting over SATIS’s death and hopefully find a way to live normal lives from here on out.*

* I got a real Orphan Black-sestra vibe from this gathering.

Little did any of them know that Conor had been saved by SATIS before she “died.” Now he’s on their planet, on a mission to take down his father’s AIs before they take over the Toccata system. The “sisters” band together to help him with this—even if several of them remember all too well that they’d been raised to kill him, and now they’re working with him. It’s not an easy transition.

I hope that made sense, it’s hard to summarize in a few paragraphs—I assure you, it makes a lot of sense when Swed spends several pages describing it.

A Broken Trend

Parting Shadows was inspired by Miss Havisham, Phantom Song was influenced by The Phantom of the Opera, but if Prodigal Storm is based on a classic work of literature, I didn’t recognize it (so I’m really hoping it wasn’t, I don’t want to be announcing my ignorance like this). I get that the needs of the story matter more than keeping up the literary allusions, but I missed that.

So, what did I think about Prodigal Storm?

I’ve had a really difficult time deciding what to say here, because it feels like I’m giving too much away about any/all of the books in the series—particularly this one.

The ending to the AI storyline was good—there were some good battle scenes, some interesting character development, and some fun new characters. I’ve got no complaints there. But what’s even better is seeing the “sisters” come together, building on the damaged (at best) childhoods that almost all of them had, thanks to SATIS), and turning it into something positive.

That’s not an easy road to travel by any means, and there are more than a couple of setbacks in these pages But there’s reason to hope throughout, too. This is a book about healing—even when it’s hard. It’s a story about forgiveness (and seeking it). It’s about the power of family (natural or adoptive*). And it’s about cleaning up the messes our parents have created.

* Again, see Orphan Black.

All in all, a solid conclusion to this series and reason enough to keep an eye out for new works by Swed. You should give the series a try.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Wasteland War by Michael R. Underwood: The Genrenauts are (FINALLY) Back—Are They Up for the New Challenges?

The Wasteland War

The Wasteland War

by Michael R. Underwood
Series: Genrenauts, Episode 7

E-Book, 53 pg.
2021

Read: March 26, 2021

The first thing Leah noticed was the dust. It whirled and whorled and danced everywhere. Orange and brown and soot-gray, this place had it all. She pulled the scarf up to cover her nose, holding it in place with her goggles.

She’d felt like a steampunk raver when she’d first put the outfit on, but now it totally made sense, both aesthetically and practically. It was hard to keep your eyes open when they were constantly filled with dust.

What are The Genrenauts?

Many of my readers weren’t reading this blog back in 2015-2016 where it likely seemed I talked about the Genrenauts every couple of weeks (14 posts from November 2015-December 2016, and one the following June), so let me give you a quick idea about the series, taken from the author’s site:

In Genrenauts, our Earth is just one of many in a multiverse. Each other Earth is the home to a familiar narrative genre: Westerns, Fantasy, Romance, Crime, etc. Each world is constantly playing out stories from its genre – archetypes and tale types smashing up against one another making tragedies and happily ever afters. But like any system, sometimes entropy takes hold, and a story breaks down. When that happens, the Genrenauts step in to fix the story.

Because if they don’t, the dissonance from the broken story ripples over and changes Earth on a fundamental level. (Science Fiction world goes off-track and scientific innovation stagnates, exploration halts; Fantasy world goes off-track and xenophobia rises, cultural rifts widen).

Our series starts when Leah Tang, a struggling stand-up comic, is recruited to join the Genrenauts and discovers that her seemingly useless genre savvy is suddenly an essential skill for survival in the story worlds. She arrives just in time, as story breaches have been ramping up – coming faster and causing more ripples.

Sounds great, doesn’t it?

What’s The Wasteland War About?

There are two things going on in this brief novella—first, Angstrom King, the AWOL Team Leader, stumbles upon a story breach while he was trying to resupply his stores. He believes that this breach will help him get evidence to support his theory so that he can eventually convince the High Council that he’s right about the rogue Genrenauts—or just that he’ll be able to find a way to stop the rogues himself.

While he’s trying to understand the nature of the breach and find this evidence, his old team arrives—adding a layer of difficulty and danger to everything he’s doing.

That breach is the second storyline—two communities in this wasteland—one a safe haven for those who need one, and a battleship with resources the other needs—had recently formed an alliance sealed by a marriage. And now, a few months later each side is convinced the other is betraying that alliance and are starting to retaliate against the other.

Hey, Where’s Leah?

Leah’s the point-of-entry character for the reader, we came into this world with her and she’s the one we understand things through. She’s largely sidelined during this mission, which makes it a little harder for me to connect with it. We’ve had extended periods where we focus on others in the team before, but Leah still carried the narrative weight of the novel/novella. This novella focuses so much on King and Shirin that there’s not that much time for Leah.

It was absolutely the right way to tell this story, King and Shireen ought to have been the focus of this novella, but I don’t want that to be the case for too long.

There’s another team member who’s even more absent from this mission—but it makes sense story-wise (as fun as it would’ve been to have them around).

The New Guy

Shirin and King exchanged messages…Shirin keeping King updated on the team and how Mendoza was leading—like a man that only has a hammer and therefore sees nothing but nails.

I know we’re not supposed to like the Team Leader brought in to replace Angstrom King, but it’s like Underwood went out of his way to ensure we wouldn’t. He’s proof that King had a very special thing going on, and that the Genrenauts as an organization might not be as great as Leah and the readers might have thought. King assembled a team with a variety of skills, interests, and abilities—and a team that relies on and trusts each other to function. Mendoza doesn’t value that variety and doesn’t care how it functions best, he’s only concerned with how he wants it to function.

I hope Underwood shows us enough about Mendoza so that we can appreciate him, and maybe even see that he’s trying to do the right thing, even if it’s not the way the King would’ve done it.

On the other hand, I don’t mind not liking the guy at all, so if he doesn’t do that, I won’t complain too loudly.

So, what did I think about The Wasteland War?

Entropy had its teeth in every world. But here, they were serrated.

First, it was so, so, so good to be back in this series. The last episode of Season One came out in the Fall of 2016, and I’ve been missing this series since. I’m glad Underwood has been able to pick this up again.

Outside of the short story, There Will Always Be a Max, this is the shortest Genrenauts episode, and while that’s frustrating because of my greed, it’s a great length for this particular story (but I hope it’s not the beginning of a trend). It’s also a great way to get back into this world—we get just enough to remember who the players are, remember the ongoing arc, and are treated to another adventure in the Wasteland.

Post-apocalyptic wastelands in the Mad Max mold are probably never going to be my thing, but that doesn’t mean I can’t enjoy something like this. I actually would’ve liked a little bit more of the Wasteland War story to balance out the larger arc. It felt like it was given short shrift—not quite as much as the Western World story was in The Shootout Solution, but it was close—although that had to establish the series, introduce the characters, and teach us the concept of a Genrenaut.

My gripes aside, this was a good story with plenty of action and a great atmosphere, and it sets up the rest of Season Two. I’m eager to see where things go from here.


3.5 Stars

Invincible TPBs One-Three by Kirkman/Walker/Ottley: Prepping for the TV Series by Looking at this Dynamite Start

Back in 2007-2008ish, on Free Comic Book Day, I got a sampler of a few titles, I only remember one of them, for this thing called Invincible. Don’t ask me what the story was, but there was something about the art, the characters, and the tone that made me sit up and take notice. A week or so later, I picked up the first Trade Paperback Collection and I was hooked. Every couple of weeks, I’d grab the next one and read it a few times, until I could go back to the shop and get the next. At a point, I caught up and started buying the single issues. New issues were a highlight of the month.

Somewhere around issue 90, I got to the point where I had to cut my comic reading for financial reasons—it was an easy choice, really. But Incinvicible? That hurt. For years now, I’ve wanted to pick it up and finish the series, but haven’t gotten around to it. But then Amazon announced they were adapting the comics into an animated series. That sounded promising. Then I saw the trailer—wow. That looks like they captured the comics almost slavishly.

This led me to two things—1. I’ve resumed getting the TPBs, I’m going to see where things went after I stopped reading. and 2. I had to re-read the first three collections—the basis for Season 1. I figured I might as well, talk about those a little, here, right?


Volume One: Family Matters

Volume One: Family Matters

by Robert Kirkman, Corey Walker (Artist)
Series: Invincible TPB #1
Trade Paperback, 120 pg.
Image Comics, 2004
Read: March 13, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
Mark Grayson is the son of a human mother and an alien-Superman-esque super-hero, Omni-Man. He’s been waiting most of his life for his powers to kick in (and has been fearing that they won’t). During his senior year, they do. Suddenly, he can fly, has super-strength, invulnerability, and so on. Naturally, he gets some training and guidance from his father (who also introduces him to the man who handles his costumes), teams up with the Teen Team, defeats an alien invasion, and handles a mad scientist with a penchant for turning people into living bombs.

That seems like a whole lot of story for 120 pages—and it is. The comic will continue in that vein, too. And almost always, it doesn’t feel rushed. It’s just the way Kirkman, Walker, and (later) Ottley tell this story.

The book is filled with the kind of joie de vivre that characterizes the Sam Raimi Spider-Man or Shazam movie—or the early Ultimate Spider-Man comics from Bendis and Bagley. Mark learning to use his powers, his reactions to meeting the Teen Team, etc.—it’s the same feel as the above. At the same time, when it’s time to be a super-hero, Invincible steps up and gets it done.

Possibly my favorite part of this book (and it continues for quite a while) is the family interaction between Mark and his parents, Nolan and Deborah. There’s a warmth and an awareness of the ridiculousness of their lives. While “it’s all in a day’s work” for Mark and Nolan, it takes a toll on Deborah. And it shows (not that Deborah lets them see it). I thought that was a great touch, and something we need more of in comics.

4 1/2 Stars

Volume Two:Eight is Enough

Volume Two:Eight is Enough

by Robert Kirkman, Cory Walker (Artist), Ryan Ottley (Artist)
Series: Invincible TPB #2
Trade Paperback, 128 pg.
Image Comics, 2004
Read: March 20, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
These issues seem to cram even more story in them than the previous collection managed. I swear, Invincible comics are like the TARDIS—bigger on the inside. We start with Invincible going head-to-head with an alien, Allen. Omni-Man has faced off with Allen before, but Invincible does something his father never has accomplished. Allen will come back, which is great, he’s one of my favorite characters.

Later, Mark and his best friend take a college tour, and Nolan and Deborah enjoy some time without him at home. Naturally, a little super-heroing has to happen at the campus, but not much. The next issue, however, is one that I really don’t remember reading before—and I have this reaction almost every time I read it. Until the last page and then it all comes back to me. It’s a ridiculous game that my subconscious plays with me.

The last half of this collection is proof that no matter how much fun this series has/will have—when it gets serious, it gets serious. There are so many super-hero guest stars and so many super-hero deaths that if this was a DC property, it’d be a 6-12 part mini-series with the word “Crisis” in the title But for Invincible? It’s two issues.

I enjoyed the first 1.5 collections, but the last half of this one made me stand up and pay attention to this series.
4 1/2 Stars

Volume Three: Perfect Strangers

Volume Three: Perfect Strangers

by Robert Kirkman, Ryan Ottley (Artist)
Series: Invincible TPB #3
Trade Paperback, 144 pg.
Image Comics, 2004
Read: March 23, 2021
Grab a copy from your local indie bookstore!

(the official blurb)
The first issue and a half or so of this collection is heavy on the humor and entertainment front. We start with more Allen the Alien—and get a The Next Generation parody at the same time. Then we see Mark doing stuff at school and with his friends—he even gets some comics signed (there’s a great joke about comic art in there).

Of course, all that light-heartedness has taught us that another shoe is going to fall. And fall it does. We find out what was behind the giant events of the last collection, and Invincible is in for the biggest—by far—fight of his career to date. It’s just brutal, leaving killing more civilians than Man of Steel and pushing Invincible to his breaking point. It’s huge and almost flawlessly executed.

What’s more, this collection basically sets the arc of the entire run of Invincible (I’m guessing). We continue to have the light moments, the personal stories, the typical super-hero stuff, but there’s a shadow cast over it all by what these issues set in motion.

5 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

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