Category: Science Fiction Page 25 of 30

Morning Star by Pierce Brown

Morning StarMorning Star

by Pierce Brown
Series: Red Rising, #3

Hardcover, 518 pg.
Del Rey, 2016

Read: February 24 – March 3, 2016

“There is no pain. Only joy,” they chant, deep in the embrace of the god’s bread. Sefi begins the war bellow. Her voice higher than Ragnar’s. Her two wing-sisters join her. Then their wing-sisters, until dozens fill the com with their song, giving me a sense of grandeur as my mind tells my body to flee. This is why the Obsidians chant. Not to sow terror. But to feel brave, to feel kinship, instead of isolation and fear.

Sweat drips down my spine.

Fear is not real.

Holiday deactivates her safety.

“Njar la tagag . . . ”

My razor goes rigid.

PulseWeapon shudders and whines, priming.

Body trembles. Mouth full of ashes. Wear the mask. Hide the man. Feel nothing. See everything. Move and kill. Move and kill. I am not a man. They are not men.

The chanting swells. . . “Syn tir rjyka!”

Fear is not real.

If you’re watching, Eo, it’s time to close your eyes.

The Reaper has come. And he’s brought hell with him.

And when The Reaper, Darrow of Lykos, says he’s brought hell with him, you’d best believe it.

With books that come later in a series — especially with the last volume — there are huge expectations and hopes. Sometimes the book’s a disappointment; sometimes it’s as good as you hoped — every now and then, it’s better than you’d hoped. And then there are the times you get something like Morning Star. I want to avoid hyperbole, and I don’t want to over-sell, so let me just say that Pierce Brown delivered. I’m not sure how to talk about this book — one of my most anticipated reads of 2016 — other than to say it did not disappoint in the slightest, and if it doesn’t find its way to my favorite reads of 2016, I’d be flummoxed (although that would mean we have an unbelievably good 9 months ahead).

We pick up about a year after Golden Son — well, that’s not true. We start off with one of those aggravating teases for events later in the book before starting the actual story. If I’m going to complain about it in Freedom’s Child a couple of weeks ago, I’d better complain about it here. Thankfully, it’s a brief tease and you can forget it quickly because Chapter 1 doesn’t wait too long to get to the brutality that this series is so capable of bringing, making you forget about trivial things like bad ways to start a novel. I’m not going to get into the plot — if you’re curious, start with Red Rising and catch up. If you’ve read one or two of these books, I just want to assure you that you should grab this.

Red Rising was like the love child of Ender’s Game and The Hunger Games hopped up on amphetamines, steroids and too much Red Bull. Golden Sun was a roller coaster of stomach-lurching twists and turns and shattered hopes. Morning Star has elements of both, but it also reads like a series of climatic scenes from epic novels and movies stacked on top of one another — Jackson’s The Lord of The Rings + Gladiator + The Patriot + a few more things like that on the day that Michael settles all family business. Somehow, Brown keeps the tension mounting from chapter to chapter, in a way that every battle, every encounter feels like it could be the novel’s climax. Yet when the actual climax happens you’re not prepared.

Having been trained by Golden Son, I spent a lot of time expecting a betrayal, waiting for the sucker punch I knew was coming. But it wasn’t that kind of book* — it was a book of hard choices — even compromises (the good kind) — of people doing the right thing, to the best of their understanding. Not always the best for themselves, but the best for their principles, their loved ones, their people. Family — biological family, extended family, found family — is a major theme throughout. It shouldn’t be surprising considering that this all started with a husband and wife, but when you think of The Red Rising Trilogy, family isn’t one of the first words that come to mind. Well, after you read this, it might be.

Lieutenant Commander Worf, son of Mogh, would’ve approved of so much of the action here (on both sides). The pages dripped with honor and nobility (in both classic and more modern understandings of the concepts). Despite it being a mainstay in fiction, I have a hard time buying the concept of noble deaths, but man . . . there’s one roughly midway through the that got me in just the right way. The dying was a little more protracted than Brown’s typical practice, giving him time to do more with it narratively. It was such a good piece of writing (even if all the individual elements in the scene were cliché), it’s one of the most effective parts of the series. Once it starts, you know what’s happening, you know how the effects of it will play out, but it still works. It’s like the da da da dummm at the beginning of the 5th — everyone knows it, but if an orchestra does it right? It’s powerful stuff.

Like a good general — Brown’s always a few steps ahead of the reader, well, me. As before, he surprised me all the time. There were a couple of times that I came close to seeing his play — technically — but his actual move was so much better than I’d guessed, I might as well have been moving checkers around his chess board.

Before I came across the section I quoted in my opening, I was going to use:

Now I remember hate.

I’m glad I didn’t. Morning Star isn’t about that. After Golden Son (or after Eo’s death), that’s what you expect: Darrow going all John Wick/Beatrix Kiddo/Frank Castle, but that’s not what the book is. Darrow is much more than a vengeance-machine. He’s more than rage, more than hatred — he’s full of both, no mistake. But that’s not all that’s driving him.

And because there’s more to him, the book — the series — is elevated to something beyond a great SF/Action romp. When Darrow, his friends and/or his army say something, do something to send a message, more often than not, it’s inspiring, at the very least, stirring. In the end, Darrow’s mission isn’t about destroying the Golds (although there is plenty of destruction), it’s something more.

The question is, can he fulfill this mission? What would that look like? It is so close to the final page when you get the actual answers to those (and all the other) questions you have.

Oh yeah, and Brown made me laugh out loud once. There were heartwarming moments, moments of joy, moments of awe. In the midst of the chaos, the violence, the destruction, and all the blood? Rays of humanity everywhere.

Simply put, this is the perfect conclusion for this fantastic series. I can’t think of a more fitting way for Brown to have concluded things. If you liked Red Rising and Golden Son, you’ll love this.


* Which isn’t to say that there aren’t gut punches.

—–

5 Stars

Opening Lines – Morning Star

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I’ll throw it up here. Dare you not to read the rest of the book.

Deep in darkness, far from warmth and sun and moons, I lie, quiet as the stone that surrounds me, imprisoning my hunched body in a dreadful womb. I cannot stand. Cannot stretch. I can only curl in a ball, a withered fossil of the man that was. Hands cuffed behind my back. Naked on cold rock.

All alone with the dark.

It seems months, years, millennia since my knees have unbent, since my spine has straightened from its crooked pose. The ache is madness. My joints fuse like rusted iron. How much time has passed since I saw my Golden friends bleeding out into the grass? Since I felt gentle Roque kiss my cheek as he broke my heart?

Time is no river.

Not here.

In this tomb, time is the stone. It is the darkness, permanent and unyielding, its only measure the twin pendulums of life — breath and the beating of my heart.

In. Buh . . . bump. Buh . . . bump.

Out. Buh . . . bump. Buh . . . bump.

In. Buh . . . bump. Buh . . . bump.

And forever it repeats.

from Morning Star by Pierce Brown

Reposting: The Absconded Ambassador by Michael R. Underwood

It’s Publication Day for The Absconded Ambassador, so I thought I’d better throw this up again. Go get your hands on it.

The Absconded AmbassadorThe Absconded Ambassador

by Michael R. Underwood
Series: Genrenauts, Episode 2ARC, 159 pg.
Tor.com, 2016
Read: December 31, 2015

Working as a Genrenaut was like being a member of a theater troupe run by a burnt-out hippie who melded Devising with MBA management: the ideas were outlandish and random, but the execution was 100% corporate.

Now this was a way to close out 2015 — the second episode in Michael R. Underwood’s Genrenauts delivers on the promise of Episode 1, and demonstrates that his special alchemy of Leverage + The Librarians + Quantum Leap + Thursday Next (just my current guess at his secret recipe) has legs — and will hopefully go a long time.

Leah has had about a week to get used to this new reality since her adventure in Western World — a week filled with meetings, reading assignments and trying to wrap her head around things. In the meanwhile, everyone at Genrenauts HQ is trying to prepare for the next breach (in the midst of a spike of 15% over the norm, for your corporate types), probably in Romance World. Which obviously means it’ll be pretty much anywhere else, like say Science Fiction World.

The station of Ahura-3, in the space opera region, to be specific. I’m sure the similarity between the name of the station and a certain Communications Officer is a huge coincidence. Ahura-3 is everything you want in a space station — it’s a melting pot of very-alien-looking/acting aliens, it’s a culture to itself, with strategic location, and very delicate intergalactic politics.

Leah’s excitement about being in “honest-to-goodness, Sally Ride is my homegirl zero-g” space was infectious. But even more fun was the amount of SF references Underwood fit into half of chapter 1 — truly astounding, and didn’t feel forced or overcrowded. He deserves a tip of the cap right there. I made it all the way to page 42 without having to Google one of them (I think there was only one other time I had to grab my smart phone). But the fun’s not limited to the references and allusions — it’s in the alien cultural practices (and appearances), the various factions (human and otherwise), businesses, and just watching the whole Science Fiction World thing at work.

One thing that’s been niggling at the back of my mind with these Episodes is what’s to keep Leah from being Ree Reyes 2.0? Underwood seems to be going with keeping Leah from the more Parker/Eliot Spencer-type roles and moving her into the Sophie Devereau/Alec Hardison-type roles. She and Shirin scramble all over the station trying to keep treaty negotiations moving forward. They’re thinking on their feet, using their wits, charm and SF knowledge to keep things under control — Leah’s on-the-job training under Shirin helps the readers acclimate to this world, too. The action-hero needs are served by the rest of the team, Roman and King — whose banter while throwing punches, engaging in dogfights, and so on, kept the fun going (honestly, maybe was a little more fun than the rest).

In Episode 1, I wondered if the pilot nature of the novella kept it from being everything I wanted it to be. The Absconded Ambassador built on that ground work and gave us a solid, fully-formed adventure — everything I hoped it would be. And that’s just in the main story, there’s all this other stuff going on: not only do we have a sense of impending doom — or at least very big crisis — coming to the Multi-Genre-Verse. But now we’ve got some sort of secret within the team (not one that’s going to cause much trouble, I don’t think — but you never know), and (according to the preview for Episode 3) maybe some intra-team conflict. Underwood just nailed here, and Genrenauts is about half-a-novella away from being his most consistently entertaining work.

I won a copy of this in a drawing on the author’s website — which means I got to read it two months early — and I got a very nice autograph on the title page. The downside is, I have to wait longer than I’d have had to wait otherwise between Episodes 2 and 3. I still came out ahead, but not by much.

—–

4 Stars

Reread Project: The Restaurant at the End of the Universe by Douglas Adams

I think WordPress’ spell-check might explode if I add another sentence or two to this….

The Restaurant at the End of the UniverseThe Restaurant at the End of the Universe

by Douglas Adams
Series: The Hitchhiker’s Guide to the Galaxy Trilogy, #2

Mass Market Paperback, 245 pg.
Ballantine Books, 1995

Read: February 13-15, 2016

If you’ve done six impossible things this morning, why not round it off with a breakfast at Milliways, the Restaurant at the End of the Universe?

I think in the past, I’ve enjoyed The Restaurant at the End of the Universe more than this time, but I’m not sure why. Which is not to say that I didn’t have a blast, I just usually have more fun. From the intricate — and death-defying — difficulty of making a good cup of tea; to the extreme lengths some people will go to for a dining experience; to perspective that a little cake can give; to considering what color a wheel should be or whether fire should be nasally-inserted — this book covers all the bases. While still episodic in nature, it seems less so than its predecessor — and far less so than its successor. It’s a stronger novel, not quite as funny, but still better than most “funny” or “light” SF than you’ll find.

[Gargravarr] had rather liked Zaphod Beeblebrox in a strange sort of way. He was clearly a man of many qualities, even if they were mostly bad ones.

Most of this book showcased the ex-President of the Galaxy, Zaphod Beeblebrox the First (how is great-grandfather was Zaphod the Fourth lies in one of the best lies Adams ever penned). Now Zaphod’s not my favorite character — actually, I typically dislike him as a character. As a joke-generator, a font of one-liners? He’s great. Probably most of the quotable lines in this book are his (even Arthur’s best line is immediately denigrated by him “Yeah, and don’t you wish you hadn’t?”).

We see the reason for his stealing of The Heart of Gold in the last book, we’re taken on a wild and twisty ride for him to complete his quest and then . . . it just stops. I’m sure it’s supposed to be in an absurd way or something, but it seems pointless (probably the point).

And then we’re off to Milliways. Ahhh, Milliways — this is an absolutely perfect part of the book. That this is the book’s title is absolutely fitting. There’s nothing about it I don’t like here — Max Quordlepleen’s banter (the oddly bittersweet introduction of him), Hotblack Desiato (and his tax plan), the Dish of the Day . . . I’m going to shut up before I just copy and paste the whole thing.

The rest of the book focuses on Arthur (and Ford, but, a little less), who I like, but don’t laugh at nearly as much.

“Poor Arthur, you’re not really cut out for this life are you?” [Trillian asked]
“You call this life?”

Something I’ve been thinking about this read-through is this: why Arthur? He’s one of Ford’s oldest friends on Earth — but we know he has multiple friends, he could’ve picked any of them — why Arthur? Surely, Ford would’ve had at least an inkling that Arthur would turn into the whiny Monkey-man that Zaphod can’t stand. It’s easy to see why Tricia McMillan would go off with Zapod as Phil over this wet blanket, well, towel. Trillian here has the same thought — and if we’re given a good explanation for that, I don’t remember it. Any of you have a guess (or a quotation) to justify Ford’s improbable choice?

Now, I may have sounded less that totally satisfied with this book — which is oddly true. I do think the Golgafrinchan Ark Fleet Ship B story is pretty “blah” and goes on far too long (into the next book). But it gives us gems like this:

It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.

making it hard to complain too much.

There are a lot of laughs to be had here — I didn’t even mention Marvin’s contributions, which were just gold. And any time with Adams is worth it. A must-read follow-up to the classic, Hitchhiker’s Guide to the Galaxy.

—–

4 Stars

Reread Project: The Hitchhiker’s Guide to the Galaxy by Douglas Adams

The Hitchhiker's Guide to the GalaxyThe Hitchhiker’s Guide to the Galaxy

by Douglas Adams
Series: The Hitchhiker’s Guide to the Galaxy Trilogy, #1

Mass Market Paperback, 216 pg.
Del Rey Books, 1995 (originally, 1979)
Read: January 14 – 15, 2015

If I’m not really careful, this will be the longest thing I ever post here. Let’s see how much restraint I have, shall we?

I think I read The Hitchhiker’s Guide to the Galaxy for the first time in 1987 (maybe 1988), and have read it countless times since then. I quote it all the time (frequently unconsciously and unintentionally) — I think I’ve even plagiarized it a couple of times (really unintentionally). The only reason that my PIN isn’t 4242 is because it seems to be too obvious. I love this book. Rereading it is still fun. Even though I have paragraphs committed to memory, I can hear large portions of it in the voices of the original radio play actors, still the act of reading it is enjoyable, it’s like coming home after a long day at work.

The fixation on digital watches seems so quaint. It starts in the first paragraph and doesn’t really let up until late in the book. I so wish Adams was with us to see what he’d do with our smartphone addictions.

So much of what Adams does here has been repeated by others that he inspired, it’s tough to see some of it as fresh anymore, but he didn’t so much break the mold as ignored it and accidentally created a new one.

The Vogons are fantastic creatures. From the description of their evolutionary process — abandoned though it may be — their anatomy, their inherent meanness, to the commentary on civil servants. Just a fun alien race to read about. But is Adams satisfied with that? No. He adds the monstrosity that is their poetry (and the swipe at the old schoolmate) and they near perfection.

The Babel fish, what can you say about that? They are inspired. They take care of a problem that every space-bound Science Fiction story has to deal with in a way that’s actually more believable than technology-based solutions (Doctor Who does the same thing a bit less convolutedly, but less amusingly, too).

The Python-esque dialogue of the representatives of the Amalgamated Union of Philosophers, Sages, Luminaries and Other Thinking Persons. Is just a delight and picks up what could be a lull in the story.

Another little bonus that’s easy to over look is cop ex machina appearance of the Blagulon Kappa police officers — they’re a great commentary on law enforcement, notions of masculinity, depictions of both in the media — and how all three were undergoing a change at the time.

Strip away all the laughs, the jokes, the satire, the general zaniness and you still have a decent story — not a great one, mind you, but a decent one. There’s some good character work here, too — but it’s hard to see. The reactions of both Arthur and Trillian to the destruction of Earth are a lot deeper and real then Adams needed to make them. Unfortunately, that’s about all the good that Adams does with Trillian. Arthur still has some good treatment in his future.

It’s not perfect, don’t get me wrong — there are some problems with the characters (see Trillian), it being an adaptation of the radio program makes things a bit episodic with clunky transitions, and other hiccups (like the multiple introductions of Ford Prefect). Still, the highs are higher than the lows are low and there are a lot more of them.

    I stopped taking notes of particular lines on page 5 this time, there are just too many to count, and far too many to list. Still, there are a few I have to note:

  • “Time is an illusion. Lunchtime doubly so.”
  • “This must be Thursday. . . I never could get the hang of Thursdays.”
  • “You’d better be prepared for the jump into hyperspace. It’s unpleasantly like being drunk.”
    “What’s so unpleasant about being drunk?”
    “You ask a glass of water.”
    (I’m not sure why, but this has always made me chuckle, if not actually laugh out loud. It’s just never not funny)
  • “He had found a Nutri-Matic machine which had provided im with a plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea.”
  • “In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centuari. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before . . . “
  • “Look,” said Arthur, “would it save you a lot of time if I just gave up and went mad now?”
  • Slartibartfast
    (okay, not technically a line, but that name…c’mon)

It’s a classic, you just need to read it if you haven’t. If you have, is it time for a re-read?

—–

5 Stars
(only because I don’t have time to make a 6-star graphic) 6 out of 5 stars, easy.

The Shootout Solution by Michael R. Underwood

The Shootout Solution The Shootout Solution

by Michael R. Underwood
Series: Genrenauts, Episode 1

Kindle, 148 pg.

Tor.com, 2015

Read: November 18 – 19, 2016

Because he didn’t have enough series/irons in the fire already, here’s a new series from Michael R. Underwood — the man behind the Ree Reyes/Geekomancy series, Shield and Crocus and The Younger Gods (which may be a series or may be a stand alone). This one is sort of familiar territory, but differs enough that it doesn’t feel tired.

So, Leah is trying to make it as a stand-up comic in Baltimore. I didn’t realize that Baltimore was a good place for this, but sure, why not? So, the stand-up isn’t working for her, her day job is as a receptionist and isn’t the basis for a future. So she can’t help but be interested when some mysterious man who seems to appreciate her act approaches her and says:

I’m Dr. Angstrom King, Department of Comparative Literature. I run a narrative immersion laboratory, and I’m looking for new staff. I think you might be an excellent fit.

The reality behind that gobbledygook is tough to explain in a paragraph, but I’ll try — there are several parallel universes to ours (“Earth Prime”), and each of these correlates to a genre in fiction (not just books), so there’s a Science Fiction World, a Romance World, A Horror World, and so on. Each of these universes impacts ours in the narratives we tell each other. And when something goes wrong the World’s narrative, it spills over in our reality. So there’s a group of people like Quantum Leap or Voyagers! who pop in, fix the problem, and pop out once stability to the narrative returns. The people that are aware of these worlds and that travel between are called Genrenauts — catchy, eh?

So, Leah tries it out, traveling to Western World to clean up a sticky situation. While there, she meets some more of King’s team, helps some people out, and get a real baptism by fire into this strange new world. There’s some fun with tropes, character types, a shootout, bad whiskey — pretty much everything you’d want sans a squinty-Eastwood character.

It’s told with a light touch — the debt to Leverage and The Librarians is obvious (and readily acknowledged), with a good dose of action, a hint of a looming catastrophe/conspiracy. There’s a good deal of literary/narrative theory under-girding this whole project — it’s not as frivolous as it may seem.

There’s so much emphasis on the premise of this series, and with the adventure in Western World, that we didn’t get a good introduction to the characters. In addition to Leah, there was King and 2 teammates, some references to a couple of others, 2 people from the Western world. But Leah’s the only one that I could say has more than 1 dimension to them. I’m confident when I say that’ll be taken care of in short order in the future, though. But for now, the team is full of types, not people.

Leah is further on her way to being a fully developed character, primarily a collection of characteristics and tics at the moment — but close. She’s smart, savvy, quick on her feet, a pop culture junkie. Unlike, Ree, Leah’s a professional smart aleck — or aspires to be one, anyway. Not that anyone needs a justification to be quippy and snarky in the face of danger in SF, but it’s nice that she has one. I enjoyed meeting her, and want to get to know her better while watching these collection of characteristics congeal into a character.

I’m giving this 4 Stars, I think it earns a 3 — it’s so pilot episode-y that it’s hard to tell. I really enjoyed it and I’m in for at least a handful of books, so I’ll give it a one-star bump for the premise. I’m eager, really eager, to get the next one.

—–

4 Stars

The Drafter by Kim Harrison

The DrafterThe Drafter

by Kim Harrison
Series: The Peri Reed Chronicles, #1
Hardcover, 422 pg.

Gallery Books, 2015

Read: September 17 – 21, 2015

Okay, I haven’t read the second or third Madison Avery book, and I haven’t found the time to read the last Rachel Morgan book (don’t ask, I can’t explain it either), so I might have to revise this a bit later — but I’m betting I won’t — this is the best book Kim Harrison has written to date. Hands down.

So Peri Reed is a Drafter. A covert agent for the U. S. Government in the near future (future enough that there’s all sorts of gear and tech that we have to imagine, near enough that we can relate). She (and 1 in 100,000 or so others) have this handy ability, when things go wrong, she can rewind time a bit and try it again. This is especially handy when mortally wounded. The downside? Doing that erases part of her memory — weeks’ or even months’ worth of it at a time. So each Drafter works with an Anchor. An expert in the Drafter’s personal history to help them put the pieces back together in a manner the Drafter can understand and move forward from.

Things are going well enough, when in the midst of her normal duties Peri finds some evidence that she’s been doing things she shouldn’t be, that she’s a renegade, a corrupt agent. This doesn’t sit easy with her, so she starts to investigate what’s really going on — and as long as she can remember what she’s doing and why, what she finds may shake up more than just her life.

It is almost impossible to track the plotlines of this book — you can experience it, but retell it? No — not without copious notes. One fellow blogger is demanding diagrams just to keep track of everything. And he’s not wrong. Peri keeps getting her memory re-written — memories that the reader is aware of, and others. There’s a mare’s nest of factions, agents, double agents, and possible triple agents; crosses, double crosses, triple and — I lost count of how many crosses a couple of characters were involved in. Plus time resetting itself. Mix in years of backstory that Harrison doles out in drips and drops. The result is that the reader is as disoriented as Peri — when she’s tripped up, we generally are. When she’s surprised by X doing something, we’re not sure what’s going on in X’s mind, either.

It’s hard to render an opinion on most of the characters. Because what we think we know about them may be Peri’s perception, may be reality, may be a cover, or . . . you get the idea? Peri at one point assures one woman that she remembers she likes her — doesn’t know anything about her, but remembers emotions. Which is pretty much all we have to go with as well. There’s a couple of people I know I like — a couple I know I don’t (even if some of them are supposed to be “good” guys) — but as far as how well drawn the characters are, it’s tough to say. Even Peri’s such a work in progress, it’s hard to get a good handle on her as a character.

Nevertheless, this is a book I highly recommend. It starts slow — very slow (I seem to be saying that a lot lately, I’m not sure when I became so impatient), but once all the dominoes are set (somewhere around the 100 page mark), Harrison starts the falling, and wow. It’ll suck you in, it’ll get you wrapped up in the web of deceit and efforts to unravel the deceit. More than anything, it’ll leave you wanting more.

—–

5 Stars

Time Salvager by Wesley Chu

Time SalvagerTime Salvager

by Wesley Chu
Series: Time Salvager, #1
Hardcover, 380 pg.

Tor Books, 2015

Read: September 12 – 15, 2015


Guess I should start with this: there’s nothing in these pages that’ll remind you of Chu’s Tao books. They could be written by completely different authors. Which is a combination of good news and bad news. The good news is that the reader doesn’t get a deja vu feeling reading, Chu’s ability as a writer and worldbuilder is displayed, and we get to see that he’s not a one-trick pony. The bad news is, the Tao books were better.

Not that this is bad, it’s just not Tao.

Chu is really smart about the way that he introduces us to the world, to the concept of Time Laws, and ChronoCom and all the rest of the things that you can read about in the jacket copy (or at the link above). Maybe it shows that I read too much bad SF as a kid, but I’m still really impressed by SF writers who are able to blend things into dialogue and story rather than just resorting to info dumps.

This is a Time Travel story where the Time Travel’s not really all that important. It’s just a tool. Like a cell phone — something that people use, but don’t really understand. No one (well, one person) here understands how it works, but they can use it. Ditto for all the nifty future-gadgets. So it makes it easy for us to not worry about it, too, and just go with the flow.

When you clear away all the bells and whistles this is a pretty straight-forward story about corporate greed, ecological/societal collapse, and a few people trying to do the right thing with the cards stacked against them (even if that pits them against each other). The bells and whistles turn this into a SF/Time Travel/Dystopian Love Story.

Not the best thing I’ve ever read by Chu, but interesting enough to make me glad I read it, and I’ll be back for #2. Maybe with is he can do something to make the series something I can get excited about.

—–

3 Stars

John Scalzi and Shane Kuhn in Boise

If you’d asked me, I would’ve said I’ve written and posted this already. Apparently not. Whoops! Thanks for letting me know, Paul. So, I’ll take a quick break from packing up all my white clothes and get this up now. Better late than never, I guess. . . .
At the end of August, the best bookstore in Boise, Rediscovered Books, brought two authors to town for Readings/Signings. Back in college, I went to readings fairly frequently*, but since then I could count the number on one hand.

Shame on me. I need to do better at this. A good reading is one of the best forms of entertainment around. A less-good reading is pretty bad, but hey, at least you’re supporting the arts.

Anyway, the first author was John Scalzi. Perhaps you’ve heard of him — SF author extraordinaire, blogger, tweeter, etc., etc. Back on August 20, Rediscovered Books brought him to the auditorium of the Boise Public Library! (yes, the exclamation point is necessary). I wondered if that wasn’t overkill for SF in Boise. Not surprisingly, I was wrong and the people that do this stuff for a living were right. If they’d brought him to the bookstore, there’s no way we all could’ve fit, the audience packed the auditorium.

After a little chit-chat, he read a little from his upcoming novella The Dispatcher, his first foray into Urban Fantasy. He asked not to provide any details, as the only people getting this preview were those who came to this book tour. He did give us permission to — maybe even encouraged — gloat about hearing it. So, here we go: neener neener my wife and I got to hear the first chapter of The Dispatcher and most of you didn’t. It was pretty good, and I’ll be grabbing it as soon as I can.

He then read a couple of short humor pieces he wrote for AOL.com back in the 90’s that were appropriate for the Back to School season, and a pretty popular (and funny) blog post, Standard Responses to Online Stupidity. He then he spent 20 minutes or so doing Q&A — he was polite and friendly to the people asking questions, turned even awkward questions into something interesting in his answers (he’s been doing this for awhile).

What didn’t he read? Anything from the book that the tour was promoting — The End of All Things — which I found odd, but I was okay with because I’m way behind on that series. Very entertaining evening — the dude’s a pro.

During the signing, he was again friendly and pleasant and didn’t seem to mind people fanboying/fangirling all over him (which didn’t happen too much or without restraint on the part of the fans). When it was my turn, he laughed at my attempt at humor (which I’m going to believe was because I was moderately funny and not just because he’s sooper polite), gave me a nice, personalized autograph in my copy of The Android’s Dream that went with my joke.

And here’s photographic proof that I met John Scalzi:

A week later, things were a bit different for Shane Kuhn, a favorite around these parts, but largely unknown. Now, Rediscovered Books has been pushing Kuhn lately — he’s a Staff Pick, one of their book clubs read The Intern’s Handbook recently, etc. But a whopping 4 people showed up. Which, sure, provided a nice, intimate setting — but 4? Oh, wait, there were 2 bookstore employees there, too.

That had to be discouraging, but he went on with the show. After taking a poll of who’d read what of his (my wife hadn’t read anything yet, 2 were in various stages of Hostile Takeover, and I’d finished it earlier in the week), he read an early section of Hostile Takeover — the wedding — quitting at just the right spot — it was a good tease, you wanted to know what happened next; and I think the next part would’ve been very, very tricky to read aloud. He then took some questions, it was more of a chat, really. He had this annoying tendency to answer questions I wanted to ask in the middle of another answer, so I ended up not saying anything. Highlights included him talking a little bit about his next book, more of a mainstream thriller; and the process of getting The Intern’s Handbook to the Big Screen. He read another bit from the beginning of The Intern’s Handbook (after teasing my wife about reading the ending), where Alice and John first met.

Despite the low turnout, he didn’t (that I could tell) cut corner’s or half-ass his way through the reading, and was more than friendly to those of us who were there. If he comes back, we’ll do a better job strong-arming friends and family to come so that his audience will be bigger.

Here’s photographic proof that I saw Shane Kuhn (better angle on me than the other). If you go to Rediscovered’s Facebook page and see the photograph I appropriated, you can see 75% of the audience for the reading)


* And not just for the extra credit either. Although that probably kept me at some until the end.

The Rebirths of Tao by Wesley Chu

The Rebirths of TaoThe Rebirths of Tao

by Wesley Chu
Series: Tao Trilogy, #3

Mass Market Paperback, 506 pg.
Angry Robot Books, 2015
Read: June 15 – 20, 2015That was satisfying.

Really, that’s about all I have to say about this one. But let’s see if I can’t expand a bit. Overall, I enjoyed The Lives more than this, and this one engaged me more throughout than The Deaths did, but The Rebirths brought the Tao Trilogy to a satisfying conclusion, wrapping up what needed to be wrapped up, dealing with all the arcs that needed to be concluded and generally leaving things in a place where we can say goodbye to these characters (not that we necessarily want to, but we can) — oh, and was a solid SF adventure in its own right.

One personal note, a large part of the action takes place in Ontario, Oregon. Most people reading this book aren’t going to think much about that at all, but I grew up about 10 minutes away from Ontario — so I thought that was pretty cool. On the other hand, now I know how Bostonians feel when reading Robert B. Parker or Dennis Lehane, or a life-long Chicago resident when reading Jim Butcher. The geography is bad, and if you wanted to buy a nicer car, you wouldn’t bother driving to Boise, you’d get the same car (probably cheaper) in Ontario.

But that matters so little to the book as a whole, that those four sentences are at least two too many.

So, anyway, this book (like The Deaths) takes place a few years after we’d left Roen and the rest. His son, Cameron, is a teenager — with all the stubbornness, rebellion, and hormone-addled fun that entails. Of course, his rebellion takes the form of wanting to join in the war against the Genjix, while his parents do all they can to steer him away.

It’s safe to say that very few (if any) of the Quasing are happy with Jill’s little revelation at the end of The Deaths — Genjix or Prophus — which puts them in the same boat as humanity. Governments all over the world are attempting to hunt down any and all Quasing. Which hasn’t done any favors for the Prophus, but at least seems to have hurt the Genjix effort more.

Which is not to say they’re down for the count by any means. Enzo, the Adonis, is still out there strutting like a peacock and working to bring about the end of humanity. We finally get to see the Genjix plan in full, and I’ve got to say, reading about their plan for re-making Earth makes me really glad that this is fiction.

Right?

So, we’ve got the Ontario storyline — which looks like a pretty routine mission for Roen and Marcos (yeah, not quite Felix & Oscar, but close enough), until it gets bad. And then worse. There’s a conflict in the leadership of the Genjix (so nice to see that even some of them don’t like Enzo). And then there’s a major breach in security which leaves the rest of our Prophus friends on the run — our focus is on Cameron, but not exclusively here. I was a little surprised how Chu concluded the Ontario storyline — which is what made it effective, really. These three threads, ultimately, naturally, converged into one big battle — like the two books before.

Once again, what Chu did with Roen between the books isn’t exactly what one expects, but it fits his character. Ditto for Jill. We didn’t know Cameron enough for me to say. Tao? Sure — Tao’s the same, being centuries old helps him stay consistent. When it comes to the machinery of the Genjix, Prophus and the US Government (and/or everyone else) — things didn’t go the way I figured they would following The Deaths — but I think I liked it more that way. It’s because of the fallout from Jill’s revelation that most of the character changes happened the way they did. Chu really was effective here.

There are some great fight scenes, if that’s your kind of thing (and if it’s not, why are you reading these books?). The final scene is as epic — yet personal — as you want from the end of a third book in a trilogy. Part of that battle are back-to-back hand-to-hand combat scenes featuring an Adonis vessel and people near and dear to us. By this point, I had no idea what Chu was going to give us and I was hanging on every hit. I’m so glad that Chu sprinkles so much humor through these books — after these fights were over, I needed the joke that followed.

It may not work for everyone, but I really liked where everything was left off. Particularly for Enzo.

A really solid novel, a satisfying conclusion — making the Tao trilogy a keeper. I’m very much looking forward to what Chu’s got in store next.

—–

4 1/2 Stars

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