Category: Science Fiction Page 5 of 34

Towel Day ’25 (observed): Some of my favorite Adams lines . . .

(updated 5/26/25)

A Blue towel with the words Towel Day on it

There’s a great temptation here for me to go crazy and use so many quotations that I’d get in copyright trouble. I’ll refrain from that and just list some of his best lines . . .*

* The fact that this list keeps expanding from year to year says something about my position on flirting with temptation.

The Hitchhiker's Guide to the Galaxy

The Hitchhiker’s Guide to the Galaxy

Time is an illusion. Lunchtime doubly so.

This must be Thursday. . . I never could get the hang of Thursdays.

“You’d better be prepared for the jump into hyperspace. It’s unpleasantly like being drunk.”

“What’s so unpleasant about being drunk?”

“You ask a glass of water.”

(I’m not sure why, but this has always made me chuckle, if not actually laugh out loud. It’s just never not funny. It’s possibly the line that made me a fan of Adams)

He had found a Nutri-Matic machine which had provided him with a plastic cup filled with a liquid that was almost, but not quite, entirely unlike tea.

“You know,” said Arthur, “it’s at times like this, when I’m trapped in a Vogon airlock with a man from Betelgeuse, and about to die of asphyxiation in deep space that I really wish I’d listened to what my mother told me when I was young.”

“Why, what did she tell you?”
“I don’t know, I didn’t listen.

In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centuari. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before . . .

“Look,” said Arthur, “would it save you a lot of time if I just gave up and went mad now?”

The ships hung in the sky in much the same way that bricks don’t.

For a moment, nothing happened. Then, after a second or so, nothing continued to happen.

<

blockquote>“Space,” [The Guide] says, “is big. Really big. You just won’t believe how vastly, hugely, mindbogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to space, listen…”

He attacked everything in life with a mix of extraordinary genius and naive incompetence, and it was often difficult to tell which was which.

He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it.


The Restaurant at the End of the Universe

The Restaurant at the End of the Universe

It is a curious fact, and one to which no one knows quite how much importance to attach, that something like 85 percent of all known worlds in the Galaxy, be they primitive or highly advanced, have invented a drink called jynnan tonnyx, or gee-N-N-T’Nix, or jinond-o-nicks, or any one of a thousand or more variations on the same phonetic theme. The drinks themselves are not the same, and vary between the Sivolvian “chinanto/mnigs” which is ordinary water served at slightly above room temperature, and the Gagrakackan “tzjin-anthony-ks” which kills cows at a hundred paces; and in fact the one common factor between all of them, beyond the fact that the names sound the same, is that they were all invented and named before the worlds concerned made contact with any other worlds.

Reality is frequently inaccurate.

Life is wasted on the living.


Life, The Universe and Everything

Life, the Universe, and Everything

The Hitchhiker’s Guide to the Galaxy has this to say on the subject of flying. There is an art, it says, or rather, a knack to flying. The knack lies in learning how to throw yourself at the ground and miss.

(It goes on for quite a while after this—and I love every bit of it.)

“One of the interesting things about space,” Arthur heard Slartibartfast saying . . . “is how dull it is?”

“Dull?” . . .

“Yes,” said Slartibartfast, “staggeringly dull. Bewilderingly so. You see, there’s so much of it and so little in it.”


So Long, and Thanks For All The Fish

So Long, and Thanks for All the Fish

Of course, one never has the slightest notion what size or shape different species are going to turn out to be, but if you were to take the findings of the latest Mid-Galactic Census report as any kind of accurate guide to statistical averages you would probably guess that the craft would hold about six people, and you would be right. You’d probably guessed that anyway. The Census report, like most such surveys, had cost an awful lot of money and told nobody anything they didn’t already know—except that every single person in the Galaxy had 2.4 legs and owned a hyena. Since this was clearly not true the whole thing eventually had to be scrapped.

Here was something that Ford felt he could speak about with authority. “Life,” he said, “is like a grapefruit.”

“Er, how so?”

“Well, it’s sort of orangy-yellow and dimpled on the outside, wet and squidgy in the middle. It’s got pips inside, too. Oh, and some people have half a one for breakfast.”

“Is there anyone else out there I can talk to?”

Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her. “Why’s this fish so bloody good?” he demanded, angrily.

“Please excuse my friend,” said Fenchurch to the startled waitress. “I think he’s having a nice day at last.”


Mostly Harmless

Mostly Harmless

A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.

Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyways, so their opinion can and should be discounted.


Dirk Gently's Holistic Detective Agency

Dirk Gently’s Holistic Detective Agency

There is no point in using the word ‘impossible’ to describe something that has clearly happened.

If it looks like a duck, and quacks like a duck, we have at least to consider the possibility that we have a small aquatic bird of the family anatidae on our hands.

Let’s think the unthinkable, let’s do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.

(I’ve often been tempted to get a tattoo of this)


The Long Dark Tea-Time of the Soul

The Long Dark Tea-Time of the Soul

There are some people you like immediately, some whom you think you might learn to like in the fullness of time, and some that you simply want to push away from you with a sharp stick.

It can hardly be a coincidence that no language on earth has ever produced the expression, ‘As pretty as an airport.’

The impossible often has a kind of integrity to it which the merely improbable lacks.

She stared at them with the worried frown of a drunk trying to work out why the door is dancing.

It was his subconscious which told him this—that infuriating part of a person’s brain which never responds to interrogation, merely gives little meaningful nudges and then sits humming quietly to itself, saying nothing.

As she lay beneath a pile of rubble, in pain, darkness, and choking dust, trying to find sensation in her limbs, she was at least relieved to be able to think that she hadn’t merely been imagining that this was a bad day. So thinking, she passed out.


The Last Chance to See

The Last Chance to See

“So what do we do if we get bitten by something deadly?” I asked.

He looked at me as if I were stupid. “You die, of course. That’s what deadly means.”

I’ve never understood all this fuss people make about the dawn. I’ve seen a few and they’re never as good as the photographs, which have the additional advantage of being things you can look at when you’re in the right frame of mind, which is usually around lunchtime.

I have the instinctive reaction of a Western man when confronted with sublimely incomprehensible. I grab my camera and start to photograph it.

Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so.

The aye-aye is a nocturnal lemur. It is a very strange-looking creature that seems to have been assembled from bits of other animals. It looks a little like a large cat with a bat’s ears, a beaver’s teeth, a tail like a large ostrich feather, a middle finger like a long dead twig and enormous eyes that seem to peer past you into a totally different world which exists just over your left shoulder.

One of the characteristics that laymen find most odd about zoologists is their insatiable enthusiasm for animal droppings. I can understand, of course, that the droppings yield a great deal of information about the habits and diets of the animals concerned, but nothing quite explains the sheer glee that the actual objects seem to inspire.

I mean, animals may not be intelligent, but they’re not as stupid as a lot of human beings.


The Salmon of Doubt

The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

We are stuck with technology when what we really want is just stuff that works.

I’ve come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you’re thirty-five is against the natural order of things.


And a couple of lines I’ve seen in assorted places, articles, books, and whatnot

I love deadlines. I love the whooshing noise they make as they go by.

A learning experience is one of those things that says, “You know that thing you just did? Don’t do that.”

The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.

Solutions nearly always come from the direction you least expect, which means there’s no point trying to look in that direction because it won’t be coming from there.

Don't Panic

Towel Day ’25 (observed): Scattered Thoughts about Reading The Hitchhiker’s Guide to the Galaxy Trilogy

(updated and revised this 5/26/25)

A Blue towel with the words Towel Day on it
I’ve been trying for a few years now to come up with a tribute to Adams. This isn’t quite what I had in mind, but it’s a start. In my mind, this is a work in progress (a multiple-year project), but I’m posting it anyway. Next year’s version will be better—or at least more complete.


Some time in 7th or 8th grade (I believe), I was at a friend’s house and his brother let us try his copy of the text-based Hitchhiker’s Guide game, and we were no good at it at all. Really, it was embarrassing. However, his brother had a copy of the first novel, and we all figured that the novel held the keys we needed for success with the game (alas, it did not help us one whit). My friends all decided that I’d be the one to read the book and come back in a few days as an expert.

I fell in love with the book almost instantly, and I quickly forgot about the game. Adams’ irreverent style rocked my world—could people actually get away with saying some of these things? His skewed take on the world, his style, his humor…and a depressed robot, too! It was truly love at first read. As I recall, I started re-reading it as soon as I finished it—the only time in my life I’ve done that sort of thing.

Also, I finally understood that song, “Marvin, I Love You,” that I kept hearing on Dr. Demento.

It was one of those experiences that, looking back, I can say shaped my reading and thinking for the rest of my life (make of that what you will). Were my life the subject of a Doctor Who or Legends of Tomorrow episode, it’d be one of those immutable fixed points. I got my hands on the next three books as quickly as I could (the idea of a four-volume trilogy was one of the funniest ideas I’d encountered up to that point), and devoured them. I do know that I didn’t understand all of the humor, several of the references shot past me at the speed of light, and I couldn’t appreciate everything that was being satirized. But what I did understand, I thought was brilliant. Not only did I find it funny, the series taught me about comedy—how to construct a joke, how to twist it in ways a reader wouldn’t always expect, and when not to twist but to go for the obviously funny idea. The trilogy also helped me to learn to see the absurdity in life.

Years later, when the final volume (by Adams) was released, I’d already cemented what I thought about the books from these frequent re-reads. I’m not sure that Mostly Harmless changed things much (except for making me think for the first time that maybe I didn’t want him to write more in this series). His non-Hitchhiker’s work illustrated that he was capable of making you see things in a new light–either with a smile or a sense of regret—even when he wasn’t writing the trilogy, even when he was writing non-fiction. It was never the setting or the genre—it was Adams.

But here on Towel Day—as with most of the time I talk about Adams (but I need to change that), it comes down to where I started—the Trilogy. I read the books (particularly the first) so many times that I can quote significant portions of them, and frequently do so without noticing that I’m doing that. I have (at this time) two literary-inspired tattoos, one of which is the planet logo* featured on the original US covers. In essence, I’m saying that Adams and the series that made him famous have had an outsized influence on my life and are probably my biggest enduring fandom. If carrying around a (massively useful) piece of cloth for a day in some small way honors his memory? Sure, I’m in.

So, Happy Towel Day, You Hoopy Froods.

* I didn’t know it at the time, but Adams didn’t like that guy. Whoops.

Don't Panic

Towel Day ’25 (observed): Do You Know Where Your Towel Is?

(updated and revised this 5/26/25)

A Blue towel with the words Towel Day on it

The Hitchhiker’s Guide to the Galaxy has a few things to say on the subject of towels.

A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-bogglingly stupid animal, it assumes that if you can’t see it, it can’t see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have “lost”. What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.

Hence a phrase that has passed into hitchhiking slang, as in “Hey, you sass that hoopy Ford Prefect? There’s a frood who really knows where his towel is.” (Sass: know, be aware of, meet, have sex with; hoopy: really together guy; frood: really amazingly together guy.)

Towel Day was yesterday, May 25, but I’m going to observe it today (in the tradition of all Weekend Holidays in the U.S>0

Towel Day, for the few who don’t know, is the annual celebration of Douglas Adams’ life and work. It was first held two weeks after his death, fans were to carry a towel with them for the day to use as a talking point to encourage those who have never read HHGTTG to do so, or to just converse with someone about Adams. Adams is one of that handful of authors that I can’t imagine I’d be the same without having encountered/read/re-read/re-re-re-re-read, and so I do my best to pay a little tribute to him each year, even if it’s just carrying around a towel.

In commemoration of this date, here’s most of what I’ve written about Adams. I’ve struggled to come up with new material to share for Towel Day over the years, mostly sticking with updating and revising existing posts. And, this year is no exception A few years back, I did a re-read of all of Adams’ (completed) fiction. For reasons beyond my ken (or recollection), I didn’t get around to blogging about the Dirk Gently books, but I did do the Hitchhiker’s Trilogy:
bullet The Hitchhiker’s Guide to the Galaxy
bullet The Restaurant at the End of the Universe
bullet Life, The Universe and Everything
bullet So Long, and Thanks For All The Fish
bullet Mostly Harmless
bullet I had a thing or two to say about the 40th Anniversary of The Hitchhiker’s Guide to the Galaxy
bullet I took a look at the 42nd Anniversary Illustrated Edition of The Hitchhiker’s Guide to the Galaxy

I should also point to a posts I wrote about Douglas Adams’ London by Yvette Keller and 42: The Wildly Improbable Ideas of Douglas Adams edited by Kevin Jon Davies—both are great ways of filling out one’s understanding of Adams and his work. I have to mention the one book that Adams/Hitchhiker’s aficionado needs to read is Don’t Panic by Neil Gaiman, David K. Dickson and MJ Simpson.

If you’re more in the mood for a podcast, I’d suggest The Waterstones Podcast How We Made: The Hitchhiker’s Guide to the Galaxy—I’ve listened to several podcast episodes about this book, and generally roll my eyes at them. But this is just fantastic. Were it available, I’d listen to a Peter Jackson-length version of the episode.

I’ve only been able to get one of my sons into Adams, he’s the taller, thinner one in the picture from a few several years ago.
(although I did get he and his younger siblings to use their towels to make themselves safe from the Ravenous Bugblatter Beast of Traal a few years earlier:)

You really need to check out this comic from Sheldon Comics—part of the Anatomy of Authors series: The Anatomy of Douglas Adams.

Lit in a Nutshell gives this quick explanation of The Hitchiiker’s Guide:

TowelDay.org is the best collection of resources on the day. One of my favorite posts there is this pretty cool video, shot on the ISS by astronaut Samantha Cristoforetti.

Even better—here’s an appearance by Douglas Adams himself from the old Letterman show—I’m so glad someone preserved this:

Love the anecdote (Also, I want this tie.)

Don't Panic

Hive by D. L. Orton: A Wild Time Travel Ride

Hive Tour Banner

Cover of Hive by D. L. OrtonHive

by D. L. Orton

DETAILS:
Series: Madders of Time, Book One
Publisher: Rocky Mountain Press
Publication Date: May 6, 2025
Format: ARC
Length: 350 pg.
Read Date: May 8-9, 2025
Buy from Bookshop.org Support Indie Bookstores

What’s Hive About?

We open on a semi-functional (less so by the day) biodome some 30 years in the future (it’s vague, but safe to put it in the 2040s-2060s largely depending from when the reader picks this up)—there are two living humans, and an AI of sorts trying to keep going. There are some other biodomes out there, and hopefully, they’re doing better. The land outside the biodome is not fit to sustain human life—or much in the way of animal or vegetable life, either.

They have enough energy to use a spacetime bridge one more time as a last-ditch effort to go back and stop things from getting to this point. The target day was a fateful day for the two of them as individuals, and apparently one for the timeline as well (probably for different reasons, I’m not suggesting history pivots on them). They can send one person back with the sole idea of preventing their present.

I’m being as vague on details as the characters are here—you’ll get an idea about the particulars later.

We spend the rest of the book watching how this plays out from the point of view of some pivotal individuals (earlier versions of these characters in one way or another), with some observations from that AI about how well it’s working and the chances their mission holds of success.

A Quick Look at the Characters

Our primary characters (in the 2010s-2030s) are Matthew, Diego, and Isabel. Matthew and Diego did some work together in the past, and have some loose connections in the book’s “present”—but they’re not great pals or anything, and their stories don’t intertwine much (in Hive, anyway—I expect that to change). Matthew is a physicist of some repute and his expertise will be important.

When we meet Isabel, her divorce has just been finalized and she is excited and free from her husband (well, as free as you can be from an egomanical technocrat that you happen to work for and who owns your research). Diego is the would-be do-gooder scientist/entrepreneur who’s trying to do his part to help poorer countries with their water supply. Diego is also the one who got away, for Isabel. Through some unlikely coincidences (probably shaped by their future selves), they reconnect and try to start over/make up for lost time.

Also, they’ve received prompting from future-Isabel to stop Dave. It’s unclear what they’re supposed to stop him from doing, but they’re all in.

Dave is the kind of character that the reader is primed and ready to hate, or at least really dislike, from his first line of dialogue—and your impression of him goes downhill from there. There are a few sycophants in his company that we don’t get to know too well, but their devotion to him really solidifies your impression of them.

Meanwhile, Matthew is pretty much kidnapped by a couple of representatives of the U.S. government to work on a mysterious artifact, presumably (to the reader) something sent back to the past from the biodome. The senior member of this pair is easily as dislikable as Dave—almost irrationally so. And while he might be one of the “good guys,” or at least is working to help people, he’s definitely one of those envisioned by the coiners of the phrase, “Who needs enemies with friends like this?”

I’m focusing on these two here to be efficient—other than these two jackwagons, 99% of the rest of the characters (from very minor on up) are kind, pleasant, smart (if not brilliant), and are working to improve things. They’re the kinds of characters you want to spend time with—they’ve got good senses of humor, are optimistic and determined to keep going. Reading about them while there’s some sort of apocalypse around them is actually pleasant. Even if only you and the AI knew how bad things were going to get for them, you would like their chances and be pleased every time the AI mentioned their chances of improving their chances of success.

A Focused Armageddon

It’s hard to judge the scope of this/these calamity/calamities—our view is of Denver and the surrounding area. We get some hints that conditions are the same in other parts of the country as things get worse. But we really don’t know what things are like outside the U.S.

Given how bad it is 30+ years into the future when we first see things, it makes sense to think this happened globally. But it’s also possible that the devastation was limited to North America (or just the U.S.) and the rest of the world was able to protect itself, or weren’t exposed to the effects. During the bulk of our time with Diego and Isabel, some forms of communication work and some don’t for them, so it’s believable that they just have no clue what’s happening outside of Colorado. Communications around Matthew seem a lot more reliable, but he’s kept so much in the dark that it really doesn’t get the reader anywhere.

I’m not sure how much it matters for the story—particularly at this point. But I think it’s fun to speculate about while you’re reading and afterwards. Has the rest of the world moved on, fairly intact, waiting for things to calm down in North America so they can come over and try to rebuild? Or are they, so far removed from the three events, suffering just as much?

Crossing in Time

Feel free to skip this part and move on—I’m not sure this adds much to the overall post, but I can’t stop thinking about this.

This is a reworked version of Orton’s novel Crossing in Time. I listened to that book back in 2021 and enjoyed it—try as I might not to, I inevitably kept what was different about this version. The little voice in the back of my head just wouldn’t shut up. To make things worse—I think I have some details of Crossing in Time conflated with one or more other time travel books involving a strong love story.*

What I think she did here was lop off some later chapters, I assume to move them to Book Two. And introduce and/or beef up some of the chapters and subplots. I’m more sure about the former than the latter, if I’m right, that makes the ending more of a cliff-hanger that will springboard you into wanting Book Two in your hands straightaway.

I also think Orton removed what could be described as convolutions—making the novel more streamlined and fast-paced. Overall, I get her choices, and I do think it makes the book a stronger read.

But again, I could be wrong—but I couldn’t stop thinking about it as I read the book, or as I think about it now—so I had to get this out.

* With apologies to the author, there have been 800 or so books between now and then, details get fuzzy.

So, what did I think about Hive?

This is a fast-paced, propulsive read filled with amiable characters who aren’t afraid to joke around even when things are tense or confusing. The hook gets set pretty early, and the pages melt away as you plunge ahead to follow the events. It’s exactly the kind of popcorn read that helps you escape after a long day.

The tech is very cool—both the stuff that Isabel developed and the items that Matthew talks about and develops. Orton gives you enough to understand how it all works and to visualize it clearly without bogging down the pace with paragraphs and paragraphs of details. The plausibility of it all? Eh, it’s SF, it’s plausible enough if you come with a standard level of suspension of disbelief needed for time travel (especially, in this case, when the time travel comes with a side order of multiverse story).

Because of the pacing, Orton’s able to get away with a few things that maybe she couldn’t in a slower-moving book. I don’t actually see the grounding of the romance between Diego and Isabel—he’s carried a torch for years, she regrets making the choice years ago to walk away. But…that’s it. We don’t see many sparks, just have to take it because we’re told that. There’s no reason for the senior agent involved with Matthew to be such an ass to everyone, all the time, especially when just a sentence from him now and then would be enough to get people to work with him instead of his threats (and I don’t care how instinctive and characteristic his brusqueness is, you don’t move up in an organization simply be being mule-headed, there has to be at least an insincere level of cooperativeness expressed occasionally). All the depth of the characters that could be brought out are merely nodded to, or you have to assume them.

Actually, this all might be necessary because of her pacing. If so, I understand the choice (as much as I disagree with it).

I want to stress, however, in the moment, you don’t think about this (and if you do, you brush it off because you don’t want to step out of the movement). Everything works, everything clicks while you’re reading and speeding off to the next twist/revelation. It’s only after you get to the ending that leaves you holding onto the cliff’s edge with your fingers that this might occur to you if you stop and think about it. Mostly, you’re going to be thinking about how long it will be until you can get your hands on Book Two.

It’s easily enjoyable, engrossing, and entertaining. You should give it a try.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided, including the ARC.

BOOK SPOTLIGHT: Hive (Madders of Time #1) by D.L. Orton

I’m very pleased today to welcome The Write Reads Ultimate Blog Tour for Book One in D.L. Orton’s Madders of Time series, Hive! If you take a look at the feed for https://twitter.com/WriteReadsTours over the next week, you’ll see what several other bloggers have had to say about it. My $.02 will be coming along in a little bit.

Hive Tour Banner

Book Details:

Title: Hive by D. L. Orton
Genre: Madders of Time, Book One
Genre: Science Fiction
Age Category: Adult
Format: Hardcover/Paperback/Ebook
Length: 350 pages
Publication Date: May 6, 2025
Hive Cover

About the Book:

What if saving the future meant rewriting the past?

In a dying world overrun by microdrones, humanity’s last survivors cling to life inside the Eden-17 biodome. Isabelle Sanborn knows her time is running out, but one desperate plan might give humanity a second chance. With the help of Madders, an enigmatic AI built from the memories of a brilliant physicist, Isabelle sends Diego Nadales—the love of her life—35 years into the past. His mission? To change the course of history and prevent their world’s collapse.

When Diego arrives in the vibrant yet fragile Main Timeline, he’s forced to confront ghosts of the past, including a younger, ambitious version of Isabelle. As he battles to shape a better future, Diego must navigate a delicate web of relationships and events without destroying the very fabric of time.

Brimming with suspense, heart-pounding action, and a poignant love story that transcends time, Madders of Time – Book One is a breathtaking science fiction adventure. Award-winning author DL Orton weaves a tale that explores sacrifice, resilience, and the timeless power of love.

Fans of The Time Traveler’s Wife and Dark Matter will find themselves captivated by this unforgettable journey through parallel worlds and intertwining destinies.

The clock is ticking. Can love survive the collapse of time itself?

Prepare to lose yourself in the first installment of the Madders of Time series—a story that will keep you turning pages and leave you hungry for more.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The StoryGraph

About the Author:

Forest Issac JonesThe BEST-SELLING AUTHOR, DL ORTON, lives in the foothills of Colorado where she and her husband are raising three boys, a golden retriever, two Siberian cats, and an extremely long-lived Triops. Her future plans include completing the books in the BETWEEN TWO EVILS series followed by an extended vacation on a remote tropical island (with a Starbucks).

When she’s not writing, playing tennis, or helping with algebra, she’s building a time machine so that someone can go back and do the laundry.

Ms. Orton is a graduate of Stanford University’s Writers Workshop and a past editor of “Top of the Western Staircase,” a literary publication of CU, Boulder. The author has a number of short stories published in online literary magazines, including Literotica.com, Melusine, Cosmoetica, The Ranfurly Review, and Catalyst Press.

Her debut novel, CROSSING IN TIME, has won numerous literary awards including an Indie Book Award and a Publishers Weekly Starred Review. It was also selected as one of only 12 Great Indie Stars by BookLife’s Prize in Fiction.


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Happy Jack and the Scary-Ass Book of Doom (Audiobook) by Rich Partain, read by JP Adams: DNF’d Without Prejudice (or any interest)

Cover of Happy Jack and the Scary-Ass Book of Doom by Rich PartainHappy Jack and the Scary-Ass Book of Doom

by Rich Partain, JP Adams (Narrator)

DETAILS:
Series: Shadows Over Earth-That-Was, Book 1
Publication Date: December 17, 2024
Format: Unabridged Audiobook
Length: 12 hrs., 50 min. (I made it 3.5 hours )
Read Date: April 16-17, 2025

What’s Happy Jack and the Scary-Ass Book of Doom About?

From Audible:

What happens when the geeks inherit the Earth? For starters, things get a little weird.

In the year 2475, the remnants of humanity have taken to the skies, inhabiting massive domed cities that hover five miles over the ruined ecological disaster of old Earth. The Powers That Be, in their infinite wisdom, decided that the few million people left deserved to live their best lives, so they gave each sub-orbital platform its own theme and legally enforced tech level. Named for afterlives and sacred places from all of the world’s great cultures, Elysia, A’Aru, Valhalla, Tian and the other orbitals range from cyberpunk metropolises to Tolkienesque medieval fantasy lands; from Victorian steampunk cities of glass and copper to snowbound Viking kingdoms.

Not content with merely cosplaying their days away, a significant portion of the population have become transhuman “cybernaturals,” electing to transform into creatures from myth through cybernetic enhancements and advanced genetic therapies; orcs, dwarves, elves, vampires and werewolves now exist through super-scientific means, not supernatural ones.

In the middle of this madness, Daniel Davidson, a pop culture archaeologist and mercenary of dubious repute and his band of foul-mouthed friends are charged with tracking down an ancient book that could, in the wrong hands, erase all of reality. It could be a huge payday and might even involve saving the known universe as a tidy bonus. That is, if they manage to NOT die at the hands of cannibal sex cultists, swashbuckling rogue vampires, prankster demigods, Templar knights, horrifying biblical angels, the angry star-spawn of elder things, and Satan himself. And possibly food and/or alcohol poisoning. Or suffocation in a sex dungeon.

It’s a filthy, hilarious, epic journey through an off-kilter future filled with bullets, blades, beasts, and boat drinks. If you like your profane sci-fi action comedies with a side order of urban and traditional fantasy, look no further.

I Do Have One Issue

Daniel Davidson makes too many late 20th/early 21st Century references. He uses the slang of these eras, talks about music, books, TV, movies, video games of this era. Yes, he explaines it. But I can’t buy that this kind of a geek–no matter his specialty–doesn’t make references to things outside of this time. Something from the intervening 300+ years would’ve snuck in.

His complaints about Evangelical Christians are also very 2020+–there’s no way that they wouldn’t have moved on to other ways to provoke the culture around them.

Listen, it makes sense for the Bobiverse’s clones to be stuck in contemporary references. That absolutely works. This just doesn’t. John Crichton might be full of references to Earth, but he also picks up the lingo and culture of those he interacts with once he joins Moya’s crew (see also Buck Rogers).

So, why didn’t I finish Happy Jack and the Scary-Ass Book of Doom?

It just never grabbed me. It was occasionally amusing. I thought the blue language was overdone, but it wasn’t as offensive as the Author’s Note at the beginning made it sound like it’d be. If you’re going to overuse some or all of The Nine Nasty Words be interesting with it, otherwise it just fades into the background like a dialogue tag.

I’m leaving the door open to returning to this–it didn’t anger me, offend me, or bore me. Like I said, I found bits of it amusing–even entertaining. But it just left me apathetic. I’d rather be annoyed by a book than totally uninterested. I’ll stick with a book to see if the author can make something good/decent out of something bad. But I can’t stick with something to see if I ever have a reaction.

I have no opinion on JP Adams, either. I don’t think James Marsters, Lorelei King, or Ray Porter could’ve done more with the material. So, I’m absolutely open to something else by him, too.

So, I’ll check out of this for now, and maybe return to in later.

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HC Chats with M.D. Presley about Laurel K. Hamilton

Covers of The Inner Circle novels by M.D. PresleyLast year, you’ll have seen the name M.D. Presley here a few times–thanks to the first two books in his Inner Circle UF series. We had a fun chat last week that I bring to you today. Matt introduced me to the work of Laurel K. Hamilton and her influence on the genre.

Of course, better than that, would be checking out her site and work for yourself. But you might as well start with this chat.

M.D. Presley Links:

Website ~ Bluesky ~ Facebook ~ Rites of Passage (Inner Circle book 1) ~ Worldbuilding Nonfiction


Are you a Reader of Things and want to chat with me about an author/series/something other than promoting your own work (which we will do, just not primarily)? I’d love to keep trying this, but I’m not ready to start pestering people about it. So please let me know.

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Hit The Ground Running by Kate Ashwin: 2 Jailbreaks, 1 Heist, 1 Outrageous Utility Bill, and 1 Potted Plant.

Be sure to come back in a couple of hours for a Q&A with Kate Ashwin.


Cover of Hit The Ground Running by Kate AshwinHit the Ground Running

by Kate Ashwin

DETAILS:
Series: No Loose Ends, #1
Publisher: Kate Ashin
Publication Date: November 11, 2024
Format: eBook
Length: 314 pg.
Read Date: January 25-29, 2025
Buy from Bookshop.org Support Indie Bookstores


You, like me, may assume that all Cyberpunk novels are set in joyless dystopias, where the neon lights and other brightly colored signs shine out against a gray and raining night (like every scene with Rick Deckard walking on his way to get some food). You’re largely correct. But what if I told you that didn’t have to be the case? Well, read on…

It was around 10 p.m. on a Thursday when Renji thought he might have a go at breaking out of prison. This idea was terrible for several reasons.
One, the prison in question was an Imperium International Forces Containment Facility, the kind widely reputed for being near-impossible to escape. Two, said facility was an airship in flight some fifty storeys above solid ground. The third, and perhaps most important reason was that he wasn’t even a prisoner, he was a guard.
But to I.I. Forces Cadet Renjiro Starkweather, the young man leaning out of the mess hall kitchen’s window to sneak a crafty cig, these reasons didn’t seem quite good enough to not at least have a try.

What’s Hit The Ground Running About?

Renji really doesn’t belong in the Forces—he doesn’t have the mindset, the discipline, any interest at all in serving, But he does have an Aunt who did most of the work in raising him. She’s rich, she’s powerful, she’s overly-indulgent of Renji, but she also has expectations. Hence, his presence in the Forces (which he probably would’ve washed out of already, if not for her influence).

But Renji’s at his breaking point, and he probably would’ve made an attempt at escape if not for the fact that he quite inadvertently interrupted an attempted jailbreak. The downside to this is that he ends up in custody with the jailbreakers—who turn out to be affiliated with a group Renji has been cheering on. They’ve recently released a lot of really embarrassing information about the Imperium International Corporation and other leaders of the city of Unity, in a WikiLeaks-type move. It didn’t do the damage anyone was really hoping for, but it did make a splash and get some people talking.

Okay, I’m taking too long here—Renji and the others (with some help from a super-competent hacker/”gal in the chair”) do eventually escape from the Facility in quite the flashy way, but without everyone they hoped to bring along with them. And Renji ends up visiting a part of the city of Unity he’s not that familiar with, Buried—it’s the part where the workers that support the corporation and government live (as well as their families, the unemployed, and whatnot). If you think of the city of Unity as The Titanic, this would be the third-class passenger area, but not as nice.

Renji wants to throw his lot in with the group, the Loose Ends. He wants to fight back against I.I., not out of any real outrage against them. But he thinks it’d be a fun adventure, and he does want to see things get better for the citizens down below—and to take I.I. down a peg or two. They’re leery of taking him on (mostly because they can tell his motives are shaky and he’ll probably get going when going gets tough—and not in the good way). But when a crisis hits, Renji comes up with a plan that just might work.

It’s nutty, it’s risky (mostly for him), but if he can pull it off with a little assistance from the Loose Ends and an older, battle-tested temporary ally of the Loose Ends, a lot of good can be done and the crisis could be averted.

The Characters and World

So the villain of this book is really “the System” as represented by Imperium International Corporation (and as you get to know them, you’ll be able to imagine any number of mega-corps of today turning into them).

But we get a few representatives of The System to focus on—nothing more than low-level hench-persons really. But higher-level reps will have to wait for the sequels. Primarily, we’re looking at Renji’s sergeant and three fellow-cadets who absolutely are not Malfoy, Crabbe, and Goyle. But they do fit the same character types that those three do. All four of these antagonists are the kind you will enjoy seeing foiled—even if they are the bottom of the rung, you’ll have a lot of fun seeing Renji go up against them. Especially when he comes out on top.

The heroes—sort of a rag-tag rebel group (who really aren’t trying to overthrow anyone, just trying to survive). They’re a hodge-podge of ages, temperaments, and skills. You will almost instantly like them—while wanting to ask so many questions about all of them. I’m tempted to talk about all of them for a sentence or two, but that would get old. But I like their internal dynamics, I like them as individual characters and cannot wait to see Ashwin develop them all. They also have a number of allies—from people who work in food stalls, to a club owner, to a strange medic/tech repair duo. Really, the Loose ends and the allies we meet in this book deserve a short story or two each, just to give them a chance to shine. (Ashwin, if you see this post and run with it—no need to cut me in, the results will be reward enough. Unless this lands you a TV deal or something.).

Then there are the largely nameless and faceless people in Buried. They suffer due to what I.i. does. They have to deal with any retaliation that comes down due to Loose Ends. We don’t see much of them, but we get to meet their Community Council (even in a dystopia, lower-level government officials are petty and useless, good to know some things are constants). There’s enough citizens, and enough grudges, seen that Loose Ends will have a steady supply of potential allies in future books (and probably future turn-coats, but let’s focus on the positives).

Unity City, once-upon-a-not-too-distant time, was the city of Steelpool, which the corporation bought from a struggling U.K. government to act as its wold headquarters. It’s from Unity that I.I. can distribute it’s Internet programming, sell and market its products, and so on. Mid-level Executives on up, live there. The workers, support staff, their families, etc. are stuck in Buried.

Is This Actually Cyberpunk?

“Please, look at him. He’s even worse of a blagger than you. He looks like he’s gonna sell you life-coaching advice through the internet.”

“Does not.”

“Does too. He’s a budget vampire. That’s a bargain bin Dracula, that is.”

“You are not being a very supportive friend right now.”

“I’m not supportive. Or your friend. Besides, actual supportive friends would tell you when you’re dating an evil executive from a shitty Robocop sequel. He looks like he’s going to have his plans to bulldoze the zoo foiled by some plucky teenagers.”

It’s being marketed as cyberpunk. But I think a lot of readers are going to bump up against the tone—the humor, the snark, the optimism that Renji brings and wonder about that.

If you look at the tech (which I haven’t done a good job of describing), the merger of corporation/government/city-state military, the dystopian nightmare that most of these people endure. You’ve got yourselves the making of a decent cyberpunk reality. But what about tone?

But you’ll be grinning throughout this book, there’s some good laughs, there are some goofy moments, and so on. How does that fit with William Gibson and Bruce Sterling’s Mirrorshade vision? Can you do a non-noir cyberpunk? I think yes. Think of Snow Crash while Hiro is a pizza delivery driver (sure, that’s post-cyberpunk), some of Rudy Rucker’s work, and …a couple of others I suddenly can’t think of the names of. There are even bits of Gibson’s Sprawl trilogy that are about this amount of fun. So yeah, it’s an outlier, but it’s not without precedent.

I only bring this up because I’m pretty sure there are some purists who’d complain about this. People who ignore the whole “punk” part of the aesthetic, no rules, etc. I really don’t care what others think. I’ll take a cyberpunk that makes me grin any day (especially now).

So, what did I think about Hit The Ground Running?

“Stopping them.” The tired look in Minjun’s dark eyes seemed as though it came from a much older man. “This isn’t afable with some terrible dragon for the heroes to hunt down, or a magic combination of words that will break the overlords’ evil spell. This is a city, a society, an ecosystem with problems embedded in its very roots. How exactly do you stop a society?”

This is a heist novel and I wait until now to talk about a heist? What is wrong with me? It’s an audacious plan with a great and benevolent pay-off. Naturally, as any self-respecting heist story demands—it goes awry. The reader knows that even before Renji outlines his plan—the questions are: how does it go awry, and how do our heroes respond? All I’m going to say about that is that I’m eager for book 2 in this series.

This is a fast-moving story with a lot of moving pieces—Ashwin keeps the plates spinning just fine and moves the story along just fine. This is so hard to talk about without getting into the details of the heist, the character twists (of the two bigger ones, I saw one coming miles away and the other took me totally unawares) were revealed with panache, or anything else.

Ashwin’s been storytelling for a long time in graphic novels, she knows how to tell a story and bring characters to life. Turns out she can do that just as well with words as she can do with pictures and words (or so I assume, I haven’t dipped a to in to that yet).

There’s a bit of a budding romance (or is it just a lust story?) that acts as a great distraction for Renji, too. That didn’t do much for me, I thought we had enough other things to keep the story going—but it’s a good plot complication—and who knows, maybe it lays the groundwork for something better.

This is a quick read. A fun read. There are so many bits and pieces I’d call out here, but you should read them for yourselves.

If you’re up for a good time (even if cyberpunk isn’t your thing—just think of it as snarky SF), you’d do yourself a favor to give this a whirl. I need to see what comes next, and I expect after your introduction to the Loose Ends, you will, too.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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My Favorite Non-Crime Fiction of 2024

My Favorite Non-Crime Fiction of 2024
Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s typically almost 40% Crime/Thriller Fiction, the rest of fiction is around 30% combined. This is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own.

When it comes to this particular list of favorites this year, it was tough to continue after the first cut. But no one wanted to read my top 30 (well, I didn’t want to put it together, anyway). I got it down with a little effort. So here’s my list of 10 favorite non-Crime Fiction Novels of 2024. Hopefully, you will find something here to tempt your.

As always, re-reads don’t count—only the works that were new to me.

(in alphabetical order by author)

Cover of No Two Persons by Erica BauermeisterNo Two Persons

by Erica Bauermeister, read by a full cast

My original post
For those who don’t know, this is a series of interconnected short stories about a novel. From the struggles the author had getting it written, to it being “discovered” by an overwhelmed reader at an agency, to the audiobook narrator, to readers, booksellers, and others who came into contact with it. We get a look into their lives before and after the novel enters their orbit.

And I loved it. I loved it so much that the day after I finished the audiobook that I borrowed from my library I went and bought the hardcover because I needed it on my shelf just to feel better.

I can’t promise anyone else will react to the book the way I did–or that I will react to it when I read it again. But yeah…I loved this thing.

4 1/2 Stars


The Tainted CupThe Tainted Cup

by Robert Jackson Bennett

My original post
This was the first (non-beta) novel I read in 2024 and it was also the first book I gave 5 stars to (odd how that worked out). It takes the Nero Wolfe/Archie Goodwin dynamic, changes it up (Wolfe becomes a woman who stays inside for different reasons, gives the “Archie” a different explanation for his memory, etc.), and shoves it into a Fantasy world. And this fantasy world is so different than one I’ve run into before, so full, so well-developed, so intricate and “lived in” that it blew my mind from our introduction to the world through the end of the novel.

The magic, the science, the architecture…all of it was…I’m running out of believable superlatives to use here. And don’t get me started on the wonderful characters–from the detectives to the killer to the suspects to everyone else.

Possiby the best book I read all year–if not, it’s close enough that almost everything else was a let-down.

5 Stars


Cover of The Blacktongue Thief by Christopher BuehlmanThe Blacktongue Thief

by Christopher Buehlman

My original post
About the time I started the above, I finished this. Clearly 2024 was going to be a good year of Fantasy for me. I talked about the audiobook yesterday, so let me try to focus on the story.

You’ve got an irreverent thief, the kind of guy that other thieves don’t trust (which actually makes sense, honor among thieves has to be the dumbest idea….but I digress), a knight on a (probably) doomed mission, some strange magic and…forget it. You need to do this yourself.

It’s just bonkers. The book is fun, the dialogue is spot-on, the stories are harrowing, tragic, and gripping. It’s the whole package.

4 1/2 Stars


Cover of The Olympian Affair by Jim ButcherThe Olympian Affair

by Jim Butcher

I haven’t written anything about this yet because I’m just too overwhelmed and the words can’t come out right. I loved being back in this world. I was surprised and wonderfully entertained by this story and the way it all played out (even the parts you could see coming). There’s a death that probably needed to happen, and I’ll think about forgiving Butcher for it someday (long before I forgive him for the big one in The Dresden Files).

I like the new characters (at least the ones I should), I loved catching up with our old friends. I enjoyed the whole thing. I know some people aren’t crazy about the space the new characters took compared to some of the old ones, and I get that–but the story was so fun!

4 1/2 Stars


Cover for The Legendary Mo Seto by A. Y. ChanThe Legendary Mo Seto

by A. Y. Chan

My original post
Speaking of fun…here’s Mo (Modesty) Seto and her story. In my original post, I said, “I had about as much fun as is permitted by law while reading this.” And I still remember it that way.

You’ve got martial arts, you’ve got a fantastic underdog, you’ve got a funny and caring grandfather/grandfather figure, you’ve got family tension, you’ve got strange history, you’ve got a movie set and tall the nonsense entailed by that, you’ve got a treasure hunt (of sorts), and a great cast of characters.

Chan brought it all to life and actually has me eager to get my hands on the sequel. And I shouldn’t be this excited about a new MG novel, but I am.*

* Not because I’m some sort of snob, or that I look down on MG books. I’m just 4 decades too old to be that excited.

4 Stars


Cover of The Space Between Worlds by Micaiah JohnsonThe Space Between Worlds

by Micaiah Johnson

My original post
This is, simply, a stunning SF novel. It’s a stunning novel with no genre label necessary. It’s so beautifully written. The worldbuilding and SF-sciency stuff is so good that you wonder why it took until 2021 for someone to use it. I can’t believe it’s a first novel.

I don’t know what else to say. Go read my original post where I at least have some more room to babble. Just go get it.

4 1/2 Stars


Cover of The Last Shield by Cameron JohnstonThe Last Shield

by Cameron Johnston

My original post
If I start on this one, I don’t know when I’ll stop. So I’ll just copy some of what I’ve already said.

The Publisher’s description of this novel starts off with, “A gender-flipped Die Hard set in a mysterious castle.” And that’s absolutely what the book is—is that description reductionistic? Yes. Is it apt? Also, yes. But it’s also so much more than that summary. (but what a great elevator, pitch, right?)

It’s is a heckuva thrill-ride. Like its cinematic predecessor, the action in this novel is top-notch. It’s not non-stop, there are moments of reflection, of exhaustion, of trying to figure out how to survive—much less succeed against this force. The set-up to the main action also takes longer than you might think (but you should really just relax and let Johnston do his thing, it’s all important and helps establish what comes later). I was hooked almost immediately—and while I wondered when the “Die Hard” part of the book would kick in, I really didn’t care. I was having a good enough time with Briar, Alaric, and the rest.

But, boy howdy, when the action kicked in? What was a perfectly enjoyable book got so much better. Johnston can write an action scene—whether the action is hand-to-hand, bladed weapon against something else, supernatural-based…you name it, he can handle it with panache and aplomb. It’s well paced—with just enough downtime between fight scenes for you and the characters to be ready for the next. Once the book builds up enough steam, forget it—you’re not going to willingly put it down.

It’s not all about swords, shields, axes, and spells, however. There’s real growth—and real injury (and not just physical)—to be seen in several other characters. No one survives this time unscathed in one way or another.

Just pasting in these paragraphs, I’m ready to set everything aside and re-read it.
4 1/2 Stars


Charm City RocksCharm City Rocks

by Matthew Norman

My original post
It’s a love story. It’s a story about a father and a son. A son and his mother. It’s a story about music and its power. It’s a story about second (and third and fourth) chances. It’s a tribute to Baltimore.

It’s charmingly told. It’s sweet (but not overly). It will make all but the most jaded smile. Actually, I noted earlier that “I think the best way to sum up my reaction to the book is that I noticed that every time I put the book down for some reason, I was grinning. Not because I set the book down, but it just made me happy.”

4 1/2 Stars


Christa Comes Out of Her ShellChrista Comes Out of Her Shell

by Abbi Waxman

My original post
One of the worst-kept secrets on this here blog over the last few years is that I’ve become an Abbi Waxman fan, I’m almost guaranteed to rave about her books. And of the four I’ve read, three deserve (and the other was a really strong read, if not rave-worthy). So of course, she’s going to show up here.

The first 87 pages of this book might have been my favorite 87 pages this year. That trend might have continued, but I wrote that note then. Everything just worked.

Christa is more abrasive than your typical Waxman protagonist, which was a nice change. But the rest are just about who you’d find peopleing her other works.

A couple of scenes between a couple could’ve faded to black a little earlier for my prudish taste. But outside of that, I was in hog heaven as I read this.

4 1/2 Stars


Cover of Project Hail Mary by Andy WeirProject: Hail Mary

by Andy Weir

Why didn’t I read this the day the hardcover arrived in my mailbox like I’d intended to? I’ll never know. I’ll regret it for quite a while, though. I spent a lot of time castigating myself for that choice as I read this.

But the important thing is that I read this. Yes, Ryland Grace is like a friendlier, less-sweary Mark Watney. But who cares? I’ll live in Watney’s head again. The jumping around in the timeline nature of this book made it different enough to keep it from being The Martian-but-different. The type of calamity that put Ryland out in space by himself is so far removed from a mission to Mars that it’s hard to compare it to.

The stuff on Earth was tense–even as we know how it’ll end (or at least that it’ll result in Ryland in space), you’re gripped. And then once he’s there? It’s just so great.

I won’t even talk about the way the ending hit. It’s just too much for a paragraph. I admit I loved The Martian more, but that’s solely because I read it first, so PHM had to compete with it. Were the situation reversed, I’d be saying that Watney is almost as great as Ryland.

It’s a must-read for SF readers or not. (unless you didn’t enjoy Weir’s other work. Then you’d better stay away.)

5 Stars


A few books that almost made this list and that I want to be sure to mention:
Return of the Griffin by JCM Berne (My original post), Blood Reunion by JCM Berne (My original post), Shadow of Hyperion by JCM Berne, The Tenacious Tale of Tanna the Tendersword by Dewey Conway & Bill Adams (My original post), and Buddy the Knight and The Queen of Sorrow by Peter David (My original post).

Word and Spirit: Selected Writings in Biblical and Systematic Theology by Richard B. Gaffin, Jr.: Righteous Gems

I can’t put this one off any longer—if I could, I promise you I would (I’ve delayed it a few weeks already). I’m out of my league here, but I’ve got nothing else to write about. And I really need to write something about this.


Cover of Word and Spirit by Richard B. Gaffin, Jr.Word and Spirit:
Selected Writings in Biblical and Systematic Theology

by Richard B. Gaffin, Jr.; edited by David B. Garner & Guy Prentiss Waters

DETAILS:
Publisher: Westminster Seminary Press 
Publication Date: December 1, 2023
Format: Hardcover
Length: 723 pg.
Read Date: January 7, 2024-September 22, 2024

The word atonement does not occur in Paul’s writings.’ But no concern is more central for him than the meaning of the death of Christ, the church’s perennial concern in its doctrine of the atonement. What does Christ’s death achieve? How is it effective for the salvation of sinners? This chapter considers Paul’s answers to such questions with an eye to the issue of continuity between Paul’s teaching and later church doctrine. How faithful to the apostle is subsequent Christian understanding of the atonement?

Contemporary Pauline scholarship is marked by a fairly widespread consensus that in its dominant and most influential expressions, traditional atonement theology departs from Paul in at least two substantial ways. First, it fails to recognize, or at least do justice to, the Christus Victor theme in Paul, that Christ’s death destroys actual slavery to sin and its consequences in the sinner. Second, its notion of the cross as penal substitution, particularly as it has been developed beginning with the Reformation, is foreign to Paul.? In my view, the first of these critiques contains some measure of truth; however, the second is wrong. As a fair generalization, historic Christianity, including Protestant orthodoxy, is weak in not recognizing adequately Paul’s teaching that the cross destroys sin in the sinner as a corrupting and enslaving power, but modern historical-critical scholarship is defective for not dealing adequately with his teaching that the cross removes the guilt and just punishment of sin.

What’s Word and Spirit About?

According to the Publisher,

Few Reformed theologians have exerted the influence in both the church and the academy that Richard B. Gaffin, Jr. has, shaping the theology and spiritual formation of generations of pastors and teachers. Until now, his most significant published works have been inaccessible to most theological readers, published in academic journals, denominational newsletters, and out of print festschrifts and essay collections. A decade in the making, Word & Spirit gathers Gaffin’s finest works of biblical and systematic theology and arranges them in a singular, organic whole that presents Gaffin’s thought and work as comprehensively and clearly as it ever has been. More than 40 essays, articles, and tracts have been compiled, including “The Usefulness of the Cross”, No Adam, No Gospel, “A Cessationist View,” and “The Work of Christ Applied”. This collection is a must-have for any student of theology.

There’s really not much else to say. It’s broken down into five sections, and I’d be tempted to say that each section was the most valuable/useful (well, at least 2-5, but maybe if I spent some time re-reading part 1, I’d reconsider that). Let’s take a quick look at each:

Hermeneutics, Biblical Theology, and Systematic Theology

This is ten articles spread out over 170+ pages, covering the basics of Biblical Theology, how it can and should interact with Systematic Theology (and vice versa).

There’s some repetition of ideas (this will be a common thread throughout each section), which makes sense as these were written as individual pieces, not as part of a book, and Gaffin’s position and ideas about these things have remained static/build on each other.

It’s vital to understand him and his work—and just good to have a handle on these ideas regardless.

Theology of Hebrews and Paul

Most of these seven articles encapsulate (and expand on) the ideas from In the Fullness of Time: An Introduction to the Biblical Theology of Acts and Paul, a book I raved about a couple of years ago. But there are teachings and texts he didn’t address there, that he does here.

This section was so rich, so helpful—the chapters “‘The Obedience of Faith’: Some Reflections on the Rationale for Romans,” “Atonement in the Pauline Corpus: ‘The Scandal of the Cross,'” “and “The Priesthood of Christ: A Servant in the Sanctuary”—were good enough that I almost re-read them immediately (and I probably should’ve).

The first article in this section, The Usefulness of the Cross is available as a PDF Free Chapter Download from the publisher, take advantage of this.

Scripture, Epistemology, and Anthropology

The first three of these six chapters might have been the most mind-stretching for me (they won’t be for everyone), and were very rewarding.

The final three were the easiest for me—and the most repetitive in the book. They focus on Biblical anthropology (as in teaching on the nature of man), focusing on the historicity and nature of Adam. I’ve read at least “No Adam, No Gospel” before—it was published as a booklet a few years ago, and I think I read the previous chapter, the Translator’s Foreword to Adam in the New Testament as well. And I didn’t mind one bit re-reading it/them. Still helpful.

Pneumatology

These seven chapters could be (should be, if you ask me) be reworked into one book. Gaffin shines in these studies—and going back to his By Faith, Not By Sight and Resurrection and Redemption, these teachings are where he’s historically helped me the most. And that streak continues here.

Reformed theologians often (and wrongly) get the reputation for not talking about the Spirit as much as other traditions, and—even worse—are considered to ignore Him. Gaffin makes it clear that everything about Reformed Theology is based on the work of the Spirit in believers’ lives and helps us understand just what that means—both theologically and practically.

The Law of God, Soteriology, and Eschatology

This section pretty much covers “everything that couldn’t fit above.” Again, I’ve read a few of these before in other publications/stand-alone works. But I don’t care.

The chapters on eschatology are gold.

The chapters on Justification and Calvin are even better—the way he talks about Calvin’s view of the relationship of Sanctification and Justification (and the way he presents the two in The Instittues even in the organization of them) is so important for us all to heed. Particularly as he roots them both in Union in Christ—as is every benefit that the believer enjoys in this life and in the resurrection.

So, what did I think about Word and Spirit?

The justification of God’s elect is unshakably secure because, in a sentence, Jesus Christ is “the same yesterday, today and forever” (Heb. 13:8). Despite the way it is often read, this is not, at least in the first place, a proof text for Christ’s divine immutability, that as God he is unchanging, though that attribute is surely in the background (see, for instance, 1:10—12).” Rather, it is most likely an affirmation of his unwavering fidelity, his abiding reliability as high priest—in his once-for-all sacrifice in the past on earth and in his ongoing present and future (cf. 7:25) intercession in heaven. That is as good a note as any to bring these reflections to a close. “Jesus Christ—the same yesterday, today and forever.” This, first and finally, is what Christians need to know about their justification when they consider Christ as their priest, not only in his state of humiliation but also in his state of exaltation.

Outside of the Foreword, Introduction, and Brief Biography (Appendix A), none of this is particularly easy reading. Nor quick. But all of it is accessible—for the depth he gets into at points, this is much more approachable than On Classical Trinitarianism (to mention a recent example).

This is probably the most personally beneficial read I’ve had in the last couple of years—sitting down with Gaffin for 30-50 minutes every week has been a great discipline and a great boon.

I should probably have more to say than that, but I can’t think of what else to say that’s not just a restatement of this: this is a fantastic book—with insights, teachings, and reminders of the things that are vital for every believer.

Highly recommended.


5 Stars
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