Category: Urban Fantasy Page 34 of 46

The Best Novels I Read in 2016

Yeah, I should’ve done this earlier, but I just needed a break from 2016 for a couple of days. Most people do this in mid-December or so, but a few years ago (before this blog), the best novel I read that year was also the last. Ever since then, I just can’t pull the trigger until January 1.

I truly enjoyed all but a couple of books this year (at least a little bit), but narrowing the list down to those in this post was a little easier than I expected (‘tho there’s a couple of books I do feel bad about ignoring). I stand by my initial ratings, there are some in the 5-Star group that aren’t as good as some of the 4 and 4½ books, although for whatever reason, I ranked them higher (entertainment value, sentimental value…liked the ending better…etc.). Anyway, I came up with a list I think I can live with.

(in alphabetical order by author)

Morning StarMorning Star

by Pierce Brown
My original post
I was a little surprised (but not really) today to see that every book in the trilogy made my year-end Best-Of list — so it makes sense that this one occupies a space. But it’s more than that, this book was an exciting emotional wringer that ended the trilogy in a perfect way. I can’t recommend this one enough (but only for those who’ve read the first two). When I was informed a month ago that there was going to be a follow-up series? I let out a whoop, thankfully none of my family noticed, so I don’t have to feel too silly.
5 Stars

A Star-Reckoner's LotA Star-Reckoner’s Lot

by Darrell Drake
My original post
I’m afraid if I start talking about this one that I’ll spill a few hundred words. Let me just slightly modify something I already wrote and spare us all the effort (that could be better spent actually reading these books). I’m afraid I’ll overuse the word imaginative if I tried to describe what Drake has done here in the depth I want to in this book about pre-Islamic Iran. You haven’t read a fantasy novel like this one before — almost certainly, anyway — but you should.
4 1/2 Stars

Blood of the EarthBlood of the Earth

by Faith Hunter
My original post
This probably should be a dual entry with Blood of the Earth and Curse on the Land, but that felt like cheating. Between the two, I thought that this was a slightly better work, so it got the spot. While remaining true to the Jane Yellowrock world that this springs from, Hunter has created a fantastic character, new type of magic, and basis of a series. I love these characters already (well, except for those I wasn’t crazy about previously) and can’t wait for a return trip.
4 1/2 Stars

BurnedBurned

by Benedict Jacka
My original post
I’m just going to quote myself here: I’ve seen people call this the Changes of the Alex Verus series — and it absolutely is. I’d also call it the Staked in terms with the protagonists coming to grips with the effects that his being in the lives of his nearest and dearest has on their life, and what that means for his future involvement with them. Which is not to say that Jacka’s latest feels anything like Butcher’s or Hearne’s books — it feels like Verus just turned up half a notch. It’s just such a great read — it grabs you on page 2 and drags you along wherever it wants to take you right up until the “He is not actually doing this” moment — which are followed by a couple more of them.
5 Stars

Fate BallFate Ball

by Adam W. Jones
My original post
Since the Spring when I read this, I periodically reminded myself to keep this in mind for my Top 10, I was that afraid I’d forget this quiet book. It’s not a perfect novel, there are real problems with it — but it was really effective. I fell for Ava, just the way Able did — not as hard (and only in a way that my wife wouldn’t mind) — but just as truly. This one worked about as well as any author could hope one would.
4 1/2 Stars

All Our Wrong TodaysAll Our Wrong Todays

by Elan Mastai
My original post
My all-time favorite time-travel novel, just a fun read, too. I will over-hype this one if I’m not careful. So, so good.
5 Stars

The Summer that Melted EverythingThe Summer that Melted Everything

by Tiffany McDaniel
My original post
I’m not sure what I can say about this book that others haven’t — this trip into a magical realism version of the 1980’s Mid-West will get you on every level — it’s entertaining, it’s thought-provoking, the language is gorgeous, the characters are flawed in all the right ways. I wish this was getting the attention (and sales!) that it deserves — I really hope its audience finds it.
5 Stars

Every Heart a DoorwayEvery Heart a Doorway

by Seanan McGuire
My original post
Here’s a book that doesn’t have to worry about attention or audience, it has one — and it’s probably growing. It deserves it. Short, sweet (and not-sweet) and to the point. I may have to buy a two copies of the sequel so I don’t have to fight my daughter for it when it’s released.
5 Stars

Lady Cop Makes TroubleLady Cop Makes Trouble

by Amy Stewart
My original post
Stewart took the really good historical crime novel she wrote last year and built on that foundation one that’s far more entertaining without sacrificing anything that had come before. We’ll be reading about the Kopp sisters for a while, I think.
4 Stars

Genrenauts: The Complete Season One CollectionGenrenauts: The Complete Season One Collection

by Michael R. Underwood
My original post
Yeah, here I am again, flogging Underwood’s Genrenaut stories — whether in individual novellas, audiobooks, or in this collection — you need to get your hands on this series about story specialists who travel to alternate dimensions where stories are real and what happens in them impacts our world — Underwood has a special alchemy of Leverage + The Librarians + Quantum Leap + Thursday Next going on here, and I love it.
5 Stars

There were a few that almost made the list — almost all of them did make the Top 10 for at least a minute, actually. I toyed with a Top 17 in 2016 but that seemed stupid — and I’ve always done 10, I’m going to stick with it. But man — these were all close, and arguably better than some of those on my list. Anyway here they are: What You Break by Reed Farrel Coleman (my original post), Children of the Different by SC Flynn (my original post), Thursday 1:17 p.m. by Michael Landweber (my original post), We’re All Damaged by Matthew Norman (my original post), A Hundred Thousand Worlds by Bob Proehl (my original post), and Mechanical Failure by Joe Zieja (my original post).

I hope your 2016 reads were as good as these.

A Few Quick Questions With…Nicky Peacock

Earlier today, I blogged about Nicky Peacock’s Lost in Wonderland, not only did she send me her book, she agreed to take part in the little Q&A. Not only does she write a fun book, but she helps me generate content — a couple of my favorite traits in people. Hope you enjoy her answers, I did.

Tell me a little about your road to publication.
It’s been a long and bumpy road and, to be honest, I’m still not at my final destination yet. I’d like to write for a living, and right now that’s not a reality. I have to fit in writing with a full-time job. My dream would be to wake up every morning and know that I had all day to write and plot and socialise online with readers and other authors.

I’d always wanted to be an author; I can’t remember a time I didn’t. I’m passionate about stories, but unfortunately, I tended to lose excitement before I finished anything! I wrote a lot of beginnings and not many endings, so never sold anything. I then found the short story market. Thanks to eBooks it’s thriving and finishing a short story is much easier than a 90,000-word novel, so I wrote them for a few years. Next thing I knew I had over 35 stories published and thought I’d better start writing something longer and my first novella, Bad Blood came tumbling out of my imagination.

What was the genesis of this book/novel? Of all the dozens of ideas bouncing around your cranium — what was it about this idea that made you say, “Yup — this is the one for me.”?
It was always in my head, but last year was Alice in Wonderland‘s 150th anniversary, so I thought the time had come to get Lost in Wonderland out and set it free upon the unsuspecting world. I write YA fiction and had read lots of books about spies and the like, but wanted to take it one step further with teens who bait and catch serial killers. There’s a rather disturbing statistic that, right now, there are at least 3 active serial killers in the UK every year (The UK is about the size of just one US state, so that’s even scarier math!) and very few are caught. It boggles the mind to think of how technological advanced we are, but still can’t nail down these devils preying on the innocent. In my book, Wonderland is a vigilante agency set up to do just that, to work above the law and sometimes even under it, and to do whatever it takes to stop serial killers. The Lewis Carroll connection is through the founders of Wonderland, their daughter Alice was murdered, and the killer was only caught when they took the law into their own vengeful hands.
What’s the one (or two) book/movie/show in the last 5 years that made you say, “I wish I’d written that.”?
I’d probably have to say Twilight. Vampires are my favorite monster, and although it didn’t break the bank with uniqueness, the author really developed her world and the characters in it. This is something that can be lacking with vampire stories as they are so larger than life, the creatures themselves can act as a crutch for a storyline so the writer doesn’t bother to delve any deeper. Also, it made a tonne of money, and I’m not too proud to say that I could really use even a fraction of that right now!
What is it about YA/”Teen” fiction that attracts you? Are all your works targeted to that audience?
I do some work for adult audiences (wait, does that sound rude? LOL) But I enjoy writing for teens. Their books have come a long way since The Famous Five and to be honest, you don’t even need to pull your punches that much when it comes to violence anymore. I’d hate to think that I’d written anything patronizing to my readers or even unrealistic – even when my subject matter is anything but real. There’s also the double dip effect in this market where adult readers will buy teen books too so you can gain more exposure an author.

The YA market is very loyal. I’d like to think that my readers, as they get older will still want to read my books.

I’ve often heard that writers (or artists in general) will forget hundreds of positive reviews but always remember the negative — what’s the worst thing that someone’s said about one of your books, and has it altered your approach to future books?
I’m very lucky in that the majority of my reviews are good. It can be frustrating when reviewers effectively ‘mark you down’ for opposite opinions, for example saying the book was too descriptive and then saying it wasn’t descriptive enough. I also get annoyed when someone gives me a low star rating but doesn’t put a review with it, that way I never know why they didn’t like it and what I could change in the future to help my work.

One of the things that reviewers have said about Lost in Wonderland is that they wish it had been longer. I’m currently writing the second book in the series, The Assassin of Oz and am making this longer now to make up for it.
Thank you so much for having me here today. If you’d like to find me online:

Blog:   Twitter: Y A Facebook Page:   UK Amazon Author Page: 

US Amazon Author page:   Good Reads: Tumblr:  Authorgraph:

Thanks for your time — and the book. Looking forward to what happens next.

Hunted (Audiobook) by Kevin Hearne, Luke Daniels

Hunted Audiobook Hunted

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #6

Unabridged Audiobook, 9 hrs., 52 min.
Random House Audio, 2013

Read: November 21 – 23, 2016


I loved listening to this one this week — hated for it to end. I’m not sure why this volume works so much better for me than others in this series (not that there’s a bad one in the bunch), but it does. I’m still pretty satisfied with what I wrote the first time I read the book, so I’ll pretty much copy and paste it below with a few minor tweaks and a word or two about the audio performance.

Try as I might, I can’t figure out a way to get Goodreads to let me give this as many stars as it deserves — 6. I don’t think it’s possible for Hearne to write a bad book, but Hunted is beyond good. Not that Hearne has ever seemed anything but self-assured and capable (sorta like Atticus), but he’s really firing on all cylinders here — from the jaw-dropping and series-changing events of Chapter 1 through all the plot, twists, character moments, quips, action, and development that follows — Hearne delivers with verve and panache.

I don’t know how to describe the storyline without plunging neck-deep into spoiler territory, so let’s just say that this picks up minutes (if not seconds) from Trapped and keeps going from there. Virtually every character from the previous five novels makes an appearance (if only with a name-drop), and we get a few new characters from the pages of myth (Irish, Greek and Roman predominantly, but most of Europe is well-represented here) as well from Hearne’s own imagination. Our favorite Druids face off with a couple of new opponents, try to broker a peace with Greek and Roman pantheons, prepare for Ragnarok, and try to suss out who amongst the Tuatha Dé Danann might be working to bring about their untimely demise. (clearly, our heroes don’t get a lot of rest in these fast-moving 300 pages to get all that addressed)

Not that Atticus has had an easy go of it since the beginning of Hounded, but Hearne really puts the hurt on him this time around. He has two of the closest calls I can remember a first-person narrator dealing with in recent history — and he gets both of them in one book! Though honestly, the emotional and intellectual challenges he faces are probably harder for him to deal with — his Bear charm and tattoos can’t help him with those. Naturally, he rises to the challenges and even pulls off a couple of schemes that would make his buddy Coyote proud. While remaining Atticus at his core, there are flashes of a ruthlessness and hardness that we haven’t seen much of before. A good reminder that a Celtic warrior was formidable opponent (thankfully, there are things that still make him balk!)

While most of the book is told from Atticus’ POV as usual, we do get a few chapters from Granuaile’s POV — Daniels is able to pull these off well, I should add. I appreciated seeing things from her perspective (not just the parts that Atticus couldn’t relate, either) and I learned a lot more about a character I thought I knew pretty well already. I think she’s just about at the point where we could get Granuaile novels with minimal use of Atticus (see the Joe Pike novels) and not feel we were missing much — if anything, the fight scenes might be a bit more savage. There’s a danger here (I think Atticus himself sees this) in her becoming too much of an eco-warrior (think Captain Planet as told by Tarantino), and I think that could make for problematic reading if it went on too long or too extreme. But until then, I’m enjoying the heck out of this warrior woman.

If you’re already reading this series, you’re in love with Oberon (or have no soul). If you’re not reading it, you’ve probably not read this far — but if you have, just know that it’s worth buying the 6 books just to spend time with this most wonderful of Irish Wolfhounds. This is the best use of Oberon yet — of course, he’s hilarious and inappropriate as always — but he also gets to be heroic, inspiring and even moving. I’m not kidding, my eyes got misty a couple of times just because of him. I remembered — very clearly — Oberon’s response to Atticus’ shooting as very moving. Luke Daniels’ work made it heartbreaking (thankfully, I knew what happened afterwards, or I’d have been openly weeping at my desk). A couple of hours later, I did audibly crack up when Oberon used Mercury’s leg for a fire hydrant. Similarly to the way that the audio performance made Oberon’s grief more tangible, his joy in the Epilogue was incredibly contagious.

Any book that does all that while pulling off things like citing Wheaton’s Law within a few pages of quoting Dante (in the original!) needs to be celebrated. Add in Daniels’ outstanding performance? An absolute winner.

—–

5 Stars

Trapped (Audiobook) by Kevin Hearne, Luke Daniels

Trapped Audiobook Trapped

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #5

Unabridged Audiobook, 9 hrs., 2 min.
Random House Audio, 2012

Read: November 7 – 10, 2016


Huh. I apparently didn’t write up anything when I first read this. Not only that, but I couldn’t remember a thing about it. At least while I was downloading — chapter after chapter I kept saying, “Oh, that happens in this book?” Some fan I am.

Granuaile is finally bound to the Earth, Atticus starts making things up to Odin, Bacchus tries to get his revenge, Vampires and Dark Elves have similar ideas — as does a certain recently-freed Norse god. Well, many individuals seem to want Atticus dead — preferably before he can bind Granuaile. And well, many, many other things transpire — both positive and dangerous.

Oberon gets to be a hero, as well as comic relief. Which is all anyone can ask for, really.

The way Hearne ends this book is criminal, really — thankfully, I didn’t have to wait too long to get to the next book in the series this time through — I put up with the months of waiting once, I’m not sure I’d have been able to do it again.

I liked the way that Hearne describes the differences between Hermes and Mercury (which carries over to all Olympians both here and the next book) — it reminded me of some of Riordan’s takes in The Heroes of Olympus series, while not duplicating things.

I’ve run out of ways to describe Luke Daniel’s work — it’s just spot-on, not sure what else to say. Hearne’s writing is crisp, well-paced (although I think a couple of the stories from Norse figures drag a bit), and the fight scenes here are among his best. All in all, an important and entertaining installment in this series.

—–

3.5 Stars

Tricked (Audiobook) by Kevin Hearne, Luke Daniels

Tricked Audiobook Tricked

by Kevin Hearne, Luke Daniels (Narrator)
Series: Iron Druid Chronicles, #4

Unabridged Audiobook, 10 hrs., 30 min.
Random House Audio, 2012

Read: October 19 – 24, 2016


This novel is essential to pivot from the first books to the remainder of the series — after drawing attention to himself by killing Aenghus Óg and the other shenanigans in next books, Atticus needs to disappear for a while — but first he has a promise to Coyote to keep.

When I first read this, I summed up the book by saying, “Again, Hearne doesn’t just deal with one people’s pantheon–Tricked is a mashup of Irish, Norse and Navajo stories (with a side order of several representatives from other continents). Not to mention a returning cast of urban fantasy monsters, and plain ole humans. Of course, Oberon gets time to shine after being absent for so much of Hammered, and he steals every scene he’s in.” I think I’ll let that stand for this time through the book, too.

Once again, I love listening to Daniels’ Coyote — and his other Coyote is pretty good, too (it makes sense in context, really). I’ve really got nothing else to say — it’s typical Daniels, fun and easy to listen to — his narration and characters keep you listening and do a great job of bringing the story to life.

It’s not the best book in the series, but it moves the overall story along, provides some good excitement and proves that Atticus doesn’t need his home environs, and his readers can be entertained while he takes his show on the road (which will prove to be a very good thing for the series).

—–

4 Stars

The Hanging Tree by Ben Aaronovitch

I really hadn’t intended to make this a Rivers of London day, but I had notes and partial drafts for those other two, so I figured I might as well as a way to lead up to this. Which, sadly, is going up later than I wanted, but Dadding before blogging, right?

The Hanging TreeThe Hanging Tree

by Ben Aaronovitch
Series: The Rivers of London, #6

eARC, 336 pg.
DAW, 207

Read: November 11 – 15, 2016

I lost track of how many times a certain retailer let me know that my pre-order for this had been rescheduled, but now a little more than 2 years after The Rivers of London most recently flowed through these books, The Hanging Tree is out (in parts of the world, anyway). I’m firmly in the camp of those willing to let authors take their time to get the book right, but I’m just as firmly in the camp wanting authors of my favorite series to hurry up. Thankfully, whatever delayed this publication gave Aaronovitch the time he needed to deliver his best yet.

Peter’s pushed into investigating a drug-related death, which soon shows itself to actually need a man of his particular skills when one of the parties involved (perhaps very involved) is the daughter of Lady Tyburn herself. Mostly anonymous teens up to illegal things, an overbearing mother to a suspect/witness, and the natural teenage disinclination to telling the police anything and you’ve got yourself a mess — particularly when the overbearing mother isn’t your biggest fan, and is a deity of sorts.

Poor Peter.

Along the way, Peter and Nightingale find the trail of a lost Newton masterpiece, a couple of interesting allies, and the return of some familiar, but not recently seen, foes. Some of what happens with returning adversaries will surprise, please, and frustrate long-time readers.

For series like this, more important than the plot are the characters — and Aaronovitch did everything right on this front. A few notes on this Peter’s more confident — professionally and personally. He’s coming along pretty well with his magic — yay! At the same time, you can see the way that he’s bringing change to the Folly little mannerisms and activities with Nightingale and Molly that you know they weren’t going to be up to until Peter moved in. I liked how Bev was used — even if she wasn’t around as much as usual — and the way their relationship is developing; her sister Lady Tyburn is probably used better here than ever before. There’s a new assistant for Dr. Walid, Dr. Jennifer Vaughan — we don’t get a lot of her, but there’s promise (and I like the fact that this universe is expanding). Lastly, I need to talk about Guleed — I know she’s been around awhile, but I didn’t really click with her until this book (as much as I enjoyed her in Body Work) — I like the way she works with Peter, the flavor she brings to things — I hope we see a lot more of her.

Oh yeah, I almost forgot, there’s a brief appearance by an author of note early on in the book — I’d love for him to show up again in some context where Peter doesn’t have to be so diplomatic with him. I chuckled a lot, and would love to hear Aaronovitch talk about this character and any real-life models he drew upon.

Not only do we get the typical Aaronovich-level stories and action, we get a big expansion in the number, types, and nationalities of magic users in this book. Not only are there the official practitioners of magic that The Folly is aware of, there are those they’re not tracking (but probably should start). Just this shift alone in the universe makes this book a winner — adding it to the rest is just frosting.

I’m really glad, incidentally, that I recently listened to the first audiobook in the series — there’s some significant call-backs to it throughout this book. I’d probably have been okay relying on memory, but the connections worked better for me with everything fresh in my head. Ditto for the number of references to Body Work – I’d have been fine not understanding the references made to it, they’re not integral to anything, but it was fun knowing what Peter was talking about.

This took me too long to read — which isn’t Aaronovitch’s fault, it’s just been one of those weeks, every time I started to really get into this book, I was interrupted by something — and it drove me crazy. Do what you can — kill the phone, lock the door, grab some snacks and a beverage of your choice and settle in for Aaronovich’s best yet, you won’t want to put it down. I can’t say enough good things about this.

Disclaimer: I received this eARC from DAW via NetGalley in exchange for this post — thanks to both for this.

—–

4 1/2 Stars

Rivers of London: Body Work by Ben Aaronovitch, Andrew Cartmel, Lee Sullivan

Body WorkRivers of London: Body Work

by Ben Aaronovitch, Andrew Cartmel, Lee Sullivan (Artist)
Series: Rivers of London Comics, #1

Trade Paperback, 128 pg.
Titan Comics, 2016

Read: April 30, 2016


The Folly — Peter Grant and his boss, Inspector Nightingale — make their way to comics in this collection from Titan Comics. The two are facing a threat right out of a Stephen King novel: a homicidal car.

There’s more to it, of course, but that’s it in essence.

The story was entertaining, and fully captured the feel of the novels (easier with the writer of the books writing these). This seemed slight — a bit too brief. But it wasn’t — maybe it just flowed so smoothly I didn’t notice. Maybe there wasn’t that much of a story, I’m not sure. I’m willing to give Aaronovitch and the rest the benefit of the doubt.

The best part of this collection is that it solidified my mental image of Grant, clarified my idea of Molly, and reshaped/corrected my idea of Nightingale. The art wasn’t dazzling, but it was good.

It didn’t blow me away, but it scratched the Peter Grant itch and made me want to read more. If I sound like I’m not totally sold on this, it’s because I probably wasn’t, but I’m glad I read it and should be reading the next collection in a month or so — so there’s that.

—–

3 Stars

Midnight Riot (Audiobook) by Ben Aaronovitch, Kobna Holdbrook-Smith

Midnight Riot (Audiobook) Midnight Riot

by Ben Aaronovitch, Kobna Holdbrook-Smith (Narrator)
Series: The Rivers of London, #1

Unabridged Audiobook, 9 hrs., 57 min.
Tantor Media, 2012
Read: October 11 – 14, 2016


The best part about listening to this was being reminded just how good this novel was — sure, I remember liking it a lot (if for no other reason than I’ve read five more plus a collection of comics), but I didn’t remember it being this good.

Briefly — in this we’re introduced to a probationary constable named Peter Grant who’s approached by an odd witness to an odder (and disturbing) murder. What makes the witness odd? Well, he’s been dead for a couple of centuries. Soon thereafter, Peter’s meets a Chief Inspector who happens to be the last wizard in England. Peter’s transferred to his unit (doubling the size), taken on as an apprentice and thrust into a type of policing he wouldn’t have believed existed a week ago.

The investigation into this murder turns into an investigation for several murders — and a few other assorted crimes. Which, of course, involves diving into the history of London and brokering peace between competing river deities. That old yarn. It’s a great mix of magic and police work, basic Latin and advanced bureaucracy.

Holdbrook-Smith did a fine job with the narration, very engaging, often compelling — capturing the feel of the novel in just the way that everyone wants in an audiobook. I’d be more than happy to hear more from him.

It’s dark, it’s funny, it’s pretty complex — and, in retrospect, — does a much better job laying the foundation for the series than I’d remembered. A good amount of wonder and action combined.

—–

4 Stars

The Lost Child of Lychford by Paul Cornell

The Lost Child of LychfordThe Lost Child of Lychford

by Paul Cornell
Series: Witches of Lychford, #2

Kindle Edition, 144 pg.
Tor.com, 2016

Read: November 2 – 3, 2016


It’s been a few months since Reverend Lizzie Blackmore, Judith (the elderly witch), and Autumn (now her apprentice and her employer) fought off the supernaturally corrupt megastore (and probably mundanely corrupt, too, come to think of it) and life has moved on in a relatively normal way. The three have forged some sort of alliance — easy for Autumn and Lizzie, already close, but learning new things about each other; not so easy for Judith to be accepted and to accept them, I don’t think. Autumn’s learning from Judith, while getting some help in her shop (which seems like a small town version of Atticus O’Sullivan’s and Alex Verus’ shops combined). Judith’s got something to do, a way to pass on her knowledge, and Lizzie is super-busy with pre-Christmas activities in the church.

But given everything we learned about Lychford, it’s not terribly surprising that things won’t stay that way, it’s just a question of what kind of other-worldly strangeness will come calling first.

In this case, it’s a ghost — or ghost-like apparition — that came to Lizzie at church. A small child looking frightened and worse for wear, with a simple request of: “No hurting.” Now, our trio can’t all agree on what the apparition is, but they can all get behind the idea of “No hurting.” They just have to figure out if that’s something they can stop — and then they’ll worry about the how. Neither piece of that plan works the way that it’s supposed to, but it seems these three are pretty good at improvising. Autumn, in particular, seems particularly adept at that.

I appreciated the fact that each of these women make one significant mistake (and probably some smaller ones) — two that come from inexperience, one that proves that experience doesn’t equal infallibility. They’re all believable, they do more than just advance the plot, they are honest with the characters and situation. Too often in novels you’re left wondering why a protagonist would be so stupid as to do X — when really it comes down to they have to do X or the really cool Y thing can’t happen at the end. That doesn’t happen here — sure, the attentive reader might be able to see the blunder coming around the corner, but there’s no reason to think that our protagonists should until it’s too late. Because while these three are fictional characters, Cornell imbues them with a genuineness, a substantial-ness that’s fitting for a real person (sadly, not always present with them, however).

Man, I had to use DuckDuckGo a lot to get all the cultural details in these pages — I know next to nothing about Anglican Christmas festivities, and less about British Christmas Pop Music. I’m not sure how much I’ll benefit long-term from this research, but it was interesting. I might have been better off not knowing anything about Greg Lake and his song, though.

If there was such a thing as magic, it wouldn’t look like anything from Harry Potter, Harry Dresden or some other fantasy series starring a Harry. It’d look like this, I wager. Quiet; shadowy; right out in the open, yet somehow unseen. All substance, no flash. Oh, yeah, and creepy — can’t forget creepy and inexplicable. Which is pretty much everything that happened in this book — up to and including most of the things the trio does to prevent things from getting really out of hand. It’s hard to talk about realism in a fantasy novel, but Cornell’s one of those that make you do that.

The Witches of Lychford was thoroughly entertaining and did a great job of establishing this world. This novella took full advantage of that to tell a more compelling story. I don’t think it’s absolutely necessary to read Witches first, but it’d help a lot. “I Believe in Father Christmas,” notwithstanding, I thought The Lost Child of Lychford lived up to its predecessor and left me eager to return to this little village.

—–

4 Stars

Pub Day Repost: Curse on the Land by Faith Hunter

Curse on the LandCurse on the Land

by Faith Hunter
Series: Soulwood, #2eARC, 352 pg.
Roc, 2016
Read: October 13 – 15, 2016

Weeks after the events of Blood of the Earth, newly-minted PsyLED agent Nell Ingram comes back from the training center, “Spook School,” ready to dive into her new role. It seems she comes back just in time for a case that’s right up her alley — strange and magical things are up, and seem to be tied to land. Something big, something powerful and something no one’s really seen before — which sounds a lot like Nell. So instead of doing the grunt work, the Probie work, she’s in the front of this investigation.

The presence of Brother Ephriam in the Soulwood she lives is also still around and doing something that also seems to be involving the tree on her former Church’s compound. She needs to address this, she knows, but the threats to the general public and local wildlife take priority. She also seems reticent to deal with this problem and confront the actions that led to his presence in the wood, so she’s glad for the distraction posed by her job.

For all the regulations and devices that PsyLED brings to the investigation of magical goings-on, I appreciate how often those things fail to do anything to solve the problem. They’re helpful in guiding the agents, in informing their actions, decisions and conclusions — but it’s not the be all and end all. Throughout the novel, there’s this interesting intermingling of magic and technology that’s done in a way I’ve not really seen before (although, I think it’s what Ben Aaronovitch’s Peter Grant wants, but he’s a long way from getting it).

Nell’s continued obsession with foods that cannot be found at a Farmer’s Market and her growing familiarity with pop culture (particularly movies) continue to be fun — they ground the character as well as provide much-needed comic relief.

I think Nell could be the best new character I’ve read this year. She’s not your typical kick-ass heroine, nor is she the (possibly more) typical damaged-yet-kick-ass heroine. She’s a strong woman, determined, and stubborn. Her strength doesn’t come from her magic powers, her job, or anything else. She’s always been strong, but the circumstances of her life have slowly revealed to both herself and those around her, just how strong she is (from what I gather, the stubbornness and determination have been evident all her life). Which is not to say she’s all strength — she’s a nurturer (not just of her plants), she’s caring, and she’s nowhere near invulnerable (physically or emotionally). She’s also pretty clever and as her education moves beyond the solely autodidactic, we’ll see that demonstrated more and more.

While this series (at least so far) is ultimately about Nell, the characters she’s surrounded by shouldn’t be ignored. In Blood of the Earth, Nell’s embraced by her PsyLED team as part of a family, an intact and nurturing alternative to her blood-relatives. It almost seemed like an idealized replacement, but the events of this novel make it clear that it’s nowhere near ideal. Several members of the team are effected by the events here in ways that will not be able to be glossed over — both as a result of their work on the case and from arcs that carry over from the Jane Yellowrock series. The latter, I found particularly satisfying, while the former intrigue me and I’m eager to see how they play out.

We can’t forget Nell’s literal dysfunctional family, either. However strange and foreign they may seem to us (odd that these humans seem less familiar than the nonhumans in the books), the efforts on their part to restore and repair their relationships with Nell — while she does the same — are encouraging and heartwarming. Her brother, in particular, is fast becoming a favorite. Their new openness to the culture around them and the . . . lack of overt hostility and aggression to the magic and magical beings in Nell’s life is great to see, while they retain much of their religious/cultic faith. I hope there are a few bumps along the path, just to make it more realistic, however.

I almost forgot to talk about Hunter’s writing — it’s as great as ever. I think her use of magic — particularly large-scale workings — in these two books works better than it does in the Yellowrock books. Her characters, settings, dialogue, and other writerly demonstrations make this world rich and real. She’s among the best and most consistent in the UF field these days and I’m eager to get my hands on whatever she’s got coming out next.

I left Blood of the Earth wondering how Hunter could make this into a series –and I’m still wondering how this works long-term, there are only so many things you can do to the earth/plants/trees in an area, right? Can Nell function hundreds of miles (or more) from Soulwood? Is she much use in a skirmish between rival Vampire clans or the like? Sure, she was able to do some damage to the creatures in the first book, but at what cost? While I don’t see how it’d work for a full novel (this is where Hunter proves me wrong), it’d good to see Nell acting in a more supportive role on the team — getting coffee, filing reports, etc. — while the weres take down some monsters, or something. I do see how these books function as a series when it comes to the characters, however — it’s just how to keep the stories/cases interesting that I don’t see long-term, but I’m looking forward to Hunter educating me.

Disclaimer: I received this eARC from Roc via NetGalley in exchange for this post — thanks to both for this. And would’ve received it from Let’s Talk! Promotions, too, if I hadn’t already downloaded it. So I guess I should thank them, too.

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4 1/2 Stars

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