Category: Toby Daye Page 1 of 2

DETAILS:
Series: Toby Daye, #19
Publisher: Tor Books
Publication Date: September 30, 2025
Format: eARC
Length: 400 pg.
Read Date: September 5-8, 2025

What’s Silver and Lead About?

Queen Arden has a task for her hero–and she’s more than happy to take it on. During the recent…whatever you want to call what Titania did, several items were removed from the royal vaults. Dangerous items, naturally. Now, Arden had wanted to wait until Toby had given birth and recovered before sending her to find them. But at least one of the items has been used, and someone is dead. She can’t put it off any longer.

Toby’s tired, fed up, and annoyed by basically being under house arrest because of her worried husband during the last few months of her pregnancy. Yes, Tybalt’s worries are understandable, but he’s maybe gone a little too far. Toby’s glad for the excuse to get to work, and promises she’ll be extra careful. (Any guesses how that goes and how cooperative the people she’s looking for are going to be?)

Quentin–whose identity seems to be the worst-kept secret in all of Faerie–sticks with her every step of the way. This adventure brings us across many old friends and allies and reminds us of one old enemy.

Oh, I forgot to mention, before any of this happens, everyone’s favorite Sea Witch has a request–both sweet and terrifying–for Toby before any of this business with Arden starts.

All in all, this is not the way most people spend the last couple of weeks of their pregnancy. But of course, Toby wouldn’t do it any other way, and her readers expect no less.

Aftershocks

While we are not looking directly at what Titania did in these pages, we’re looking at the aftermath. We’re also learning a little bit about how her plan didn’t completely work. But I’m going to gloss over that (but you’re going to want to stop and muse about it while reading).

Quentin is trying to wrap his mind around the version of himself he saw and remembers, and cannot stand it. He’s overcompensating—and you can’t blame him for that—when he’s not letting it interfere with his thinking in the present.

Some of the ramifications of Titania’s work are seen in the motivations behind this novel’s primary villain. This doesn’t justify their actions (they’d have likely found another way to justify things), but it gives us an idea of all the unintended consequences of her re-write of Faerie. (unintended, but she probably wouldn’t care).

I really appreciate this–we’re not primarily concerned with her, nor have we just gotten a “it’s been a few months, stuff happened, life goes on” kind of thing. Faerie learned a lot about itself, they found some messes that need to be cleaned up. Yes, life goes on, but it’s different and will continue to be for a while.

So, what did I think about Silver and Lead?

So after a few novels with big, world-changing events at their core, it’s nice to get back to the bread-and-butter kind of novel. Yes, the stakes are important. Yes, there are life-and-death situations all around—and if Toby fails, it will mean bad things. But it won’t be the end of the world.

One of the advantages of a long-running series like this is that you can pluck a (seemingly?) random someone from an early novel, dust them off, and have them play a major role in the current book. Which is great—it also means that every random someone has the potential of being important. McGuire used that well in Silver and Lead.

While I enjoyed Raysel’s use here, I’m a little afraid that she’s being given some short-shrift overall, and the interesting storyline that seemed to have kicked off for her in Be the Serpent will end more with more of a whimper than it should. (Hopefully, this means that McGuire has something really big cooking).

Early on in the reading, I texted a friend, “a very pregnant Toby is fun.” She really is—and just as it was good to get back to a smaller stakes plot, it’s nice to be with the characters again, adapting to/preparing for this new stage of life.

McGuire’s humor and willingness to put her characters through the wringer for the entertainment of her audience shine forth. Toby’s determination (read: near-uncompromising stubbornness), grit, and humanity are on display for all. Tybalt and May are Tybalt and May (always good), and Quentin continues to develop into quite the man. The Luidaeg was fantastically used—particularly at the beginning. It was also good to see the rest of the cast, and I’m looking forward to seeing what life is like for Sir Mommy Daye.

Fans will be pleased with this one, and it might draw in a few new ones. Silver and Lead is just what we needed after the last arc.

Disclaimer: I received a copy of this book from Tor Publishing Group via NetGalley—thanks to both for this. Sorry it’s up late, it’s been one of those months.

4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Catching Up with Toby Daye

By HCNewton

On September 18, 2025

In Fiction, Seanan McGuire, Toby Daye, Urban Fantasy

I’ve been thinking about this post since September of 2022, I just knew I couldn’t write about Be the Serpent without seeing what McGuire did next—my mind wouldn’t let me decide what I thought about it until then. And then after Sleep No More, I had to tackle The Innocent Sleep, and then…well, I kept getting distracted or busy. But I have to put something down about these three so I can intelligently talk about Silver and Lead, and I really want to do that. So, I’m trying a different kind of post than I’m used to.

Oh, I’m also suspending my typical no spoilers rule here. Read at your own risk, this is the only warning I’m giving.

Be the Serpent

by Seanan McGuire

DETAILS:
Series: Toby Daye, #16
Publisher: DAW
Publication Date: August 30, 2022
Format: Hardcover
Length: 305 pg.
Read Date: August 31, 2022-September 5, 2022; August 25-29, 2023

It felt like I was standing outside this scene and watching it unfold, like none of this had anything to do with me. Like I should have been able to smile politely, say, “No, thank you,” and walk away, leaving everything exactly as it was before I got out of bed this morning.

I don’t know how many friends of mine have stumbled on books 2 or 3 of this series and never kept going. Or stumbled and were pushed on (and were so glad they did). I sort of get that, but I didn’t have that reaction. I did stumble here on book 16, Be the Serpent. Obviously, by this point—it doesn’t matter, I’m going to shake it off and keep going. Toby, Tybalt, May, Quentin, and the rest (the list is getting ridiculously long) mean too much to me to be put off by one novel.

But I do have to wonder what was going on in McGuire’s mind for her to give us this book—I have no proof of this, but in my head-canon, she was so focused on the last pages of this novel and what she was setting up that she didn’t pay enough attention to the execution of this novel. That doesn’t sound like McGuire to me, but it’s the best I’ve got.

The opening is fantastic—and the way that Toby and Rayseline executed their plan was so well done, and the prospect of watching Raysel heal in the midst of Toby’s chaos seemed like a fun lark. And then the horrific happened—the scene where Toby finds Stacy’s kids dead or dying is possibly the most gut-churning thing she’s written (and that’s saying something)*

* If you want to argue that she’s topped that in some recent InCryptid novels, I won’t fight you.

The problems start a chapter or two after that. Once Toby realizes why Stacy killed her kids (because she’s not really Stacy, but Titania, realizing she’s Stacy all along. I don’t know a shorter way to describe it all), she sets out to destroy Titania—but she can’t. No matter how often she tells herself it’s not her, no matter that the “Stacy consciousness” tells Toby to do it, no matter how many frelling times she has that conversation with anyone (including herself several times)—Toby can’t just do it. That’s almost understandable.

But also, McGuire has to tell us several times how this whole thing is tearing Toby apart. But I honestly don’t “see” it happening. I hear about it—I see it when she’s interacting with Stacy’s surviving kids or husband. But otherwise? I really don’t.

I could’ve been satisfied with the ending had it ended 2 pages or so into the last chapter (because that was just a great moment).

But no…we’ve got to do the whole Titania comes back, puts the hurt on Toby, and then rewrites history—wiping Toby’s mind and rewriting her history—having (pretty quickly) found a loophole in Oberon’s decree (he must be pretty rusty from all the nothing he’s been up to for the last few centuries). Sure, the first two parts of that list were certain to happen eventually.

But I just hate, hate, hate the whole “we’ll rewrite history/perception/whatever” storyline. Buffy in the asylum, Picard’s whole other life in “The Inner Light” (although he at least starts off remembering reality), um…other examples I should have at hand, but don’t. At the time, I told friends (and maybe my readers in a WWW Wednesday post or a Saturday Miscellany) that I hate the ending, but trusted McGuire would make me come around to it in the next book (and prematurely resented her for making her eat my words).

In the end, that didn’t happen—I still am going to consider Be the Serpent as the low point of this series. However…I really liked the lemonade she turned this giant pile of lemons into. Which brings us to….

Sleep No More

by Seanan McGuire

DETAILS:
Series: Toby Daye, #17
Publisher: DAW
Publication Date: September 5, 2023
Format: Hardcover
Length: 310 pg.
Read Date: October 26, 2023-October 27, 2023; January 13-16, 2025

“Romantic love is not required to live a full and happy life, my seedlings,” Father had told us, watching carefully to be sure we took his message to heart, “but if you cannot love one who loves you truly in return, find friends, find companions, find people who will tell you the truths you cannot carry and unveil the lies you cannot see. Most of all, cleave to each other, for you will be the only sure support you have in all this world.”

We spend most of our time watching this Alternate Version of Toby make her way through this version of Faerie that we all can kind of recognize, but not really. A good deal of the “fun” of all this is seeing the ways that Titania’s rewriting of things is similar—but not quite—to our version of things.

Toby, for example, has all the niceness, the kindness, the happiness that we all know she’s capable of—but she rarely gets to express (or she can only express in certain ways). August is…wow. The best older sister, really (sure, it’d be better if she didn’t believe that changelings were lesser beings, but…at least she doesn’t treat them as trash). Quentin, on the other hand, is an entitled jerk.

Thankfully, we get to come into this world just before it starts unraveling, partially because of Toby. Even as she really doesn’t know what she’s doing (or who she is, most importantly), she keeps being Toby—which means taking apart the plans and machinations of her opponents. Everything I think McGuire got wrong in the previous book, she did right here. We even get to revisit some of the bigger moments of the past.

I really liked the story; I thought McGuire executed it as close to flawlessly as is possible. I liked the conclusion—it was exciting, tense, and you honestly (especially now) had no idea how things were going to turn out. Sure, we know that bigger and worse things are on the horizon than we just dealt with—but okay. That’s pretty much par for the course.

Best yet? October and August have a relationship now. Simon and Toby are closer than they were. Yes, things are messed up ,and everyone will need to recover and reset. But…we’ve gained a lot.

Sleep No More

by Seanan McGuire

DETAILS:
Series: Toby Daye, #18
Publisher: DAW 
Publication Date: October 24, 2023
Format: Hardcover
Length: 314 pg.
Read Date: October 31-November 1, 2023; January 24-31, 2025

Love is a knife forever suspended an inch from your heart, and if it falls or you stumble into it, you can all too easily find yourself impaled and bleeding.

This felt like an incredibly unnecessary book. Sure, it seemed like a good idea—perhaps even entertaining just to see things from Tybalt’s perspective. But we already know this story. Why bother?

Oh, for so many reasons, it turns out. I ended up loving this book.Rather than picking up months later, like we did in Toby’s POV, we see this from the instant Titania did her thing—or pretty much. We get more than simply Tybalt’s POV—we get to see how all this nonsense is impacting the rest of Faerie—or isn’t, as the case sometimes is. We see just how far the range of the changes are. Most importantly, we see what happens to people who aren’t that close to Toby—the collateral damage.

And that damage is devastating—and is getting worse.

Then we get to see some of the specific incidents described in Sleep No More from Tybalt’s POV, or at least what others tell him. Still, it’s not Toby’s viewpoint. We come away from all of it with a greatly expanded understanding of everything that happened to the characters we know and love (or just know). Also, between the two books, we really learn so much more about Titania than we did before (naturally). And now we really want to see Maeve in action—as apocalyptic as that likely will be.

Could McGuire have done this as a larger-than-usual book from shifting POVs? Probably. But the pacing would’ve been weird, getting the different POVs on the same events would get tiresome (and hard to decide which POV would come first)…and, I think it’d have just been a mess. So much better this way.

My beef with this one—and I think it’s the only one I have in both Sleep No More and The Innocent Sleep is Tybalt’s lack of emotional control. Yes, it has to be hard to see Toby like this, to see her not know you at all—but for crying out loud, man! You’ve been around for centuries, you know the whammy that magic can do to someone’s mind and body (you’ve experienced it first hand!!)—magic from one of the Three? Hold yourself together, know that you’ve got a chance to help everyone—especially Toby, and stop acting like a child when she’s around.

Do the greatness of Sleep No More and The Innocent Sleep make up for Be the Serpent? No. Do they make it more forgivable? Ehhh, kind of. Mostly, I know for future re-reads to expect some rough riding, but that it’s worth it. As I said above, the lemonade she made from Be the Serpent is mighty tasty. And I’m okay with that.

This post contains affiliate links. If you purchase from them, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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My Favorite Non-Crime Fiction of 2021

By HCNewton

On January 7, 2022

In Alex Verus, Benedict Jacka, Fiction, General Fiction/Literature, Jo Perry, Mike Chen, News/Misc., Roddy Doyle, Science Fiction, Seanan McGuire, Toby Daye, Urban Fantasy

2021 Favorite Non-Crime
Back when I started this site, I knew the content would be largely “genre”-oriented. I’d have wagered the content would be roughly 1/3 Mystery/Detective fiction, 1/3 Urban Fantasy, and slightly less than 1/3 SFF, with “non-genre” fiction, humor, and non-fiction being enough to make my one-thirds just an approximation (honestly, if you asked me what I read regularly, that’s pretty much how I’d describe it today). Actual numbers show that’s wrong—it’s almost 40% Crime/Thriller Fiction, and Urban Fantasy has only topped 20% once in the last decade—it was 16% the last two years, SFF combined for about 14% in 2021.

Which is just a long-winded way to get to these two points: because Crime Fiction takes such a big chunk of my reading, it gets its own “Favorite” list, but none of the others really garner enough numbers for their own.

As always, re-reads don’t count—only the works that were new to me.

(in alphabetical order by author)

We Could Be Heroes

by Mike Chen

My original post
A super-hero and a super-villain become friends after meeting (as civilians) at a support group meeting and delve into their shared past to figure out how they got their powers and who they used to be. That old story. 🙂 In typical Chen fashion, the SF/super-hero elements are just an excuse to tell a story about friendship, memory, and identity. It’s a story about people, who just happen to be super-powered.

4 Stars

Love

by Roddy Doyle

My original post
This is about as close as you can get to a novel without a plot. You’ve got a pair of old friends, getting together for drinks (many, many drinks) and to catch up on each other’s lives. They end up revisiting their past (as you do), arguing about what really happened then, and seeing how it’s impacted where they are now. There’s more to it, but that’ll do for our purposes. The novel is primarily told through dialogue (although we do get memories and internal commentary from one of the men). As is to be expected from Doyle, that dialogue sings. You can practically hear it jump off of the page–I’m not sure I could conjure up a mental image of anyone in the book, but I know exactly what they’d sound like.

4 Stars

The History of Tom Jones, A Foundling

by Henry Fielding

My wrap-up post for the project
I read most of this in 2020, but didn’t finish it until 2021, so it goes on this list. Just for the (mostly rewarding) time spent on this book, it deserves a spot on this list. It’s not really the kind of book I thought it would be, but it’s so much more interesting. I’ve said enough about this book, I don’t really have it in me for more–it’s a classic, anyway, what can I say that hasn’t been said for hundreds of years?

5 Stars

All the Lonely People

by Mike Gayle

My original post
This is nothing but an all-out attack on the cockles of your heart. I described it to a friend, “Imagine a book by Fredrick Backman–but instead of a crotchety old Swedish man, it’s about a lonely man who left Kingston for London in the 50s.” It’s so heartwarming, so Capra-esque, so…eh, you get the point.

5 Stars

Not Awkward

by Matthew Hanover

My original post
Hanover’s third Wallflowers novel came out last year and shows real growth as a writer, while not losing any of the charm, heart, and likability of his previous novels. Just before his wedding, Scott goes to the funeral for his ex’s father, and somehow ends up spending a few days with the family. Not Awkward is a warm and heart-filled story about revisiting the past, finding healing (whether or not you thought you needed it), and embracing a future that doesn’t look like you expected it would (and is probably better). It’s the kind of book that’ll make you feel a little better about life for a while—and who doesn’t want to read something like that?

4 1/2 Stars

Risen

by Benedict Jacka

My original post
The twelfth and final book in the Alex Verus series blew me away. It’s one of the best series finales I remember reading. It was hard to say good-bye to this world and these characters, but Jacka did such a satisfying job with this novel that it took some of the sting out of it.

5 Stars

When Sorrows Come

by When Sorrows Come

by Seanan McGuire

My original post
If (and that feels like a big “if”) October Day is going to get a Happily Ever After, it’s going to be years down the road. Thankfully, she got a “Happy Right Now” by marrying Tybalt. That’s pretty much what this novel is–a big dollop of happiness (with Toby putting down a palace coup along the way). It was so nice seeing that.

5 Stars

Headphones and Heartaches

by Wesley Parker

My original post
Percy’s a teen who gets put into Foster Care after his mother’s latest OD. While she’s in a treatment program, Percy comes to trust and love his foster mother–a woman with a huge heart, who takes in this boy and gives him a safe place to be for the first time in his life. This is a sweet book, a touching book—an occasionally hilarious book (with some truly cringe-worthy beats)—I guess it’s best summed up as a very human book. Parker got me to feel all sorts of things for these characters, to a degree I didn’t expect or was prepared for.

5 Stars

Pure

by Jo Perry

My original post
(sure, you could make the case that this is Crime Fiction, but I don’t buy it) After Ascher gets quarantined in her late aunt’s retirement condo during the early days of COVID. She sneaks around volunteering for a Jewish Burial Society, and then becomes convinced that one of the women she helped with was the victim of foul play. So Ascher tries to figure out what happened and who is responsible–again, while sneaking around the retirement community’s quarantine. This is a mystery novel about something—it’s more than a whodunit (assuming there was something for a “who” to have “dun”). It, like pretty much everything Perry writes, is about death and how we deal with it as humans (and one neurotic and grieving Mini-Pinscher). THere’s more to chew on, too, but that’d be telling…

This is one that’s going to stay with me for a while.

4 Stars

In Ten Years

by Ian Shane

My original post
A contemporary When Harry Met Sally that makes me just as happy as the movie ever did. Tried and true plotlines that felt fresh thanks to Shane’s light touch and ear for dialogue. It contains what’s probably my favorite chapter of 2021–and more than a couple of my favorite lines. I wanted to race through it to see how it ended, and I wanted to slow down to savor it (the impulse control side lost–what do you expect from someone who tagged himself “Irresponsible”?).

5 Stars

My Favorite Audiobooks of 2021

By HCNewton

On January 4, 2022

In Audiobook, Fantasy, Fiction, History, Humor, Kevin Hearne, Mystery/Detective Fiction/Crime Fiction/Thriller, News/Misc., Non-Fiction, Politics/Current Affairs, Rick Riordan, Science Fiction, Seanan McGuire, Toby Daye, Tufa, Urban Fantasy

My Favorite Audiobooks of 2021
Last year I kicked off my Year-End Retrospective with a look at my favorite audiobooks, I might as well repeat that this year. How do I keep this from being just a rehash of my other year-end lists? By focusing on the audiobook experience over the content. What was it like to listen to it? How engaging was it, how did the narrator do? Was it a good match in terms of tone, content, and performance? All of these books are/were good—but the audiobooks are a bit better because of the narrator and the rest of the people involved in the production.

(in alphabetical order by author)

The Hum and the Shiver

by Alex Bledsoe, Emily Janice Card(Narrator), Stefan Rudnicki (Narrator)

This was my third or fourth trip through this book (maybe, fifth, but I don’t think so). I’m not sure if that means it was easy for me to be impressed—or maybe it was really hard because I had high expectations. Regardless, Rudnicki and Card took me to Cloud County and the land of the Tufa. I could believe that these people lived, breathed, and walked around in this world—and yet were otherworldly, as they ought to be. I knew Rudnicki could make me believe in a Fantasy world—it turns out that he can make me believe in this one, too. Card was right there with him.

4 Stars

Finlay Donovan Is Killing It

by Elle Cosimano, Angela Dawe (Narration)

My original post
This is on the list because of Dawe’s narration. The text was entertaining enough, sure, but her narration is what made sure I remembered the book during the list-making time. The novel was a tricky balancing act between the various tones and characters, and Dawe makes you believe it. She captured the comedic sense of the novel along with the tension and emotional moments. There were a few accents involved and she did a believable job with them, too.

3.5 Stars

A Christmas Carol: A Signature Performance by Tim Curry

by Charles Dickens, Tim Curry (Narrator)

My original post
I’ve said it before, I’ll say it again: all you need to know about this is: Tim Curry. This wasn’t the performance I expected—I figured I was in for something near to over-the-top, with Curry going to town with the text. Instead, we’re treated to a respectful, restrained performance giving Dickens’ classic just the right emotional weight, sentimentality, personality, and life.

5 Stars

In This Bright Future

by Peter Grainger, Gildart Jackson (Narrator)

My original post
Grainger and Jackson together have made this one of my Top 3 audiobook series, period. So my only question was how many of the books would end up on this list. I ended up limiting myself to one, and therefore it had to be this one—we get so little of our typical characters and settings, but Jackson is able to make Belfast as warm and homey as King’s Lake. There are elevated dangers and emotions in this book that we don’t typically get with D.C. Smith, but Jackson doesn’t miss a beat. Grainger puts D.C. through his paces, too. Both are at the top of their game—making D.C. at the top of his, too.

4 Stars

Ink & Sigil

by Kevin Hearne, Luke Daniels (Narrator)

Even though a pro like Luke Daniels is constantly doing voices/accents for his characters and the narration is almost never his “natural” voice (assuming he even has one anymore), I have to think that maintaining a Glaswegian accent for as long as he did for this book (ten hours and change, I think) has to be an added level of difficulty. Not that you can tell from listening to this. I thought the novel was a rollicking good time and just the way you should introduce a new series. The audiobook version just cemented that.

4 1/2 Stars

The Unkindest Tide

by Seanan McGuire, Mary Robinette Kowal (Narrator)

This novel was the payoff (as far as we know so far, I wouldn’t put it past McGuire to turn it upside down later) to a storyline that had been lingering and building for years, I remember being stunned when reading it—just that aspect of The Unkindest Tide brought a great combination of anticipation, grief, suspense, and surprise. The story of the novel—the trip to the Duchy of Ships, the intrigue around Dianda, etc. was as solid as it gets, too. I remembered all this going in, so it was all teed up for Kowal—and she nailed it, it almost felt like I hadn’t read the book before and was discovering it fresh. A narrator who can do that is tops in my book.

4 1/2 Stars

We Had a Little Real Estate Problem: The Unheralded Story of Native Americans and Comedy

by Kliph Nesteroff

My original post
As I was trimming down the list of audiobooks I listened to last year for this list, I didn’t expect that this would stay on the list. A history of Native Americans in Comedy, really? But I kept not deleting it…so I started thinking of it—there’s a social history, an entertainment history, with individual profiles mixed it—it has it all. What’s more, despite a pretty dry (but never boring) narration, and not using clips of original performances, the comedy of these individuals comes through. In the midst of hardship, suffering, prejudice, and hard breaks, there are some solid laughs. It’s hard not to keep thinking about that.

4 Stars

Percy Jackson’s Greek Gods

by Rick Riordan, Jesse Bernstein (Narrator)

I started working on a post last year about contemporary myth retellings (and I intend on finishing it before my unconceived grandkids are ready to read it), and listened to this as part of that. In many ways, the book and the information didn’t fare well compared to things like Gaiman and Fry have recently produced. But this is here and they’re not—because as an audiobook this is a great experience. Bernstein is Percy Jackson here, and it felt like something ol’ Percy was sitting down and relating to future Camp Halfblood residents. It inspired me to listen to the original Percy Jackson series again just so I can listen to Bernstein perform this character.

3 Stars

You’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I’m still telling people about this audiobook/book nine months later. I can’t think of a book that made me angrier, sadder, or made me laugh as much in 2021 (or a few years before it, either). This did all three. Ruffin’s narration, Lamar’s stories, their hurt, and their optimism make this a must-listen.

4 1/2 Stars

The Salvage Crew

by Yudhanjaya Wijeratne, Nathan Fillion (Narrator)

My original post
This is a very strange SF story about a sentient AI (based on the memories and personality of an engineer). I think I’d have enjoyed the story had I read the novel, but it’s Nathan Fillion that brought it to life. That same charm that makes you like Caleb, Mal, Castle, and Nolan shines forth and makes you believe in this malfunctioning (at least eccentrically-functioning) AI and get invested in the AI’s survival and that of his ragtag crew.

4 Stars

10 Reasons You Should Read When Sorrows Come (& And With Reveling) by Seanan McGuire

By HCNewton

On September 23, 2021

In Fiction, Seanan McGuire, Toby Daye, Urban Fantasy

When Sorrows Come

by Seanan McGuire
Series: Toby Daye, #15

Hardcover, 304 pg.
DAW, 2021

Read: September 15-16, 2021
Grab a copy from your local indie bookstore!

“Look, I know we’re a feudal system and everything, but we’re living in a modern world,” I said, exasperated. “My underwear has elastic. I have a phone. We can talk like normal people. No one’s going to take points off the final score if we stop sounding like we gargle with bad BBC dramas.”

“Yes, but where’s the fun in talking like normal people?” asked Aethlin. “Half the time I’m a King of Faerie. The other half, I’m standing in line at Tim Hortons and some asshole in a hockey uniform has just taken the last sour cream glazed. We have to wallow in the aesthetic when we get the chance.”

“I will overthrow your kingdom myself,” I threatened genially. Not genially enough: several of his guard reached for their swords. High King Aethlin sighed and raised a hand for them to stop.

“Your reputation precedes you, Sir Daye. Could you please not make jokes about sedition?”

“Yeah, sorry,” I said.

I am just not capable of doing my typical post about this book, period. Instead, I’m going to give you a list of reasons why you should read When Sorrows Come. But first…

The Dust Jacket Flap

Because it feels wrong to start talking about a book without some sort of description, here’s the information from the flap:

It’s hard to be a hero. There’s always something needing October “Toby” Daye’s attention, and her own desires tend to fall by the wayside in favor of solving the Kingdom’s problems. That includes the desire to marry her long-time suitor and current fiancé, Tybalt, San Francisco’s King of Cats. She doesn’t mean to keep delaying the wedding, it just sort of…happens. And that’s why her closest friends have taken the choice out of her hands, ambushing her with a court wedding at the High Court in Toronto. Once the High King gets involved, there’s not much even Toby can do to delay things…

…except for getting involved in stopping a plot to overthrow the High Throne itself, destabilizing the Westlands entirely, and keeping her from getting married through nothing more than the sheer volume of chaos it would cause. Can Toby save the Westlands and make it to her own wedding on time? Or is she going to have to choose one over the other?
Includes an all-new bonus novella!

The (only?) Reason to Not Read When Sorrows Come

bullet You haven’t read the first fourteen Toby Daye novels—or you didn’t like them. The former I completely understand, the number of supposedly great series that I don’t have time for is large enough that I can sympathize. The latter? I can accept that people like you exist, but I don’t know if I can ever understand it

10 Reasons to Read When Sorrows Come

(In no real order whatsoever)
bullet If you’ve read books 1-14, reading this is a no-brainer, and you probably don’t need to be reading this.
bullet You get to see an incredibly Canadian knowe. How Canadian? Think Alpha Flight, The Kids in the Hall, Bob & Doug McKenzie, poutine, Tim Horton’s coffee, and extraordinarily polite people saying “eh”. That’s how Canadian I’m talking about.
bullet Getting to see the Luidaeg terrify a whole new cast of characters.
bullet The fun in seeing who actually shows up to see the wedding. (Hint: Just about everyone)
bullet The chance to see if Toby can make it through her wedding without bleeding all over her wedding dress.
bullet You can see what you-know-who from A Killing Frost is up to.
bullet You get to see Toby channel Harry Bosch:

Everyone matters. If there’s one thing I’ve learned from how hard Evening and her ilk have tried to convince me I don’t matter it’s that everyone matters. The alternative is a world where no one matters, and since I know that isn’t true, “everyone” is the only option we have left.

bullet Quentin gets a jaw-dropping makeover.
bullet A hint about a new squire…
bullet You need some joy.

And With Reveling

I’ve never talked about one of the bonus novellas that come with a Toby Daye novel, for reasons too complicated to get into (and frankly boring to me). But I have to say something about this one.

First, this is my biggest complaint in this volume—it shouldn’t be a novella. It should be the last chapter (or chapters) of When Sorrows Come. At the very least, an extended epilogue. It should not be read separately from the novel, and the novel shouldn’t be read without out it.

Essentially, it’s about the wedding reception. Toby and Tybalt relaxing, enjoying their friends and loved ones. Receiving gifts, blessings, and well-wishes—including one gift for Toby that made me laugh out loud. And another that

I absolutely loved it. It was the thick, buttercream frosting on the perfect cake of the novel.

A Final Thought about When Sorrows Come

I mentioned joy earlier because, on the eve of its release, Seanan McGuire tweeted:

…the purpose of this book is joy. I wrote it in 2020. I needed joy. Very, very badly.

I need joy even more now. And if I can’t make it for myself, I can damn well give it to my imaginary friend.

So you can pan the book for being simple, but I have no regrets. I needed joy. I think you need joy too.

Hopefully, McGuire got enough joy to keep going from what she gave her Imaginary Friend—I know she provided this fan with some, I imagine I’m not alone.

5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

A Killing Frost by Seanan McGuire: McGuire’s Latest Will Satisfy—and Shock—All of Toby’s Fans.

By HCNewton

On September 14, 2020

In Fiction, Seanan McGuire, Toby Daye, Urban Fantasy

A Killing Frost

by Seanan McGuire
Series: Toby Daye, #14

Hardcover, 302 pg.
DAW, 2020

Read: September 9-11, 2020
Grab a copy from your local indie bookstore!

…I was about to do something monumentally stupid for the sake of potentially saving Simon.

Simon Torquill. The man I’d once considered to be be my greatest enemy The man I was now willingly risking everything I had for the opportunity to save. Faerie isn’t fair and the world doesn’t make sense.

“You sound scared.” [Danny said]

“I am.”

“If this is somethin’ that scares you…”

What’s A Killing Frost About?

Simon Torquill. Is there any name that promises as much upheaval to Toby Daye’s life as much as his? I’m getting ahead of myself, though. Actually, I could just answer my first question with his name and move on to the next section of this post…

Anyway, Toby takes a break from working with May to find a wedding dress that she a. likes and b. doesn’t mind getting covered in blood—because who are we kidding here, if Toby’s wearing it, it’s going to be covered in blood before the end of the day. She and Tybalt are out on a date, having a perfectly enjoyable time when they’re interrupted by Patrick and Dianda Lorden. The Lordens are worried that Toby’s lack of diplomatic training has opened her up to a problem.

See, if she doesn’t invite Simon Torquill to her wedding—thanks to some silly Faerie custom—she’s liable to create an opportunity for Simon or someone claiming to act on his behalf to attack her in a pretty grievous way. Of course, to invite him, she’s going to have to find him—and after The Brightest Fell, we all know that’s not going to be easy.

So, May, Quentin, Toby and Spike(!) head out to do the nigh-impossible, find Simon and get him to the wedding.

Wither art Thou, Tybalt?

Thanks to a warning from Karen, for everyone to survive, Tybalt can’t accompany Toby on this little quest. This is just about the most Tybalt-free book I can think of (second only to The Brightest Fell). When he’s around, it’s important that he is and he makes a big impact.

It’s strange to have him gone so much, but I think it worked pretty well as a change of pace and heightened the reader’s appreciation for him when he was around.

At one point, [name withheld] describes the relationship between Tybalt and Toby,

It’s clear to anyone with eyes how much he loves you, and I’ve held your blood on my tongue. Your love for him flavors everything you are.

In any other series, that might be disgusting/strange. But in this context? That’s one of the sweetest sentences I can think of.

There’s Just So Much I Can’t Talk About

Because I keep a pretty strict no-spoiler policy to these posts, there’s just so much that I can’t talk about that I really want to. Even if I spoiled things, I couldn’t talk about them too much because we’re going to need a book or five to figure out how things work out. McGuire’s one of the best at planting seeds and then seemingly ignoring them for several books just to have them spring up and bear fruit when you least expect it.

One of those forgotten seeds bears series-altering fruit here while she’s planting seeds relating to Walther and Cassie—but more importantly to Stacy. There’s a shattering scene with Luna and Sylvester. There’s something afoot with Rayseline, too. August does something surprising. Amandine’s furious by the end of the novel (that can’t be good). And we learn something blood-curdling about Eira Rosynhwyr that might make an enraged Amandine seem trivial.

And then there’s…yeah, you know what? I just can’t even hint at the rest. Go read it and we can talk.

So, what did I think about A Killing Frost?

This is not a book designed to welcome new readers to the series. I’m sure there’s enough to draw in someone who’s said to themselves, “I keep hearing about this series, I wonder what it’s about?” But really, it’s not a great entry point. If you’re one of those readers, drop a comment and I’ll try to give you a better entry point.

But for readers of this series? They’re going to be in hog-heaven. Take out all of the spoiler stuff I alluded to/avoided above, and you’ve got yourself a great Toby adventure, full of thrills, twists, grievous wounds, nasty curses, and heroism of all sorts.

Include the stuff I didn’t talk about? You’ve got a jaw-dropping novel full of so many heart-warming and heart-wrenching moments that it’d be hard to enumerate them. This isn’t McGuire’s best novel in the series, but it’s great. And fans will be discussing, dissecting and reveling in it for years.

4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Non-Crime Fiction of 2019

By HCNewton

On January 4, 2020

In Fiction, General Fiction/Literature, Kevin Hearne, News/Misc., Nick Kolakowski, The Tales of Pell, Toby Daye, Urban Fantasy, Wayward Children

Like last year, while trying to come up with a Top 10 this year, I ran into a small problem (at least for me). Crime/Thriller/Mystery novels made up approximately half of the novels I read this year and therefore dominated the candidates. So, I decided to split them into 2 lists—one for Crime Fiction and one for Everything Else. Not the catchiest title, I grant you, but you get what you pay for.

These are my favorites, the things that have stuck with me in a way others haven’t—not necessarily the best things I read (but there’s a good deal of overlap, too). But these ten entertained me or grabbed me emotionally unlike the rest.

Anyway…I say this every year, but . . . Most people do this in mid-December or so, but a few years ago (before this blog), the best novel I read that year was also the last. Ever since then, I just can’t pull the trigger until January 1. Also, none of these are re-reads, I can’t have everyone losing to books that I’ve loved for 2 decades that I happened to have read this year.

Enough blather…on to the list.

(in alphabetical order by author)

A Man Called Ove

by Fredrik Backman, Henning Koch (Translator)

My original post
I’ve been telling myself every year since 2016 that I was going to read all of Backman’s novels after falling in love with his My Grandmother Asked Me to Tell You She’s Sorry. The closest I got was last year when I read his first novel, A Man Called Ove (and nothing else). It’s enough to make me resolve to read more of them, and soon. The story of an old, grumpy widower befriending (against his will, I should stress) a pretty diverse group of his neighbors. It’s more than that thumbnail, but I’m trying to be brief. The story was fairly predictable, but there’s something about the way that Backman put it together that makes it perfect. And even the things you see coming will get you misty (if not elicit actual tears).

5 Stars

Dark Age

by Pierce Brown

My original post
When I started reading this, I was figuring that Pierce Brown’s Red Rising Saga was on the downward trend. Boy, was I wrong. Dark Age showed me that time after time after time after time . . . Entertaining, occasionally amusing, stress-inducing, heart-wrenching, flat-out captivating. It was brutal and beautiful and I can’t believe I doubted Brown for a minute.

5 Stars

Here and Now and Then

by Mike Chen

My original post
One of the best Time Travel stories I’ve ever read, but it’s so much more—it’s about fatherhood, it’s about love, it’s about friendship. Heart, soul, laughs, and heartbreak—I don’t know what else you want out of a time travel story. Or any story, really. Characters you can like (even when they do things you don’t like), characters you want to know better, characters you want to hang out with after the story (or during it, just not during the major plot point times), and a great plotline.

4 1/2 Stars

Seraphina’s Lament

by Sarah Chorn

My original post
Chorn’s prose is as beautiful as her world is dark and disturbing. This Fantasy depicts a culture’s collapse and promises the rebirth of a world, but getting there is rough. Time and time again while reading this book, I was struck by how unique, how unusual this experience was. As different as fantasy novels tend to be from each other, by and large, most of them feel the same as you read it (I guess that’s true of all genres). But I kept coming back to how unusual this feels compared to other fantasies I’ve read. The experience of reading Seraphina’s Lament isn’t something I’ll forget any time soon.

4 1/2 Stars

No Country for Old Gnomes

by Delilah S. Dawson and Kevin Hearne

My original post
Having established their off-kilter world, strong voice, and approach to the stories of Pell, Dawson and Hearne have come back to play in it. The result is superior in every way that I can think of. I lost track of how many times I said to myself while reading something along the lines of, “how did they improve things this much?” These books are noted (as I’ve focused on) for their comedy—but they’re about a lot more than comedy. The battle scenes are exciting. The emotional themes and reactions are genuine and unforced. And tragedy hits hard. It’s easy to forget in the middle of inspiring moments or humorous aftermaths of battle that these kind of novels involve death and other forms of loss—and when you do forget, you are open to getting your heart punched.

(but mostly you laugh)

4 1/2 Stars

Twenty-one Truths About Love

by Matthew Dicks

My original post
It’s an unconventionally told story about a man figuring out how to be a businessman, husband, and father in some extreme circumstances. The lists are the star of the show, but it’s the heart behind them that made this novel a winner.

5 Stars

State of the Union: A Marriage in Ten Parts

by Nick Hornby

My original post
This series of brief conversations held between a married couple just before their marriage counseling sessions. At the end of the day, this is exactly what you want from a Nick Hornby book (except the length—I wanted more, always): funny, heartfelt, charming, (seemingly) effortless, and makes you feel a wide range of emotions without feeling manipulated. I loved it, I think you will, too.

4 1/2 Stars

The Swallows

by Lisa Lutz

My original post
This is not my favorite Lutz novel, but I think it’s her best. It has a very different kind of humor than we got in The Spellman Files, but it’s probably as funny as Lutz has been since the third book in that series—but deadly serious, nonetheless. Lutz puts on a clinic for naturally shifting tone and using that to highlight the important stories she’s telling. From the funny and dark beginning to the perfect and bitingly ominous last three paragraphs The Swallows is a winner. Timely and appropriate, but using tropes and themes that are familiar to readers everywhere, Lutz has given us a thrilling novel for our day—provocative, entertaining, and haunting. This is one of those books that probably hews really close to things that could or have happened and you’re better off hoping are fictional.

5 Stars

Postgraduate

by Ian Shane

My original post
This has the general feel of Hornby, Tropper, Norman, Weiner, Russo (in his lighter moments), Perrotta, etc. The writing is engaging, catchy, welcoming. Shane writes in a way that you like reading his prose—no matter what’s happening. It’s pleasant and charming with moments of not-quite-brilliance, but close enough. Shane’s style doesn’t draw attention to itself, if anything, it deflects it. It’s not flashy, but it’s good. The protagonist feels like an old friend, the world is comfortable and relaxing to be in (I should stress about 87.3 percent of what I know about radio comes from this book, so it’s not that). This belongs in the same discussion with the best of Hornby and Tropper—it’s exactly the kind of thing I hope to read when I’m not reading a “genre” novel (I hate that phrase, but I don’t know what else to put there).

4 1/2 Stars

The Bookish Life of Nina Hill

by Abbi Waxman

My original post
This is a novel filled with readers, book nerds and the people who like (and love) them. There’s a nice story of a woman learning to overcome her anxieties to embrace new people in her life and heart with a sweet love story tagged on to it. Your mileage may vary, obviously, but I can’t imagine a world where anyone who reads my blog not enjoying this novel and protagonist. It’s charming, witty, funny, touching, heart-string-tugging, and generally entertaining. This is the only book on this particular list that I know would’ve found a place on a top ten that included Crime Novels as well, few things made me as happy in 2019 as this book did for a few hours (and in fleeting moments since then as I reflect on it).

5 Stars

Books that almost made the list (links to my original posts): Not Famous by Matthew Hanover, Circle of the Moon by Faith Hunter, Maxine Unleashes Doomsday by Nick Kolakowski, In an Absent Dream by Seanan McGuire, The Rosie Result by Graeme Simsion, and Lingering by Melissa Simonson

The Unkindest Tide by Seanan McGuire: The Luidaeg takes Center Stage in this Water-filled Adventure

By HCNewton

On September 18, 2019

In Fiction, Seanan McGuire, Toby Daye

The Unkindest Tide

by Seanan McGuire

Series: Toby Daye, #13

Hardcover, 301 pg.
DAW Books, 2019

Read: September 10-11, 2019

I finally took my eyes off the water, peering at her through the disheveled curtain of my hair. “Are you just babbling at me until I start feeling better?”

“Yup!” Marcia beamed. “Is it working?”

My stomach was no longer roiling. I didn’t trust myself to stand up on my own, but I also didn’t feel like I was about to introduce the barnacles to my breakfast. Again. I blinked. “Actually, yes.”

“Sometimes you need to take peoples’ minds off their problems if you want those problems to resolve themselves,” said Marcia. “Focusing on things can make them worse.”

“Not all problems go away if you ignore them. Most don’t.”

“No, but not all problems can be fixed. Sometimes you have to wait until the situation changes.” She smiled sympathetically. “Like if you’re on a boat and you get seasick.”

Yup. Toby’s on a boat—a sailing ship, to be precise—just the place for someone who hates water. Why is she there? Well, that has something to do with the debt she owes the Luidaeg. The Luidaeg has decided that time is up and it’s now time to pay that mysterious bill she told the Selkies was coming due. And Toby has to come along to help her collect. A couple of months ago, when I listened to the audiobook of One Salt Sea, I wondered what happened to that ominous future event, so that was nice to see. On the other hand, we’re told that this was nearly three years ago, which means it takes only three-ish years for books 6-12 to occur? That’s an eventful life right there.

Because they’re apt to be useful, and because Toby isn’t likely to come nicely without them, the Luidaeg also brings Tybalt and Quentin along on their trip to the Duchy of Ships, where a convocation of Selkies will be held to pay this bill. Due to the significance of this happening, a few other dignitaries come, too—delegations from the Kingdom of the Mists, the Duchy of Saltmist, and Goldengreen—oh, and Gillian (which makes sense for people who’ve read the previous book, Night and Silence).

So we’ve got a group of Toby’s friends, a new Duchy for most of them to visit, a bunch of debts the Luidaeg is collecting, and the fate of an entire race in the balance. What could go wrong?

Naturally, that’s the wrong question. SOmething better to ask is: how many pints of blood will Toby lose while trying to fix what goes wrong and how many others will die? Obviously, I’m not going to answer those, but we need to get our thinking straight.

Something I want to mention before I forget: Before the Sea Witch shows up at her door, Toby’s narration gives a very thorough and succinct recap of the entire series (one of the best of those I’ve read lately, it’s a tricky thing to accomplish) before noting

…there’s a lot of history around here, and sometimes it doesn’t summarize very well.

It’s a small thing, but it made me smile—McGuire excels at those.

The Luidaeg has got to be just about the most popular character in this series, and we really get to know her so much better here than we have before—and it made me so happy to see this. I’d gladly take another Luidaeg-centric book or three any day of the week. Seeing her at this turning point in all her power and all her grief is just stunning. I don’t think I’d ever felt bad for her (at least not for long), but watching her being resolute in carrying out the duty she was bound to here—while clearly not wanting to go through with it—was moving. Early in the book, there’s a scene between her and a little girl that just about broke my heart. At the same time, she has plenty of great lines and made me chuckle a lot, too. Her interactions with Quentin (and vice versa) might be my favorite parts of the book.

The Luidaeg/Selkie story was strong enough that I don’t care so much about the rest of the book, which is good, because I think it’s one of her weakest. There’s an adventure in Saltmist that seemed pretty perfunctory and while the ending is very clever—and gives Toby a chance to embrace the technicalities of Faerie in a way she usually doesn’t (that is, keeping the letter of the law, but doing a tap dance all around the intent)— it seemed anti-climatic. We have a great build-up and then an almost let-down of a conclusion.

A few quick bullet points that I don’t have the time to expand on (nor do I think I could do them justice without talking too much about them):

No one expected, I trust, that things between Toby and Gillian would get better after Night and Silence, but it was tough (yet understandable and believable) to read Gillian’s reactions to Toby here.
There are repeated references to the weakness/susceptibility to harm of one member of Toby’s group—McGuire hit that note so often that I really feared for that character. One that I didn’t realize I liked as much as I did when I feared for their safety and longevity.
We get to meet another Firstborn! She’s just fantastic and I hope we get to see more of her. Also, the reactions of various members of her descendant races to meeting her in the flesh were priceless.
Someone’s blind fosterage is getting harder to maintain. That could prove interesting (and in the Toby-verse, interesting usually is defined as calamitous)
Clearly, Toby’s reputation as someone who topples monarchies has spread far and wide. This isn’t good for her, but will be good for us readers.
Marcia continues to show more depth and ability than I gave her credit for when we met (which surprises me almost every time we see it)
What we’re told about future books here (in terms of Toby’s future obligations) is enough to get long-term readers excited (not that we needed the encouragement, really, but it’s nice to know)

This isn’t one of the best in the series—but it features some of the best moments, scenes, events. It’s not a trade-off I’m entirely pleased with, but I can live with it (and thankfully the good far outweighed the less-good). It’s safe to say that a lot won’t be the same again in this world or for many of these characters. Any time I spend with Toby, Tybalt, Quentin, the Luidaeg, etc. is a good time, and I thoroughly enjoyed the read, I just wanted a bit more from an author who usually brings more than you could realistically ask for.

4 Stars

Night and Silence by Seanan McGuire: Toby Daye’s shattered world gets another blow — can she survive?

By HCNewton

On October 18, 2018

In Fiction, Seanan McGuire, Toby Daye

I was sure I wrote this up already. How did I take over a month to get this up? Something is wrong with me . . .
—

Night and Silence

by Seanan McGuire
Series: Toby Daye, #12

Hardcover, 368 pg.
Daw, 2018
Read: September 6 – 10, 2018

“Um, this IS Toby,” sald Quentin. “We’re always about to die. When we’re not about to die, we’re still about to be about to die. She’s like a Rube Goldberg machine whose only job is generating .life-threatening situations.”

What a difference a book makes — at the beginning of The Brightest Fell, Toby was happy, her life was looking good, she was relaxing — and then trouble struck. At the beginning of this book, she’s probably in the worst straits she’s been in since getting out of the fish pond. Toby and her loved ones are still reeling from and dealing with the repercussions of that last novel (“not dealing with” might be more accurate, but why quibble?). Jazz is messed up in ways that are hard to fathom; her relationship with mentor/champion/sponsor, Sylvester, is in shambles; and worst of all, her fiancé is a shattered version of himself, barely able to be in the same room with her.

And then the other shoe drops (at this point, you might be thinking we’re talking about an Imelda Marcos-sized collection, as many of these have dropped): her very human daughter, Gillian has been kidnapped — and her father and step-mother are accusing Toby.

Yeah, kidnapped again. But this time it’s worse (and the last time was no walk in the dark). If anything is going to prove to be the straw that breaks the camel’s back — this could be it. Toby, May, Quentin — and some other allies band together to find the girl before something happens to her that will make the last kidnapping look pedestrian.

Sylvester is around for a lot of this novel — I was afraid he wouldn’t be. Sylvester has long been one of the — maybe the — best part of the series, and to see him in this state? It took so much away from this book. I know that’s the point, and I want to stress I’m not complaining — but man…it sucked. A lot of the emotional beats to this part of the story seemed to repeat themselves — and I wondered if it was a little filler. I decided that as often as Toby was reassuring Tybalt that they could work through things and get him better, McGuire was reassuring the reader that Sylvester could be recovered. I’m not sure it’s the case, but I’m going with that explanation.

This book has the best use of May since . . . well, probably since we met her in this form. Usually, May is too much in the background for my taste. But not in this novel. She’s strong, she’s emotional — she’s a major player in the events of this novel. We need to see her as active as she is here more often.

The debt that Toby keeps incurring to the Luidaeg is getting huge. Aunt or no, she can’t keep going like this forever, and at some point the sea witch is going to collect. This is going to be horrible.

Along the way, we learn a great deal about Toby’s human family — some of which will make the reader’s jaw drop, all of which will make Toby reconsider things — and like so much of what we’ve learned the last couple of books, what we’ve “known” before wasn’t necessarily right.

This isn’t the strongest Toby Daye novel, but an “iffy” Toby novel is still rocking by other series’ standards. This was a strong, satisfying read — as troubling as it was. And the next one isn’t going to be much easier to read — but I know it’ll be worth it. I don’t know that this is the book to jump on the series with, but it might work. But I can assuring long-term readers that this will scratch that itch just fine.

—–

4 Stars

My Favorite Fiction of 2017

By HCNewton

On January 8, 2018

In Alex Verus, Audiobook, Benedict Jacka, Craig Johnson, Fiction, General Fiction/Literature, Ian Rankin, John Rebus, Kevin Hearne, Mystery/Detective Fiction/Crime Fiction/Thriller, Seanan McGuire, Steph Broadribb/Stephanie Marland, Toby Daye, YA/MG/Children's Books

Is he ever going to stop with these 2017 Wrap Up posts? I know, I know…I’m sick of them. But I’ve already done most of the work on this one, I might as well finish…Also, it was supposed to go up Friday, but formatting problems . . .

Most people do this in mid-December or so, but a few years ago (before this blog), the best novel I read that year was also the last. Ever since then, I just can’t pull the trigger until January 1. Also, none of these are re-reads, I can’t have everyone losing to my re-reading books that I’ve loved for 2 decades.

I truly enjoyed all but a couple of books this year (at least a little bit), but narrowing the list down to those in this post was a little easier than I expected (‘tho there’s a couple of books I do feel bad about ignoring). I stand by my initial ratings, there are some in the 5-Star group that aren’t as good as some of the 4 and 4½-Star books, although for whatever reason, I ranked them higher (entertainment value, sentimental value…liked the ending better…etc.). Anyway, I came up with a list I think I can live with.

(in alphabetical order by author)

In The Still

by Jacqueline Chadwick
My original post

Chadwick’s first novel is probably the most entertaining serial killer novel I’ve ever read. Without sacrificing creepiness, suspense, horror, blood, guts, general nastiness, and so on — she gives us a story with heart, humor and humanity. The second novel, Briefly Maiden is arguably better, but I liked this one a teensy bit more — and I’m genuinely nervous about what’s going to happen in book 3 (not that I won’t read it as soon as I possibly can).

Robert B. Parker’s The Hangman’s Sonnet

My original post

How do you possibly follow-up 2016’s Debt to Pay, especially with that ending, without dramatically altering the Jesse Stone flavor? I’m still not sure how Coleman did it, but he did — Jesse’s dealing with Debt to Pay in a typically self-destructive way, but is keeping his head mostly above water so he can get his job done, mostly by inertia rather than by force of will. Reflexes kick in however, and while haunted, Jesse can carry out his duties in a reasonable fashion until some friends and a case can push him into something more.

Coleman’s balancing of long-term story arcs and character development with the classic Jesse Stone-type story is what makes this novel a winner and puts this one on my list.

A Plague of Giants

by Kevin Hearne

This sweeping — yet intimately told — epic fantasy about a continent/several civilizations being invaded by a race nobody knew existed is almost impossible to put into a few words. It’s about people stepping up to do more than they thought possible,more than they thought necessary, just so they and those they love can survive. It’s about heroes being heroic, leaders leading, non-heroes being more heroic, leaders conniving and failing, and regular people finding enough reason to keep going. It’s everything you want in an epic fantasy, and a bunch you didn’t realize you wanted, too (but probably should have).

Cold Reign

by Faith Hunter

My original post
Hunter continues to raise the stakes (yeah, sorry, couldn’t resist) for Jane and her crew as the European Vamps’ visit/invasion gets closer. Am not sure what’s more intriguing, the evolution in Jane’s powers or the evolution of the character — eh, why bother choosing? Both are great. The growth in the Younger brothers might be more entertaining — I appreciate the way they’ve become nearly as central to the overall story as Jane. I’m not sure this is the book for new readers to the series, but there are plenty before it to hook someone.

Once Broken Faith

by Seanan McGuire
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Poor planning on my part (in 2016) resulted in me reading two Toby Daye books this year, both just excellent, but this one worked a little bit better for me. Oodles and oodles of Fae royalty and nobility in one spot to decide what they’re going to do with this elf-shot cure leading to a sort-of closed room mystery (it’s just a really big, magical room) with peril on all side for Toby and her found family.

A Monster Calls

by Patrick Ness
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There were so many ways this could’ve been hacky, overly-sentimentalized, brow-beating, or after-school special-y and Ness avoids them all to deliver a heart-wrenching story about grief, death, love, and the power of stories — at once horrifying, creepy and hopeful.

Black and Blue

by Ian Rankin
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Rankin kicked everything into a higher gear here — there are so many intricately intertwining stories here it’s hard to describe the book in brief. But you have Rebus running from himself into mystery after mystery, drink after drink, career-endangering move after career-endangering move. Unrelenting is the best word I can come up with for this book/character/plot — which makes for a terrific read.

Sourdough

by Robin Sloan
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This delightful story of a programmer turned baker turned . . . who knows what, in a Bay Area Underground of creative, artisanal types who will reshape the world one day. Or not. It’s magical realism, but more like magical science. However you want to describe it, there’s something about Sloan’s prose that makes you want to live in his books.

Do not read if you’re on a low carb/carb-free diet. Stick with Sloan’s other novel in that case.

The Hate U Give

by Angie Thomas, Bahni Turpin (Narrator)

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This was a great audiobook –and I can’t imagine that the text version was as great, I just didn’t have time for it. It’s the story about the aftermath — socially, personally, locally, nationally — of a police shooting of an unarmed black male as seen through the eyes of a close friend who was inches away from him at the time.

I think I’d have read a book about Starr Carter at any point in her life, honestly, she’s a great character. Her family feels real — it’s not perfect, but it’s not the kind of dysfunctional that we normally see instead of perfect, it’s healthy and loving and as supportive as it can be. The book will make you smile, weep, chuckle and get angry. It’s political, and it’s not. It’s fun and horrifying. It’s . . . just read the thing. Whatever you might think of it based on what you’ve read (including what I’ve posted) isn’t the whole package, just read the thing (or, listen to it, Turpin’s a good narrator).

The Force

by Don Winslow
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There may be better Crime Fiction writers at the moment than Don Winslow, but that number is small, and I can’t think of anyone in it. In this fantastic book, Winslow tells the story of the last days of a corrupt, but effective (in their own corrupt and horrible way), NYPD Task Force. Denny Malone is a cop’s cop, on The Wire he’s be “real police” — but at some point he started cutting corners, lining his pockets (and justifying it to himself), eventually crossing the line so that he’s more “robber” than “cop.” Mostly. And though you know from page 1 that he’s dirty and going down, you can’t help get wrapped up in his story, hoping he finds redemption, and maybe even gets away with it.

But the book is more than that. In my original post I said: “This book feels like the love child of Tom Wolfe’s The Bonfire of the Vanities and Nicholas Pileggi’s Wiseguy. You really feel like you understand how the city of New York is run — at least parts of it: the police, elements of the criminal world, and parts of the criminal justice system. Not how they’re supposed to run, but the way it really is. [Winslow] achieves this through a series of set pieces and didactic pericopes.”

A police story, a crime thriller, a book about New York — oh, yeah, possibly the best thing I read last year.

There were a few that almost made the list — almost all of them did make the Top 10 for at least a minute, actually. But I stuck with the arbitrary 10 — these were all close, and arguably better than some of those on my list. Anyway, those tied for 11th place are: <