Category: (Auto)Biography Page 11 of 12

Yes, Please (Audiobook) by Amy Poehler

Yes PleaseYes, Please

by Amy Poehler (Writer, Narrator),
with Carol Burnett, Seth Meyers, Mike Schur, Eileen Poehler, William Poehler, Patrick Stewart, Kathleen Turner

Unabridged Audiobook, 7 hrs and 31 mins
HarperAudio, 2014

Read: May 19 – 20, 2016


Amy Poehler’s memoir-ish, Yes Please has been on my “get around to it” to it list for quite a while, but I never seemed to until I started this whole audiobook at work experiment. I picked such a good one to start with, I’m actually glad I didn’t read it first.

Poehler interweaves comedy bits with the story of her life and career, starting with her early experiences in comedy and childhood friends, moving onto her start in improv and then on to SNL and Parks and Rec. Even when she’s being serious, she can’t help but be funny — while talking about her divorce, death, Haitian orphans, etc. you want that. She talks a lot about her two sons and sounds like a loving and devoted mother (if a bit twisted).

In addition to this, she talks a good deal about how to deal with the inner voice telling young(er) women (and, I assume, older) that they’re not perfect, that their physical appearance needs to be different or they’re not that worthwhile. As I listened to this, I wanted to play it for my daughter. When she talked about sex and drugs (not that much on the former, but enough), I lost a bit of that desire, but I still might.

It’s not just Poehler’s authorial voice that makes this work so well — it’s her actual voice, too. Poehler saying these wise words, confessing the details, sharing the stories herself, and not just some hired gun (as capable as they might be) elevates the project. Bringing in Patrick Stewart to read silly poems, Kathleen Turner to do the occasional line, her parents, Meyers to reminisce, Schur to read a list of alternate candidates for Leslie Knope’s name and talk about Parks and Recreation in general — were great moves, and a blast to listen to. I’m curious what those sections are like if you just read them, but probably not enough to go try. The last chapter is a recording of a live reading she did, the audience reaction and her playing to them added just the right touch.

I can’t believe I’m saying this, but don’t read the book. Listen to the audio. It’s just that good. Heartfelt, funny, and inspirational (and did I mention funny?) — it’s everything you want from Amy Poehler (shy of another season of Parks and Rec).

—–

4 Stars

A Few Quick Questions With…Walt Hackman

Late last year, I was approached by Walt Hackman to read and review his book, No Problem, Mr. Walt. Which was absolutely not my kind of book, but there was something about it that appealed to me. I’m glad I did, it was quite a tale. I reposted my take on it earlier today, in honor of the book launch tomorrow. Walt was kind enough to take part in a Q & A with me — which was enough to make me want to re-read the book. Hopefully, it convinces some of you to give it a first read.

I’m always interested in the writing process, why writers make the choices they make along the way — why did you decide to approach your story by mixing Chinese history with the story of your junk?
When I started to outline and write “No Problem, Mr. Walt” it was not in chronological order. As each Chapter unfolded, I found myself writing about subject matter that emerged along with my story – like the reference to caulking from Marco Polo’s journal or the Cultural Revolution – and it occurred to me that including snippets of Chinese history would assist the reader by providing context to make my story more relevant. So, at the beginning of Chapter Two I begin with “I think it is safe to say that the average American may suffer a bit of historical amnesia regarding China’s recent history. Therefore, I have decided to start in the next chapter with the last Emperor Pu Yi in the early 1900s, and present the reader with a brief history up to the present; these bits of history will be presented at the beginning of each chapter. If you understand China’s recent past, it will be easier to understand references to history in the story, and easier to understand present-day China.”
For that matter, why did you decide to Where there some anecdotes/memories that you wanted to put in the book, but couldn’t find a way to fit them into the narrative? Care to share any?
Yes, there are a few but these stand out: the initial draft included poetry that I wrote depicting experiences I had such as the bus ride in Chapter 23. However, the editor felt including them would take away from the story’s narrative so I kept the content they included but the poems themselves were removed.

More importantly, my journey began with the sudden death of my only son Wally, which is something I find very difficult to talk or write about even to this day. I feel there are no words adequate to explain the anguish, sadness and magnitude of our loss. Those parts of the story that dealt with “Rebuilding a (my) Life” were tough for me to write (and rewrite).  That being said, Wally’s death was the catalyst that propelled me on that improbable journey and is an important part of the story even though I only talk about it briefly in the Preface.  I did the best I could to address it but feel that in a future revision I might find a better way to tell that part of the story. My daughter Lynn is a writer and owned the Mei Wen Ti from 2000 to 2008, I think hers might be the voice that best explains that time in our lives and we’ve been discussing a collaboration.

What was the biggest surprise about the writing itself?
Steven King said in On Writing, “….I believe the first draft of a book – even a long one – should take no longer than three months, the length of a season.” For me, my biggest surprise was how long it took me to write the book. Not months but years!

I tell people it was easier to build a boat in China than it was to write a book about it.  Even though I approached my writing with discipline, I found it impossible for me to write a fixed amount daily or weekly like King suggested. I set a goal and really believed that I would get the book completed before the China Olympics in 2008. But looking back, I would still do it all over again because this project has never been about notoriety or money, I have always thought it could be a good story that people might enjoy.

A lot of what makes a writer are the books that he’s read — what books in particular do you think made you the writer you are/the book the book it is? (other than the books on Chinese history, etc.) .
Before starting the book, I read Steven King’s On Writing. One of his main points is that generally, if you want to be a good writer you must be a good reader. I’ve always been an avid reader but I began reading a lot more beginning with every book Steinbeck ever wrote. Somehow, knowing I was going to write a book caused me to notice writing subtleties and styles that I liked. After all the Steinbeck, I read Hemingway’s Boat, The Sun Also Risesand A Farewell to Arms, etc. Even though King’s On Writing is centered around writing fiction, it helped me and I often referenced it along the way.
You’ve lived quite a life — is there another book in you?
The answer is yes. I have given this more thought than you can imagine. I’d like to write a revision of No Problem, Mr. Walt that would meet approval for sale in China (i.e. tone down any reference to Communism that might be viewed as “unfavorable”) And similar to how I included Chinese history for western audiences, this version would be a juxtaposition that includes U.S. history and customs.

On my trips to China, people were fascinated about the junk (surprisingly, you don’t see a whole lot of them especially the size and style of the Mei Wen Ti) and the fact that I was even there building it. Junks (sail boats) have not been built in China now for many years since the introduction of modern engines. Many people I met wanted to know what I was doing in China, why I walked to the bus station and rode the bus, why I was wearing cowboy boots, if I liked the food, if I could tell them about California, why the U.S. was selling our latest jets to Taiwan, etc. Lastly, I believe the book is a simple story that the current generation of Chinese people would enjoy. The collaborative work with my daughter is also a possibility since No Problem, Mr. Walt ends with the delivery of the Mei Wen Ti on the docks in San Pedro. The story that proceeded to unfold after the Mei Wen Ti hit U.S. soil (or rather, water) is a unique one all its own!

No Problem, Mr. Walt by Walt Hackman

Reposting this in honor of the book launch tomorrow. This’d make a great Father’s Day gift, for those looking for something that’s not a tie. . .

No Problem, Mr. WaltNo Problem, Mr. Walt: A Memoir of Loss, Building a Boat, Rebuilding a Life, & Discovering China

by Walt Hackman
ARC
Publish Authority, 2016
Read: February 18 – 26, 2016

Walt Hackman led an interesting life — sometimes, too interesting. At the age of 55, while trying to decide how to move forward from some major life changes and recover from a great tragedy, he decides to fulfill a long-held dream and move onto a boat. The question was only: what kind of boat?

He decides on a Chinese Junk. And then proceeds to figure out how to get one built for him — not a replica, not a used Junk — but an authentic, Chinese, made they way they’ve been made for centuries, built just for him.

As mid-life crises go, it’s a lot more creative and original than a red Porsche. *

The process was long, involved, troubled, and confusing. Which is works out well for the reader, because it makes for an interesting story for Walt to tell. He walks us through the process involving banks, embassies, multi-national shipping, translators (professional and not), engineers, trans-pacific flights, and a whole lot of tea.

But it’s not just a story about getting his Junk built — it’s a story about Hackman learning how to get things done in China, what he learned about the culture, and how he applied that. For me, this was the most appealing part (really, as interesting as it was, the boat portion of his tale was pretty straightforward).

Hackman did a lot of research into Chinese culture and history — and shares that with his reader. You could get a quick and dirty understanding of Chinese history just by reading the little his chapter introductions. But it’s not just about the big things like the Great Wall, the history of Chinese shipbuilding, various leaders, and whatnot — he talks about culture — the need to make sure everyone saves face in a discussion (and how to ensure that), and even Chinese singing and fighting (??) crickets — which are sometimes kept as pets, in tiny little boxes.

It wouldn’t be a book about international travel, business, and misunderstandings without some travel horror stories — but wow, he had some doozies. Which is probably why those kind of stories are so ubiquitous, they’re great bits of temporary drama that everyone can relate to. They’re also great reinforcement for those of us who aren’t that into travel to stay home.

Second only to travel horrors, are stories about food when it comes to narratives about other countries/cultures. Hackman described both restaurant and home-cooked meals. He gave a lot of detail about home-cooking — both by his Chinese-American friend and her family in China. Also, thanks to an encounter Hackman had walking around and talking to strangers, I learned more about the traditional way to prepare duck than I ever wanted/needed to know.

Most of us have seen enough travel shows, documentaries, etc. about China to get the idea just how foreign a land it is to Western eyes (even The Drew Carey Show sufficiently demonstrated that), and Hackman’s descriptions helped reinforce that. But more effective was his bringing things like coming home to the aftermath of the L. A. Riots (that he had no idea were happening) demonstrated the contrast with his time in China and underlined how otherworldly it can be over there (although in the age of 24-hour news cycles and smartphones, that might not be as stark now.).

It’d be easy to expect this book to be an exploration of Hackman’s dealing with the emotional and familial hardships in his life — but nope. It’s just what it promises: a story about a man trying to get a boat built. That other stuff happens, you can tell, but that’s not what this book is about — part of me would’ve like to see how his construction project helped him find the distance or whatever he needed — but I just found it refreshing that he didn’t use this story as an excuse to deal with all that in print.

Actually, now that I think of it — that’s pretty typical of Hackman — he doesn’t share his thought process (by and large) with the reader. We don’t really get an explanation for his choice of Chinese Junk, just that after some thought, he picked that. We see the results of his thinking, we see some of what his research (both via book and being around the culture) have taught him — but we get almost nothing of the process. Now, that’s a strange approach for this kind of book (at least by current standards), but it works.

The book’s subtitle is: “Building a Boat, Rebuilding a Life, & Discovering China.” Well, Walt Hackman does all three, but we really only get to see two of those. Building his boat and discovering China are enough to carry the book, and allow him to do the rebuilding. This is not the kind of book I normally read, but when Hackman contacted me about reading an ARC, something about it made me sign on — and I’m glad I did. It’s a fascinating book and an easy, rewarding read. Give it a shot, I think you’ll be pleasantly surprised.

Disclaimer: I was provided an Advance Reader Copy in exchange for an honest review – I still might end up getting a hard copy, just so I can have that cover to look at easily (can’t tell much from that thumbnail, but it’s great – click through to the website and check it out).

* I’m not trying to make light of everything Hackman was going for, his crises were a lot worse than most.

—–

3.5 Stars

No Problem, Mr. Walt by Walt Hackman

No Problem, Mr. WaltNo Problem, Mr. Walt: A Memoir of Loss, Building a Boat, Rebuilding a Life, & Discovering China

by Walt Hackman

ARC
Publish Authority, 2016
Read: February 18 – 26, 2016

Walt Hackman led an interesting life — sometimes, too interesting. At the age of 55, while trying to decide how to move forward from some major life changes and recover from a great tragedy, he decides to fulfill a long-held dream and move onto a boat. The question was only: what kind of boat?

He decides on a Chinese Junk. And then proceeds to figure out how to get one built for him — not a replica, not a used Junk — but an authentic, Chinese, made they way they’ve been made for centuries, built just for him.

As mid-life crises go, it’s a lot more creative and original than a red Porsche. *

The process was long, involved, troubled, and confusing. Which is works out well for the reader, because it makes for an interesting story for Walt to tell. He walks us through the process involving banks, embassies, multi-national shipping, translators (professional and not), engineers, trans-pacific flights, and a whole lot of tea.

But it’s not just a story about getting his Junk built — it’s a story about Hackman learning how to get things done in China, what he learned about the culture, and how he applied that. For me, this was the most appealing part (really, as interesting as it was, the boat portion of his tale was pretty straightforward).

Hackman did a lot of research into Chinese culture and history — and shares that with his reader. You could get a quick and dirty understanding of Chinese history just by reading the little his chapter introductions. But it’s not just about the big things like the Great Wall, the history of Chinese shipbuilding, various leaders, and whatnot — he talks about culture — the need to make sure everyone saves face in a discussion (and how to ensure that), and even Chinese singing and fighting (??) crickets — which are sometimes kept as pets, in tiny little boxes.

It wouldn’t be a book about international travel, business, and misunderstandings without some travel horror stories — but wow, he had some doozies. Which is probably why those kind of stories are so ubiquitous, they’re great bits of temporary drama that everyone can relate to. They’re also great reinforcement for those of us who aren’t that into travel to stay home.

Second only to travel horrors, are stories about food when it comes to narratives about other countries/cultures. Hackman described both restaurant and home-cooked meals. He gave a lot of detail about home-cooking — both by his Chinese-American friend and her family in China. Also, thanks to an encounter Hackman had walking around and talking to strangers, I learned more about the traditional way to prepare duck than I ever wanted/needed to know.

Most of us have seen enough travel shows, documentaries, etc. about China to get the idea just how foreign a land it is to Western eyes (even The Drew Carey Show sufficiently demonstrated that), and Hackman’s descriptions helped reinforce that. But more effective was his bringing things like coming home to the aftermath of the L. A. Riots (that he had no idea were happening) demonstrated the contrast with his time in China and underlined how otherworldly it can be over there (although in the age of 24-hour news cycles and smartphones, that might not be as stark now.).

It’d be easy to expect this book to be an exploration of Hackman’s dealing with the emotional and familial hardships in his life — but nope. It’s just what it promises: a story about a man trying to get a boat built. That other stuff happens, you can tell, but that’s not what this book is about — part of me would’ve like to see how his construction project helped him find the distance or whatever he needed — but I just found it refreshing that he didn’t use this story as an excuse to deal with all that in print.

Actually, now that I think of it — that’s pretty typical of Hackman — he doesn’t share his thought process (by and large) with the reader. We don’t really get an explanation for his choice of Chinese Junk, just that after some thought, he picked that. We see the results of his thinking, we see some of what his research (both via book and being around the culture) have taught him — but we get almost nothing of the process. Now, that’s a strange approach for this kind of book (at least by current standards), but it works.

The book’s subtitle is: “Building a Boat, Rebuilding a Life, & Discovering China.” Well, Walt Hackman does all three, but we really only get to see two of those. Building his boat and discovering China are enough to carry the book, and allow him to do the rebuilding. This is not the kind of book I normally read, but when Hackman contacted me about reading an ARC, something about it made me sign on — and I’m glad I did. It’s a fascinating book and an easy, rewarding read. Give it a shot, I think you’ll be pleasantly surprised.

Disclaimer: I was provided an Advance Reader Copy in exchange for an honest review – I still might end up getting a hard copy, just so I can have that cover to look at easily (can’t tell much from that thumbnail, but it’s great – click through to the website and check it out).

* I’m not trying to make light of everything Hackman was going for, his crises were a lot worse than most.

—–

3.5 Stars

Lessons from Tara by David Rosenfelt

Lessons from TaraLessons from Tara: Life Advice from the World’s Most Brilliant Dog

by David Rosenfelt

Hardcover, 227 pg.
St. Martin’s Press, 2015

Read: January 23 – 25, 2016


One of my resolutions this year was to read more Non-Fiction — I’m going to try for 1 a month, in addition to “whenever I see something that catches my eye.” So, I marched up to the New Release shelf at the Library and started browsing — hope sinking fast, a whole lot of diet, productivity and political books. Ugh. Just not in the mood, then I got to the 600’s and David Rosenfelt’s name jumped out at me. Had to do it, Rosenfelt talking about Tara (the inspiration for Andy Carpenter’s dog) might be cheating a little, but it was good enough.

I was expecting a little Marley & Me-ish type story about the Rosenfelts and Tara. I couldn’t have been more wrong — thankfully (this meant I sniffled far less than I would’ve otherwise). This is a collection of short (no more than 5 pages), mostly humorous, essays about their life and work with Rescue Dogs. Tara is mentioned frequently, as the work they do with Rescue Dogs was inspired by her, but she’s not the focus of this book. It’s their entire menagerie, those they’ve rescued that aren’t part of their pack, the humans they’ve worked with — and even a few they decidedly haven’t — and the lessons Rosenfelt has learned from them.

While every chapter has a joke or two, some are pretty serious — Rosenfelt talks earnestly about the way people treat dogs — particularly older dogs. The focus of The Tara Foundation is on older/senior dogs who aren’t that likely to be adopted from shelters. I know that he’s made me rethink what dogs I look at when we go to adopt next.

Fans of the Andy Carpenter series will be happy to hear that Andy’s voice is Rosenfelt’s — the book at times feels like an Andy Carpenter book without all the muss and fuss of a plot, murder, or trial. I laughed, I chuckled, I learned a thing or two, and I even got misty more than I wanted to. All in all a really strong read. If you’re a dog lover, or just someone who likes to read good things, find some time for this one.

—–

4 Stars

Dear Mr. You by Mary-Louise Parker

Dear Mr. YouDear Mr. You

by Mary-Louise Parker
Hardcover, 225 pg.

Scribner, 2015

Read: December 1, 2015


I’m not sure what I expected from this, but this wasn’t it. But whatever this was? It was a real treat to read.

I guess it’s basically, Alanis Morissette’s “Unsent” in book form. The book is a compilation of letters to a wide assortment of men in her life — or adjacent to it — some named, some nicknamed (“Blue”), some described (“Cab Driver”).

The style varies from letter to letter, a little bit, but on the whole the voice is consistent, it’s the content and audience that drives the mood. Seemingly very honest and candid, this carries all sorts of situation — the doctor who saved her life, the uncle of the girl she adopted, her grandfather, her daughter’s future significant other, a few former paramours, a few total strangers. The strongest material involves her immediate family — her father, her son, her daughter, especially her father.

Given Parker’s acting ability and the personal nature of this material, if she does the audiobook for this, I think it’d be more effective than the dead-tree version. But that’s just a guess.

Sure, not every letter is gold — a few bored me. But the majority kept me reading, entertaining me, making me chuckle, giving the occasional “aww” moment, and even jerking a few tears. Anyway you slice it, this lady can write.

—–

3 Stars

You’re Never Weird on the Internet (Almost) by Felicia Day

You're Never Weird on the Internet (Almost)You’re Never Weird on the Internet (Almost)

by Felicia Day
Hardcover, 258 pg.

Touchstone, 2015

Read: November 2, 2015


There is, a certain degree of difficulty in evaluating a memoir or autobiography, you can’t really critique the plot — “I just didn’t find the protagonist all that believable here,” “sure, things like that just happen…” You’re limited to writing ability/style and what’s contained in the volume (or what’s left out).

So let me start with my minor gripe: I’d have liked a little more information on The Guild — what we got was great, but we barely got any information/impressions on her castmates, the stories, anything beyond the process of getting the first episodes made and then securing the means to make the rest. Even more, I’d have loved more about her work on Buffy, Dr. Horrible, Eureka, and Supernatural which barely got a mention. I get that the book isn’t about that kind of thing — and I can appreciate that. But, I’d have liked to see that kind of thing (and I expect I’m not alone).

So what is the book about? It’s about Felicia Day — how the things in her life made her who she is. So yes, there’s a lot about The Guild, and what the process of making it did to her. Not too much about the other projects, sadly. But while reading it, I didn’t give it much thought beyond muttering to myself, “Oh, come on, we’re just skipping ____?”

Weighed against all the things about this book that really work, that’s really minor (but apparently takes me two paragraphs to explain). If you’re a fan of Felicia Day’s, you know that persona she’s established (I’m not saying it’s not primarily genuine, but she’s careful to keep it consistent). That persona shines forth in every sentence in this book. It’s hard, really hard not to hear Day’s voice in your head as you read this — at a certain point, I stopped trying because why should I? It’s fun hearing things in her voice — most of her readers are reading the book because they enjoy her — that’s why they got the book.

She talks about her mother’s unique approach to homeschooling (“for hippie reasons, not God reasons”), the various and sundry artistic endeavors she tried as a kid/teen — singing, dancing, acting, violin, and more, her college experience, her early acting days, discovering her writing/producing/creative mojo — and most importantly, discovering video games and the Internet.

This, and more, told in her indelible, inimitable, charming style, makes this book a winner — and a real laugh-out-loud read. Also, this book is noteworthy for the most mentions of Ross Perot in any book I’ve read this century. That really has nothing to do with anything, but it’s such strange distinguishing mark, I felt it had to be mentioned.

—–

4 Stars

Yes, My Accent Is Real by Kunal Nayyar

Yes, My Accent Is RealYes, My Accent Is Real: and Some Other Things I Haven’t Told You

by Kunal Nayyar
Hardcover, 242 pg.

Atria Books, 2015

Read: September 23 – 24, 2015


This book was all sorts of okay. Occasionally more, rarely less.

It’s a series of (primarily) autobiographical essays about his childhood in India, his family, his time in Portland during college, training as an actor, and his break on a little show you may have heard of, The Big Bang Theory. He closed the book by talking about meeting, courting and marrying his wife — probably the book’s emotional highpoint (the portions about his father are a close second).

Some are a page or two in length, some are longer. Nayyar doesn’t always come across looking good, he’s quick to point out his own shortcomings and how he’s trying to be a better person following that. Overall, he’s a decent guy, and that comes across pretty clearly.

As a fan of Raj, like (I’m assuming) 98.75% of the readers of this book, I enjoyed what little time he spent talking about the character and playing him. I particularly appreciated what he said about Raj’s selective mutism, the choices he made to depict that, and the audience’s reaction to that.

Some of these stories, I’d heard Nayyar tell before — like on Aisha Tyler’s podcast — in written form, with new (or fewer) details was nice, and unlike some, having previous exposure didn’t hurt the book.

Pleasant enough, funny, charming, even touching. It was a nice read. If you enjoy his acting, you’ll likely enjoy it. Yes, My Accent Is Real isn’t a must read, but it’s worth your time.

—–

3 Stars

As You Wish: Inconceivable Tales from the Making of The Princess Bride by Cary Elwes with Joe Layden

As You Wish: Inconceivable Tales from the Making of The Princess BrideAs You Wish: Inconceivable Tales from the Making of The Princess Bride

by Cary Elwes with Joe Layden

Hardcover, 259 pg.
Touchstone, 2014
Read: December 31, 2014
I’m not the world’s biggest Cary Elwes fan — I’ve never not enjoyed him, but I’ve never sat down and said “I should find an Elwes movie to watch” or “oh, Elwes is in that movie/show? Gotta watch it now.” So when I saw this book on the shelves, I thought “how nice for him that he wrote a memoir,” and since he was in his Dread Pirate Roberts getup that he’s not one of those actors who’s running from the one thing that made them “big.” But I had no real interest in reading it — enough so that I didn’t even read the subtitle, which probably would’ve piqued my interest.

So it wasn’t until he was a guest on Kevin Pollak’s Chat Show that I learned anything about the book (audio version is here, the video version is here and either would be well-worth your time) and decided I really wanted to read this book.

This is also one of the biggest reasons not to read the book — Elwes tells about half the stories in the book during the interview. And hearing him tell them, clearly enjoy the memories, and do pretty good impressions and entertaining voices while doing so is more enjoyable than reading them after the fact.

Still, I’m glad I read the book — there are plenty of other stories about the making of that wonderful movie, some details he doesn’t give of the stories he did — and some bits from interviews that Elwes and/or the writer working with him did with the cast, director, writer and producer. I laughed out loud at one of the new stories, and enjoyed many of the others.

It’s clear that Elwes loved making this movie and the way it’s become a favorite of so many. There are some funny stories (most of them), some interesting behind the scenes stuff, and some perspective on his fellow cast members.

Particularly, this book reads as a mini-tribute to Andre the Giant. If there’s a good biography of him, I should track it down, the man had a fascinating life. This book needs to be read for the story of Andre the Giant farting during filming alone — I promise that it will make your inner-8-year-old boy laugh (even if you’re a grown woman who didn’t realize you had an inner-8-year-old boy).

Not the best book I’ve ever read about making a film, but probably the warmest. A very pleasant read, and I’d really recommend it to fans of The Princess Bride. I’ve got to find the time to watch the movie now…and maybe re-read the book, too.

—–

4 Stars

John Knox by Simonetta Carr, Matt Abraxas (Illustrator)

John KnoxJohn Knox

by Simonetta Carr, Matt Abraxas (Illustrator)
Hardcover, 64 pgs.
Reformation Heritage Books, 2014
Read: May 25, 2014

I’m tempted to say, for a children’s book, this is quite good. But honestly? For a brief biography for any reading level, it’s quite good.

In these pages we get a good picture of Knox’s life (public and private), his historical context, and his teachings/beliefs. Essentially, everything you could want. There’s excitement, there’s hardship, there’s triumph and there’s tragedy. This isn’t a hagiography — Carr isn’t afraid to point out weaknesses, or problems with Knox (although she could’ve gone a little further in that direction). Nor is this all sweetness and light, as you might expect from a children’s book. While not dwelling on the details of the violence in Knox’s Scotland, she doesn’t sweep it under the rug, either.

The illustrations are great — the map, the photos and historic portraits are as well. Abraxas does a really good job in making his illustrations pop — but not to the degree that they become the focal point. The text carries this book, but the illustrations aid the text, as it should be.

Assuming this is a representative sample (and, based on a couple of interviews I’ve heard with Carr, I think it is), this is “Christian Biographies For Young Readers” series to get for anyone with kids. Or anyone just wanting small biographies to teach them Church History without having to wade through a tome like Shelley or González.

—–

4 1/2 Stars

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