Category: Humor Page 3 of 6

My Favorite Non-Fiction Books of 2022

Favorite Non-Fiction 2022
My 2022 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 9 instead of the nigh-obligatory 10 for the second year in a row. These are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Yeah, there’s some overlap between this list and the audiobook list from yesterday—lately, most Non-Fiction books I work through are in audiobook format. So it makes sense, even if it makes this post seem like an echo.

As always, I only put books that I’ve read for the first time on this list. I don’t typically return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Go Back to Where You Came FromGo Back to Where You Came From: And Other Helpful Recommendations on How to Become American

by Wajahat Ali

My original post
I’m just going to remix some of what I said originally, this book was a great mix of memoir, social commentary, and satire—with a little sprinkling of a more general humor thrown in. The way he shifted between the genres was fairly seamless and quite effective—his own story (and that of his parents) were good illustrations of the societal ills he wanted to point to. Ali’s story is the kind that Americans love to tell and hear about success—even if his telling points to many of the flaws in our society. Through grit, determination, perseverance, and endurance, Ali pushes through all sorts of cultural, societal, legal, medical, and circumstantial challenges to arrive where he is. Because he believes in what we can be as a people, based on our (incredibly inconsistently applied and demonstrated) ideals and aspirations. It’s the kind of story we need to see, hear, and read more of.

4 Stars

Black Nerd ProblemsBlack Nerd Problems:
Essays

by William Evans & Omar Holmon

My original post
There are several strengths to this book—the first is the wide scope of the genres and ages of the pop culture they nerd out about. The second is the variety of the ways they express their appreciation (or lack thereof) for these cultural artifacts. Some of these essays are just silly, some are humorous, some touching, some sober—no two are alike in most ways. I wish I could write like this.

4 Stars

A World Without A World Without “Whom”: The Essential Guide to Language in the BuzzFeed Age

by Emmy J. Favilla

My original post
Sure, I disagreed with some of her takes—I’m less enamored with the idea of language as a ruleless entity than she is. But I found it impossible not to enjoy this—even when I thought Favilla was wrong about some particular note of grammar, I appreciated the way she thought about the idea and presented it. Mostly, I enjoyed reading about the process involved in creating and maintaining a style sheet for an entity as big and particular as Buzzfeed. The lists are the kind of thing I could read on a daily basis. As I wrote, “If you’re the kind of person who gets worked up about getting your phrasing juuuuuust right or are bothered when someone doesn’t. If you think reading tributes to commas and em dashes is a good time. Or if you’re curious about why someone would want to eliminate whom or is fine with letting the English subjunctive mood die…this is the book for you.”

(and, yes, I’m still planning on the tattoo inspired by the book)

3.5 Stars

The Stories Behind the StoriesThe Stories Behind the Stories: The Remarkable True Tales Behind Your Favorite Kid’s Books

by Danielle Higley, David Miles (Illustrator)

My original post
I don’t know if I read a better-designed book last year (or the year before). It’s a treat for the eyes. But more importantly, the content is as good—if not better. I can see the book appealing to (and being understood) younger readers curious about some of the books they’ve read or seen at a library. It also was entertaining and edifying for a, um, more seasoned reader familiar with almost all of the books. I was surprised by some of what I read, learned something about all but one of the 20+ books covered and walked away with a hankering to go back and read some of these.

4 Stars

Good TalkGood Talk: A Memoir in Conversations

by Mira Jacob

My original post
Okay, this was pretty well designed, too. This graphic memoir really hit me on several levels. The art is simple, but very effective. The story of Jacob’s life is one that needs to be told—for the sake of those who can relate to remember they’re not alone, and for the sake of those who can’t relate at all to help build some empathy. The framing device of trying to explain race in the U.S. to a biracial child trying to understand the world around him is much-needed, and probably more so all the time. This was more powerful than I expected (and had some great moments of lightness, too!)

4 Stars

The World Record Book of Racist StoriesThe World Record Book
of Racist Stories

by Amber Ruffin & Lacey Lamar

My original post
Back at race again…this time looking at subtle and not-so-subtle, clueless and intentional, probably well-meaning and just mean, ways that one family has to deal with racism on a day-to-day basis. There’s enough silliness to make this book endurable because there are some anecdotes here that are stunningly awful. A strong follow-up to last year’s book.

4 Stars

Friends, Lovers, and the Big Terrible ThingFriends, Lovers, and the Big Terrible Thing

by Matthew Perry

I haven’t found time to write about this book yet, so I’m having trouble boiling things down into a concise paragraph. I’ve been a huge fan of Perry’s since episode 2 of Friends (and was a decently-sized fan based on the pilot), so I was drawn to this right away, but really wanted a break from celebrity memoirs and put off getting it until I read that the book focused so much on the “Big Terrible Thing.” There’s some stuff about his acting career—highs and lows, the usual behind-the-scenes, stuff. But this book is primarily about his mental health problems, his addictions, and the many, many ways he’s hurting himself and those around him. I wouldn’t call this a “warts and all” kind of portrayal of Perry, more of a “warts (and some other things)” look at him. There’s some hope and optimism, too, but it’s tempered.

4 Stars

How to Be PerfectHow to Be Perfect:
The Correct Answer to
Every Moral Question

by Michael Schur (Writer, Narrator)
with: Michael Schur, Kristen Bell, D’Arcy Carden, Ted Danson, William Jackson Harper, Manny Jacinto, Marc Evan Jackson, Jameela Jamil, and Todd May

My original post
This is a solid introduction to ethics and some of the major schools of thought behind contemporary approaches (with historical precedents). The kind of thing you might get in a 100-level course in college. But told in a very approachable way that will no doubt bring a smile to the reader’s/listener’s face occasionally. It’s not perfect, but it’s good. It’s thoughtful, but accessible. And it can—should?—act as a launching pad for further reading and study for those who want to dig in.

4 Stars

E.B. White on DogsE. B. White on Dogs

edited by Martha White

This is another one I haven’t had time to write about yet. I went in assuming this would be a good read—and got that. This is a collection of essays, shorter pieces, and letters written by White about (or mentioning) dogs. There are some solid gems here—honest laughs, amusing thoughts, and devotion to these animals that humans are so strongly drawn to. Readers of this blog know that I love good writing about dogs, and that’s exactly what we get here. There are a handful of things I’m not sure were worthy of including in this book other than for the sake of completeness, but I’m not going to complain.

4 Stars

Catch-Up Quick Takes: Some Lighter Reads/Listens

I just don’t have a lot to say about these books, so let’s take care of them briefly. The point of these quick takes posts is to catch up on my “To Write About” stack—emphasizing pithiness, not thoroughness.


Working It OutWorking It Out

by Jo Platt

DETAILS:
Publisher: Canelo
Publication Date: February 3, 2022
Format: eBook
Length: 384 pg.
Read Date: October 1-3, 2022

(the official blurb)
Platt’s voice is great. All the characters were great (well, maybe all but one of them were). But the story just fell flat for me over and over again. The resolution just made me mad. The behavior of the protagonist was supposed to be cute and endearing–but it only served to annoy me. If you take this cast of characters, mature the protagonist a degree, and put them in the service of a better novel, I’d have loved it. But…bah. It was an okay way to burn some time in a hospital waiting room (which is where I was), but that’s about it.
2 Stars

Slaying Monsters for the FeebleSlaying Monsters for the Feeble

by Annette Marie, Cris Dukehart (Narrator)

DETAILS:
Series: Guild Codex: Demonized, #2
Publisher: Tantor Audio
Publication Date: Feb 4, 2020
Format: Unabridged Audiobook
Length: 8 hrs., 27 min.
Read Date: October 6-11, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
I wasn’t sure how this series was going to really go after that first book, but I’m really pleased by this one. I particularly enjoyed the way that this fits in with the other series in this ‘verse. The action was good, the magic interesting, and the characters grew on me (or continued to, I should say).

I’m not particularly a fan of the friendship/affection/whatever between Robin and Zylas. But I don’t hate it, so there’s that.

This is one that I think I need to see through to the end before I decide about individual books–are some of these plotlines a waste of time? Are they going somewhere satisfying? Are they just going to prove frustrating? It’s too hard to tell. I think I’m going to end up thinking of this positively, but I can’t be sure yet. (I’m a little worried they could end up in the same spot as the Ella Grey series)

Cris Dukehart continues to get the job done and keep the books interesting.

3 Stars

The World's Worst AssistantThe World’s Worst Assistant

by Sona Movsesian

DETAILS: 
Publisher: Penguin Audio
Publication Date: July 19, 2022
Format: Unabridged Audiobook
Length: 5 hrs., 25 min.
Read Date: October 11-12, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
Sona Movsesian has been Conan O’Brien’s assistant for years–his friend, too. Listening to the two of them on his podcast, you can hear the affection–and get caught up in their odd communal humor. I’ve also listened to enough of her that it feels strange to refer to her as anything but Sona.

The book gives a brief biography of Movsesian before moving into her time working various low-level jobs in television before getting hired by O’Brien as he started to move his show and family to California to take over The Tonight Show. We get a look at some of what happened to him there and then what they did afterward–both professionally and personally.

Essentially, this is a book about Movsesian and her good friend and boss–how much fun they have together, some of the amazing things she’s gotten to do, and the people she’s gotten to meet because of their jobs.

You start off listening to this book (I imagine), because of her boss and wanting to hear what it’s like to work with him–even if you’re the worst assistant in the world (how do you keep the job in that case?). You end up listening to the whole thing because you can’t help but like Movsesian and want to hear her tell stories about her life and laugh along with her.
3 Stars

DeclassifiedDeclassified:
A Low-Key Guide to
the High-Strung World
of Classical Music

by Arianna Warsaw-Fan Rauch

DETAILS:
Publisher: Penguin Audio
Publication Date: October 11, 2022
Format: Unabridged Audiobook
Length: 6 hrs., 48 min.
Read Date: October 14-18, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
This would be tough to describe even if I was doing a full post, not just a quick take. I had a lot of fun with Warsaw-Fan Rauch’s book.

The behind-the-scenes bits about classical music, orchestra, and the education/training involved for today’s performers was great to hear. The jokes, snippy bits, and history of classical music, composers, and various instruments (and those that play them) were a special kind of geeky fun that I appreciated (not as much as someone who’s seriously played and/or studied, I’m sure, but enough for me).

The personal material didn’t do much for me–I don’t know her enough for that to have mattered (and didn’t get enough reason throughout the book). But it’s easy to get over that and focus on the highlights.

This was a pleasant time (and a little educational, too). Give it a listen.
3 Stars

Rebel with a ClauseRebel with a Clause:
Tales and Tips from
a Roving Grammarian

by Ellin Jovin

DETAILS:
Publisher: HarperCollins Publishers
Publication Date: July 19, 2022
Format: Unabridged Audiobook
Length: 7 hrs., 38 min.
Read Date: October 18-19, 2022
Support Independent Bookstores - Visit IndieBound.org

(the official blurb)
Um…this isn’t as clever as it thinks it is. Maybe, maybe, if I knew who Jovin was before starting this book, I might have a different take. It feels like such a bunch of inside jokes–the kind of stories that fans of someone well-established might relish, but new readers wouldn’t. On the whole, it wasn’t about her points about grammar or language usage (see Dreyer or Favilla for a couple of examples of how to do this), that drove the narrative and humor of the book. It was harder to define, it was more how odd people thought it was that she was traveling around the country giving her opinions on the sidewalk or finding people who cared enough to discuss it.

While picking up the anecdotes for this book, Jovin and her husband were making a movie about her grammar table. That movie might be more entertaining to watch, and I plan on doing that someday. I think it might work better as such–sort of a “man on the street” kind of thing that can work well (see countless talk shows and Youtube series for proof). But this was just dissatisfying.

(also, I wasn’t crazy about the narration)
2 1/2 Stars

This post contains affiliate links. If you purchase from any of them, I will get a small commission at no additional cost to you. As always, opinions are my own.

Have I Told You This Already?: Stories I Don’t Want to Forget to Remember by Lauren Graham: The Actress-Essayist Does It Again

Have I Told You This Already?Have I Told You This Already?:
Stories I Don’t Want to
Forget to Remember

by Lauren Graham

DETAILS: 
Publisher: Ballantine Books
Publication Date: November 15, 2022
Format: Hardcover
Length: 186 pg.
Read Date: December 12, 2022 
Support Independent Bookstores - Visit IndieBound.org

It’s almost as if I’m sending mixed messages, like valuing privacy whilst also being the author of a second book of personal essays.

What’s Have I Told You This Already? About?

This is a collection of essays—mostly personal—about Graham’s career (or things surrounding it) during various stages, some thoughts on filming a TV show and directing, and there’s one essay that’s devoted to just being funny.

She reflects on aging, friendship, making marmalade, and the ridiculous things that women in Hollywood have to do to maintain certain standards of appearance. She opens the book talking about memory and story-telling—where accuracy is necessary and where details can fudged because it makes a story better, and ends up with a tribute to New York City.

Whoops

I should’ve been patient and waited for the audiobook to become available. There’s nothing wrong with reading the paper version of this book—it’s perfectly charming and Graham’s voice shone through.

But.

Hearing it in her actual voice (not just what I assume it would sound like)—a few passages in particular—would be so much better. I listened to her previous book of essays (and the graduation speech) and I think this would’ve been more entertaining in audio format.

So, what did I think about Have I Told You This Already??

He said this as if his memory of the matter was not at all disturbed by something as inconsequential as fact. For years, my father told the same story about how a momentous occasion felt to him; the facts had faded over time, maybe because they weren’t the most relevant part of the day. Sometimes we polish an experience to make facts line up more closely with feelings or exaggerate moments to make a better dinner party tale. And sometimes, mercifully, details become blurry over time, maybe because the sharp reality is too painful to carry.

This was a fast and breezy read. Graham’s really skilled as a writer and her prose sings. She’s funny as you want her to be. The closing paragraph of the second essay is a work of comedic art, a string of puns that I couldn’t believe she was able to keep going as long as she is. I’m never going to quote any part of it—but I’m telling you, it was great.

There were a couple of chapters that didn’t do much for me—the chapter on various health retreats or the chapter on NYC as a friend (although I thought it was some of her strongest writing). And a couple that I was surprised I enjoyed as much as I did—like the chapter about her relationship with the department store, Barney’s. The chapter where she uses Nora Ephron’s essay, “I Feel Bad About My Neck,” to talk about aging in the Entertainment industry, was particularly effective.

Even the essays that underwhelmed me were well written, and I could see what she was trying to do—they just didn’t connect with me–but I found something to grin about or chuckle at in them. The essays that did click with me made me laugh (sometimes a lot). The rest fell somewhere between—but they were all funny (when intended to be), and I’m glad I read them all.

At the same time, I need to stress that this is not all comedy. There are some real emotions and some thinking behind some of these essays—and it’ll provoke some, too. I think in the end you get more comedy than anything else, but it wouldn’t take much for the balance to go the other way.

She has a real gift for a killer last line, too. Openings are important, but with essays of this length (especially if you’re going for comedic), a great last line is essential, and Graham knows what she’s doing there.

In the end, this was a very pleasant and engaging read that makes me really want to see more from her (which goes for pretty much everything she’s written). When her novel was published, I picked it up because I was curious about what this actress could do—I’ve picked up the 3 works since because I like the way she writes. This collection works as evidence that we should maybe think of Graham as a writer who can act.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

The World Record Book of Racist Stories (Audiobook) by Amber Ruffin & Lacey Lamar: Records No One Should Want to Hold (but too many vie for)

The World Record Book of Racist StoriesThe World Record Book
of Racist Stories

by Amber Ruffin & Lacey Lamar

DETAILS:
Publisher: Grand Central Publishing
Publication Date: November 22, 2022
Format: Unabridged Audiobook
Length: 4 hrs., 54 min.
Read Date: November 28-29, 2022
Support Independent Bookstores - Visit IndieBound.org

An Issue with Sequels/Follow Ups

As I’m sitting here thinking about what to write, I keep comparing this to last year’s You’ll Never Believe What Happened to Lacey: Crazy Stories about Racism. This is intentional because this is very much a Part II to that book. But it’s different, too. So it makes sense to contrast it so I can give an idea of how it’s different.

At the same time, I run the risk of sounding dull—”You’ll Never Believe did X, The World Record Book did Y,” “The World Record Book is more Z than…,” and so on.

I don’t know how to avoid that—so I guess this is an apology in advance? I’ll try to limit the comparisons and keep this interesting, if only because the book deserves to give a good impression, even if I’m not able to do that.

What’s The World Record Book of Racist Stories About?

Because they got to share a bunch of stories in the first book—primarily about Lacey—the sisters wanted to give the rest of their family, and some friends, the chance to get their stories told. Or, as they put it, “air out [their] dirty racist laundry.”

Ruffin warns:

FYI: You’ll be able to tell the difference between this book and the last book. This one’s gonna be a bit heavier. A touch more serious. The reason for that is with the first book, Lacey and | got to giggle through silly racism stories, and it felt great. So, if the family wants to share their stories too, however they want to share, we welcome that. We want them to feel great and heard and blah, blah, bloo. There’s plenty of silliness, it’s just that the rest of the family is less likely to remember the funnier racist stories. They have not been keeping journals. But those terrible, scary racist stories? Maaaan, they remember those like a mug. So, to emotionally prepare you, I’d call this book fifty-fifty silly-scary racist stories. Okay? So, don’t come to me talking about “It wasn’t like the first book” ‘cause you’ve been warned.

To balance out these stories, the interplay between the sisters seems a bit sillier than before (in the print version, each has their own typeface so you can see it)—up to, and including, them singing their own little ditties in the audio. The authors also include some pictures for illustration of the ridiculousness of the story or for a little burst of joy or cuteness to alleviate the heaviness of the stories they’re telling.

I should add there are a couple of anecdotes that really silly or scary, just heartbreaking.*

* Granted, there’s a sense in which all of these are heartbreaking, humanity’s inhumanity always is. So I guess those stories are extra-heartbreaking. Heartbreaking cubed.

The Organization of the Book

So, the theme of this book is there in the title—it’s a Guinness World Records collection, but no one wants to get their stories told here (names have been changed to protect those involved—according to the authors, at Lamar’s insistence over Ruffin’s intentions). The anecdotes are arranged under broad topics (or for the person they’re about), and they are each given a title like “Most Confusing Racist Phrase,” “Worst Car Service,” “Most Racist Pilot,” “Worst Celebrity Look-Alike,” “Worst Teacher,” and so on. Several of the category names are clearly exercises in creativity by the authors, like “Most Regular Degular, Day-to-Day Racism” or “Most Racist Comment I Was Not Part Of”

These Worsts and Bests, it must be remembered, apply to their family and circle of friends. Most minorities in this country can probably come up with their own “Worst Nursing Home Experience,” “Second Worst Bar Patron,” or “Worst Interview.”

A Variety of Storytellers

In the previous book, the stories were predominately told about things that happened to Ruffin or Lamar, as I’ve said. This time out, they bring in stories about their mother, father, all their siblings, a sibling-in-law, a former Nebraska state senator, and even a couple of white people (for contrast).

In fact, the book opens with an anecdote from a white, male friend about a traffic stop. It’s really atypical encounter, and one that this white, male would enjoy having. But, Ruffin says that it’s the story that shocked her the most. I don’t blame her if what follows is what she’s used to. Roughly midway through the book, we get another five quick anecdotes from a friend that Ruffin trades “opposite stories” with:

Stories where I’m suffering some racist nonsense and she’s getting away with everything but murder. It’s so shocking to me. I can’t believe this is happening to my little bud. Being white is hilarious. So, as you read these next five stories, try to think about how out of place they are in this book. Try to imagine a Black man getting away with any of this. It’s fun because you can’t!

With at least four of these, I agree—I can’t imagine that. Probably not the other, either.

They also include some anecdotes from state senator Tanya Cook, a nice (?) reminder that it’s common to find this kind of behavior anywhere.

So, what did I think about The World Record Book of Racist Stories?

Lamar writes in her closing remarks:

I’m glad our family and people from the community got the chance to share these stories with you. No matter how you feel about them, they have happened and are happening out there to not just a small group of people in Omaha, Nebraska, but to absolutely anyone at anytime, anywhere. I personally feel that by sharing these stories we are shining a light on racism, ignorance, and just some all-around hilarious shit.

That’s a pretty good way to summarize this book. And it’s a light that needs to be shone in a way that the masses will take it in. In our culture, for better or worse, the best way to do that is to make it funny and chopped up into digestible bits*. Which is what Ruffin and Lamar did here.

* See Planet Funny by Ken Jennings for more on that.

I didn’t enjoy this as much as the first—no offense to the authors and contributors, but it wasn’t as fun. If only the Introduction had warned me… But the authors worked hard to make it enjoyable—it’s just hard to do with the subject matter. As it grawlix-ing should be. The fact that they succeeded at all is remarkable.

Pretty much, you can read what I said about You’ll Never Believe and apply it here, just with a little less laughter. But I did laugh audibly at a few points, so there’s that. I also shook my head enough in unbelief/despair/denial that I’m surprised I didn’t pull something.

It may not be my favorite non-fiction read of the year (but it’s close), but it might be the most important one. Pick this (and the predecessor) up, folks.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

Black Nerd Problems (Audiobook) by William Evans & Omar Holmon: Essays on Life, Race, and Nerddom

Black Nerd ProblemsBlack Nerd Problems:
Essays

by William Evans & Omar Holmon

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: September 14, 2021
Format: Unabridged Audiobook
Length: 7 hrs.,  53 min.
Read Date: May 24-26, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s Black Nerd Problems About?

Let’s just go with what’s on the Publisher’s website to make things easier:

The creators of the popular website Black Nerd Problems bring their witty and unflinching insight to this engaging collection of pop culture essays—on everything from Mario Kart to issues of representation—that “will fill you with joy and give you hope for the future of geek culture” (Ernest Cline, #1 New York Times bestselling author).

When William Evans and Omar Holmon founded Black Nerd Problems, they had no idea whether anyone beyond their small circle of friends would be interested in their little corner of the internet. But soon after launching, they were surprised to find out that there was a wide community of people who hungered for fresh perspectives on all things nerdy.

In the years since, Evans and Holmon have built a large, dedicated fanbase eager for their brand of cultural critiques, whether in the form of a laugh-out-loud, raucous Game of Thrones episode recap or an eloquent essay on dealing with grief through stand-up comedy. Now, they are ready to take the next step with this vibrant and hilarious essay collection, which covers everything from X-Men to Breonna Taylor with “alternately hilarious, thought-provoking, and passionate” (School Library Journal) insight and intelligence.

A much needed and fresh pop culture critique from the perspective of people of color, “this hugely entertaining, eminently thoughtful collection is a master class in how powerful—and fun—cultural criticism can be” (Publishers Weekly, starred review).

The Fun

This looked like a promising and enjoyable collection (otherwise, why would I have bought it?), and the first few essays indicated that it would be. Then came the fifth essay, “Into the Spider-Verse Got Three Moments Better Than the Best Moment of Your Favorite Comic Book Movie Not Named Into the Spider-Verse. Wow. I listened to it twice (and would probably play it again right now if I had the time). It was more than I could’ve hoped for—funny and insightful, full of joy and intelligence. My expectations had been exceeded and the bar for the rest of the book was raised—thankfully, the essays were up to it.

I’m not going to go on and on about all the essays I wanted to rave about but “Jordan Peele Should Get His Flowers While He’s Here” and “Top Five Dead or Alive: Red Hood in the DC Animated Universe” were almost as good. Words cannot express how much fun I had with “Mario Kart Reveals Who You Truly Are.”

The Serious

After Tamir Rice was killed in Cleveland, I called my father and we had some very sparse conversation before he began theorizing on the role of fiction in our non-fiction lives. Every once in a while, I get these notions that I can outwit my father into pulling some emotional tether to him. I asked him if we love fantasy in fiction as a way to escape every day life, but I think I meant, does he use fiction in this way. He answered, “It’s not an escape, it’s hope. The good guys win and life has value in a fantasy story. It’s not about getting away from something, it’s about inserting hope into what you can’t outrun.”

They’re not as fun, but the essays where they address serious topics through the prism of nerd culture/nerd cultural artifacts are even better.

I couldn’t relate—at all—to “My Theory on How Black Folks’ Black Card Actually Works,” but I loved that essay. I thought the approach of “Green Lantern COmics Have Low-Key Been Tackling Police Accountability for a Minute” was inspired. I loved “Chadwick Boseman’s Wakanda Salute Is Canon in the History of Black Language.” “The Sobering Reality of Actual Black Nerd Problems” was powerful and (as it promised) sobering.

I was surprised by “Go On: An Evergreen Comedic Series That Helped Me Navigate Loss”—it seemed so far out of the bailiwick of the rest of this book that it took me a minute to remember what show they were talking about. I was one of the 7 other people in the U.S. that watched it all, but I didn’t relate to it the same way as Holmon did. After that essay, I wanted to go find it online and rewatch the entirety of the series (alas, no streamer carries it).

How Was the Narration?

It was fantastic. Holmon and Evans begin the book by talking about meeting at poetry slams—they know what they’re doing behind a microphone. They deliver these essays (mostly separately, but occasionally together) with passion and panache.

I kept the speed on this audiobook low because I enjoyed the narration enough that I didn’t want it to pass by. I’d have easily listened to another 7+ hours and enjoyed it all.

So, what did I think about Black Nerd Problems?

I wanted to make all of the previous sections about two times as long—but I’m entering into that dreaded Chris Farley “Remember when….? That was cool” territory. So I made myself stop.

I’ve never been a manga or anime guy—despite a few attempts at it. So I have no opinion on the content of the essays addressing them. The essays themselves made me wish I was a manga or anime guy so I could really connect with them. As for the rest of the essays? They all worked. I could appreciate them when I didn’t agree with them, and when I agreed with them, I pretty much loved what I heard. I disagree with a lot of the politics discussed, but the way they described them won me over every time—I was always entertained, too. That’s all I want in a book like this coming from a different perspective—you don’t need to convince me that you’re right, just bring a good argument I can appreciate, and, hopefully, entertain/engage me in the manner of the rest of the book.

This mix of thoughtful cultural and social observation with pop culture freak out is exactly what I want to read/listen to. It’s what I want to write, honestly, if I weren’t held back by a lack of both talent and insight combined with the laziness too great to overcome that lack. But when it’s done as well as Evans and Holmon? I’ll just sit back, take it in, and enjoy it. Even when (especially when?) I think they might be wrong about something.

If there’s a volume 2 of this, I will jump on it faster than the Falcon can do the Kessel run. If either writer puts out a book that’s not poetry? I’ll hop on board, too. They’ve made this white nerd a fan.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions expressed are my own.

This is Going to Hurt (Audiobook) by Adam Kay: It’s Funny Because It’s True. Also, Dispiriting Because It’s True

This is Going to HurtThis is Going to Hurt:
Secret Diaries of
a Junior Doctor

by Adam Kay

DETAILS:
Publisher: HarperAudio
Publication Date: March 7, 2022
Format: Unabridged Audiobook
Length: 5 hr., 47 min.
Read Date: May 17-18, 2022
Support Independent Bookstores - Visit IndieBound.org

Doctors must be psychologically fit for the job — able to make decisions under a terrifying amount of pressure, able to break bad news to us anguished relatives, able to deal with death on a daily basis. They must have something that cannot be memorized and graded; a great doctor must have a huge heart and a distended aorta which pumps a vast lake of compassion and human kindness.

What’s This is Going to Hurt About?

This book covers the years that doctor-turned-comedy writer Adam Kay spent as a junior obstetrics doctor in the NHS. I’m going to gloss over the various titles he had because it’s a different system than I’m used to, and I’d botch it—but basically, it’s the first few years post-medical school.

Essentially these are excerpts (details tweaked to everyone’s privacy) from his diaries from that time showing the day-to-day realities he faced. Told with a comedic bent, sure, but it’s just real life—a version of real-life that’s more exhausted, more stressed, and covered in more and various bodily fluids than most of us have, sure. It’s told very anecdotally, he’s not trying to construct a narrative here, just “here’s Day X, here’s Day X +2,” and so on.

He talks about preposterous situations he’s put in because of his low-ranking status and/or NHS regulations, he talks about funny situations with patients, ridiculous colleagues, unsympathetic friends, harrowing experiences, and just strange ones. Given his specialty, he deals with expectant mothers, newborns, clueless fathers-to-be, and heartbreak. We get the gamut here.

Bonus Material

The audiobook I listened to was released with the paperback release and contained some bonus material—a few more diary entries and an afterword. The afterword was essentially a rallying cry for people to support the NHS’s existence.

I don’t have a dog in this fight—but I found his arguments compelling, and I thought his support of the NHS throughout the book (while freely critiquing aspects of it) added some good and necessary grounding to the humor. The life and death aspect of the book did, too—obviously—but that’s common with medical memoirs, this is distinctive (at least in my limited experience)

So, what did I think about This is Going to Hurt?

Called to the Early Pregnancy Unit by one of the SHOs to confirm a miscarriage at eight weeks—he’s new to scanning and wants a second pair of eyes. I remember that feeling only too well and scamper over. He’s managed the couple’s expectations very well, and clearly made them aware it doesn’t look good—they’re sad and silent as I walk in. What he hasn’t done very well is the ultrasound. He may as well have been scanning the back of his hand or a packet of Quavers. Not only is the baby fine, but so is the other baby that he hadn’t spotted.

I audibly laughed—twice—during the Introduction, so I was instantly on board with this book. The laughs really didn’t let up. At times, I wondered if it was a little too jokey, and wished we got more of the narrative about his experience—but then he’d say something else funny and then I decided I didn’t care because he’s a good comedy writer. Bring on the jokes!

Like the best medical comedies (e.g., MAS*H (in all its forms), Scrubs), Kay intersperses the laughs with drama and tragedy—stories of hard-fought success and heartbreaking—even devastating—loss. That augments both ends of the spectrum—while you’re chuckling, you’re more open to feeling the empathy to appreciate the dramatic. When you’re reeling from a hard experience, you need the laughter. If Kay’s TV scripts are anything like this, I wish I could see some of his episodes.

Kay handles his own narration here and is great at it, wry detachment mixed with a no-nonsense delivery. He knows it’s funny, so he’s not trying to push the humor, he just trusts the material and lets it do the heavy lifting.

When the library told me that my hold for this was ready, I didn’t remember requesting it—wasn’t sure at all why I did. But I gave it a chance, and am so glad I did—it made for a very entertaining 5+ hours. I think you’ll find the same if you give it a try.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

How to Be Perfect (Audiobook) by Michael Schur: Being Ethical/Virtuous and Funny at the Same Time

How to Be PerfectHow to Be Perfect:
The Correct Answer to
Every Moral Question

by Michael Schur (Writer, Narrator)
with: Michael Schur, Kristen Bell, D’Arcy Carden, Ted Danson, William Jackson Harper, Manny Jacinto, Marc Evan Jackson, Jameela Jamil, and Todd May

DETAILS:
Publisher: Simon & Schuster Audio
Publication Date: January 25, 2022
Format: Unabridged Audiobook
Length: 9 hrs., 13 min.
Read Date: April 11-13, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s How to Be Perfect About?

From the Publisher’s Website:

Most people think of themselves as “good,” but it’s not always easy to determine what’s “good” or “bad”—especially in a world filled with complicated choices and pitfalls and booby traps and bad advice. Fortunately, many smart philosophers have been pondering this conundrum for millennia and they have guidance for us. With bright wit and deep insight, How to Be Perfect explains concepts like deontology, utilitarianism, existentialism, ubuntu, and more so we can sound cool at parties and become better people.

Schur starts off with easy ethical questions like “Should I punch my friend in the face for no reason?” (No.) and works his way up to the most complex moral issues we all face. Such as: Can I still enjoy great art if it was created by terrible people? How much money should I give to charity? Why bother being good at all when there are no consequences for being bad? And much more. By the time the book is done, we’ll know exactly how to act in every conceivable situation, so as to produce a verifiably maximal amount of moral good. We will be perfect, and all our friends will be jealous. OK, not quite. Instead, we’ll gain fresh, funny, inspiring wisdom on the toughest issues we face every day.

Schur did a lot of thinking, reading, and research into ethics as he was creating and writing The Good Place, this book comes out of that—it’s not quite the same as the classes that Chidi Anagonye would give, but it’s about as close are you’re going to get.

Morally Problematic Sandwiches

The most important part of becoming better people, I’ll say yet again, is that we care about whether what we do is good or bad, and therefore try to do the right thing. If we love a problematic person or thing too much to part with it altogether, I think that means we have to keep two ideas in our head at the same time: I love this thing. The person who made it is troubling.

One of the chapters I found most interesting—for a variety of reasons—is Chapter Ten, “This Sandwich Is Morally Problematic. But it’s also Delicious. Can I Still Eat It?”

For a range of issues, a lot of people struggle with things like watching Woody Allen or Kevin Spacey movies; listening to Michael Jackson; enjoying The Cosby Show; reading J. K. Rowling, Orson Scott Card, or Stacey Abrams novels; or eating Chick-fil-A or Burger King. This chapter explores how someone can enjoy these things while maintaining their ethical/political/social position.

Like almost every topic Schur addressed, I enjoyed seeing the way he approached the topic, and the kind of thinking he applied to it, more than I liked his conclusions. Although, I think I came closer to agreeing with him on this one than the rest. This is a common thread for me when it comes to non-theistic/atheistic philosophy, so I go into something like this expecting it. Interestingly, Schur’s conclusions on this idea come close to Alan Jacobs’ (Christian) conclusions in Breaking Bread with the Dead—not identical, but they strike me as pretty compatible.

The Narration

I frequently approach author-narrated works with a degree of trepidation, but I didn’t this time. Michael Schur knows what he’s doing, and I reflexively assumed that. He’s very capable of delivering this material in an interesting, almost conversational manner—as this book is a crystalization of his thoughts and the result of his research, he’s a great vehicle for this material.

And then there’s the rest of the cast…clearly, when Schur thinks “Virtue Ethics” he thinks about The Good Place and got the cast involved (along with Todd May, an actual ethicist). Would Schur on his own have been fine? Absolutely. But just having different voices helps break up what could be dry listening and add a level of variety that helps, it’s also good for distinguishing Schur’s words from a citation from any number of sources. And any time you can add Ted Danson’s voice to something, you know it’s going to improve things (I wonder if I could handle Marc Evan Jackson for an entire audiobook, or would that be too much of a good thing?).

I did have to do a mental double-take every time Manny Jacinto read, I’m not used to his normal voice.

Basically, narrator-wise, there’s nothing to complain about here.

So, what did I think about How to Be Perfect?

This is one of those books that invites you to stop and think about it. I don’t have the time or energy to do this, but what I really wanted to do when I finished this was to buy a hard copy of the book and sit down to work through it a few times to really engage with the ideas. I know myself well enough to realize I wouldn’t do it—or wouldn’t do it well enough to satisfy myself. But that was my initial reaction.

It’s a good book—it’s problematic in some of/many of its conclusions, sure, but it’s still a good book. Because of the nature of the show that this is based on, Schur produced something that assumes God does not exist. He doesn’t come out and deny or question it*, he simply writes as if that’s not something to be considered. So I’m obviously not going to be able to agree with everything he says, and will ultimately find fatal flaws to some of his conclusions—but that’s me. You’ll have your own set of issues, I’m sure. But when it comes to recent(ish) pop-philosophy books, this is better than many.

* Later in the book, there’s at least one shot at the notion of a reliable set of scriptures, or those who would pay attention to them, at any rate. But As far as attacks on religion go, it’s pretty mild.

I truly appreciated and enjoyed the way that Schur was able to explain the concepts he was wrestling with and the way he used humor throughout. Using himself as an example of ethical reasoning—especially as a negative example—made it all much more relatable, too. He never comes across as “you should live like this” but as “here’s what I’ve learned, here’s where I struggle, walk alongside me.”

Would I listen to this again? Yeah, absolutely. Would I go through the hard copy of the book? Sure (especially if I could find a way to take the time to do it right). Would I suggest you get the book in the medium of your choice? Absolutely. Entertaining, educational, funny, and thought-provoking. I’m not sure what else you could ask for.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

The Part About the Dragon Was (Mostly) True by Sean Gibson: A Hilarious Fantasy Filled with Adventure and Shenanigans. Definitely Shenanigans.

The Part About the Dragon Was (Mostly) TrueThe Part About the Dragon Was (Mostly) True

by Sean Gibson

DETAILS:
Publisher: The Parliament House
Publication Date: December 10, 2020
Format: Kindle Edition
Length: 358 pg.
Read Date: March 10-12, 2022
Support Independent Bookstores - Visit IndieBound.org

I am, if not the most well-known bard in Erithea (yet), arguably the most talented, and unarguably the cleverest. I also wouldn’t quibble if you suggested that I’m the most beautiful, but that’s just because I’m very agreeable (and beautiful)…

Decades ago, I was sworn to secrecy regarding the true story of the great and terrible “Dragonia,” but recent developments have released me from that promise, and so I can finally tell the tale.

What’s The Part About the Dragon Was (Mostly) True About?

This is that true story about Dragonia, told alongside the “official” account so the reader can see how the details were adjusted and tweaked to create the story everyone knows.

The town (or village, depending on who you ask) of Skendrick is being terrorized by a dragon—crops are being ruined, trade is disrupted, and the town is about to fall apart. Desperate, they put out a call for adventurers to come and kill the dragon. But they get no takers—so they go to Plan B. The villagers (or townspeople) pool their meager resources to hire a bard. This bard is to compose a song to make the attempt to kill the dragon sound appealing enough—and its treasure (which may or may not actually exist) enticing enough—to get a band of adventurers to come.

This is where Heloise comes in. She takes the gig and soon gets a new and yet unaccomplished band of adventurers to take up the call to action. I don’t want to get into describing the group, you want to meet them in the book.

They encounter difficulties from without and within; nasty, malodorous geography; orcs and other creatures; and, well, the dragon.

Heloise the Bard

“You’re not half as funny as you think you are, as I suspect you have a very high opinion of yourself.”

“My opinion of myself is in direct proportion to my amazingness,” I said sweetly.

The half-elf, Heloise the Bard is our narrator—as you can tell from the quotations above, she has a fairly high opinion of herself and her abilities. She’s also rather impressed with her hair and certain other physical attributes. Probably her greatest skill is self-promotion.

She decides to accompany the adventurers, to chronicle their journey and the outcome of their clash with the dragon. Her wit and quick thinking prove valuable to their effort and her particular set of skills make all the difference.

She is a hoot. It’d be easy for Heloise to be an annoying, over-the-top character, but somehow Gibson keeps her as an entertaining, over-the-top character. I’ve been trying to come up with a character to compare her to, and I’m failing. Maybe she’s the Fantasy version of Evanovich’s Lula, except Heloise has the skills that Lula thinks she has. Maybe she’s the equivalent of High Fidelity‘s Barry. Somewhere in the Venn Diagram featuring Fantasy, Lula, and Barry, I guess.

She appears in a couple of other books by Gibson, and I’m eager to spend some more time with her.

The Humor

The section could easily be merged with the previous one because the humor displayed in the book is primarily Heloise’s. The jokes are pretty much non-stop—even in the middle of fight scenes, or when death is nigh. The danger is still present, and the combat (and so on) is as deadly as it would be in another book—it’s just surrounded by laughs.

It didn’t take me long before I’d highlighted too many lines to quote—not that it stopped me from going on. My notes on this one are ridiculous. I kept chuckling throughout the reading. I probably would’ve finished the book in 2/3 the time, if reacting to the jokes didn’t make me stop reading for a moment.

If you’ve read The Tales of Pell, you’ve got a good idea for the pace of the jokes—and tone of the book, too.

There’s slapstick, there’s scatological humor, a great Meatloaf (the singer) line, some fantastic bursts of alliteration for the sake of a laugh, some general silliness, clever dialogue, and…honestly, I’m having a hard time thinking of a kind of humor that’s not in there. There’s a running gag (that I’ve alluded to) throughout about whether Skendrick is a town or a village—I can’t tell you how often it’s brought up. And the joke works every time—I should’ve gotten sick of it, and I never did. I don’t know how Gibson pulled that off, but that alone is the mark of a fantastic humor writer.

In addition to The Tales of Pell, if you’ve enjoyed Christopher Healy, Dave Barry, K.R.R. Lockhaven, Peter David, Scott Meyer, Joe Zieja, Jim C. Hines’ Jig the Goblin series, or John Scalzi—you’re going to dig the humor here. And if you dig the humor, you’re going to really enjoy the book. It’s that simple.

So, what did I think about The Part About the Dragon Was (Mostly) True?

You know by this point that one of my main goals in telling this story is to show that the adventuring life isn’t all it’s thought to be. It’s mostly boring, frustrating, dangerous (though not excitingly dangerous), smelly (dear gods, so smelly), and not particularly lucrative. Occasionally, however, it’s exactly how the songs make it sound, and in those moments, it’s easy to see why people—even smart, capable people like Nadi—would devote their lives to doing something so irrational. Let the record show that entering a dragon’s lair for the first time is one of those moments, and it’s fair to say that each member of our intrepid band experienced more than a frisson of excitement as we crept across that threshold.

I think it’s pretty clear that I had a blast with this book, but I should probably make that explicit. I had a blast reading this book.

I think I should not that this is not a book to read if you’re in a “find out what happened and get to the end of the story” frame of mind. This is a “enjoy the trip, not the destination”/”stop and smell the roses” kind of book. The destination/what happens is fully satisfying, but the getting-there is so much better.

In addition to the jokes and the dragon, there is a running commentary on what “the adventuring life” is like outside of the glamorous or exciting bits. A lot of fantasy novels will show bits of it, but not enough of them do—and most don’t do it this way. For example, The Part About the Dragon Was (Mostly) True contains more description of various odors than every 99% of the fantasy novels I’ve read by a significant factor. If this were a scratch and sniff book…well, I can’t imagine anyone would stock it—you just don’t want that in your warehouse/store. Sure, it’s silly talking about realism in a book featuring orcs, halflings, elves, etc.—but this factor does ground the book and give it a seriousness (for lack of a better term) that makes this more than a collection of jokes.

This is the funniest book I’ve read in 2022, and I can’t imagine it’ll face much competition. It’s got it all, go get your hands on it.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

A Bathroom Book for People Not Pooping or Peeing but Using the Bathroom as an Escape by Joe Pera, Joe Bennett (Illustration)


A Bathroom Book...A Bathroom Book for
People Not Pooping or
Peeing but Using the
Bathroom as an Escape

by Joe Pera, Joe Bennett (Illustrator)

DETAILS:
Publisher: Forge Books
Publication Date: November 15, 2021
Format: Hardcover
Length: 111 pg.
Read Date: January 18, 2022
Support Independent Bookstores - Visit IndieBound.org

What’s A Bathroom Book… About?

I don’t know how to describe this book, so I’m going to lift this from the publisher:

Joe Pera goes to the bathroom a lot. And his friend, Joe Bennett, does too. They both have small bladders but more often it’s just to get a moment of quiet, a break from work, or because it’s the only way they know how to politely end conversations.

So they created a functional meditative guide to help people who suffer from social anxiety and deal with it in this very particular way. Although, it’s a comedic book, the goal is to help these readers:

1. Relax
2. Recharge
3. Rejoin the world outside of the bathroom

It’s also fun entertainment for people simply hiding in the bathroom to avoid doing work.

A Bathroom Book for People Not Pooping or Peeing But Using the Bathroom as an Escape will be waiting in the bathroom like a beacon for anxious readers looking to feel calm, confident, and less alone.

The Illustrations

I’m not sure how to describe it. A few adjectives jump to mind: quirky, offbeat, unusual. But they fit the tone of the book really well.

When the illustration is of an object (or a few of them), it’s very realistic—cartoonish, but realistic. There’s very little realism to the people depicted, however. They’re very cartoonish, with nods to realism. It’s an interesting way to go with that. I should stress that cartoonish isn’t a criticism, it’s just the best word I can come up with to describe these. Bennett has a style all his own—oddly compelling and fairly eccentric.

Along these lines, whoever did the page layout and typesetting deserves a slap on the back and maybe a raise.

So, what did I think about A Bathroom Book…?

Frankly, I had to buy this just because of the title. How do you walk away from it? I knew nothing about Joe Pera until this—now I’m curious about him.

Some years back, as I understand, there were a variety of books labeled “Bathroom Humor” or something like that—vaguely risqué (maybe some weren’t that vague), full of jokes and perhaps cartoons. I remember my grandfather had a book like that equipped with a chain so you could hang it on the towel rack or something like that. This is not that kind of book.

This is a gentler humor—the purpose of it is to help you relax and regroup, maybe to take a beat and prepare to leave the bathroom to face whatever social pressure (or similar hurdle) lies outside the bathroom.

We’ve all been there at least once—some of us are there on a regular basis—using the bathroom not just for a biological need, but to take a breather from life for just a couple of minutes. This is short enough that it can fit the bill (or, if you read slowly, it’s easy to dip in and out for a quick trip).

You’re not going to laugh out loud (probably—except maybe for the Jane Goodall jokes). But you just might smile—even a half-smile—because it reminds you of human oddities. And maybe because it’ll remind you that you’re not alone in needing this oasis from reality.

I enjoyed this, I think it’ll hold up to repeated readings. It’s an odd source of affirmation and encouragement—but I like it, and will take the affirmation and encouragement where I can find it.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, opinions are my own.

My Favorite Non-Fiction Books of 2021

Favorite Non-Fiction 2021
My 2021 Wrap up continues and now we’re on to the Non-Fiction list. While I liked a number of works that didn’t make this list, I felt strange calling them a “favorite.” So, we have 6 instead of the nigh-obligatory 10 (Hartford had two books on the list, but I wouldn’t let someone else do that on another list, so I trimmed one from this). Like last year, I was surprised that I’d given so many of these 3 or 3 1/2 stars. But these are the ones that stuck with me through the year; the ones I cited in conversation; that I thought about when reading something else or watching something on TV. Really, that’s what’s important, right?

As always, I only put books that I’ve read for the first time on this list. I don’t return to NF books (outside of looking up things for one or three points), but occasionally I do—for example, The Pleasures of Reading in an Age of Distraction by Alan Jacobs would get a permanent spot on this list, were it not for this rule.

(in alphabetical order by author)

Blood and TreasureBlood and Treasure: Daniel Boone and the Fight for America’s First Frontier

by Bob Drury and Tom Clavin

My original post
This book de-mythologized—and then re-mythologized (to a point) Daniel Boone, who ended up being more interesting (and more human) than I anticipated. Some of the writing was fantastic and you could forget you were reading history (there were other parts that were so dry it could be nothing else). The book looks at both Boone and the Fight for the Frontier—against Indians, French, and the English. It’s the kind of history book that convinces me that I should read more history—not to better myself, just because it’s worthwhile.

3.5 Stars

A Dream About Lightning BugsA Dream About Lightning Bugs: A Life of Music and Cheap Lessons

by Ben Folds

I haven’t written a post about this book yet, so it’s hard for me to try to give a thumbnail here. I enjoyed getting to know Folds a bit better—warts and all (and he’s not afraid to bring up some of the warts). Where this book really impressed me was when he talked about music—performing, creating, listening, what it means to a listener/performer. I’ve already returned to some of that material to reread—I’m not a musician, but I appreciate someone that thoughtful about it. It’s inspirational.

Also, his stuff about Shatner is just great.

3.5 Stars

The Data Detective: Ten Easy Rules to Make Sense of StatisticsThe Data Detective: Ten Easy Rules to Make Sense of Statistics

by Tim Harford

My original post
This is one of those books I should go back and re-read, taking copious notes to help me internalize the points. We’re subject to people at work, on the news, online, and from the government throwing numbers, statistics, and “studies show” so often that it can be overwhelming. So much so that many people blindly accept everything they’re told from that formula, or doubt it all. Hartford’s point is that we should be skeptical, but to use that skepticism to dig out the real meaning behind the study/statistic and then use it for our advantage as a voter, citizen, employee, or person (or all of the above). Crystal clear writing, easily applicable, and more useful than most books on related subjects.

Actually, I think I just convinced myself to re-read it soon.

3 Stars

Nine Nasty WordsNine Nasty Words: English in the Gutter: Then, Now, and Forever

by John McWhorter

My original post
I’m a sucker for an entertaining look at language, and that’s what McWhorter delivered here. While I try to eschew the use of profanity, we’re surrounded by it so much more than we likely realize, so I might as well learn more about it, right? This was a solid look at the background and development of these “Big 9” words—in particular, I enjoyed McWhorter’s demonstration of how the words function as various parts of speech, as well as the varying nuances of meaning.

3 Stars

You'll Never Believe What Happened to LaceyYou’ll Never Believe What Happened to Lacey: Crazy Stories about Racism

by Amber Ruffin, Lacey Lamar

My original post
I talked about this in my favorite audiobook post, too, never fear—this’ll be the last time I bring it up this week.

Early on, Ruffin writes:

Twice a week, I get a text from my sister that says, “Can you talk?” It’s my favorite because I know I’m about to be transported to a place that exists in real life and fantasy: the place where coworkers will put their whole hand in your hair, talking ’bout “It’s fluffy like a dog.” I realize this sounds terrible, but it’s like watching Dateline. You can’t believe it was the GIRLFRIEND who killed the HUSBAND! It’s the edge of reality. Technically, it happens, but it is barely plausible. Excited, I steal away to the elevator banks at work and listen to Lacey tell me a new horror story. It’s fantastic. As I stand there, mouth agape, listening to some new fresh hell, I am always struck by the fact that these stories will only exist in this phone call. Some will go on to become stories once the topic turns to “racist people at work” one night when Lacey is hanging out with her friends, but she’ll forget most of them because of the sheer volume. The. Sheer. Volume.

That’s what this book is, a distillation of that volume. A compilation of the best/worst of those stories. They are tragic. They are sobering. They are frequently pretty funny. But only in the way they’re told. Lamar and Ruffin share these stories with an air of “you have to laugh or you’ll cry.” The kind of resigned laughter when you realize that your situation isn’t going to get better any time soon, so you might as well find the pleasure in it. A lot of this is hard to listen to/read—but it’s usually worth it. There’s also a decent level of “a spoonful of sugar helps the medicine go down” running throughout this.

4 Stars

Moonlighting: An Oral HistoryMoonlighting: An Oral History

by Scott Ryan

My original post
It’s probably the most fun I’ve had with a book this year. Somehow, Ryan’s able to capture a little bit of the flavor of the show while getting into the history. Moonlighting was a revolutionary show, and he is able to talk to just about every significant figure involved in the creation and production of it for this history. He chronicles the ups, downs, and all-around zaniness. There are deep-dives on important episodes and or tricky scenes, as well as broader looks at themes, storylines, characters, etc. It’s easy to forget just how magical this show was, but spending some time with Ryan will remind viewers of a certain age of just what a ground-breaking, oft-controversial, and entertaining series it was.

5 Stars

Page 3 of 6

Powered by WordPress & Theme by Anders Norén