Category: YA/MG/Children’s Books Page 10 of 42

Grandpappy’s Corner: Saint Nicholas the Giftgiver by Ned Bustard: The Making of a Legend

Yeah, this is a quick return to this author. But after the post a couple of weeks ago, I had to give this one a shot, too. And it seemed fitting to tackle it now. I’ll get back to “grown up books” next week, D.V.


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Saint Nicholas the Giftgiver:
The History and Legends
of the Real Santa Claus

Written and Illustrated by Ned Bustard

DETAILS: 
Publisher: IVP Kids
Publication Date: October 12, 2021
Format: Hardcover
Length: 29 pg.
Read Date: December 17, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Saint Nicholas the Giftgiver About?

This is all in the title and subtitle, really. This is a Picture Book Biography of Saint Nicholas, covering both the history we have and some of the legends that arose about him to the point he became our Santa Claus.

He covers the life of Nicholas from birth to death pretty well—working in Diocletian’s persecution and how Nicholas was freed by Constantine, a hint of the Arian Controversy, and Nicholas’ work overall—including some of the legends that grew about him during his lifetime (that probably had a basis in truth).

Then he turns to the stories that have grown up about Nicholas as he transformed into Santa Claus with the magical reindeer—with Bustard trying to tie in even that idea of Nicholas to the work of the Savior. How successful he was I’ll leave to the reader to decide.

The Slap

No, I’m not talking about a certain actor at the Oscars in 2022. I’m talking about the legendary time that Nicholas struck (in some form) Arius at Nicea. Bustard skipped it. The most he said was:

he did all he could
to stop that bad pries.

Now, I was curious to see how he’d address it—if only because I think it’d be a real attention grabber for the target audience. But it’s probably wise to skip it, you don’t want to encourage younger readers to start assaulting people.

But c’mon, if you heard that some kid had been inspired by a Picture Book to slap a kid in Sunday School who kept giving bad answers—you’d laugh. You’d feel bad and repent after, but you’d laugh. I’m getting off the point, though.

Let’s Talk about the Art for a Minute

First, I really liked the way he made Nicholas have the skin tone of someone who was from Türkiye. Especially as white as Santa is usually depicted (and certain news programs insist on), that was a refreshing choice.

The use of mice throughout was a nice touch (and is explained in Bustard’s author’s note). But the best part was the subtle transformation of his clothing and appearance throughout to more and more look like a figure worthy of being an illustration alongside Clement Clarke Moore.

Basically, everything I’d say about the art is what I said when I talked about his Saint Valentine the Kindhearted book two weeks ago. Feel free to go check that.

There are a couple of Second-Commandment violations that naturally trouble me. But they don’t call attention to themselves and can be glossed over if that’s how you’d like to proceed. I’m honestly not sure if I’ll do that, or consign this one to the “we don’t read that one” pile.

How is it to Read Aloud?

A couple of the rhymes are…well, let’s go with imaginative. I will admit I stumbled on a them as I read it to the Grandcritter. But…other than that, it was fun.

There’s some decent rhythm to it, and the sweetness of a lot of it comes out better when you read aloud. Or maybe that was just me. Anyway, it works really well as a read-aloud.

So, what did I think about Saint Nicholas the Giftgiver?

I liked this—I do think Bustard improved his writing with his next two books, but the promise is there. Some lines—several lines—are great and made me smile. As I said before, the art is great. The two together make this a winner.

For me, I’d have appreciated it more if he’d given us a little more history and a little less explanation of the legend around Nicholas. But I’m not sure he’d have been able to do as nice of a job explaining the legend as he did had he devoted less time to it.

Which does make me think—given the age of the audience for this book, it’s a little risky to wade into anything about Santa Claus for some people. I think he handled that as well as he could, and readers who don’t understand everything about Santa the way that grown-ups do should be okay.

I do have a couple of misgivings about this book, but I’m maybe thinking about this more than I should. I don’t think so, but I imagine others will tell me I am. It’s good enough to think about getting and reading—just know that of the three books that Bustard has written so far, it’s the least successful.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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The Irresponsible Reader’s Guide to Picture Books—2023 Edition

This is a much longer list this year, than it was last. Obviously, the Grandpappy’s Corner books have helped with that. I’d like to thank Witty & Sarcastic Bookclub for posting their 2023 Picture Book List last week reminding me that I meant to get his up. I’m pretty sure I’d have forgotten it otherwise.

Here are my favorites in the Picture Book realm from the past ten years so.


Snobbity SnowmanSnobbity Snowman

by Maria Bardyukova, Quiet Riley, Jr.

Fun art work. Some fantastic use of language (especially when read aloud). A nice little story with a good moral. Ticks off every box.

My full post about the book.

Baby Dragon's Big SneezeBaby Dragon’s Big Sneeze

by Sheryl Bass, Remesh Ram (Illustrator)

A cute dragon, solid rhymes, and a sweet story.

My full post about the book.

Baby Dragon Finds His FamilyBaby Dragon Finds His Family

by Sheryl Bass, Remesh Ram (Illustrator)

A cute-looking sequel to the above.

I haven’t read this yet, but I will soon.

BeardedBearded

by Jeremy Billups

I love the artwork, these characters became favorites at first sight.

My full post about the book.

Bearded TooBearded Too

by Jeremy Billups

See what I said above.

My full post about the book.

Sea This and Sea ThatSea This and Sea That

by Jeremy Billups

The art clearly shares DNA with his other work, but it couldn’t be more different. Good jokes. A visual feast.

My full post about the book.

FarmhouseFarmhouse

Sophie Blackall

It’s a pretty–I cannot stress that word enough–look at one house over the course of time. Wonderful art, a nice story.

My full post about the book.

How Big Is Zagnodd?How Big Is Zagnodd?

by Sandra Boynton

A look at various sizes of aliens…silly fun for young and young-at-heart.

My full post about the book.

Saint Patrick the ForgiverSaint Patrick the Forgiver

by Ned Bustard

A great way to give an age-appropriate lesson in forgiveness while telling the story of one of the heroes of the faith.

My full post about the book.

Saint Valentine the KindheartedSaint Valentine the Kindhearted

by Ned Bustard

A number of lessons about love and service are given while telling the story of one of the heroes of the faith.

My full post about the book.

Mike Nero and the Superhero SchoolMike Nero and the Superhero School

by Natasha Carlow, Kyle Stephen (Illustrator)

A little heavy on the moral, but it’s one to get heavy with.

My full post about the book.

Little Aiden - A Feelings Book for ToddlersLittle Aiden – A Feelings Book for Toddlers

by Albert and Anna Choi, Bettina Braskó (Illustrator)

A handy and helpful book to tell toddlers that it’s okay to having and feeling emotions.

My full post about the book.

Little Aiden - A Love Book for ToddlersLittle Aiden – A Love Book for Toddlers

by Albert and Anna Choi, Bettina Braskó (Illustrator)

A warm and sweet look at the ways and times in which a parent can feel affection for their child.

My full post about the book.

The Day That A Ran AwayThe Day That A Ran Away

by B.C.R. Fegan, Lenny Wen (Illustrator)

Fegan and Wen are a dynamic duo—I’d read (and re-read) their books for fun.

My full post about the book.

Don't Ever Look Behind Door 32Don’t Ever Look Behind Door 32

by B.C.R. Fegan, Lenny Wen (Illustrator)

See above.

My full post about the book.

Henry and the Hidden TreasureHenry and the Hidden Treasure

by B.C.R. Fegan, Lenny Wen (Illustrator)

See above.

My full post about the book.

The World's Greatest MousetrapThe World’s Greatest Mousetrap

by B.C.R. Fegan, Fanny Liem (Illustrator)

A Rube Goldberg mousetrap. A frustrated would-be reader. A cute mouse. A great combo.

My full post about the book.

Kitties Are Not Good To EatKitties Are Not Good To Eat

by Cassandra Gelvin

Cute cat photos and handy advice.

My full post about the book.

Noodle and the No Bones DayNoodle and the No Bones Day

by Jonathan Graziano, Dan Tavis (Illustrator)

The origin story of the late, great Noodle.

My full post about the book.

Noodle Conquers Comfy MountainNoodle Conquers Comfy Mountain

by Jonathan Graziano, Dan Tavis (Illustrator)

Further adventures with Noodle.

My full post about the book.

This Book Will Get You to Sleep!This Book Will Get You to Sleep!

by Jory John, Olivier Tallec (Illustrator)

A loud, energetic, giggle-inducing book that will defintely not live up to its title.

My full post about the book.

1 2 3 Count with Me on Granddad's Farm1 2 3 Count with Me on Granddad’s Farm

by Valerie Johnson, Cee Biscoe (Illustrator)

Okay story, cute pics, great fodder for discussion.

My full post about the book.

Geeky Baby's Guide to ColorsGeeky Baby’s Guide to Colors

by Ruenna Jones, Josh Lewis (Narrator)

A good intro to colors and some of the images that any geeky baby needs.

My full post about the book.

Secrets of the WildSecrets of the Wild

by Olivia Kent, Srimalie Bassani (Illustrator)

The Secret Lives of Wild Animals—the parties, the jobs, games, antics, and more that they get up to when humans aren’t around to interfere.

My full post about the book.

God, Right Here: Meeting God in the Changing SeasonsGod, Right Here: Meeting God in the Changing Seasons

by Kara Lawler, Jennie Poh (Illustrator)

A pleasant look how God’s nature (flora, fauna, weather) reveals His work and care through a year’s worth of seasons.

My full post about the book.

The Day My Fart Followed Me To HockeyThe Day My Fart Followed Me To Hockey

by Sam Lawrence & Ben Jackson, Danko Herrera (Illustrator)

Stupid, childish humor—perfect for the audience (and close enough for those older types who read it). Adorable art. Charming book.

My full post about the book.

Noam’s MonstersNoam’s Monsters

by Shai Levinger, Kaustuv Brahmachari (Illustrator), Ephrat Abisror (Translator)

A great way to talk about anxieties and fears with your little ones.

My full post about the book.

A Tale of Wonderful WhiffsA Tale of Wonderful Whiffs

by Sophie Loosveldt, Isabella Croker (Illustrator)

A nice premise, some distinctive art, and a cute pug.

My full post about the book.

God Never ChangesGod Never Changes

by Carine MacKenzie, Derek Matthews (Illustrator)

A quick, age-appropriate look at the Immutability of God for the board-book crowd.

My full post about the book.

The Legend of the Christmas WitchThe Legend of the Christmas Witch

by Dan Murphy & Aubrey Plaza, Julia Iredale (Illustrator)

An alternate take on Santa’s origin—and his twin sister.

My full post about the book.

The Return of the Christmas WitchThe Return of the Christmas Witch

by Dan Murphy & Aubrey Plaza, Julia Iredale (Illustrator)

A sequel where Santa’s sister has to step up and use her magic to help rescue Christmas from a mega-corp.

My full post about the book.

Bear with BearBear with Bear

by Hagit R. Oron, Galia Armeland (Illustrator)

A great e-book (I don’t know how/if the hyperlinked material would translate into hard copy). There’s a good twist to this story that makes it especially appealing.

My full post about the book.

Bravo and ElphieBravo and Elphie

by Hagit R. Oron, Or Oron (Illustrator)

The collaborations between Hagit and Or Oron about cute, little Elphie and her friends and family are as charming as you want.

My full post about the book.

Elphie and Dad go on an Epic AdventureElphie and Dad go on an Epic Adventure

by Hagit R. Oron, Or Oron (Illustrator)

See above.

My full post about the book.

Elphie Goes Trick or TreatingElphie Goes Trick or Treating

by Hagit R. Oron, Or Oron (Illustrator)

See above.

My full post about the book.

How Did the Hippopotamus Get There?How Did the Hippopotamus Get There?

by Sohrab Rezvan, Kyana Mitchell (Illustrator)

A silly book about a new pet hippo finding a bunch of places to hide and play in his new home.

My full post about the book.

The Adventure Begins! (Dungeons & Dragons)The Adventure Begins! (Dungeons & Dragons)

by Dennis R. Shealy, Nate Lovett (Illustrator)

The pilot episode of the old Dungeons & Dragons in Little Golden Book form.

My full post about the book.

The Wonky DonkeyThe Wonky Donkey

by Craig Smith, Katz Cowley (Illustrations)

A zany rhyme about one goofy looking–maybe even wonky–donkey.

My full post about the book.

Every Dreaming CreatureEvery Dreaming Creature

by Brendan Wenzel

A gorgeous book following one child’s dreams as they are one animal and then another.

My full post about the book.

Leo & The Lightning DragonsLeo & The Lightning Dragons

by Gill White, Gilli B (Illustrator)

The rhymes are cute, the story is very positive, great illustrations, and the imagery of the Lightning Dragon fighting inside Leo is a great way to get the idea of epilepsy across to a picture book reader.

My full post about the book.

Sophie and the Heidelberg CatSophie and the Heidelberg Cat

by Andrew Wilson, Helena Perez Garcia (Illustrator)

A little girl gets a reminder that the gospel isn’t about working for God’s acceptance, but in belonging to God. One of my favorite reads (written for any age group) of 2023.

My full post about the book.

Grandpappy’s Corner: Saint Valentine the Kindhearted by Ned Bustard: …Violets are Blue, I Liked this Book, and You Will, Too.

Grandpappy's Corner Logo Saint Valentine the Kindhearted

Saint Valentine the Kindhearted:
The History and Legends of
God’s Brave and Loving Servant

Written and Illustrated by Ned Bustard

DETAILS: 
Publisher: IVP Kids
Publication Date: January 16, 2024
Format: eARC
Length: 32 pgs.
Read Date: October 5, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Saint Valentine the Kindhearted About?

Why do we call our celebration of love on February 14th (St.) Valentine’s Day? Why do we use February 14th, for that matter?

Ned Bustard brings us another picture book Biography to teach young readers about Valentine, who was martyred under Claudius on February 14.

Granted, we don’t know a lot about Valentine and his work, but we have enough to fill this book (and, as I recall from wordier historical treatments, not much more). We get a touch of his early life, a look at his ministry (and the Roman culture), a notable miracle that’s ascribed to him, and a bit about the events leading to his martyrdom. All told in a child-appropriate rhyme.

Let’s Talk about the Art for a Minute

Bustard’s cartoon-y art is as great here as it was in his Saint Patrick the Forgiver. The thing that stands out to me is his inking. (at least that’s what we called it back when I was really into comics and talked about the art, hopefully, it still counts). The way he uses bold lines around his character’s faces/bodies (particularly Valentine’s), really makes them pop off the page and almost look like wooden puppets. (that’s the best I can do as far as describing the pictures)

He’s also able to convey a certain amount of unpleasantness and threat with Roman soldiers without changing the overall feel of the story and its appropriateness for young readers.

Now, in the Patrick book, he worked in a lot of Celtic knots and whatnot to give it a more Irish feel. Here he goes for a lot of differently colored hearts all over the pages. It didn’t even occur to me while reading the book to pay attention to that—it fit the overall Feb. 14th vibe. I should’ve known better—thankfully, he explained it in “A Note from the Author,” so when I read this with the Grandcritter I can seem more knowledgeable. He works in these hearts in different colors to represent the four types of love (eros, storge, philia, and agape) from ancient Greek thought (and a pretty good book by C.S. Lewis), showing how Valentine displayed and interacted with these types of love in various episodes in the book.

You can check out the Publisher’s site for a glimpse at the art and layout as a preview. This will probably give you a better idea than anything I tried to convey.

How is it to Read Aloud?

It’s a nice little bit of rhyming text, and starting off with “Roses are red,” as often as he does, you’re going to get right into the rhythm reflexively, which is a nice touch. Some of the rhymes feel like a stretch to me*, but when you’ve got a good head of steam going as you read you probably won’t notice.

* “ago” and “van Gogh”, really? Also, that only works if you use the American pronunciation—sorry, British readers.

So, what did I think about Saint Valentine the Kindhearted?

I enjoyed this. I do wish we had more history to draw from for Bustard to use here (and, well, other historians writing for older audiences, too), just to fill out some of the details reliably. But this is a good introduction to the figure that’s had such a cultural impact so that even younger readers can know there’s basis to the celebration beyond chalky candies and silly drawings.

I don’t have a lot to say about this beyond that. It’s a fun read for the little folks, it has details and layers that older readers can appreciate and use to talk about bigger ideas with the little ones, too. Color me impressed yet again by Bustard and I’m eager to see what holiday/figure he picks next. Anyone trying to bring Early Church figures to the attention of the pre-K crowd deserves some applause and I’m happy to keep giving it, while gladly recommending you jump on board.

Disclaimer: I received this eARC from InterVarsity Press via NetGalley in exchange for this post—thanks to both for this.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Bea Wolf by Zach Weinersmith, Boulet (Illustrator): A Joy-Filled Retelling for Readers of All Ages

Bea WolfBea Wolf

by Zach Weinersmith, Boulet (Illustrator)

DETAILS:
Publisher: First Second
Publication Date: March 21, 2023
Format: Hardcover
Length: 192
Read Date: November 25, 2023
Buy from Bookshop.org Support Indie Bookstores

Hey, wait!
Listen to the lives of the long-ago kids, the world-fighters,
the parent-unminding kids, the improper, the politeness-proof,
the unbowed bully-crushers,
the bedtime-breakers, the raspberry-blowers,
fighters of fun-killers, fearing nothing, fated for fame.

What’s Bea Wolf About?

In some generic town, there is a treehouse that deserves every accolade you can think of. Treehart has been the headquarters of several of those long-ago kids, where they played, had fun, ate too much candy, etc., etc. Treehart has been ruled by a succession of kings and queens who ruled with generosity until they started to sprout things like facial hair and acne and had to set aside the grown and (ugh) start growing up.

They run afoul of one of the local teachers

Mr. Grindle he was called, for his father was Mr. Grindle
and his mother was Mrs. Grindle, and that is how names work.

With just a touch, Grindle can bring about adolescence—or, even worse, adulthood. He started periodically raiding Treehart, begeezering all he could. And then, he’d clean it.

Ten kids turned teenaged, tired-eyed, ever-texting
eight turned middle-aged, aching, anxious, angry at the Internet.

Nearby, a former king’s cousin has heard of the adultening and sent her fiercest warrior, Bea Wolf, to come and restore frivolity and childhood to Treehart by defeating Grindle. Epic tales are shared, a lot of soda and candy are consumed, and then the two face off in a battle that can only be described as “epic.”

A Bit About the Art

In the Acknowledgements, Boulet said that he really didn’t have time to do the art for this book, but after reading part of the script, he knew he had to. I’m so glad he found—probably made—the time for it. This wouldn’t be nearly as successful without his art.

It’s playful and silly while not turning the whole thing into a joke. There’s pathos, there’s gravity, there’s danger in his drawings. And yet they’re attractive, winsome, and engaging, too. His art is everything the text is and more—yes, I think the book would’ve worked had it only been the text. But…he brings it to life in a way that words alone can’t.

Boulet and Weinersmith are a potent and nigh-perfect match here. I cannot say enough good about this art.

On The Publisher’s page for the book, there’s a link to “Take a Look Inside!” I’d heartily recommend you giving that a glance so you can get a flavor of the look of the book.

About Beowulf

After the tale (at least the first part of the tale) of Bea Wolf, Weinersmith spends a few times talking about what Beowulf is, its history, and the connection between this graphic novel and the source. It even talks about various translations to help a young reader pick one to try.

It’s written in a way that definitely appeals to crusty old guys like me and very likely will appeal to younger readers, too. I’m not kidding, I’ve re-read it just for the jokes.

This essay ends by applying it to the reader:

If you’ve made it this far, all the way to the end of my notes, reading all these words in a book that’s mostly pictures, you must be either a librarian or a future writer. Or maybe both. If you haven’t read the original Beowulf, you may be asking whether you should give it a shot. The answer is yes. It’s scary and it’s not for kids, so you’ll probably really like it. If you’re a speaker of English, it’s the oldest big poem in something resembling your language, and it just happens to be one of the greatest stories ever written.

At one point, late in the original Beowulf poem, a dragon grows angry because a man steals from his golden hoard. Beowulf is part of the golden hoard of our language. Tolkien stole from it for his stories, and you should too. You might summon up a dragon of your own.

I don’t know if this will inspire a future writer or not, but it worked for me.

(yeah, I strayed from my own topic there, but whatever…)

So, what did I think about Bea Wolf?

I had so much fun reading this, from beginning to end. I was able to appreciate it on a few levels—as someone who appreciates cute and clever comic art, cute and clever comic writing, as a cute and comic take on the epic poem, and as a wonderful and romantic vision of childhood (and a vision of adulthood that hits pretty close to home a little too often). There are probably more levels I enjoyed it on, but that’ll work for a starter.

The poetry itself was dynamite. Weinersmith did a fantastic job of capturing the flavor and spirit of the original and adapting it to a Middle-Grade level (while keeping it engaging for older readers).

I honestly don’t know who the market is for this—sure, it’s supposed to be for Children—but I wonder how many will be intrigued by the idea of it (hopefully, they will be prompted by clever adults/peers). On the other hand, I can’t be the only fan of the original from High School/College/after those who finds the notion of this appealing. Thankfully, I do think both audiences will be pleased with the results and the time they spent with it.

There’s at least one more book chronicling Bea’s adventures. I cannot wait to see her deal with Grindle’s mother.

I don’t know if I’m doing a decent job of praising this—but I think you get the gist. Do yourself, your inner child, and possibly your children a favor and run out to pick this up. You’ll be glad you did.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BOOK SPOTLIGHT: The Haunting Scent of Poppies by Victoria Williamson

I’m very pleased today to welcome The Write Reads Ultimate Blog Tour for Victoria Williamson’s The Haunting Scent of Poppies! A handful of bloggers have already been talking about it on the tour, and a few more are coming–go check out https://twitter.com/WriteReadsTours to see a what those who’ve read it have had to say. But in the meantime, let me tell you about the book.

The Haunting Scent of Poppies Tour Banner

Book Details:

Genre: Historical Fiction/YA/Horror
Publisher: Silver Thistle Press
Format: Paperback/Ebook
Length: 59 pages
Publication Date: December 1, 2023
The Haunting Scent of Poppies Cover

About the Book:

A spine-chilling winter ghost story set in the months after the Great War. Perfect for lovers of MR James and Susan Hill

The War is over, but for petty criminal Charlie his darkest days are only just beginning.

Charlie Briggs is never off-duty, even when a botched job means he’s forced to lay low in a sleepy Hampshire town for the holiday season. Always searching for his next unwitting victim, or a shiny trinket he can pilfer, he can’t believe his luck when he happens upon a rare book so valuable it will set him up for life. All he needs to do is sit tight until Boxing Day. But there’s a desperate story that bleeds beyond the pages; something far more dangerous than London’s mobsters is lurking in the shadows.

Could the book be cursed? Why is he haunted by the horrors of war? Can he put things right before he’s suffocated by his own greed?

Book Links:

Amazon UK ~ Amazon ~ Goodreads

About the Author:

Victoria WilliamsonVictoria Williamson is an award-winning author who grew up in Scotland surrounded by hills, books, and an historical farm estate which inspired many of her early adventure stories and spooky tales. After studying Physics at the University of Glasgow, she set out on her own real-life adventures, which included teaching maths and science in Cameroon, training teachers in Malawi, teaching English in China and working with children with additional support needs in the UK. Victoria currently works part time writing KS2 books for the education company Twinkl and spends the rest of her time writing novels, and visiting schools, libraries and literary festivals to give author talks and run creative writing workshops.

Victoria’s previous novels include The Fox Girl and the White Gazelle, The Boy with the Butterfly Mind, Hag Storm, and War of the Wind. She has won the Bolton Children’s Fiction Award 2020/2021, The YA-aldi Glasgow Secondary School Libraries Book Award 2023, and has been shortlisted for the Week Junior Book Awards 2023, The Leeds Book Awards 2023, the Red Book Award 2023, the James Reckitt Hull Book Awards 2021, The Trinity School Book Awards 2021, and longlisted for the ABA South Coast Book Awards 2023, the Waterstones Children’s Book Prize 2020, and the Branford Boase Award 2019.

Her latest novel, The Pawnshop of Stolen Dreams, is a middle grade fantasy inspired by classic folklore. Twenty percent of the author royalties for this book are donated to CharChar Literacy, an organisation working to improve children’s literacy levels in Malawi.

You can find out more about Victoria’s books, school visits and free resources for schools on her website: www.strangelymagical.com.

Author Links:

Website ~ Twitter


My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Fuzzwiggs: The Switcheroo by Amy Maren Rice: A Silly (and Odorous) MG Adventure Sure to Please

I’ve got a Q&A with the author, Amy Maren Rice, coming up this afternoon, come back and give it a read, will you?


Fuzzwiggs: The SwitcherooFuzzwiggs:
The Switcheroo

by Amy Maren Rice

DETAILS:
Series: Fuzzwigs, #1
Publisher: Covenant Books
Publication Date: July 14, 2022
Format: Paperback
Length: 294 pg.
Read Date: August 31-September 2, 2023
Buy from Bookshop.org Support Indie Bookstores

A Brief Introduction/Disclaimer

When I type (and when I read), I always insert an “i” between the “z”s and the “w”. I don’t know why, it just got into the back of my head that way. I believe I caught them all in proofreading, but I may not have.

Apologies in advance. Also, next time she comes up with a race of extra-dimensional characters, I hope Rice consults with me about the vowels she should use.


…the bowl shifted.

Slowly the crimson crockery began to rise. Twig like fingers curled around the edge. A pair of furry arms followed and then came two frightened golden eyes that blinked rapidly at them. A triangular face with a soft puppylike nose was next. It twitched as a strand of pasta slid off it to the floor. Oversized tufted ears slowly unfolded as the creature spoke…

“Please, we are needing your help.” It repeated, its eyes large and pleading like a puppy begging for a treat.

Jasper rubbed his own eyes in disbelief. “W-w-w…” he stuttered. He licked his lips he tried again. “What are you?”

“We are being the Fuzzwiggs,” the creature replied.

“Whose [sic] ‘we’ and what are, uh, those?” Milo asked, brushing the lettuce from his hair.

The animal made a gesture with his long fingers and several other big-eyed furry creatures shuffled forward, filling the room. They came from behind doors and under furniture. One was even inside a kitchen cabinet. Their rabbit like feet stepped carefully around the food-splattered floor…

What’s Fuzzwiggs: The Switcheroo About?

I’ll try to keep this brief…but no promises.

When we meet them, Jasper (12) and his brother, Milo (10), are moving to a new home. Their father died in a plane crash, and their mother can’t support the family as things are. So they, their mother (Emily) and baby brother (Wyatt) are going to live in tiny little town in Idaho to live with their grandfather and aunt. The brothers really don’t know their family well, but the house their father grew up in is large enough for them and the change will be good for the family (or so Emily hopes).

When they arrive, no one is home. They didn’t expect their grandfather to be there—he travels a lot and doesn’t do a great job of keeping the family updated on his location. But their Aunt Delilah should’ve been there. In her place is a note welcoming them to the house, telling them to choose their own rooms, make themselves comfortable, and to do a few specific things—follow some rules and do some chores. Some of the chores and rules are odd, but whatever.

The house is large and wonderful—the boys really want to go exploring some of the strangeness, but their mother makes them focus on unpacking and whatnot. Perhaps the strangest thing about the house is that there is a large, old tree in the center of it—words like “mega” and “ancient” are used by the boys to describe it. Their dad used to joke about being raised in a tree house. Now they get it. Sort of.

What the family is going to learn, is that the Great Tree is a vitally important object beyond their comprehension. It’s guarded (in part) by some strange and magical creatures called the Fuzzwigs. The odd thing about these creatures (well, one of the odd things) is that their magic comes from their flatulence.

But before they learn that, as is expected in stories where people are given oddly specific instructions and warnings—Emily and the kids don’t really heed them as they should. The consequences of that are going to bring a lot of trouble—and the Fuzzwigs—into their lives.

Fuzzwiggs

This is going to be the crux of the book for (at least) most readers—what do you think of these creatures? Even the Middle-Grade readers of this book are going to be familiar with a lot of the things in the novel—the bickering brothers, the family tragedy that makes them move, the mysterious extended family members they have to rely on, the strange thing in the new house that comes with a lot of rules, etc. And sure, silly intelligent (or at least sentient and capable of communication) creatures will be familiar, too—but the Fuzzwiggs are what’s going to draw the attention and keep it or lose it.

For this reader, they kept it. It helps once you get to the point you can see beyond the obvious comedy and get to something deeper (not much deeper, it’s not that kind of book)—I don’t know how much the target audience will respond to that, probably more than I reflexively give them credit for. Also, this will be easier to talk about when we get to Book 2 in the series and I can talk about some of these deeper ideas without spoiling things.

I think the easiest comparison I can make to help one of my readers to understand the Fuzzwiggs is the lemurs from Madagascar movies and the spin-off movies/show. They have a similar kind of manic energy and attitudes. As I make that comparison, I realize that the humor that comes from them reminds me of DreamWorks Animation movies in general.

We might as well segue to:

The Humor

Yes, it’s largely juvenile. So what? The book is directed at people who are juveniles. Can adults appreciate it? Yes, but only if they are willing to find humor in bodily functions and whatnot.

I think of it similarly to that line of C.S. Lewis’ about Fairy Tales, about one day being old enough to start reading them again. Or, “When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.” Human bodies are silly things that can make gross noises—at a certain age, we pretend it’s not amusing, and at a more advanced age we can chuckle at it again. Sure, I might not find the sounds and this book as amusing as a ten-year-old will…but I’m okay with that. Actually, I’m a little jealous.

So, to get back to the DreamWorks Animation idea—if Shrek and its counterparts are too juvenile for you—skip this book. And give it to someone who will enjoy the humor.

There is one character in particular I’d love to talk about on the comedy front, but it would spoil too much. Let’s just say that there’s a Hollywood hopeful in these pages that deserves a spin-off novella.

So, what did I think about Fuzzwiggs: The Switcheroo?

I really enjoyed the way that the whole family got involved—at least in some way—with the story. It’d have been very easy for Rice to focus on Jasper and Milo—or the boys and their aunt. But Rice got their baby brother rather involved in the story to great effect—Wyatt’s antics elicit some good chuckles and also brought some sweetness into things. I also appreciated the way their Mom was handled—we get a little from Emily’s perspective, we understand how everything we see here is difficult for her and yet she knows it’s best, and so on. And then she’s largely sidelined because this is a MG book and it’s a rule. Or, to put it less cynically, otherwise, the boys couldn’t get into adventures. But it’s a comical sidelining that Rice used well.

The adventure story itself is exactly what you want in this kind of story—there’s a great trek through the wilderness, hazards from within and without, some villains that really don’t realize what they’ve gotten themselves into (they’re both rotten and comical, a great combination for this kind of book), and some great battles (or scenes that are battle-ish and I don’t know how else to characterize them) and some nice story resolutions with hidden life lessons in them. It’s a good balance between comedy and adventure that I’d imagine would appeal to a broad range of middle-grade readers.

I had a few quibbles with the book and feel like I should mention them. There’s a museum in town that was established before Lewis and Clark stumbled through the area. I assume that was an editorial slip, or there’s going to be a great explanation eventually given for that. I do wonder if some of the descriptions of the magic/abilities of some of the creatures could’ve been explained a little better. Some (all?) of the scenes that cut away to things not directly involving the main events of this book were really hard to follow, yes, they’re establishing the world for this series and setting up future books. But I think a little more finesse would’ve helped a lot here. Neither of these are fatal flaws, and I anticipate that Rice will do this kind of thing better as she writes more. But they dampen my enthusiasm a bit.

Just a bit, though. I had a ball with this book and I think my readers would enjoy it—and the kids in their lives would enjoy it even more. I’m eager to see where Rice takes this series and I really want to see the scenes that follow the Epilogue. I imagine most readers will be with me there.

Pick this up—I think you’ll be happy you did.


3.5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grandpappy’s Corner: Noodle Conquers Comfy Mountain by Jonathan Graziano, Dan Tavis (Illustrator): A Little Pug Faces a Cozy Challenge

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Noodle Conquers Comfy Mountain

by Jonathan Graziano, Dan Tavis (Illustrator)

DETAILS:
Series: Noodle and Jonathan
Publisher: Margaret K. McElderry Books
Publication Date: November 7, 2023
Format: Hardcover
Length: 32 pg.
Read Date: November 9, 2023
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What’s Noodle Conquers Comfy Mountain About?

This is a story about poor Noodle needing to find a place to get comfortable for the day—he needs to be able to smell nice smells, see his Jonathan, watch for a snacking opportunity (or several), but most importantly feel comfy.

After some searching, he finds the perfect place on the top of the couch! But how can a little pug get up to something so tall?

Let’s Talk about the Art for a Minute

I wish I had some samples to show (you can click on the artist’s name above and see his portfolio, which doesn’t have any pages from this, but you can see his skill). So let me say this instead—before I had a chance to read the book, I gave it to my wife and daughter to look at while I went upstairs. Their collective “Ohhhh!!”s and “Awwwwwwwww!!”s were so loud I had to pause my audiobook until they finished.

It is just adorable. I don’t have another word to describe the art—it’s so cute that it’s hard to put into words. Also, there’s one picture that you can practically see the tail wagging. I’m not sure how a cartoonish art style is able to convey that so effectively, but it did.

Consider me a fan of Tavis.

How is it to Read Aloud?

It’s fine—there’s not a lot of wordplay, there’s no rhyming, or anything like that. It’s simple phrasing that you can put whatever kind of emphasis on and read without difficulty.

If you’ve watched enough of Graziano’s videos, you can borrow his style to read it; it works really well. If you haven’t? No big deal, just read it naturally and it’ll be fine.

What did the Little Critter think of It?

He’s still a bit too young to be giving opinions. But he liked the sound it made when he slapped it.

So, what did I think about Noodle Conquers Comfy Mountain?

Like when I was describing the art, I don’t know what else to say but it’s hard-to-describe just how cute this is.

It’s a nice little story that most readers can relate to in some way—I think particularly if they’re on the small side and need assistance getting up to a place to sit, as young children tend to be. The story is a little stronger than the previous book’s–which was primarily about the feeling of a No Bones day, and I appreciate that (without criticizing the first book! I’m not heartless.)

There’s a little life lesson about asking for help that we can all use—no matter our age or size—included. Which is a nice bonus.

Do I recommend this adorable read? Yes. Obviously. Get your hands/eyes/ears (as applicable) on anything about Noodle, it’ll make your day brighter.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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BOOK SPOTLIGHT: Feast of Ashes by Victoria Williamson

This morning, I’m very pleased to welcome The Write Reads Ultimate Blog Tour for Victoria Williamson’s Feast of Ashes. This is yet one more book that I didn’t have time to read, but wanted to point you to, because you and I should think about fitting it into our upcoming reads. It’s Day One of the Tour, so I can’t point you to much that’s been said about the book, but I’ve seen a little about what some of the bloggers are saying about it, so I want to point you to the X/Twitter feed: https://twitter.com/WriteReadsTours so you can watch what’s being said over the next few days, it appears that people like it and should be saying things that’ll incline you to read it. The book releases October 5—so you might as well go order it now, right?

Feast of Ashes Tour Banner

Book Details:

Title: Feast of Ashes by Victoria Williamson
Genre: YA, Dystopian Fantasy
Publisher: Neem Tree Press
Release date: October 5, 2023
Format: Paperback
Length: 334 pages
Feast of Ashes Cover

About the Book:

The Earth’s ecosystems have collapsed and only ashes remain. Is one girl’s courage enough to keep hope alive in the wastelands?

It’s the year 2123, and sixteen-year-old Adina has just accidentally killed fourteen thousand seven hundred and fifty-six people. Raised in the eco-bubble of Eden Five, Adina has always believed that the Amonston Corporation’s giant greenhouse would keep her safe forever. But when her own careless mistake leads to an explosion that incinerates Eden Five, she and a small group of survivors must brave the barren wastelands outside the ruined Dome to reach the Sanctuary before their biofilters give out and their DNA threatens to mutate in the toxic air.

They soon discover that the outside isn’t as deserted as they were made to believe, and the truth is unearthed on their dangerous expedition. As time runs out, Adina must tackle her guilty conscience and find the courage to get everyone to safety. Will she make it alive, or will the Nomalies get to her first?

Book Links:

Amazon UK ~ Goodreads

About the Author:

Victoria WilliamsonVictoria Williamson is an award-winning author who grew up in Scotland surrounded by hills, books, and an historical farm estate which inspired many of her early adventure stories and spooky tales. After studying Physics at the University of Glasgow, she set out on her own real-life adventures, which included teaching maths and science in Cameroon, training teachers in Malawi, teaching English in China and working with children with additional support needs in the UK. Victoria currently works part time writing KS2 books for the education company Twinkl and spends the rest of her time writing novels, and visiting schools, libraries and literary festivals to give author talks and run creative writing workshops.

Victoria’s previous novels include The Fox Girl and the White Gazelle, The Boy with the Butterfly Mind, Hag Storm, and War of the Wind. She has won the Bolton Children’s Fiction Award 2020/2021, The YA-aldi Glasgow Secondary School Libraries Book Award 2023, and has been shortlisted for the Week Junior Book Awards 2023, The Leeds Book Awards 2023, the Red Book Award 2023, the James Reckitt Hull Book Awards 2021, The Trinity School Book Awards 2021, and longlisted for the ABA South Coast Book Awards 2023, the Waterstones Children’s Book Prize 2020, and the Branford Boase Award 2019.

Her latest novel, The Pawnshop of Stolen Dreams, is a middle grade fantasy inspired by classic folklore. Twenty percent of the author royalties for this book are donated to CharChar Literacy, an organisation working to improve children’s literacy levels in Malawi.

You can find out more about Victoria’s books, school visits and free resources for schools on her website: www.strangelymagical.com.

Author Links:

Website ~ Twitter

My thanks to The Write Reads for the invitation to participate in this tour and the materials they provided.

Bone Carnival by Megan Lynch: Mysterious and Spooky, (Almost) Altogether Ooky

Bone CarnivalBone Carnival

by Megan Lynch

DETAILS:
Publisher: Orange Blossom Publishing
Publication Date: October 31, 2023
Format: PDF
Length: 224 pg.
Read Date: September 27-28, 2023
Buy from Bookshop.org Support Indie Bookstores

What’s Bone Carnival About?

Mia Wallace’s parents are professors who’ve taken temporary posts at a university in Rome and have brought the twelve-year-old and her older brother, Enzo, with them. Enzo speaks a little Italian and is fairly independent as 17-year-olds tend to be, but Mia has only a small handful of phrases and is as dependent on her parents as a preteen is forced to be, so her options for the time are pretty limited.

Mia has a reputation (largely earned) for being a troublemaker, a teller of tall tales, and overall ne’er-do-well. It doesn’t seem like she’s leaving a lot of friends behind in the States, and she’s not expecting to change that in Rome, no matter how many resolutions she makes about reform. There’s a girl her age, Grace, who might be a candidate for friendship, but they don’t get off to a good start. Still, Grace’s mother is a colleague of Mia’s mother, so they’re likely to end up spending time together.

There’s a stray cat who lives near their apartment that Mia has started to spend time with. On the first day that their parents have to go to work, Mia slips out of the classroom she, Enzo, and Grace are stuck in all day to go get something from a nearby bakery (her excuse is that Grace hasn’t eaten breakfast and her stomach is too loud). On the way to the cafe, Mila sees “her” cat and follows it. Unbeknownst to her, Grace has followed Mia.

The cat leads them to a street carnival—there’s something about it that both unnerves Mia and appeals to her, too (she can’t describe what elicits either reaction). Grace is more unnerved than anything, but can’t get Mia to leave. There are shades of Pleasure Island (from Disney’s version of Pinocchio) to the carnival—but without the anarchy and transformation into a beast of burden. Honestly, I think what Mia’s in for is worse—but you can decide for yourself.

During part of a puppet show (which is probably not what made me think of Pinocchio), Grace volunteers to participate. She’s awarded a bone of a sorcerer to carry around in a velvet pouch. Supposedly, this will bring her good luck for a day—a lifetime’s worth of good luck in a day.

Grace doesn’t like any of this, and Mia’s a little creeped out by the idea of a finger (no matter that it’s surely just a prop). So they throw it in a nearby dumpster.

Before she knows it good things are starting to happen to the pair—and, yup, the pouch is tied around Mia’s neck. What has she gotten the two of them into? And what’s the fine print?

The Worst Parents in the World?

A tricky thing that authors have to address when it comes to kids and adventure novels is how to get the parents out of the way to let the kids have an adventure. Are they dead? Are they away from home/the kid is away from home? Are they missing/kidnapped? Or do the kids sneak off—and then why do they do that and how do the parents not notice? Once that’s dealt with, and how, then the reader can settle in and see what the kid gets up to.

Lynch solves this by giving Mia (and to a lesser extent, Grace) some of the worst parents around, who largely are unaware of what Mia is up to. I’m resisting the impulse to list off all their faults, deficiencies, and sins here—you really need to see them for yourself to draw your own conclusions. I’m typically inclined to see the parent’s/guardian’s perspective and to cut them some slack–I can defend (half-heartedly, I admit) Uncle Vernon and Aunt Petunia, for example. But I’ve got nothing for Mia’s parents. I quickly decided that it wasn’t just Mia’s perspective, either. At a quick glance, half of my notes about this book involve what miserable excuses for parents these two are.

Obviously, parents who abuse, exploit, and/or deprive their children are worse than these parents. Mia, Ezra, and Grace are fed, educated, clothed, and so on. They’re even cared about and for in some manner. But…

The actual trauma they’re inflicting, the emotional abuse they aren’t knowingly inflicting, and the long-term trust issues they’re creating for their children are real, even if they’re unaware they’re doing it (or, worse, unconcerned about it). For the longest time, I’ve considered Betty Draper to be the worst parent I’ve seen in fiction. Mia’s parents (particularly her mother) gives her a run for her money.

So, what did I think about Bone Carnival?

I started off quite unimpressed with Mia and was hoping this book was going to be about her getting her comeuppance and/or growing up. I was more than a little afraid I was going to have to endure 200 pages of an insufferable protagonist’s antics. There is some growing up involved, thankfully, but I think there’s a healthy dose of the reader understanding Mia better, too. It doesn’t take too long (sometime before the carnival, for sure) for the reader to learn more about Mia and she becomes a bit more than just an irritating character. Once the carnival appears—definitely before it disappears, you’ll become invested in her and what happens.

There were several times I thought I saw Lynch heading toward a moral, or a cheesy personal transformation on someone’s part to give everyone a happy ending. She did not do that, thankfully. She dodged both of those things every time it looked likely, and I was relieved and impressed each time. I’m not saying what kind of ending we get, but I do want to assure you that there’s character development and growth—but it’s earned and deserved, and not saccharine in any way. And yes, I do think readers can/should take away life lessons (especially parents in a “don’t be like this” way)—but it’s not what you might expect, and not in a “Here’s a Message for You” kind of way.

It has been years since I’ve been this worried about the stakes in an MG novel—not just the stakes, but the potential life and death (fictional) outcomes for the characters involved. It’s been even longer since an author introduced them as effectively (Riordan and Mull came close—and even killed characters, but I don’t think they made me as apprehensive as Lynch). I could probably point to a few YA books that don’t do it as well as Lynch did. I remember occasionally stumbling across a book that did this when I was this age—John Bellairs for example—but it seems harder to find now*. This is in that neck of the woods.

* Maybe I just need to read better MG books.

This book really spooked me, and was disturbing in all the right ways—the character development was believable (not easy given the short time frame depicted), and I thought the characters as a whole were believable and well-drawn. It might be too much for some MG readers—so parents should exercise discretion*. Although I honestly think it’d be good for some readers to read a book that’s too much for them, it’s a great way to create an appreciation for a certain kind of story.

* Parents should be doing that all of the time, come to think of it.

My main point about Bone Carnival is this: It should be read by many. Maybe even you.

Disclaimer: I received this ARC from Tonya Spitler Orange Blossom Publishing in exchange for this post and my honest opinion—thanks to both for this.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Grandpappy’s Corner: Every Dreaming Creature by Brendan Wenzel: This Book Is So Soft and Comfy It Could Be a Pillow

Grandpappy's Corner Every Dreaming Creature

Every Dreaming Creature

by Brendan Wenzel

DETAILS:
Publisher: Little, Brown Books for Young Readers
Publication Date: September 26, 2023
Format: Hardcover
Length: 40 pg.
Read Date: September 28, 2023
Buy from Bookshop.org Support Indie Bookstores

I had a dream I was a sleeping salamander.
All the world was safe, snug spaces and a warm, wet blanket of decaying leaves.
Secrets from the soil tickling my hands and soft belly.

What’s Every Dreaming Creature About?

That’s how the book opens—and that “safe, snug spaces”, “warm, wet blanket” and “secrets from the soil” won me over. The “I” there slips from dreaming they’re a salamander, to an octopus, to animal after animal—elephant, falcon, chameleon, and so many others.

There’s no sense or narrative arc to the transitions—like a good dream—but it all works in the moment, sure, why not go from salamander to octopus? (again, like a good dream). The book gives you just enough of an idea of the dream before it goes off to another transition.

Then the morning breaks, the “I” goes out to play before starting the sequence again.

Let’s Talk about the Art for a Minute

Like with most books like this, it’s the art that caught my attention.

Okay, not true. My attention was grabbed by the bookstore owner eagerly pointing at it and telling me that it was new and describing the book. But after that, it was the art.

You might as well be looking a photographs or films shot through cotton, they’re so fuzzy and soft. It’s hard to describe, really—but it’s comfy and cozy, and you might as well be looking at warm blankets and downy pillows. I really felt like I was snuggling up with it. Two of the pictures of that salamander in particular (and I could use almost every animal described) looked like they could’ve been made from felt—like they were something that Jim Henson worked on.

Here are a couple of samples. Tell me you can’t practically feel the fuzzy tiger for…(there are more to be found on the Publisher’s page)
Every Dreaming Creature Sample 1
Every Dreaming Creature Sample 2

How is it to Read Aloud?

There’s something about this book’s subject, art, and prose that almost requires you to read this in a quiet, hushed tone—not quite a whisper, a little louder, but not much.

Without noticing, you’ll be reading quietly like you’re trying to put someone to sleep. Even if there are no children around and you’re just sitting down to read a couple of lines as a sample. (my dog looked a little dozy as I wrapped up, or at least I’m going to pretend that’s true).

So, what did I think about Every Dreaming Creature?

I came for the art, I stayed for the prose, and the…not quite story. But the atmosphere? The ideas? Eh…whatever the prose is trying to get across.

This is about as close to perfect as you’re going to get for a “snuggle-up with the grandchild and help them slip off to Dreamland” book. It won me over, I think it will win you—and whatever child/grandchild/amped-up lab mix you’re reading to, too.

I’ve never heard of Wenzel before, but I imagine I’ll be grabbing more of his books soon.


4 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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