The Irresponsible Reader

It’s springtime in Cedar River, Texas. The annual Bluebonnet Festival is brewing and the whole town is in harmony. Juni Jessup and her sisters Tansy and Maggie thought opening Sip & Spin Records was going to be their biggest hurdle, but the Frappuccino hits the fan when the mayor drops dead—poisoned by their delicious coffee.

Since Tansy was the one to brew the coffee, and Juni was the unfortunate citizen who stumbled upon the mayor’s body, the sisters find themselves in hot water. Family is everything to the Jessups, so with Tansy under suspicion, the sisters spring into action.

Between the town festivities, a good old-fashioned treasure hunt, and an accidental cow in the mix, Juni will have to pull out all the stops to find the mayor’s killer.

I had a lot of fun with the first in this series and am eager to see how the return to this world works—is there a series here? (I hope and expect there is, I just want to see it in action)

Porter Beck is the sheriff in the high desert of Nevada, north of Las Vegas. Born and raised there, he left to join the Army, where he worked in Intelligence, deep in the shadows in far off places. Now he's back home, doing the same lawman's job his father once did, before his father started to develop dementia. All is relatively quiet in this corner of the world, until an old, retired FBI agent is found killed. He was brutally tortured before he was killed and clues at the scene point to a mystery dating back to the early days of the nuclear age. If that wasn't strange enough, a current FBI agent shows up to help Beck's investigation.

In a case that unfolds in the past (the 1950s) and the present, it seems that a Russian spy infiltrated the nuclear testing site and now someone is looking for that long-ago, all-but forgotten person, who holds the key to what happened then and to the deadly goings on now.

Theoretically, there’s a Craig Johnson/C.J. Box vibe to this, just a little more southwest from them. That’s enough to get me to take a second look. I just like the idea of a Nevada sheriff series.

It’s the sixth—and final—Red Rising book. What else do I have to say?

Oh, okay, fine:

The Reaper is a legend, more myth than man: the savior of worlds, the leader of the Rising, the breaker of chains.

But the Reaper is also Darrow, born of the red soil of Mars: a husband, a father, a friend.

Marooned far from home after a devastating defeat on the battlefields of Mercury, Darrow longs to return to his wife and sovereign, Virginia, to defend Mars from its bloodthirsty would-be conqueror Lysander.

Lysander longs to destroy the Rising and restore the supremacy of Gold, and will raze the worlds to realize his ambitions.

The worlds once needed the Reaper. But now they need Darrow, and Darrow needs the people he loves—Virginia, Cassius, Sevro—in order to defend the Republic.

So begins Darrow’s long voyage home, an interplanetary adventure where old friends will reunite, new alliances will be forged, and rivals will clash on the battlefield.

Because Eo’s dream is still alive—and after the dark age will come a new age: of light, of victory, of hope.

When you’re in trouble, you call 911.

When cops are in trouble, they call Nick Ryan.

Every cop in the city knows his name, but no one says it out loud. In fact, they don’t talk about him at all. 

He doesn’t wear a uniform, but he is the most powerful cop in New York.

Nick Ryan can find a criminal who’s vanished. Or he can make a key witness disappear.

He has cars, safe houses, money, and weapons hidden all over the city.

He’s the mayor’s private cop, the fixer, the first call when the men and women who protect and serve are in trouble and need protection themselves.

With conflicted loyalties and a divided soul, he’s a veteran cop still fighting his own private war. He’s a soldier of the streets with his own personal code. 

But what happens when the man who knows all the city’s secrets becomes a threat to both sides of the law?

There is nothing in this description that doesn’t scream “up my alley” and when you add the name “Reed Farrel Coleman” to that? I’m practically salivating.

Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface.

Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. As Titus investigates the shootings, he unearths terrible crimes and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon.

With the killer’s possible connections to a local church and the town’s harrowing history weighing on him, Titus projects confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town’s Confederate history.

Charon is Titus’s home and his heart. But where faith and violence meet, there will be a reckoning.

Cosby’s take on a serial killer novel has got to be fantastic. Throw in a small town sheriff being the one on the hunt and the racial politics that have got to be mixed in, and I just can’t wait to dive in.

Neil Bennett, a highly sought-after wedding photographer, knows all about romance and happily ever afters—for everyone but himself. As a chronic hypochondriac pushing forty, Neil has convinced himself that marriage and children just aren’t in the cards for him.

But then fate throws Neil a curveball when his 12-year-old god-daughter Chloe shows up at his door after being abandoned by her mother. She has nowhere else to go and suddenly, Neil's bachelor lifestyle is thrown into disarray as he grapples with endless sensitive and awkward situations that come with caring for a preteen girl in his small apartment.

As Neil questions whether he's ready to flip his world upside down, there's a glimmer of hope when he meets Jenna Kaplan, a young and ambitious interior designer. She has her own quirks and idiosyncrasies that might just make them perfect for each other—and the ideal parents for Chloe. Suddenly, Neil has to face the possibility that he, too, can have his happily ever after... if he doesn't screw things up.

When Hanover sent me the link to pre-order this book, I clicked on it, ordered the book and then I read the description. If Hanover wrote it, I’m reading it. But I’d be willing to read this no matter who wrote it.

Billy Perkins is happy. And why wouldn’t he be? He loves his job as an independent music teacher and his apartment in Baltimore above a record shop called Charm City Rocks. Most of all, he loves his brainy teenage son, Caleb.

Margot Hammer, on the other hand, is far from happy. The former drummer of the once-famous band Burnt Flowers, she’s now a rock-and-roll recluse living alone in New York City. When a new music documentary puts Margot back in the spotlight, she realizes how much she misses her old band and the music that gave her life meaning.  

Billy has always had a crush on Margot. But she’s a legitimate rock star—or, at least, she was—so he never thought he’d meet her. Until Caleb, worried that his easygoing dad might actually be lonely, cooks up a scheme to get Margot to perform at Charm City Rocks.

It’s the longest of long shots, but Margot’s label has made it clear that any publicity is an opportunity she can’t afford to miss. When their paths collide, Billy realizes that he maybe wasn’t as happy as he thought—and Margot learns that sometimes the sweetest music is a duet.

Norman’s another one of those insta-buy authors for me. The above description sounds like it’s going to hit on all his strengths.

As if being a woman sheriff in the West Virginia coal fields wasn’t tough enough, Mary Beth Cain’s life is complicated by the fact that the local hillbilly crime syndicate is run by her mother, Mamie. It’s an association that, along with Mary Beth’s head-busting ways, has her staring down a corruption investigation when she gets a surprise visit from Assistant U.S. Attorney Patrick Connelly.

Twenty years earlier, Patrick was Mary Beth’s high school sweetheart, but they broke up because Mary Beth couldn’t cut the loose ties she maintains with her villainous family. Now Patrick’s worked out a deal to wipe Mary Beth’s slate clean if she’ll just do one thing: arrest her brother, Sawyer, who is the cult leader of a booming anti-government militia that’s been giving the Feds headaches.

It’s an offer Mary Beth refuses until Sawyer’s followers blow up a federal courthouse and G-men start swarming into town, preparing for a siege of the commando’s compound. Suddenly Mary Beth is tasked with trying to head off a bloody, Waco-style massacre and the question isn’t whether she should arrest her brother, but if she can do it in time.

Apparently this is my summer of small-town sheriffs. Huh. Okay, then. Ugly legal problems + ugly family problems + ugly community problems should equal a heckuva read.

Mrs. Loretta Plansky, a recent widow in her seventies, is settling into retirement in Florida while dealing with her 98-year-old father and fielding requests for money from her beloved children and grandchildren. Thankfully, her new hip hasn’t changed her killer tennis game one bit.

One night Mrs. Plansky is startled awake by a phone call from a voice claiming to be her grandson Will, who desperately needs ten thousand dollars to get out of a jam. Of course, Loretta obliges—after all, what are grandmothers for, even grandmothers who still haven’t gotten a simple “thank you” for a gift sent weeks ago. Not that she's counting.

By morning, Mrs. Plansky has lost everything. Law enforcement announces that Loretta's life savings have vanished, and that it’s hopeless to find the scammers behind the heist. First humiliated, then furious, Loretta Plansky refuses to be just another victim.

In a courageous bid for justice, Mrs. Plansky follows her only clue on a whirlwind adventure to a small village in Romania to get her money and her dignity back—and perhaps find a new lease on life, too.

Any Spencer Quinn series is going to get my attention—but the idea of a seventysomething widow headed to Romania to track down a phone sammer? Sounds too good to resist.

Had you tuned in to the small television station KTMA on Thanksgiving Day, 1988, you would have been one of the few witnesses to pop culture history being made. On that day, viewers in and around St. Paul, Minnesota, were treated to a genuine oddity, in which a man and his robots, trapped within a defiantly DIY sci-fi set, cracked jokes while watching a terrible movie. It was a cockeyed twist on the local TV programs of the past, in which a host would introduce old, cheaply licensed films. And though its origins may have been inauspicious, Mystery Science Theater 3000 captured the spirit of what had been a beloved pastime for generations of wags, wiseacres, and smartalecks, and would soon go on to inspire countless more.

The Worst We Can Find is a comprehensive history of and guide to MST3K and its various offshoots—including Rifftrax, Cinematic Titanic, and The Mads Are Back—whose lean crew of writers, performers, and puppeteers have now been making fun of movies for over thirty years. It investigates how “riffing” of films evolved, recounts the history of these programs, and considers how a practice guaranteed to annoy real-life fellow moviegoers grew into such a beloved, long-lasting franchise. As author Dale Sherman explains, creative heckling has been around forever—but MST3K and its progeny managed to redirect that art into a style that was both affectionate and cutting, winning the devotion of countless fans and aspiring riffers.

Just to feel well-rounded, I’d better include a Non-Fiction book. Sure, the non-fiction book is about MST3K and those things that that have sprung from it, so it should be fun and scratch a particular geeky itch of mine.