The Bookish Life of Nina Hill by Abbi Waxman: Believe the hype. All of it. 352 pages of Joy.

The Bookish Life of Nina HillThe Bookish Life of Nina Hill

by Abbi Waxman


eARC, 352 pg.
Berkley Books, 2019

Read: July 1 – 3, 2019

I think it’s entirely fitting to start my post about this book by talking about another book (Nina Hill would approve, maybe even insist on it). I remember a lot of what I read about High Fidelity in the late 90’s (I was a little late to the party), was about guys saying to either hand the book to women to help them understand how we think — or to keep it out of their hands, for the very same reason. That resonated with me. I never thought for a second that I was Rob, Dick or Barry, but we thought the same way, we had a similar weltanschauung — their banter was scripted, where mine frequently fumbled — but overall, they were proof that I wasn’t the only one in the world who thought that way. It took me less than two chapters to feel the same way about Nina Hill — our tastes differ somewhat, she’s more clever than I am, and there’s the ridiculous affection for felines — but on the whole, she’s my kind of person. In fact, many of the people in this book are — she’s just the best example of it.

The authorial voice — Nina’s voice, too — is fantastic. I seriously fell head over heels almost instantly with them. The narrative is specific, funny, observant, compassionate, and brutally honest — mostly funny. It’s just so well-written that I knew (and said publicly) by the end of the first chapter that this was going to be in my personal Top 3 for 2019 — I’ve had some time to think about this, and have reconsidered. I’m confident it’ll be in the Top 5, but I should give the rest of the year a little room to compete. It’s one of those books that’s so well-written you don’t care what or who it’s about, as long as you get to read more of that wonderful prose. By chapter 4 — and several times after that — I had to self-consciously stop myself from highlighting and making glowing notes — because if I didn’t, I’d end up never finishing the book (I still have a lot of notes and passages highlighted).

Let me try to explain via a tortured metaphor (this is where you see why I blog about books, and not write my own). Say you’re taking a road trip, say, to go look at autumn leaves and you know the city you’ll be staying in, but know that there are about 18 different ways for the driver to arrive in that city. You know the whole time where you’ll end up, but you don’t have a clue how you’ll get there, what kind of foliage you’ll see (hint: it’ll be brown, red or orange), what the roads will be like, or what random and surprising things might happen along the way. It’s not about the destination, it’s the journey — as the fortune cookies and high school graduation speeches tell you. This book is the same way — readers are going to know pretty much where this book is going to end up once they’ve read a few chapters. What they don’t know is how they’ll get there, what they’ll see on the way, what kind of surprises will be along the way, and how fast they’ll get there. It’s in these things that Waxman excels — her plotting is pretty obvious, but her execution is dazzling and often unexpected. (I want to stress that this is an observation, not a criticism)

Nina Hill is a reader — books are how she defines herself, the prism through which she sees and interacts with the world. She has a job (bookseller), a cat, a small home with a lot of shelves, a trivia team, book club, a place she exercises, a visualization corner, a fantastic planner and a love of coffee and quality office products. Her life is pretty regimented, but everything is just how she likes it. She also is introverted, prone to anxiety, and averse to change. Nina’s smart with a great memory, a penchant for honesty, and highly-developed sense of who she is.

Her friends are essentially the women she works with and the members of her trivia team — all of whom are intelligent, witty, well-read and fun. The kind of people I’d love to hang out with over coffee or wine for a few hours a week.

Nina’s mother is a noted and award-winning photojournalist and spends most of her time traveling the world being one. Nina was largely raised by a Nanny (although her mother visited frequently). Nina has never known a father.

Until one day her life changes — a lawyer arrives with some news. Her father is dead. Apparently, her mother discovered he was married and refused to have anything further to do with him. He was absolved of any need to support Nina or her mother as long as he never made contact with her. Which he honored — but made provisions for him in his will.

Her father was a successful entertainment lawyer, and a serial monogamist. He was married three times (one divorce, one widowing, and one marriage intact), had several children and more grandchildren (there are contextually appropriate and helpful graphics to help you understand the family structure). Nina went from being alone in the world to being a sister, an aunt and a grand-aunt in one conversation. She slowly meets various members of the family — discovering similar personality traits, interests and physical characteristics. The family she meets is wonderful — I could easily spend more time with them all. One brother and a nephew (who is older than her) in particular stand out — she gets to know them sooner and deeper than the rest. But many others are on their heels, and even the least-likable among them turn out to be great (with one exception, but that’s by design).

While reeling from the changes of learning she has an extended family, starting to meet them, and learning about her father — another thing happens in her life. There’s a member of a rival trivia team that she finds attractive, and who just may find her attractive. They have similar tastes and many shared interests, but he seems to know a lot about sports (including what “a Don Shula” is) and isn’t much of a reader. But there’s something about him . . .

There are three significant child characters in the novel — they’re not around much, but when they are, they have a large impact on the plot. They are all pretty unrealistic, talking and (apparently) thinking in ways that are immature, but not how kids talk and/or think. But they’re so adorable that you forgive Waxman immediately for these overly-precocious children. It’s not a major thing, I just wanted to say something less-than-positive about the book, and this is all I could come up with.

Throughout the novel, Nina learns how little she’s really alone in the world and how she might be able to find time for more people in her life — without losing who she is and too much reading time. This is the core of the novel and everything else is in service to this goal. While this is going on, there are plenty of laughs, chuckles and wit to carry the reader from plot point to plot point.

It’s a good thing that I stopped quoting from ARCs (I almost never got around to verifying the lines in the published version), because this post would either never be completed or would be so long that I’d be the only one who’d read the whole thing. I had to stop myself — repeatedly, actually — from highlighting great lines. Particularly comments Nina made to others (or the Narrator made on her behalf) about books and/or reading. Book memes are going to be mining this novel for years — you’ve seen 357 variations on the Tyrion lines about reading, or the 200+ takes on “Books were safer than people anyway” from The Ocean at the End of the Lane. Folks, Nina Hill is going to bury both of them.

According to Goodreads, I’ve read 122 books so far in 2019. If pressed, I’d easily say this is better than 120 of them, and might tie the other (it’s a lot more fun, I can say without a doubt). Your mileage may vary, obviously, but I can’t imagine a world where anyone who reads my blog not enjoying this novel and protagonist. It’s charming, witty, funny, touching, heart-string-tugging, and generally entertaining. I don’t know what else to say other than: Go, go read this, go buy it, expect it as a gift from me (if you’re the type to receive gifts from me, I’m not buying one for all of you on my wages, as much as I might want to).

Disclaimer: I received this eARC from Berkley Publishing Group via NetGalley in exchange for this post — thanks to both for this great opportunity!!

—–

5 Stars

WWW Wednesday, 3-July-2019

Welcome to WWW Wednesday!

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words — and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl. I couldn’t finish what I was writing last night to get anything posted today, and I can’t imagine too many people will be reading book blogs tomorrow here in the U.S. So…thought I’d use this fun little thing to get something up before Friday.

The Three Ws are:

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Easy enough, right?

What are you currently reading?

Today I started a NetGalley eARC of David Rosenfelt’s Bark of Night, I’m working my way through Craig Ferguson’s Riding the Elephant: A Memoir of Altercations, Humiliations, Hallucinations, and Observations, and am listening to The Frame Up by Meghan Scott Molin and Andrea Emmes (Narrator) to remind myself just how much I enjoyed it before the sequel is released.

What did you recently finish reading?

Earlier today I finished the wonderful eARC of The Bookish Life of Nina Hill by Abbi Waxman (a strong contender for Book of the Year here) and I finally polished off Finest Sh*t! by Nick Kolakowski (because short story collections take me too long to read).

What do you think you’ll read next?

That’s a good question. It’ll be either: The Butcher by Nathan Burrows; Heart of Barkness (yes, two Bark-pun titles that close together) by Spencer Quinn (been too long without Chet in my life); or Ink To Ashes by Russell Day, the follow-up to one of the best things I read in 2018. I’m not really sure at the moment, but one of those three.

Hit me with your Three W’s in the comments!

Marah Chase and the Conqueror’s Tomb by Jay Stringer: An Archaeologist and a Spy Walk Into a Bar . . .

Marah Chase and the Conqueror's TombMarah Chase and the Conqueror’s Tomb

by Jay Stringer
Series: Marah Chase, #1

eARC, 320 pg.
Pegasus Books, 2019

Read: June 26 – 29, 2019

Right after I finished Stringer’s How to Kill Friends and Implicate People, I jumped onto NetGalley to request this — despite being woefully behind on everything else (including NetGalley books!), curiosity prevailed. I had to know how Stringer would approach this particular premise and character.

What a fun, strange, ride! This is pure escapist entertainment. There’s no message, there’s no pondering foibles of contemporary society, there’s no commentary on social ills (or celebration of social triumphs), just a wild and crazy story about a “renegade archeologist” and a spy battling a cult, a plot to take over the government, and historic artifacts that could easily change the course of civilization. (there is some pretty well-done character growth and development — which grounds the lunacy a bit)

It’s difficult — at best — to not mention the Pop Culture Icon that Marah Chase will remind readers of, and I’ve decided that I’m not up for difficult right now (after trying a few times). Marah Chase is essentially a contemporary, female Indiana Jones — without the legitimate day job. Circumstances forced (well, forcefully encouraged) her to abandon the more scholarly, accepted archeology and to become a “relic runner” or “gold dog.” Someone who finds historic, hard to find, artifacts and sells them to private collectors. It’s hard to say just how successful she is at it — enough to be a known figure throughout the Middle East (to people on both sides of the law), but not enough to get overly-choosy about what jobs she takes.

She’s on the run from a group that pretends to be an arm of ISIS to cover up their criminal activities after scooping a treasure from their grasp when a British spy recruits her to go on the hunt for an artifact rumored to be a powerful weapon. I’ll leave the details to Joanna Mason as she briefs Marah, but what’s driving her to get Marah on the hunt is that she’s convinced a powerful church has decided that a. the weapon is real and b. they are close to finding it. Marah’s always been fascinated by the researcher they’re basing their search on and she’s in probably the best position to stop them before it’s too late.

All she has to do is find the tomb of Alexander the Great — a location that has stumped archeologists, treasure seekers, and zealots for centuries — in the next few days. All she has to do is deal with white supremacist soldiers, faux-ISIS goons, a wealthy and powerful church, an ancient secret society, and worst of all, the granddaughter of the one man in history who may have found (and then covered-up) Alexander’s tomb — her ex.

Marah may be the star of the book — and her name’s in the title — but don’t think that Mason doesn’t play as nearly vital a role in these events. While Marah’s on the hunt for the tomb, Mason’s trying to prevent a bloodless coup from within her own government, one that’ll pave the way for the church to take over.

Both of these women seem to be the embodiment of an amped-up Murphy’s Law — If anything can go stunningly, horribly, mindbogglingly wrong, it will — and usually will involve mortal danger, and then leave you in a worse (and more dangerous) predicament. I quickly stopped thinking that anything would work for either of them and just held my breath until things went from precarious to worse. It’s a tribute to Stringer’s imagination that he was able to keep that up for as long as he did.

Both Marah and Mason are surrounded by a great cast of characters — enemies and allies alike. Honestly, either story line would’ve been enough to keep a novel going and be a lot of fun. You stick both of them together and you’ve got gold on your hands. I’m not sure this is the kind of story that invites in-depth analysis — it’s the kind of story that invites cheers, fist pumps, and would work best with a bowl of popcorn at your side.

For those looking for the Jay Stringer of the Sam Ireland books, they’re going to be disappointed. For those looking for a Jay Stringer using his skills to create a new world, new voice with the same quality, they’re in for a treat. His sense of humor is still evident, it just shows itself in different ways — just as delightful, however. The banter between Marah and her smuggler friend is like catnip to me — I could read it all day long. The action scenes, in particular, are outstanding — there’s one fight on board a plane that will . . . well, no, I’d better not.

Fast-paced, adrenaline-fueled, adventure with a couple of the most marvelous female protagonists you’ll find this year — Marah Chase and the Conqueror’s Tomb is a guilt-free pleasure and a fantastic introduction to what had better be a long-running series.

Disclaimer: I received this eARC from W. W. Norton & Company via NetGalley in exchange for this post — thanks to both for this opportunity.

—–

4 Stars

June 2019 Report

Wow, I knew I was distracted this month — but only 18 books? And one was a picture book! Still, 5345 pages finished is nothing to sneeze at. And a 3.8 average is great. So I’m not complaining at all — just noticing. Pretty good month in the end.

So, here’s what happened here in June.

Books/Novels/Novellas Read/Listened to:

Dead Inside The World's Greatest Mousetrap State of the Union
5 Stars 3 Stars 4 1/2 Stars
The Big Kahuna Deception Cove Even Dogs in the Wild
1 Star 4 Stars 4 Stars
How Not to Die Rediscovering the Holy Spirit Paper Son
4 1/2 Stars 3 Stars 4 1/2 Stars
Null Set One Salt Sea (Audiobook) The October Man
3.5 Stars 4 1/2 Stars 3 Stars
The October Man Reformed Dogmatics, Volume 3: Christology Magic for Liars
4 Stars 4 Stars 3.5 Stars
Fletch Won (Audiobook) Flynn (Audiobook) Marah Chase and the Conqueror's Tomb
4 Stars 5 Stars 4 Stars

Still Reading:

 Finest Sh*t! Reformed Dogmatics, Volume 4: Soteriology      

Ratings

5 Stars 2 2 1/2 Stars
4 1/2 Stars 4 2 Stars
4 Stars 6 1 1/2 Stars
3.5 Stars 2 1 Star 1
3 Stars 3
                                   Average = 3.8

Reviews Posted:

TBR Pile/Mound/Heap:

Physical Books: 3 Added, 2 Read, 25 Remaining
E-Books: 4 Added, 1 Read, 23 Remaining
Audiobooks: 4 Added, 3 Read, 5 Remaining

Book Challenge Progress:

2019 Library Love Challenge

2019 Library Love Challenge

  1. State of the Union by Nick Hornby
  2. The Big Kahuna by Janet Evanovich, Peter Evanovich
  3. Deception Cove by Owen Laukkanen
  4. How Not to Die by Michael Greger M.D. FACLM, Gene Stone
  5. Magic for Liars by Sarah Gailey (link forthcoming)
  6. Even Dogs in the Wild by Ian Rankin (link forthcoming)

While I Was Reading 2019 Challenge

Nothing this month

LetsReadIndie Reading Challenge

#LetsReadIndie Reading Challenge

  1. Dead Inside by Noelle Holten
  2. The World’s Greatest Mousetrap by B.C.R. Fegan, Fanny Liem (link forthcoming)
  3. Kill for Me by Rebecca Bradley
2019 Cloak & Dagger Challenge

2019 Cloak & Dagger Challenge

  1. Dead Inside by Noelle Holten
  2. Kill for Me by Rebecca Bradley
  3. The Big Kahuna by Janet Evanovich, Peter Evanovich
  4. Deception Cove by Owen Laukkanen
  5. Even Dogs in the Wild by Ian Rankin (link forthcoming)
  6. Paper Son by S.J. Rozan: Lydia and Bill in their most foreign setting yet — Mississippi
  7. Null Set by SL Huang: Cas Russell — the world’s most violent mathematician — gets proactive fighting crime.
  8. Magic for Liars by Sarah Gailey (link forthcoming)
  9. Fletch Won by Gregory McDonald, Dan John Miller (link forthcoming)
  10. Flynn by Gregory McDonald, Donald Corren (link forthcoming)
  11. Marah Chase and the Conqueror’s Tomb by Jay Stringer (link forthcoming)
Humor Reading Challenge 2019

Humor Reading Challenge 2019

  1. The Big Kahuna by Janet Evanovich, Peter Evanovich
2019 Cloud of Witnesses Reading Challenge

2019 Cloud of Witnesses Reading Challenge

  1. Reformed Dogmatics, Volume 3: Christology by Geerhardus Vos (link forthcoming)

How was your month?

Opening Lines – Magic for Liars by Sarah Gailey

Head & Shoulders used to tell us that, “You never get a second chance to make a first impression.” That’s true for wearing dark shirts, and it’s especially true for books. Sometimes the characters will hook the reader, sometimes the premise, sometimes it’s just knowing the author — but nothing beats a great opening for getting a reader to commit. This is one of the better openings* I’ve read recently. Would it make you commit? How can you not?

It might take a little while to get there, but I’ll tell you everything, and I’ll tell you the truth. As best I can. I used to lie, but when I tell you the story, you’ll understand why I had to lie. You’ll understand that I didn’t have a choice.

I just wanted to do my job.

from Magic for Liars by Sarah Gailey

* Technically not the opening, there’s a Prologue (or something, I don’t have the book on me) — it’s the start of Chapter 1. But I count that as the opening.

Saturday Miscellany — 6/29/19

Little preamble today, it’s just been a week, let’s say. I’ve really needed a book to fall into most of the week — sadly, haven’t had the mental energy to do that. Have read some pretty cool things, thankfully. Just not as much as I could’ve used, I’m sure you can all relate.

However, I’ve somehow managed to find a good batch of odds ‘n ends over the week about books and reading that caught my eye. You’ve probably seen some/most/all of them, but just in case:

    There weren’t any new releases this week that caught my eye — did I miss any?

    I’m thinking of making some changes to the look/feel of this site — but my skills are rather…limited, shall we say? Anyone willing to help (for a modest fee), or have any tips, suggestions — leave a comment (below), hit me with a message, or use those social network buttons to your right.

Lastly, I’d like to say hi and extend a warm welcome to Michelle Eddington, Queerying Literature, IM Fletcher, and Bestiality for following the blog this week (possibly the most eclectic batch for one week yet).

Kill for Me by Rebecca Bradley: Compelling seems an inadequate word to describe this Police Procedural

Kill for MeKill for Me

by Rebecca Bradley
Series: DI Hannah Robbins, #5

Kindle Edition, 275 pg.
2019

Read: June 20 – 22, 2019

           …it had happened the way he planned it and there was no use crying over a perfect plan. The one surprise was how well it had all gone. How easy it had been to manipulate people. Like pieces on a chess board they had done as he told them to. They’d moved where he told them to move and done as he’d told them to do. He felt powerful and it was a feeling he liked and could get used to…

He could create a vicious circle where the police could never catch up . . . and he was pulling the strings but not a single strand of his DNA was left at the scene. It was priceless.

Pure genius. He was a genius.

There were enough people in the world who were more interested in saving themselves than anything else that they would do as he told them to.

There were some fun times ahead.

So like the last DI Hanna Robbins book I read — The Twisted Web — so much of the success of Kill for Me comes down to the hook. Obviously, how well she delivers on the promise of the hook is as essential, but without that hook, who’s going to read on?

As you can see above, it’s a great hook — our nameless “He” puts this single mother in a no-win situation. He’s manipulated her daughter’s school, compromised her communication with the outside world and has her daughter. All he requires her to do is kill someone, and then her daughter will be returned. Once he’s done with her, he moves on to someone else. And someone else. And someone else. Each time, the lever he uses to pry his victim into action is different — the life of a daughter, threatening to expose wrongdoing and ruining the life of a spouse as well as his victim, threatening to use falsified pictures of a child, and so on. Rather than risk whatever he’s threatening — “saving themselves” (or someone else) — these victims will do “anything else. . . he told them to.”

Murder by proxy. Spree killing by proxy, really. What starts off as killing for some dark purpose quickly evolves into killing because of the thrill gained by manipulating others — being a puppet master who happens to have deadly puppets

It’s gripping. It feels plausible. It feels like a story in the news from next week.

Does Bradley deliver? Yes. Not in the way I expected things to go once I got to the quotation above, but in a way that was so much better. This is the third novel of Bradley’s I’ve read in the past ten months. Each one had a fantastic premise, a hook as shiny and sharp as anyone could want — and each time she uses that hook to reel in her readers in the manner of a seasoned pro. I’m not going to say more than that so I don’t risk giving something away.

I wasn’t crazy about the Epilogue — it was an efficient way to wrap up what needed to be wrapped up, take care of remaining details, etc. If she hadn’t written it up in a nice summary fashion like she did, it would’ve taken a chapter or two. But it felt rushed, too compressed and perfunctory. It did what needed to be done, but in a way that left me unsatisfied. It’s a small thing compared to the rest of the book, but Bradley didn’t do the novel any favors with that.

As effective as Bradley is with premises (and following through with them), she’s great with the emotional core of the story and characters. I wonder from time to time if she doesn’t give enough space to the “procedural” part of “police procedural” (in at least two of the three books by her that I’ve read). In this book in particular there were two lines of inquiry that I thought Hannah and her team could’ve — should’ve — done better with. Thanks to a recent binge-watch with my wife, I had visions of DCI Gill Murray eviscerating Hannah for leaving them untouched. But the reader will either not notice those points, or won’t care, because Bradley will suck you into the innermost thoughts and feelings of the victims and the police investigating the crimes (and, in some ways, with the killer). I sympathized and empathized with each of these victims — understanding why they felt they had no choice but to dance to the wicked tune he was playing, turning themselves into the kind of monster they couldn’t imagine ever being.

The same is true for Hannah Robbins and her team — you see the turmoil caused by this case, the way it gets under their skin — as well as personal and professional crises/upheaval changes for Hanna, her right hand man, and others. I’m still trying to suss out all the various plotlines, character arcs and motivations when it comes to the police thanks to coming to this series so late — but I’m very interested in the way a couple of them play out. One thing along those lines that Hannah seems to think has been resolved, has almost certainly not been resolved and will blow up in a book or two, and I’m very curious about it.

Whether we’re talking about new characters or established ones, victim or police trying to help them — Rebecca Bradley infuses these characters with enough genuine emotion, authentic desire and undeniable and relatable reactions to the madness surrounding them that she can do pretty much what else she wants and readers will follow.

In addition to writing compelling stories, Bradley seems to have many things to say about our mobile devices, social media, personal security and the way these three ideas need to be carefully reevaluated by ourselves and others needing some sort of court order (it seems) to reconsider the way we utilize this new technology.

I’m finding myself becoming a real fan of Rebecca Bradley and DI Hannah Robbins both, and this book is a large part of why. Compelling doesn’t seem to be an adequate adjective for these books and this author. Fans of police procedurals should get their hands on these books right off. This would be a great jumping on point for a new reader, and a great maintenance fix for people familiar with Hannah Robbins and her brand of investigation.

—–

4 Stars

LetsReadIndie Reading Challenge 2019 Cloak & Dagger Challenge


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

BOOK SPOTLIGHT: Kill for Me by Rebecca Bradley

Today I welcome the Book Tour for the gripping and powerful Kill for Me by Rebecca Bradley. Along with this spotlight post, I’ll be giving my take on the novel here in a bit. But before I get to talking about the book, let’s start by learning a little about this here book, okay?

Book Details:

Book Title: Kill for Meb by Rebecca Bradley
Release date: February 14, 2019
Format: Ebook/Audiobook
Length: 275 pages

Book Blurb:

A deadly game. An unstoppable killer. The perfect alibi.

Lucy Anderson is late collecting her daughter from nursery. A mistake that could prove fatal.
Her daughter is gone and there is only one way Lucy can get her back. The ransom is simple, she has to kill someone…

And this is just the beginning. A deadly game with a domino effect has started as the real killer forces others to do his bidding.

Can detective inspector Hannah Robbins find the killer’s next puppet before they’re forced to strike or will this be the case where her opponent has found the perfect way to kill?

Pick up Kill For Me for impossible choices and moral dilemmas and see where you would fall.

For fans of Peter James and Angela Marsons

About Rebecca Bradley:

Rebecca BradleyRebecca Bradley is a retired police detective. She lives in the UK with her family and her two cockapoo’s Alfie and Lola, who keep her company while she writes. Rebecca needs to drink copious amounts of tea to function throughout the day and if she could, she would survive on a diet of tea and cake while committing murder on a regular basis, in her writing of course.

She writes the DI Hannah Robbins police procedural series and has also released a standalone novel, Dead Blind, about a cop who acquires prosopagnosia, also known as face blindness.

To receive a free novella sign up to her readers’ club and you will be able to download the prequel to Hannah Robbins series. Find it on the blog at rebeccabradleycrime.com You’ll also be provided exclusive content and giveaways.

Rebecca Bradley’s Social Media:

Twitter ~ Facebook ~ Website ~ Instagram ~ Amazon Author Page

Purchase Links:

Amazon UK ~ Amazon US


My thanks to damppebbles blog tours for the invitation to participate in this tour and the materials (including a copy of the novel) they provided.

The October Man by Ben Aaronovitch: Meeting Peter Grant’s German Counterpart

The October ManThe October Man

by Ben Aaronovitch
Series: The Rivers of London, #7.5

Hardcover, 208 pg.
Subterranean Press , 2019
Read: June 19 – 21, 2019

So about the time that the one German Magic Practitioner hears that Nightengale has taken on an apprentice in Peter Grant, she decides that it’s time for Germany to do the same — keeping the playing field level, and all — she finds that apprentice in a second generation police officer, Tobias Winter. We meet Tobias a few years into things when he’s called away from leave time to investigate something that may be supernaturally related.

He recognizes vestigia right away — although I think the manner of death would be a pretty big tip off, no matter what. A mysterious fungal rot that covers him in precisely the way that fungus doesn’t cover people. I can’t do justice to how creepy it sounds when Tobias narrates it for us — you’ll have to read it.

Tobias is teamed up with Vanessa Sommer, a local police officer who knows the area, knows a bit about the particular fungus, and is super-curious about magic. Naturally, there’s an encounter with a River or two, and an interesting take on regional history — because this is a Rivers of London novel, what else are you going to get?

It’s a quick read with great story and the kind of people that Aaronovich fills his books with — these just happen to speak German and look at things in a different way from Peter and those he usually runs with — Tobias isn’t as funny as Peter, but he’s amusing to read and handles things in ways that Peter doesn’t. Still, at the end of the day, Peter’d be happy getting the same result (and probably would be jealous how little property damage that Tobias inflicts before wrapping up the investigation).

We’ve been given glimpses of what Nightengale and his fellows got involved in during WWII, but here we get more details — from the German point of view. It’s always been clear that happened wasn’t pretty — but I didn’t realize just how devastating it was until now. It’s also interesting to see just how significant it was for Nightengale to make Peter an apprentice. He essentially kicked off an international magical arms race (of sorts). Don’t get me wrong, the main point of this book is to be introduced to new characters, to see how magic is dealt with somewhere that isn’t London — but man, what we learn about things in London is fascinating.

I don’t know how this qualifies as a novella — even a “long novella,” as I’ve seen it marketed. I have several novels within reach of me right now that are smaller than this. It’s a semantic thing, but book nerds are supposed to be into words — so I don’t get it. Two hundred eight pages does not mean novella to me. If someone can explain it (or point to where Aaronovitch or Subterrerean Press explained it already), I’d appreciate it. Just to scratch that intellectual itch.

Aside from what to call this book, I enjoyed it. Tobias is an good character, he’s no Peter Grant, but he’s not supposed to be (in either Aaronovitch’s mind or the German practitioners’). I’d like he and Peter or he and the Nightengale to brush up against each other — or to have extended contact (like FBI Agent Reynolds and the Folly have had). If Aaronovitch decides on writing another novella/novel/adventure with him, I’d jump on it. But I’m not going to be waiting expectantly — if he doesn’t want to write another (or sales don’t justify it), I can be satisfied with just this much that we’ve been given here.

This’d be a great jumping on point for someone who wants to get a feel for the Rivers of London and Aaronovitch’s style. It’s also a great way for devoted fans of that series to dabble in something new, get a fresh perspective and realize that Peter Grant’s world is smaller than he realizes — while enjoying a creative and fun story.

—–

3 Stars

BOOK SPOTLIGHT (and Giveaway!): Emperors of the Deep by William McKeever

Today I’m pleased to welcome the Book Spotlight Tour for Emperors of the Deep by William McKeever. Who doesn’t find sharks fascinating?. Check out the information about the book or just scroll down to the end of the post and enter the givewway — or just go buy it.

Book Details:

Book Title: Emperors of the Deep by William McKeever
Publisher: Harper Collins
Category: Adult Non-Fiction
Release date: June 25, 2019
Format: Ebook/Hardcover/Audiobook
Length: 320 pages
Content Rating: PG-13 + M (Intense underwater moments and descriptions of interactions with Sharks both in diver and hunting situation)

Book Blurb:

In this remarkable groundbreaking book, a documentarian and conservationist, determined to dispel misplaced fear and correct common misconceptions, explores in-depth the secret lives of sharks—magnificent creatures who play an integral part in maintaining the health of the world’s oceans and ultimately the planet.

From the Jaws blockbusters to Shark Week, we are conditioned to see sharks as terrifying cold-blooded underwater predators. But as Safeguard the Seas founder William McKeever reveals, sharks are evolutionary marvels essential to maintaining a balanced ecosystem. We can learn much from sharks, he argues, and our knowledge about them continues to grow. The first book to reveal in full the hidden lives of sharks, Emperors of the Deep examines four species—Mako, Tiger, Hammerhead, and Great White—as never before, and includes fascinating details such as:

  • Sharks are 50-million years older than trees;
  • Sharks have survived five extinction level events, including the one that killed off the dinosaurs;
  • Sharks have electroreception, a sixth-sense that lets them pick up on electric fields generated by living things;
  • Sharks can dive 4,000 feet below the surface;
  • Sharks account for only 6 human fatalities per year, while humans kill 100 million sharks per year.

McKeever goes back through time to probe the shark’s pre-historic secrets and how it has become the world’s most feared and most misunderstood predator, and takes us on a pulse-pounding tour around the world and deep under the water’s surface, from the frigid waters of the Arctic Circle to the coral reefs of the tropical Central Pacific, to see sharks up close in their natural habitat. He also interviews ecologists, conservationists, and world-renowned shark experts, including the founders of Greenpeace’s Rainbow Warrior, the head of the Massachusetts Shark Research Program, and the self-professed “last great shark hunter.”

At once a deep-dive into the misunderstood world of sharks and an urgent call to protect them, Emperors of the Deep celebrates this wild species that hold the key to unlocking the mysteries of the ocean—if we can prevent their extinction from climate change and human hunters.

Purchase Links for Emperors of the Deep:

Amazon ~ Barnes & Noble
Add to Goodreads

Book Trailer:

MBS_TRAILER_04052019_2 Min from Wmckeever on Vimeo.

(Vimeo tells me it might not show correctly, if that’s the case, click here to watch the trailer. It’s one of the best looking book trailers you’ve ever seen — you really should watch it)

About William McKeever:

William McKeever

William McKeever is a writer and documentary Filmmaker. He is the founder of Safeguard the Seas, an NGO dedicated to ocean conservation. He is the producer and director of the forthcoming feature-length documentary Man Bites Shark.

Connect with the author: Website ~ Twitter ~ Facebook ~ Instagram

GIVEAWAY:

Win a copy of Emperors of the Deep (1 winner / open to USA only)

(ends July 20, 2019)

a Rafflecopter giveaway

https://widget-prime.rafflecopter.com/launch.js

(if the Rafflecopter script isn’t working, just click here — it’s not as pretty, but it works)

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