We Solve Murders by Richard Osman: Money Does the Funniest Things to People

Cover of We Solve Murders by Richard OsmanWe Solve Murders

by Richard Osman

DETAILS:
Series: We Solve Murders, #1
Publisher: Pamela Dorman Books
Publication Date: September 17, 2024
Format: Hardcover
Length: 381
Read Date: November 29-30, 2024
Buy from Bookshop.org Support Indie Bookstores

“If someone does try to shoot me this week, do you have to dive in front of the bullet?”

“That’s the idea,” says Amy, without conviction. “Though that’s mainly in films.”

It’s hard to dive in front of a bullet, in Amy’s experience. They go very fast indeed.

Some Preliminary Thoughts

While I’m always (or almost always) happy for authors to branch out in new directions, to see if they can do something they haven’t before, I’m frequently trepidatious about actually following them. Particularly if all I know is series X and they’re trying something new.

There are authors I’ve come to later in their careers, where they’ve already tried a few things, or authors whose first handful of projects are so different from one another that you know that’s what you’re going to get—something new.

But when you (as a writer, anyway) are known for a series of cozy-adjacent mysteries featuring octogenarians set in one community, step away to try something featuring someone far younger, and with more action and a lot of globe-trotting, you can understand why some readers wouldn’t be sure about stepping out with you. I think it’s fair.

The prologue (which wasn’t called that, probably just so people wouldn’t skip it) was pretty good, and caught my attention. The first chapter was strong, and I enjoyed it. 1.5 pages into chapter two, and I was more than ready to sign on for the rest of the book and was officially okay with Osman taking a break from the Thursday Murder Club (I imagine he’s greatly relieved to hear that).

Steve Wheeler

Probably longer ago than I want to admit, Ken Levine had a great bit on his blog about Sorkin always having a Danny in his shows (I’m sure he wasn’t alone in this observation, but I only remember his). I wonder if Osman needs a Steve in the same way. It doesn’t matter at all. That’s just a thought that struck me partway through, and I can’t shake it off.

So, what’s the deal with this Steve? He’s a retired detective, and it seems like he was a pretty good one before he settled down in a small community with his wife to enjoy that retirement. His wife pushed him into starting a PI agency, “Steve Investigates.” He does small jobs—the occasional marital observance, finding lost pets, seeing who’s messing with trash bins—that sort of thing.

He kept up the agency after his wife’s death, and does a quick patrol of the town twice a day on his way to sit on her favorite bench to enjoy the view and talk to her. Then it’s off to the pub to talk to some friends before going home to watch TV and pet his cat.

He speaks to his son rarely since his wife’s death, but speaks to his daughter-in-law frequently, almost daily.

Amy Wheeler

Amy is that daughter-in-law. She works in close protection and security. She globe-trots to do so, but tries to call Steve daily (unless she’s prevented by work or immanent danger). She’s very much Charlie Fox, with a sense of humor—and a different kind of trauma growing up.

She’s good at what she does, she takes it very seriously. She’s traveling the world and enjoying it—and lives for the adrenaline.

Rosie D’Antonio

Rosie is…a lot. That’s her in a nutshell, really. She’s Amy’s current client, as the book opens. She’s a world-famous author, from a time when that would make someone very rich—and she’s enjoying a career resurgence. She’s the best-selling author in the world, actually—if you don’t count Lee Child.

She’s wealthy, she’s of an uncertain age (and likes it like that), with a lust for life (and men).

She recently erred when she based a character off a certain Russian oligarch and did a very poor job of disguising it—so he’s put a price on her head. Which is where she and Amy got together.

What’s We Solve Murders About Then?

Three clients of Amy’s agency have recently been murdered in similar, ghastly ways. These influencers have little in common (at least on the surface) other than that. One of those murders happens close enough to where Amy and Rosie are staying that Amy goes to investigate (and brings Rosie along to keep her safe until she can arrange for something else).

Things start getting dangerous then—shots are fired, more dead bodies appear, and it’s clear that Amy is the next target on the list. Rosie’s having a blast with this—as long as no one’s firing at her, anyway. But Amy is going to need help from someone she trusts who also has experience in solving murders. So she essentially forces Steve to come and help.

More shots are fired and other attempts are being made at killing Amy. Flights to all over the world are taken in quick succession. Secrets are uncovered. Rosie flirts with many men. And an appreciation of Van Halen comes in far handier than anyone would expect.*

* Words would fail me if I tried to express how much the Van Halen material made me smile.

The Tone/Approach

I hate to dwell on the comparisons between this and his other books, but it seems like something I should talk about. First, this is told in a series of close-third person narratives from multiple perspectives. There’s no first person anywhere, and everything is told in the same typeface. That’s notable (if you ask me, anyway.)

Second, this is more overtly comedic. Clearly, TMC is full of humor, but it’s more of the gentle character-based humor. This is full of funny moments, situations, and lines that are clearly meant to get a laugh or a grin. In my notes I called it jokey, but I’m not sure it goes that far (too often, anyway). I’d compare it to Evanovich/Goldberg’s Fox and O’Hare books, Goldberg’s Ian Ludlow books (but more restrained), or Duncan MacMaster’s mysteries. (all of which are compliments, I want to stress)

But Osman is still Osman and there are plenty of earnest, heart-string-tugging moments, too. Particularly with Steven—talking about his dead wife or even considering his lifestyle and what has led him to his very self-contained life. Amy isn’t that reflective of a character (if anything, she avoids it with action), so we don’t get much of that with her—although the way she avoids thinking gets us to a similar point with her.

So, what did I think about We Solve Murders?

Did my appreciation of the book vary much from the verdict I made in Chapter Two? Well, I ended up liking the novel more than I did back there. Does that count?

This was just so much fun—while I had my reservations and questions before starting, I also had high hopes. The end result was better than those.

Osman can do an action scene pretty well—and keep the comedy going. We don’t have anything particularly drawn out here, but there are bursts. And his ability to create a story with strong momentum and great twists is well-documented.

More importantly—Osman’s gift for characters really shines here. The supporting characters—criminals, witnesses, people the protagonists happen to encounter (whether for a handful of paragraphs or for several chapters), are just golden. To describe the best of them would be to deprive you of your chance to meet them. Once it was clear that Rosie wasn’t just going to be someone we met to establish Amy as a bodyguard, I wondered a little bit about her tagging along. But it didn’t take me too long to fully embrace the character, and now I’m looking forward to seeing her in the future.

I’m not sure that I should’ve made the comparison to Charlie Fox above—you really can think of this as a Charlie Fox book with laughs and be pretty dead on. Others might disagree, but I’ve had the comparison stuck in my head for a couple of hours now and can’t shake it.

I’m not 100% sure the final solution was honest, it felt a little like he cheated to get [redacted] to figure out that the Big Bad was [redacted]. The Big Bad’s accomplice, however, was obvious for longer than it should’ve been to get the characters to suss them out. So, on average, he did okay there. The red herrings were great, and made up for whatever issues I might have had with the solution (but really, give us one more chapter where [redacted] goes over the clues again in their mind or something—actually, just a paragraph before they say “I know who Big Bad is.”)

This was just so good, really. At this point, it’s not quite as good as Osman’s other work—primarily because nothing had the emotional weight that the gang at Cooper’s Chase (which is close enough to Steve’s home to provide hope of the characters brushing up against each other) seems to find in their adventures. But the potential is there for this series to equal it. And, really, considering the tone of this one, that kind of punch might have felt out of place or contrived.

Either way, I strongly recommend this to Osman’s readers or people who’ve never heard of the man/his books. You will have fun, and you will want more. I guarantee that for 99% of you.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

MUSIC MONDAY: “Nobody’s Hero” by Stiff Little Fingers

Music Monday logo

Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

I speculated a little in last week’s post about MW craven’s Nobody’s Hero (out tomorrow, in the US–out weeks ago on other places) about the title, and Craven corrected me. The title came from this song. So, obviously, I had to use it today.

Irresponsible Reader Pilcrow Icon

Word and Spirit: Selected Writings in Biblical and Systematic Theology by Richard B. Gaffin, Jr.: Righteous Gems

I can’t put this one off any longer—if I could, I promise you I would (I’ve delayed it a few weeks already). I’m out of my league here, but I’ve got nothing else to write about. And I really need to write something about this.


Cover of Word and Spirit by Richard B. Gaffin, Jr.Word and Spirit:
Selected Writings in Biblical and Systematic Theology

by Richard B. Gaffin, Jr.; edited by David B. Garner & Guy Prentiss Waters

DETAILS:
Publisher: Westminster Seminary Press 
Publication Date: December 1, 2023
Format: Hardcover
Length: 723 pg.
Read Date: January 7, 2024-September 22, 2024

The word atonement does not occur in Paul’s writings.’ But no concern is more central for him than the meaning of the death of Christ, the church’s perennial concern in its doctrine of the atonement. What does Christ’s death achieve? How is it effective for the salvation of sinners? This chapter considers Paul’s answers to such questions with an eye to the issue of continuity between Paul’s teaching and later church doctrine. How faithful to the apostle is subsequent Christian understanding of the atonement?

Contemporary Pauline scholarship is marked by a fairly widespread consensus that in its dominant and most influential expressions, traditional atonement theology departs from Paul in at least two substantial ways. First, it fails to recognize, or at least do justice to, the Christus Victor theme in Paul, that Christ’s death destroys actual slavery to sin and its consequences in the sinner. Second, its notion of the cross as penal substitution, particularly as it has been developed beginning with the Reformation, is foreign to Paul.? In my view, the first of these critiques contains some measure of truth; however, the second is wrong. As a fair generalization, historic Christianity, including Protestant orthodoxy, is weak in not recognizing adequately Paul’s teaching that the cross destroys sin in the sinner as a corrupting and enslaving power, but modern historical-critical scholarship is defective for not dealing adequately with his teaching that the cross removes the guilt and just punishment of sin.

What’s Word and Spirit About?

According to the Publisher,

Few Reformed theologians have exerted the influence in both the church and the academy that Richard B. Gaffin, Jr. has, shaping the theology and spiritual formation of generations of pastors and teachers. Until now, his most significant published works have been inaccessible to most theological readers, published in academic journals, denominational newsletters, and out of print festschrifts and essay collections. A decade in the making, Word & Spirit gathers Gaffin’s finest works of biblical and systematic theology and arranges them in a singular, organic whole that presents Gaffin’s thought and work as comprehensively and clearly as it ever has been. More than 40 essays, articles, and tracts have been compiled, including “The Usefulness of the Cross”, No Adam, No Gospel, “A Cessationist View,” and “The Work of Christ Applied”. This collection is a must-have for any student of theology.

There’s really not much else to say. It’s broken down into five sections, and I’d be tempted to say that each section was the most valuable/useful (well, at least 2-5, but maybe if I spent some time re-reading part 1, I’d reconsider that). Let’s take a quick look at each:

Hermeneutics, Biblical Theology, and Systematic Theology

This is ten articles spread out over 170+ pages, covering the basics of Biblical Theology, how it can and should interact with Systematic Theology (and vice versa).

There’s some repetition of ideas (this will be a common thread throughout each section), which makes sense as these were written as individual pieces, not as part of a book, and Gaffin’s position and ideas about these things have remained static/build on each other.

It’s vital to understand him and his work—and just good to have a handle on these ideas regardless.

Theology of Hebrews and Paul

Most of these seven articles encapsulate (and expand on) the ideas from In the Fullness of Time: An Introduction to the Biblical Theology of Acts and Paul, a book I raved about a couple of years ago. But there are teachings and texts he didn’t address there, that he does here.

This section was so rich, so helpful—the chapters “‘The Obedience of Faith’: Some Reflections on the Rationale for Romans,” “Atonement in the Pauline Corpus: ‘The Scandal of the Cross,'” “and “The Priesthood of Christ: A Servant in the Sanctuary”—were good enough that I almost re-read them immediately (and I probably should’ve).

The first article in this section, The Usefulness of the Cross is available as a PDF Free Chapter Download from the publisher, take advantage of this.

Scripture, Epistemology, and Anthropology

The first three of these six chapters might have been the most mind-stretching for me (they won’t be for everyone), and were very rewarding.

The final three were the easiest for me—and the most repetitive in the book. They focus on Biblical anthropology (as in teaching on the nature of man), focusing on the historicity and nature of Adam. I’ve read at least “No Adam, No Gospel” before—it was published as a booklet a few years ago, and I think I read the previous chapter, the Translator’s Foreword to Adam in the New Testament as well. And I didn’t mind one bit re-reading it/them. Still helpful.

Pneumatology

These seven chapters could be (should be, if you ask me) be reworked into one book. Gaffin shines in these studies—and going back to his By Faith, Not By Sight and Resurrection and Redemption, these teachings are where he’s historically helped me the most. And that streak continues here.

Reformed theologians often (and wrongly) get the reputation for not talking about the Spirit as much as other traditions, and—even worse—are considered to ignore Him. Gaffin makes it clear that everything about Reformed Theology is based on the work of the Spirit in believers’ lives and helps us understand just what that means—both theologically and practically.

The Law of God, Soteriology, and Eschatology

This section pretty much covers “everything that couldn’t fit above.” Again, I’ve read a few of these before in other publications/stand-alone works. But I don’t care.

The chapters on eschatology are gold.

The chapters on Justification and Calvin are even better—the way he talks about Calvin’s view of the relationship of Sanctification and Justification (and the way he presents the two in The Instittues even in the organization of them) is so important for us all to heed. Particularly as he roots them both in Union in Christ—as is every benefit that the believer enjoys in this life and in the resurrection.

So, what did I think about Word and Spirit?

The justification of God’s elect is unshakably secure because, in a sentence, Jesus Christ is “the same yesterday, today and forever” (Heb. 13:8). Despite the way it is often read, this is not, at least in the first place, a proof text for Christ’s divine immutability, that as God he is unchanging, though that attribute is surely in the background (see, for instance, 1:10—12).” Rather, it is most likely an affirmation of his unwavering fidelity, his abiding reliability as high priest—in his once-for-all sacrifice in the past on earth and in his ongoing present and future (cf. 7:25) intercession in heaven. That is as good a note as any to bring these reflections to a close. “Jesus Christ—the same yesterday, today and forever.” This, first and finally, is what Christians need to know about their justification when they consider Christ as their priest, not only in his state of humiliation but also in his state of exaltation.

Outside of the Foreword, Introduction, and Brief Biography (Appendix A), none of this is particularly easy reading. Nor quick. But all of it is accessible—for the depth he gets into at points, this is much more approachable than On Classical Trinitarianism (to mention a recent example).

This is probably the most personally beneficial read I’ve had in the last couple of years—sitting down with Gaffin for 30-50 minutes every week has been a great discipline and a great boon.

I should probably have more to say than that, but I can’t think of what else to say that’s not just a restatement of this: this is a fantastic book—with insights, teachings, and reminders of the things that are vital for every believer.

Highly recommended.


5 Stars
Irresponsible Reader Pilcrow Icon

Saturday Miscellany—11/30/24

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Forget drop-shipping—America’s new favorite side hustle is … republishing classic literature?
bullet Murderbot, She Wrote—Wired’s got a great feature on Martha Wells
bullet The Power of Your Words: Leaving a Review Matters
bullet How Can We Create a Reading Culture?—Pages Unbound’s Krysta lays out the problem with children and reading in Part One and suggests some solutions in Part Two
bullet Indie Black Friday Sale—James Lloyd Dulin’s hosting this sale from Nov. 29-Dec. 1. You’ve spent a year making good progress on your TBR stack, might as well wipe it out in one fell swoop.

It’s the Time of Year for Gift Guides/Best of Lists like these:
bullet It’s Beginning to Look a Lot Like Christmas: The 2024 Adult Books Edition—Witty and Sarcastic Book Club’s Annual list has some great picks
bullet Holiday Gift Giving Guide—This Dad Reads has a gift guide for young and old (particularly if they like Star Wars)
bullet The New York Public Library Announces the Best Books of 2024 for Kids, Teens, and Adults
bullet NPR’s Best Books of 2024—is another extensive list
bullet Top Five Science Fiction Novels of 2024—from John Mauro at Before We Go Blog
bullet Top Five Fantasy Novels of 2024—from John Mauro at Before We Go Blog

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet CrimeTimeFM Christmas Debate 2024—some of the UK’s best Crime Fiction reviewers sound off on their favorite reads of the year and on some controversial topics. As usual, it’s a fun listen that adds too many things to my lists.

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet The Reluctant Warrior by Ty Patterson
bullet and I mentioned the release of Endsinger by Jay Kristoff, Book 3 of The Lotus War

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Robert B. Parker’s Hot Property by Mike Lupica—Rita Fiore is in danger—it’s up to Spenser and Hawk to stop whoever is after her. I have a book and a half to get through before I can dive in. They’d better be worth it.
bullet Chez Usher by Vicki Hendricks—a retelling of Poe in Florida. Farenheit Press’ latest looks like a winner.

the text 'Today I will life in the moment unless it is unpleasant in which case I will read a book.' next to a sketch of a person reading an oversized book

Tooth and Claw by Craig Johnson: Even in The Arctic, Nature’s Red

Cover of Tooth and Claw by Craig JohnsonTooth and Claw

by Craig Johnson

DETAILS:
Series: Walt Longmire, #.5
Publisher: Viking
Publication Date: November 19, 2024
Format: Hardcover
Length: 189 pg.
Read Date: November 28, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Tooth and Claw About?

After his time with the Marines is over, Walt needs to get away from people, society, anything that makes him think of Vietnam and what he witnessed there. He also wants to get away from what he knows–and what fits that description better than Alaska? He takes a job working security on an oil field, replacing someone who’d killed himself.

He also finds himself drinking. A lot. There’s not much to do when he’s not on the job—and you get the impression he can do a lot of it with a little bit of a buzz on.

We encounter Walt in this state as Henry comes up to visit–he’s concerned about what Walt’s doing to himself (as is Walt’s former fiance, Martha). Henry shows up at the end of December, when there are very few hours of daylight each day up by the Arctic Circle.

Henry’s a little bored, truth be told, so when Walt finds the opportunity to take him along on a quick research trip to help keep a scientist safe they go.

The day trip doesn’t go the way they expect (naturally). Instead, the friends find danger, a blizzard, a large polar bear (even by polar bear standards), a ghost ship, and some garden-variety human evil.

So, what did I think about Tooth and Claw?

This quick novella was fine. Walt and Henry against nature—weather and animal—isn’t exactly new territory, but Alaska isn’t what we’re used to seeing from them. It makes Wyoming look crowded. It’s a bit more extreme than we’re used to for them.

Add in a bunch of people we don’t know and a ship out of legend, and you’ve got something even better. There’s a potential supernatural element here–and the story works either way you approach that element.

It’s not a perfect read. The criminal activity seemed a bit perfunctory—and really didn’t add much to the novella, I might have appreciated the novella more without it. I don’t know that Johnson sold Walt’s drinking as being as much of a problem as Henry and a couple of others made it out to be.

But for what it is—a quick thrill-ride and a look at young-Walt, it’s good. There are some entertaining moments, it’s good to see these two in another environment. There’s at least one character I’d like to run into again.

It’s not a must-read for Longmire fans or the best introduction to the characters—but it’ll please longtime fans and should whet the appetites of new readers for the full novels. That’s good enough, right?


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Bullet Points about Spook Street by Mick Herron: All the Exciting Stuff Happens Around River

Cover of Spook Street by Mick HerronSpook Street

by Mick Herron

DETAILS:
Series: Slough House,  #4
Publisher: Soho Crime
Publication Date: December 12, 2017
Format: Paperback
Length: 307 pg.
Read Date: October 18-29, 2024
Buy from Bookshop.org Support Indie Bookstores

“You want me to issue a shoot-to-kill order.”

“Well there’s no point shooting to wound. People would only get hurt.”

What’s the Back Cover of Spook Street Say?

What happens when an old spook loses his mind? Does the Service have a retirement home for those who know too many secrets but don’t remember they’re secret? Or does someone take care of the senile spy for good? These are the paranoid concerns of David Cartwright, a Cold War-era operative and one-time head of MI5 who is sliding into dementia, and questions his grandson, River, must figure out answers to now that the spy who raised him has started to forget to wear pants.

But River, himself an agent at Slough House, MI5’s outpost for disgraced spies, has other things to worry about. A bomb has detonated in the middle of a busy shopping center and killed forty innocent civilians. The “slow horses” of Slough House must figure out who is behind this act of terror before the situation escalates.

Things I’m Not Going to Develop into Paragraphs:

(I just don’t have the time or energy)
bullet Louisa makes a friend! A non-Slough House friend, it should be stressed. Which is great—and will hopefully help her deal with the events of Dead Lions. Sure, I pretty much like everything about Louisa, but this worked really well.
bullet This: “What happens when an old spook loses his mind? Does the Service have a retirement home for those who know too many secrets but don’t remember they’re secret?” Yeah, it could be phrased a bit more skillfully, but really—what is done in these situations (I have to assume more and more of these happen all the time)
bullet This book is really all about the power behind the throne. Sure, all the attention is on the leader (of whatever), but being the guy behind them—almost all of the power, but with almost none of the accountability or scrutiny, you can get a lot done. And you can direct the person at the top with just the right kind of pressure or incentive.
bullet Yes, the “Slow Horses” are, by design (of both Herron and MI-5) disposable, and impermanent. But some are pretty much irreplaceable, as the poor woman who is brought in to fill Catherine Standish’s shoes learns.
bullet Everything we learned about David Cartwright and his activities seems realistic. It’s chilling and troubling in so many ways. He deserves to be called OB. Or just B.
bullet Back to the impermanent idea. Herron shows us that he’s in the same league as authors like George R.R. Martin when it comes to the mortality of characters. I both admire that and am angered by it.
bullet Roderick Ho…what can I say about him? At the beginning of the book, I couldn’t believe what I was reading about him—it was far more hard to believe than any of the outlandish things we’ve seen Jackson Lamb’s team encounter. By the end, it all made sense. And I might have felt pity for the guy (although he makes it hard)
bullet Herron’s prose is so delicious. It’s mirthful without actually being funny (and only occasionally jokey). It’s so well crafted, it’s…I can’t put it into words. I just love reading him.

They were south of the river, half a mile from the Thames, near one of those busy junctions which rely on the self-preservation instincts of the drivers using it; ether a shining example of new-age civic theory, or an old-fashioned failure of town planning. On one of its corners sat a church; on another, earth-moving monsters re-enacted the Battle of the Bulge behind hoardings which shivered with each impact. A tube station squatted on a third, its familiar brick-and-tile facade more than usually grubby in the drizzle. There was a lot of construction work nearby, buildings wrapped in plastic sheeting, some of it gaudily muralled with visions of a bright new future: the gleaming glass, the pristine paving, the straight white lines of premises yet-to-be. Meanwhile, the surviving shops were the usual array of bookmakers, convenience stores and coffee bars, many of them crouching behind scaffolding, and some of them book-ending alleyways which would be either dead-ends where wheelie-bins congregated, or short-cuts to the labyrinth of darker streets beyond. Once upon a time Charles Dickens wandered this area, doubtless taking notes. Nowadays the local citizenry’s stories were recorded by closed-circuit TV, which had less time for sentimental endings.

So, what did I think about Spook Street?

Once again, I couldn’t stop asking myself why I am so behind in reading these? Why do I take breaks of months and months between them? Everything about this series is great.

I’m just happy the whole time I’m reading one of these books—despite the fact that the events are harrowing, the characters are generally despicable, and what the books suggest about humanity and Western security services (UK’s in particular, but I can only imagine they function pretty similarly to the rest) doesn’t fill one with optimism or confidence.

Spook Street is a solid winner from the horrible incident the book started with to the closing comforting paragraphs and all points in between. Herron planted more seeds than is typical for future installments—and I can’t decide which I want to see first (on second thought, I want to see the Roddy Ho stuff come back to haunt him/Slough House as soon as is humanly possible).

If you’re not reading these books—at my snail-like pace or at a rational pace—you are missing out.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Thanksgiving 2024

Happy Thanksgiving/Turkey Day/Thursday

(depending on your practice/preference/location)


On this day that has been set aside these U.S. for expressions of gratitude, it’s been my custom to take a moment or two and mention a few of the things that The Irresponsible Reader is thankful for. This is just about my favorite of my annual posts typically, but this year I feel even more grateful than usual.

So, this year, I’m thankful for:

bullet The readers of this blog. If I knew your names, I’d thank you all personally.
bullet The authors who’ve corresponded with me, encouraged me—even promoted this here project.
bullet Those authors, publishers, and/or publicists provided books for me to read.
bullet Books (print, electronic, or audio)—the stories, characters, and/or things I learn are what keep me sane, entertain, and inspire me.
bullet Authors! If not for them, I wouldn’t have the above.
bullet Talented narrators and illustrators—ditto
bullet Coffee (and other beverages both caffeinated and adult)
bullet The authors and blogger who’ve taken the time to help my try to launch my YouTube page–and the three authors who’ve given very polite rejections. But mostly the people who’ve taken time to show up.
bullet All the authors who’ve stopped by for a Q&A or a Guest Post this year. I’ve really been blown away by the work you’ve put into making my patch of cyberspace better.
bullet I want to offer a particular word of thanks for the bloggers and authors who chipped in and helped while I was on sick leave dealing with my cancerous tumor, the posts were great, and the time off was a relief.
bullet Time to read (which is getting scarcer in my life, so I’m even more grateful for it)
bullet The Nampa Public Library, The Caldwell Public Library, (and The LYNX! Consortium)
bullet Shared Stories, Rediscovered Bookshop, and Libro.fm
bullet My Real Life friends and acquaintances who give me feedback and encouragement via text or face-to-face. You all could help my stats by using the comment forms, however 🙂 But I truly appreciate you reading and talking to me about this.
bullet My supportive, understanding, and encouraging wife and kids. They all do a pretty decent job pretending to care when this old man drones on and on about what he’s reading or what’s going on with the blog. Helping me with technical issues, testing things, and general brainstorming is particularly appreciated.
bullet I should give a specific thanks to my daughter, who serves as wingperson when I go to local events and has helped me connect with several authors that I wouldn’t have been as successful with on my own. It’s amazing what people skills can do.
bullet Again, all of you who read this page, follow, like, tweet, comment, email, etc.—you have no idea how much every little bit is appreciated.

For my fellow Americans, I hope you have a pleasant day with your friends and/or family. As for the rest of you, I hope you enjoy today and that you enjoy having the same pant size tomorrow as you do today.

Reposting in Lieu of Revising: Thanksgiving Book Tag

I had in mind putting up a new version of this with new answers, because 2024 me is different than 2021 me, right? But I really like these answers (although I might switch out Lethal White for a different Galbraith), so…holidays are for laid back approaches to things, right? What’s more laid back than a repost with a two-sentence intro?


Thanksgiving Book Tag
I’ve seen this on a few blogs, but it was on Bookstooge’s Reviews on the Road that I decided to do it myself. I don’t know where this originated, so I can’t credit them.

I really tried not to let recency bias rear its ugly head on these responses, but I ended up listing two books I read this year. Whoops.

1. Bread- What book is purely fluff, and has no real plot line?

I’m left scratching my head here–what doesn’t have a plotline?

Love

Love by Roddy Doyle

There’s a plot here, but it’s slight–and covered under layers and layers of clever dialogue. (none of which is a criticism, it worked wonderfully)


2. Turkey- What book made you want to fall asleep?

Zorro

Zorro by Isabelle Allende

It is Zorro–the swashbuckling, womanizing, swordsman who’s a proto-Batman figure. How do you make him dull? I still don’t know how you do it, but Isabelle Allende must, because she nailed it. The only reason I finished this was because I had to see if it ever got exciting. According to my logs, I read this in 2010–but at the time, I felt like I spent more than a decade reading it. So, I guess I might still be reading it.


3. Gravy- What book makes the whole series worth reading?

I’m struggling to answer this one–it seems to suggest that the others aren’t up to snuff, or aren’t even worth the time, “but this one book…” I’m sure there are some, but I can’t think of any. I’m tempted to say Red Dragon or The Silence of the Lambs are so good that it makes Hannibal worth it–but it’s easier to just skip the others.

I guess…

The Name of the Wind

The Name of the Wind by Patrick Rothfuss

I have problems with The Wise Man’s Fear. And, sure, I’d love to read The Doors of Stone. But you know what? I loved The Name of the Wind enough that I can live with what ever’s lacking in the others (including, but not limited to, not being published).


4. Stuffing- What book is stuffed full of action scenes?

A Wanted Man

A Wanted Man by Rob Parker

The first Ben Bracken novel is as non-stop as you could ask for. Pound-for-pound there’s more action in this book than any other I can remember. Sure, Parker can go whole paragraphs without much in the way of action–but he doesn’t do that often here.


5. Mashed Potatoes- What book looked good, and then wasn’t?

Behind Her Eyes

Behind Her Eyes by Sara Pinbrough

A Killer hook. A lot of hype. Some compelling writing. And an ending that made me want to hurl it across the room and into a shredder. It was a library book, however, so I really couldn’t indulge the impulse.

Also…really? l;ike Bookstooge said, what’s up with this slander against Mashed Potatoes? (not just saying this as a reflexive defense of the crop Idaho’s best known for)


6. Cranberries- What book has the sweetest romance?

Not Famous

Not Famous by Matthew Hanover

The first romance that jumped to mind was Nick and Alli from Hanover’s first book. (sure, most of the sweetness came from Alli, but Nick’s not bad, either).

I’m not convinced that cranberries are really all that “sweet,” however. Tart? Sour? Sure. Sweet? Eh, only with anough sugar added. Unlike everything Hanover’s written.


7. Corn- What’s the corniest book you’ve ever read?

The Pirates! In an Adventure with Scientists

The Pirates! In an Adventure with Scientists
by Gideon Defoe

This is just a ridiculous novel–I laughed a lot. I cringed a lot, too. It was a delightful batch of corny silliness.


8. Green beans- What book is too long and needs to be shortened?

Lethal White

Lethal White by Robert Galbraith

Part of the reason that I haven’t jumped on Troubled Blood is that this one was just too long. At the time (or since), I couldn’t figure out what needed to be cut, but something sure needed to.

Unlike any green bean dish I’ve ever had, however, I enjoyed Lethal White in the end.


9. Pumpkin Pie- What book do you read to get out of a reading slump?

Misc Wolfe covers

Nero Wolfe/Archie Goodwin by Rex Stout

It’s been a while–a very long while–since I’ve been in a slump. But I could always count on some of my favorite Nero Wolfe/Archie Goodwin novels. They’re pure comfort food–tasty and sweet.

10. Dog/Cat- What’s your favorite Thanksgiving food that you would steal from the table?

Stuffing

This varies a lot from year to year, but more often than not, I’d say stuffing.

(image borrowed from Happy Life Blogspot)


As usual, I’m not tagging anyone in this—but I’d like to see what you all have to come up with.

WWW Wednesday—November 27, 2024

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of 1-800-CallLoki by Dawn Blair Cover of The Faculty Lounge by Jennifer Mathieu
1-800-CallLoki
by Dawn Blair
The Faculty Lounge
by Jennifer Mathieu, read by Lisa Flanagan

1-800-CallLoki puts the Norse God into the role of protagonist and hero (of sorts). It’s frequently amusing and pretty compelling. I should be wrapping this up soon.

The Faculty Lounge is filled with gentle humor, some good characters, and a plot that is just interesting enough to keep me listening. It’s utterly fine, but unless the last 40% knocks my socks off, it’ll get a “just okay” from me.

What did you recently finish reading?

Cover of Instinct by L. J. Hachmeister Cover of I Hope This Finds You Well by Natalie Sue
Instinct: An Animal Rescuers Anthology
edited by L. J. Hachmeister
I Hope This Finds You Well
by Natalie Sue, read by Nasim Pedrad

Instinct was a very mixed bag of animal SF/Fantasty/Urban Fantasy stories, none of them were bad, most were okay, but those that were good, were very good. Just what you expect and hope for out of an anthology like this.

I Hope This Finds You Well was better than I’d anticipated it could be, I rather enjoyed it–and hopefully I can expand on it soon.

What do you think you’ll read next?

Cover of We Solve Murders by Richard Osman Cover of Marvel: What If . . . Marc Spector Was Host to Venom? by Mike Chen
We Solve Murders
by Richard Osman
Marvel: What If . . . Marc Spector Was Host to Venom?
by Mike Chen, read by Keith Szarabajka, Xavier Casals

I’d hoped to be well into the Osman book today, but oh, well–I still have a couple of days before it’s due at the Library (this will not be joining the ranks of the books I didn’t read)

The Moon Knight/Venom story is probably not going to do much for me–but I trust Chen, and the Wanda/Spider-Man book was so good that I have to give it a shot.

U.S. Readers, do you have a book set aside to help you ignore family, or are you going to put things off for day? Non-U.S. readers, what do you have underway?

Nobody’s Hero by MW Craven: More Shockingly Violent Events in Koenig’s Increasingly Violent Life

Cover of Nobody's Hero by MW CravenNobody’s Hero

by M.W. Craven

DETAILS:
Series: Ben Koenig, #2
Publisher: Flatiron Books
Publication Date: December 3, 2024
Format: eARC
Length: 416 pg.
Read Date: November 1-4, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Nobody’s Hero About?

A decade ago, Ben Koenig helped a woman disappear—and to do so in a way that even he (who knew more than anyone else in the world about it) wouldn’t be able to track her. But now, she’s surfaced—as someone responsible for a couple of brazen murders on the streets of London. He and his watcher/minder/handler Jen Draper are tasked with finding her and finding out what made her come into the open.

It takes all of their creative approaches to investigating—and Draper’s security firm’s extensive resources—plus a little luck to get on the path. But will they survive it?

Standing in their was is a team of assassins, criminal police officers, smugglers of various stripes, petty criminals—and bigger ones—and schemes that are truly chilling. Their strengths? The aforementioned creativity and extensive resources, some assistance from a certain Agency, their shared drive, Koenig’s lack of fear, his strange humor and odd trivia.

Obviously, the bad guys are in for trouble.

A Daring Move

Far too often when someone/some group in a novel has a completely innovative, genius, unbelievably original idea, it really isn’t. At best they’re usually clever, but nowhere near as mind-blowing as characters act. Too often, I think authors would be better off alluding to a plan without giving us all the details, and readers have to suspend disbelief to keep going.

For a while, I was worried that Craven had bitten off more than he could chew in revealing all that he did—when it was all shadows, I was really invested. But as the book progressed and we got more and more details about the scheme afoot, the more I realized that this was one of those exceptions that proved the rule. There’s some really ingenious stuff going on here.

I should’ve trusted the mind that brought us The Botanist (as only one example).

Can I promise that every reader is going to have their mind boggled by this? No. But even the cynics or the people who suss it out before the reveal are going to admit that this is atypically clever, and you can absolutely understand why Koenig and Draper have such difficulty with this—and are willing to risk so much to stop it.

The Title

I’m not going to get into it now, but I can imagine that more than one book club is going to spend some fun time speculating about/arguing over who the title is referring to.

I mean, I’ve spent some time speculating about it and arguing with myself over the identity. I figure Craven has multiple characters in mind, actually, rather than just one. But I’m prepared to be wrong about that.

Caveat Lector, or, the Fight Scenes

If you’re like me, and decided at one point or another to not have a meal while watching Bones, at least until the (first) body is taken back to the Lab (the CSIs may have driven viewers to a similar choice), you’re going to want to take a similar approach to the fight scenes in this book. That’s actually an excess of caution, you’re really only going to need it for some. But better be safe than sorry—really.

Now, once you put the meatball sub aside, these fight scenes are really well-written. I think they’re better than those in Fearless. Craven brings the goods in the technical sense/ability to depict things clearly, the impact on the plot, and the overall entertainment value.

So, what did I think about Nobody’s Hero?

This is really one of those books best discussed among people who’ve read it—most of the glowing things I want to say would reveal too much—and you don’t have to read too much of Craven’s work to know it’d be a bad idea to cross him. So what can I say?

Let’s start with this—between Fearless and Nobody’s Hero I read a couple of thrillers with a one-man Army in the Reacher/Koenig/Ash/Ryan/Orphan X etc. mold that soured me on the whole thing, so I started this with a little trepidation. Also, I didn’t know how he’d follow up Fearless and feared a little sophomore slump. It took me very little time to cast all that aside and just have a blast with this—I’m back to my appreciation of the genre, and I don’t know if Craven has the word “slump” in his vocabulary.

Ben Koenig is one of those characters that I hope to spend a lot of time with, there’s just something about him that I really like. It was good to see Jen Draper in action and to see the shift in the relationship between these two from where it was in Fearless and the beginning of this book to the end. They’re a good team.

I don’t know where to put this, but I need to say that between what we see in Nobody’s Hero and some of the Poe series, I really have to wonder what kind of drinking establishments Craven frequents (or I hope, for his sake, used to frequent).

One of the assassins has a…let’s put it generously and vaguely…a quirk. It feels like the kind of thing that Craven stumbled upon at some point in the last 15 years and said, “I need to put this in a book some day.” I’m very glad it did—I’m not convinced that a hitman could become a success with that quirk, really. But Craven uses it so well, that I’m not going to complain. I really enjoyed the way it paid off.

We didn’t get a monologue at the end by an evil mastermind, which still happens even after being made a clichĂ© decades ago—it wasn’t necessary, and what we got instead was so entertaining. It was truly a great change from what was expected.

I don’t know that we need that last reveal—nor does the series—but, I look forward to Craven coming back to it in the future (however far away that future may or may not be).

Action, snark, and some really great twists. There’s a momentum to this that builds and builds and builds as the tension ratchets up in a way that shows you’re in the hands of a Thriller Master. Sure, every decent thriller has that characteristic. But anyone who’s read a couple of thrillers knows the difference between standard-issue momentum and tension and something special. This is the latter, and it ain’t even close.

Do you need to read Fearless before this? No. Will it help a little? Not much, but yes. The important thing is that you read both of them. You won’t want to put it down once you pick it up.

Long live Ben Koenig.

Disclaimer: I received this eARC from Flatiron Books via NetGalley in exchange for this post—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

Page 77 of 613

Powered by WordPress & Theme by Anders Norén