The Lord Jesus Christ: The Biblical Doctrine of the Person and Work of Christ by Brandon D. Crowe: Christology 101

Cover of The Lord Jesus Christ by Brandon CroweThe Lord Jesus Christ:
The Biblical Doctrine of the
Person and Work of Christ

by Brandon D. Crowe

DETAILS:
Series: We Believe Series, Volume Three
Publisher: Lexham Academic
Publication Date: October 18, 2023
Format: Hardcover
Length: 316
Read Date: July 21-August 18, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s The Lord Jesus Christ About?

It’s a work on Christology–from Scriptural, historical, and systematic theological perspectives.

That seems a bit too pithy, but the few times I’ve tried that paragraph before now have really gone on and on. So–as I so often do when I’m struggling to answer this question–I’m just going to borrow from the Publisher’s description:

Jesus is the divine Son of God who has taken on human nature in the incarnation. As prophet, priest, and king, he leads his people in a new exodus. In The Lord Jesus Christ, Brandon D. Crowe reflects on Christ’s person and work. Crowe traces christological concerns throughout the Old and New Testaments and church history and then presents systematic and practical implications. Through a combination of biblical, historical, and theological study, Crowe provides a fresh and robust statement of who Christ is and what he has done.

Written from a confessionally Reformed perspective in dialogue with the great creeds of the church, The Lord Jesus Christ provides a thorough and trustworthy guide to understanding Jesus and his salvific work.

Breaking Things Down a Bit

I think a glance at a Table of Contents really gives an idea what the book is like and what Crowe’s approach to this is (I included page numbers for each part to show the weight he gives to each area)
Introduction: “Who Do You Say That I Am?”
Part 1: The Biblical Witness [pg. 9-146]
          I. The Son of God in Creation and the Old Testament
          II. The Son of God Promised in the Prophets
          III. The Son of God in the Gospels
          IV. The Son of God in Acts and Paul’s Letters
          V. The Son of God in Hebrews to Revelation

Part 2: Dogmatic Development [pg.147-294]
          VI. Pre-Nicene Christology
          VII. Creedal, Conciliar, and Modern Christology
          VIII. The Mediator of the Covenant of Grace
          IX. The Unity of the Mediator
          X. The Work of the Mediator
          XI. The Centrality of Christology for Christian Dogmatics

Part 3: Truth for Life and Mission [pg. 295-310]
          XII. The Gospel of Grace
          XIII. Pluralism and the Uniqueness of Christ

Conclusion: Seven Theses on the Person and Work of Christ

While Parts 1 and 2 are about even in page length, you will realize that the meat of the book is found in The Biblical Witness. The Dogmatic Development part is by no means lightweight, but it is easier to get through. I was a little surprised once I got there at how brief the last Part was–but it didn’t need to be longer to wrap up and apply the previous Parts.

Going Beyond this Work

Crowe is clear that this book isn’t supposed to be an end to one’s Christological reading, but it’s a start. In addition tote helpful footnotes and citations throughout, he concludes each chapter with four or so recommendations for further reading (not all will agree with a lot of Crowe’s arguments). I don’t know that I’m going to follow up with all of them (narrator: he will not), but I am going to chase down some of those works.

Each chapter ends with a clearly designated conclusion, so you can be sure you’re picking up on those parts that Crowe finds most important, which is a very handy little segment. As are the Seven Theses he ends the book with–undoubtedly for me and others, this is going to be the part of the book that gets referred to most often. You can get a quick look at a significant point to brush up on it or refresh your memory, before going back to the appropriate chapter (or chapter conclusion) to get the details you need.

So, what did I think about The Lord Jesus Christ?

This is presented in a text-book style but isn’t quite as dry as one. But I can easily see it functioning as one (and being a favorite of the students using it because of that style).

It took me longer to get through than I anticipated–which is not a bad thing, it just wasn’t what I expected. It is not a difficult read by any means (I can point to other words by Crowe that would fit that description better), but because of the comprehensiveness it’s shooting for, you do have to exercise the gray matter a little as you read.

It’s not polemic at all, and almost every controversy it tackles has been settled in the creedal tradition for centuries, so it won’t rankle any Trinitarian as they read their way through it (although this book, like the rest of the series, is firmly within the Confessional Reformed tradition and demonstrates it). Crowe shows not only a familiarity with contemporary–and older–Biblical scholarship, but is just as adept at bringing in major writers from Church History through today to weigh in on the Dogmatic Development sections.

All in all, this was an outstanding book, one that I will return to as a reference (and likely re-read in a couple of years). It’s also a great advertisement for the rest of the series, and I anticipate adding the rest of them to my shelves in short order (well, as short as I can–it doesn’t look like Lexham Press is really rushing to put them out).

Whether or not you grab them all, if you want a solid and accessible stand-alone Christology you’d be well served to turn to Brandon Crowe.


5 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Saturday Miscellany—8/24/24

There’s a good reason this is up late today*, my daughter and I started the day at The Boise Comic Arts Festival, where we met/renewed acquaintances with some local artists and writers (including, but not limited to, Jeremy Billups, Elliott P. Linker and Mrs. Courtney Linker, Gabriela Briceno, Sarah from Oroboro Lit Journal/Death Rattle, and J.C. Jackson), and spent less money than usual (yay, restraint!). We got to sit in on a fun panel about the The History of Comics in Idaho. The most important thing we learned was there that there is a history.

Anyway, if you’re a local—stop by today/tomorrow.

* Usually it’s because I can’t get out of bed at a decent time on Saturday.
Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Bulwer-Lytton Fiction Contest —In case you don’t know the BLFC “challenges entrants to compose opening sentences to the worst of all possible novels.” Boy howdy, they got some doozies this year. Make the time to read down to the bottom.
bullet Steve Hamilton gets back to his ‘old stuff,’ starting with Nick Mason—Color me happy.
bullet Popular romance novels voted most distracting audiobooks in nation, could cause distracted driving—I’d never thought of rating a book in this way (or comparing genres by words per minute)
bullet RinthCon, the all-online con set in 2324 filled with fictional characters from today, is going on this weekend—and is just as strange (and fun) as the premise is

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Fiction Fans Episode 153: Orconomics by J. Zachary Pike

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago Week?
bullet Landline by Rainbow Rowell
bullet Stalking the Angel by Robert Crais
bullet And I mentioned the release of One Kick by Chelsea Cain, Percy Jackson’s Greek Gods by Rick Riordan, What Might Have Been by Matt Dunn (2 of those I actually got around to reading and enjoying)

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet My Salty Mary by Cynthia Hand, Brodi Ashton, Jodi Meadows—this trio is back with a funky mashup of Mary Read and the Little Mermaid. Because, why not?
bullet You Will Never Be Me by Jesse Q. Sutanto—Part of me isn’t sure that I want to read Sutanto when she isn’t being fun and cozy. But most of me figures she can do black comedy really well, too, and this just looks good.
bullet City of Secrets by P. J. Tracy—this looks like a series I could sink my teeth into (oh, good, I need another of those)

superimposed over an images of loaded bookshelves are the words 'People can lose their lives in libraries. They ought to be warned. - Saul Bellow'

Hold On To Your Wallets, Folks…

Or, I guess, prepare to empty them. That’s kind of up to you.

This weekend brings several opportunities for some great buys: I strongly suggest you sample them all.

bullet First, this one is safe for your accounts: Ian Robinson’s Shots Fired (Nash & Moretti Book 3…but it’s totally fine to read as a stand-alone) is free for the weekend. Amazon US: https://amazon.com/dp/B0977F98JD Amazon UK: https://amazon.co.uk/dp/B0977F98JD
bullet Fahrenheit Press has their Summer Sale going on. You can get 20% off everything by using promo-code AUG2024 at the checkout. You can easily find some great books (several of which I’ve talked about here), and some great merch (I get about 1/2 of my T-Shirts from them). You’d be foolish to not browse and/or spend money there.
bullet Epic Sale of Beloved SFF Books from August 23-27. There are soooo many good things there (and good-looking things, too). (Hat-tip to Daniel Meyer for telling me about this)
bullet The August version of Narratess Indie Sale is this weekend, too. There’s some overlap between these two, but they aren’t identical.

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The Quintessential Summer Book Tag

A generic-looking tag reading 'The Quintessential Summer Book Tag'
This was created by TheBookishKat and I found it on Jo Linsdell’s ever-so-helpful Book Tags To Try This Summer post. I just needed a little variety in my life, so figured I’d give it a shot.

1. Iced Drink- a refreshing book

Graphic of an iced drink and the Cover of The Westing Game by Ellen Raskin

The Westing Game by Ellen Raskin

I don’t remember what I was home sick with when my mother brought this home to me, but it helped me feel better then and every–countless–time that I’ve read it since then. This story about fifteen contestants (and 1 mistake) competing for the inheritance of Samuel W. Westing has always been as refreshing as the best iced tea I’ve ever had.

Image by Stefan Schweihofer from Pixabay


2. Cotton Candy- a book that was fluffy and sweet

Graphic of Cotton Candy in a cup and the Cover of The Book That No One Wanted to Read by Richard Ayoade

The Book That No One Wanted to Read by Richard Ayoade

So this was just charming and sweet from beginning to end. Yes, it was written for a MG (at the oldest) audience, but I enjoyed it as much as–if not more–than cotton candy. It was light, it made me smile, and it made me want more.

Image from Pixabay


3. Sunglasses- a dark book

Graphic of Sunglasses and the Cover of According to Mark by H.B. O'Neill

According to Mark by H.B. O’Neill

Does it get darker than a couple of hundred pages about a broken-hearted man, who needs social/medical/psychiatric aid, seeking to kill himself because he’s convinced that Mark Twain wants him to? (still, it is a beautiful book with some moments of joy)

Image by Ronny Overhate from Pixabay


4. Picnic on a Rainy Day- a sad book

Graphic of a raining cloud and the Cover of The Last Devil to Die by Richard Osman

The Last Devil to Die by Richard Osman

With a little thought, I could come up with sadder books, no doubt. But this was the first to jump into my mind (since I’d already used According to Mark). I stuck with it, because it fits this so well–not only is it sad, but like even a rained-on picnic, there are plenty of smiles and even some chuckles and warmth in this book. But yeah, it won’t just be rain that dampens your cheeks by the time you finish this.

Image by J S from Pixabay


5. Sand- a book that irritated you Red Queen

Graphic of a pile of sand and the Cover of Red Queen by Juan Gómez-Jurado

Red Queen by Juan Gómez-Jurado

This felt like it was written using a template to generate the hero, her sidekick, and the villains by an unimaginative committee looking for the next Lisbeth Salander or Robert Langdon (obviously, more of the former than the latter). It grated on me like sand in your clothes and shoes after you leave the beach (and yet, it kept me turning the pages, which is another kind of annoying).

Image by OpenClipart-Vectors from Pixabay


6. Summer Blockbuster- favorite book-to-screen adaptation The Princess Bride

Graphic of people looking at a movie screen and the Cover of The Princess Bride by William Goldman

The Princess Bride by William Goldman

Is there another answer? I mean, really?

Image by Gerd Altmann from Pixabay


7. Dropped Ice Cream- a book you were anticipating, but it wasn’t good

Graphic of an ice cream cone on the ground and the Cover of Winter's Gifts by Ben Aaronovitch

Winter’s Gifts by Ben Aaronovitch

After the success of The October Man, I had faith in Aaronovitch’s ability to pull off an American adventure. Especially because I already know and like Special Agent Reynolds from when she shows up with Peter Grant. But, it’s just clear that Aaronovitch pull off writing in the U.S. from an American perspective. If this was about Peter or Abigail coming to visit Reynolds and running into trouble, I could’ve bought it. But this narrator just isn’t an American (or really, that American Evangelical…not even an ex-Evangelical). A rare miss in this series.

Image by Izwar Muis from Pixabay


8. Palm Tree- a tall book you loved 42

Graphic of a palm tree and the Cover of 42 The Wildly Improbable Ideas of Douglas Adams edited by Kevin Jon Davies

42: The Wildly Improbable Ideas of Douglas Adams edited by Kevin Jon Davies

I honestly couldn’t think of another tall book. But also, I like to spread the word about this as much as I can.

Image by OpenClipart-Vectors from Pixabay


9. Bonfire- a book you want to burn

Graphic of a campfire and the Cover of Behind Her Eyes by Sarah Pinborough

Behind Her Eyes by Sarah Pinborough

Sure–I’m diametrically opposed to book burning of any kind, but if there was a fireplace in use anywhere near me when I finished this book, I’d have been tempted to toss it in. (and would’ve gladly paid the library fees). The ending of this just made me so mad. I know I’m in the minority with this book, but I don’t care.

Image by OpenClipart-Vectors from Pixabay


10. Fireworks- a book that exploded onto the scene

Graphic of fireworks exploding in the sky and the Cover of Don't Know Tough by Eli Cranor

Don’t Know Tough by Eli Cranor

If you’re going to make your debut, you want to do it like Cranor. From the first page, this book hits you with the velocity of a rocket taking off—and as far as I can tell that’s how the book went, too. Suddenly, every Crime Fiction account/page I follow was talking about this book.

Image by OpenClipart-Vectors from Pixabay


I don’t typically actually tag people when I do these, but I’m curious to see what you’d put here. So if you made it this far, consider yourself tagged. (no need to go overboard on graphics like I chose to do for reasons that I don’t quite get)

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Cursed Cocktails by S.L. Rowland: Mixing Drinks and Starting Over

Cover of Cursed Cocktails by S.L. RowlandCursed Cocktails

by S.L. Rowland

DETAILS:
Series: Tales of Aedrea, #1
Publisher: Aethervale Publishing
Publication Date: February 18, 2023
Format: Paperback
Length: 265 pg.
Read Date: July 22, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Cursed Cocktails About?

The cynical side of me wants to summarize this as a gender-flipped Legends & Lattes with a couple of twists. But as apt as that is, it feels petty and dismissive.

Rhoren is a retired blood mage. I won’t get into what a blood mage is, but it’s about as pretty as the name would lead you to believe. The fact that his nickname “Bloodbane” (a nickname known throughout the nine kingdoms, I should add), is another clue. The “retired” part of Rhoren’s description is a rarity, not many blood mages survive long enough to retire. Those who do, like Rhoren, aren’t in the best of health. Rohren’s given some advice about relocating to the coast (and away from the cold) for his health. Needing a change of pace and scenery, that’s just what he does.

And it’s just the right call for him.

Being in the military (and a fairly active part of it), he didn’t have a lot of chances—or reasons—to spend his earnings, so he has a pretty nice nest egg in addition to his pension. A new place to live and a good amount of funding—just what you need to start the second part of your life.

One of the first things he does when he moves to his new city is befriend a bartender, Kallum. Kallum loves his job, but dreams of being able to be more creative with a menu and creating new cocktails.

Rhoren needs a new purpose in his life and finds an open storefront building with an apartment above it. Sure, it’s open because it seems to be haunted, but what’s a rogue spirit (if the place is actually haunted) for a guy like Rhoren? So he buys the place, moves in, and suggests a partnership with Kallum.

It’s not smooth sailing by any means from this point forward, but chasing dreams (old or new) is worth a few risks, right?

Bloodbane

Rohren doesn’t like to think about his days of service—and likes to talk about it even less. He doesn’t want anyone to know he was a blood mage—especially not Bloodbane. He’s ready to shed that name, that vocation, and the reputation that follows both.

Also, using that kind of power the way he has for decades is the biggest thing impacting his health—the very reason he had to move.

But even the best-kept secrets have a tendency to come to light—especially when events outside of Rohren’s control might call upon him to unleash his abilities.

While I really have no complaints about anything in this book, I thought this was its strongest point. Rowland depicted Rohren’s desire to get away from his past, dealing with his health (both how he’s still limited, and how he’s improving with the weather), and having to step up and tell people about his past, with sensitivity and precision. That was really well done.

The Cozy-ness

After a little peak at the hardships of those who serve and protect in the north and the hazards they face, we shift into the cozy atmosphere we’re promised in this book. And aside from a scene or two (which don’t detract that much), that atmosphere pervades the rest of the book.

There’s some light humor (including some fantastic liquor names—and a cameo from a distinctive bottle design)—there’s a warmth between the characters, a largely supportive populace in the city, and the setting is ripe for stories.

You just can’t help but feel comfortable while reading this. You really might as well be kicking back in your favorite cocktail bar while reading this (and, I should add, you really should have something to drink—not necessarily alcoholic—nearby), you just feel content and warm.

So, what did I think about Cursed Cocktails?

There’s just enough conflict and danger to keep this from being the coziest fantasy that I’ve ever read—but it’s close. In fact, one source of potential conflict never produced any (which was a relief, but also a mild irritation), making the whole thing cozier.

That doesn’t mean the book is dull—far from it. It’s just that you turn the pages for another reason—instead of being on the edge of your seat to see what happens next. You keep going to keep the warm and fuzzy feelings going. It’s here that my mostly joking comparison to Baldree’s book really comes into play, if you got into one, you’ll get into the other.

And that’s a feeling that I don’t mind in the slightest. If you need a break from mayhem and suspense in your reading—or an escape from the world at large—Cursed Cocktails will give you the oasis you need. With at least two more books in this series that promise the same kind of thing, you’d best be hopping on board—you’ll be glad that you did.


3 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday, 8/21/24

It’s a race to the finish line for this year’s 20 Books of Summer (one of those self-imposed goals that becomes all the more important as the deadline gets closer but is totally meaningless in reality). It’s mathematically possible (maybe even probable) that I’ll finish in time. But it’ll be by the proverbial skin of my teeth, the sands of the hourglass will be almost depleted, etc., etc. I failed when I set up my reading order and ended up with three straight fantasy novels, which might be too much of that genre in a row for me. Hopefully, the varied voices/tones in the books will be enough.

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Today, I’m starting Bard Tidings by Paul Regnier, and am listening to The Night Ends with FireE by K. X. Song, read by Natalie Naudus on audiobook.

Cover of Bard Tidings by Paul RegnierBlank SpaceCover of The Night Ends with Fire by K. X. Song

What did you recently finish reading?

I just finished H.C. Newell’s Curse of the Fallen—I’m reeling from the ending (but really shouldn’t be)—and Malibu Burning by Lee Golberg, read by Eric Conger on audio.

Cover for Curse of the Fallen by HC NewellBlank SpaceCover of Malibu Burning by Lee Goldberg

What do you think you’ll read next?

My next book should be Panacea by Alex Robins (I still love that cover) and my next audiobook should be Zero Stars, Do Not Recommend by MJ Wassmer, read by Stephen R. Thorne (that cover makes me think of a Rom-Com for some reason)

Cover of Panacea by Alex RobinsBlank SpaceCover of Zero Stars Do Not Recommend by MJ Wassmer

What kinds of things are you reading lately?

PUB DAY REPOST: Mystery Science Theater 3000: A Cultural History by Matt Foy and Christopher J. Olson: They Riffed, so the Internet Could Snark

Cover to Mystery Science Theater 3000: A Cultural History by Christopher J Olson and Matt FoyMystery Science Theater 3000:
A Cultural History

by Matt Foy and Christopher J. Olson

DETAILS:
Series: The Cultural History of Television
Publisher: Rowman & Littlefield Publishers
Publication Date: August 20, 2024
Format: eARC
Length: 182 pgs.
Read Date: August 6-8, 2024
Buy from Bookshop.org Support Indie Bookstores

What’s Mystery Science Theater 3000: A Cultural History About?

This is a retrospective of the show—its history, development (highs and lows), spin-offs, and latest formats. It’s also an examination and consideration of the impact the show has made to its viewers and on the industry of entertainment, and the ripple effects it has had on pop culture.

It looks at how MST3K was shaped by the upbringing of its cast and writers—focusing on the tone and style of the hosts—as well as the network (or lack thereof) that brought the show to the audience.

It wraps up with an Appendix listing twenty episodes that best capture the show for new viewers—between the riffs, the movies themselves, and hosting segments—with each host being represented. They truly picked some gems—good for new viewers and established fans to go back and revisit some highlights.

The Worst We Can Find

“Hey, wait a second, H.C.,” I can hear some of you thinking, “you talked about this book last July.” Well, no. But I can understand the confusion. That was actually the book, The Worst We Can Find: MST3K, RiffTrax, and the History of Heckling at the Movies by Dale Sherman.

I haven’t done this a lot, but every now and then I read a book that is someone taking all/part of their doctoral dissertation and reworking it/part of it for a wider/popular audience. In many ways, that’s what this felt like—Foy and Olson’s work was the technical/academic book for those of a more scholarly persuasion, and Sherman’s was the version for the wider audience. Except that Sherman’s was longer, and it usually goes the other way.

This is not a criticism of either book—at all. They both over their respective emphases and quirks. They’re both dependent on interviews and articles produced by others; both are written by fans who’ve dedicated a good deal of time to both the research and production of the book—propelled by a greater deal of time developing an appreciation of MST3K; and both are the kind of things that die-hard fans will sink their teeth into. One’s just a bit more highbrow than the other.

Dissecting Some Frogs

Analysts have had their go at humor, and I have read some of this interpretative literature, but without being greatly instructed. Humor can be dissected, as a frog can, but the thing dies in the process and the innards are discouraging to any but the purely scientific mind.

The idea has been variously ascribed, but it seems that E. B. White and Katharine S. White first put it into print. Whoever said it first, the idea floated through the back of my mind at more than one point while reading this book.

There were repeated explanations of various jokes throughout the book—and not one of them was necessary (if you ask me, anyway). Maybe one or two of them will help younger readers who are not familiar with the pop culture of the 90s or earlier, but I think context alone will take care of the questions a reader will have. And you understand the authors’ impulse to explain them and maybe even admire their attempt while rolling your eyes at the outcome.

Flirting With Semantic Satiation

The term Intertexuality appears so often in this book, that you can imagine Tom Servo and Crow riffing on it. But it’s not like there are a lot of synonyms available, and it’s a real focus of the authors and a strong point of the book. Still, the SOL crews would hammer them on it.

The consideration of how MST3K has trained a couple of generations in approaching intertextuality, media consumption, and responses to them is the intellectual core of this book. The show, in all its various incarnations, has shaped both the viewers and other shows, internet content, and general internet discussion in ways that are larger than the show’s ratings may suggest. The cultural footprint is oversized given viewership (the tapes did keep circulating, at least metaphorically).

I, for one, had given this very little thought until Fry and Olson pointed it out—along with their discussion of MST3K and its spin-off projects being at the forefront of newer delivery systems for media and programming. Given their humble beginnings, it’s really quite remarkable.

So, what did I think about Mystery Science Theater 3000: A Cultural History?

I’ve read two other books in this series (and keep meaning to read others), Friends and Gilmore Girls, comparing this to those, I’d say it captures the strengths of both and avoids what I recall as the shortcomings of the Friends volume and the spirit of the Gilmore Girls book. If nothing else, the diversity in these three installments demonstrates a strength of the series. You’re not going to get cookie-cutter approaches to the various series in consideration. Each author/team of authors is going to approach the show in question differently, reflecting the preferences and focus of the authors.

The only shortcoming I can think of (outside the attempted academic explanations of humor) is the lack of space given to Emily’s hosting/riffing style compared to the other hosts. I’m certain that this is a function of how few episodes she has appeared in, but it would’ve been nice to get a little more about her.

I was entertained by the book—both due to the authors’ style and the memories it conjured. I thought about the show and its legacy in ways I hadn’t before. I kicked myself for not taking part in the crowdfunding efforts I didn’t participate in. I was inspired to watch a couple of episodes I’d somehow missed—and just to make time for the show in general. Mostly this was an exercise in getting to know more about old friends, and seeing them in a different light.

I’m a sucker for anything MST3K related, so you know this worked for me. Do I know if you’ll appreciate this book if you’re not a fan or a media studies student? I doubt it’s for you. But if you’re either of those things—you’ll get something out of it.

What do you think, sirs?

Disclaimer: I received a copy of this book from Rowman & Littlefield via NetGalley—thanks to both for this.


4 1/2 Stars

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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A Few Quick Questions About RinthCon 2024 with Armanis Ar-feinial, Marilyn Peake, and T. Olsen

RinthCon 2024 is this weekend (or is it in 300 years and we get to learn about it this weekend?), and to follow up from the video chat I had with John Simons about it, I got the chance to chat with a few of the authors involved, Armanis Ar-feinial, Marilyn Peake, and T. Olsen. I admit that I got distracted by life, the universe, and everything, and dropped the ball. I’d planned on a few more questions, but that just never happened. I really appreciate Olsen, Peake, and Ar-feinial showing up to play as much as they did.


Would you all start off by introducing yourselves in 1-2 sentences to my readers? Be sure to mention a book title you’d like to feature, and a link to a website/social media, so we can follow up.
Armanis Ar-feinial (AA): You know, when I picked my penname, I never thought I would have to clarify that my initials do not stand for Alcoholics Anonymous, but my name is Armanis Ar-feinial. If you’d like you can call me Armin, or by my moniker, The Sarcastic Elf, all of which works. I write mostly fantasy, and for this year’s SPFBOX competition I submitted my short Novel The Plagued Elf, which basically infuses a pandemic in a Middlea-Earth-like setting.

Sarstic elf’s epic website
Twitter

Marilyn Peake (MP): I’ve been writing for a long time and published my first novel twenty years ago. I write in a variety of Science Fiction and Fantasy sub-genres. My latest novel is a combination of both. It’s my Science Fantasy novel, They Left Magic in Their Wake, which I entered in this year’s SPFBOX.

Marilyn Peake’s website: http://www.marilynpeake.com
Facebook Author Page: https://www.facebook.com/MarilynPeakeAuthor
Newsletter Sign-Up: https://www.marilynpeake.com/newsletter
Purchase They Left Magic in Their Wake: https://books2read.com/u/mdYoY5

T. Olsen (TO): I’m an author in the Midwestern US, where I work in the engineering industry. My current passions are TTRPGs (two sessions a week if they happen on schedule), turning our house into a cottagecore/witchy/medieval oasis, and wrangling our 5 dogs and 2 cats. My published book is Shadows of Old Town, which is an adult fantasy, and I have an urban fantasy and a sci-fi book going through final edits. My characters tend to be morally gray or antiheroes.

T. Olsen’s Linktree: https://linktr.ee/tamiolsen

In your words, what exactly is RinthCon?
AA: Okay, Carmielle willing there is no other authors here with AA as an initial or I have some serious explaining to do with my therapist. I mean characters. Now this is my first entry into Rinthcon, so I’ll do my darndest hardest to explain how this works. It doesn’t. Without a “Dripping Bucket” which I’m proud to say my book has one of those. To really simplify it, it’s a portal fantasy that brings characters from different worlds into Rinthcon, which takes place in a fictional world, or so John says: we all know it’s his backyard. And every year, he holds this convention in space with multiple things to do, places to go, and seems subterranean. Seriously, for a self pub guy like John, I have no idea how he funds this convention every year! He must be richer than Bezos.

MP: That’s funny, Armanis, about RinthCon actually being held in John’s backyard! What a backyard that would be!

I’ll try explaining RinthCon the way I understand it. Rinth is from John Simons’ novel, Explorers of Rinth. Rinth is a fictional asteroid near Saturn. A corporation once dug tunnels through it, setting up secret labs to conduct research that wouldn’t be allowed on Earth. One of their projects involved trying to build bridges to the multiverse. When it seemed like this hadn’t worked, they left the asteroid. However, the experiment just needed time. It worked after they left! Now, a wild and crazy Sci-Fi convention, RinthCon, is held on Rinth every year with attendees arriving from all over the multiverse. I hope I explained this accurately.

TO: I think that about sums it up. In general, it’s a sci-fi version of a sci-fi convention that ends up becoming a huge crossover story. I feel like the best part is that some of the OG characters are desperately trying to keep the chaos from happening, and some of them are totally on board with it, and even facilitating it!

Who participated in last year’s Con? How did it differ from other virtual cons you’ve done?
AA: So I don’t actually know who participated in last years con, so I can’t really answer that. I plead the fifth your honor.

MP: I didn’t know about RinthCon last year. I wish I had. Writing stories for this year’s con has been a lot of fun! Hmm…On the other hand, perhaps I did attend last year, but in another timeline in the multiverse. [if you happen to find a way into that timeline, I have some questions…]

TO: I also didn’t catch last year’s con. My book wasn’t out of the editing closet yet, so there was nobody to be sucked into an alternate reality. I did read the anthology though! I think the cool thing about Rinthcon is that the reader gets to experience the convention from the perspectives of so many different lenses. It’s chaotic, just like a real convention, and the reader gets plopped into little situations that allow them to see the event from the inside.

Okay, so we have no vets here. How did you all get involved this year? What in particular (assuming you remember) about the idea drew you in?
TO: I heard about it through the discord group for SPFBO. John talked about it and asked for volunteers to participate, and I’ve always loved making up little stories, so I figured why not? Besides, this way I’m the first person to write fanfiction for my own novel!

AA: Basically, I expressed some marginal interest when I found out about it in discord. Apparently all the juice secrets are there.

Without ruining anything (obviously), can any of you supply a sneak preview or two of what readers/attendees could expect to see?
AA: let me guess, someone stole your sweetroll?

TO: Well, on my end, Gray will be doing what Gray does best… lying, cheating, stealing, and running from responsibility! Only with even more tentacles.

That’s RinthCon, RinthCon, RinthCon this weekend! (if you can read that in the voice of a radio announcer talking about a Monster Truck Jam or something, that’d help) Be sure to check it out!!


A Few Quick Questions

MUSIC MONDAY: Getting Old Sucks (But Everybody’s Doing It) by Bowling for Soup

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Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

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A Quick Thought about the Audiobook No Two Persons by Erica Bauermeister, read by a full cast

Cover of No Two Persons by Erica BauermeisterNo Two Persons

by Erica Bauermeister, read by a full cast
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I don’t have the time for a full post about this audiobook at the moment. So let me just say this: Friday morning, on the way to work, I finished the audiobook. Saturday afternoon, I made my way to Shared Stories and bought the hardcover, because I had to have it on my shelves. I don’t know when I’ll get a chance to read it, but it doesn’t matter. I had to have it.

Make of that what you will.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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